ISSUE 8
COMPテ年ERE SpringBloom Interview: BORA AKSU SPRING BEAUTY
SHOE EXTRAVAGANZA Fashion: The Painter Fashion Games Mulberry Girl Mens Night La Vie En Rouge Fashion In Motion
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A unique online presence Spring has arrived bringing a marvellous bloom of optimism and all things floral. This is our inspiration for this issue. As usual we have a plethora of stunning fashion editorials from Paris, Barcelona and Hong Kong! Let’s not forget our own contributions from London.
Editorial Team: Editor in Chief: Irene Darko – irene@componeremagazine.com Chief Sub Editor: Zita Savage – zita@componeremagazine.com Sub Editor: Philip Anthony – info@componeremagazine.com Interiors and Arts Editor: Zita Savage – zita@componeremagazine.com Fashion Editor: Irene Darko – irene@componeremagazine.com
Art reviews take us to Milan, with great travel
Fashion Coordinator:
reviews on the most idealic locations to jet off to
Elisa Stone – elisa@componeremagazine.com
this summer.
Fashion Assistant: Bianca Swan – bianca@componeremagazine.com Beauty Editor: Niedian Biggs – niedian@componeremagazine.com Arts Columnist: Christopher Phillips Advertising & Marketing: Jean Ampah – jean@componeremagazine.com
To receive our press pack please contact info@componeremagazine.com Compônere Publishing Limited 5 Kimberley Road London NW6 7SG
Production Manager: Adriane Savage – info@componeremagazine.com Finance & Business Relations: David Darko – david@componeremagazine.com Magazine Art Director: Andrew King Photographers: Cyril Lagel Nick D Hugo Salazar
Sarah Louise Johnson Aneta Kowalczyk Ishay Botbol Berta Vollanueva
Contributors: Sinead Flynn Mika Holborrow Rick Rabuck Christopher Philips Harriet Hadfield Mariko Kinto Li 2 Dirty Guys Marianna Jurkiewicz Paulina Bojor
Iria Gomez Losada Junior Queirós Toni Allende Corinne Lebreton Stephanie Herbin Les Estilistes Rosa Sinaysky Herman Ho Angela Milevsky
CONTENTS FASHION The Painter
2–11
FEATURE Bora Aksu
12–15
FASHION Fashion Games
16–23
FASHION Fashion in Motion
24–35
FEATURE Myrdith Leon McCormack
36–37
BEAUTY Spring Beauty
38–41
FASHION Shoes, Shoes, Shoes
42–43
FASHION Mulberry Girl
44–55
ARTS Art and Exhibitions
56–57
FASHION Mens Night 58–63
Photography: Sarah Louise Johnson Styling: Irene Darko Make-up: Hariet Hadfield Hair: Mariko Kinto
ARTS Milan 2011
64–65
FASHION La Vie En Rouge
66–77
EXTERIORS Light Up The Landscape
78–79
BEAUTY Current Pin-Up
80–85
TRAVELISTA Amathus Hotel & La Réserve de Baeaulieu & Spa 86–87 STOCKISTS
88–89
FASHION
THE
PAINTER Photographed by Sarah Louise Johnson
Sheer feather dress by Falguni & Shane Peacock Shoes by Azzaro
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Jacket by Isabela Oliver Long white dress and slip by Derek Lam
Khaki jumpsuit by Derek Lam
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Fringed Bolero by Tim Ryan Beaded Dress by Suno Gold Necklace from Halpern) Shoes by Azzaro
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Red lace and nude dress at www.Philip Armstrong.com
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Dress by Georgia Hardinge Belt by Georgia Hardinge
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Red lace and nude dress at www.Philip Armstrong.com
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Yellow crop bandeau by Fam Irvoll Multi colour floral skirt by Fam Irvoll Shoes by Azzaro
Photographer: Sarah Louise Johnson Stylist: Irene Darko Make-up: Harriet Hadfield using M.A.C Cosmetics Hair: Mariko Kinto at AthertonCox Manicurist: Marie Isabel Kennedy, Set designer: Aurelien Farjon Assistants: Lauren Miller & Floren Ungureanu
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FEATURE
Bora Aksu by Bianca J Swan
Q You have a flair for art and are well know for your
creative free-style, what was it that drew you to fashion?
A The whole starting point for fashion to me was the
raw drawing ability that I had when I was a child. I find the drawing part highly sensitive in a way that it open doors to my imaginary world.I always had a secret admiration to fashion through observing it since such young age. I think my first initial fashion ideas came through the people around me. My family, my mum, observing their attitudes and the way they dress, I wanted to almost capture it. I think the whole concept of taking fashion as a career choice came to me when I realised that fashion is much more to me then just drawings or fabrics or clothes. It was the time when I created my own world through illustrations and suddenly I had a revelation. I discovered the amazing link between 2D drawings to 3D garments. This transformation brings such amazement to the whole concept of fashion. I found it almost magical in a good way. I never thought that I would do something that I would love and be successful. I didn’t believe in this totally at the time, but I was not frightened by the future. Once I made that decision I moved to London to study and learn the subject from A to Z. It’s actually quite interesting once you have a direction in life, everything falls into place really quickly. Then Central Saint Martins BA and MA came in to the picture. Especially MA was my time to express my design identity and find my true self. Being studied under the Louise Wilson umbrella actually brought me into a total realisation of “what you all about” concept. After the graduation show which I believe was a turning point in my life a sponsorship award came along which enabled me to do my first off schedule show.
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Q Coming from Turkey must be a huge contrast to life in London. Do you draw
influences from your Turkish roots?
A Whether it’s the past or the present, all my ideas come from what’s going
on around me: Therefore the city where I live and also the city I came from has a huge impact on my creativity. Turkey has such cultural richness, diversity… I also must say that since I moved to London I feel quite at home here. London is a treasury pot. I love going through the old bookshops on Charing Cross Road and discovering all the local car boot sales became my hobby for years. I love the things happening in the east, it still has an effortless vibe. It’s funny though once you broke your shell of your comfort zone, then being at home the feeling actually changes a lot. It’s almost the border around yourself expands in such a way that you never can go back to having that cosy/being at home true sense. I guess it’s good in a creative sense. I also travel a lot and seeing other part of the world’s different cultures and different dress codes totally amazes me. Travelling is so important for my creativity that I hope I will never take it for granted.
Q How does it feel to return and show your collection at Istanbul fashion week? A Istanbul is one of the most enchanting places. The pulse of the city was embedded in it’s history, culture, and dignity. Now whenever I travel to Istanbul
I really appreciate the city as my eyes are not trained to take things for granted there. I was actually very excited when I was invited to design a collection inspired from Istanbul to show at Istanbul Fashion Week. 2010 was the year that Istanbul was chosen as the cultural capital of Europe. For me it was the city I was so used to yet so far away from at the same time. Where you live and what you see on a daily basis is necessary for inspirational reference which I try to use as a ‘tool’ instead of a ‘crutch.’ When it comes to inspiration I don’t put any boundaries around it. Anything or anyone can be an inspiration to me. It’s usually a big pot of ideas. As soon as an idea comes to mind I like to sketch it out. When you mix the ideas or blend them there is this ethnic quality, mixed with a spiritual vibe. This was exactly the case for the collection I designed for Istanbul.
Q What would you say has been your most memorable achievement to date? A I think it’s up to people born with different gifts to nurture them, keep it or abandon it. When your gift becomes a passion you don’t even think of
it because you cant help doing it. I guess that was the case for my fashion design path. I love it so much that I don’t know how I would feel without it. For me this is the biggest achievement. I think it’s a blessing in life to be able to do what you love and I wouldn’t change it for anything.
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Q Tori Amos infamously bought your entire Spring/Summer05 collection. Would
you say she is your muse?
A Tori Amos is such an amazing artist and she is a true inspiration. Working
with her was one of the best experiences I have ever had. She is one of the most humble and down to earth persons I have ever met. I do love working
with such amazing people. They don’t have to be celebrities as I actually really enjoy when people are around me, friends wear my stuff and mix them with their personality. It’s of course amazing to design for a catwalk show but I think the designs can only become real when real people apply it to their everyday life. Seeing it from outside is really satisfying. Again its mainly people around me, I don’t have a specific muse but I do feel inspired by close friends.
Q You have often deconstructed dresses and shoes, exploring movement
and sporty elements for your collaboration with the Cathy Marston Project and Converse. Did this influence your work with the Artisan Armour Group?
A I think collaborations are really good in the sense of working with such
creative people from totally different fields. People always have different
perceptions when it comes to creative fields and collaborating with these different fields creates great results. I think it’s also very inspiring to work with people who are from different creative fields as they have a total fresh approach to it. Like any creative field, one has to find a balance of hands on and technical experience. And that’s also why I do very much like the collaborations.
Q You have spoken about the importance of designers collaborating with fair
trade companies to keep clothes current and on trend. Do you hope collaborating with eco friendly brand People Tree, will encourage other designers to get involved?
A The People Tree collaboration was actually started with a project with
Japanese Vogue. It was only a one-off design project and the aim was raising awareness through the collaboration. I really enjoyed the process during this project and it was received so well that we started thinking of a long-term collaboration possibility. I am still very amazed with the process of producing fair trade garments and how many people earn their living in many countries actually working so passionately with my designs.
Q You have been awarded the Top Shop New Generation Award four times.
How does it feel to have the support of the British Fashion Council?
A London Fashion Week and London Fashion is known for its new and
exciting talents. The fashion colleges played an important part in this process. I actually started my career straight after my graduation show. That was a combination of press support and sponsorships. After my first off-schedule
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show, I won the Topshop New Generation Wward from the British Fashion Council four times and I am truly thankful for their support. The British Fashion Council has been a great supporter and totally helped me to be securely rooted in the fashion industry.
Q You described your Autumn/Winter11 Show as being inspired by the 19th
century and Dr Jekyll and Mr Hyde. Where do you feel most inspired?
A The double lives and identities of Victorian characters inspired me in their
contrasting ways. Starting with traditional mens tailoring reminisant of the late Victorian era like capes, bow ties and tailored jackets juxtaposed with feminine pleats and cocktail dresses to bring contrast was the main detailing. I am very drawn to tailoring this season. The beauty of classic timeless tailoring and it’s details and techniques really inspired me. Then the challenge comes with the manipulation of these tailoring techniques and how to turn it into something new – this became the concept for the collection. The duel identity of the collection is also born out in the functionality of the garments. Three-quarter length coats with sharp lapels and leather piping can be unfastened to become a more demure cropped jacket. The casual observer cannot detect that the structures are two parts of a whole – just as the relationship between Jekyll and Hyde was not seen.
Q How do you want your clothes to make women feel? A With fluid materials, I create three-dimensional structures that define my creativity and my own path. I have numerous convictions and seek difficult answers based on body, cloth, and the space between and around them. My aim in design is to be a perfectionist, which requires tireless efforts on improving a design over many, many times. For me the ability to cut the cloth to produce abstract and complex shapes brought to life through experimentation and imagination is what my design language is based on. My ability to drape cloth, at times directly on a person, also resulted in accidental design ideas, which is at the heart of some of my most important work. Fabric becomes very important in the process of translating ideas into actual garments. Fabric choice can make or break a garment therefore it needs so much personal consideration. Fabric choice ultimately influences my designs. The drape, texture, colour – these are all helpful in moulding my ideas. Then the designs are generally altered and manipulated by additional draping. Each fabric works differently under the needle, each pleat or ruffle falls a certain way depending on how you drape it on the dress form.
Q And finally what are your plans for 2011? A I am very excited with the Bora Aksu tights line as it will be launched before London Fashion Week in September 2011.
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FASHION
Fashion Games Photographed by Aneta Kowalczyk
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Photography: Aneta Kowalczyk – www.anetakowalczyk.com Make up and hair: Marianna Jurkiewicz Styling & designs: Paulina Bojor Model: Natalia – Moss Model
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Fashion in Motion Photographed by Hugo Salazar
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FEATURE
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Photographer: Hugo Salazar Stylist: Iria Gomez Losada Grooming:Jテコnior Queirテウs YSL cosmetics products. Model: Beth from ss & mm Assistant stylist: Rachel Arenas Assistant photography: Cesar Gorriz, Xosテゥ Quiroga Production: Toni Allende Acknowledgments to the location (Cavalls per a tothom )
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FEATURE
Myrdith Leon-M by Mika Holborrow
We catch up with the creative mind behind M2M Products. Top New York based manicurist and entrepreneur Myrdith Leon-McCormack gives us a sneak preview into her extraordinary life. What inspired you to pursue your career? My mother, my children. Wanting to be home and available for my children without having a 9 to 5. Who are your primary clientelle? Magazines, Italian Vogue, Elle Magazine, Seventeen Magazine… Beverly Bond founder of Black Girls Rock. What has been your favourite editorial or fashion show you have worked on? Vera Wang, Nicole Fahri in London... of course Louis Vuitton in Paris. I am looking forward to hitting Berlin Fashion Week. What do you enjoy most about your job? Meeting great people… new people… conversations. What influences nail trends for a season? Fabrics, colors, and the desire to be different… Luxury fashion tends to set the trends and everyone follows, but I set my own trends… I also think celebrities have any impact on current trends? What colours are a ‘must have’ in any girls’ cosmetic bag? Base coat/top coat... classic red, nude, and a metallic.
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McCormack What is the current fashion for the shape of well manicured nails? Oval is always classic for length, but soft square is always great for short. How did M2M come to life? The challenge from my friends Keisha Whitaker and AJ Crimson. Where can our readers find your M2M products? On line and coming to a spa near you by the end of 2011. What is your personal favourite nail colour from your collection? Kompa because it is from my beloved Haiti!!! What do you think the future trends will be – such as styles or colours? Brights will never die!!!
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BEAUTY
Photographed by Cyril Lagel
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BEAUTY
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Photographer: Cyril Lagel – www.cyrillagel.com Make up artist: Corinne Lebreton @B4 agency Hair artist: Mike @B4 agency Manicurist: Kamel B @B4 agency Model: Alisandre @ New Madison Digital artist: Stephanie Herbin
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FASHION
Click clock your way through the city with our fabulous array or bights, stripes and dotty heels..
LANVIN
GUCCI
HORSESHOE-HEEL PATENT-LEATHER PUMPS
SUEDE AND GLOSSED-PYTHON SANDALS
£640 www.lanvin.com
£565 www.guccu.com
ALEXANDER McQUEEN
JIMMY CHOO
STUD-EMBELLISHED PYTHON AND LEATHER ANKLE BOOTS
VIVIENNE EMBELLISHED LEATHER AND SNAKESKIN SANDALS
£1,295 www.alexandermcqueen.co.uk
£995 www.jimmychoo.com
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CARVEN
MIU MIU
STRIPED CANVAS PUMPS
POLKA-DOT SATIN-TWILL SANDALS
£320 at Selfridges www.selfridges.com
£295 123 New Bond Street London W1S 1EJ www.miumiu.com
VERSACE
RAPHAEL YOUNG
STUDDED CUTOUT LEATHER WEDGES
HABAKI RESIN AND SUEDE PEEP-TOE PUMPS
£355 183-184 Sloane Street London SW1X 9QP www.versace.com
£530 www.onlinestore.raphaelyoung.com
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Brown wool wide leg trousers Floppy bow biker Brown d-ring silk top All flower skirt white/beige Wide gold buckle bracelet Thin gold buckle bracelet
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MULBERRY
girl
Photographed by Ishay Botbol
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Bella bib dress lilac Triple pale gold bangles
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Bella bib dress burnt peach Wide gold buckle bracelet
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Lily champagne moon metallic
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Blue flower blouse Wide gold buckle bracelet Thin gold buckle bracelet
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Pink and white bow jacket
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Indigo frill jacket Indigo denim skirt Denim lily (small) White snake print d-ring wrap wedge
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Bella bib dress burnt peach Brown snake d-ring wrap wedge Light peach tilly
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Pink bow short sleeve leather jacket
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Pink and white bow jacket Pink and white bow skirt Brown snake d-ring wrap wedge
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Brown d-ring silk top All flower skirt white/beige White snake d-ring wrap wedge Wide gold buckle bracelet Thin gold buckle bracelet Triple pale gold bangles
Photographer: Ishay Botbol – www.ishaybotbol.com Stylist: Roza Sinaysky – www.rozasinaysky.com Hair: Herman Ho Makeup: Angela Milevsky Models: Talidy / Parker from Nevs Models London.
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ARTS
Hoppé Portraits National Portrait Gallery Until Monday May 30 Hoppé (1878-1972) was one of the most important photographers of the early 20th century. He photographed many celebrities of the time, including: Margot Fonteyn, Benito Mussolini and George Bernard Shaw.
ART
Admission £9
Tracey Emin: Love is What You Want Hayward Gallery Until Tuesday August 9 Love is What You Want features works from every stage of Tracey Emin’s whirlwind career, including rarely-seen early works and new outdoor sculptures created especially for the Hayward Gallery. Admission £9.00
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Yohji Yamamoto V&A Until Sunday July 10 The V&A presents the first UK solo exhibition celebrating the work of Japanese fashion designer Yohji Yamamoto. Taking place 30 years after the designer’s Paris debut, the show features 80 garments spanning Yamamoto’s career.
Watteau’s Drawings The Royal Acadamy Until Sunday June 5 The Royal Academy presents the first retrospective of drawings by JeanAntoine Watteau (1684-1721). The Royal Academy exhibition features more than 80 works, including theatre pieces, portraits, shop interiors and fêtes galantes. Admission £10
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FASHION
Cardigan by Prada Tie clip by Martin Margiela (I.T. Boutique) Trousers by Versace
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MENS NIGHT Photographed by Nick D
Blazer by Bottega Veneta Polo shirt by Bottega Veneta Trousers by Agnes B Shoes by Bottega Veneta Bracelet by Martin Margiela (I.T. Boutique)
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Vest by Dries Van Noten (Joyce Boutique) Sweater by Opening Ceremony (I.T. Boutique) Pants by Hugo Boss Loafers by Vivienne Westwood Shades by Linda Farrow (I.T. Boutique)
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Blazer by Dsquared (Joyce Boutique) Vest by Dsquared (Joyce Boutique) Sweater by Dries van Noten (Joyce Boutique) Pants by Vivienne Westwood
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Shirt by Bottega Venata Pants by Bottega Venata Bow tie by Bottega Venata Belt by Comme de Garcons (Joyce Boutique)
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Photographer: Nick D for precursorprints.com Stylists: 2 Dirty Guys Hair and grooming: Li Assistant: Stella Model: Jeremy C – Model Management
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ARTS
In an event that brings Milan to life more than fashion weeks combined, the Salone Internazionale del Mobile (better known as the Milan Furniture Fair) attracts the newest, coolest and most well established design companies to exhibit their latest works. Just outside of town sits ‘i Saloni’, a mammoth exhibition centre so large it is impossible to see from one end to the other. Here furniture ranging from bedding, chairs, lighting and more chairs are assembled in an overwhelming competition to vie for the most interest by journalist from around the globe. Move closer into the centre of town and design houses had meticulously planned out independent exhibitions in the most exciting and unique spaces they could find. Renowned glassware company Venini chose the Palazzo Bagatti Valsecchi to celebrate 90 years of their charming Murano glass works. Sitting beside pillaged furniture from the 16th century were commissioned pieces from the likes of Studio Job (with their aptly named ‘tits’ pieces-complete with hand blown areola and nipple), Fernando and Humberto Campana, and Barber Osgerby. So cleverly curated that Fulvio Bianconi’s gathered glass bowls in every colour seemed like natural decoration for a table setting back-dropped by faded tapestries that are over 300 years old. Talk-of-the-town was the debut furniture collection but luxury brand Hermès, made up of new pieces and reissued designs of Jean-Michel Frank. Expectantly conservative, the interest was in the details and the extraordinarily high quality of the production. Reclining chairs had copper legs well contrast by muted red and grey stripped fabric, with a head rest made from the most immaculately constructed deep-red leather and contrast white stitching that it wouldn’t look out of place if it were carried down the street instead of a handbag. Utilising renowned companies such as B&B Italia for manufacture ensured Hermès achieved the highest standard of quality. Studio Toogood held their exhibition ‘Notra Morde’ in a derelict apartment, bringing together their second collection of furniture (Assemblage 2) sitting alongside the largest collection of erotic sketches by Piero Fornasetti seen in 50 years. Each evening design collective Arabeschi di Latte was invited to serve various black foods at a Midnight Supper, ranging from squid-ink dyed bread, black tea stained eggs and burnt artichokes.
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by Christopher Philips
Waitresses wore headpieces designed by Faye Toogood and milliner Zara Goreman while explaining the processes behind the food being blackened as it was being served. Just slightly outside the city centre sat creative hotspot Ventura Lambrate; the only area of the Salone where designers need to present their works before hoping for an invitation to show. This area traditionally attracts design school and new graduates, and this year it was chosen as the location for Yves Behar’s collaboration with Jawbone. Creating a completely new market for music speaker products, the Jambox was launched; a brick-like wireless speaker that connects to devices via Bluetooth, producing incredible sound thanks to its inbuilt speakers and miniature subwoofer. Cleverly using the Jambox as building blocks different structures were created; an archway, a sofa and a ‘brick wall’, all playing tracks submitted by aspiring DJ’s via music website Soundcloud. For those who missed Milan 2011 the Brompton Design District is in talks to bring over selected pieces from Milan to London later in the year.
www.studiotoogood.com www.jawbone.com www.arabeschidilatte.org
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LaVie En Rouge Photographed by Berta Villanueva
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Jumpsuit by Cotテゥlac Sash by Pianura Shoes by Bruno Premi
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Jumpsuit by Cotテゥlac Sash by Pianura Shoes by Bruno Premi
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Dress by Casadei Shoes by Casadei
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Dress by Casadei Shoes by Casadei
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Dress by Casadei Shoes by Casadei
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Dress by Casadei Shoes by Casadei
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Dress by Casadei Shoes by Casadei
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Dress by Tara Jarmon Belt by Loewe Tights by American Apparel Bracelets by Beatriz Furest Shoes by Casadei
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Scarf by Hermティs Shirt by Lacoste Tights by American Apparel Shoes by Bruno Premi
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Foulard by Pleats Please
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Photographer: Berta Villanueva Stylist: Les Estilistes Make up artist and hair: Júnior Queirós Hair products: L´Oréal Paris Model: Viviana Pérez – Fleming Models
Jacket by Pianura Trousers by Cotélac Shoes by Topshop
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INTERIORS
Light up the Landsca by Zita Savage
Let sparks fly, create a cosy atmosphere in your garden with contemporary design fire pits, lanterns and trendy garden lighting.
Rubu Antique Lantern. £28. www.lombok.co.uk
Rechargeable Outdoor Ball. £103. www.lightingforgardens.com
Pyramid Log Burner. £50. www.direct.asda.com
Twilight Lantern. £79. www.johnlewis.com
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Safety Firepit. £69.99. www.greenfingers.com
ape Hotspot Olympic Torch. £35. www.mode.co.uk
Norlys Narvik Bollard. £1374. www.garden-lighting-outlet.co.uk
Palermo Outdoor Lamp. £241.20. www.thegardenlightingshop.co.uk
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BEAUTY
Current Pin-Up Photographed by Berta Villanueva
The Pin-up girls changed the concept of beauty and created a new icon of femininity. Get back to false eyelashes and adopt sensuality as a way of life. Play with different personalities to improve your more attractive features. Feel fresh and natural with pink, but do not forget to be sophisticated. Red lips are a whole declaration of intentions: be the protagonist. Show your sexiest side and bet for seduction. Orange is intensity, do not let your energy run out adding this color in your make-up. We all know that green is the color of hope. Add mystery with a subtle touch in your look. And finally, among all the warm colors, light up your face with yellow in your cheeks. Berta Villanueva
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Photographer: Berta Villanueva Make up: Junior Queiros Model: Andrea Litke – Fleming Models
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TRAVEL
Amathus Hotel PHAPHOS Cosmopolitan in spirit, the luxurious Amathus Beach Hotel, Paphos the highest standards of genuine hospitality. The Paphos Amathus Beach Hotel has unique style with classic interior. This hotel is an ideal choice at any time of the year, with a beachfront setting, world-class spa, exquisite cuisine and cultural heritage means you will leave this hotel wanting more. The monastic architecture offers an elegant, authentic compliment to the landscaped gardens and beautiful seashore views, all just two kilometres from the charming fishing harbour of Paphos. There’s no doubt that the harbour, with its fortress and myriad open-air restaurants should be your first port of call. Dine on fresh fish and sip chilled wine. Watch yachts come and go from the bay, or enjoy the array of music bars and clubs that make up Paphos’ nightlife. Never mind the best of both worlds, with Paphos you get the best of all worlds. The ancient capital of Cyprus and reputedly the birthplace of the Goddess of Love, Aphrodite. This seaside dream blends old and new with an unforced charm that’s intensely seductive. From £174pp
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http://amathus-hotels.com/paphos/
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by Sinead Flynn
La Réserve de Beaulieu & Spa by Sinead Flynn
La Réserve de Beaulieu & Spa faces the sea midway between Nice and Monaco. Elegance refinement, a gentle way of life and legendary comfort are the keywords that best describe the décor of this splendid Florentine residence. Built in 1880, this intimate and exclusive destination is where tradition and renewal have been so skillfully blended. The guest rooms and suites have been completely renovated with handmade frescoes for an authentic expression of style and beauty. Dine like a king at the renowned Restaurant de Rois, either in the luxurious dining room, or by sunset on the spectacular terrace. La Réserve’s Spa offers a wide selection of treatments. If you need to get Riviera-ready, ask for a self-tan application - you’ll look fantasic lounging by the 2000-square-foot heated saltwater pool, which stretches nearly to edge of the sea. Be sure to explore nearby Villa Kerylos, a recreation of an ancient Greek residence, complete with whitewashed columns, courtyards, and gorgeous art, that recalls the town’s early history as a Greek port. From £143pp
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