Jewellery, Watches & Silver - 14 September

JEWELLERY, WATCHES & SILVER

SATURDAY 14 SEPTEMBER 2024

ALSO SELLING THIS WEEKEND:

THE SWINTON SALE

FRIDAY 13 SEPTEMBER

9.30AM

YOUR SPECIALISTS

BSc (Hons) FGA, DGA (Jewellery)

COUNTRY HOUSE SALE

SATURDAY 14 SEPTEMBER

9.30AM

Sarah Hardy, PJ Dip, FGA, DGA (Consultant, Jewellery)

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

Jeffrey Lassaline (Silver & Objects of Vertu)

Jessica Fall

Adam Wasdell Wostep, MBHI (Watches & Clocks)

JEWELLERY, WATCHES & SILVER

SATURDAY 14 SEPTEMBER 2024 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Wednesday 11 September 10.00am to 4.00pm

Thursday 12 September 10.00am to 4.00pm

Friday 13 September 10.00am to 4.00pm

Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

FRONT COVER

Telephone: 01969 623780 Lots ??? enquiry@tennants-ltd.co.uk www.tennants.co.uk

2001

An Art & Crafts Enamel Necklace, by William Hair Haseler attributed to a Jessie M. King design, circa 1900, enamelled in blue and green on an embossed frame, decorated with flowerheads and similarly enamelled quatrefoil finials, with a baroque pearl drop, blue counter enamel, on a trace link chain pendant measures 4.9cm by 6.5cm, necklace length 50.8cm

£400-600

2002

An Arts & Crafts Turquoise Pendant on Chain the pear cabochon turquoise matrix in a white rubbed over setting, within a scroll and bead work border, suspending a round cabochon turquoise matrix, on a trace link chain pendant length 6.2cm, chain length 43.8cm

£70-100

2003

An Arts & Crafts Enamel and Pearl Necklace three graduated double chain linked round panels enamelled in blues and greens to depict stylised peacocks, each surmounted by scroll motifs, the central panel suspending a pearl, to a trace link back chain drop length 4.8cm, necklace length 38.8cm

£150-200

2004

An Arts & Crafts Enamel Necklace, by Murrle Bennett & Co. the pendant drop formed of three sections with floral plain polished decoration and enamelled in blues and greens, on a fancy link chain drop length 7.0cm, necklace length 37.8cm

£200-300

2005

An Art Nouveau Enamel and Amethyst Brooch formed of green plique-à-jour enamelled leaves and round cabochon amethyst berries, in white rubbed over settings measures 3.5cm by 2.5cm

£200-300

2006

An Art Nouveau Plique-à-Jour Enamel and Pearl Pendant the oval plain polished frame overlaid with leaf motifs set throughout with graduated blue to green plique-à-jour enamel, with pearl and split pearl decoration measures 3.6cm by 2.2cm

£150-200

2007

An Arts & Crafts Enamel Buckle the rectangular frame depicting a stylised tree of life, enamelled in blues and greens, and enamelled to the reverse in blue measures 6.8cm by 6.1cm

£150-200

2008

A Silver Art Nouveau Enamel Brooch, by William Hutton & Sons Ltd of Tree of Life form, highlighted with blue and green enamel measures 4.6cm by 4.2cm

£100-150

2009

An Arts & Crafts Enamel Brooch, designed by Archibald Knox for Liberty & Co Ltd, circa 1903 the planished panel depicting stylised plants, enamelled in blues and greens measures 3.5cm by 2.8cm

£300-500

2010

An Art Nouveau Enamel Hat Pin, by Charles Horner the scarab beetle motif enamelled in blue and green, with a swivel top measures 2.7cm by 1.2cm

£80-120

2011

An Art Nouveau Enamel Hat Pin, attributed to Archibald Knox for Liberty & Co Ltd of interlocking quatrefoil form, enamelled in blue and green to both sides measures 2.5cm by 2.5m approximately

£120-180

2012

An Art Nouveau Enamel Hat Pin, attributed to Archibald Knox for Liberty & Co Ltd of shield form, enamelled in blue and green to both sides measures 2.5cm by 2.5m approximately

£120-180

2013

An Art Nouveau Enamel Brooch, designed by Archibald Knox for Liberty & Co Ltd the circular plaque cast with heart and leaf motifs, enamelled in blue and green, with a swivel top measures 2.0cm diameter

£80-120

2014

An Art Nouveau Enamel Hat Pin, attributed to Archibald Knox for Liberty & Co Ltd two interlocking circles issuing a heart motif, enamalled in blue and green to both sides measures 2.5cm by 3.0cm approximately

£120-180

2015

A Jugendstil Plique-à-Jour Enamel and Pearl Hat Pin two leaf motifs set throughout with green plique-à-jour enamel, with a baroque pearl flower motif measures 3.8cm by 2.5cm

£100-150

2016

An Art & Crafts Enamel Necklace, by Liberty & Co Ltd attributed to a Jessie M. King design, circa 1900, the central plaque suspends a T-shaped drop surmounted by pairs of chains linked to a clover motif, enamelled throughout in blue and green, on a trace link chain pedant measures 7.7cm by 6.4cm, chain length 43.5cm

£200-300

2017

A Silver Art Nouveau Enamel Brooch, by Charles Horner depicting a fish enamelled in purple and blue, within an oval loop frame measures 3.0cm by 1.6cm

£80-120

2018

An Arts & Crafts Chalcedony Necklace the rectangular cabochon green chalcedony in a scroll frame, surmounted by a double chain linked smaller chalcedony, to floral motifs suspending oval chalcedony, to a similar back chain with spacers throughout drop length 5.0cm, necklace length 42.8cm

£80-120

2019

A Silver Art Nouveau Enamel Brooch, by Charles Horner depicting a fish enamelled in blue and green, overlaid upon a circular plain polished frame measures 2.4cm diameter

£100-150

2020

An Art Nouveau CYMRIC Enamel Brooch, designed by Archibald Knox for Liberty & Co Ltd of scroll design, enamelled in blues and greens measures 3.1cm by 2.1cm

£120-180

2021

An Art Nouveau Silver Enamel Brooch, by William Hair Haseler supplier to Liberty & Co Ltd, design attributed to Archibald Knox, the oval plaque decorated with whiplash motifs highlighted with green, blue and orange enamelling measures 2.6cm by 1.7cm

£200-300

2022

A Silver Arts & Crafts Enamel Belt Buckle, designed by Archibald Knox for Liberty & Co Ltd formed of two sections, cast to depict stylised plant motifs decorated with blue and green enamelling measures 8.3cm by 5.3cm

£200-300

2023

An Art Nouveau Silver and Enamel Brooch, by William Hair Haseler supplier to Liberty & Co Ltd, design attributed to Archibald Knox, the irregularly shaped plaque with scroll decoration enamelled in greens and blues measures 3.6cm by 1.9cm

£150-200

2024

An Art Nouveau CYMRIC Enamel, Mother-of-Pearl and Baroque Pearl Brooch, designed by Archibald Knox for Liberty & Co Ltd of scroll design, a split pearl flanked by circular mother-of-pearl plaques and enamelled in green, suspending a baroque pearl measures 3.5cm by 2.5cm

£150-200

2025

Two Enamel Hat Pins, by Charles Horner both modelled as butterflies, enamelled in blue and green, with swivel tops measure 2.9cm by 1.8cm

£150-200

2026

An Art Nouveau Enamel Pendant the shield motif enamelled throughout in blue, suspending a similarly enamelled drop measures 5.3cm by 2.4cm

£100-150

2027

An Art Nouveau Enamel Brooch, designed by Archibald Knox for Liberty & Co Ltd stylised honesty with whiplash tendrils, enamelled in blues and greens measures 4.9cm by 1.8cm

£120-180

2028

Two Glass Hat Pins, by Charles Horner the circular swirl frame decorated with two purple glass stylised thistles, with a swivel top; the other with an amber glass thistle motif amongst a scroll frame measure 3.8cm diameter and 4.3cm by 3.2cm (respectively)

£80-120

2029

An Art Nouveau Horn and Glass Bead Necklace, by Elisabeth Bonte the horn carved and painted to depict a butterfly amongst flowers, suspending a glass bead drop, on a cord necklace decorated with varishaped and coloured glass beads drop length 10.3cm, necklace length 82cm (approximately)

£300-500

2030

A Jugendstil Pendant on Chain the openwork shield motif with a triangular cabochon garnet centrally, with a round cabochon pink stone below and suspending a moulded glass drop, on a later trace link chain pendant measures 5.1cm by 3.8cm, chain length 40.5cm

£150-200

2031

An Arts and Crafts Chalcedony Necklace the central oval cabochon blue chalcedony flanked by round cabochon red, green and blue chalcedony, in square pierced and beadwork borders, conjoined by fancy chain links, with festoon decoration necklace length 41.5cm

£80-120

2032

An Enamel and Hematite Necklace, Newlyn School the round cabochon hematite within a heart shaped wirework frame, suspending a shell motif enamelled in red to a further wirework frame, on a trace link chain drop length 4.0cm, necklace length 44.8cm

£300-500

2033

An Art Nouveau Green Glass Belt Buckle the two interlocking stylised scrolling leaf forms set throughout with round cabochon green glass decoration measures 9.0cm by 6.1cm

£150-200

2034

A Jugendstil Green and Purple Glass Belt Buckle the interlocking sections decorated centrally with graduated oval cabochon green glass alternating with oval cabochon purple glass, overlaid upon an irregular shaped abstract plaque measures 9.1cm by 5.5cm

£150-200

2035

A Jugendstil Green Glass Belt Buckle the two interlocking sections depicting stylised ginkgo leaf motifs, with an oval cabochon green glass to the centre measures 9.7cm by 6.0cm

£150-200

2036

A Jugendstil Enamel and Hardstone Brooch two intersecting circular frames decorated with green enamel, with an oval cabochon green hardstone centrally, in a white millegrain setting measures 3.2cm by 2.0cm

£100-150

2037

An Art Nouveau Beetle Brooch the central beetle motif comprising of an iridescent glass body with white plain polished limbs and head, issuing scroll and leaf motifs in a stylised heart form, suspending two similar beetle drops measures 7.2cm by 7.5cm

£80-120

2038

An Art Nouveau Green Stone Brooch the shield motif decorated with three round green stone cabochons in white rubbed over settings measures 3.3cm by 2.0cm

£70-100

2039

A Collection of Buckles comprising of a pierced pewter example, etched Osiris to the reverse; two tree of life examples decorated with red and blue glass; a scarab beetle example; a paste set shield motif example; and a circular example depicting a lady

See illustration online

£100-150

2040

A Collection of Eight Arts & Crafts Hat Pins comprising of a silver enamel fleur-de-lys example, by Charles Horner; a turquoise matrix example; a purple glass example; an honesty example, by Murrle Bennett & Co; a triple leaf motif example; a geometric blue enamel example; a triangular shield enamelled in blue and green example; and a green enamel frog and lily pad example

See illustration online

£200-300

2041

A Collection of Eight Hat Pins and Six Buttons comprising of two oriental examples; a Ruskin style example; a trefoil blue and green enamel example, by Davis, Moss & Co; a double sided blue and green enamel example; a circular split pearl and blue and green enamel example; an enamel swivel top shield motif example, by Abrahall & Bint; a circular honesty example enamelled in green and blue; and the buttons decorated with round cut blue paste

See illustration online

£200-300

2029

2031

2038 2030 2032

2042

A Pair of Diamond Earrings

the yellow kite shaped plaque set throughout with eight-cut diamonds, in claw settings, suspending a white stylised ribbon similarly set, total estimated diamond weight 0.45 carat approximately, with clip and post fittings measure 1.6cm by 0.9cm

£150-200

2043

An 18 Carat White Gold Blue Topaz and Cubic Zirconia Pendant on Chain

a row of round cut cubic zirconia runs parallel to a row of calibré cut blue topaz, in claw and channel settings, on an omega link chain pendant length 4.5cm, chain length 47cm

£400-600

2044

An 18 Carat Gold Diamond Pendant of oval form, set throughout with eight-cut and baguette cut diamonds, in white claw and yellow channel settings, suspended from a yellow plain polished bale, total estimated diamond weight 1.10 carat approximately measures 2.8cm by 1.9cm

£200-300

2045

An 18 Carat White Gold Diamond Eternity Ring

three rows of round brilliant cut diamonds in claw and channel settings, the central row rotational, total estimated diamond weight 2.40 carat approximately finger size R1⁄2

£800-1,200

2046

A Diamond Eternity Ring

the colourless round brilliant cut diamonds in white channel settings, the sides pavé set with black round brilliant cut diamonds, total estimated diamond weight 3.30 carat approximately finger size K1⁄2

£800-1,200

2047

A Blue Topaz and Diamond Ring

four calibré cut blue topaz aligned across the finger, flanked by rows of round brilliant cut diamonds in white channel and claw settings, to a yellow fancy crossover shoulder plain polished shank, total estimated diamond weight 0.10 carat approximately finger size L

£200-300

2048

A Blue Topaz, Synthetic Sapphire Simulating Alexandrite and Diamond Cluster Ring the round cut blue topaz and synthetic sapphire simulating alexandrite in white claw settings, to twist shoulders set throughout with baguette cut and round brilliant cut diamonds, in claw and channel settings, to a plain polished shank, total estimated diamond weight 0.65 carat approximately finger size J

£200-300

2049

A 14 Carat Gold Aquamarine Ring

the oval cut aquamarine aligned across the finger, in a yellow double claw setting, to a round brilliant cut diamond set shoulder plain polished shank finger size R1⁄2

£200-300

2050

An 18 Carat Gold Paraíba Tourmaline Ring

two oval cut paraíba tourmalines in yellow claw settings, to a round brilliant cut diamond set openwork scroll border and shoulders, to a plain polished shank, total estimated diamond weight 0.15 carat approximately finger size P1⁄2

£200-300

2051

A Platinum Diamond Ring

two graduated rows of round brilliant cut diamonds within a raised border of further round brilliant cut diamonds, in claw settings, to a plain polished shank, total estimated diamond weight 1.00 carat approximately finger size P1⁄2

£300-500

2052

An 18 Carat White Gold Diamond Bangle

the hinged plain polished bangle overlaid with a central plaque inset with round brilliant cut diamonds, total estimated diamond weight 0.25 carat approximately inner measurements 6.0cm by 5.4cm

£300-500

2053

A Platinum Diamond Two Row Ring

two rows of eleven graduated round brilliant cut diamonds, in white claw settings, to a plain polished shank, total estimated diamond weight 0.70 carat approximately finger size P1⁄2

£200-300

2042

2054

A Diamond Pendant on Chain two old cut diamonds in white claw settings, suspended from a plain polished bale, on a platinum trace link chain, total estimated diamond weight 0.35 carat approximately pendant length 1.2cm, chain length 39.8cm

£250-300

2055

A Pair of Diamond Solitaire Earrings the round brilliant cut diamonds in white claw settings, total estimated diamond weight 0.90 carat approximately, with post fittings

£500-700

2056

A Diamond Necklace

a white knife edge bar terminating with an old cut diamond to each end, in millegrain settings, on a curb link chain, total estimated diamond weight 0.30 carat approximately drop length 2.4cm, chain length 40.5cm

£200-300

2057

A Pair of Diamond Solitaire Earrings the round brilliant cut diamonds in yellow four claw settings, total estimated diamond weight 0.50 carat approximately, with post fittings

£300-500

2058

A 9 Carat White Gold Diamond Cluster Ring

the central raised cluster of round brilliant cut diamonds, within a double stepped border of further round brilliant cut diamonds, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.20 carat approximately finger size S

£200-300

2059

A Diamond Ring

a pair of clusters comprising of an old cut diamond within a border of eight-cut diamonds, with two further diamonds adjoined, in white rubbed over and claw settings, aligned up the finger, to a plain polished shank, total estimated diamond weight 0.95 carat approximately finger size O

£300-500

2060

A Diamond Cluster Ring the buckle motif set throughout with round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size K

£300-500

2061

A Sapphire and Diamond Brooch, circa 1910 a row of old cut and eight-cut diamonds spaced by three square step cut sapphires, in white claw and millegrain settings, within a plain polished frame, total estimated diamond weight 0.50 carat approximately length 7.3cm

£400-600

2062

An 18 Carat White Gold Diamond Half Hoop Ring trios of baguette cut diamonds spaced by pairs of princess cut diamonds, in channel settings, to a plain polished shank, total estimated diamond weight 2.25 carat approximately finger size R1⁄2

£700-1,000

2063

An Emerald and Diamond Cluster Ring the square step cut emerald within a border of round brilliant cut diamonds, in white claw and millegrain settings, to baguette cut diamond set shoulders on a plain polished shank, total estimated diamond weight 0.55 carat approximately finger size M

£300-500

2064

A Diamond Cluster Ring the central round brilliant cut diamond within a spaced border of smaller round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.30 carat approximately finger size L

£120-180

2065

A Diamond Half Hoop Ring eight princess cut diamonds spaced by white bars, to a plain polished shank, total estimated diamond weight 0.95 carat approximately finger size J

£600-800

2055

2054

2057

2056

2058

2059

2060

2061

2062

2063

2064

2065

2066

An Abstract Pendant on Chain, designed by Henning Koppel for Georg Jensen modelled as a plain polished openwork cross, on a cable link chain, pendant numbered 151 pendant measures 8.0cm by 6.6cm, chain length 71.5cm

£200-300

2067

A Small Quantity of Jewellery comprising of two silver rings, designed by Henning Koppel for Georg Jensen, one of open heart form, numbered 89 the other of stylised H form, numbered 126; a pair of earrings, designed by Hans Hansen for Georg Jensen, of asymmetric form, with post fittings; and a white fancy link chain finger sizes J1⁄2 and L (respectively), earrings measure 1.5cm diameter, chain length 76.5cm

£150-200

2068

A Ring, designed by Nanna Ditzel for Georg Jensen of asymmetric plain polished form, numbered 91 finger size J

£100-150

2069

An 18 Carat White Gold Fusion Ring, designed by Nina Koppel for Georg Jensen of interlocking plain polished puzzle form finger size H1⁄2

£250-300

2070

A Silver Ring, designed by Nanna Ditzel for Georg Jensen of asymmetric plain polished form, numbered 91 finger size M

£100-150

2071

A Bracelet and A Pair of Drop Earrings, designed by Henning Koppel for Georg Jensen the bracelet comprised of six folded squares, the earrings of the same design surmounted by a chain linked bead, together with an additional link, earrings with post fittings bracelet length 21cm, earring drop length 4.5cm

£400-600

2067

2066

2069

2068

2070

2071

2072

A Pearl and Diamond Pendant on Chain two pearls alternate with two old cut diamonds, surmounted by a plain polished bar and a single old cut diamond, in white millegrain settings, on a yellow curb link chain, total estimated diamond weight 0.25 carat approximately pendant length 4.7cm, chain length 40.8cm

NB: the pearls have not been laboratory tested

£300-400

2073

A Diamond and Synthetic Ruby Novelty Brooch realistically modelled as a prancing horse, the yellow textured body with white mane and tails pavé set throughout with eight-cut diamonds and a synthetic ruby eye, total estimated diamond weight 0.15 carat approximately measures 4.9cm by 3.7cm

£500-700

2074

A Racehorse and Jockey Brooch realistically modelled as a galloping horse, the jockey enamelled with a green cap, a purple top with black and white striped sleeves and white trousers, on a yellow textured horse, measures 5.0cm by 2.0cm

£500-700

2075

An 18 Carat Gold Diamond Eternity Ring the round brilliant cut diamonds in yellow elongated claw settings, total estimated diamond weight 0.95 carat approximately finger size I1⁄2

£300-500

2076

An 18 Carat Gold Diamond Half Hoop Ring ten round brilliant cut diamonds in yellow channel settings, to a plain polished shank, total estimated diamond weight 1.00 carat approximately finger size K1⁄2

£300-500

2077

A 9 Carat Gold Brooch realistically modelled as yellow textured fish overlaid on a plain polished rod, with a white handle and reel length 6.7cm

£80-120

2078

A Diamond Cluster Ring the domed cluster set throughout with round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.75 carat approximately finger size U1⁄2

£500-700

2079

A Novelty Brooch, by Alabaster & Wilson realistically modelled as a textured lamb before openwork clouds, with a pear cut peridot and pinkish red glass in the foreground, in yellow rubbed over settings measures 4.0cm by 2.8cm

£120-180

2080

An 18 Carat Gold Sapphire Ring the round cut sapphire in a yellow elongated claw setting, to a twist shoulder plain polished shank finger size J

£500-700

2081

An 18 Carat Gold Diamond Bangle the yellow hinged plain polished bangle overlaid with a central plaque inset with round brilliant cut diamonds, total estimated diamond weight 0.25 carat approximately inner measurements 6.0cm by 5.2cm

£300-500

2082

An 18 Carat Gold Sapphire and Diamond Three Stone Ring the pear cut sapphire flanked by round brilliant cut diamonds, in white rubbed over settings, to a yellow twist shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size M

£400-600

2083

A Diamond Wishbone Ring the seven round brilliant cut diamonds in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.50 carat approximately finger size P

£200-300

2084

A Mid 20th Century Ruby, Diamond and Sapphire Brooch comprising of three intertwined graduated hoops, each inset with either calibré cut rubies, round brilliant cut diamonds or calibré cut sapphires, in yellow and white millegrain settings, total estimated diamond weight 0.65 carat approximately measures 4.0cm by 2.1cm

£300-500

2085

A Diamond Solitaire Ring the princess cut diamond in a white four claw setting, to a yellow tapered shoulder plain polished shank, estimated diamond weight 0.90 carat approximately finger size N1⁄2

£700-1,000

2073

2074

2075

2076

2077

2079

2078

2072

2080

2081

2082

2086

An Opal Pendant on Chain

the oval opal plaque in a yellow rubbed over setting, to a plain polished frame and bale, on a fancy link chain pendant measures 3.0cm by 3.2cm, chain length 46cm

£500-700

2087

A Diamond Ring

the round brilliant cut diamond in a yellow square setting, within a round brilliant cut diamond pavé set border, to a plain polished shank, total estimated diamond weight 0.95 carat approximately finger size M

£400-600

2088

A Ruby and Diamond Necklace

three round cut rubies alternate with two round brilliant cut diamonds, in yellow bead work floral motif borders, spaced by bead and barrel links, to a similar back chain, total estimated diamond weight 0.15 carat approximately length 40.5cm

£300-500

2089

A Diamond Half Hoop Ring

four rows of round brilliant cut diamonds, in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.85 carat approximately finger size H1⁄2

£250-300

2090

An 18 Carat Gold Opal Pendant the oval opal plaque in a yellow rubbed over setting, to an A-shaped frame, suspended from a plain polished bale measures 2.2cm by 1.5cm

£200-300

2091

A Pair of 18 Carat Gold Diamond Drop Earrings

a yellow polished bead suspends six rods with bead terminations, suspending pairs of marquise cut diamonds, in claw settings, total estimated diamond weight 0.60 carat approximately, with post fittings drop length 3.7cm

£200-300

2092

A Ruby Hinged Bangle the round cut rubies in yellow channel settings inner measurements 6.1cm by 6.0cm

£250-300

2093

A Pair of Opal, Emerald and Diamond Cluster Earrings the oval cabochon opal within a border of eight-cut diamonds, to a partial border of marquise cut emeralds, oval cut opals and eight-cut diamonds, in white claw settings, total estimated diamond weight 0.40 carat approximately, with post fittings measure 2.0cm by 1.8cm

£500-700

2094

A Cultured Pearl and Diamond Ring the central raised cultured pearl within an irregular border of old cut diamonds, in yellow claw settings, to a bark effect surround and shoulders, on a plain polished shank, total estimated diamond weight 0.85 carat approximately finger size O1⁄2

£400-600

2095

A Ruby, Diamond and Enamel Stick Pin, by Carrera y Carrera realistically modelled as a leopard head, with a yellow matte finish, black enamel spots, a round brilliant cut diamond collar, ruby eyes and a plain polished muzzle, the clasp terminating to a round brilliant cut diamond

£200-300

2096

A 9 Carat Gold Opal Ring the pear shaped opal plaque in a yellow rubbed over setting, to a forked shoulder plain polished shank finger size P1⁄2

£300-500

2086

2088

2087

2089

2091

2092

2093

2094

2096

2090

2097

A 9 Carat White Gold Iolite and Diamond Pendant on Chain and Drop Earring Suite the oval cut iolite in a rubbed over setting, suspended within a pear shaped frame with eight-cut diamond to one half, suspended from a plain polished bale, on a snake link chain, the earrings of the same design, total estimated diamond weight 0.10 carat approximately, with hook fittings

pendant length 2.4cm, chain length 45.8cm, earring drop length 2.7cm

£100-150

2098

A Citrine and Diamond Cluster Ring the oval cut citrine within a border of round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size O1⁄2

£300-500

2099

An 18 Carat White Gold Diamond Pendant on Chain three graduated fancy coloured diamonds in claw settings, suspended from a plain polished bale, on an 18 carat gold fancy link chain, total estimated diamond weight 0.75 carat approximately pendant length 1.9cm, chain length 44.4cm

£300-500

2100

An 18 Carat White Gold Citrine and Diamond Ring the fancy oval cut citrine in round brilliant cut diamond set claws, with a diamond set gallery and shoulders, on a plain polished shank, total estimated diamond weight 0.85 carat approximately finger size K1⁄2

£600-800

2101

An Aquamarine and Diamond Ring the emerald-cut aquamarine in a white four claw setting, to eight-cut diamond set shoulders on a plain polished shank finger size H

£150-200

2102

An 18 Carat White Gold Sapphire and Diamond Three Stone Ring the cushion cut light yellow sapphire flanked by round brilliant cut diamonds, in claw settings, to a plain polished shank, total estimated diamond weight 0.45 carat approximately finger size L1⁄2

£300-500

2103

A Diamond Cluster Ring the central cluster of princess cut diamonds within a border of round brilliant cut diamonds, in white claw and channel settings, to a plain polished shank, total estimated diamond weight 0.35 carat approximately finger size K

£150-200

2104

A Kunzite and Diamond Pendant the pear cut kunzite in a yellow claw setting, surmounted by a floral cluster of round brilliant cut diamonds in white claw settings, suspended from a yellow plain polished bale, total estimated diamond weight 0.10 carat approximately length 4.0cm

£200-300

2105

An 18 Carat Gold Diamond Two Row Ring the graduated round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.75 carat approximately finger size N1⁄2

£200-300

2106

An 18 Carat Gold Ruby and Diamond Brooch and Earring Suite an eight-cut diamond in a white rubbed over setting, within a border of round cut rubies in yellow claw settings, to yellow textured petals, earrings with clip and post fittings brooch measures 3.7cm diameter, earrings measure 2.4cm diameter

£600-800

2107

A 9 Carat Gold Diamond Pendant the circular frame set throughout with vari-coloured round brilliant cut diamonds, in white and oxidised claw settings, suspended from a yellow plain polished bale, total estimated diamond weight 0.90 carat approximately measures 2.9cm by 2.2cm

£200-300

2108

An Emerald and Diamond Fringe Necklace the central section comprising of eleven pear cut emeralds spaced by pairs of round brilliant cut diamonds, suspending crescent and vshaped motifs set throughout with eight-cut diamonds terminating to further pear cut emeralds, in white claw settings, to a cable link chain, total estimated diamond weight 0.95 carat approximately drop length 3.7cm, necklace length 46.5cm

£400-600

2109

A Sapphire and Diamond Ring nine oval cut sapphires arranged in a kite formation, spaced by eightcut diamonds, in white claw settings, to a plain polished shank, total estimated diamond weight 0.05 carat approximately finger size N1⁄2

NB: one diamond deficient

£300-500

2110

A Ruby, Sapphire, Emerald and Diamond Cluster Pendant on Chain a woven motif set throughout with round brilliant cut diamonds in white claw settings, with round cut emerald, ruby and sapphire decoration in yellow claw settings, within a white plain polished oval frame and bale, on a 9 carat gold curb link chain, total estimated diamond weight 0.75 carat approximately pendant measures 4.2cm by 2.8cm, chain length 56.3cm

£1,500-2,000

2111

A Sapphire and Diamond Crossover Ring

the crossover arms formed of a row of calibré cut vari-hue sapphires in white channel settings, flanked by eight-cut diamonds to one side in claw settings, to a plain polished shank, total estimated diamond weight 0.15 carat approximately finger size N1⁄2

£100-150

2112

An 18 Carat Gold Sapphire and Diamond Cluster Ring the marquise cut sapphire in a white elongated claw setting, within a border of round brilliant cut diamonds, to shoulders inset with two rows of calibré cut sapphires spaced by a row of graduated round brilliant cut diamonds, on a yellow plain polished shank, total estimated diamond weight 0.90 carat approximately finger size Q

£600-800

2113

An 18 Carat Gold Sapphire and Diamond Ring three oval cut sapphires spaced by pairs of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.15 carat approximately finger size J

£200-300

2114

A Turquoise, Ruby and Diamond Ring realistically modelled as a tortoise with articulated legs, head and tail, set throughout with oval and round cabochon turquoise, rose cut diamonds and ruby eyes, in white and yellow claw and rubbed over settings, on a white plain polished shank, total estimated diamond weight 1.00 carat approximately finger size P1⁄2

2115

A Diamond Cluster Ring the abstract stepped round brilliant cut diamond cluster, in white claw settings, to a yellow twist shoulder plain polished shank, total estimated diamond weight 1.60 carat approximately finger size I

£400-600

2116

A Ruby and Diamond Brooch realistically modelled as a stylised floral spray, set throughout with round cut rubies, round brilliant cut and eight-cut diamonds, in white claw settings, total estimated diamond weight 1.40 carat approximately measures 4.9cm by 3.5cm

£400-600

2117

A Pair of Diamond Earrings the spray motifs set throughout with round brilliant cut diamonds, in yellow rubbed over and claw settings, total estimated diamond weight 0.65 carat approximately, with clip and post fittings measure 1.9cm by 1.3cm

£300-500

2118

An 18 Carat Gold Sapphire and Diamond Cluster Ring three graduated oval cut sapphires within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size T

£300-500

2119

A Diamond Three Stone Ring the graduated round brilliant cut diamonds in white illusion settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.85 carat approximately finger size O1⁄2

£400-600

2120

An 18 Carat Gold Emerald and Diamond Cluster Ring the round cut emerald within a border of round brilliant cut diamonds, flanked by a round cut emerald to each side, in white claw settings to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.75 carat approximately finger size M1⁄2

£300-500

2121

A 9 Carat Gold Emerald and Diamond Bracelet the central section comprising of round cut emeralds and eight-cut diamonds, in yellow and white claw settings, to a yellow brick link chain, total estimated diamond weight 0.05 carat approximately length 18.3cm

£150-200

2122

A Garnet and Diamond Cluster Stick Pin the square emerald-cut garnet in a yellow rubbed over setting, within a border of eight-cut diamonds in white claw settings, total estimated diamond weight 0.20 carat approximately

£200-300

£400-600

2123

An 18 Carat Gold Labradorite and Diamond Pendant on A Labradorite Bead Necklace four vari-shaped cabochon labradorite with a round brilliant cut diamond centrally, in yellow rubbed over settings, suspended from a plain polished bale, on a labradorite faceted bead necklace pendant length 3.2cm, necklace length 46cm

£100-150

2124

A Diamond, Cultured Pearl and Enamel Necklace the fifty-two irregularly shaped cultured pearls suspending a Kundan style pendant, enamelled in red, green, gold and blue to one side and set throughout with lasque cut diamonds to the reverse, suspending two trios of cultured pearls, knotted to a grooved lozenge shaped clasp drop length 3.5cm, necklace length 46cm

£200-300

2125

A Late 19th Century Garnet and Chrysoberyl Brooch/Pendant the yellow shell motif overlaid with leaf motifs terminating to round cut garnets and cushion cut chrysoberyl, suspending two graduated similarly formed drops measures 7.7cm by 3.4cm

£300-500

2126

A Ruby, Emerald and Split Pearl Pendant the kite shaped motif set throughout with oval cut emeralds, oval and round cut rubies and split pearls, in yellow claw settings measures 3.9cm by 3.5cm

£400-600

2127

An Early 20th Century Enamel, Diamond and Ruby Pendant realistically modelled as a bat, with plique-à-jour enamelled wings, a lasque cut diamond set body and head, with ruby eyes measures 1.5cm by 2.3cm

£80-120

2128

An Emerald and Diamond Three Stone Ring the emerald-cut emerald flanked by trilliant cut diamonds, in yellow rubbed over settings, to a plain polished shank, total estimated diamond weight 0.40 carat approximately finger size O1⁄2

£300-500

2129

A Yellow Beryl and Diamond Cluster Ring the cushion cut yellow beryl within a border of old cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.75 carat approximately finger size Q

£400-600

2130

An Emerald and Diamond Eternity Ring six oval cut emeralds in yellow rubbed over settings, within borders of rose cut diamonds in white claw settings, total estimated diamond weight 0.65 carat approximately finger size M

NB: one diamond deficient

£500-700

2131

An Emerald and Diamond Cluster Ring the emerald-cut emerald in a yellow rubbed over setting, within a border of round brilliant cut diamonds in white claw and rubbed over settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size O

£300-500

2132

A Jade Ring the oval jade plaque in a yellow rubbed over setting, to a scroll shoulder plain polished shank finger size R

£200-300

2133

A Victorian Citrine Bracelet ten vari-sized chain linked cushion cut citrines in yellow collet settings length 20.0cm

£200-300

2134

A Turquoise and Diamond Cluster Ring the oval cabochon turquoise in a yellow elongated claw setting, decorated with rose cut diamonds, to a plain polished shank, total estimated diamond weight 0.35 carat approximately finger size T

NB: one diamond deficient

£600-800

2125

2135

A Cameo Brooch the hardstone cameo depicting a bearded gentleman, possibly Socrates, in a yellow rubbed over setting measures 3.2cm by 2.5cm

£200-300

2136

A 9 Carat Gold Enamel Brooch, by Alabaster & Wilson realistically modelled as a leaping fish enamelled in blue and cream tones, behind a yellow plain polished rod with a seed pearl set reel length 6.5cm

£100-150

2137

A Ruby and Diamond Cluster Ring the oval cut ruby within a border of old cut diamonds, flanked by pear cut rubies in yellow claw settings, to a grooved shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size L (approximately, sizing beads present)

£400-600

2138

A Pair of Diamond and Synthetic Ruby Cufflinks the yellow chain linked circular plaques depicting a maiden inset with a round brilliant cut diamond and a round cut synthetic ruby, total estimated diamond weight 0.05 carat approximately

£400-600

2139

An Essex Crystal Reverse Intaglio Brooch painted to depict a fox mask, in a yellow rubbed over setting, on a plain polished bar length 6.2cm

£100-150

2140

A Diamond Solitaire Ring the round brilliant cut diamond in white claw settings, to leaf motif shoulders, on a yellow plain polished shank, estimated diamond weight 0.80 carat approximately finger size N1⁄2

£600-800

2141

An 18 Carat Gold Rope Twist Necklace of graduated form, two larger chain sections intertwined with one smaller example length 44.3cm

£1,500-2,000

2142

A Diamond and Pearl Ring the graduated pearls spaced by pairs of old cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately finger size K

NB: the pearls have not been laboratory tested

£200-300

2143

A Pair of 9 Carat Gold Ruby and Diamond Cluster Earrings the round brilliant cut diamond in white claw settings, within a border of marquise cut rubies in yellow claw settings, total estimated diamond weight 0.60 carat approximately, with post fittings

£300-500

2144

A Ruby and Diamond Cluster Ring the central raised round brilliant cut diamond within a double stepped border of marquise cut rubies, the outer border spaced by pairs of round brilliant cut diamonds, in white and yellow claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size N

£300-500

2145

A Pearl and Diamond Cross Pendant the cross motif set throughout with pearls, the central pearl with rose cut diamonds at four points, surmounted by a plain polished suspension loop measures 3.1cm by 1.9cm

NB: the pearls have not been laboratory tested

£150-200

2146

A Cat’s-Eye Chrysoberyl Ring, circa 1900 the graduated round cabochon cat’s-eye chrysoberyl, with rose cut diamond accents, in yellow claw settings, to a plain polished shank finger size M

£150-200

2147

A Cameo Brooch/Pendant the pentagonal shell cameo depicting a mother and two children beside a lake, in a yellow rubbed over setting with a rope twist border, with a further border to one edge comprising of round cut garnets alternating with split pearls measures 8.0cm by 7.0cm

£150-200

2136

2142

2143

2144

2137

2135

2138

2139

2140

2145

2146

2147

2141

2148

An Amethyst and Split Pearl Pendant on Chain two oval cut amethysts suspend a trefoil motif of oval cut amethysts, with scroll and split pearl decoration, in yellow collet settings, on a later 9 carat gold figaro link chain pendant measures 6.0cm by 3.0cm, chain length 51cm

£200-300

2149

A Pair of Early 20th Century Amethyst and Pearl Drop Earrings a plain polished bead suspends a lozenge shaped link, to a pearl and pear cut amethyst, in yellow millegrain settings, with hook fittings drop length 4.1cm

NB: the pearls have not been laboratory tested

£100-150

2150

A Late 19th/Early 20th Century Split Pearl Necklace the chain linked graduated split pearls in yellow rubbed over settings, with a central fringe section comprising of floral motifs and chain linked drops drop length 3.7cm, chain length 19.0cm

£400-600

2151

An Early 20th Century Moonstone and Diamond Pendant the heart shaped cabochon moonstone with old cut diamonds at six points, in yellow rubbed over settings, suspended from a diamond set bale, total estimated diamond weight 0.15 carat approximately length 3.0cm

£200-300

2152

A Demantoid Garnet and Diamond Three Stone Ring, circa 1930 the oval cut demantoid garnet in a yellow claw setting, flanked by old cut diamonds in white millegrain settings, to a scroll shoulder reeded shank finger size M

£250-350

2153

A 9 Carat Gold Peridot and Amethyst Brooch/Pendant the oval cut amethyst within a border of oval cut peridots spaced by round cut amethysts, surmounted by an oval cut amethyst bale, in yellow claw settings, to outer millegrain and beadwork borders measures 5.3cm by 3.5cm

£150-200

2154

An 18 Carat Gold Emerald and Diamond Five Stone Ring three graduated old cut diamonds alternate with two oval cut emeralds, in yellow claw settings, to a plain polished shank, total estimated diamond weight 0.35 carat approximately finger size O

£400-600

2155

A Diamond Triple Cluster Ring three round brilliant cut diamonds within borders of smaller round brilliant cut diamonds, in white claw settings, to a yellow plain polished shank, total estimated diamond weight 1.40 carat approximately finger size P

£300-500

2156

A Pair of Split Pearl Essex Crystals the round cut essex crystals inlaid with split pearls depicting the initials MAY measure 2.1cm diameter approximately

£80-120

2157

An 18 Carat Gold Diamond Three Stone Twist Ring the graduated round brilliant cut diamonds in white claw settings, to a yellow twist shoulder plain polished shank, total estimated diamond weight 1.00 carat approximately finger size J1⁄2

£400-600

2158

A Diamond and Pearl Crescent Brooch, circa 1900 the crescent set throughout with two rows of old cut diamonds, to a yellow knife edge bar set with a pearl centrally and terminating to old cut diamonds, in white claw and collet settings, total estimated diamond weight 0.75 carat approximately length 4.6cm

NB: the pearl has not been laboratory tested

£250-300

2159

An Amethyst and Split Pearl Ring the oval cut amethyst within a border of split pearls, to a trifurcated shoulder plain polished shank finger size Q

£150-200

2160

An Early 20th Century Amethyst, Diamond and Pearl Brooch the square step cut amethyst with an old cut diamond to each side, in yellow claw settings, to a white double row outer circular frame, with pearls at six points, total estimated diamond weight 0.50 carat approximately measures 2.3cm diameter

NB: the pearls have not been laboratory tested

£200-300

2148

2149 2151

2152

2154

2153

2155

2157 2150

2158 2159

2160 2156

2161

A Pair of Coral, Split Pearl and Enamel Drop Earrings a coral bead and a split pearl suspend a yellow articulated geometric plaque with split pearl and black enamel decoration, terminating to three coral drops, with hook fittings drop length 4.7cm

£150-200

2162

A Victorian Onyx, Split Pearl and Enamel Locket the oval onyx plaque overlaid with a star motif set throughout with split pearls, the reverse with an engraved hinged locket compartment with a beadwork border, inscribed In Memory of Missie 4th Oct 1879, suspended from a black enamel bale measures 6.8cm by 4.0cm

£300-500

2163

A Sapphire Five Stone Ring the graduated oval and cushion cut sapphires in yellow claw settings, to a plain polished shank finger size O1⁄2

£300-500

2164

Diamond Brooch the initials AR set throughout with old cut diamonds, in white claw settings, to a knife edge bar terminating to a bead at one end, total estimated diamond weight 0.75 carat approximately length 4.6cm

£200-300

2165

A Diamond Three Stone Ring the graduated round brilliant cut diamonds in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.00 carat approximately finger size P1⁄2

£300-500

2166

A Turquoise and Diamond Cluster Ring the pear cabochon turquoise in a yellow claw setting, within a border of old cut diamonds in white claw settings, to a yellow beadwork and scroll shoulder plain polished shank, total estimated diamond weight 0.30 carat approximately finger size I

£150-200

2167

A Georgian Citrine Rivière Necklace twenty-four graduated oval cut citrines in yellow collet settings length 41cm

£500-700

2168

An Opal, Diamond and Enamel Ring the oval cabochon opal within a border of old cut diamonds, in white claw settings, to an outer heart shaped border enamelled in blue and white, to a trifurcated shoulder yellow plain polished shank, total estimated diamond weight 0.25 carat approximately finger size N

2169

A Sapphire and Diamond Five Stone Ring three round cut sapphires alternate with two old cut diamonds, in yellow claw settings, to a plain polished shank, total estimated diamond weight 0.40 carat approximately finger size O

£250-300

2170

A Mourning Locket the yellow oval plain polished locket opening to reveal a lock of hair and inscribed William Taylor Copeland, Born 24th March 1794, Died 12th April 1868 measures 3.0cm by 1.6cm

Provenance: Bonhams, Feock, Trelissick House and Gardens: The Contents of Trelissick House Including The Copeland China Collection, 23 July 2013, part of 402

£200-300

2171

A Ruby and Diamond Cluster Ring the round cut ruby within a border of old cut diamonds, in white claw and collet settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size N

£300-400

2172

A Sapphire and Diamond Brooch five graduated old cut diamonds alternate with four cushion cut sapphires, the central diamond with smaller old cut diamonds at four points, in yellow claw settings, total estimated diamond weight 1.25 carat approximately length 4.6cm

£500-700

2173

A Mid-Late 19th Century Austro-Hungarian Brooch depicting George and the Dragon to an open work frame, enamelled throughout in white, blue, lilac, green and black with red and green stone decoration and suspending two chain linked drops measures 5.1cm by 4.5cm

£150-200

2174

Three Mourning Rings comprising of a split pearl and hair work mourning ring, the central oval plaque enclosing hair work within a border of split pearls, in yellow claw settings, the reverse of the ring head engraved with initials GP, to a trifurcated shoulder plain polished shank; a split pearl, diamond, enamel and hair work mourning ring, the central oval plaque enclosing hair work within a border of split pearls and an outer border of old cut diamonds, in yellow claw settings, the reverse of the ring head engraved Henry Fredk Hurst Obt 4th May 1823 at 27, to scroll and enamel forked shoulders, on a plain polished shank; and a rock crystal, hair work and enamel mourning ring, the emerald-cut rock crystal with hair work and a skull motif behind, to scroll shoulders, the shank enamelled in white and named Jane Ballard Ob: May 6 1743 A23, the inner shank engraved Mary Ballard ob May 7 A5:1729 finger size Q, Q1⁄2 and M (respectively)

£200-300

£200-300

2168

2163

2164

2169 2165

2170

2171

2166

2167

2172

2174

2175

A Pair of Early 20th Century Pearl and Diamond Drop Earrings three chain linked pearls alternate with old cut diamonds, in white millegrain settings, total estimated diamond weight 0.10 carat appr oximately, with screw fittings drop length 2.6cm

NB: the pearls have not been laboratory tested

£150-200

2176

An Edwardian Amethyst and Split Pearl Necklace nine oval cut amethysts suspend a further oval cut amethyst, in yellow claw settings, spaced by split pearls in petal motif borders, to a trace link back chain drop length 1.9cm, necklace length 39.5cm

£200-300

2177

A Pair of Pearl and Diamond Drop Earrings a pearl centres an openwork square with rose cut diamonds to each corner, surmounted by a tapered bar and single split pearl, in white millegrain settings, with hook fittings drop length 3.5cm

NB: the pearls have not been laboratory tested

£300-400

2178

An Early 20th Century Citrine, Pearl and Diamond Brooch the oval cut citrine with trefoil clusters of old cut diamonds at four points and spaced by pearls, in yellow claw settings, total estimated diamond weight 0.50 carat approximately measures 2.7cm by 2.2cm

NB: the pearls have not been laboratory tested

£400-600

2179

A Pair of Early 20th Century Diamond, Onyx and Pearl Drop Earrings two old cut diamonds spaced by a rectangular onyx plaque, to a geometric plaque set throughout with eight-cut and rose cut diamonds, in white millegrain settings, suspending a six strand seed pearl tassel drop, total estimated diamond weight 0.25 carat approximately, with post fittings drop length 5.6cm

NB: the pearls have not been laboratory tested

£200-300

2180

An Opal and Diamond Brooch, circa 1850 the oval cabochon opal in a yellow claw setting, to an openwork border consisting of rose cut diamond fleur-de-lys motifs at four points, spaced by single old cut diamonds, in white claw and collet settings, total estimated diamond weight 0.30 carat approximately measures 2.9cm by 2.7cm

£400-600

2181

An Art Nouveau Opal and Pearl Pendant the emerald-cut opal plaque in a yellow double claw setting, to an open work scroll surround, suspending a pearl measures 3.9cm by 3.1cm

2182

An Opal and Diamond Cluster Ring the oval cabochon opal within a border of round brilliant cut and eightcut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size P1⁄2

£600-800

2183

A Pair of Opal and Diamond Cluster Earrings the oval opal plaques within borders of old cut diamonds, in yellow claw settings, total estimated diamond weight 0.90 carat approximately, with post fittings measure 1.5cm by 1.0cm

£500-700

2184

An 18 Carat Gold Diamond Cluster Ring

the central raised round brilliant cut diamond within a border of round brilliant cut diamonds, flanked by a single round brilliant cut diamond to each side, in white claw settings, to a trifurcated shoulder plain polished shank, total estimated diamond weight 1.30 carat approximately finger size L

£400-600

2185

A Pair of 18 Carat Gold Diamond Cluster Earrings the central raised round brilliant cut diamond within a border of round brilliant cut diamonds, in white claw settings, total estimated diamond weight 0.85 carat approximately, with post fittings

£250-300

2186

An Opal and Diamond Cluster Ring the oval cabochon opal in a white four claw setting, within a border of round brilliant cut diamonds, with baguette and tapered baguette cut diamonds above the shoulders in channel and rubbed over settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size N

£400-600

2187

A Cultured Pearl, Diamond, Emerald and Enamel Bracelet four rows of cultured pearls with yellow plain polished spacers and a central octagonal filigree panel, with a round brilliant and eight-cut diamond cluster centrally, within a border of floral and leaf decoration enamelled in white, green, purple, blue and pink, and round cut emeralds and eight-cut diamonds at four points, in white claw settings, total estimated diamond weight 0.45 carat approximately length 19.5cm

£400-600

2188

A Pearl and Diamond Stick Pin

the oval shaped pearl with a rose cut diamond collar, on a yellow pin with a mid-way twist

NB: the pearl has not been laboratory tested

£100-150

NB: the pearl has not been laboratory tested

£200-300

2178

2179

2182

2181

2183

2184

2185

2186

2180

2187

2189

A Pair of 18 Carat Gold Red Stone and Diamond Cluster Drop Earrings the pear cut red stone within a border of round brilliant cut diamonds in yellow claw settings, surmounted by a single round brilliant cut diamond in a square setting, total estimated diamond weight 0.45 carat approximately drop length 1.6cm

£200-300

2190

A Multi-Gem Set Giardinetto Brooch round cut and pear cut blue zircon, aquamarine, amethyst, citrine, garnet etc, in yellow claw settings, to a brushed and bright polished yellow and white basket, in a fitted case labelled By appointment to H.M. The King, The Goldsmiths & Silversmiths Company Ltd, 112. Regent Street, London, W1 measures 3cm by 4.0cm

£150-200

2191

A Sapphire and Diamond Cluster Ring the oval cut sapphire within a border of eight-cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size K1⁄2

£300-500

2192

A Sapphire and Diamond Cluster Pendant the oval cut sapphire in a yellow claw setting, within a border of round brilliant cut diamonds in white claw settings, suspended from a yellow plain polished bale, total estimated diamond weight 0.30 carat approximately measures 1.8cm by 1.0cm

£300-500

2193

A Pearl and Diamond Ring the graduated pearls spaced by pairs of old cut diamonds in yellow claw settings, to scroll shoulders and gallery, on a plain polished shank, total estimated diamond weight 0.20 carat approximately finger size K

NB: the pearls have not been laboratory tested

£150-200

2194

An 18 Carat Gold Sapphire and Diamond Three Stone Twist Ring the round cut sapphire flanked by round brilliant cut diamonds, in white double claw settings, to a yellow twist shoulder plain polished shank, total estimated diamond weight 0.25 carat approximately finger size M1⁄2

£150-200

2195

A Two Row Cultured Pearl Necklace, with A Cultured Pearl Cluster Clasp the 41:45 cultured pearls knotted to a clasp comprising of seven cultured pearls each within a yellow floral motif border

length 39cm

£200-300

2196

An Emerald and Diamond Cluster Stick Pin the oval cut emerald within a border of round brilliant cut diamonds, in yellow claw settings, total estimated diamond weight 0.30 carat approximately

£150-200

2197

An 18 Carat Gold Sapphire and Diamond Cluster Ring the cushion cut sapphire within a border of old cut, eight-cut and round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.35 carat approximately finger size I1⁄2

£300-500

2198

A Blue Synthetic Spinel Brooch/Pendant the emerald-cut blue synthetic spinel in a yellow claw setting, to a stepped plain polished frame, with rope twist, scroll and bead work decoration measures 4.3cm by 3.2cm (as a brooch)

£300-500

2199

An 18 Carat Gold Diamond Cluster Ring the rectangular plaque set throughout with old cut diamonds, in white claw and millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.05 carat approximately finger size P1⁄2

£300-500

2200

A Pair of Cultured Pearl and Diamond Cluster Earrings the cultured pearl within a border of round brilliant cut diamonds in yellow claw settings, spaced by tapered plain polished bars, total estimated diamond weight 0.30 carat approximately, with post fittings measure 1.2cm diameter

£200-300

2201

A Peridot Bracelet eight round cut peridots in yellow claw settings, spaced by figure-ofeight links length 18.5cm

£200-300

2196

2202

A Queen Anne Silver Mug, by Edward Yorke, London, 1709 tapering cylindrical and on spreading base, incised with lines and with scroll handle, engraved underneath with initials ‘S’ over ‘WM’

12.2cm high, 11oz 14dwt, 363gr

£400-600

2204

A George III Silver Tankard, by William and James Priest, London, 1766 baluster and on spreading foot, with central reeded band, later engraved with presentation initials and dated ‘1877’ within foliage cartouche, the domed hinged cover with openwork thumbpiece, with scroll handle 20cm high, 23oz 1dwt, 717gr

£500-800

2203

A Pair of George II Silver Sauceboats, by Thomas Gilpin, London, 1759 oval and on three quilted and shaped pad feet, with gadrooned border and quilted scroll handle

22cm wide, 17oz 2dwt, 33oz 18dwt, 1,055gr (2)

£500-800

2202

2203

2205

A George II Silver Salver, by Lewis Herne and Francis Butty, London, 1759 shaped circular and on four openwork fruiting vine-cast feet, the openwork rim cast as flower and foliage swags below a gadroon border, engraved with a coat-ofarms within rococo cartouche 48.6cm diameter, 76oz 15dwt, 2,387gr £1,500-2,500

2205

2206

A George III Silver Chamber-Candlestick, by William Cafe, London, 1764

shaped circular and on three tapering pad feet, with gadrooned border and scrolling handle, the central socket with opening for snuffers and spool-shaped socket, the detachable nozzle with gadrooned border, the socket further supports a tapering extinguisher, the base, nozzle and extinguisher each engraved with the crest of English 19.5cm wide over handle, 14oz 10dwt, 451gr

£200-300

Two George III Silver Candlesticks, by Robert Jones and John Scofield, London, 1776 each on stepped hexafoil base with shell corners, one base with gadrooned central border and the other with reeded central border, the baluster stems each terminating in spool-shaped socket with detachable hexafoil nozzle, one marked for Dublin, circa 1780, the bases engraved with a crest above a duke’s coronet 22.5cm high, 36oz 8dwt, 1,133gr (2)

The crest is that of Campbell, probably for the Dukes of Argyll. £700-1,000

2208

A George III Silver Chamber-Candlestick, by Robert Hennell and Samuel Hennell, London, 1793, The Extinguisher Associated the base circular and with reeded rim, the scroll handle supports the associated conical extinguisher, the tapering socket with detachable nozzle, the base engraved with a crest 17cm wide over handle, 10oz 6dwt, 321gr

£150-250

2207

2206

2207

2208

2210

A Pair of George III Silver Sauceboats, by Andrew Fogelberg, London, 1766 each oval and on three shell-capped fluted pad feet, with gadrooned rim and with overhead quilted handle, engraved with a crest

21.5cm wide, 29oz 15dwt, 927gr (2)

Provenance:

Bonhams, New Bond Street, London, 22 June 2011, lot 175, where purchased by the present owner.

£800-1,200

2209

A George III Silver Sugar-Bowl, by Duncan Urquhart and Naphtali Hart, London, Probably 1809

oblong and on four ball feet, the border engraved with foliage and flowers within reeded borders, with two bifurcated scroll handles, each side further engraved with a vacant cartouche 19.5cm wide over handles, 8oz 12dwt, 267gr

£120-180

2211

A George III Silver Sugar-Basket, by Solomon Hougham, London, 1794 oval and on spreading foot, with reeded rim and overhead swing handle 16.5cm wide, 7oz 4dwt, 223gr

£120-180

2212

A Pair of George III Silver Sauceboats, by Daniel Smith and Robert Sharp, London, 1769 oval and on three scroll legs, each shell-capped and with shell feet, with gadrooned border and leaf-capped scroll handle, engraved with an initial 18.5cm wide over handle, 18oz 10dwt, 576gr (2)

£700-1,000

2214

2214

2213

A George III Scottish Silver Mustard-Pot, by James McKay, Edinburgh, 1815

drum-shaped and with gadrooned border, the hinged cover with scroll thumbpiece and engraved with a crest below a baron’s coronet, with conforming blue glass liner; Together With a George III silver Old English pattern condiment-spoon, London, 1815 the mustard-pot 92mm wide over handle, weight of silver 4oz 16dwt, 149gr (2)

A George III Candle-Snuffer Stand and a Pair of Associated CandleSnuffers, The Snuffer-Stand by Duncan Urquhart and Naphtali Hart, London, 1806, The Candle-Snuffers by Wilkes and John Booth, London, 1810 the snuffer-stand oblong and with gadrooned border, engraved with a crest above initials, the candle-snuffers of typical form, engraved with foliage and with gadrooned borders the snuffer-stand 23.8cm wide, total gross weight 9oz 5dwt, 288gr

£150-250

The crest is that of Cavendish, perhaps for Richard Cavendish, 2nd Baron Waterpark.

£120-180

2215

2215

A Pair of George III Silver Salt-Cellars, by Robert, David and Samuel Hennell, London, 1802 each in the form of an oval bucket, the sides with reeded bands, with loop handles, engraved with a crest below a duke’s coronet, the interiors gilded 90mm wide, 4oz 18dwt, 152gr (2)

£100-150

2212

2213

2216

A George III Silver Tea-Caddy, by John Denzilow, London, 1788 elongated octagonal and with foliage and flower engraved borders, each on a textured ground, the corners and cartouche with engraved borders, engraved with a coat-of-arms on one side and a crest on the other, the hinged cover similarly engraved and was vase-shaped finial

13cm wide, 13oz 8dwt, 417gr

£1,000-1,500

2217

A George III Silver Salver, by William Tuite, London, 1765 shaped circular and on three scroll feet, with foliage and scroll-cast border, later engraved with a coat-of-arms

33cm diameter, 31oz 1dwt, 966gr

£500-800

2218

A George III Silver Teapot, by James Young, London, 1784 oval and engraved with foliage, each side further engraved with a ribbon-tied cartouche, one engraved with a coat-ofarms and the other engraved with a crest, with wood handle and finial

26cm wide over handle, gross weight 13oz 13dwt, 424gr

£150-250

2217

YORK SILVER

2219

A George III Provincial Silver Cream-Jug, by Robert Cattle and James Barber, York, 1809 compressed globular and on collet foot, with reeded and bifurcated handle, engraved with a crest, the interior gilt 15cm wide over handle, 8oz 4dwt, 255gr

Provenance: Hawleys, North Cave, 16 November 2014, lot 252, where acquired by the present owner.

Literature:

Probably that recorded in the York Assay Office Ledger, as reproduced by Michael Baggott, (M. Baggott, An Illustrated Guide to York Hallmarks 1776-1858, Bodmin, 2010) p. 28 as ‘cream jug’ part of a consignment of silver weighing 275-10-0 delivered to the York Assay Office 28 February 1809.

£200-300

2220

A William IV Provincial Silver Cream-Jug, by James Barber and William North, York, 1835 baluster and on four shell and scroll-cast tapering legs, with scroll handle

12.5cm wide over handle, 4oz 15dwt, 148gr

£80-120

2221

A George III Provincial Silver Cream-Jug, by James Barber and William Whitwell, York, 1815 oblong and on four ball feet, with reeded loop handle and gadrooned rim, engraved with an initial 15cm wide over handle, 4oz 8dwt, 137gr

£100-150

2222

A George III Provincial Silver Tea-Caddy, by John Hampston and John Prince, York, 1789, With York Town Mark oval and with engraved foliage borders, the hinged cover slightly domed cover with foliage and foliage finial 13cm wide, 11oz 13dwt, 362gr

Provenance: with Paul Bennett Antiques, The London Silver Vaults, 10 November 2017, where acquired by the present owner.

£3,000-5,000

2223

A William IV Provincial Silver Spirit-Flask, by James Barber, George Cattle and William North, York, 1833 compressed oval, the base with pull-off cup, with screw-cap 12cm high, 4oz 14dwt, 146gr

Provenance: with Paul Bennett Antiques, the London Silver Vaults, 8 February 2018, where acquired by the present owner.

£800-1,200

2222

2223

2225

A George III Provincial Silver Toastrack, by John Prince, Robert Cattle and George Cattle, York, 1805 oblong and on four ball feet, with seven bars and overhead angular loop handle 15cm wide, 6oz 1dwt, 189gr

£100-150 2226

2224

A George III Provincial Silver Teapot, by John Hampston, John Prince, Robert Cattle and George Cattle, York, 1804, With York Town Mark circular and on collet foot, engraved with a coat-ofarms of Hatfield on one side, with flaring rim and later wood handle, the pull-off cover with later wood finial 26.5cm wide over handle, gross weight 17oz 4dwt, 535gr

Provenance:

Probably the Hatfield family of Hatfield, Laughton-en-le-Morthen.

Bonhams, 26 May 2010, lot 350 (with ivory finial). with Jack Shaw and Co., Ilkley, 7 July 2011, where acquired by the present owner.

£1,200-1,800

A George III Provincial Silver Sugar-Basket, by John Hampston and John Prince, York, 1789 oval and with reeded borders, on spreading foot and with overhead swing handle, engraved with foliage and on one side with a crest 14.7cm wide, 7oz 5dwt, 226gr

Provenance:

Dee Atkinson and Harrison, Driffield, 25 April 2014, lot 33, where acquired by the present owner.

£300-500

2227

A Charles II Provincial Silver Trefid-Spoon, by Thomas Mangy, York, 1680 the oval bowl with rat-tail, the trefid terminal engraved with initials ‘AF’ 19.8cm long, 1oz 16dwt, 56gr

Provenance:

Woolley and Wallis, Salisbury, 26 April 2017, lot 1213, where acquired by the present owner.

£2,000-3,000

2227

2227 (alternate view)

2228

A George IV Provincial Silver Fish-Slice, by James Barber, George Cattle and William North, York, 1828, With York Town Mark Fiddle pattern, the blade pierced 30cm long, 4oz 19dwt, 154gr

Provenance: David Duggleby, Scarborough, 15 August 2015, lot 213, where acquired by the present owner.

£200-300

2229

A Pair of Victorian Silver Salad-Servers, by Elizabeth and John Eaton, London, 1861 Fiddle, Thread and Shell pattern 31cm long, 11oz 6dwt, 352gr (2)

£200-300

2230

A William IV Silver Basting-Spoon, by Mary Chawner, London, 1834

Fiddle Husk pattern, engraved with a crest 31.5cm long, 6oz 2dwt, 189gr

£100-150

2231

A French Provincial Silver Soup-Ladle, Maker’s Mark JC, a Sextant Between, Castres, 1819-1838

Fiddle pattern, the back of the handle engraved with initials, with round bowl 35.5cm long, 7oz 6dwt, 228gr

£100-150

2232

A German Parcel-Gilt Silver Soup-Ladle, Probably by Johann Ernst Braungart, Breslau, 1776-Circa 1791

the shaped handle with feather edge border, the oval bowl with reeded rim and gilt interior, later engraved with an initial 37.5cm long, 7oz 18dwt, 245gr

£100-150

2233

A Victorian Provincial Silver Meat-Skewer, by Christian John Reid, Newcastle, 1877 of typical tapering form and with loop handle 30.5cm long, 2oz 12dwt, 80gr

£70-100

2234

A Set of Twelve Victorian Silver Table-Forks and Twelve Dessert-Forks, by Christian Ker Reid, David Reid and Christian Bruce Reid, Newcastle, 1844

Fiddle pattern, engraved with initials the table-forks 21cm long, 50oz 3dwt, 1,560gr (24)

£800-1,200

2235

Two Italian Silver Caddy-Spoons, by Clementi Fabbrica Argenteria for Gianmaria Buccellati, Bologna, 20th Century one Elba pattern, formed as a leaf and with branch-cast handle and one of fruiting form 82mm long and smaller, total weight 1 oz 13dwt, 50gr (2)

£200-300

2236

A Cased Set of Thirteen Elizabeth II Silver Apostle-Spoons, by Comyns, London, 2001, Retailed by the Victoria and Albert Museum, From a Limited Edition of 2,000 each in the 16th/17th century style, the bowls fig-shaped, each tapering stem terminates in a finial cast as a saint holding his symbol, with St Esprit nimbus the finial of the Master gilt, in fitted glazed case and with associated booklets the case 61cm long, the spoons each approximately 11.5cm long, weight of silver 12oz 17dwt, 400gr

£200-300

2237 (sample)

2237

A George IV, William IV, Victorian and Elizabeth II Silver Table-Service, Various Maker’s and Dates

King’s Husk pattern, later engraved with an initial, comprising 12 table-spoons

18 table-forks

12 dessert-spoons

12 dessert-forks

12 teaspoons

A soup-ladle

A basting-spoon

2 sauce-ladles

A pair of sugar-tongs

A butter-knife

in fitted brass bound oak canteen with hinged cover and single pull-out tray and the following with filled handles

12 table-knives, with stainless steel blades

12 cheese knives, with stainless steel blades

12 fruit-forks, with silver plate tines, engraved with a crest

12 fruit-knives, with silver plate blades, engraved with a crest the canteen 47cm wide, weighable silver 189oz 5dwt, 5,886gr (120)

£4,000-6,000

2238

An Edward VII Silver Table-Service, by Ackroyd Rhodes, London, 1903, Retailed by Manoah Rhodes and Sons Ltd., Bradford Old English pattern, comprising

12 table-spoons

12 table-forks

12 dessert-spoons

12 teaspoons

A soup-ladle

A basting-spoon

A pair of sauce-ladles

in a fitted brass-bound oak canteen with hinged cover and single pullout tray

Together With a differing pair of sugar-tongs the canteen 47cm wide, weight of silver 130oz 16dwt, 4,068gr (53)

£2,500-3,500

2238 (sample)

2239

A Russian/Chinese Silver Table-Service, With Cast Pseudo Kokoshnik Mark, Probably Harbin, First Quarter 20th Century each piece with rococo style decoration, comprising 11 table-spoons

12 table-forks

12 dessert-forks

A soup-ladle

A caddy or sugar-spoon and the following with filled handles

12 table-knives, with stainless steel blades

12 cheese-knives, with stainless steel blades

12 fruit-forks, with silver-gilt tines

12 fruit-knives, with silver-gilt blades

6 forks with two tines, with silver-gilt tines

6 smaller forks with two tines, with silver gilt-tines, one detached

2 serving-slices

2 ladles, one with silver bowl and one with silver-gilt bowl weighable silver 92oz 4dwt, 2,868gr (101)

Harbin is a city in Manchuria, in northeast China. During the Russian revolution many Russians fled by train to the east, ending up in Harbin, indeed by 1921 something like a third of the population of 300,000 were of Russian extraction. As the Russian currency the emigrees brought with them was now worthless their worldly possessions were instead often converted to wrought silver wares to allow them to carry their wealth with them. This was accommodated by a group of silversmiths who had also fled to Harbin and used their skills to produce items in traditional Russian styles. As there was no assay office for them to turn to and as they also had no marks to use on their wares they instead cast into the articles they produced silver marks resembling the prerevolutionary Kokoshnik marks that they were familiar with.

£1,500-2,500

2239 (sample)

2240 (sample)

2240

A Swiss Silver Table-Service, by Jezler, 20th Century

La Suisse pattern, comprising

6 table-spoons

6 table-forks

6 cake-forks

6 teaspoons

6 coffee-spoons

A soup-ladle

A pair of fish-servers

A pair of salad servers

3 differing serving-spoons

2 differing cold-meat forks

A cake-slice

A pair of serving-tongs

A butter-knife

A small ladle

A pair of sugar-tongs and the following with filled handles and stainless steel attachments

6 table-knives

A carving-knife

A carving-fork

A cake-knife

weighable silver 72oz 18dwt, 2,267gr (54)

£1,200-1,800

2241

An Edward VII Silver Novelty Pin-Cushion, by Adie and Lovekin Ltd., Birmingham, 1906 in the form of a hedgehog 60mm wide

£150-250

2243

A Victorian Silver Novelty Whistle, by Thomas Johnson, London, 1856 realistically modelled as the head of a dog, with suspension loop 53mm long, gross weight 1oz 6dwt, 41gr

£300-500

2242

A Victorian or Edward VII Silver Novelty Pin-Cushion, by Deakin and Francis, Birmingham, Circa 1900, Design Registration Number ‘Rd543209’ in the form of a lantern, the lens fitted with a mirror and with a cushion at the top, all below a fixed loop handle 80mm high

£150-250

2244

A George III Silver Vinaigrette, by Samuel Pemberton, Birmingham, Probably 1802

oblong, the base, hinged cover and sides each fluted, opens to reveal a gilt interior and a hinged open filagree-work grille

30mm wide, 11dwt, 18gr

£100-150

2241

2243

2242

2244

2245

A Victorian Silver-Mounted Blue Cameo Glass Scent-Bottle, The Silver Mounts by Horton and Allday, Birmingham, 1884, The Cameo Glass Attributed to Thomas Webb and Sons, Stourbridge

tapering cylindrical, the light blue glass body with white foliage and flowers in relief, the hinged cover domed, opens to reveal internal detachable stopper

15cm long

£300-500

2246

A Victorian Silver-Mounted Cameo Glass Scent-Bottle, The Silver Mounts by William Thomas Wright and Frederick Davies, London, 1884, The Cameo Glass Attributed to Thomas Webb and Sons, Stourbridge tapering cylindrical, the light yellow glass body with white flowers and foliage in relief, the hinged cover domed, opens to reveal an internal detachable stopper 15.3cm long

Provenance: Probably Bonhams, Bath, 20 September 2008, lot 18.

The Estate of the Late Mrs Annabelle Comery, Sworders, 19 June 2018, lot 71, where acquired by the present owner.

£500-700

2247

A Victorian Silver-Gilt Mounted Cameo Glass Scent-Bottle, The Silver Mounts by Sampson Mordan and Co., London, 1884, The Cameo Glass Attributed to Thomas Webb and Sons, Stourbridge tapering cylindrical, the red glass body with three white cherries and foliage in relief on each side, with screw-cap 88mm long

£500-700

2248

A Dunhill Silver Plate and Lucite ‘Aquarium’ Table-Lighter, The Mounts Stamped ‘Dunhill’, Mid-20th Century, Patent Number 143752

oblong, the front decorated with three fish within an aquatic seascape, with silver plate mounts 55mm wide by 70mm high

Provenance:

Tennants, 25 November 2016, lot 498.

£700-1,000

2250

A Pair of Gold Lorgnettes, Apparently Unmarked, Probably First Quarter 20th Century in the Rococo style, the borders stamped with foliage and rocaille, the tapering handle with suspension loop, the lens fold and fit into the body 13cm long, gross weight 1oz 3dwt, 36.4gr

£600-800

2249

A Victorian Silver Card-Case, Apparently Unmarked, Late 19th Century oblong, front, back and sides and with filagree, the front with a lyre within scrolls, in fitted embossed leather-covered case the card case 86mm high, 1oz 9dwt, 45gr

£120-180

2251

Six William IV and Victorian Silver Condiment-Labels, by Charles Rawlings and William Summers, London, Four 1836, One 1838 and One 1843

four elongated octagonal and with reeded border, with suspension chain, engraved for ‘Anchovy’; ‘Chili’; ‘Ketchup’ and ‘Soy’ and two oval, with reeded border and suspension chain, engraved for ‘Cavice’ and ‘Tarragon’ 13dwt, 21gr (6)

£300-500

2248

2249 2251

2250

2252

A Cartier Gilt Plate Cigarette-Lighter and a Must de Cartier Gold Plate and Enamel Example,` The First Numbered No. 113208, The Second Numbered C90503 each oblong and with hinged cover, the first with ribbed decoration, the second enameled to simulate lapis lazuli, each in corresponding gilt-tooled red leathercovered case, the first with further outer cardboard box, the second with guarantee in gilt-tooled red leather-covered folder; Together With a Dupont silver plate cigarettelighter, with ribbed decoration, in corresponding fitted gilt-tooled red leather covered case and with outer cardboard box the boxes 12.5cm wide and smaller (3)

£150-250

2253

A Cartier Diablo Rock and Roll Ballpoint-Pen, Number 449 From a Limited Edition of 2007 the silver plate body incised with musical notes, with a plain clip, in fitted gilt-tooled red leather case, with outer cardboard box and with booklet with numbered and dated guarantee certificate; Together With two Cross Townsend silver plate ballpoint-pens, one with twist mechanism and one with pull-off cover, in fitted case, with outer cardboard cases the Cartier case 18cm wide (3)

Provenance:

Purchased from Cartier, Selfridges, 400 Oxford Street, London, 24 December 2007.

£150-250

2254

A Must de Cartier Stylos Fountain-Pen, the gilt metal body fluted, the pull-off cover with plain clip and differing coloured twisted bands, in fitted gilt-tooled red leather case, with outer cardboard box and with booklet and unnumbered guarantee certificate the case 18cm wide

See illustration online

£80-120

2255

A Cartier Silver and Blue Glass Paperweight, Signed ‘Cartier’, Reference Number T1311011 formed as a cast panther bounding on a blue glass ball, in fitted gilt-tooled red leather covered case the case 10cm square

£200-300

2256

A Cartier Diablo Fountain-Pen and Ballpoint-Pen, The Fountain-Pen Numbered 391677 and The Ballpoint-Pen Numbered 353401 each with black resin body, white mounts and blue cabochon finial, each in fitted gilt-tooled red leather case, each with an associated outer cardboard box and with booklet with guarantee certificate, the first unnumbered and dated 21 May 2009 and the second with corresponding number and dated 12 June 2009 the boxes 18cm wide

Provenance: The ballpoint-pen purchased from Cartier, Selfridges, 400 Oxford Street, London, 12 June 2009.

£200-300

2255

2256

2257

A Montegrappa Silver-Mounted Extra 1930 Ballpoint-Pen, The Silver Mounts With Maker’s Mark 1140MI with bamboo and black celluloid body with silver mounts, with screw cap, in fitted ebonised wood case and with outer cardboard box, with dated booklet the case 18.2cm wide

Provenance:

Purchased from Jespers, 28 August 2010

£200-300

2258

A Montegrappa Espressione Fountain-Pen, with green marbled body and screw-cap, with white mounts

13.8cm long

£70-100

2259

A Montegrappa Silver-Mounted Extra 1930 Ballpoint-Pen, The Silver Mounts With Maker’s Mark 1140MI with turtle brown celluloid body and silver mounts, with screw-cap 13.8cm long

£120-180

2257

2260

Three Montegrappa Ballpoint-Pens, comprising a DC Comics Batman pen, with white and gilt mounts, the clip cast with Batman; a faceted black resin example and a tapering cylindrical example, each with white mounts, each with twist mechanism 14.5cm long and smaller (3)

£150-250

2261

A Montegrappa Silver-Mounted Espressione Duetto Ballpoint Pen, The Silver Mounts With Maker’s Mark 1140MI the brown resin body tapering and with silver mounts, with twist mechanism 13.3cm long

£100-150

2262

A Montegrappa Nero Uno Linea Fountain-Pen and Ballpoint-Pen, each faceted black resin body with rose gold plate mounts, the fountain-pen with screw-cap, the ballpointpen with twist mechanism, with Montegrappa black leather case

14.5cm long and very slightly smaller (2)

£150-250

2263

A Montblanc Writer’s Edition Fyodor Dostoevsky Ballpoint-Pen, The Cap Numbered 6418/8000

the textured black resin body with engraved gilt mounts, the cap with facsimile gilt signature, the clip with blue cabochon, with twist mechanism 14cm long

£150-250

2264

A George V Silver and Enamel Propelling Perpetual Calendar Pencil, by Sampson Mordan and Co., London, 1934 seven-sided, the top and end each engine turned, the centre enameled with dates and days of the week, the date ring revolving, the button at the top releases the mechanism, with suspension loop 74mm long closed

£150-250

2265

A George V Gold Propelling-Pencil and a George VI Gold Propelling-Pencil, The First by Sampson Mordan and Co., London, 1928, The Second by E. Baker and Son, Birmingham, 1941, 9ct each cylindrical and with an engine-turned finish and clip, the first a Mordan Everpoint, engraved ‘A. J. Thomson Stock Ex. Leeds’, the second stamped ‘The Mascot Reg’d’ further engraved with initials ‘JW’ 12.2cm long and smaller (2)

£200-300

2260

2261

2262

2263

2266

A Montblanc Special Edition John Lennon Ballpoint-Pen, Numbered KW2081032 the tapering cylindrical black resin body grooved to simulate the grooves on a record, the clip formed as the fret and head of a guitar, in fitted case with guidebook, singlesided recording of Imagine and numbered service guide, with outer card case the case 33cm wide

Provenance

The Pen Shop, The Trafford Centre, Manchester, May 2012.

£300-500

2267

A Montblanc Special Edition John Lennon Fountain-Pen, Numbered KW2212702 the tapering cylindrical black resin body grooved to simulate the grooves on a record, the clip formed as the fret and head of a guitar, in fitted case with guidebook, singlesided recording of Imagine and numbered service guide, with outer card case the case 33cm wide

£400-600

2268

Two Montblanc Ramses II Silver-Gilt, GiltMetal and Lapis Lazuli Ballpoint-Pens, The Clips Numbered GM104119 and IM102758 each silver-gilt body with incised lines, the caps in lapis lazuli and with gilt-metal mounts, one with pull-off cap and one with twist mechanism

13.7cm long

£300-500

2269

A Montegrappa Silver and Silver Plate Mounted Espressione Fountain-Pen, The Cap Rim With Maker’s Mark 1140MI the mottled charcoal grey resin cylindrical body with silver and silver plate mounts, with screw-cap 13.5cm long

£100-150

2270

A Montblanc Unicef Fountain-Pen and Ballpoint-Pen, The Clips Numbered IT1105273 and HT1287925

each black resin and with gold coloured mounts, the cap mount engraved with laurel wreath and set with a blue ‘gem’, each with screw cap

14.6cm long (2)

£200-300

2271

A Montblanc Starwalker Ballpoint-Pen, Numbered CN1102078

the black rubber body with white metal mounts and grid, with twist mechanism, in fitted black covered case and with dated service guide

13.8cm long

£120-180

2272

A Montblanc Parcel-Gilt Silver and Resin Meisterstück Fountain-Pen, Numbered IV1099545

the pull-off cap in parcel-gilt silver and incised with lines, with black resin body

13.5cm long

£100-150

2273

Four Montblanc Meisterstück Pix Pens or Pencils, each with black resin body and gilt mounts, comprising a ballpoint-pen, clip number MBCC5FMF5; a smaller ballpointpen, clip number KY1843659; a mechanical-pencil, clip number KL1520771 and a rollerball-pen, clip number MY2120672

15cm long and smaller

£200-300

Three Montblanc Starwalker Pens, each with black resin body and white mounts, comprising a fountain-pen, with screw cap, numbered BL1643776; a ballpoint-pen, with twist mechanism, numbered IF1873495 and a ballpoint-pen with screw cap, numbered PF2283920

14cm long and slightly smaller (3)

£400-600

2275

A Montblanc Meisterstück Doué Signum Ballpoint-Pen, Numbered HF1616741 the black resin body embossed with stylised star and with white mounts, with twist mechanism, 13.5cm long; Together With a Meisterstück Solitaire Doué Classique ballpoint-pen, numbered IL1522333, the black resin body with white mounts and twist mechanism, 13.5cm long (2)

£200-300

A Montblanc Starwalker Fineliner-Pen, Numbered IL1625027 the black rubber body with white metal mounts and grid, with screw-cap, in fitted black covered case and with dated service guide the case 19.5cm wide

Provenance: John Lewis, Eldon Square Newcastle, 1 April 2006.

£150-250

2274

2276

2277

A Continental Silver Wager-Cup on Stand, Maker’s Mark Lacking, Stamped ‘A835’, Perhaps German, 20th Century formed as a bearded male figure in Renaissance costume, his hat with feather, holding the pivoting cup above his head, the stand formed as two legs resting on slightly domed base stamped with rockwork 37cm high, 34oz 19dwt, 1,087gr

£2,000-3,000

2278

A German Silver Meat-Dish, Maker’s Mark a Lion Rampant, Probably for Gebrüder Deyhle, Schwäbisch Gmünd, 20th Century shaped oval and with reeded rim 50.5cm wide, 1,129gr

£500-800

2279

A German Parcel-Gilt Silver Jug and Two Beakers, by C. Meret, KleinAuheim, Late 20th Century, Further Stamped ‘Efes’, Presumably as Retailer in the form of a 16th or 17th century roemer, the beakers each tapering and with stylised prints on the foot, the rims engraved with foliage strapwork, the interiors gilt, the jug similarly formed, with scroll handle and hinged cover, with a hammered finish the jug 26cm high, the beakers 90mm high, total weight 39oz 19dwt, 1,243gr (3)

£600-800

2277

2278

2280

A German Silver Tankard, by Sy and Wagner, Berlin, Circa 1863 tapering cylindrical, the sides with three Gothic style tracery niches, one applied with the coat-of-arms of von Mutius below an applied parcel-gilt Iron Cross, the others applied with a cast figure of a soldier of the Kürassier-Regiment, the first depicted in the uniform of 1813 and the second that of 1863 each above the engraved date, the base chased with acorns and oak leaves on a textured ground centring an inscription, the hinged cover applied with a cast depiction of the Prussian Waterloo memorial and with a demi-horse thumbpiece on top of the reeded scroll handle, the interior gilt, further engraved on a plaque inside the cover with various names

36.5cm high, 55oz 2dwt, 1,714gr

The German inscription reads ‘Seiner Exellenz dem General Lieutenant Louis v Mutius zu seinem 50 jührigen dienstjubiläum die Officiere des schlesischen Kürassier Reg No 1.Prinz Friedrich v. Preussen’, recording the presentation of the present tankard to Lieutenant General Louis von Mutius commemorating his 50 years of military service.

£2,000-3,000

2280 (alternate view)

2281

An Austrian Silver Bowl, Probably by Josef Haller, Vienna, Circa 1922 shaped circular, the lobed sides with overall hammered finish, on four ball feet

31.5cm diameter, 20oz 4dwt, 628gr

£300-500

2282

A Continental Silver Toothpick-Holder, Maker’s Mark Indistinct Perhaps WB?, With ‘12’ Standard Mark, Perhaps German, 19th Century on openwork foliage and flower tear-drop shaped base, the stem cast as a branch and terminating in a flowerhead and cast bird finial, with holes for toothpicks

16cm high, 6oz 4dwt, 193gr

£400-600

A Pair of Continental Silver-Gilt Mounted Cut-Glass Decanters, With Lion Rampant Maker’s Mark, Further Stamped ‘Sterling’ and ‘A925’, Perhaps German, 20th Century each tapering glass body cut with spiral-fluting and with loop handle, with plain silver-gilt rim and detachable stopper 22.5cm high (2)

£250-350

2284

A German Silver Tea-Caddy, Probably by Friedrich Reusswig, Hanau, Further Marked With English Import Marks for London, 1899 oval and with egg and dart and foliage borders, the sides and hinged saddle-shaped cover each decorated with figures in landscapes and within rocaille cartouches, the interior gilt 95mm high, 5oz 17dwt, 182gr

£120-180

2283

2281

2283

2284

2282

2285

A French Silver Jardiniere, by André Aucoc, Paris, First Quarter 20th Century oblong, the corners with four feet cast as ribbon-tied quivers, the sides with openwork foliage heightened scrolls, the long ends each with a vacant cartouche, with metal liner

36.5cm wide, the base 78oz 7dwt, 2,437gr

£2,500-3,500

A French Silver Coffee-Pot, by Flamant et Fres., Paris, Late 19th/Early 20th Century pear-shaped and on spreading short foot, with an engine-turned finish, engraved on each side with initials within a garter, the hinged cover with baluster finial, with ivory-insulated handle 18cm high, gross weight 10oz 19dwt, 340gr

With non-transferable standard ivory exemption declaration number PTABRVSQ.

£150-250

2287

A Belgian Silver Second-Course Dish, by Delheid Freres, Brussels, 20th Century shaped circular and with foliage, flower and rocaille heightened border 32cm diameter, 19oz 17dwt, 618gr

£300-500

2286

2285

2286

2288

A Russian or Central European Silver Sugar-Basket, Cyrillic Maker’s Mark, Circa 1900 tapering cylindrical and on three ball feet, with overhead swing handle, engraved with foliage and flowers and with foliage cast border 10.5cm diameter, 6oz 19dwt, 216gr

£150-250

A Norwegian Silver and Enamel Bonbonnière, by J. Tostrup, Oslo, 20th Century circular, the pull-off cover with a vari-colour enamel plaque and engraved with lines, the interior gilt 90mm diameter, 2oz 7dwt, 104gr

£200-300

2289

A Cased Set of Six Swedish Parcel-Gilt Silver Tot-Cups, by Markstöms Guldsmeds AB, Uppsala, 1954 each tapering cylindrical and with gilt slightly flaring rim, in fitted case, the hinged cover applied with a silver plaque with engraved inscription the case 37cm wide, the tot-cup each 41mm high, weight of silver 3oz 3dwt, 99gr (6)

The inscription reads ‘Konsul Folke Hillerströms HPR Englandstävling 1954’

£100-150 2290

2291

A Continental Glass-Mounted and Enameled Casket, Apparently Unmarked, Probably 20th Century of square section and on four fruiting-vine feet, the sides and hinged cover each with glazed panel, the cover with vari-colour enamel, the interior with velvet base 14.5cm square

£300-500

2290

2292

A Continental Silver Soup-Tureen, Cover and Stand, Stamped ‘800’, Possibly Spanish or Italian, 20th Century the soup-tureen oval and on spreading foot, with lobed sides and ram’s mask handles, the detachable cover with stag finial, the conforming stand oval and with shell grips the stand 61.5cm wide, 170oz 8dwt, 5,301gr

£2,500-3,500

2293

Four Spanish Silver Second-Course Dishes Maker’s Mark Lacking, With Spanish Standard Mark, 20th Century shaped circular and with reeded rim 28.5cm diameter, 79oz 16dwt, 2,482gr (4)

£1,200-1,800

2292

2293

2294

A Spanish Silver Tray, by Luis Espuñes, Madrid, 20th Century shaped oblong, with lobed border and two scroll-cast handles, engraved with an initial ‘G’ below a coronet 62cm wide over handles, 59oz 6dwt, 1,844gr

£800-1,200

2296

A Graduated Pair of Spanish Silver Trays, by Matilde Espuñes, 20th Century, Further Stamped ‘Aldao Joyero’, Probably as Retailer each oblong and with gadrooned border, with similar loop handles, one 48cm wide over handles and one 34.5cm wide over handles, total weight 48oz 10dwt, 1,508gr

£700-1,000

2295

A Spanish Silver Sauceboat and Stand, by Luis Espuñes, Madrid, 20th Century oval and with two lips, the rim and integral stand each with reeded borders the stand 28cm wide, 20oz 11dwt, 639gr

£250-350

2297

A Spanish Silver Vegetable-Dish and Cover, by Matilde Espuñes, 20th Century, Further Stamped ‘Aldao Joyero’, Probably as Retailer tapering cylindrical and with shaped reed rim, with two loop handles, the detachable cover confirming and with tapering ball finial 29.5cm wide over handles, 31oz 10dwt, 979gr

£400-600

A Spanish Silver Dinner-Service, by Luis Espuñes, Madrid, 20th Century each piece shaped oval and with reeded rim, comprising a meat-dish, 51cm wide

two second-course dishes, 40.5cm diameter and smaller an entrée-dish and cover, 31cm wide

Together With a similar sauceboat and a vegetable dish

185oz 11dwt, 5,772gr (6)

£3,000-5,000

A Spanish Silver Dinner-Service, by Matilde Espuñes, 20th Century, Further Stamped ‘Aldao Joyero’, Probably as Retailer each piece with shaped reeded border, comprising A pair of meat-dishes, 52cm wide

A pair smaller meat-dishes, 35.5cm wide

A fish-dish, 57cm wide

A second-course dish, 34cm diameter

An oval bowl, 34cm wide

A sauce-tureen on stand, 18.5cm wide

175oz 13dwt, 5,564gr (8)

£2,500-3,500

2298

2299

2298

2300

A French and Spanish Silver Dinner-Service, by André Aucoc, Paris, Circa 1930 and by Durán, Madrid, 1928

each piece with shell-heightened reeded rim, the border spiral-fluted and chased with rocaille and with a cartouche engraved with a coat-ofarms below a coronet, comprising 10 dinner-plates, by Durán

8 soup-plates, by André Aucoc, one lacking maker’s mark

A second-course dish, 34.5cm diameter, by André Aucoc

A second-course dish, 33cm diameter, by André Aucoc

A second-course dish, 30.5cm diameter, by André Aucoc

A pair of meat-dishes, 49cm wide, by André Aucoc

A pair of meat-dishes, 44.5cm wide, by André Aucoc

A meat-dish, 38.5cm wide, by André Aucoc

664oz 4dwt, 20,658gr (26)

£12,000-18,000

2301

A Victorian Silver Plate Four-Light Candelabra, Apparently Unmarked, Last Quarter 19th Century on tricorn base, with three grotesque animal mask and paw supports, with fluted stem which terminates in three scroll and grotesque animalcast branches, each with spool-shaped socket and fluted wax-pan, with further central socket, the base engraved with a crest 68.5cm high

£150-250

2302

A Victorian Silver Plate-Mounted Glass and Crocodile or Faux Crocodile Spirit-Flask, by James Dixon and Sons Ltd., Sheffield, Dated 1891 oblong, the glass body with detachable silver plate cup at the base, the shoulder applied with crocodile or faux crocodile skin, with bayonetmounted domed cover, the cup engraved on one side with memorial initials and dated ‘1911’, the other side engraved with initials, the base engraved ‘Xmas’ and dated ‘1891’ 21cm high

£250-350

2303

A Victorian or Edward VII Silver Plate Oil-Lamp, by Mappin and Webb, Circa 1900 on square base with laurel wreath applied sides, the fluted tapering column stem terminating in a Corinthian capital form socket, with cut-glass font, later mounted for electricity and with modern custom lamp shade

68cm to top of original mount, 101cm high including shade

£200-300

2301

2303

2302

2304

A Victorian Silver Plate Four-Light Candelabrum, Apparently Unmarked, Mid-19th Century the fluted domed base on three leaf, flower and scroll formed feet, the stem formed as a foliage-cast branch and maiden, supporting the three foliage-cast branches, each terminating in a tapering socket with foliage-cast wax-pan, with a further central branch

64cm high

£200-300

2305

A Victorian Silver Plate Double Wine-Trolley, by Elkington, Mason and Co., Probably 1850 each section circular and with openwork sides and twisted wire border, the wood bases with central vacant boss, on wheels and with beaded and foliage cast handle

46cm long

£300-500

2306

A Victorian Silver Plate Four-Light Candelabrum, by Mappin Brothers, Late 19th Century on tricorn base with three paw feet, the stem fluted and with four scrolling arms, each termination in part-fluted socket with beaded wax-pan, with further central socket

54.5cm high

£150-250

2304

2305

2307

A George IV Silver Entrée-Dish and Cover, by Paul Storr, London, 1825

circular and with gadrooned borders, the cover with detachable foliage and reeded handle, the cover engraved on one side with a coat-of-arms and the other with a crest, later engraved inside the base and cover with a differing crest 25cm diameter, 39oz 14dwt, 1,234gr

The arms ‘three piles, two issuant from the chief and one from the base, gu., each charged with an antique crown, or.’, are those of Grant, as borne by Edward Fitzherbert Grant, Esq., captain of the Royal Horse Artillery and son of Thomas Grant.

£800-1,200

2308

A George IV Silver Bowl, by John Bridge, London, 1826

shaped tapering circular, the border spiralfluted, with alternating plain and shell and rocaille-cast panels, later engraved with the Royal coat-of-arms

28.5cm diameter, 31oz 9dwt, 978gr

Provenance:

Bonhams, New Bond Street, London, 22 June 2011, lot 147, where purchased by the present owner.

£1,500-2,500

2309

A William IV Silver Teapot, by Paul Storr, London, 1832

compressed circular and on slightly stepped collet-foot, with ivory-insulated leaf-capped handle, the slightly domed cover with disc finial, engraved on one side with a coat-ofarms and on the other with a crest 25cm wide over handle, gross weight 17oz, 528gr

With non-transferable standard ivory exemption declaration number AC8A14LC.

£500-800

A Four-Piece Victorian Silver Tea and Coffee-Service, by Charles Reily and George Storer, London, 1849 each piece shaped tapering octagonal and on four scroll and openwork panel feet, later engraved with initials, comprising a teapot; a coffee-pot, each with ivory-insulated handle and flower and foliage finial; a creamjug and a sugar-bowl the coffee-pot 26.5cm high, total gross weight 81oz 19dwt, 2,548gr (4)

With non-transferable standard ivory exemption declaration number HTUREJVC.

£1,500-2,500

2311

A Victorian Silver Mug, by Charles Boyton, London, 1898 tapering cylindrical and on spreading foot, with loop handle, engraved slightly later with initials ‘ER from L&S’ and dated ‘May 8 1905’ 13.5cm high, 13oz 8dwt, 417gr

£200-300

2313

A Victorian Silver Mug, by Edward Barnard and Sons Ltd., London, 1898, Retailed by Mackay and Chisholm, Edinburgh in the George III style, baluster and on spreading foot, with scroll handle, in fitted gilt-tooled black leather-covered case the mug 90mm high, 4oz 19dwt, 155gr

£70-100

2312

A Pair of George IV Silver-Mounted Bottle-Stoppers, The Silver Mounts by John Reily, London, 1823 each with reeded border and cast shell, one engraved ‘Sherry’ on each side and the other engraved ‘Port’ on each side 10.5cm high (2)

Provenance: Woolley and Wallis, 29 January 2003, lot 454.

£100-150

2314

A Victorian Silver Travelling Canteen, by Charles Rawlings and William Summers, London, 1837 cylindrical and with screw cover at each end, opening to reveal a later silver plate mounted blue glass caster, one pierced ‘S’ for salt and one pierced ‘P’ for pepper, further opening in the centre, each end engraved with a crest

17.4cm long, weight of silver 6oz 4dwt, 193gr

£400-600

2311

2316

2315

A Victorian Silver and Engraved-Glass Centrepiece, by Horace Woodward and Co., Birmingham, 1872 on tricorn base, each corner with a demi-hippocampus above beaded block feet, the stem fluted and supporting the circular engraved glass dish and with a further support for a vase, lacking 30.5cm high, weight of silver 48oz 11dwt, 1,510gr

£1,000-1,500

2316

Two Pairs of Edward VII Silver Candlesticks, One Pair by William Hutton and Sons Ltd., London, 1905 and One Pair by William Fordham and Albert Faulkner, Sheffield, 1908 in the George II or George III style, each on shaped square base, the first pair with shell corners, the stems baluster and terminating in spool-shaped socket with detachable nozzle, the bases of each pair engraved with initials, each futher engraved with dates, the first ‘8th August 1907’, the second pair dated ‘20th April 1909’, filled 24cm high and slightly smaller (4)

£300-500 2317

A Victorian Silver Four-light Candelabrum, by Goldsmiths’ Alliance Ltd., London, 1887 on square part-fluted base, with similar tapering stem which terminates in fluted socket, the detachable branches with three reeded arms, each terminating in fluted socket with beaded wax pan and detachable nozzle, with similar central socket, the base filled 39cm high, weight of branches 27oz 3dwt, 845gr

£400-600

2315

2318

A Victorian Silver Bowl, by Atkin Brothers, Sheffield, 1898 shaped circular and on spreading foot, the bowl lobed below the foliage and scroll cast border, the interior gilt 21cm diameter, 9.5cm high, 13oz 8dwt, 417gr

£250-350

2320

A Victorian Silver Basket, by John Newton Mappin, London, 1891 circular and on spreading foot, with fruiting foliage border on textured ground, the overhead-swing handle with central boss cast with bacchic mask

2319

26.5cm diameter, 21oz, 653gr

£300-500

A Victorian Silver Salver, by Thomas Bradbury and Sons, London, 1899

shaped circular and on three scroll feet 26cm diameter, 20oz 5dwt, 630gr

£300-500

2321

An Edward VII Silver Salver, by Thomas Bradbury and Sons Ltd., London, 1906 in the George III style, shaped circular and on three fluted panel feet, with foliage-cast border, engraved with foliage centring an inscription 26.5cm diameter, 22oz 10dwt, 700gr

The inscription reads ‘Agnes From Her Affectionate Cousins Doris Kathleen & Gordon Whitley Oct’r 16th 1907’

£400-600

2322

A Cased Set of Six Victorian Silver Napkin-Rings, by Jehoiada Alsop Rhodes, Sheffield, 1874, retailed by Hancocks and Co., Bruton Street, London each circular and with beaded border, applied with a scene of a classical charioteer and horses on one side, the other side applied with a foliage supported cartouche, engraved engraved with a crest and numbered from 1 to 6, in fitted gilt-tooled leather covered case the case 12.5cm wide, 6oz 5dwt, 194gr (6)

£150-250

2324

A Cased Victorian Silver-Gilt Basket and Sifting-Spoon, by Walter and John Barnard, London, 1880 the basket shaped oval and on spreading foot, engraved with foliage, with reeded overhead-swing handle, the sifting-spoon with pierced bowl and foliage engraved handle, in fitted gilt-tooled leather-covered case the case 23.5cm wide, weight of silver 8oz 7dwt, 260gr (2)

£150-250

2323

An Edward VII Silver-Mounted Boar-Tusk Pepperette and Mustard-Pot, by Frederick Bradford Macrea, London, 1902 each natural tusk on ball feet, with plain silver mounts, the pepperette with pierced cover, the mustard-pot with hinged cover and associated spoon 73mm high and smaller (2)

£100-150

2325

A Four-Piece Victorian Silver-Gilt Travelling Communion-Set, by John Wilmin Figg, London, 1879, 1881 and 1882, Retailed by Keith and Co., London in the Gothic revival style, comprising a communion-cup, on domed hexafoil base and with tapering stem; a paten; a wafer-box and an anointing-spoon the communion-cup 15cm high, total weight 12oz 18dwt, 402g

£400-600

2326

An Edward VII Silver Small Biscuit-Jar, by Horace Woodward and Co. Ltd., London, 1901 in the form of a paint tin, the pull-off cover engraved with initials and dated ‘1901’ 11cm diameter, 75mm high, 9oz 19dwt, 309gr

£150-250

2328

A George V Silver String-Box, by Asprey and Co. Ltd., London, 1913 globular and on spreading foot, the sides pierced with slats, filled 90mm diameter

£70-100

2327

An Edward VII Silver Soap-Box, by Samuel Summers Drew and Ernest Drew, London, 1908 oblong, the cover and base each slightly domed and with rayed decoration, the cover with vacant cartouche 95mm wide, 4oz 2dwt, 127gr

£100-150

2329

A George V Silver Dressing-Table Box, by Lionel Alfred Crichton, London, 1916 in the early 18th century style, circular and on spreading base, the detachable cover with reeded rim 92mm diameter, 7oz 7dwt, 228gr

£120-180

2326

2327

2329

2328

2330

A George V Silver Tankard, by Adie Brothers Ltd., Birmingham, 1927 in the George I style, tapering cylindrical and with reeded rims, the flat hinged cover with openwork scroll thumbpiece, with scroll handle, engraved with the coat-of-arms of Kingston upon Hull above an inscription 14.5cm high, 18oz 16dwt, 585gr

The inscription reads ‘From Major P. Robson Sheriff 1926/7 to W. Walker’

£300-500

2332

2331

A Victorian Silver Beaker, by George Nathan and Ridley Hayes, Chester, 1898 tapering cylindrical and on spreading base, the lower body spiralfluted, the interior gilt 16cm high, 9oz 1dwt, 282gr

£120-180

A George V Silver Wax-Jack, by Herbert Charles Lambert, London, 1910 in the George III style, the foliage pierced base on ball and flaw feet and with gadrooned border, with similar spatulate handle, the terminal with spool-shaped socket

15.5cm high, gross weight 5oz 17dwt, 183gr

£500-800

2330 2332

2331

2333

A George V Silver Napkin-Ring, by Omar Ramsden and Alwyn Carr, London, 1916 in the Arts and Crafts style, centrally waisted circular, chased with Celtic knots, with an overall hammered finish 60mm high, 1oz 3dwt, 36gr

£200-300

2334

2335

An Edward VII Silver Napkin-Ring, by Omar Ramsden and Alwyn Carr, London, 1905 in the Arts and Crafts style, centrally waisted circular, one side chased with initials ‘R.S.K;, the other side chased with flowers and foliage, with an overall hammered finish 55mm high, 1oz 7dwt, 42gr

£200-300

A George V Silver Napkin-Ring, by Omar Ramsden, London, 1928 in the Arts and Crafts style, circular, the sides chased with wheat sheaves, with an overall hammered finish 50mm diameter, 1oz 4dwt, 37gr

£250-350

2336

Three George V Silver Napkin-Rings, by Henry George Murphy, London, One 1929 and Two 1930, Each With Falcon Studios Mark each circular, each with twisted wire border and with differing beaded, Celtic knot or wirework decoration between 45mm diameter, 1oz 7dwt, 42gr (3)

£250-350

2333

2335

2336

A George V Silver Bowl, by Omar Ramsden, London, 1928 oval and on four foliage scroll-cast feet, each end with openwork flower and finial handle, with an overall hammered finish

30.5cm long, 9oz 13dwt, 301gr

£1,000-1,500

A Victorian Silver Porringer, by W. G. Connell, London, 1900 the bowl oval and with two curved spatulate handles, each pierced with Art Nouveau style foliage 12.5cm wide over handles, 2oz 10dwt, 79gr

£120-180

2337

2338

2337

2338

2339

A George V Silver Spoon, by Omar Ramsden, London, 1932 in the Arts and Crafts style, the tapering stem terminating in cast foliage and flower-head, the oval bowl with hammered finish 13.6cm long, 1oz 7dwt, 43gr

£150-250

2340

An Edward VII Silver Spoon, by Omar Ramsden and Alwyn Carr, London, 1906 the tapering handle with cast Art Nouveau style foliage terminal, the oval bowl with hammered finish 15.5cm long, 1oz 5dwt, 39gr

£120-180

2341

A George V Silver Spoon, by Omar Ramsden, London, 1926 in the Arts and Crafts style, the tapering handle cast and chased with the initials ‘CSGS’ among fruiting vines, the oval bowl with hammered finish 16.2cm long, 2oz 1dwt, 64gr

The cast initials are those of the Chartered Surveyors Golfing Society.

£150-250

2342

A George V Silver Spoon, by Omar Ramsden and Alwyn Carr, London, 1914 in the Arts and Crafts style, the tapering stem terminating in a cast galleon at sail, engraved with initials, the oval bowl with hammered finish 17.7cm long, 1oz 13dwt, 51gr

£120-180

2341

2343

A Cased Set of Six Edward VII Silver Place-Card Holders, Four by Sampson Mordan and Co. Ltd., Chester, 1907 and Two by Goldsmiths and Silversmiths Co. Ltd., London, 1907, Retailed by Goldsmiths and Silversmiths Co. Ltd., London each modeled as a standing owl, with glass eyes and on circular base, in fitted gilt-tooled white leather-covered case the case 13.5cm wide, each place-card holder 34mm high, gross weight 4oz, 125gr (6)

£400-600

2344

A George V Silver-Gilt Mounted Tortoiseshell Timepiece, The Silver-Gilt Mounts by William Comyns, London, 1912 oblong and on four bun feet, the sides and front each with tortoiseshell panels, the dial with Roman numerals, with drop-ring handle, in fitted leather carrying case the timepiece 12cm high

£200-300

A Cased Set of Four George V Parcel-Gilt Silver Place-Card Holders, by Sampson Mordan and Co., Chester, 1913 each cast as a pheasant, on plain silver-gilt oval base, filled, in fitted grey leather-covered case the case 23cm wide

£150-250

2343

2345

2344

2345

2346

A George VI Silver Cream-Jug, by Wilson and Gill, London, 1937 in the George II style, baluster and on spreading foot, with sparrowbeak and leaf-capped scroll handle, engraved with a crest 11cm high, 6oz 18dwt, 214gr

£100-150

2348

A George VI Silver Cream-Jug, by Jones and Son, London, 1937 in the George II style, baluster and on spreading foot, with sparrowbeak, leaf-capped scroll handle and reeded rim, with a hammered finish

10cm high, 5oz 14dwt, 177gr

£100-150

2347

An Elizabeth II Silver Mug, by Viners Ltd., Sheffield, 1957 tapering and on slightly spreading base, with loop handle and glass base

12.5cm high

£100-150

2349

A George VI Silver Cream-Jug, Maker’s Mark BPLLC, London, 1938 in the George II style, baluster and on spreading foot, with scroll handle and beak-form spout

80mm high, 4oz, 124gr

£70-100

2346

2348

2347

2349

2350

A Four-Piece Edward VIII and George VI Silver Tea-Service, by Henry Clifford Davis, Birmingham, The Teapot, Cream-Jug and Sugar-Bowl 1938, The Hot-Water Jug 1936 in the Art Deco style, each piece tapering and on conforming foot, with canted corners, comprising a teapot; a hot-water jug, each with composition handle and finial; a cream-jug and a sugar-bowl the hot-water jug 16.5cm high, total gross weight 45oz 15dwt, 1,423gr (4)

£800-1,200

2351

A George V Silver Salver, by Daniel and John Wellby, London, 1916 in the George III style, circular and on three tapering gadrooned panel feet, with gadrooned border 25.5cm diameter, 21oz 5dwt, 662gr

£300-500

2352

A Four-Piece Elizabeth II Silver Tea-Service, by J. B. Chatterley and Sons Ltd., Birmingham, The Teapot, Cream-Jug and Sugar-Bowl 1965, The Hot-Water Jug 1964 each piece tapering and with Celtic pattern border, comprising a teapot; a hot-water jug, each with composition handle and finial; a cream-jug and a sugar-bowl the hot-water jug 17.5cm high, total gross weight 48oz 18dwt, 1,521gr (4)

£800-1,200

2350

2352

2351

2353

An Edward VII Silver Tea-Caddy, by William Wheatcroft Harrison, Sheffield, 1905

tapering oval and and with lobed sides, with chased foliage between, the hinged cover similarly decorated, finial lacking 11.5cm high, gross weight 6oz 2dwt, 190gr

£120-180

2355

A George V Silver Tea-Caddy, by Robert Pringle and Sons, London, 1912 in the George III style, oblong and with shell and foliage heightened gadrooned border, the hinged cover with vase-shaped finial 95mm wide, 5oz 17dwt, 182gr

£100-150

2354

Two Edward VII Silver-Mounted Engraved-Glass Dishes, Each by William Comyns, London, One 1904 and One 1905, One Retailed by Mappin and Webb

the glass bodies engraved in the rock crystal style with various foliage scrolls, the first hour-glass shaped, with openwork foliage and flower hinged covers and overhead-swing handle, the second tapering circular, the hinged covers and scroll handles applied with openwork shamrocks, with similar foot mount

15.5cm wide over handles and smaller (2)

£200-300

2356

A George V Silver Tea-Caddy, by S. Blanckensee and Son Ltd., Birmingham, 1925

tapering oblong and on four scroll-capped fluted feet, the hinged cover with drop-ring handle

12.5cm wide, 6oz 7dwt, 197gr

£100-150

2353

2355

2354

2356

2357

An Edward VII Silver Basket, by Atkin Brothers, Sheffield, 1908 tapering circular and with gadrooned border, the sides pierced and engraved with foliage above latticework, with two drop-ring handles 24.5cm diameter, 7.5cm high, 22oz 9dwt, 699gr

£400-600

A George V Silver Bowl, by Atkin Brothers, Sheffield, 1929 shaped circular and on four openwork fruiting vine cast feet, the openwork border pierced and engraved with fruiting vines

27.5cm diameter, 24oz 9dwt, 760gr

£150-250

An Edward VII Silver Kettle and Stand, by William Hutton and Sons Ltd., Sheffield, 1909 the kettle tapering oblong and with fluted lower body, with foliage and shell-heightened egg and dart border, with overhead part-composition handle, the hinged cover with composition finial, engraved with an inscription, on conforming stand with fluted tapering legs, lamp lacking 33cm high, total gross weight 51oz 14dwt, 1,608gr

The inscription reads ‘Presented to C. A. Cunningham of Abbotrule by his Tenantry on the Occasion of His Marriage 24th August 1910’ £800-1,200

2357

2359

2358

2358

2359

2360

A Three-Piece George V Silver Coffee-Service, by Manoah Rhodes and Sons Ltd., London, The Coffee-Pot 1923, The Cream-Jug and SugarBowl 1924 in the George II style, each piece tapering and on spreading foot, the lower bodies applied with cut-card foliage, comprising a coffee-pot, with composition handle; a cream-jug and a sugar-bowl the coffee-pot 19cm high, total gross weight 21oz 13dwt, 673gr (3)

£300-500

2362

A Three-Piece Elizabeth II Silver Condiment-Set, by Richard Comyns, London, 1969 in the George III style, each piece with foliage-heightened gadrooned border, comprising a mustard-pot; a salt-cellar, each with blue glass liner and a pepperette the pepperette 12.5cm high, weight of silver 14oz 19dwt, 466gr (3)

£200-300

2361

A Victorian or Edward VII Silver Small Tray, by John Thomas Heath and John Hartshorne Middleton, London, Circa 1900 oblong and with gadrooned border, with two reeded scroll handles 38cm wide over handles, 12oz 18dwt, 401gr

£150-250

2363

A Victorian Silver Snuffer-Tray, by Thomas William Dobson, London, 1887 in the George III style, oval and with beaded border and with pierced ends

24.5cm wide, 4oz 2dwt, 128gr

£70-100

2362 2361 2363

2364

A George V Silver Tray, by George Howson, Sheffield, 1930 oval and on four fluted tapering panel feet, with gadrooned border and two gadrooned loop handled with foliage cast terminals 57.5cm wide over handles, 52oz 10dwt, 1,634gr

£1,000-1,500

2365

A George V Silver Pedestal-Dish, by William Adams Ltd., Birmingham, 1910 shaped circular and on trumpet foot, the rim and foot pierced with foliage scrolls, with foliage-cast border 29.5cm diameter, 14.5cm high, 21oz 12dwt, 672gr

£300-500

2366

The Arthur Burrell Trophy: A George VI Silver Sculpture of William Shakespeare, by Sir John Cass Institute, London, 1948, Designed and Modelled by Edward Bainbridge Copnall realistically modelled, on turned ebonised base with applied silver plaque engraved with an inscription and further metal shields engraved with recipient’s names and dates of presentation 56.5cm high including plinth, the figure 47cm high, 185oz 12dwt, 5,772gr

Literature:

‘To Hull Actor’ and ‘Shakespeare’, The Hull Daily Mail, 27 August 1947, p. 3.

The Arthur Burrell Trophy was made to commemorate Flight Colonel Arthur C. Burrell who had volunteered for the RAF in 1939 and was killed in action over Sicily in 1943. He was described as ‘... a sincere artist and an actor of great promise who will be remembered for his performances in Hull with the Playgoers’ Society in “The Yellow Jacket”; in “Will Shakespeare” with the Sharrah Drama Club and “Fantastic Flight” for the Drama League”.’ (‘To Hull Actor’, The Hull Daily Mail, 27 August 1947, p. 3.). The article goes on to note that ‘His friends and admirers are commemorating his work by the provision of this trophy to be competed for annually by teams in the Hull area. It is a figure of Shakespeare designed and modelled by Bainbridge Copnall and will be finished in silver. The statuette will cost 150 guineas.’ (‘Shakespeare’, The Hull Daily Mail, 27 August 1947, p. 3.)

The ‘Bainbridge Copnall’ noted in the article refers to Edward Bainbridge Copnall, M.B.E. (1903-1973), the noted British sculptor and painter. Copnall was born in Cape Town but moved to West Sussex as a child after the death of his mother. Both his father and an uncle were artists so it was perhaps inevitable that Edward would also pursue an artistic career, studying at both Goldsmiths Art School and the Royal Academy. While his initial interest was in painting he turned to sculpture in 1929 and was to receive an early commission, still among his celebrated works, to design the external sculptural scheme for the Royal Institute of British Architects headquarters in Portland place. At the time he designed the present work he was head of the Sir John Cass School of Art, a post he held from 1945 to 1953.

Andrew Penny M.B.E., the President of the Festival said “Whilst it may appear we are literally selling off the family silver, it makes much more sense to realise this statue as an asset than to present an extremely weighty trophy to a young person who might worry about the security implications of holding it for a year at home. We can do a great deal with the funds raised to achieve the great aims of the founders of the Festival Movement; “to pace each other on the road to excellence.”

The Hull Musical Festival was founded in 1906 to provide competitive classes in sections for Instrumental Music, Singing, Dance, Speech and Drama. It became a registered charity in 1978 (charity no. 507766) with the aims of ‘the advancement of the education of the public in the arts of music, dancing, literature and acting in all their branches’.The Arthur Burrell Memorial Trophy was presented to the Festival in 1948, to be awarded annually as a prize in the Speech and Drama section. The Festival continues to provide a well-supported music festival and a highly over-subscribed dance festival in Hull each year, but sadly, the Speech and Drama section fell out of fashion and has not been held for some years.The Festival awards a mixture of certificates, medals, trophies, cash prizes and bursaries to performers in music and dance, in addition to providing valuable feedback from professional adjudicators. In the coming months, the trustees will be carefully considering how to use the funds realised by the sale of the Arthur Burrell Trophy to further the aims of the charity and to best support the education and development of young performers from the local area.

Tennants are grateful to Deborah Roberts from the Goldsmiths’ Company library for her assistance in identifying the maker’s mark.

£3,000-5,000

The Collection of the Late Captain Edward Cazenove (1923-2000) (Lot 2367-2369)

Devoted hunter and art collector Captain Edward "Teddy" Cazenove was born on 11 June 1923. He was brought up by his New York-born mother, Edith, at the family house of Cottesbrooke in Northamptonshire. Cazenove was educated at Eton and Oxford, where he took every chance he could to hunt.

Shortly after graduating from Oxford, he joined the Army and served diligently throughout the Second World War. He was taken prisoner in France in 1944 and was wounded attempting to escape. After the war, instead of following in his father's footsteps and joining the family firm of stockbrokers, which had been established in the 1820s, Cazenove chose to do what he loved best. He settled in Pytchley, Northamptonshire, to hunt. Highly skilled and consistently enthusiastic, Cazenove became Master of hunts in England, Scotland and Ireland. He died aged 77 in 2000.

2367

2367

A Set of Five Elizabeth II Silver Stirrup-Cups, by Richard Comyns, London, 1970 tapering and with a cast fox mask terminal 15cm high, 52oz 15dwt, 1,640gr (5)

Provenance:

The Collection of the Late Captain Edward Cazenove (1923-2000). £1,500-2,500

2368

An Elizabeth II Silver Model of a Fox, by C. J. Vander Ltd., Sheffield, 1993 realistically modelled 24cm long, 24oz 1dwt, 749gr

Provenance: The Collection of the Late Captain Edward Cazenove (1923-2000).

£500-800

2369

An Edward VII or George V Silver-Mounted Hoof Ashtray and Cigarette-Box, Marks Worn, First Half 20th Century the natural horse’s hoof with origin horseshoe, the silver mount plain, the detachable cover with support formed as a snaffle bit, opens to reveal a compartment for cigarettes 17cm wide

Provenance:

The Collection of the Late Captain Edward Cazenove (1923-2000).

£150-250

2370

A Silver Model of a Horse, With English Import Marks for John Pinches, London, 1975, Modelled by Lorne McKean realistically modelled and on oval base cast as rockwork 11.7cm high, 19oz 15dwt, 615gr

£300-500

2368

2369 2370

2372

An Elizabeth II Parcel-Gilt Silver Paper-Knife, by Stuart Devlin, London, 1977 to commemorate the silver jubilee of Queen Elizabeth, the blade tapering, the terminal set with a silver crown, in fitted case the paper-knife 17.5cm long, 2oz 3dwt, 67gr

£100-150

2371

A Pair of Elizabeth II Parcel-Gilt Silver Dishes, by Garrard and Co. Ltd., London, 1977, Number 80 From a Limited Edition of 250 Pairs commemorating the silver jubilee of Queen Elizabeth, each shaped circular, the side of each applied with five differing silver-gilt depictions of the Queen’s beasts, engraved to commemorate the jubilee, in fitted case, the hinged cover gilt-tooled with the Royal coat-of-arms the case 39cm wide, the dishes 14cm maximum width, 17oz 19dwt, 558gr (2)

£300-500

2373

An Elizabeth II Silver-Gilt Novelty Egg, by Stuart Devlin, London, 1972, Retailed by Boodle and Dunthorne, Number 60 From a Limited Edition

ovoid and with textured finish, opens to reveal a silver frog on a patinated lily pad and set with an amethyst crystal, in fitted black leather covered case the case 11cm wide, the egg 75mm high, total gross weight 3oz 14dwt, 115gr

£150-250

2372

2374

A Zimbabwean Silver Belt-Buckle, by Patrick Mavros, Harare, Dated 2015, With English Import Marks for London, 2016 oblong and cast with the head of a Cape Buffalo emerging from a plaque cast with a landscape, with original fitted box and information booklet the belt-buckle 80mm long, 4oz 16dwt,149gr

£150-250

2375

A Pair of Elizabeth II Scottish Silver Stirrup-Cups, by Hamilton and Inches, Edinburgh, 2005 each tapering and cast with the head of a pheasant, the interiors gilt 19.5cm high, 40oz 19dwt, 1,273gr (2)

£700-1,000

2374

2376

A Pair of Elizabeth II Silver Champagne-Flutes, by J. A. Campbell, London, 2000, Retailed by Fattorini, Harrogate each tapering and on spreading foot, incised near the rim with two lines, in fitted gilt-tooled blue leather-covered case the case 22cm wide, the champagne-flutes 18cm high, weight of silver 10oz 3dwt, 316gr (2)

£150-250

2377

A Pair of Elizabeth II Parcel-Gilt Silver Candlesticks, by Hector Miller for Aurum, 1989, Numbers 374 and 375 From a Limited Edition of 500 commemorating the restoration of York Minster following the fire of 19 July 1984, each domed base with openwork rim, applied with coats-ofarms, engraved underneath with an inscription 24.5cm high, weight of silver 19oz, 590gr (2)

£300-500

A Set of Six Elizabeth II Silver Goblets, by Brian Asquith, Sheffield, One 1973 and Five 1976 each with plain tapering circular bowl and on spreading foot with textured stem

13.5cm high, 52oz 5dwt, 1,626gr (6)

£2,000-3,000

2378

2379

Lator: A Stainless Steel Chronograph Wristwatch, signed Lator, 1960’s, (calibre Landeron 248) manual wound lever movement, black dial with luminous Arabic and dagger markers, two dials for seconds and 45 minute register, outer tachymeter scale, case with buttons in the band to operate the chronograph, 60 minute scale rotating bezel, screw back stamped 20 ATM

37mm wide

£200-300

2380

Seiko: A Stainless Steel Automatic Day/Date Centre Seconds Alarm Wristwatch, signed Seiko, model: Bell-Matic, ref: 4006-6011, 1970’s, lever movement, black dial with baton markers, day/date apertures, outer alarm disc, tonneau shaped case with alarm button at 2, screw back signed and numbered 151199, Seiko stainless steel bracelet with a deployant clasp

36mm wide

£100-150

2381

Omega: A Stainless Steel Electronic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer F300Hz, ref: 198.002, 1970, (calibre 1250) battery tuning fork movement signed and numbered 32888473, two tone silvered dial with baton markers, date aperture, red centre seconds hand, tonneau shaped case, screw back with a Constellation logo, back cover stamped inside Omega Watch Co and numbered 198.002

37mm wide

£300-500

2382

Baume & Mercier: A Bi-Metal Automatic Calendar Centre Seconds Wristwatch, signed Baume & Mercier, model: Baumatic, ref: 1185-2, 1980’s, (calibre BM13220) lever movement signed, micro rotor, white dial with Roman numerals, date aperture, case with fluted bezel, steel screw back signed and numbered 687556 1185 2, inside back cover signed Baume & Mercier Geneve Swiss

34mm wide

£200-300

2383

Breitling: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Breitling, model: Wings, ref: A10050, circa 1998, (calibre ETA 2892A2) lever movement signed, black dial with Arabic and baton markers, date aperture, case with a rotating 60 minute scale bezel, screw back signed and numbered A10050 3901, Breitling strap and steel buckle, with Breitling International Warranty booklet and service case 38mm wide

£600-800

2384

Longines: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Longines, model: Conquest Heritage, ref: L1.611.4, circa 2010, lever movement, black dial with dagger markers, date aperture at 12, case with screw back and blue enamel conquest logo, case numbered 34110368, Longines strap and buckle, with Longines box 35mm wide

£500-700

2385

Hamilton: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Hamilton, model: Khaki, ref: H704450, circa 2010, lever movement signed, black dial with luminous Arabic numerals, date aperture, glazed screw back numbered H704450, Hamilton stainless steel bracelet with a deployant clasp, with Hamilton boxes, booklet and one spare bracelet link 38mm wide

£300-500

2386

Omega: A Plated Electronic Day/Date Centre Seconds Wristwatch, signed Omega, Chronometer F300 Hz, model: Constellation, ref: 198.0034, 1973, (calibre 1260) battery tuning fork movement signed and numbered 36879584, two tone champagne coloured dial with baton markers and marked CF for the company, day/date apertures, plated tonneau shaped case with a stainless steel back with an engraved presentation inscription, inside back cover stamped Omega Watch Co and numbered 1980034 37mm wide

£250-350

2387

Movado: A Plated Calendar Centre Seconds Purse Watch, signed Movado, model: Ermetoscope, circa 1967, lever movement, silvered dial with baton markers, date aperture, leather covered sliding shutter winding case, inside plated case back with hinged strut and numbered 1 628, with Movado fitted box and booklets 50mm by 35mm

£100-200

2388

Omega: A Steel and Gold Plated Automatic Calendar Centre Seconds Wristwatch, signed Omega, Geneve, model: Dynamic, circa 1970, lever movement, champagne coloured dial with a light grey baton marker chapter ring, date aperture, oval shaped case, Omega steel and gold plated bracelet with a deployant clasp numbered 1153/138 and dated 8-72 41mm wide

£300-400

2389

Omega: A Lady’s Bi-Metal Wristwatch, signed Omega, model: De Ville, 1990’s, quartz battery movement, white dial with Roman numerals, case with a gold plated bezel, steel snap-on back with De Ville logo and numbered 54316082, Omega bi metal bracelet with a concealed deployant clasp numbered 6202/822 23mm wide

£200-300

2390

Movado: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Movado, Sub-Sea Kingmatic, circa 1968, (calibre 531) lever movement signed, silvered dial with baton markers, screw back with a Kingmatic monogram and numbered inside 15161, with Movado Kingmatic box

35mm wide

£150-200

2391

Rolex: A 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, Precision, 1971, (calibre 1225) manual wound lever movement signed, silvered dial with baton markers, case stamped inside with maker’s mark DS&S and numbered 90161, London hallmark for 1971 33mm wide

£400-500

2394

Rolex: A 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, Precision, 1958, (calibre 1210) manual wound lever movement signed and numbered N59208, silvered dial with Arabic numerals, blued centre seconds hand, case back with an engraved inscription, inside back cover with maker’s mark RWC and numbered 11000, Edinburgh hallmark for 1958 33mm wide

£300-500

2392

Omega: A 9 Carat Gold Centre Seconds ‘Honeycomb’ Finished Dial Wristwatch, 1959, (calibre 420) manual wound lever movement signed and numbered 16206438, silvered ‘honeycomb’ finished dial with dagger hour markers, case with snap-on back stamped inside Dennison ALD and Omega Watch Co and numbered 12302 920428, Birmingham hallmark for 1959, gilt metal Omega buckle 33mm wide

£200-300

2393

A Selection of Movado Collectors Items, consisting of, “The Movado History” book, by Fritz Von Osterhausen, 1950’s Movado sales catalogue, Movado movement parts catalogue and a Movado watch box, (4)

£100-150

2395

Harwood: An Interesting Harwood Re-edition Stainless Steel Automatic Centre Seconds Wristwatch, signed Harwood Watch Co, No.144, model: Harwood Re-edition, ref: 500.10.11, circa 2017, (calibre ETA 2892A2) lever movement signed, ribbed finish black dial with Arabic numerals, case with fluted rotating bezel for hand setting, glazed back cover signed and numbered 1926 and 144, Harwood strap and steel buckle, with Harwood boxes, International Guarantee paperwork, booklet and swing tag 34mm wide

John Harwood founded the Harwood Watch Company in the early 1920’s. In 1923 he registered his invention of the world’s first automatic wristwatch. The patented Harwood automatic was released by Fortis in 1926, becoming the world’s first automatic watch in a series production. In 2012 Fortis reintroduced this re-edition of the Harwood and started producing them in limited numbers.

£600-800

2396

Omega: A Plated Electronic Calendar Centre Seconds Chronometer Wristwatch, signed Omega, F300Hz Chronometer, model: De Ville, ref: 198.0032, 1972, (calibre 1250) electronic tuning fork movement signed and numbered 34665992, champagne coloured dial with baton markers, date aperture, stainless steel screw back stamped inside Omega Watch Co and numbered 1980032 35mm wide

£150-200

2397

Marc Nicolet: A Chrome and Steel Automatic Calendar Centre Seconds Wristwatch, signed Marc Nicolet, model: Skin Diver, 1960’s, (calibre ETA 2472) lever movement signed, black dial with luminous Arabic and baton markers, date aperture, case with black 60 minute scale rotating bezel, steel screw back numbered 34-313 and stamped inside Jura Watch Co Swiss 38mm wide

£100-150

2398

Tudor: A Stainless Steel Centre Seconds Wristwatch, signed Tudor, Oyster Shockproof, ref: 4453, 1961, manual wound lever movement signed, silvered dial with luminous Arabic and dagger markers, blued steel luminous hands, case with Oyster Patent screw down crown, screw back numbered 340757, back cover stamped inside Oyster Watch CoRWC LTD and numbered 4453, steel buckle stamped Rolex, with Tudor box

31mm wide

£200-300

2399

Rolex: A 9 Carat Gold Open Faced Pocket Watch, signed Rolex, 1928, (calibre 662) manual wound lever movement signed, timed to three positions for all climates, movement dust cover, enamel dial with Arabic numerals and signed, seconds dial, inside case back stamped Dennison ALD and numbered 426732, Birmingham hallmark for 1928, together with a Yellow Metal Chain, (2)

48mm wide

£400-600

2400

Movado: A 9 Carat Gold Wristwatch, signed Movado, 1965, (calibre 135) manual wound lever movement signed, adjusted to two positions, silvered dial with baton markers, seconds dial, case with snap-on back stamped inside C&CLd and numbered 16054, London hallmark for 1965

34mm wide

£200-300

2401

Mitchell: An 18 Carat Gold Half Hunter Pocket Watch, retailed by J & W Mitchell, Buchanan Street, Glasgow, 1874, manual wound lever movement signed and numbered 39210, split bimetallic balance, enamel dial with Roman numerals, seconds dial, case with engine turned covers, front cover with blue enamel Roman numerals, back cover with a central engraved family crest, inside back cover stamped JTW and London hallmark for 1874 44mm wide

£900-1,200

2402

Omega: A 9 Carat Gold Wristwatch, signed Omega, 1950, (calibre 265) manual wound lever movement signed and numbered 12083190, silvered dial with baton markers, seconds dial, case with snap-on back and stamped inside Dennison ALD and numbered 13322 357376, Birmingham hallmark for 1950 33mm wide

£200-300

2403

Baume & Mercier: An 18 Carat Gold Rectangular Wristwatch, signed Baume & Mercier, Geneve, 1969, (calibre ETA 980) manual wound lever movement signed, black dial signed, rectangular case with ribbed finsh bezel, snap-on back numbered 37009 295028, back cover stamped inside Baume & Mercier Geneve, convention mark 18k0.750, Birmingham import mark for 1969 24mm by 30mm

£500-700

2404

Movado: A Rare 18 Carat Gold Automatic Wristwatch with an Unusual ‘Mirror’ Dial Finish, signed Movado, model: Kingmatic, ref: 8463, 1954, (calibre 115) lever movement signed, bumper rotor, gold coloured mirror dial finish with baton markers and a hobnail decorated centre, seconds dial, case with a snap-on back stamped inside with Movado logo and V.WLtd, convention mark 18k0.750 and numbered 8463 A2118649, London import mark for 1954 34mm wide

£700-900

2405

Rolex: A 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, Precision, 1967, (calibre 1225) manual wound lever movement signed, silvered dial with baton markers, textured bezel, case back with an engraved presentation inscription, inside back cover stamped DS&S and numbered 34696, London hallmark for 1967, Rolex gilt metal buckle

34mm wide

£300-400

2406

Universal: An Ultra Thin 18 Carat Rose Gold Automatic Wristwatch, signed Universal, ref: 266107/01, 1960’s, (calibre 66) lever movement signed, micro rotor, adjusted to positions, silvered textured dial with baton markers, ultra thin case with a snap-on back numbered 266107/01 2368046, inside back cover stamped Universal Geneve Swiss and 18k0.750

35mm wide

£500-700

2407

Zodiac: A Chrome Plated and Steel Chronograph Wristwatch, signed Zodiac, model: Hermetic, ref: 1025, 1960’s, (calibre Valjoux 92) manual wound lever movement signed, column wheel chronograph movement, silvered dial with Arabic and dagger markers, two sub dials for seconds and 30 minute register, outer tachymeter scale, case with buttons in the band to operate chronograph, steel screw back numbered 1065009, back cover stamped inside Zodiac Ltd Le Locle Swiss and numbered 1025, with Zodiac box 35mm wide

£400-500

2408

Cyma: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, Cyma by Synchron, model: Navystar, 1970’s, (calibre ETA 2783) lever movement signed Synchron, grey/light blue coloured ribbed dial with baton markers, date aperture at 6, white centre seconds hand, case with screw back with Synchron logo and numbered 58 004 56 32 187, back cover stamped inside Synchron S.A Swiss 35mm wide

£100-150

2409

Certina: A Stainless Steel Automatic Calendar Centre

Seconds Wristwatch, signed Certina, model: Certidate, ref: 28521.1, 1960’s, (calibre 28-451) lever movement signed, silvered dial with dagger markers, date aperture, case with a screw back numbered 28521.1 3440413, inside back cover stamped Certina Swiss 33mm wide

£100-150

2410

Zodiac: A Stainless Steel Centre Seconds Wristwatch, signed Zodiac, model: Glorious, ref: 771, 1950’s, (calibre 1094) manual wound lever movement signed, silvered dial with an outer baton marker chapter ring, case with screw back signed and numbered 1059436, inside back cover stamped Zodiac Ltd Le Locle Swiss and numbered 771 34mm wide

£150-200

2411

Emperor: A Stainless Steel Chronograph Wristwatch, signed Swiss Emperor, 1970’s, (calibre Valjoux 7733) manual wound lever movement, black dial with baton markers and two sub dials for seconds and 45 minute register, outer tachymeter scale, red chronograph hand, tonneau shaped case with buttons in the band to operate chronograph, black rotating 60 minute scale bezel, screw back 38mm wide

£300-500

2412

Nivada: A Stainless Steel Chronograph Wristwatch, signed Nivada, ref: 351, 1960’s, (calibre Landeron 248)manual wound lever movement, silvered dial with Arabic and baton markers, two sub dials for seconds and 30 minute register, outer blue tachymeter and red telemeter scales, case with buttons in the band to operate chronograph, screw back numbered 351 35mm wide

£500-700

2413

Eterna Matic: A Stainless Steel Automatic Day/Date Centre Seconds Wristwatch, signed Eterna Matic, model: Anatomic Sevenday, 1970’s, lever movement, silvered dial with baton markers, day/date apertures, day of the week in (German), case with protected crown, snap-on back numbered 5678992

40mm wide

£200-300

2414

Zodiac: A Stainless Steel Automatic Calendar Centre Seconds ‘Diver’s’ Wristwatch, signed Zodiac, model: Sea Wolf, ref: 722-916, 1960’s, (calibre 70-72) lever movement signed and numbered 14518, silvered dial with luminous hour markers, date aperture, case with a rotating 60 minute scale bezel, snap-on back signed, inside back cover stamped Zodiac Ltd Le Locle Swiss and numbered 722-916

35mm wide

£300-500

2415

Tissot: An Art Deco Style Silver Rectangular Wristwatch, signed Tissot, ref: 1061, 1975, (calibre 2403) manual wound lever movement signed and numbered 19898, white dial with Roman numerals, case with snap-on back and stamped inside Tissot and numbered 79201, silver mark 0.925 and a Birmingham import mark for 1975, Tissot silver bark finish integral bracelet 22mm by 34mm

£200-300

2416

Bueche Girod: A Silver Square Shaped Wristwatch, signed Bueche Girod, 1990’s, (calibre ETA 976001) quartz battery movement, white dial with Roman numerals, case back signed and with silver mark 0.925 sterling silver, inside back cover stamped BG and 925 27mm wide

£150-200

2417

Certina: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Certina, model: DS, 1960’s, (calibre 25-45) lever movement signed, silvered dial with Arabic and dagger markers, case with screw back and stamped inside Certina Swiss and case maker’s mark HF for Huguenin Freres 36mm wide

£100-150

2418

Longines: A Stainless Steel Wristwatch, signed Longines, ref: 5695, circa 1957, (calibre 27M) manual wound lever movement signed and numbered 10502032, silvered dial with Arabic numerals, seconds dial, Art Deco style case with downturned lugs, snap-on back stamped inside Longines and numbered 5695 25 148, Longines steel buckle 35mm wide

£200-300

2419

Richard: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Richard, ref: 104392, 1950’s, lever movement signed, bumper rotor, movement dust cover, silvered dial with Arabic and dagger markers, outer fifth of seconds track, case with screw back signed and numbered 104392, back cover stamped inside Richard Watch Co Swiss 34mm wide

£100-150

2420

Longines: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Longines, model: Conquest, 1980’s, lever movement, silvered dial with baton markers, date aperture, centre seconds, tonneau shaped case with snap-on back numbered 16715068, Longines stainless steel bracelet with a deployant clasp

36mm wide

£100-150

2421

Longines: A Stainless Steel Wristwatch, signed Longines, ref: 7888-4, circa 1960, (calibre 19.4) manual wound lever movement signed and numbered 11226275, silvered dial with baton markers, seconds dial, case with a snap-on back stamped inside Longines and numbered 7888 4 1115

34mm wide

£100-150

2422

Movado: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Movado, model: Kingmatic S, 1960’s, (calibre 388) lever movement, silvered dial with baton markers, date aperture, case with screw back

34mm wide

£100-200

2423

Eterna Matic: A Gold Plated and Steel Automatic Calendar Centre Seconds Wristwatch, signed Eterna Matic, retailed by Birks, 1960’s, lever movement signed and numbered 4174848, silvered dial with Arabic and dagger markers, date aperture, gold plated case, steel screw back numbered 3969058 and stamped inside Eterna Watch Co Swiss 35mm wide

£200-300

2424

Movado: A Gold Plated and Steel Automatic Day/Date Wristwatch, signed Movado, ref: 18472, 1950’s, (calibre 4068) lever movement signed, bumper rotor, silvered dial with Arabic and diamond shaped markers, seconds dial with combined day/date apertures, case with gold plated machine finished bezel, side of the case with date adjustment pusher at 4, steel screw back stamped inside Movado Factories Switzerland, case maker FB and key logo for François Borgel, case numbers 2134800 18472

33mm wide

£200-300

2425

Cyma: A Stainless Steel Wristwatch, signed Cyma, model: Navystar Cymaflex, ref: 2-5678, 1950’s, (calibre 458) manual wound lever movement signed Tavannes and numbered 382366, silvered dial with Arabic and dagger markers, seconds dial, case with screw back and stamped inside Cyma Watch Co and numbered 2 5678 66 34mm wide

£100-150

2426

Mido: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Mido, model: Multifort Powerwind, ref: 6096, 1960’s, (calibre 917P) lever movement signed, silvered dial with dagger and baton markers, case with screw back stamped inside Mido and numbered 2056096

36mm wide

£100-150

2427

Baume & Mercier: An 18 Carat White Gold Automatic Calendar Wristwatch, signed Baume & Mercier, Geneve, model: Baumatic, ref: 35083, 1972, (calibre 1282) lever movement signed, micro rotor, black glossy dial with baton markers, date aperture, case back cover numbered 299217 35083, inside back cover stamped Baume & Mercier Geneve Swiss and a convention mark 18k0.750, Birmingham import mark for 1972 32mm wide

£400-600

2428

Cyma: A Stainless Steel Wristwatch, signed Cyma, model: Watersport Cymaflex, ref: 2.5655, 1950’s, (calibre 458) manual wound lever movement signed Tavannes and numbered 263154, silvered dial with dagger markers, seconds dial, case with screw back signed, back cover stamped inside Cyma Watch Co and numbered 2.5655 1214 33mm wide

£100-150

2429

Omega: A Stainless Steel Wristwatch, signed Omega, ref: 14371 4, 1957, (calibre 511) manual wound lever movement signed and numbered 15928210, silvered dial with dagger and baton markers, case with a snap-on back, back cover stamped inside Omega Watch Co and numbered 14371 4 14373 33mm wide

£150-200

2430

Cyma: A Stainless Steel Centre Seconds Wristwatch, signed Cyma, model: Navystar Cymaflex, ref: 2.2352.6, circa 1964, (calibre 486)manual wound lever movement signed Tavannes and numbered 121469, silvered dial with dagger markers, case with a screw back, back cover with an engraved inscription, inside back cover stamped Cyma Watch Co and numbered 2.2352.6 313 35mm wide

£100-200

2431

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster Calendar, ref: 2849 5SC, 1958, (calibre 503) lever movement signed and numbered 16045251, crosshair black dial with gilt writing and Arabic and dagger markers, date aperture, case with a snap-on back stamped inside Omega Watch Co and numbered 2849 5SC

34mm wide

£300-500

2432

Benrus: An Unusual Mystery Dial Stainless Steel Centre Seconds Wristwatch, signed Benrus, ref: 2155, 1960’s, (calibre BH25) manual wound lever movement signed, silvered dial with Arabic and baton markers, central hour hand rotating disc, case with snap-on back signed and numbered 2155 34mm wide

£200-400

2433

Movado: An 18 Carat Rose Gold Triple Calendar Centre Seconds Wristwatch, signed Movado, ref: 4826, 1940’s, (calibre 470) manual wound lever movement signed, silvered dial with Roman and baton markers, day/month apertures (in Spanish), outer date track with corresponding central date hand, red centre seconds hand, case with calendar adjustment pushers in the band, case with snap-on back stamped inside with Movado logo and numbered A479301 R4826

36mm wide

£600-800

2434

Longines: A Lady’s 9 Carat Gold Wristwatch, signed Longines, circa 1990, quartz battery movement, champagne coloured dial with Roman and baton markers, case with a snap-on back numbered 26.145.941 and 9k375, Longines 9 carat gold integral bracelet, with Longines box 18mm wide

£200-300

2435

Tag Heuer: A Bi-Metal Calendar Centre Seconds Wristwatch, signed Tag Heuer, Professional 200 Meters, model: 1500 Series, ref: WD1223-D0, circa 1997, (calibre ETA 955412) quartz battery movement signed, dark blue coloured dial with luminous hour markers, date aperture, case with protected screw down crown, blue 60 minute scale rotating bezel, screw back signed and numbered WD1223-D0 1

KA5836, Tag Heuer bi-metal bracelet with a deployant clasp, with Tag Heuer boxes, International guarantee card, booklets and two spare bracelet links

36mm wide

£400-600

2436

Ebel: A Steel and Gold Automatic Calendar Centre Seconds Wristwatch, signed Ebel, model: 1911, ref: 193902, 2000’s, lever movement, grey coloured dial with Roman and baton markers, date aperture, case with a protected crown, 18 carat gold smooth bezel, case back secured by eight screws and numbered 74614577 193902, Ebel steel and gold bracelet with a deployant clasp, with Ebel boxes 35mm wide

£200-300

2437

Zenith: A Stainless Steel Tonneau Shaped Automatic Calendar Centre Seconds Wristwatch, signed Zenith, model: Respirator, circa 1970, (calibre 2542 PC) lever movement signed and numbered 7045816, silvered dial with baton markers, date aperture between 4 & 5, tonneau shaped case, case back secured by four corner screws and numbered 458D890, Zenith steel buckle, with Zenith box and service paperwork dated 17 May 2019

33mm wide

£400-500

2438

Ebel: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Ebel, model: Type E, ref: E9187C41, 2000’s, quartz battery movement, light grey coloured dial with Arabic and baton markers, date aperture, case with protected crown, back cover secured by eight screws and numbered 29503420 E9187C41, Ebel stainless steel bracelet with a deployant clasp, with Ebel boxes, booklet and one spare bracelet link

38mm wide

£200-300

2439

Baume & Mercier: A Stainless Steel Automatic Calendar Wristwatch, signed Baume & Mercier, model: Clifton, ref: 65717, 2000’s, (calibre SW260-1) lever movement signed, black dial with Arabic and dagger markers, date aperture, seconds dial, case with glazed back cover signed and numbered 5477443, Baume & Mercier strap and steel double deployant clasp, with Baume & Mercier boxes

40mm wide

£400-500

2440

Rolex: A Silver Octagonal Shaped Oyster Wristwatch, signed Rolex, retailed by Asprey, model: Oyster, ref: 6479, circa 1930, manual wound lever movement signed Rolex Extra Prima, timed to six positions for all climates, enamel dial with Roman numerals, seconds dial, case with screw down patent oyster crown, wire lugs, screw back numbered 9461, inside back cover stamped Rolex and numbered 6479, silver mark 0.925 31mm wide

£400-600

2441

Ebel: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Ebel, model: Lichine, ref: 9080980, 2000’s, lever movement, black dial with baton markers, date aperture, tonneau shaped case with an Arabic numeral bezel, back cover secured by four screws and numbered 9080980 84501315, Ebel stainless steel bracelet with a deployant clasp, with Ebel boxes, Warranty card, booklets swing tag and two spare bracelet links

38mm wide

£400-500

2442

Cartier: A Travelling Alarm Strut Timepiece, signed Cartier, circa 2002, quartz battery movement, white dial with Roman numerals, white alarm hand, gilt brass lacquered case with strut support, back cover signed and numbered 0563511, with Cartier boxes, International guarantee and instruction booklets 78mm wide

£200-300

2443

Omega: A Stainless Steel Day/Date Centre Seconds Wristwatch, signed Omega, model: Constellation, ref: 396.1069, 1990’s, (calibre 1430) quartz battery movement signed, silvered dial with dot markers, two dials for day/date, bezel with Roman numerals, snap-on back with a Constellation logo, Omega stainless steel bracelet with a concealed deployant clasp, with an Omega boxes, booklet and card holder 34mm wide

£300-400

2444

Raymond Weil: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Raymond Weil, model: Parsifal, ref: 2841, circa 2004, (calibre ETA 2892A2) lever movement signed, light grey sunburst dial with Roman numerals, date aperture, case with glazed back cover signed and numbered V108660, Raymond Weil stainless steel bracelet with a concealed double deployant clasp, with Raymond Weil boxes, International guarantee booklet, instruction booklet, swing tag and three spare bracelet links 39mm wide

£300-400

2445

Christopher Ward: A Stainless Steel Automatic Calendar Dual Time Zone Centre Seconds Wristwatch, signed Christopher Ward, 150m/500ft, model: C65 Trident GMT, ref: C6541AGM1-0342, circa 2018, (calibre ETA 2893-2) lever movement, black dial with luminous baton markers, date aperture, orange 24 hour hand, case with rotating 24 hour scale bezel, screw back with trident logo and numbered C6541AGM1-0342, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, certificate booklet and two spare bracelet links 41mm wide

£200-300

2446

Longines: A Lady’s Bi-Metal Calendar Wristwatch, signed Longines, model: Les Grandes Classiques de Longines, ref: L5.132.2, circa 1998, quartz battery movement, champagne coloured dial with dagger markers, date aperture, case with steel snap-on back signed and numbered 30779834, Longines bi-metal bracelet with a concealed double deployant clasp, with Longines boxes and seven spare bracelet links

24mm wide

£200-300

2447

Eterna Matic: A Stainless Steel Automatic Centre Seconds Wristwatch, signed EternaMatic, model: Centenaire 61, circa 1967, lever movement signed and numbered 5136870, silvered dial with baton markers, screw back edge numbered 4841130, back cover with an engraved presentation inscription, Eterna-Matic box, guarantee booklet and small instruction booklet

34mm wide

£100-150

2448

Tag Heuer: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Tag Heuer, Professional 200 Meters, model: 2000 Series, ref: WK1113-0, circa 2000, quartz battery movement, dark blue coloured dial with Arabic and baton markers, date aperture, case with screw down crown, rotating 60 minute scale bezel, screw back signed and numbered QQ9030, with Tag Heuer boxes, International guarantee card and booklet

38mm wide

£200-300

2449

Tag Heuer: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Tag Heuer, 200 Meters, model: 4000 series, ref: 699.713K, circa 1997, lever movement, white dial with luminous baton and triangle markers, date aperture, case with protected screw down crown, rotating 60 minute scale bezel, screw back signed and numbered R79762, Tag Heuer strap and steel buckle, with Tag Heuer boxes, International guarantee card and booklets

34mm wide

£200-300

2450

Tag Heuer: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Tag Heuer, Professional 200 Meters, model: 2000 Series, ref: 972.006R-2, 1990’s, (ETA 955112) quartz battery movement signed, silvered dial with luminous triangle markers, date aperture, case with screw down crown, 60 minute scale rotating bezel, screw back signed and numbered B34703, Tag Heuer stainless steel bracelet with a deployant clasp numbered 300/31

38mm wide

£250-350

2451

Edox: A Stainless Steel Automatic GMT World Time Display Wristwatch, signed Edox, model: Geoscope 48, ref: 200171, 1970’s, lever movement, world map dial display with outer orange baton markers, inner sliding black/white 24-hour disc, tonneau shaped case with two Edox logo crowns, back cover with Edox logo and numbered 200171, Edox stainless steel bracelet with a deployant clasp

48mm wide

£300-500

2452

Tag Heuer: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Tag Heuer, Professional 200 Meters, model: ‘Night Diver’ 1000 Series, ref: 980.113D, 1990’s, (ETA 955114) quartz battery movement signed, cream coloured dial with triangle/dot and baton hour markers, date aperture, case with protected screw down crown, black 60 minute scale bezel, screw back signed and numbered 980.113D, Tag Heuer stainless steel bracelet with a deployant clasp

36mm wide

£250-350

2453

Rolex: A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Oyster, Shock Resisting, ref: 6244/6444, 1952, manual wound lever movement signed, patented superbalance, silvered dial with dagger hour markers, case with Rolex screw down crown, screw back stamped inside Montres Rolex S.A and numbered 6244, case serial number 810507 32mm wide

£400-600

2454

Omega: A 9 Carat Gold Wristwatch, signed Omega, Geneve, 1957, (calibre 266) manual wound lever movement signed and numbered 15132517, silvered crosshair dial with dagger markers, seconds dial, case snap-on back stamped inside Dennison Omega Watch Co and numbered 798693, Birmingham hallmark for 1957

34mm wide

£300-400

2455

Tag Heuer: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Tag Heuer, Professional 200 Meters, model: 1500 Series, ref: WD1213-00, 1990’s, (ETA 955412) quartz battery movement signed, white dial with luminous hour markers, date aperture, case with protected screw down crown, black 60 minute scale rotating bezel, screw back signed and numbered KD0575, Tag Heuer stainless steel bracelet with deployant clasp numbered 610/810

36mm wide

£250-350

2456

Omega: A Gold Plated Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168.010, 1967, (calibre 564) lever movement signed and numbered 25707773, adjusted to five positions and temperature, silvered dial with baton markers, date aperture, case with steel screw back with Constellation logo, inside back cover stamped Omega Watch Co and numbered 168010, Omega plated bracelet with a deployant clasp numbered 1068 35mm wide

£300-400

2457

Timor: A World War II Military Wristwatch, signed Timor, know by collectors as one of “The Dirty Dozen”, circa 1944, (calibre 6060) manual wound lever movement signed, four adjustments, dust cover, black dial with luminous Arabic numerals signed and with a military broad arrow, seconds dial, luminous hands, satin finished steel case, steel screw back engraved Timor broad arrowWWW K 8124 38024, inside back cover with repeated numbers, fixed bars between the lugs 36mm wide

£500-700

2458

Cyma: A World War II Military Wristwatch, signed Cyma, known by collectors as one of “The Dirty Dozen”, circa 1944, (calibre 234)manual wound lever movement signed and numbered 392383, dust cover, black dial with luminous Arabic numerals, signed and with a military broad arrow, seconds dial, luminous hands, stainless steel case, screw back engraved with a broad arrow WWW P 5767 10767, inside back cover with repeated numbers, fixed bars between the lugs 38mm wide

£600-800

2459

Hamilton: A Stainless Steel Military Wristwatch, signed Hamilton, circa 1975, (calibre 75) manual wound lever movement signed, dust cover, black dial with luminous Arabic numerals, fixed bars between the lugs, screw back with engraved military marks broad arrow and 6B9101000 H 2508 M 37mm wide

£300-500

2460

Rolex: A Military Open Faced Pocket Watch, signed Rolex, circa 1940, (calibre 540) manual wound lever movement signed, black dial with Arabic numerals, dial signed and with military number A20455, seconds dial, case screw back with military marks A20455 G.S.MK.II, back cover stamped inside Rolex Geneve

49mm wide

£300-500

2461

Movado: A Silver Enamel and Black Lacquered Purse Watch, signed Movado, retailed by Cartier, 1930/40s, manual wound lever movement, silvered dial with luminous Arabic numerals and signed Cartier, black lacquered sliding case with red enamel central decoration, inside sterling silver case stamped 0.935 and Movado Factories and numbered 198599 47mm by 31mm

£300-400

2462

Omega: A Stainless Steel Centre Seconds Wristwatch, signed Omega, Geneve, model: Dynamic, circa 1970, lever movement, unusual pale blue/grey coloured speckled dial with baton markers, orange centre seconds hand, oval shaped case, Omega stainless steel bracelet with a deployant clasp numbered 1153/138 41mm wide

£500-700

2463

Rossel: A Lady’s 18 Carat Gold Enamel and Diamond Set Fob Watch, signed Rossel & Fils, circa 1850, cylinder movement, enamel dial with Roman numerals, case back with dark blue enamel and star design diamond set decoration, inside back cover stamped 18k and maker’s mark RB and numbered 83469, cuvette signed Rossel & Fils Successor of J.S.Bautte & Ce Geneve and numbered 83469, together with a yellow metal watch chain with attached enamel watch key 31mm wide

£200-300

2464

A 9 Carat Gold Full Hunter Quarter Repeater Pocket Watch, circa 1920, manual wound lever movement unsigned and numbered 17747, blued overcoil hairspring, quarter repeating with two hammers striking on two outer coiled gongs, enamel dial with Roman numerals, seconds dial, inside back cover stamped 9k and numbered 55896, base metal cuvette cover 50mm wide

£400-500

2465

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, Geneve, ref: 166.041, 1971, (calibre 565) lever movement signed and numbered 33555455, silvered dial with baton markers, date aperture, case with screw back and stamped inside Omega Watch Co and numbered 166041, with Omega International Guarantee booklet 34mm wide

£200-300

2466

Weidemann: An 18 Carat Gold Open Faced Quarter Repeater Pocket Watch, retailed by C L Weidemann, Geneve, circa 1910, manual wound lever movement, split bimetallic balance with a blued overcoil hairspring, micrometer regulation, wolf’s tooth winding, quarter repeating with two hammers striking on two outer coiled gongs, enamel dial with Roman numerals, seconds dial, case with slide in the band to operate the repeater, back cover with an engraved monogram, inside back cover stamped 18k, cuvette cover with retailers signature, case numbered 7455 50mm wide

£1,000-1,500

2467

An 18 Carat Gold Open Faced Chronograph Pocket Watch, 1899, manual wound lever movement, enamel dial with Roman numerals, case with slide in the band to operate chronograph, Chester hallmark for 1899, 53mm wide, together with A 9 Carat Gold Curb Link Watch Chain, chain attached with two 9 carat gold swivel fobs and a Full Sovereign dated 1913

£1,500-2,000

2468

An Early Integrated “Telephone” Shrapnel Guard Wristwatch, circa 1920, manual wound lever movement, enamel dial with Arabic numerals, inner red 24 hour dial, seconds dial, case with “telephone” front cover, wire lugs, nickel plated case with a hinged back 35mm wide

£300-400

2469

Jaeger LeCoultre: A Stainless Steel Centre Seconds Wristwatch, signed Jaeger LeCoultre, 1940’s, (calibre 475)manual wound lever movement signed and numbered 477766, movement dust cover, silvered dial with Arabic numerals, inner minute track, case with teardrop shaped lugs, snap-on back numbered 433715 4629 32mm wide

£200-300

2470

Heuer: A PVD Coated Calendar Centre Seconds Wristwatch, signed Heuer, 200 Meter Professional, model: Heuer 1000, ref: 981.013, 1980’s, (calibre AS 536121) quartz battery movement signed, olive green coloured dial with luminous hour markers, date aperture, olive green coloured PVD coated case with a protected screw down crown, 60 minute scale rotating bezel, steel screw back numbered 6131W20 981.013, inside back cover stamped Heuer Leonidas SA, with original Heuer olive green PVD coated bracelet (one end link is missing)

36mm wide

£150-250

2471

Ulysse Nardin: A Silver Open Faced Pocket Watch, signed U Nardin, Locle, circa 1920, manual wound lever movement signed and numbered 56201, split bimetallic balance with a blued overcoil hairspring, enamel dial with Arabic numerals signed, seconds dial, engine turned case back with a central engraved cartouche, case maker’s mark U.Nardin Locle and numbered B9093 53mm wide

£200-300

2472

Omega: A 9 Carat Gold Automatic Centre Seconds Wristwatch, signed Omega, 1957, (calibre 501) lever movement signed and numbered 15704781, two tone silvered dial with Arabic and dagger markers, snap-on back stamped inside with maker’s mark Dennison Omega Watch Co and numbered 845145, Birmingham hallmark for 1957, Omega gilt metal buckle 34mm wide

£600-800

2473

Rolex: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual Precision, model: Air King, ref: 5500/1002, 1967, (calibre 1520) lever movement signed, silvered dial with baton markers, case with screw down crown, screw back with an engraved inscription, inside back cover stamped Montres Rolex S.A Geneva Switzerland, numbered 1002 and dated IV.67, case serial number 1723665

33mm wide

£400-600

2474

Omega: A World War II Air Ministry Pilot’s Wristwatch, signed Omega, ref:2292, circa 1943, (calibre 30T2 SC) manual wound lever movement signed and numbered 9780298, silvered dial with Arabic numerals, case snap-on back with engraved military marks broad arrow 6B/159 A28431, fixed bars between the lugs, inside back cover stamped Omega Watch Co and numbered 2292

33mm wide

£300-500

2475

Longines: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Longines, model: Conquest VHP, ref: L3.716.4, circa 2018, quartz battery movement, black dial with Arabic and baton markers, case numbered 46888280, Longines stainless steel bracelet with a concealed double deployant clasp, with Longines boxes, International warranty card, instruction booklet, swing tag and one spare bracelet link 42mm wide

£150-250

2476

Record: A World War II Military Wristwatch, signed Record, know by collectors as one of “The Dirty Dozen”, circa 1944, (calibre 022K) manual wound lever movement signed, black dial signed and with a military broad arrow, luminous Arabic and outer baton and dot markers, seconds dial, base metal case, stainless steel screw back engraved W.W.W. broad arrow and numbered L29088 546935, inside back cover stamped W.W.W broad arrow and numbered 546935, fixed bars between the lugs

36mm wide

£400-500

2477

CWC: A British Military Centre Seconds Wristwatch, signed CWC, issued in 1977, manual wound lever movement, black dial with luminous Arabic numerals and signed, dial with a military broad arrow and T within a circle for tritium, tonneau shaped case with fixed bars between the lugs, back cover with engraved military marks broad arrow

W10-6645-99 523-8290 205/77

34mm wide

£300-400

2478

Omega: A World War II Military Wristwatch, signed Omega, Known by Collectors as one of “The Dirty Dozen”, (calibre 30T2) manual wound lever movement signed and numbered 10206086, black dial with luminous Arabic numerals, signed and with a military broad arrow, seconds dial, stainless steel case with a screw back engraved with a broad arrow WWW Y21123 10685322, fixed bars between the lugs, inside back cover numbered 10685322, broad arrow and maker’s mark Omega Watch Co 35mm wide

‘The Dirty Dozen’ is the name given to a group of 12 watches commissioned by the Ministry of Defence for use by soldiers during WWII. The MoD ordered custom-built wristwatches from 12 Swiss watchmakers: Buren, Cyma, Eterna, Grana, Jaeger-LeCoultre, Lemania, Longines, IWC, Omega, Record, Timor and Vertex. Each company was given the specific brief of providing watches that were accurate, reliable and durable, with a black dial, Arabic numerals, luminous markers, a railroad minute track, shatterproof glass and a stainless-steel case. No matter the maker, these watches can be identified by the engraved ‘W.W.W.’ on the reverse, as well as the broad arrowhead mark on the dial, inner case, and reverse, and both military and civil serial numbers on the reverse.

£800-1,200

2479

Christopher Ward: A Titanium Automatic Calendar Centre Seconds Dual Time Zone Wristwatch, signed Christopher Ward, 1000m/3300ft, model:C60 Trident 1000 Elite Chronometer GMT, ref: C60-42AGM3T0BB0-B0, circa 2020, (calibre SW330-1) lever movement signed, blue dial with baton markers, date aperture, outer 24 hour white chapter ring with corresponding orange 24 hour hand, case with blue 60 minute scale rotating bezel, screw down crown, glazed screw back numbered AAM-554, Christopher Ward titanium bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, booklets, two spare bracelet links and spare Christopher Ward Orange/blue rubber strap 42mm wide

£250-350

2480

Omega: A Stainless Steel Digital Chronograph Alarm Wristwatch, signed Omega, 120m, model: Seamaster, ref: 25218100, circa 2000, quartz battery movement, outer dark blue chapter with baton markers, dial centre with digital display, case back with Sea Horse Seamaster logo and secured by eight screws, case serial number 56618864, Omega bracelet with a concealed deployant clasp numbered 1501/823, with Omega boxes, International Warranty card, booklets and two spare bracelet links 38mm wide

£400-600

2481

Paynes: An Art Deco 18 Carat Two Colour Gold Wristwatch, retailed by Paynes, London, 1929, manual wound lever movement, silvered dial with Arabic numerals, seconds dial, rectangular white and rose gold case, hinged back numbered 425548 and Glasgow import mark for 1929 24mm by 34mm

£500-700

2482

Omega: A Steel and Gold Plated Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster, ref: 196.0195, 1980’s, (calibre 1342) quartz battery movement signed, champagne coloured dial with baton markers, date aperture, case with gold plated bezel, snap-on steel back with Sea Horse Seamaster logo and numbered 1342, inside back cover stamped Omega Watch Co and numbered 396.0903, Omega steel and gold plated bracelet with a deployant clasp numbered 1320/367, with Omega box

34mm wide

£150-200

2483

S.Smith & Son: An 18 Carat Gold Half Hunter Pocket Watch, signed S.Smith & Son, 9 Strand London 86-309, Watchmakers to the Admiralty, 1911, manual wound lever movement signed and numbered 289239, enamel dial with Roman numerals, seconds dial, case maker’s mark SS and numbered 309, London hallmark for 1911

49mm wide

£1,000-1,500

2484

Longines: A Plated Calendar Wristwatch, signed Longines, model: Les Grandes Classiques de Longines Presence, ref: L5.632.2, circa 2000, quartz movement, champagne coloured dial with dagger markers, stainless steel snap-on back numbered 30862005, Longines plated bracelet with a concealed double deployant clasp

33mm wide

£250-350

2485

Waltham: A 9 Carat Gold Full Hunter Pocket Watch, signed Waltham, 1925, manual wound lever movement signed and numbered 24227612, enamel dial with Roman numerals, seconds dial, case front cover with an engraved monogram, maker’s mark ALD and numbered 321432, Birmingham hallmark for 1925

49mm wide

£400-500

2486

Omega: A Steel and Gold Plated Calendar Centre Seconds Wristwatch, signed Omega, Chronometer, model: Constellation, ref: 1980140, 1980’s, (calibre 1431) quartz battery movement signed, textured champagne coloured dial with dot markers, date aperture, case with a gold plated bezel and Roman numerals, snap-on steel back with Constellation logo and numbered 1431, inside back cover stamped Omega Watch Co and numbered 3980866, Omega steel and gold plated bracelet with a deployant clasp numbered 1392/012, with Omega Constellation box and instruction booklet

34mm wide

£200-300

2487

Bulova: A Plated Electronic Centre Seconds “Space View” Wristwatch, signed Bulova, model: Accutron, 1970’s, electronic tuning fork movement, ‘’space view’’ skeleton dial showing the tuning fork electronic movement, plexi glass signed, stainless steel back cover with an engraved inscription, signed and numbered 1-716469M9 37mm wide,

£150-200

2488

Hamilton:A British Military Centre Seconds Wristwatch, signed Hamilton, issued in 1975, manual wound lever movement, black dial signed and with a broad arrow and T within a circle for tritium, Arabic numerals and outer luminous dot and baton markers, fixed bars between the lugs, case back engraved with a broad arrow and numbered W10-6645-99 523-8290 5873/75

34mm wide

£300-400

2489

Cyma: An Early Enamel Dial Wristwatch, signed Cyma, 1920’s, manual wound lever movement signed, movement adjusted to three positions, enamel dial with luminous numerals and signed, seconds dial, nickel plated case numbered 342235

37mm wide

£100-150

2490

Longines: A 9 Carat Gold Wristwatch, signed Longines, 1956, (calibre 23Z) manual wound lever movement signed and numbered 9558793, silvered dial with Arabic and baton markers, seconds dial, snap-on back stamped inside DS&S Baume and numbered 00747, London hallmark for 1956, with Longines box 33mm wide

£200-300

2491

Movado: A Plated and Steel Automatic Centre Seconds Wristwatch, signed Movado, model: Tempomatic, circa 1948, (calibre 220) lever movement signed, buffer rotor, silvered dial with Breguet type numerals and a outer fifth of seconds track, gold plated bezel and lugs, screw back stamped inside with maker’s mark FB for Francois Borgel and numbered 242109 16152, with Movado box 34mm wide

£150-200

2492

Movado: A Plated Calendar Wristwatch, signed Movado, model: Calendoplan, circa 1955, (calibre 128) manual wound lever movement signed and numbered 6850, movement with dust cover, silvered dial with Arabic and dagger markers, red calendar aperture, seconds dial, stainless steel snap-on back stamped inside with the Movado logo and numbered 58139 B1134652, calendar adjustment pusher in the band, Movado strap and a Movado gilt metal buckle, with Movado box 36mm

£200-300

2493

Omega: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Omega, model: De Ville, ref: 396.1017, circa 1987, (calibre 1430) quartz battery movement signed, white dial with Roman numerals, date aperture, snap-on back stamped inside Omega Watch Co and numbered 50562771, Omega stainless steel integral bracelet with a concealed deployant clasp numbered 1451/439.1, with Omega box, International Warranty card, card holder and one spare bracelet link 30mm wide

£150-200

2494

Rolex: A 9 Carat White and Yellow Gold Flared Sided Rectangular Wristwatch, signed Rolex, model: Prince Brancard, ref: 1490, 1930, manual wound lever movement signed Rolex Extra Prima, timed to six positions, movement dust cover signed, silvered dial with Arabic and dagger markers, seconds dial, flared sided two colour gold case with a snap-on yellow gold back cover numbered 943 1490, back cover stamped inside Rolex Geneva RWC Ltd and a Glasgow import mark for 1930 26mm by 42mm

£800-1,200

2495

A Lady’s 18 Carat Gold Enamel Pendant Watch, 1920’s manual wound lever movement, silvered dial with Arabic numerals, case with light blue guilloche enamel bezel and back cover, white metal diamond set scroll mounts, inside back cover stamped 18k0.750 and numbered 55678, attached blue and white enamel chain link necklace 27mm wide

£300-500

2496

Georg Jensen: A Lady’s 18 Carat Gold Wristwatch, signed Georg Jensen, Designed by Thorup & Bonderup, ref: 1346, circa 2000, quartz battery movement, light grey coloured dial with dot markers, case back signed and numbered 141426, convention gold mark, Georg Jensen steel mesh bracelet

25mm wide

£250-350

2497

Christopher Ward: A Stainless Steel Centre Seconds Wristwatch, signed

Christopher Ward, 150m/500ft, model: C65 Trident Diver, ref: C6541H3H1, circa 2020, (calibre SW210-1) manual wound lever movement, dark green coloured dial with Arabic and baton markers, case with black rotating 60 minute scale bezel, screw back signed and numbered 00922, Christopher Ward strap and steel buckle, with Christopher Ward boxes, guarantee card and instruction booklet 41mm wide

£200-300

2498

Longines: A Bi-Metal Calendar Centre Seconds Wristwatch, signed Longines, model: Presence, ref: L4.720.2, circa 2009, quartz battery movement, white dial with baton markers, date aperture, case with a steel snap-on back numbered 33207838, Longines bi-metal bracelet with a concealed double deployant clasp, with Longines boxes, International guarantee card, booklet and one spare bracelet link 33mm wide

£200-300

2499

Christopher Ward: A Stainless Steel Automatic Centre Seconds Wristwatch, signed

Christopher Ward, Chronometer, model: C65 Dartmoor Series 1, ref: C65-41A3H1S0BB0, circa 2020, (calibre SW200) lever movement, blue coloured dial with dagger markers, case with black rotating 60 minute scale bezel, screw back with Royal Naval crown insignia and numbered AAI-192, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, chronometer certificate, instruction booklet, two spare bracelet links and a spare Christopher Ward fabric strap 41mm wide

£200-300

2500

Universal: A Lady’s 18 Carat Gold Wristwatch, signed Universal, Geneve, 1970’s, manual wound lever movement signed, faux tiger’s eye coloured dial with Roman numerals, case with a snap-on back and stamped inside Universal Geneve and numbered 104541, convention mark 18k0.750, Universal 18 carat gold integral bracelet, with Universal box 15mm wide

£800-1,200

2501

Gucci: An 18 Carat Gold Wristwatch, signed Gucci, ref: 7100M, 2000’s, quartz battery movement, champagne coloured dial with baton markers, case with a textured front and sloping lugs, protected crown, back cover signed and numbered 0000128, convention mark 750, strap with Gucci 18 carat gold deployant clasp, with Gucci box and booklet 31mm by 36mm

£1,800-2,200

2502

Ebel: A Lady’s 9 Carat Gold Wristwatch, signed Ebel, 1968, (calibre 61) manual wound lever movement signed, champagne coloured dial with baton markers, case with snapon back stamped inside with a London import mark for 1968 and numbered 061, 9 carat gold textured integral bracelet 18mm wide

£250-350

2503

Frederique Constant: A Stainless Steel Limited Edition Automatic Calendar Chronograph Wristwatch, signed Frederique Constant, model: Austin Healey Chronograph, ref: FC-392HSG6B6, number 1163 of a limited edition of 1888 pieces made, circa 2008, lever movement signed, light cream coloured dial with baton markers, three silvered dials for seconds, 30 minute and 12 hour registers, date aperture at 6, outer fifth of seconds track, case with buttons in the band to operate chronograph, back cover secured by six screws, Frederique Constant strap and steel buckle, with Frederique Constant boxes, Austin Healey car model, limited edition certificate and International Warranty booklet 42mm wide

Frédérique Constant sponsors various Austin Healey events in St. Moritz, Switzerland and Le Mans. This example was produced to celebrate the Healey Le Mans Challenge.

£500-700

2504

Baume & Mercier: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Baume & Mercier, model: Riviera, ref: MV045163, 2000’s, quartz battery movement, engine turned silvered dial with Roman numerals, date aperture at 6, dodecagon shaped case with a screw down crown, snap-on back signed and numbered 2781031, Baume & Mercier stainless steel bracelet with a deployant clasp, with Baume & Mercier box, booklet and two spare bracelet links 35mm wide

£100-200

2505

Christopher Ward: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, 600m/2000ft, model: C60 Sapphire, ref: C60-40ADA3-S00B0, circa 2020, (calibre SW200) lever movement signed, light blue coloured dial with baton markers, date aperture, case with screw down crown, rotating 60 minute scale bezel, glazed screw back numbered AAQ-055, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, instruction booklet, two spare bracelet links and a spare Christopher Ward blue rubber strap 40mm wide

£250-350

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 20% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platformTennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

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Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Jewellery

Coloured Stones. It should be noted that gemstones are often treated to improve their appearance. Heating, for instance, can intensify the colour or transparency of sapphires and rubies, whilst oiling can improve the clarity of emeralds. The international jewellery trade generally accepts these methods. Once heated, the colour enhancement is permanent, though there may be some effect on the durability of the gemstone in question. Once a gemstone has been oiled, the process may need to be repeated in the future to maintain the clarity.

Certificates. Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular piece. These certificates may have been obtained by Tennants or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Tennants and we cannot be held responsible for any disagreement over the content of certificates after the sale or for a retrospective change in opinion by the providers of any of the certificates.

Watches

All Lots are sold as seen, and the absence of any reference to the condition of a watch does not imply the lot is in good condition and without defects, repairs or restorations. Most watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. We do not undertake any inspection of any watches prior to any Sale. We make no representation or warranty that any watch is in working order. As watches often contain fine and complex mechanisms, Prospective Buyers should be aware that a general service, change of battery or further repair work, for which they are solely responsible, may be necessary.

CITES Regulations/Ivory Act 2018

CITES-restricted items and Ivory Exempt items will be accompanied by a current CITES Article 10 licence/Ivory Exemption Declaration where applicable and the licence/exemption declaration number will be displayed within the original catalogue description (required by UK law). Both CITES Article 10 licences and Ivory Exemption Declarations are non-transferable and buyers must apply for a new Article 10 licence/Ivory Exemption Declaration in their name if they wish to sell to a third party.

It is the sole responsibility of the buyer and/or contracted shipping agent to have in place the correct CITES re-export and import licences into the buyer’s chosen country before shipping can be undertaken.

CITES regulations are given on www.ukcites.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Method of Payment

Payment is accepted online via our website.

Card payments where the cardholder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

FORTHCOMING VALUATION EVENTS

Tuesday 3 September

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG Jewellery

Tuesday 10 September

St Mary’s Church, Beverley HU17 8DL Jewellery

Tuesday 10 September

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Silver & Objects of Vertu

Thursday 19 September

Lytham Hall, Ballam Road, Lytham FY8 4JX Jewellery

Monday 23 September

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG Jewellery

Thursday 3 October

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Clocks & Watches

Tuesday 15 October

The Bar Convent York YO24 1AQ Jewellery

Tuesday 22 October

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG Jewellery

Thursday 24 October

Leighton Hall, Carnforth LA5 9ST Jewellery

Tuesday 5 November

Lytham Hall, Ballam Road, Lytham FY8 4JX Jewellery

Tuesday 19 November

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG Jewellery

Thursday 21 November

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Clocks & Watches

Monday 9 December

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG Jewellery

NEXT JEWELLERY, WATCHES & SILVER SALE

11 JANUARY 2025

2024 AUCTION DATES

Wednesday 4 September

Fine Wine & Whisky

Friday 13 September

The Swinton Sale

Saturday 14 September

Country House

Jewellery, Watches & Silver

Wednesday 18 September

Militaria & Ethnographica

Friday 20 September

Antiques & Interiors

including Affordable Modern & Contemporary Art

Friday 27 September

Scientific & Musical Instruments, Cameras & Tools

Saturday 5 October

20th Century Design

Modern & Contemporary Art

Friday 11 October

Antiques & Interiors

including Beswick & Border Fine Art and a selection of Silver

Friday 18 October

The Giles Sim (Taxidermy) Collection – Part I

Friday 25 October

Antiques & Interiors

Wednesday 30 October

Stamps, Postcards & Postal History