Part 3 shadows

ARCHITECTURE 1o1 PART 3 :

T SIMJANOVIC

FROM SPACE TO ARCHITECTURE

SHADOWS

TABLE OF CONTENTS

CHAPTER 01 - WHAT HAVE I LEARNED WEEK WEEK WEEK WEEK WEEK

ONE TWO THREE FOUR FIVE

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PERCEPTION JOINTS TECHNIQUE COLORS SYNTHESIS

CHAPTER 02 : WHAT I HAVE LEARNED FROM OTHERS CHAPTER 03 : MY ARCHITECTURAL SPACE

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

WHAT HAVE I LEARNED

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

01: PERCEPTION

#thereallyexplicit 66/101 “SCIENCE IS NOTHINGBUT PERCEPTION”

01 Minimalist work by string art pioneer Fred Sandback with colour strings intervention.Fred Sandback was a conceptual-based sculptor known for his yarn sculptures, drawings, and prints.

PLATO

DOCUMENTATION What will i learn?

How to transform a space using strings or wires?

I will search for relevant examples, inspiration.

The idea of removing the meaningless to make room for meaningful.

02 Artist Yasuaki Onishi reversed volume ,strings produced by black hot glue https: //vimeo. com/41997966

03 String Lights design Michael Anastassiades

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03

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#peoplelike 67/101 “CREATIVE PEOPLE REALLY LIKE SECRETS “ ROLLAN BUSHNELL

CONCEPTUAL MODEL What will I learn?

To make digital models and representations for shaping a project.

#helpmeobi 68/101

MATERIALS Importance of materials and tools in shaping a conceptual idea.

#Idontlive 69/101

THE MAKING OF Testing things in real space and documenting the process.

#SunMoonStones 70/101 - REAL The space - corner of the room. The idea was to “stitch� the crack in the wall with the string and shadows. Interweave was omitted from the conceptual design.

DIGITALLY TRANSFORMING THE IMAGE What will I learn?

To understand that a digitally transformed image is a real thing.

#SunMoonStones 70/101 - DIGITAL The space - corner of the room with strings, looking at the crack in the wall.

Build a physical structure in which you can enter, focus on joints.

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

02: JOINTS

#FarFromSimple 71/101 " IT IS FAR FROM SIMPLE TO SHOW THE TRUTH,YET THE TRUTH IS SIMPLE." (Dziga Vertov)

DOCUMENTATION Understanding connections

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01 professor YM paper structures

02 Sou Fujimoto installation in Paris suspended metal cubes

03 Sou Fujimoto Serpentine Gallery Pavilion 2013

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#QuolityIsNot 72/101 QUALITY IS NOT AN ACT IT IS A HABIT “ARISTOTLE”

EXPERIMENTING

‘Think simple’ as my old master used to say meaning reduce the whole of its parts into the simplest terms, getting back to first principles.

Frank Lloyd Wright

#ValidForEverybody 73/101

MATERIALS Joints are some of the most important elements in any structure. The choice of materials will determine its success.

#ThinkSimpleAs (74/101)

DOCUMENTING Documenting the process of setting up structure.

#RarelyHas 75/101 REAL SPACE what will i learn: to work with the structure and shadows

DIGITALLY TRANSFORMING THE IMAGE WHY? architecture happens on several layers.

We have one main material: paper.

We have one main task: to divide the space within a room with a “hanging� divider made out of paper.

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

03: TECHNIQUE

#MiddleOfNowhere 76/101 DOCUMENTATION

01 Proto paper Lab 02 Zaha Hadid parametric 03 hanging unknown

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#ArchitectureStarts 77/101 Architecture starts when you carefully put two bricks together.

There it begins. Ludwig Mies van der Rohe.

Conceptual model of a paper hanging

#OnlyWorkWhich 78/101 "Only work which is the product of inner compulsion can have spiritual meaning." Walter Gropius Find, gather and document the tools and materials.

#ForYouIKnow 79/101 "For you I know I'd even try to turn the tide." Johnny Cash.

Documentation of making.

#PutOutTheLight 80/101 THE LIGHT

#PutOutTheLight 80/101 THE DARK

In praise of shadows.

#PutOutTheLight 80/101 THE COLOUR

In praise of colour and movement.

#PutOutTheLight 80/101 THE DIGITAL SKY EATERS -the relevance of movies in the definition of contemporary architecture.

How to generate space and meaning of it by designing a folding screen made out of paper or cardboard. Idea for the structure and materials.

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

04:MATERIALS

#InBuildingBridges 81/101 "No one should be interested in building bridges – they should be interested in how to get to the other side." Cedric Price.

DOCUMENTATION - structure and materials ideas

01 Alicia Quade

02 Francois Azambourg

03 Mona hatoum 04 Eva Brende

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05 Coloured glass screen by Camilla Richter.

#YouCanPlan 82/101 "You can plan events, but if they go according to your plan they are not events." John Berger Here Conceptual model of folding screen.

#NeverDesign

83/101

"Never design anything that cannot be made". Jean ProuvĂŠ Our

TOOLS AND MATERIALS

#QuotingLike (84/101)

MAKING

Material used is reflective “mirrored� card. the idea is to translate/ mimic the surroundings

#WhoTakesNotes 85/101

REAL MODEL

He listens well who takes notes. Dante Alighieri

#WhoTakesNotes 85/101 THE TRANSFORMATION.

Lights, shadows and colour.Use light as an ingredient and a tool to generate architectural meaning.

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

05:COLOURS

01 Ando Koshino house

#ThoughtfulMaking 86/101 "Architecture is the thoughtful making of space." Louis Kahn.

02 Warm Architects Casa W39 03 Studio mk27 b+b house

DOCUMENTATION - structure and materials ideas.

04 Alvaro siza Revigres building

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#BeNotafraidOf 87/101 Be not afraid of being called un-fashionable. Adolf Loos

Conceptual model of a light device.

#WhenIwasAlive 88/101 Conceptual tools are the most important in architects life.

TOOLS AND MATERIALS

#BeThineOwn 89/101

MAKING

Friday: #NoHouseShould 90/101

REAL - MY SUN MACHINE

"No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together each the happier for the other." Frank Lloyd Wright.

Friday: #NoHouseShould 90/101

DIGITAL -

TIN DRUM

To start from a given language of Condor company, and add new things.

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

06:SYNTHESIS

#ToCreateArchitecture/#Condor1o1 91/101

01

"To create architecture is to put in order. Put what in order? Function and objects." Le Corbusier.

01 Christchurch Art Centre 02 Julian Wild system no18 scaffolding Spitalfields London 03 scaffolding framework

DOCUMENTATION - Condor scaffolding documentation.

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#ArchitectureStruck / #Condor1o1 92/101 Mix ingredients.Scaffolding, Condor catalogue,findings, Fausto Melotti’ works.

Conceptual model of structure using scaffolding elements.

#ContradictoryForces / #Condor1o1 93/101 "It is not possible to live in this age if you don't have a sense of many contradictory forces." Rem Koolhaas

TOOLS AND MATERIALS

#SpaceItIsnt / Condor1o1 94/101

MAKING

#Buildingshave / Condor1o1 95/101

REAL 01

"Buildings have feelings too". John Hejduk.

#Buildingshave / Condor1o1 95/101 DIGITIZED 02

GREAT INSPIRATION FROM 1O1 COMMUNITY

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

WHAT HAVE I LEARNED FROM OTHERS

@MANIELAB

@KRISTINANERAL

@SUPERFLAJA

@CHAHRAMOON

@JUST_ SLOW_ DOWN_ LAURIE

@Y._.IMAI

@RIGHTFROMTHESOUL

@TELEZARMARINA

@KATURINN

@ALLNEWYEAR

@CLAREUNA

@LUCYDIPIERRO

@DUTCHLADYONE

@ARISTOTELISTRIANTIS

@IROXANA

@NALEXBLOG

@JAURINU

@ELSIVOKO

@VIVIANE.BTK

@VALVAI

@SOLAFONDENTE

@LIZZIELALAYELOW

@MARIOPERTILE

@MG DORZI

@LOUISCONWEY

@ESTEJI

@LODENO

@NERIDINA

@SUNADDICT

HOW DO I DEFINE THIS JOURNEY? WHEN I STARTED, I DID NOT KNOW WHERE IT WOULD LEAD, WHERE I AM GOING, EXACTLY. IT BECAME MORE CLEAR WHILE THE JOURNEY WAS PROGRESSING. AS I REMEMBERED THE NAMES OR PSEUDONYMS OF DIFFERENT PEOPLE ON THE SAME JOURNEY AND COULD CONNECT THE IMAGES POSTED ON VARIOUS SOCIAL PLATFORMS WITH THEIR NAMES, THE JOURNEY BECAME MORE PERSONAL. WHEN I STARTED WITH THE “SMALL” TALK AND WAS ABLE TO ASK FOR ADVICE, OR NOT TO BE SHY TO DO SO, THE JOURNEY BECAME MORE FULFILLING. APART FROM BEING CREATIVE AND A SOURCE OF INFORMATION, SOMETIMES OVERWHELMINGLY SO, THIS JOURNEY ALSO ENABLED ME TO LOOK DIFFERENTLY AT MY REALITIES AND ON INTERACTIONS WITH OTHERS. WHAT IS TO FOLLOW? I DO NOT KNOW BUT I HOPE THAT MY SENSING WINDOWS ARE OPEN WIDER NOW. HOW SHOULD I DEFINE MY ARCHITECTURAL SPACE AT PRESENT? WHEN I REFLECT ABOUT MY FEELINGS, ABOUT RELATING TO OTHERS , BEING OPEN TO A NEW EXPERIENCE I CAN SAY THAT I AM MORE ENCOURAGED TO DISCOVER, TO ASK, TO TAKE PICTURES, TO EXCHANGE THOUGHTS TO THINK IN TERMS OF THE, LIGHT AND OF THE SHADOWS. MY ARCHITECTURAL SPACE IS DIFFERENT,EVER CHANGING, FOR THE BETTER. I OBSERVE MORE, I AM AWARE MORE ABOUT SPATIAL CONFIGURATION OF MY SURROUNDINGS AND ALSO HOW OTHERS FEEL IT. THIS IS NICE.IT IS A NICE FEELING.

ARCHITECTURE 1o1 PART 3 : FROM SPACE TO ARCHITECTURE

MY ARCHITECTURAL SPACE

SOMETIMES PAPER IS THE MORE TACTILE MEDIA. DISCARDED IDEAS.

SOMETIMES YOU START WITH ONE THOUGHT AND END UP WITH ANOTHER.

VIDEO: ROAD TO NOWHERE - BUILDINGS HAVE FEELINGS TOO, MUSIC BY “TALKING HEADS”

https://www.facebook. com/tatjana. simjanovic/videos/10203 238797529983/

Apps used in creating the video:BlockArt HD, Glitche , Cute CUT and iMovie

All works by Tatjana Simjanovic

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t.simjanovic tatjana tatjana

ARCHITECTURE 101 Stefano Mirti Anne-Sophie Gouvin Community

ABADIR Accademia di Belle Arti

PART III FROM SPACE TO ARCHITECTURE