The Telescope 38.20

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Search committee reviews applications Small turnout elects new ASB officials By Cyndie Claypool Less than one percent of the 15,909 enrolled students turned out to elect their new Associated Student Body president and vice president in the elections held two weeks ago. 61 students voted into office president Kim Scanlon and vice president Nadia Almuzaini. Both contestants were running unopposed, which may have been the cause for the low number of voters, according to Marilyn Lunde, secretary to the Dean of Students. In recent years, the highest amount of student voters Lunde has seen was around 400, with the lowest being 48. Despite the voting turnout, Scanlon is looking optimistically towards her new term, which commenced May 13 at 12 noon. "It feels really weird (to be president), but I'm really looking forward to it," Scanlon explained. "I didn't expect to be running unopposed," she said. In fact, she did not know she was running alone until the elections. Almuzaini was also not anticipating running unopposed, but her brother, who was her only competition, dropped out before the elections. Scanlon and Almuzaini, who are both 19, had not really communicated before they were placed in the positions together. "We're very friendly with each other," said Scanlon. "We've just never talked." Scanlon's goal for next year is to get people involved on campus. "We (the ASB) are only what the students are. If a student wants something to get done, as long as it's legitimate," she smiled, "we're the ones to see." The rosy cheek brunette, seated behind her newly acquired desk, excitedly continued explaining her plans. "ASB is going to be very visible next year." For the remainder of the spring semester, the new officers will be carrying out the work started by this year's previous ASB presidents, Kevin Farrow and Bob Klug. (Incidentally, Klug, whose new line is "tell it to Scanlon," left for a week vacation in Mexico the Monday following the swearing-in ceremony of the new president.) Some of Scanlon's plans for next year include getting the cheerleaders involved in the activities, cleaning up the Student Union, with her main emphasis on getting more students involved. Next year, ASB will also enjoy a board conference room, adjacent to (Continued on page 6)

Process runs a little behind schedule Palomar Collega

Volume 38 No. 20

A Publication for the Aaaociated Student•

DISCOVERY- A yCYUng boy named Andy revels in the wonderment of spring. Palomar student and local artist Christian Julliay, a watercolorist,

Friday, May 17, 1985

San Marcoa, CA

painted this scene as ane of the illustrations for his book "Andy in the Bird Forest". (See story below.)

By Chris Reynolds Efforts to select a new president/ superintendent for Palomar are running "a little behind schedule," according to Presidential Search Committee coordinatorI chairperson Jim Bowen. At present, 72 applications received by the committee are being reviewed by its 12 members. Bowen describes the process as a lengthy one, one he may not have chosen if he "were the boss." "I just think it takes longer for a committee (to arrive at a fmal choice)," he said. "But I think everyone will be happier in the long run, . because they have arrived at a consensus." Bowen alluded to the make-up of the committee, noting both of the college's vice presidents, Dr. Theodore Kilman and Dr. Kenneth Burns, an exofficio (non-voting) Board of Trustees member Dr. Robert Dougherty and other notable campus personnel were on the committee. "We've got a powerhouse committee. We don't have any wallflowers on it, which makes it a little tougher," Bowen said. Originally, Bowen says a provision had been made to establish a prescreening committee to pare down the number of candidates. That idea was abandoned because there was the belief that other committee members should have the chance to examine the entire field of candidates. The screening process is lengthy because of the number of applications that were received and because, "To do it right, they have to be looked at thoroughly," Bowen said. Search committee members must devote their free time to the selection process. Bowen says committee members work evenings and weekends reviewing the applications. The next step in the process is for each committee member to choose 10 applicants who they feel are best suited for the position. The choices of each member's top ten candidates will be submitted and a matrix will be developed. Bowen says if committee members choose the same top ten candidates the process will be easier and faster. But since committee members will make those choices independently they may choose different candidates for the post. Names that are selected by the greatest mumber of committee members will get preference, but committee members will be afforded the opportunity to argue for a particular candidate if they think the candidate is being over-looked. The Board of Trustees has specified it wants three-to-five candidates to choose from. Bowen says he would like (Continued on page 6)

Artist hears calling despite hearing loss By Melanie J. Anderson Close yCYUr eyes for a mament and listen. Really listen. What do you hear? Perhaps you hear the sCYUnd of children playing. Or, do you hear, in the stillness of the day, the birds chirping; the wind rustling the leaves?

When Christian J ulliay turns off the hearing aid that rests in his left ear, he hears the ocean. At least it sounds like what one would hear when placing a seashell to the ear, he says. Or perhaps it's Tinitus, ringing of the ears, that he hears. Julliay suffers from otosclerosis, a hearing impairment that has badly damaged both his ears. It began when he returned from Vietnam, and has gradually worsened until he was forced to wear a hearing aid and learned to lip read. Julliay, at age 36, has abandoned previous jobs as a San Diego mailman, a custom home-builder and a French

teacher at San Diego State University because of his hearing impairment. In 1977 he underwent an operation in hopes of repairing the bones in his middle ear which do not vibrate or transmit sound. It was unsuccessful. Recently, he underwent another such operation. This time it was done by the specialists in the House Institute in Los Angeles. It was also unsuccessful. But more important than his hearing impairment, Julliay is an artist, "I was born to paint," Julliay says. He recalls his first painting, a reproduction of Don Quixote by Honore Daumier. He was nine years old and had given it to his teacher who was leaving because "she had treated me so well," he remembers. Born in Algeria, Julliay is of French background. His family moved to France when he was nine years old. Against a Paris backdrop, he must of been inspired.

"My teachers told me that art would be my direction," he recalls. After a year in Paris, Julliay's family moved again. They went to Canada, and Julliay was 15 when they again uprooted. This time they landed in California. "When I was twelve," he says, "I started entering art competitions. But I grew up as a regular kid, collecting pigeons and chasing girls ...." Today Julliay is an accomplished artist who has originated and developed his own style - cubic realism. Cubic realism involves many painted squares and rectangles that are within the composition. His unique style allows the forms to be cut into many sections which allows the expression of the many variances of individual colors, leaving the form to remain. According to Julliay, he ran into his new form of painting "by accident". He tells the story of how, one day,

he was sitting at his desk scribbling out an idea for an illustration. On the back side of the sheet, he had previously drawn out some tenative plans for an addition to his house. As he usually does, he taped the illustration to a wall to better visualize it. As he stood back looking at his drawing, he noticed that the sun shining through an open window sprayed light upon the paper. The light revealed the plans he had drawn on the other side. What he saw, he says, was an illustration of a small boy dissected into many squares and ruler lines. "It made me think of the cubics," he said, "of Picasso and others. And ever since then, I've been working with this style." From that incident, an idea was born and soon developed. Cubic Realism, as Julliay named it, is different from cubism in that its

forms remain flat and the composition whole. Cubism, on the other hand, involved the breakdown of form and a separation of its parts. Cubism also involved three-sided forms with depth. Because of his love for color, Julliay's watercolors express a vibrance that shows of his appreciation of pure and isolated colors. Until two and a half years ago, Julliay was purely an oil painter. He now prefers watercolors because they dry faster, are less expensive, and are easier to store than oil paints. Because of his other love, children, Julliay paints for children. Most of his compositions include children and birds. San Diego landmarks have also become a favorite subject for Julliay. (Continued on page 3)


The Telescope, Friday, May 17 1985

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RANDOM THOUGHTS

Buffalo training finally explained By Jerry Reyes I would like to apologize to all my fans (both of them) for not printing this, my long-awaited "buffalo house-training article." Many of you have buffaloes which are on the verge of maturity without the benefit of being housetrained, because you have been waiting for the definitive agglutination on buffalo training tips from yours truly. Wait no more! What follows is as essential to domestic life as an automatic egg scrambler. But first, my reasons for my tardiness. The first time I put it off was because of my main method of transportation, Bogart the Wonder Car. He was, and still is, a pain in the rear. There have been times I cheerfully would have throttled him, but I couldn't find the throttle, so I had to choke him instead. If nothing else, Bogart does keep me on my toes (when he's not rolling over them, that is). After that, of course, came my neardisasterous ski trip. I had to write all the facts down while they were still fresh in my mind for posterity (if any). Later on, I will go into why you should never leave your buffalo at home after telling him you're going on a ski trip. The bathroom soap dispenser will be difficult to replace. The third time I avoided the article, I had decided to write about the birth of my godchild, in commemoration of her birthday. The reason it was so late was that I didn't forget her birthday; I had forgotton what her name was. The fourth time I managed to get out of

it was that I had once again been called Frank and decided to set the record straight in print. I don't know who the young lady was who kissed me in the local K-Mart, but Frank, if you're reading this, don't forget to pick up the kids on your way home from work tonight. I have finally run out of excuses. Once again, what follows is definitely my long-awaited and much put-off article on house-training your buffalo for fun and profit. Really. Finally. This is it. When house-training your buffalo for fun and profit the most important thing to remember is to choose a day when you can spend considerable time and have lots of room in which to work. The rolled up newspaper routine works well, but I've found it works best when you roll a short length of steel pipe in it first. Buffaloes can be notoriously hardheaded. Now that you've rearranged the furniture and have suitably armed yourself, you are ready to begin. Uh. . . I don't know quite how to say this, but I've just been told by my editor that I have to cut this short. I would continue next week, but I already have my next article planned, so you'll just have to wait until the week after next to read the rest of this. Besides, now that you've heard all my excuses, I have to build up a repertoire of new ones. Until we meet again, then, may all your buffaloes be happy ones. NEXT WEEK . . . . . . . . . House-training your buffalo for fun and profit. Not really.

DMV, teenagers, cars drive mom to madness By Marilyne Mancino One of my unfavorite things to do, and I think it's safe to venture I'm not in the minority, is to drop in at the Department of Motor Vehicles. It seems most every time I'm compelled to visit there, I witness some citizen engaged in a major or minor hassle with the office personnel. I really don't relish listening to these frustrating confrontations- they make me nervous. Maybe I get antsy because I have a stifling sense of deja vu when I pass through those portals. You see, in the space of many years I've brought eight (count them, eight) teenagers on several occasions and for various reasons to the DMV. Not among the least stressful appointments were their driving tests. For some reason not clear to me, my husband slithered out of this parental obligation, leaving me, as well, with the dubious honor of accompanying them on their trial runs in preparation for the actual tests. Now, for those of you who have never had this gut-wrenching experience, let me say this: on a scale of 1 to 10 in terms of stress, this feat rates an 11 and qualifies as a perpatrator of imminent cardiac arrest. You don't believe me? Have you ever tried pulling into the Sports Arena exit when everyone else is heading out? Well, don't. Not unless Life Flight is hovering nearby to get you to the closest trauma unit. As for the paperwork entailed in the registration process, at one time or another we've spent hours in line attempting to unravel the questionable ownership of their newlypurchased cars. But by the time son #6 began his career in vehicles, he changed the rules. I remember well his first transaction. He bought a car from someone at the beach for $100. He had no pink slip, no bill of sale, no

smog clearance, no certificate of non · operation and three-year-old Mississippi plates. Question: How does he get it licensed? Answer: He doesn't. He's already sold it to another teenager for $150 and the kid's unsuspecting mother, no doubt, has to cope with it. I know, dirty pool. I'm sure the state loses at least a few million i.n fees yearly via this teenage bypass operation. Actually, there should be a solution to this immoral practice. And if you figure it out, keep it to yourself. Remember, I saw you disconnecting that smog device.

STUDQ OR NO STLJPQ .•• NEXr 11ME W6 HAVe 1Hc5E ANIMALS House BROKeN • ~Lost

In America' finds comic truths By Lou Verret When a comedy film does its job well, there always will be a lingering seriousness at its very heart. A truth that we won't swallow straight out. It has to be clothed in a palatable disguise such as comedy. Albert Brooks' new film , "Lost In America", does its job well. The laughs are many and for the most part at the expense of our values in the everyday world of how we earn our money. Brooks, who directed and co-wrote the movie, plays David Howard, the typical young professional of today whose primary concern seems to be that of status and achievement in spite of happiness. Linda (Julie Hagerty), his wife, shares his disenchantment with corportate climbing and social striving. Early in the story, she conveys that empty is-thisall-there-is feeling we know so well. David and Linda both have successful careers in L.A., he with a prominent national advertising firm and she as a personnel manager for a large department store. Initially

Guitar program set Members of the San Diego Guitar Quartet Brian Hays, Omar Ramirez, Deborah Anderson and Lisa Smith will play music by Bach, Torroba, Tarrega and Manuel de Falla in a program titled "Music For 4 Guitars," May 22, in the Palomar College Performance Lab, Room D-10, at 11 a.m. Admission is free. For more information contact the Palomar College Music Department at 744-1150, Ext. 2316 or 2317.

the focus is on his anticipated big promotion to senior vice-president and his nervous glee in preparing for his prestious benefits: the brown Mercedes that will be company-leased, the position of responsibility that finally will, as he says, allow him to be irresponsible, and the new $450,000 house for which they've just signed a contract to buy. Although we know David is in for a surprise when the big day arrives, the fun for the audience takes off from here and continues in the form of dialogue that shows off Brooks' talent as a funny man. Recalling their dreams as 18 year-olds to follow the lead of the movie "Easy Rider", they decide to drop out and take to the road 1980's style, a Ia Winnebago and nest egg consisting of $145,000 from the liquidation of all they own. The subsequent comedy comes in scenes that are built around Brooks' ability to showcase his intelligent and sharp wit with intensity that is believable. Each turn of events, beginning with their stop in Las Vegas and ending with a stay in a small Arizona town, reminds us of how close we all are of being in their situation given just a few events and decisions. Our laughing is as much due to our identifying with David as it is at the outcome of each predicament he finds himself in. Brooks has captured some gems that hit home for Middle America. As a reflection of one of our society's prevalent attitudes, the movie is very likely one to be pointed to by film experts in the years ahead.

The Telescope Chris Reynolds Editor-in-Chief Managing Editor . ...... Melanie J. Anderson

Sports Editor . ................ Paul Taylor Reporters .... . ............ Jeannie Carter, Cyndie Claypool, Deneice Dennington, Sean Grady, Ted Gray, Robin Koleszar, Linda Laws, Fred Lyle, Marilyne Mancino, Sabrina Messenger, James Molinar, Paulette Oberle, Jordan Omans, Chris Ray, Jerry Reyes, Colleen RieciPll Advertising Editor ............ Carrie Miller Photography Editor ........ Mike Goodman Photographer .............. John Marymee Journalism Advisor .......... Fred Wilhelm Graphic Communications Advisors ................ . . Neil Bruington, Letty Brewster, Gary Cohen

Opinions expressed herein are the individual writer's and do not necessarily represent those of The Telescope. However, unsigned editorials do represent those of The T elescope.


FEATURES

The Telescope, Friday, May 17, 1985

Watercolorist develops unique style (Continued from page 1) "San Diego is so beautiful," he says. "People who live in San Diego love San Diego scenes as much as tourists do." Some of these paintings include familiar landmarks like M.ission Bay, the Hotel Del Coronado, the Chart House, the Del Mar Race Track, Cabrillo Light House, and several Coronado and Balboa Parks scenes. Why does Julliay paint? "Why does a musician strum on a guitar for hours and hours at a time? Why does a writer write? Why does a poet create poems?" he asks. "I do it for therapy. It's a form of relaxation and expression for me. Painting mellows me out, and soothes my nervous system. "People who don't have an art, I think, are bored. They are the ones that turn to drugs and alcohol. I believe that a person needs to use his time constructively. "An artist creates. If he can't, then he doesn't have enough purpose for existence. Artists are more of an existentialist than the average person." For the past year, Julliay has begun to try and sell his paintings. Painting used to be a hobby, he says, but now he considers it a full-time occupation. "Whether I made money or not, it didn't matter," he laughs. "But now it does. There are bills and mortgages to be paid!" "I want to do what I want to do. Very few people get to do that. Most people get caught up in marriages, raising kids, 'keeping up with the Jones', and buying new cars. These people think common sense instead of their ideals and dreams. "I should have been a full-time artist long ago," he says wistfully. But expectations from his parents who urged him to be successful, own his own house and get an education, he says, kept him from his dream. Over the past year, Julliay began showing his art as exhibits in banks. Since then, his pieces have been shown in several San Diego libraries and

galleries. At the end of March, his paintings were exhibited at the La Jolla Art Association in La Jolla. In addition, he shows his art every first and third Sunday of each month in Spreckles Park in Coronado. "Art has to have as much show as possible 'to be heard," he says. "It's a struggle to live as an artist. I have a chance if people are interested. To become a known contemporary artist, an artist needs to show his art whenever and wherever he can. The more times it is shown, the bigger the chance the artist has of being recognized." Julliay explains that it may take four to five years before he will make money painting. "I sell some now, but not enough. I spend about as much as I make." In an effort to market his watercolors, and to get them to the public and make money, Julliay has begun to reproduce his watercolors in etchings. "Whereas an original watercolor would cost $150-$200, an etching would only cost about $15. This way it is more affordable." As a first time Palomar student, Julliay is learning the printmaking business on campus. His hearing impairment, however, does make classroom discussion difficult. "What I don't catch with words, I catch with the advanced students. I look to see what they are doing." Because of his new, different style, Julliay began demonstrating his unique painting technique last year when he did a presentation for the San Diego Watercolor Society. Since then, he has done about seven more presentations to various organizations, including the El Cajon and La Mesa art groups, as well as with the Del Mar Fair. "I enjoy demonstrations. It exposes my art style, and it teaches me to speak," he says shyly," 'cause I'm really bad with words." Julliay has joined his own art groups to become a member of the San Diego

Watercolor Society, the San Diego Art Association, and exhibit chairperson of the Coronado Art Association. In the past year, Julliay has expanded his artistic ability to become a published author. His first creation, a children's book, is called "Andy in the Bird Forest," which he illustrated himself with several San Diego scenes. Julliay, who has raised birds since he was very young, wrote his book about birds. It's about a young boy who travels, via a magic owl, to a fantasy forest in Southern California (the "Palomar Mountains") and gets educated about birds and their habitat. "Andy and the Bird Forest" is on sale in various San Diego bookstores. Julliay has written two more children's books, and is in the process of illustrating them now. He began illustrating children's books about two years ago when he volunteered to illustrate for his uncle's publishing company in Paris. "I love children," he says with a wide grin spreaking over his mouth. "I love creating for them." Julliay has two children of his own, a son, 5, and a daughter, 8. Because of his hearing impairment, Julliay does not socialize very much. "I work best in a one-to-one situation," he explains. "When I'm with a group of people, I start to miss words. Then I'm in left field because I get so lost!" "And at parties, forget it. I don't hear a thing. Just a loud buzzing noise. "I've adapted though. I look at lips and guess what people are saying when I can't hear them. "I feel fortunate that it's the only handicap I have. Some people cannot walk or see; and some people are missing a limb. My handicap is so minor compared to other people's." Julliay is able to wear a hearing aid in his left ear because it is not as badly damaged as the right ear. If he wore it in his right ear, he says, it would not overcome the ringing. "But nowhere near is a hearing aid like natural sounds," he says. " The ringing I hear sounds like the ocean." "It's pleasant to hear that sound, but it is also a hindrance when someone is trying to talk to me. Especially when children talk. They have such important things to say; always asking questions and "why why why?" With his paintings, Julliay is looking towards the future. He hopes his unique style of cubic realism takes off in San Diego to make him a widelyknown local contemporary artist. An example of his work, Discovery, which shows of his love for children and color, can be seen on the front page of this issue of the Telescope.

Photos by Mike Goodman

Story By Melanie J. Anderson

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The Telescope, Friday, May 17, 1985

Mime Mark Wenzel juggles his act.

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Joe Stanford exhibits his prize winning entry. Suzzy Shannon and Ken Sutherland dish out apple pie.

MAYFAIR '85 Mayfair- Fashion, Food and Fun! Many activities were featured May 7, 8, and 9 which added color and festivity to the campus during this once-a-year occasion. Clubs, vendors, bands, entertainers, competitions, and a fashion show, organized by the Associated Student Body, all contributed to the unique atmosphere. Bedecked in an assortment of clothing, models swayed to the music during Tuesday's fashion show. Wednesday was highlighted by the chili cook-off and western-styled bands. Mark Wenzel, a mime, made an impression on Thursday's viewers, which concluded the week's events.

Culinary experts Alfred Verganesta, Celine Arena and Paul Billings. What's Mayfair without a clown?

Fashion models strike a pose.

Photos by Mike Goodman and Chris Ray


NEWS

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The Telescope, Friday, May 17, 1985

Handicapped Services director Eugene Zevin lauds students By Sean Grady

Eugene Zevin is pleased with the students of Palomar College - very pleased. As Director of Handicapped Student Services since it started in 1975, Zevin has seen the Palomar community do what he feels is an excellent job of interacting with the handicapped. "The students in the general population at Palomar," Zevin says, "have been very sympathetic (to the handicapped) from the outset, or, upon learning the nature of the situation, they (have) become very sympathetic in short order. "I think it's a very understanding student population here."

LAST PLAY OF THE SEASON - Finding out "How The Other Half Loves "are Lisa Jimenez as Fiona (left), Liz Gumbleas Turesa (center), and Joe Abreu as Bob. The play runs this weekend and next. (Photo by Chris Ray)

'Other Half' debuts tonight; begins two weekend run by Ted Gray

Ever wonder how the other half lives and loves? The last Palomar play of the year may supply the answer to that question. "How The Other Half Loves" premieres tonight and continues tomorrow and Sunday. It will finish its run next weekend, May 23, 24 and 25. Time is 7:30 p.m. with a 2 p.m. matinee on May 19. This contemporary comedy, written by Alan Ayckbourn in 1968, deals with the relationship between three couples and the complications created by a liaison between two of the characters, Fiona and Bob, played by Lisa Jimenez and Joe Abreu. The other cast members include Elizabeth Gumble, David Hedrick, Kevin Mann, and M. Desiree Perrit. Director Pat Larmer, production

I

manager for the theater, is excited about directing this production, which played on Broadway and at the Globe Theater. "It's a fun type of show to do. I've never directed anything like this before, so it's kind of nice because I'm stretching myself." Larmer describes the play as a comedy centered around marital infidelity and thinks it will be a good play. "The script is very clever and with any luck it will be a good show." Larner also praised the cast and their performances. "They're a good bunch of kids doing the best job they can. They're really working hard." The cost for "How The Other Half Loves" is $5 for general admission and $4 for seniors and students. For more information call the theater box office at 744-1150 or 727-7529, Ext. 2453.

"Points of view have changed tremendously," said Zevin. "12 years ago, many people believed .. . that handicapped people in general should be sequestered on some remote campus and put in a situation of isolation.

Golfers set new school record By Jordan David Omens

Golfer Chip Nelson finished fourth in a field of 68 golfers, advancing to the State Tournament at Rancho Canada Country Club in Monterey. Doug Higgins qualified for the Regionals but did not advance any farther. The tournament was held at Western Hills Country Club in Monterey. "In the last 10 years we have never fmished worse than third place," says According to Val Sanders, chairperGolf Coach Bob Lusky. And this year son, "some graduate alumni of the is no exception. department will be attending the Mter winning the April 22 Inland Open House to support, talk and Valley Tournament held in San Diego, answer questions." the team went on to win the southern division of their league April 29 by posting an over-all season record of 16-4. This was made possible by all seven golfers turning in impressive "Karen Ann Quinlan - Dead or : season averages. The lowest average Alive?: the Need for a New Theory of belonging to Higgins with a 76.4. Death" is the theme of the Palomar A new schpol record was set this College Tenth Philosophy Colloquium, season for low score in one match which will be held on May 17 in AA- when the team shot a combined 366, 105 from 2 p.m. to 4 p.m. an outstanding four over par. The colloquium is headed by Valerie Next season Coach Lusky will only Taylor, a bioethics teacher at Palomar, be losing two golfers Darren Sorrell and is open to the public. Those and Nelson. Despite these losses he is desiring more information should call optimistic and hopes to pick up a few Zack Seech at 744-1150, Ext. 2650. recruits.

NEWS IN ART

Students, parents and friends will have the opportunity to see the art department in action Friday, May 24, as the Annual Open House and Student Show opens at 6 p.m. Music and hors d'oeuvres in the art patio will accompany various media displays which will include printmaking, paint and drawing demonstrations. The public is invited to take tours through the Open House and stroll through the Boehm Gallery to view the Student Art Show, which runs through June 12. Other art demonstrations will include: glass blowing, clay, jewelry, metal casting (foundry process), pouring bronze, etching, watercolor painting and stained glass making.

Zevin says that this attitude towards the handicapped has existed as long as the program has been on campus. As early as the first day it opened there was "a great deal of good feeling and interest" in what Handicapped Student Services wanted to do, and what it is still doing providing the handicapped with ways in which they can move into and take an active part in the 'mainstream' of society. Zevin feels that the exposure to the non-handicapped which his students get both in their classes and through their extracurricular activities aids in the 'mainstreaming' process. He also feels that this exposure is good for the non-handicapped. "We actively encourage and promote involvement of that kind," said Zevin. "I think it's good for all concerned - it's certainly very good for the person who's being drawn into the mainstream, and for those in the mainstream, there's the occasion to understand the phenomena of the handicapped." In Zevin's opinion, "Given the size of our institution, which is one of the smaller community colleges, we've done a very good job" in mainstreaming the handicapped. Part of this accomplishment, he feels, is due to an improvement in how the handicapped are seen by the non-handicapped.

Colloquium scheduled

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"In the past 12 years, this (attitude) has changed very, very dramatically. I think that there's an awareness through understanding and through daily contact." Zevin knows well that this state of awareness on the part of the nonhandicapped was not easily reached. "There's an aversion toward people who are different. It results in a lot of prejudice . . . there's fear, there's apprehension of somebody different in appearance." However, because of the increased contact with and dialogue between the non-handicapped and the handicapped, Zevin thinks that "the fears have diminished - many of the myths (about the handicapped) are discredited." Zevin himself has done much to diminish the uneasiness felt about the

Musicians perform Brenda Montiel and James Weld harpsichordists, will perform solo and dually, accompanied by chamber orchestra May 19 at 3 p.m. and again at 5 p.m. in the Palomar College Performance Lab, Rm. D-10. The concert, commemorating the 300th anniversary of the birth of Johann Sebastian Bach, is scheduled twice because of limited seating. Reserve tickets by calling 744-1150, Ext. 2317. Admission is $3 and tickets can be purchased at the door.

handicapped. Zevin told about one instance where he went to talk to a class about one of their classmates, who had sustained spine injuries in a car accident which resulted in his becoming a quadriplegic. The other students in the class had been unsure how to act around the student, and were disquieted about his physical appearance. Because of his talk with the class, in which he explained the student's condition and answered questions, Zevin was able to put the class at ease with the student and get them to 'open up' to him. Zevin admits that there are still many people who are skeptical about having a positive relationship with the handicapped. He says that these people should look at the similarities between themselves and the handicaped before they look at the differences. "They (the handicapped) are us," Zevin says. "They are not somebody different, but people who are like the non-handicapped, except for limitations they have which they need to overcome." For the most part, however, Zevin feels that "understanding is the common condition" on campus. "The people at Palomar have done a very good job - keep it up."

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NEWS With overcast skies lingering above, it was a chilly day for a contest. But on May 8 the chili cook-offwent on as scheduled. Judges chose music instructor Joe Stanford's chili as number one. He received $250. Second place went to Les Spellman who won $175. With a salsa entry, Mildred Bliss won $75 for third place. Rebecca Peinado won $50, also for a salsa entry.

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Opportunities for people who have re-entered single life or are going through mid-life crisis to meet others who face the same situation will be the subject of a two-day seminar. The seminar, "Mid-Life Crisis : Reentering Single Life," will be held June 1 and June 8 from 9 a.m. to 5 p.m. in room 0-11. It is sponsored by the college Gateways/ Gerontology Program. "Finding yourself single again after a long-term relationship can be very confusing," says Wayne Fortin, one of the seminar instructors. "We hope to give people good information about how to handle the transition and encourage participants to learn from and support each other." Seminar topics will include learning to take risks, abandoning the search for Mr. or Ms. Right, living alone versus · living lonely, knowing what is expected of men and women today and freeing yourself from the "singles" myths. A registration fee of $5 per person is required for the seminar, offered for one unit of college credit. Reservations are required, as seating is limited. For reservations or more information, call the Gateways/ Gerontology office at 744-1150 or 727-7529, Ext. 2607.

6

The Telescope, Friday, May 17, 1985

BallBJrl Co~mittee rev1ews applications

"Bass and Bass" is the Concert Hour title for May 29. The 11 a.m. concert, to be performed in the Performance Lab, will feature Joe Stanford, bass, with Bertram Turetzky, string bass and accompanied by Judy Westerfield, piano. Admission is free. Zina Schiff, the internationally acclaimed violinist, will appear with the Palomar Community Orchestra in its final concert of the season on Saturday, June 1 at 8 p.m. and Sunday, June 2 at 3 p.m. in the theater. Also on the program will be the Stravinsky Symphony of Psalms in which the orchestra will be joined by the Palomar Chorale. Admission is $5 and $4 general; $4.50 and $3.50 senior citizens. Tickets will be available at the door or in advance from the Palomar College Box Office at 744-1156.

......

Sandi Trevisan, the Public Information Office's publicist, walked off with top honors recently in the "best news release" competition at the eighth annual Commission on Public Relations Pro Awards program. Trevisan received a first-place plaque in the news release category for two entries -- a poignant story about blind Palomar sculptor Walter Odom and a detailed piece about the world-premiere stage adaptation of Ray Bradbury's "Martian Chronicles" at the college. Winners of the statewide competition were announced during the California Association of Community Colleges Commission on Public Information and Community College Public Relations Organization 1985 conference at the Bahia Hotel.

(Continued from page 1)

the committee to select no more than ten applicants to be submitted for consideration before the committee proceeds with its interviewing process. The applicants chosen by the committee will be subjected to a two-hour oral interview in which they will answer a specific number of questions put to them by the committee. After the oral interviews have been completed, the committee will submit candidates names to the Board. The Board will make the final decision. The Board could have hired a consulting firm to perform the presidential search, but it opted instead to establish a committee consisting of college personnel. The need for a search committee came about as a result of the Board's 4-1 vote not to renew the contract of Dr. Omar Scheidt at a special board meeting on Nov. 20, 1984. Currently, the college is being administered by interim president Dr. Keith Broman, former vice-president of instruction at MiraCosta College. Bowen says the Presidential Search Committee is on a deadline and hopes to be finished with its work by June 14. According tho Board of Trustees president, Mary Burke Trotta, the Board expects to select a new president by July 1. Dr. Broman has said he may be persuaded to fill the void if the selection does not meet its deadline.

61 students vote (Continued from page 1) the T.V. room, with a new table and plush chairs, according to Scanlon. The patio area will also receive some new picnic tables and umbrellas. Both of these are products of the previous officials. Scanlon is an active member of the honor society Alpha Gamma Sigma (Les Spellman, the president of AGS, claims Scanlon is "Dynamite"), was coordinator of Casino Night put on by AGS, is on the swim team and held

a position as ASB senator. Scanlon is taking General Education courses and plans to transfer to the University of San Diego in the fall of 1986, with an emphasis in either physical therapy or public relations in international relations. Almuzaini, who replaced her brother, Mohanned, as vice president, will be attending the United States International University part-time in the fall with a major in business administration.

At Godfather's Pizza, you and your date can have a big time for small change. Fun, games, incredible pizza and plenty of your favorite beverage. Eat here or grab a pie on the way and take it with you wherever you go. There's nobody's pizza like Godfather's Pizza. It's a bargain that's hard to beat!

575 W. Vista Way, Vista, 724-1710 605 N. Broadway, Escondido, 480-9956

.. .. ..

Three concerts, featuring vocal and instrumental tunes, have been arranged by the Music Department for the public. On May 22 at the 11 a.m. Concert Hour in the Performance Lab, D-10, Pat Hoy will be heard in "The Art of Doubling" playing the flute, oboe, clarinet, bassoon and saxophone. Accompanying her will be Tim Steele on the piano. Admission is free.

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