Bell Hall and Autumn Fine Sale by Tennants Auctioneers

BRITISH, EUROPEAN & SPORTING ART

SATURDAY 16 NOVEMBER 2024 9.30AM

FINE JEWELLERY, WATCHES & SILVER

SATURDAY 16 NOVEMBER 2024 9.30AM

THE SELECTED CONTENTS OF BELL HALL

FRIDAY 15 NOVEMBER 2024 AT 9.30AM & AUTUMN

SALE

SATURDAY 16 NOVEMBER 2024 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Sunday 10 November 11.00am to 4.00pm

Monday 11 November 11.00am to 4.00pm

Tuesday 12 November 11.00am to 4.00pm

Wednesday 13 November 11.00am to 4.00pm

Thursday 14 November 11.00am to 4.00pm

Friday 15 November 8.00am to 4.00pm

Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk BACK COVER Lot 829

ORDER OF SALE

SELECTED CONTENTS OF BELL HALL

FRIDAY 15 NOVEMBER

The Sale 1-313

AUTUMN SALE

SATURDAY 16 NOVEMBER

Glass 500-545

British Ceramics 546-568

European Ceramics 569-591

Asian Ceramics & Works of Art 592-603

European Works of Art 604-644

Rugs & Carpets 645-677

Clocks 678-691

Furniture 692-829

YOUR SPECIALISTS

Jeremy Pattison Auctions Director Furniture

Charlotte Conboy Consultant Pictures

Adam Wasdell Wostep, MBHI Clocks & Barometers

Andrew Parker Consultant Glass, Ceramics, Asian & Works of Art

Jody Beighton Glass & Ceramics

Andrew Middleton Consultant Rugs, Carpets & Textiles

Jane Tennant Director & Auctioneer

Jeffrey Lassaline Silver & Objects of Vertu

Diane Sinnott BA (Hons), MRICS 20th Century Design

Sarah White Fashion, Costume & Textiles

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

BELL HALL

FRIDAY 15 NOVEMBER 2024 AT 9.30AM

A Joined Oak Dresser Base, the three-plank top above two deep drawers and moulded base, on balusterturned legs with block feet, late 17th century in part 125cm by 53cm by 78cm

£300-500

1

An English Delft Flower Brick, circa 1750, painted with a Chinese figure stood by a balustrade, with a duck in flight and pagoda beyond 14cm

£300-500

3

A Chinese Porcelain Rooster Box and Cover, Republic period, as a crouching bird and painted in famille verte enamels

25cm high (2)

£150-250

A Primitive Dug-Out Dough Bowl, 19th century, of dished rectangular form, the corners with hand-forged iron repairs

94cm by 38cm

£100-150

A Late 17th Century Geometric-Moulded Straight-Front Oak Chest of Drawers, of attractive proportions, the moulded top above five small drawers and a two-as-one drawer fitted to the base, on stile feet

74cm by 52cm by 75cm

£500-700

A Spode Pearlware Meat Plate, circa 1820, printed in underglaze blue with the “Bridge at Lucano” pattern

49cm wide

A Riley Dish, printed with a Classical shepherd under the “Union” border

53cm wide

A Stevenson Dish, “Springer Spaniel” pattern

47.5cm wide

Three Similar Dishes, “Boy Piping”, “Fisherman’s Hut”, “Piping Shepherd” (6)

£300-400

A George III Oak Wall-Mounting Salt Box, with shaped back board and single drawer 35.5cm high

A Similar Candle Box, with inlaid mahogany banding 38cm high

A Turned Treen Pestle and Mortar mortar 25.5cm diameter (3)

£150-250

A Mid 18th Century Joined Oak Cupboard, of attractive proportions, the upper section with a central cupboard door flanked by moulded panels, the base with two cupboard doors enclosing two removable shelves all between moulded stiles and muntins, on bracket feet

105cm by 49cm by 161cm

£300-400

9

A Worcester Porcelain Cabbage Leaf Jug, circa 1765, printed in underglaze blue with the “Heavy Naturalistic Floral” pattern, workman’s mark 23cm high

A Sauceboat, painted with the “Doughnut Tree” pattern 15.5cm long

A Sparrow Beak Jug, painted with the “Rock Strata Island” pattern 9cm high

A Caughley Teapot Stand, printed with the “Cormorant Fisherman” pattern 14cm

A Small Coalport Mug, after a Worcester original 8.5cm high (5)

£200-300

10

An 18th Century Joined Oak Cupboard, with carved frieze and stiles above a moulded cupboard door with four fielded panels carved with flowerheads, the interior fitted with one shelf 100cm by 61cm by 108cm

£150-250 11

A Collection of Pearlware, 19th century, printed in underglaze blue, various patterns, comprising:

Brameld ladle Minton square bowl

Masons tureen soup tureen

2 pierced stands egg stand

Copeland & Garrett bowl and drainer octagonal plate

£70-100

12

A Late 17th Century Provincial Oak Bureau Bookcase, the inverted breakfront pediment above cupboard doors enclosing shelves and a later paper-lined interior depicting Chinese-style blue and white ceramics, the fall front enclosing a fitted interior of pigeon holes and small drawers, the base of two short and two long geometric-moulded drawers 84cm by 55cm by 186cm

£200-300

13

A Pair of Staffordshire Pottery Disraeli Greyhounds, circa 1850, one with a hare in its mouth and the other stood over its kill, the bases painted in turquoise and ornamented with shredded clay 26cm high (2)

£200-300

A Walnut Chest on Stand, circa 1710, the moulded cornice above two short over three long drawers, on a base with a long drawer and spindle-turned supports with bun feet joined by a flattened stretcher 105cm by 59cm by 137cm

£300-500

15

An English Delft Flower Brick, circa 1750, painted with birds perched on branches and with banded hedges 15cm wide

£300-500

A Wrought Iron Candlestand, in 17th century style, the top surmounted by a large candle picket with three graduated tiers with C-scroll supports, further candle spigots and holders, on a squareform base with scrolled brackets and splayed feet 69cm at widest point by 210cm

£100-200

A Folk Art Painted Tin Pigeon, mid 20th century, suspended in a wrought iron heart shaped hoop

63cm

£150-250

A Deborah Sears Isis Pottery Flower Birck, painted in Delft style with scenes from Stowe House, painted marks 10cm high

A Pair of Plates, with shaped rims and painted with boating scenes 25.5cm wide

Two Further Cube Shaped Vases, decorated in Dutch style with children playing various games 10.5cm wide (5)

£100-150

19

A George III-Style Pine Alcove Corner Cupboard, late 20th century, the moulded cornice above an arched canopy surmounted by a shell, enclosing a painted interior with three fixed shelves flanked by fluted stiles with carved capitals, the base of breakfront form with two cupboard doors all between canted stiles, the verso labelled Carved Pine Mantelpieces Ltd, Dorchester-on-Thames, Oxford, C Selwood & J Bland, 28/4/1972

100cm by 55cm by 227cm

£150-200

A George III Fruitwood and Ash Octagonal Tripod Table, 3rd quarter 18th century, the moulded platform top on a baluster-turned support with three splayed legs and compressed bun feet

31cm by 31cm by 59cm

£100-150

21

A George IV Barrel-Shape Armchair, 2nd quarter 19th century, recovered in pink floral damask, the squab cushion above a plain seat rail, on turned forelegs with brass-capped feet and castors

68cm by 60cm by 107cm

£300-500

22

British Provincial School (18th/19th century)

Portrait of a young boy, head and shoulders, in a feigned oval Oil on canvas, together with two further watercolours reminiscent of George Morland, depicting a country girl seated in a landscape, and a country boy at rest beneath the canopy of a tree with his attendant hound, 41cm by 34.5cm (unframed), 13.5cm by 17cm and 13cm by 17cm respectively (3)

£80-120

23

A George III Mahogany and Crossbanded Straight-Front Chest of Drawers, circa 1800, the moulded top above two short and three long pine-lined graduated drawers, on short bracket feet 110cm by 51cm by 93cm

£120-180 24

A Mahogany Tray-Top Three-Tier Étagère, circa 1900, the removable glass tray with brass handles, on acanthus-decorated scrolled supports, the undertier with a pierced brass gallery, on baluster-turned supports with splayed legs joined by a small shelf 50cm by 50cm by 77cm

£100-150

(part)

25

A George III Oak Straight-Front Chest on Chest, late 18th century, the upper section with moulded cornice above two short over three long drawers with original brasses, the base with two short over two long drawers, on bracket feet 103cm by 54cm by 162cm

£300-400

26 ✓

Brenda Lenaghan RSW (1941-2020)

“Snakehead Lilies and Eagle-Eyed Feather”

Signed, gouache, 51cm by 71cm

Exhibited: “Brenda Lenaghan Quartet Exhibition”, June 1993, no.25, Proctor and Gamble Limited £200-300 27 ✓

Alan Caiger-Smith (b.1930): tin glazed earthenware “Gypsy Bowl”, inscribed, monograms to the underside, 15cm high

£200-300

28

British School (19th century)

Portrait of a young child wearing a broad brimmed blue hat, a white dress tied with a blue sash, and pushing a wheelbarrow on a garden pathway

Pastel, together with two further watercolour examples possibly by the same hand depicting a bird’s nest and Forget-Me-Nots, and a young boy seated atop an animal, 34.5cm by 27cm, 16cm by 22cm and 19.5cm by 15.5cm respectively (3)

£120-180

(part)

Attributed to John Frederick Herring Jnr. (1815-1907)

Cattle watering before a cottage Brown ink, together with a further study by the same hand of a similar subject matter, a pencil sketch of a cottage garden and gate, and three further monochromatic sketches depicting a donkey, a dog’s head, and a group of dogs drinking from a trough, 7cm dia. and various other sizes (6)

£100-150

(part)

Bartolozzi after Kauffman

Classical figures

Engraving, together with a collection of further engravings and prints to include: A shepherdess, Rosa Campanulata, Emil Wattier after Boucher, botanical prints, figurative and genre watercolours and a silkwork picture depicting a mother and child, 14.5cm dia. (oval) and various other sizes (a collection)

£120-180

(part)

Manner of David Des Granges (1611-1675)

Portrait of a gentleman wearing a wide white collar and an armoured breastplate, head and shoulders

Watercolour, contained in a trompe d’oeil hanging portrait miniature frame, together with two further portrait miniatures presented in the same fashion with impressed plate marks?, 24.5cm by 19.5cm and 22cm by 16cm respectively (3)

£120-180

(part)

British School (19th century)

Portrait of a young girl, head and shoulders, with tight curls With later inscription to the reverse “Marcus Stone”, pencil, together with a head and shoulders portrait of a young lady signed Emilie Jemisch? and dated 1815, a further watercolour reputedly depicting Thomas George Young and painted July 9th 1809 (according to a typed label attached to the reverse), four further pencil portrait head studies of children in profile, and a group of six early 20th century portraits of children with the sitter’s name to the reverse, 10.5cm dia. (oval) and various other sizes (a collection)

£120-180

British School (19th century)

Study of a young boy, standing wearing a tartan skirt, black jacket and bowtie, and holding a fishing rod Chalk, together with a further four further pencil and mixed media portrait studies of a similar period, 40cm by 26cm (with arched top corners), and various other sizes (5)

£80-120

Henry Edridge ARA (1769-1821)

Portrait of a young boy at rest before an extensive landscape Signed and dated 1806, mixed media, 31cm by 21cm

£80-120 35

A French Porcelain Vase, circa 1870, celadon ground and decorated in pare-sur-pate with a heron startled by a snake amidst bullrushes 18.5cm high

A Pair of Coalport Vases, of cornucopia form, with mask terminals and gilt decoration, printed marks 16cm high

A Regency Porcelain Cup and Saucer, probably Minton, painted with birds and fruit

A Similar Cup and Saucer

A Pair of Soup Plates, printed in green with seaweed borders and painted with flower bouquets and sprigs 25.5cm wide (9)

£80-120

A Staffordshire Pottery Group of Three Poodles, circa 1860, with textured clay and arranged around a central clock on a table base 19cm high

A Similar Pair of Spill Vases 13.5cm high

A Model of a Dog and Pup, on cobalt base 17cm high

A Single Miniature of a Recumbent Poodle 7.5cm wide

A Pair of Pen Stands, surmounted by recumbent greyhounds on cobalt bases 16cm wide

Three Various Spaniel Models 25cm high

A Later Pair of Mantel Dogs as Poodles 22.5cm high (12)

£150-250

A Staffordshire Porcelain Lion and Lamb Group, circa 1830, probably by John and Rebecca Lloyd of Shelton, both recumbent animals ornamented with shredded clay, coloured in enamels and raised on a moulded plinth edged in gilt

12cm wide

A Staffordshire Pottery Group, as a Classical shepherd with lamb and lion

18cm high (2)

£200-300

39 ✓

William Norman Gaunt FIAL, NDD (1918-2001)

Donkey Rides

Signed, oil on canvas board, 59.5cm by 75cm

£80-120

A Victorian Staffordshire Pottery Flatback Portrait Figure of Garibaldi, circa 1870, stood by a large marbled column over a shaped plinth with gilt title

48cm high

Another Group, titled “Prince & Princess”

40cm high

A Figure of a Huntsman, with a hound, hares and game birds

39cm high

Another Figure, modelled as a blacksmith, stood by his anvil 40cm high (4)

£100-150

40 ✓

Tom Harland (1945-2012)

“The Silent River, Hull-Barges Snow Covered and Still”

Signed, watercolour, 47.5cm by 44cm

£60-90

41 ✓

(part)

42 ✓

Charles Duranty (1918-2006)

Susan Christopher-Coulson (Contemporary)

“Currant Snips”

Initialled and dated Aug-(20)07, coloured pencil, together with three further works on paper including a study of an insect, a hare in vegetation signed Packer, and another “The Butterfly Garden”, 11.5cm by 19.5cm and various other sizes (4)

£60-90

43 ✓

43 (part) 41 (part)

Aristide Maillol (1861-1944) French “Couple”

Woodblock print, together with a further example by the same hand, 7.5cm by 17cm (2)

Provenance: Editions Graphique, London, 1968

£70-100

“Prelude a l’Apres-Midi d’un Faune”, inspired by Claude Debussy’s music

Signed, mixed media, together with a further mixed media by the artist and another mixed media example by David Gentleman “The Musicians-Two Brothers”, 35cm by 52cm and 25cm by 56cm and 12cm by 14cm respectively (3)

Provenance: David Gentleman: Abbott & Holder, London, 1975

£100-150

44 ✓

Frank Francis (1930-2013)

“Family Group”

Signed, inscribed verso, oil on canvas, 49cm by 59cm

£150-250

45 ✓

Norman Neasom RWS, RBSA, SAS (1915-2010)

The Mountain Path

Signed and dated 1992, gouache, 29.5cm by 26.5cm

£70-100

46 ✓

Martin Leman RBA, RWS (b,1934)

“Back View”

Signed, inscribed verso, oil on canvas board, 34.5cm by 26.5cm

£150-250

A Pair of Regency-Style Table Lamps, each in the form of a toleware chestnut urn, with lion mask handles, cream ground and painted green with chinoiserie scenes

40cm high (2)

£80-120

A Victorian Chaise Longue, late 19th century, recovered in green close-nailed velvet with buttoned back support and seat, on turned tapering supports with castors

136cm by 50cm by 63cm

£100-150

47 ✓

M C Kidd (20th century)

Topiary garden

Signed, acrylic on board, together with a further signed and dated (19)97 acrylic on canvas depicting a pathway through a garden by the same hand, 54.5cm by 75cm and 49.5cm by 59cm respectively (2)

£70-100

(part)

A Quantity of Modern Toleware, in 19th century style, including: an ovoid stick stand with loop handles, three buckets, a watering can, a serpentine hamper with hinged cover, small plater, two wirework planters (qty)

£150-250

Paul J. Stankard (American b.1943) Small Glass Paperweight, a single flower displayed with roots, S cane, inscribed PJS ‘72, 5cm

£200-300

52 ✓

Frank Francis (1930-2013)

“The Real Fire”

Signed, inscribed verso, oil on board, 80cm by 78.5cm

£200-400

The Reproduction Green-Painted Furniture, comprising:

a pair of waterfall bookcases or bedside tables, of graduated form with two fixed shelves, single drawer and wavy-shaped apron 56cm by 30cm by 121cm

a pair of occasional tables or plant stands, with square moulded tops above turned balustrade galleries, on square-form legs joined by an H stretcher 25cm by 25cm by 64cm

a larger occasional table or plant stand 35cm by 35cm by 72cm (5)

£100-150

(part)

(part)

Villeroy & Boch Porcelain Service Ware, decorated in the “Petit Fleur” pattern, comprising: vegetable tureen and cover

3 large serving bowls

2 serving platters

2 smaller serving bowls

2 butter dishes with covers

8 various supper dishes cake stand

6 dinner plates

6 dessert plates

7 soup plates

5 side plates

6 fruit bowls coffee pot and cover tea pot and cover milk jug conserve jar and cover

3 napkin rings

8 coffee cups

8 candle holders

£200-400

4 egg cups

4 breakfast cups

3 warmer stands

3 candle sticks

Paul J. Stankard (American b.1943) Glass Paperweight, three pale pink roses and a rose hip, S cane, inscribed 63/100, A250 1984

7.5cm wide

£300-500

A Late Victorian Metal-Framed Adjustable Armchair, late 19th century, the squab cushions recovered in modern green buttoned fabric, the pivoting back support and arms on tubular forelegs with castors

76cm by 70cm by 99cm

£100-150

57 ✓

David and Jon Trabucco Glass Paperweight, with a flower bouquet reserved on a white latticino ground, inscribed Trabucco, 2000 DJ 6.5cm

£150-250

58 (part)

58 ✓

Neil Packer (Contemporary)

“The Great God Pan”

Gouache, together with three further works by the same hand “St Francis of Assisi”, a further figurative example and another depicting the Holy Family in a landscape reminiscent of Raphael, 23cm by 18.5cm, 18.5cm by 14cm, 12.5cm by 10cm and 15cm by 20.5cm respectively (4)

£150-250

60 ✓

David and Jon Trabucco Small Glass Paperweight, with a purple flower spray on a white latticino ground, inscribed Trabucco, 2003 DJ 5cm

£100-150

59 (part)

59 ✓

William Norman Gaunt FIAL, NDD (1918-2001)

Donkey rides on a shore

Signed, oil on canvas board, together with a further example by the same hand of a similar subject matter, 49.5cm by 74.5cm and 49cm by 59.5cm (2)

£100-150

61 (part)

61 ✓

Neil Packer (Contemporary)

“Saint Sebastian Protect and Keep Me Always”

Gouache and gilt paint likely on vellum, together with two further examples of a similar subject matter and in the style of early illuminated manuscripts, to include “Treading Grapes” and another, 15.5cm by 10cm (3)

£150-250

62 (part)

62 ✓

Colin Allbrook (20th century)

“Cornish Low Tide”

Signed, together with a further work by the same hand “On the Rocks, Cornwall” and another watercolour by Frances Nisbet (1864-1934) “At Roscoff, Brittany, loading potatoes for England”, 20cm by 32cm, 28.5cm by 31cm and 33.5cm by 51.5cm respectively (3)

£80-120

(part)

64 ✓

Style of Pierre-Joseph Redouté (1759-1840) Belgian

Study of Passiflora and other flowers

Watercolour, together with eight further botanical studies by the same hand, five further botanical studies by another hand, a Valentine decorated with Pansies and a hand written poem, 21cm by 16cm and various other sizes (a collection)

Paul J. Stankard (American b.1943) Glass Paperweight, magenta clematis on a pale blue ground, central red S cane to the reverse, etched A178, 1978

7cm wide

£300-400

65 ✓

Peter Mcdougall Glass Paperweight, with a central cane supporting alternating twisted ribbons, signed PMCD 6cm

Another Weight, with split canes between latticino borders, date cane for (19)77

7.5cm (2)

£80-120

A Pair of Regency-Style Grey-Painted and Simulated Bamboo Two-Tier Bedside Tables, modern, the staged tops with single drawers, on simulated bamboo supports and splayed legs (a/f)

69cm by 94cm by 62cm

£100-150

66 ✓

Frances Beresford (Contemporary)

“Harlequin and Columbine” Enamel on copper, together with two further examples, to include “The Garden” and “Mermaid”, 30cm by 24.5cm (3)

£200-300

67

Paul J. Stankard (American b.1943) Glass Paperweight, white and pink irises, displayed with roots and on a bottle green ground, S cane and inscribed ‘81 8.5cm

£300-500

68 ✓

After Beardsley Limner (20th/21st Century) “Child Posing with Cat” Oil on board, 73cm by 61cm

£120-180

(part)

Karabagh or Thrace Kilim, 20th century

The walnut brown field with three sprays of naturalistic roses enclosed by borders of stylised flowering plants and further narrow border of meandering vines.

354cm by 170cm

£150-250

A Toleware Bouillotte Form Twin-Light Table Lamp, late 20th century, dark red and gilt with flowers, with two adjustable pierced shades and on an ovoid pierced tray formed base over ball feet

56cm high

A Similar Canister and Cover, with lion mask loop handles

33cm high

A Three-Tier Planter, with loop handle and ball feet

39cm high (3)

£150-250

A Trabucco Glass Paperweight, with two pears and blossom on a gravel ground, inscribed Trabucco, 2000 8cm

£200-300

An Embroidered Picture, worked by Agnes Whitehead, aged 13, dated 1824, with central cream linen panel painted and embroidered with a view of a cottage with church tower in the background flanked by trees and religious verse above, handwritten to the left and right bottom corners ‘Instructed by E Croft’ and ‘K Lonsdale’, panel placed on a black velvet mount embroidered with two tall columns to each side and decorative flower heads and grasses overall within a cream silk sinuous border with intermittent red spots, two cream silk octagonal appliques below with printed and embroidered cherubs riding lions holding a bow and arrow and lute, in a modern maple frame

57m by 46cm

£200-300

74 (part)

74 ✓

Neil Packer (Contemporary) Queen of Clubs

Watercolour and bodycolour heightened with white, together with two further examples by the same hand Jack of Diamonds and Ace of Spades and another two works likely by the artist depicting a Parrot on a branch and A Cockerel Crowing, 8.5cm by 6cm and 4.5cm by 3.5cm respectively (5)

A Pair of Shell and Coral Work Displays in Classical Style Campana Urns, 20th century, each arranged as a spire

78cm high

A Box of Assorted Shells and Coral Specimens, a wreath formed from shells and a small quantity of geological specimens (qty)

£100-150

£120-180 76 (part)

Five 19th Century Wool Works, comprising:

a wool and bead picture depicting an oval cartouche enclosing rose heads, in an oak frame

60cm square

A wool work of a crouching tiger within decorative coloured geometric borders, maple frame

37cm by 32cm

a similar picture of a parrot seated on a branch, in later frame

44cm by 37cm

a smaller panel depicting butterflies and floral designs on a black wool ground, mahogany frame

40cm by 27cm

a wool work of Noah’s Ark with figures in the foreground, mahogany frame

52cm by 61cm (5)

£120-180

A Woolwork Sampler, worked by Sarah Hartley, May 27th 1858 depicting Saint Mary’s Le Gll Church to the centre, white painted with a stone tower, graveyard to the front with headstones and trees, sheep grazing beyond the white painted stone wall, several decorative motifs including vases of flowers, birds, plants, spaniel, butterflies, white painted cottage, within a deep border worked in coloured wools with sinuous floral motifs, in a mahogany frame 96cm by 70cm

£200-300

(part)

A Woolwork Verse Sampler, worked by Charlotte Briggs, dated 1849, worked in coloured wool cross-stitch depicting a central verse to the top flanked by vases and sprays of flowers, with a large basket of flowers below, within a decorative floral border, unglazed, in a later painted frame 54cm by 57cm

£100-150

After Robert Morden “Cumbria & Westmoria”

Hand coloured map, together with further hand-coloured maps “Westmorlande”, “Map of the Black Lead Mines & Sea in Cumberland” and “The Shield of Achilles”, and a pen and ink signature reading “Charles R”, 42.5cm by 54cm, 24.5cm by 31cm, 20cm by 24cm, 20cm by 20cm and 2cm by 7.5cm respectively (5)

£120-180

Kilim Runner, Karabagh or Thrace

The charcoal field with naturalistic roses enclosed by similar borders.

490cm by 111cm

£100-200

81

A Victorian Satinwood and Ebony-Strung Nursing Chair, late 19th century, recovered in green linen, the show frame with downswept arms above an overstuffed seat, on square tapering forelegs with block feet and castors

53cm by 51cm by 70cm

A Victorian Mahogany-Framed Armchair, circa 1880, recovered in buttoned pink velvet, with scrolled arm supports above a serpentine overstuffed seat, on turned forelegs

73cm by 62cm by 82cm

A Victorian Upholstered Armchair, late 19th century, recovered in red and gold geometric fabric, with overstuffed seat on turned forelegs and castors

60cm by 53cm by 82cm (3)

£100-150

81 (part)

82 ✓

David Howell RSMA, SEA (b.1949)

“The Beaters”

Signed, watercolour, together with a further watercolour by Tom Harland “High Cunsey Farm, Cumbria”, 21.5cm by 31cm and 12cm by 17cm respectively (2)

Provenance: The Wykeham Galleries, Hampshire

£70-100

83 ✓

Sir Stanley Spencer CBE, RA (1891-1959)

“Christ in the Wilderness” (Reputedly 1928)

Pencil, 8.5cm by 8cm

£250-400

82 (part)

A Composition Table-Top Model of a Classical Building, 20th century, with removable green painted and perspex roof, the base with five steps leading to classical arches and pilasters, the balustrade gallery interior painted to simulate bricks and hanging lanterns

25cm by 70cm by 80cm

A Model of a Bandstand, with domed tiled roof supported on six pillars and on stepped hexagonal plinth 45cm high

A Small Painted Bust, on wooden plinth

19cm overall (3)

£100-150

A Victorian Peg Lamp, circa 1880, with cranberry tinted satin glass shade, cranberry reservoir and brass Corinthean column base

38cm to the shade

Another Oil Lamp, with blue glass shade and reservoir

38.5cm high (2)

£70-100

S Williams (19th century)

“Irish Scene”

With inscribed and dated 1848 label verso, watercolour, together with two further examples of the same subject matter by another hand and another pencil example depicting figures moving though a landscape signed H Harding and dated 1824, 26.5cm by 22cm and 28.5cm by 24cm respectively (4)

£100-150

(part)

A Victorian Glass Dome, on circular ebonised plinth

51cm high overall, aperture 20cm diameter

A Similar Smaller Modern Example

25cm high (4)

£70-100

An Alphabet Sampler, worked by Jennet Coer, aged 10 years, dated 1852, of Saint Mark’s School, Witton, with three religious verses worked in blue flanked by flowering trees, birds, vases of flowers, Saint Mark’s school house surrounded by trees, the title has two young girls worked to either side wearing 19th century dresses in blue, white and caramel, within a brown and cream floral border, in a burr walnut frame

76cm by 76cm

£150-200

89

An Alphabet and Multiplication Sampler, worked by Hannah Hodgson, aged 11, 19th century, worked in coloured cross-stitch, the table within a yellow decorative stitched frame, flanked by decorative motifs including stag, dog, standing lions, birds, female figures, love heart, trees, flowering trees, stars and crowns, within a pink floral border

44cm square

modern mount and frame, 66cm square

£250-350

90

A Regency Silk Embroidered Sampler, worked by Elizabeth Middleton, dated 1822, with a central religious verse beneath a lion and a unicorn, framed within an oval cartouche of embroidered sinuous flower heads of various styles and oak leaves, each corner of the sampler decorated with a pair of birds to the top and a single birds to the lower, framed within laurel leaf wreaths, in a later pink painted frame with shell moulds to the corners 44cm by 54cm

£150-200

A George III-Style Carved Mahogany Four-Poster Bed, 19th century in part, with later cream crewel-style pelmet and curtains below a moulded and dentil cornice, the carved and reeded front bedposts in the manner of Gillows with square bases and block feet, takes a bespoke 5’6” mattress

170cm by 204cm by 251cm

£300-500

91

A Regency Alphabet Sampler, worked by Mary Musson, dated 1829, includes the verse ‘who lives to nature rarely can be poor, who lives to fancy never can be rich’, the lower part of the sampler embroidered with a decorative woven basket of strawberries and flower heads, with a floral posy above tied with a ribbon, the rest of the sampler worked in cross-stitch with some small decorative motifs, all within a floral border, a burr ? frame

41cm by 48cm

£200-300

93

An Early 20th Century French-Style Kingwood and Parcel-Gilt Bowfront Triple-Door Wardrobe, the reeded and arched canopy above a central cupboard door with quarter-veneered panels, enclosing a mahoganylined interior with hanging space, shelves, two small drawers and four mahogany sliding trays, the verso of the door with a plain mirror plate, flanked by conforming bowfront cupboard doors enclosing a shelf, hanging space and a shoe rack, on a plinth base 220cm by 75cm by 202cm

£200-300

A George III-Style Mahogany StraightFront Chest of Drawers, late 19th/early 20th century, the moulded top above four long graduated drawers and shaped apron with splayed bracket feet

68cm by 45cm by 84cm

£100-150

An 18th Century-Style Composition Wall Mirror, modern, the plain mirror plate within a tree branch frame surmounted by leaves and acorns, the apron decorated with ribbons

92cm by 55cm

£100-150

A Reproduction Black Lacquer and Gilt Painted Chinese-Style Wedding Cabinet, painted with antiquities and landscapes, the cupboard doors with brass solid hinges and a circular lockplate, enclosing a removable shelf, the base with two drawers above an arched apron 110cm by 52cm by 163cm

£150-250

A Chinese Terracotta Horse, Tang style, decorated in sancai glazes and on oblong plinth 37cm high

£100-150

A Pair of Carved Walnut Cane-Seated High-Back Chairs, late 19th century, in William & Mary style, the foliate C scroll top rails above pierced splats and turned uprights, with single-cane seats within a carved seat rail, on turned cup-and-cover forelegs joined by a flattened stretcher 51cm by 46cm by 126cm

£100-150

Two Chinese Terracotta Models of Horses, Tang style, typically modelled, with remnants of pigment decoration, raised on simple rectangular bases 44cm high (2)

£300-500

100 (part)

100

Chinese School (19th/20th century)

Studies of butterflies and insects

Watercolour on pith paper, together with a collection of 21 further examples of a compatible subject matter, including an extensive range of subjects and comprising butterflies, insects and spiders, 14cm by 22cm (22)

£1,500-2,500

101

After Ichiyusai Kumiyoshi (1797-1861) Japanese “Triptyque les acteurs Bando Hiksaburo, Bandoshuka et dans une piece de theatre Kabuki”

A coloured woodblock print, together with two further woodblock prints in the style of Toyohara Chikanobu, six monochromatic Oriental prints of warriors, and three further prints of ornithological subject matter, 35cm by 72.5cm and various other sizes (a collection)

£150-250

101 (part)

102

A Reproduction Chinese-Style Black Lacquer and ParcelGilt Side Cabinet, painted overall with figures and buildings in a landscape, with two cupboard doors enclosing a paperlined interior, the base with two small drawers

81cm by 35cm by 97cm

£150-250

103

After Toyohara Chikanobu (18381912)

Geisha playing a stringed instrument Coloured woodblock print, together with three further examples of a similar subject matter, 34cm by 23cm (4)

£120-180

104

A Green-Painted FauxBamboo Modular Sofa, 20th century, in three sections, comprising: a pair of corner chairs with X-form supports and single-cane seats, on splayed forelegs joined by an H stretcher, 51cm by 50cm by 79cm a matching single chair, 51cm by 50cm by 79cm

£100-150

105

A Pair of Chinese Porcelain Doves, Kangxi style but 20th century, naturalistically modelled, perched on rockwork bases and decorated in green glazes

18.5cm high (2)

£150-250

106

Chinese School Butterflies, Jasmine and Blossom

Watercolour and bodycolour on pith paper, together with a further compatible example likely by the same hand, a study of Amaryllis signed Howth and dated 1850, two further botanical studies on paper depicting a Lily stem and Nerine, and another two watercolour studies depicting arrangements of flowers, 16.5cm by 25.5cm, 19.5cm by 23cm, 35.5cm by 23.5cm and 20.5cm by 25.5cm (overall with scalloped edge) (7)

£200-400

(part)

108

A Pair of Chinese Earthenware Jars and Covers, Tang style, moulded with ruyi borders and panels of flowers with sancai glazes

32cm high (4)

£150-250 109

107

Ten Chinese Watercolours on Pith Paper, mid 19th century, depicting flowers and butterflies, mounted in a modern fivefold table screen each 18cm by 12cm

£100-150

A Chinese Terracotta Figure of a Tomb Attendant, Ming style, decorated in sancai glazes and on hexagonal plinth 29cm high

A Similar Burial Pottery Flask, modelled as an owl 15cm high

A Cover, the knop as a bird 6cm high (3)

£100-150

110

A Regency-Style Green and Parcel-Gilt Painted Teapoy, the moulded hinged lid enclosing a fitted interior with four removable tea canisters and two circular apertures to receive mixing bowls (lacking), on a tapering support with carved socle, quadripartite base and scrolled feet, formerly on castors, 19th century and later painted

46cm by 36cm by 78cm

£100-150

108 (part) 109 (part)

111

Chinese School

Butterflies and white Chrysanthemums

Butterflies and pink Roses

Butterflies and Camellias

Bodycolour on pith paper, 16.5cm by 25.5cm (3)

£200-300

112

A Pair of Chinese Porcelain Vases, modern, painted in famille rose enamels with peonies, chrysanthemum, blossom, convolvulus and other flowers with butterflies and dragonflies, printed marks 35cm high (2)

£150-250

114

A Set of Chinese Black and Red Lacquer Drawers, modern, of stepped graduated form, the six small drawer with loop handles on a plinth base, 56cm by 24cm by 57cm

A Red Lacquered and Gilt-Decorated Chinese-Style

Side Cabinet, modern, decorated with flowers and butterflies, the single drawer above a cupboard door and arched apron

40cm by 32cm by 60cm (2)

£100-150

113

A Feather-Filled Knole-Style Sofa, 20th century, covered in faded cream and floral Aubusson-type fabric, the squab cushion above a tasselled base 190cm by 90cm by 105cm

£200-300

112

111 (part)

Three Chinese Porcelain Blanc de Chine Libation Cups, Kangxi style, the central cup of rhinoceros horn form is moulded with a bird, dragon and other animals, flanked by a pair of cups moulded with prunus blossom, raised on a carved hardwood stand central cup 6cm (4)

£250-350

18th Century-Style Tapestry

The field depicting a romantic scene with a couple accompanied by three dogs in a woodland landscape with castle beyond.

117cm by 169cm

£120-180

A Pearlware Loving Cup, circa 1820, inscribed “Love / Feast”, printed in underglaze blue with river landscapes 16cm high

£80-120

A Pearlware Commemorative Mug, circa 1820, printed in underglaze blue with a portrait of the Duke of Wellington on Horseback, titled and on a ground of flowers and foliage 14cm high

£120-180

A George III Mahogany Dumb Waiter, circa 1800, of circular dished graduated form, with turned vasiform supports, on three cabriole legs with flattened pad feet largest tier 65cm diameter 115cm high

£120-180

120

A Meissen Porcelain Model of a Cat, late 19th century, recumbent and painted with grey markings, underglaze crossed swords mark and incised numbers 14cm

A Continental Porcelain Figural Candlestick, with turquoise and pink edged rococo style base, JR mark in underglaze blue

31cm high

A Similar Box and Cover, as a young boy in a basket surrounded by chickens 14cm

A Figural Posy Vase, crowned N mark in underglaze blue 27cm high

£80-120 121

A Bow Porcelain Figure, circa 1760, as a man holding a rooster, stood before a bocage and on rococo scroll base edged in puce and turquoise 26cm high

A Pair of Coalbrookdale Style Bowls and Covers, circa 1830, twin handled and with applied flower decoration 12cm high

A Similar Example (7)

£150-250

Chinese Aubusson Style Gros Point Rug

The cream field with naturalistic floral sprays enclosed by floral spandrels and narrow borders. 235cm by 157cm

£80-120

123

A Collection of Assorted William IV Silver Flatware, comprising a pair of Fiddle Thread pattern sauce-ladles, engraved with initials, London, 1832; a set of five Fiddle pattern teaspoons, engraved with initials, London, 1830 and a set of four Fiddle pattern teaspoons, engraved with initials, Newcastle, 1835 9oz 1dwt, 281gr (11) £120-180

A Pair of Polish Parcel-Gilt Silver Salt-Cellars, by Karol Jerzy Lilpop, Warsaw, First Half 19th Century, each with silver-gilt shell bowl, on three cast dolphin feet, the triangular base with foliage border and on ball feet 85mm high, 6oz 13dwt, 207gr (2) £120-180

124

An Edward VII Silver Cream-Jug and SugarBowl, by Williams (Birmingham) Ltd., Birmingham, 1903, each fluted oval and stamped with foliage, with scroll handles the sugar-bowl 19.5cm wide over handles, total weight 10oz 8dwt, 324gr (2)

£150-250

125

A Victorian Coromandel Vanity Box, circa 1870, with mother of pearl and abalone shell inlay, fitted and with accoutrements

31cm by 22cm by 17cm £100-150

127

A Pair of Edward VII Silver Candlesticks, by Israel Sigmund Greenberg, Birmingham, 1905, The Nozzles, 1902 and 1904, each on square base with beaded borders, the tapering stems fluted, with detachable beaded nozzles, filled 24.5cm high (2) £70-100

An Elizabeth II Silver-Mounted Wood PunchSet, by Richard Comyns, London, 1957, each piece in the 17th-century style, the bowl and goblets each tapering and with twisted wire borders, comprising a silver-mounted wood punch-bowl; a set of six silver-mounted wood goblets and a punch-ladle with cannon-handle the punch bowl 30.5cm diameter, 14cm high; the goblets 11.5cm high, the punch-ladle 35cm wide (8)

£700-1,000

130

129

A George V Silver-Mounted Cut-Glass Vase and an Elizabeth II Silver-Mounted Cut-Glass Decanter and Stopper, The Silver Mounts of the Vase by William Hutton and Sons Ltd., Birmingham, 1928, the Silver Mounts on the Decanter by Israel Freeman and Son Ltd., London, 1969, the vase tapering and with plain silver mount, 17.5cm high, the decanter of square section with plain silver mount and conforming stopper, 24.5cm high; Together With a silver plate mounted cut-glass decanter, stopper lacking (3)

£70-100

A George VI Silver Condiment-Set, by Henry Pidduck and Sons, Birmingham, 1938, in the Art Deco style, comprising a pair of salt-cellars; a mustard-pot, each with blue glass liners and a pair of pepperettes; Together With an Edward VII silver mustard-pot, by Nathan and Hayes, Chester, 1907, in the George III style and three various condiment-spoons total weight of silver 10oz 6dwt, 320gr (qty)

£150-250

131

A Pair of Lorgnettes, 19th century, gun metal and with gilt inlay

13.5cm

A Toddy Ladle, with whalebone handle 21cm

Three Further Treen Toddy Ladles (5)

£60-90

133

132

A Sunderland Lustre Porcelain Part Tea and Coffee Set, early 19th century, decorated in the “Strawberry” pattern, comprising: teapot and cover milk jug waste bowl

saucer dish

7 bute shaped teacups

10 saucers

6 coffee cans

£60-90

A Collection of Assorted Silver, including a cigarette-box, with engineturned decoration, retailed by Garrard, 16cm wide; a sauceboat; a spiral-fluted silver pen-holder and propelling-pencil, by Sampson Mordan and Co. and a silver and leather mounted goliath-watch case; Together With a set of twenty-one chrome plate place card holders, in the form of a stylised bird; a silver plate teaspoon and a cased set of six brass cocktail forks, the terminal applied with the mid-20th century badge of British Petroleum (qty)

£70-100

134

A Collection of Carved and Polished Marble Eggs and Spheres, including jasper, rose quartz, malachite, lapis lazuli and onyx

largest sphere 8cm diameter (17), in a tooled leather mounted box

£60-90

135

A Toleware Twin-Light Storm Lantern, 19th century style, with pierced chimney and mirrored back 46cm high

A Similar Wall Sconce / Candle Reflector, ornamented with shell motifs 48cm (2)

£70-100

136

A Victorian Brass Based Oil Lamp, with frosted globular shade, cut glass reservoir and reeded column base

78cm overall

A Similar Oil Lamp, raised on Corinthean column base

56cm high (2)

£70-100 137

A Pair of Modern Composite Table Lamps, the plain slender columns each on the howdah of a seated camel, with gilt and verdigris effect patination

49cm to the fitting (2)

£60-90

138

A Victorian Cast and Wrought Iron Child’s Cot, possibly Coalbrookdale, later painted white, the pivoting basket with wirework panels supported by scrolled uprights, the base with C scrolls, flowers and acanthus leaves

100cm by 60cm by 98cm

A Late Victorian Pine Doll’s Cradle, the domed canopy above a later painted interior, on sledge bases

55cm by 19cm by 35cm (2)

£100-150

139

A George III-Style Footstool, covered in close-nailed floral pink damask, on mahogany cabriole legs, the legs 19th century, the top later

125cm by 40cm by 35cm

£70-100 140

A Modern Japanned Table Lamp, of square column form on spreading base, decorated with birds and flowers, with crewel work shade

47cm to the fitting

£60-90

141 ✓

Jennie Hale (b.1956)

Badger

Signed, raku fired ceramic, 54cm long

£300-400

143 ✓

142 ✓

Tobias Harrison (b. 1950): a purple lustre glazed studio pottery jug with entwined gilt ribbon handle, signed and numbered 27cm high

A Three Part Tea Set teapot 18cm high

A Yen Yen Vase, in red lustre glaze

26.5cm high

A Bowl, with flattened rim, speckled blue lustre glaze and formal borders

25.5cm diameter (6)

£100-150

Moira Forsyth (1905-1991): an Arts & Crafts silver lustre pottery bowl, decorated with birds and chrysanthemum, MF monogram to the base 21cm diameter

£70-100

145 ✓

David Lloyd Jones (1928-1994): a mallet shaped stoneware vase with flattened rim, dark speckled glaze, impressed seal

37cm high

Another bowl, on conical foot and with oatmeal glaze

21.5cm diameter

A Further Smaller Bowl, blue speckled glaze, impressed seal

14.5cm diameter (3)

£150-250

144 ✓

Guy James Holder (b.1959): six studio pottery hens, naturalistic decoration, monogramed largest 26cm high (6)

£80-120

146 ✓

Jeremy James (b. 1964): a stoneware sculpture of a recumbent hare, signed 31cm long

A Suzie Marsh Model of a Cat, signed 37cm

Another Studio Pottery Model of a Cat, impressed indistinct 13cm high

A Stylized Model of a Fox, in a coiled position 19cm wide

Two Studio Pottery Models of Cows, monogramed AA largest, 30cm high (6) £200-300

146

147

148 ✓

Sara Midda (b.1951)

“In and Out of the Beehive”

Signed, extensively inscribed, mixed media, together with further examples by the same hand including; “All Kinds of Vegetables in Gardens Grow Sprouts”, others likely by the same artist “The Moon Cradle of my Dreams...”, 7.5cm by 6.5cm, 10cm by 6.5cm and 15cm by 9.5cm and various other sizes (7)

£150-250

147

Celestial Chart. Eimmart (Georg Christoph). Planisphaerium Celeste, Secundum Restitutionem Hevelianam et Hallejanam. [Nuremberg]: Prostat in Officina Homanniana [Homann, heirs of], no date [18th century], engraved and hand-coloured double-hemisphere celestial chart with six additional circular diagrams and background of clouds, plate mark 500mm x 584mm, mounted, framed and glazed.

Possibly the third state of the map with inscriptions “Prostat in Officina Homanniana” and “Dorn et Hoffer Sculps” beneath lower border.

£400-600

Nick Mackman SWLA (b.1972)

A former Rhino keeper at Chester Zoo, Nick Mackman has a deep and personal connection to the animals that she sculpts. In her formative years, she focused on dogs and household animals which eventually lead on to wild and endangered animals. Of her work, she says “I hope that my pieces will encourage understanding and compassion from the human individual”.

Mackman was the David Shepherd Wildlife Foundation Wildlife Artist of the Year in 2015 and 2016. She has been widely exhibited and her work is held in numerous private collections worldwide.

149 ✓

Nick Mackman SWLA (b.1972)

Badger

Signed, raku fired ceramic, 39cm long, 28cm high

£300-400

152 (part)

150 ✓

Nick Mackman SWLA (b.1972)

Warthog

Signed, raku fired ceramic, 56cm long

£300-400

151 ✓

Martin Leman

RBA,RWS (b.1934)

“The Lock Keeper’s Cat”

Signed, inscribed verso, oil on board, 38cm dia. (tondo)

£150-250

152 ✓

Felicity Bevan (Contemporary)

“Peaceable Kingdom II”

Initialled and dated 1983, signed and inscribed verso, oil on canvas, together with a further initialled 1983 example by the same artist “Folly + Peeps”, 33.5cm by 44cm and 24.5cm by 32cm respectively (2)

Provenance for “Folly + Peeps”, Portal Gallery, London

£80-120

153

British School (contemporary)

Wildebeest and Zebra Group

Signed (indistinct) and dated (19)97, raku fired ceramic on stone base, 80cm long

£200-300

154 ✓

Jennie Hale (b.1956) Swan

Signed, raku fired ceramic, 42cm high

£250-350 155

Follower of Samuel Howitt (1756-1822) Recumbent stag Watercolour, together with various further vignette scale studies of animals to include bay horse, greyhound, boar, sow, wolf, cattle and fox, etc. 5cm by 6cm (a collection)

£200-300

156 ✓

Nick Mackman SWLA (b.1972) Warthog

Signed, raku-fired ceramic, 17cm high

£100-150

157 ✓

Nick Mackman SWLA (b. 1972) Life-sized recumbent whippet

Signed, crackle glazed ceramic, 62cm long £150-250

155 (part)

158 ✓

Guy Taplin (b.1939)

Canada goose

Signed, carved and painted wood with glass eyes, 16cm high

£200-300

159 ✓

160 (part)

Ralph Waterhouse (b.1943)

Mice amongst vegetation

Signed, gouache, 25.5cm by 35.5cm

£60-90

British School (Contemporary) Nightjar perched upon a log, Carved driftwood sculpture, monogramed TW, numbered 99.16

36cm long

A Similar Example, as three bluebirds upon a branch, TW 98.68 34cm (2)

£100-150

161 ✓

Ann W Baxter NDD SEA (b.1961)

Grazing heavy horse

Signed, carved wood, 30cm long

Another Example, stood, head turned to the right 19cm

A Further Model, recumbent stallion 22cm (3)

Ann Baxter trained at Leeds college of art and works from her home near Boroughbridge in North Yorkshire. Her carvings are mainly in wood and stone and occasionally in bronze. She favours timber from renewable sources, but also uses her existing stocks of exotic hardwood, which have been stored for many years.

Her main subject is the horse in many and varied forms, but other domestic animals and birds are also featured.

Ann is a member of the Society of Equestrian Artists and her work is regularly featured in their annual London Exhibition. She has received several awards for her sculpture, including the coveted President’s Medal and the British Sporting Art Trust Sculpture Prize.

Ann’s hobby is breeding, showing and racing Arabian Horses.

£150-250

162 ✓

John Ridgewell ARCA (1937-2004)

River landscape

Signed, oil on canvas, 61.5cm by 74cm

£80-120

163 ✓

Ann W Baxter NDD SEA (b. 1961)

Standing horse

Signed, carved wood, with inset eyes, mane and tail, 36cm long

Two Further Horses, in recumbent pose

37cm (3)

£250-350

164 ✓

Ann W Baxter NDD SEA (b. 1961)

Standing Horse

Signed, dated (19) 81, carved Macassar Ebony, 26cm long, 20cm high

Two Others (3)

£150-250

165

A Coloured Bisque Model of a Parrot, 1985, decorated in pastel hues and raised on a spreading socle, impressed marks R, KRK, 1985

37cm high

£150-250

166

A Staffordshire Pottery Model of a Cat, late 19th century, modelled seated upon a tasselled cushion and with sponged fur markings 19cm high

A Model of a Fox, carrying a dead swan in it’s jaws, on rockwork base with shredded clay 14cm high

A Rabbit, with black and white fur, on naturalistic pad base 8cm wide

A Pen Stand, surmounted with a spaniel and dead hare, on cobalt base 12cm wide

Three Further Miniature Dog Models

A Porcelaneous Model of a Seated Dalmatian, with gilt collar and chain, raised on ovoid cobalt plinth 13cm high

A Pair of Continental Porcelain Models of Cats and Kittens 7cm high

Three Modern Staffordshire Style Models of Animals (13)

£150-250

167

Thirteen Various Painted Dummy Boards, late 20th century, the largest as a still life arrangement of tulips in a delft blue and white bowl, another small basket of geraniums, the remainder dogs and cats in varying sizes largest 95cm high

£150-250

168

Three Orient & Flume Iridescent Glass Paperweights, late 20th century, all signed and limited edition 7.5cm wide

Two Daum Paperweights, of elongated form and each decorated with flowers and bubble inclusions, signed 8cm high

A Caithness weight, “Meadow Pool” pattern 10cm wide

A Murano Style Weight, with a pair of angel fish and aquatic weeds 11cm wide

Four Various Paperweights (11)

£150-250

169

A Life-Size Bronze Sculpture of a Seated Hound, late 20th century, with textured fur and verdigris patination 61cm high

£300-400

170 (part)

170

A Pair of Boness Pottery Lions, late 19th century, modelled standing four square 24cm long

A Similar Pair of Spaniels, with sponged markings, gilt collars and glass inset eyes 33cm high (4)

£80-120

171

Twelve Rosenthal Studio Line Porcelain Christmas Plates, late 20th century, designed by Bjorn Wiinblad, each titled to the reverse 28.5cm diameter

Six Smaller Plates 16cm diameter (18)

£100-150

172 ✓

Maggie Wareham (fl. 1970s): six carved and painted wooden articulated toys, signed Maggie, London tallest 21cm (6)

£150-250

173

A Regency Mahogany and Ebony-Strung Writing or Dressing Table, early 19th century, with a long pine-lined drawer and two small drawers around an arched apron, on turned tapering legs 106cm by 50cm by 78cm

£100-150 174

An Ashford Marble Desk Top Thermometer, late 19th century, with ivory dial flanked by two flowering plants, raised over a stepped base 15cm high

A Sectional Treen Dugout Bowl, with two lug handles 40cm wide

A Yew Wood Metamorphic Expanding Chess Board Compendium, with pieces 18cm square (3)

With Non-Transferable Standard Ivory Exemption Declaration Number 43DTD8DD

£100-150

A 20th Century Red Painted Hall Cupboard, the front and sides painted with leather-bound books and shelves, the single cupboard door with moulded panels enclosing shelves, on bracket feet 73cm by 46cm by 177cm

£100-150

176

A Sampler, worked by Sarah Salter, dated 1786, with a central verse titled Verse 23 Job The XIX Chap within a decorative floral border of pink flower heads and birds, in modern mount and frame

32cm by 36cm

52cm by 57cm framed

£100-150

178

An Alphabet and Verse Sampler, worked by Catherine Edwards, dated 1745, worked in coloured threads and cross stitch, the verse within a floral border to three sides

21.5cm by 30cm

in a modern mount and frame, 46cm by 55cm

£200-300

177

An Alphabet Sampler, worked by Eliza Hodkinson, aged 10, dated 1833, with a central verse, depicting a house flanked by decorative flowering trees, birds and flowers, within a green stitched border, in a modern mount and frame

31cm by 30cm

53cm by 53cm framed, Another Sampler, worked by Sarah Smith, age 12, dated 1859, with religious verso, a central spaniel, birds and decorative flowers, within a floral border and later frame

36cm by 39cm (2)

£120-180

179

A Pictorial Sampler with Religious Verse, worked by Hannah Horsaman, dated 1821, delicately worked in coloured silk cross-stich depicting a central basket of flowers flanked by other decorative flowers, birds, cherubs, crowns, within a foliate sinuous border, later gilt frame

38cm by 39cm

£200-300

(part)

180

An Embroidered Picture, worked by Mary Ann Page, dated 1830, depicting a central basket of flowers beneath a wreath of acorns and oak leaves, flanked by boxes of decorative stitch samples to the lower part and drawn thread work to the upper, in a mahogany frame

42.5cm by 46cm

£120-180

182

A George II Oak and Mahogany-Crossbanded Delft Rack, mid 18th century, the bold cornice above fixed shelves all around a central arched moulding

109cm by 18cm by 112cm

A George III Oak Hanging Corner Cupboard, late 18th century, the moulded cornice above a fielded cupboard door enclosing two serpentine fixed shelves

59cm by 35cm by 80cm

A Late 17th/Early 18th Century Joined Oak BackStool, the scrolled top rail above a panelled support and chamfered uprights, the solid seat above a moulded seat rail, on turned forelegs with block feet joined by a peripheral stretcher

50cm by 41cm by 101cm (3)

£70-100

181

An Adam and Eve Wool and Petit Point Picture, 19th century, worked in coloured cross-stitch depicting a central image of Adam and Eve beside the Tree of Knowledge with the Serpent wrapped around it, flanked by rabbit, cat, dog, peacock, angels, bird, stars, flowering trees and vases of flowers, a large basket of grapes and vine leaves to the lower part surrounded by decorative birds, within a floral border, in a later modern frame

54.5cm by 54cm

£150-250

183

A Pair of Delft Milking Groups, 20th century, modelled with a cow, farmer and milkmaid, painted in blue with flowers, monogramed 13cm wide

A Similar Pair of Cows, modelled recumbent 17cm

A Further Novelty Dish, surmounted by a seated figure 14.5cm high (5)

£100-150

184

A Worcester Porcelain Mug circa, 1755-58, painted in underglaze blue with the “Floral Gift” pattern, workman’s mark 9cm high

£200-300

185

A John Rogers & Son Pearlware Supper Dish and Cover, circa 1820, with lion moulded knop, printed in underglaze blue, impressed mark 38cm

A Similar Sauce Tureen and Cover 12cm high

A Large Jug, printed with milkmaids 19.5cm high

Another Jug and Cover, printed with flowers and butterflies 16.5cm high

A Pedestal Cheese Dish, printed with a vase of flowers 29cm diameter (8)

£100-150

186

A Francis Morley & Co. Ironstone China Part Dinner Service, circa 1850, printed in puce and enamelled in the Chinese style with flowers, impressed and printed marks, comprising: soup tureen, cover and stand

meat dish with well

3 graduated platters

2 vegetable tureens and covers

sauce tureen, cover and stand

6 soup plates

11 dinner plates

14 dessert plates

8 side plates

£150-250

187

A Dudson Blue Stoneware Cheese Dish and Cover, circa 1880, sprigged with a continual pastoral scene and with vine work borders, unmarked

30cm high (2)

£80-120

189 ✓

Brian Irving (1931-2013)

“Swaledale Sheep with Lamb”

Signed and dated (19)84, mixed media, together with a further work by Phil Hobbs “Returning to the Farm”, 10cm by 16cm and 12.5cm by 17cm respectively (2)

£60-90

188

A Sunderland Lustre “Sailor’s Fairwell” Jug, circa 1820, printed with an additional verse and view of the iron bridge over the river Wear

18.5cm high

A Similar Loving Cup, inscribed with sailing verses 10cm

A Further Mug 10cm high

Three Various “Picture Frame” Wall Plaques, two impressed for Dixon & Co.

22.5cm wide

A Pair of Dixon & Co. Wall Plaques, circular form, printed with religious inscriptions, impressed marks

20.5cm diameter

A Further Example

A Waste Bowl, with splashed decoration

A Further Mug, painted with a continual band of stylized flowers (11)

£200-300

190

A Reproduction Gilt-Framed Bevelled-Glass Oval Wall Mirror, the moulded frame surmounted by flowers, ribbons and swags 75cm by 44cm

£70-100

191

Francesco Saverio Sortini (c.1869-1929):

a bronze figure of a man, wearing top hat and an overcoat, grasping a stick behind his back, on canted square plinth, signed Sortini

32.5cm high

£300-500

193

192

A Mahogany Tripod Table, the moulded top supported on a fixed platform with gun barrel tapering support on cabriole legs and pad feet, the base 18th century, the top associated 69cm by 69cm by 67cm

£100-150

A Carved Giltwood and Gesso Cartouche-Shaped Wall Mirror, late 19th century, the mercury mirror plate within a moulded frame surmounted by a C-scroll and acanthus-decorated plume

110cm by 67cm

£200-300

194

A Knole-Style Two-Seater Drop-End Sofa, modern, covered in red and gold floral fabric, with four scatter cushions and two feather-filled squab cushions

103cm by 90cm by 105cm

£200-300

195

A George I Figured Walnut, Crossbanded and Featherbanded Bureau, early 18th century, the fall front enclosing an attractive fitted interior of pigeon holes and sliding well, the central cupboard door with tracery stringing, the base with two short over two long oak-lined drawers, on bracket feet

95cm by 53cm by 101cm

£300-500

196

British Provincial School (19th century)

Portrait of a young girl, three quarter length standing in landscape, wearing a white dress with a pink sash and holding a doll Oil on metal, 27.5cm dia (oval)

£80-120

197

Circle of John Bogle (1746-1803): Miniature Portrait of a Lady, bust length, wearing a white shawl and pale blue dress, on ivory 3.8cm by 3cm

With Non-Transferable Standard Ivory Exemption Declaration Number 5HWM23KE

£150-200

198

Indian School (2nd half 19th century): Miniature

Portrait of a Rajah, sitting on a chair beside a tripod table holding a talwar on a carpet

15.5cm by 10.5cm, in an ivory-mounted frame

For a related portriat of Gambhir, the Maharajah of Rhapipla, dated to circa 1860 see Smithsonian National Museum of Asian Art, accession number S1994.10.1

With Non-Transferable Standard Ivory Exemption Declaration Number V9NC77PV

£300-500

200

English School (early 19th century): Miniature

Portrait of a Girl, bust length, wearing a feather cap and lace-trimmed black dress, on ivory 6.8cm by 5.5cm

With Non-Transferable Standard Ivory Exemption Declaration Number XR6KXTZF

£150-200

199

English School (19th century): Silhouette of a Gentleman, standing wearing a frock coat and with white collar, bronzed cut paper on watercolour

27.5cm by 16cm

A Similar Silhouette of a Gentleman, standing holding his hat and a walking cane

23.5cm by 11cm

Another, as a lady in a hat sitting reading 16cm by 11.5cm (3)

£150-200

201

English School (mid 19th century): Silhouette Study of a Family at the Seaside, the father wearing a top hat showing a fish to the mother and two children who hold a stick and spade, sailing boats beyond, watercolour on paper 19cm by 25cm, in a verre eglomise frame

A Silhouette, depicting a stage coach arriving at an inn stables, reverse painting on glass 22cm by 30cm

A Silhouette of a Dog, sitting on a table within a press paper cartouche, indistinctly signed and dated 1858, initialled HMP 19cm by 16cm

Four Various Bust Profile Silhouettes

Two Overpainted Prints of the Prince of Wales and George III, after Charles Rosenberg

Two Photographs, in locket frames (11)

£200-300

202

English School (early 19th century): Miniature Portrait of a Young Gentleman, bust length, wearing a white stock and blue jacket, on ivory, oval

7.5cm by 6.5cm, in a giltwood and gesso leaf-carved frame

With Non-Transferable Standard Ivory Exemption Declaration Number DEUABWLF

£150-200

203

French School (19th century): Miniature Portrait of a Classical Maiden, bust length, diaphanously draped, signed Hüet, on ivory

6.5cm diameter, set in a tortoiseshell snuff box cover, 9.5cm diameter overall

With Non-Transferable Standard Ivory Exemption Declaration Number XVWGYKG6

£150-200

204

English School (early 19th century): Miniature Portraits of Young Ladies, bust length, with ringleted hair, wearing earrings, necklaces and lace-trimmed black dresses, on ivory 8.4cm by 6cm (a pair)

With Non-Transferable Standard Ivory Exemption Declaration Number JRD8J3XR

£200-300

205

English School (late 18th century): Miniature Portrait of Harriet Fisher (1761-1785), bust length, wearing a lace-trimmed blue dress, on ivory, oval 3.5cm by 3cm

Harriet Fisher was the daughter of General Fisher, Governor of Trinidad and Tobago. She died at the age of 24, broke-hearted after the death of her husband

With Non-Transferable Standard Ivory Exemption Declaration Number 1L6M7KXD

£150-200

206

A Liverpool Delft Plate, circa 1760, with red line rim and painted in blue with peonies under trellis borders

26cm diameter

A Similar Charger, painted with a rose and other flower sprays under two formal borders

34.5cm diameter

Three Dutch Delft Biblical Tiles, with manganese decoration, two with carnation heads to the corners 13cm square (5)

£200-300

207

Two Chinese Porcelain Ginger Jars and Covers, 19th century, painted in underglaze blue with the “Three Friends of Winter” pine trees, plum trees and bamboo in landscapes largest 21cm high (4)

Provenance: Phillips labels to underside

£300-500

208

A Pair of Chinese Porcelain Table Lamps, of hexagonal form, painted in famille rose enamels with birds perched on blossoming branches, inscribed to the rear

31cm high

A Similar Japanese Example, painted with butterflies 31.5cm (3)

£70-100

209

A George III-Style Three-Seater Sofa, recovered in pink floral silk damask, the hump-back back support with scrolled arms above a squab cushion, on square-fluted forelegs formerly on castors and joined by a stretcher, the legs 19th century 184cm by 56cm by 77cm

£150-250

212

A Late George III Mahogany and Boxwood-Strung Foldover Tea Table, circa 1820, of D-shape form with pivoting leaf, on splayed tapering legs 90cm by 43cm by 72cm

£70-100

210

A Regency Painted Workbox, circa 1830, with a bird on a fruiting branch to the cover and lilies to the frieze, having gilt metal loop handles and bracket feet, opening to reveal a fitted and lined interior 25cm wide

£100-150

211

A Late George III Mahogany Bowfront Sideboard, early 19th century, the reeded edge above a central oak-lined drawer and arched apron flanked by two deep two-as-one drawers, on square tapering legs 155cm by 60cm by 85cm

£100-150

213

A Set of George III Style Mahogany Wall Shelves, 19th century, with four fixed shelves above two mahogany-line drawers, all between fretwork carved end supports, one drawer bearing paper label for The Georgian House, Nolan & Sons, Dublin, All antiques guaranteed 75cm by 18cm by 122cm

£150-200

214

A Pair of Modern Toleware Table Lamps, of tall slender hexagonal column form and with conical shades, with mottled grounds and in autumnal and gilt hues with trailing vines 83cm high (2)

£150-250

216

215

A William & Mary-Style Walnut-Framed Three-Seater Sofa, late 19th/early 20th century, recovered in floral pink fabric, the squab cushion above an upholstered seat rail, on turned and carved bulbous forelegs with Spanish scrolled claw feet joined by a flattened stretcher 170cm by 70cm by 104cm

£300-500

A Regency-Style Mahogany, Boxwood, Parquetry-Strung and Gilt-Metal-Mounted Two-Tier Revolving Table, circa 1900, the pierced gallery above triangular supports and central pole above a turned support with three cabriole legs with brass hairy paw feet and castors 45cm diameter, 67cm high

An Edwardian Stained Beech or Mahogany Planter, early 20th century, with removable metal liner and slatted body, on splayed legs joined by a shelf 35cm diameter, 91cm high (2)

£70-100

217

A Pair of Glass and Gilt Metal Cornucopia Vases, each flute etched with fruiting vines and issuing from a stag’s head, on rectangular slate plinths 18cm high (2)

£60-90

218

Manner of Melchior d’Hondecoeter (1636-1695) Dutch Scarlet macaw feeding Oil on canvas, 41.5cm by 39cm

£250-400

217

215

214

219

A George III-Style WingBack Armchair, modern, covered in green and floral needlework fabric, the removable squab cushion above an upholstered seat rail, on acanthus-carved cabriole forelegs with ball and claw feet

82cm by 65cm by 120cm

£150-200

220

Follower of George Richmond RA (1809-1896)

Study of three children

Chalk, 53cm by 72cm

£60-90

221

A Victorian Mahogany Three-Leaf Dressing Screen, 19th century, covered in blue silk damask to both sides, one side decorated with crewelwork-style oval panels

each leaf 179cm by 62cm

£100-150

222

A Late George III Mahogany and Rosewood-Crossbanded Foldover Tea Table, early 19th century, of D-shape form with pivoting leaf above a moulded frieze, on square tapering legs with spade feet

81cm by 45cm by 72cm

£70-100

223

Aubusson Style Carpet, late 20th/early 21st century

The field with acanthus scrolls around an ivory panel of naturalistic flowers enclosed by spandrels and borders of garlands.

363cm by 270cm

£300-500

224

A Decorative Alphabet Sample, worked by Amelia McEvoy, aged 9, dated 29th August 1833, worked in coloured cross stitch, the name within a heart shaped frame, flanked by two urns of flowering plants and two black cats, the stylised border with embroidered centres to the large flower heads, in a maple frame 43cm by 53cm

£200-300

225

A 20th Century Painted and Leather-Trimmed Four-Leaf Dressing Screen, one side painted with peacocks and birds in a landscape each leaf 171cm by 40cm

226

£100-150

Attributed to Charles Landseer (1799-1879)

Portrait of a young girl, head and shoulders, wearing a white dress with a pale blue sash Mixed media, together with a Slade School style portrait drawing of a young boy, a 19th century watercolour depicting a family group seated in an interior, and another indistinctly signed 19th century watercolour depicting a portrait of a young man, head and shoulders, in formal attire, 15.5cm dia. (oval), 34cm by 29cm and 11cm by 8cm respectively (4)

£120-180

227

A George III-Style Mahogany Kneehole Dressing Table, late 19th century, the pull-out brushing slide above an oaklined long frieze drawer with six small drawers below, all around a central cupboard door, on bracket feet 80cm by 43cm by 77cm

£100-150

228

A Pair of Regency Green-Painted Spiral-Turned Pole Screens, early 19th century, the adjustable floral needlework panels applied with later brass repoussé-decorated family crest cartouches 139cm high (maximum) panels 46cm by 34cm

A 19th Century Mahogany Polescreen, with Victorian beadwork panel, on a reeded support 130cm high (3)

£70-100

226 (part)

229

British School (19th/20th century)

Young boy wearing a plaid overcoat, at rest in a landscape before a windmill Oil on canvas, 55.5cm by 45.5cm

£70-100

230

A Regency Rosewood and Brass-Inlaid Sofa Table, early 19th century, with two dropleaves, inlaid with brass stringing and fleur de lys motifs above one small and one large mahoganylined drawer, above a square tapering support with quadripartite base inlaid with shells, on acanthus-carved splayed legs with brass claw feet and castors

95cm by 68cm by 68cm

£400-600

231

A Gilt Metal Figural Table Lamp, 19th century style, surmounted by a single putti kneeling amidst leafy scrolls over a stepped rectangular plinth on cast scroll feet

63cm to the fitting

£60-90

232

A Victorian Gilt and Gesso Oval Wall Mirror, 3rd quarter 19th century, the plain mirror plate within a stiff leaf border with acanthus leaf scrolled apron and plume 71cm by 55cm

£150-250

233

John Downman ARA (1750-1824)

Mother and child

Mixed media, 19.5cm dia (oval)

Provenance: Chris Beetles “Summer Show”, 2001, no. 25, Chris Beetles Gallery, London

£150-250

234

Late 20th Century Gros Point Style Rug

In the Empire style with central floral roundel and field of flowering plants, enclosed by narrow borders.

303cm by 200cm

£200-300

235

A Brass-Studded Teak or Hardwood Zanzibar Chest, early 20th century, decorated and embellished with engraved and chased brass panels, the moulded hinged lid enclosing a candle box, engraved brass lock and lockplate, the base with three small drawers and side carrying handles 97cm by 40cm by 43cm

£100-200

236

An Indian/South East Asian Bank of Drawers, late 19th/early 20th century, in four sections, the largest section with a moulded cornice above six small cupboard doors and a separate bank of drawers below with porcelain and brass handles 117cm by 30cm by 196cm

A Pair of Similar End Sections, with open cupboard doors and an arrangement of small drawers each 30cm wide by 30cm by 196cm

£200-300

237

TwoChinese Watercolours Depicting Ancestors and A Watercolour and Gouache of Islamic Design, depicting a central panel of two pigeons feeding with a geometric interlocking border decorated with various other ornithological studies, 19.5cm by 14cm, 23cm by 20cm and 37.5cm by 27.5cm respectively (3)

£150-200

(part)

239

Three Pieces of Chinese Burial Pottery, probably Tang dynasty, formed as a horses head, a bird and a ewer horse 15.5cm high

A Carved Marble Relief

Bust of a Deity 17.5cm high (4)

£150-250

238

A Chinese Porcelain Bowl, Qianlong, painted in famille rose enamels with a fenced garden and large peony blooms

20cm diameter

A Similar Plate, with a garden landscape under diaper borders 22cm diameter

A Pair of Small Dishes, painted in underglaze blue with flowers 16cm diameter

A Japanese Imari Porcelain Dish, Edo period, with a formal garden incorporating a small building and a blossoming tree 15cm diameter

A Quantity of Cantonese Mother of Pearl Gaming Counters, various forms including fish and with typical incised decoration

A Giltwood Panel, carved with a pair of lion dogs

25cm by 15.5cm (qty)

£150-250

240

A Chinese Qingbai Vase, Song style, with flared neck issuing from an ovoid body moulded with three conforming bands of flowers, scrolls and lappets 16cm high

£150-250

241

A Victorian Mahogany Four-Leaf Dressing Screen, recovered with watered silk panels, the jointed frame with recessed brass hinges each panel 50cm by 152cm

A 20th Century Three-Leaf Dressing Screen, covered in floral beige crewelwork fabric, 168cm by 147cm (2)

£80-120

242

A 19th Century Brass RepousséDecorated Marginal Wall Mirror, the central bevelled glass mirror plate flanked by plain rectangular plates all within a leaf and flowerdecorated frame surmounted by a decorative plume with C scrolls, vines and a shell (a/f)

57cm by 33cm

£100-150

243

A Set of Four (3+1) William & Mary Carved Walnut and Cane HighBack Dining Chairs, late 17th century, the scrolled top rails centred by a coronet above spiral-turned uprights and single-cane backs, the carved seat rail on acanthus-carved forelegs joined by an H stretcher singles 49cm by 41cm by 113cm carver 60cm by 50cm by 121cm

£200-300

A Pair of Polychrome, Giltwood and Gesso Figural Wall Appliques, in 16th century style, each carved as a pensive angel with arms crossed over their bodies and issuing from scrolling acanthus leaves

62cm (2)

£200-300

246

A Victorian Giltwood and Gesso Overmantel Mirror, mid 19th century, the plain mirror plate within a moulded and acanthus leaf scrolled frame, the apron and plume centred by a scrolled shell (repainted)

117cm by 110cm

£150-250

244

Kurdish Kilim

The walnut brown field with a oneway design of stylised plants enclosed by narrow borders.

390cm by 142cm

£100-200

243

247

248

Follower of William Edward Frost (1810-1877)

Study of a mother gazing upon a sleeping child

Pencil and oil on canvas, together with a further study of a reclining young lady, 18.5 dia (oval) and 16cm dia (oval), respectively (2)

£180-250

249

247 (part) 249 (part)

William Moore of York (19th century)

Family group in an interior

Signed and dated 1841, mixed media, together with a further 19th century miniature of a child seated beside a dog and an 1899 pencil sketch of a young girl squared up for transfer signed Arthur H Brigland?, 57cm by 34.5cm and 9.5cm by 7cm, 17cm dia. (oval) respectively (3)

£120-180

J* McFerd (19th century)

“Children of the Village”

Initialled, extensively inscribed verso, oil on board, 24.5cm by 19.5cm

£70-100

250

Follower of Daniel Gardner (1750-1805)

Portrait of an elegant young boy, half-length, standing in a landscape Bodycolour, 22cm dia. (oval)

£150-250

253

A Wool Work Sampler of Solomons Temple, worked by Elizabeth Park, Rough Hill School, dated 1869, with central verse and decorated with birds, crowns, hearts and decorative flowers, within a scrolling floral border, in a rosewood frame of similar date

71cm by 79cm

£100-150

251

A Reproduction Gilt Composition Mirror, in George II style, the plain mirror plate within a C scroll and acanthus decorated frame

117cm by 89cm

£100-150

252

A Near Pair of Regency Style

Composite Table Lamps, with conical metal shades, of urn form, having lion mask and loop handles and decorated with musical instruments

72cm overall (2)

£150-250

254

A Decorative Pictorial Sampler, worked by Jane Robertshaw, dated 1838, in coloured wool cross-stitch, with a religious verse and central large posy of flowers tied with a pink ribbon, two large striped chickens, birds on branches, dogs, and floral motifs within a honeysuckle border, in a modern painted frame 60cm by 58cm

£100-150

255

A Carved Giltwood Mirror, 19th century, the later plain circular mirror plate flanked by a sanded border and applied rosettes all within an acanthus leaf rococo-style frame

65cm by 57cm

£250-350

256

A Charles II Walnut and Cane Day Bed, late 17th century, the angled back support with scrolled top rail and turned uprights above a single-cane back support and seat, on scrolled cabriole legs joined by a C scroll apron and turned stretchers 148cm by 66cm by 107cm

£300-500

259

A Pair of Venetian Style Blackamoor Table Lamps, modern, each figure painted and gilt, holding a scallop shell tray and raised on canted square bases 65cm to the fittings (2)

£150-250

260

A Pair of Modern Claret and Parcel Gilt Table Lamps, of slender column form, with conical metal shades stencilled in gilt with stylized flowers

75cm high (2)

£70-100

257

A Delft Punch Bowl, 18th century, painted in blue in the Persian style with meandering plants and butterflies, painters mark 40cm diameter, 22cm high

£200-300

258

Aubusson Style Gros Point Carpet, late 20th/early 21st century

The field with an allover design of naturalistic roses enclosed by similar borders.

266cm by 180cm

£150-250

261

Manner of Sir Joshua Reynolds PRA, FRS, FRSA (1723-1792)

Mother and child

Pastel, together with a further mixed media example, “Lady Powlett”, after Daniel Gardner (1750-1805) 18cm dia and 25cm dia (oval) respectively (2)

£200-400

263

A Joined Oak Chest, late 17th century and adapted, the fixed lid with three fielded panels above an adapted fall front with nulled frieze and three lozenge-carved panels below, on stile feet 108cm by 50cm by 55cm

£100-150

262

A George II Oak and Mahogany-Crossbanded Kneehole Dressing Table, 2nd quarter 18th century, the moulded top above six pine-lined drawers with engraved brass backplate handles, all around a central cupboard door, on an inverted platform base with bracket feet 80cm by 47cm by 74cm

£150-250

264

After Vittore Carpaccio (1465-1525) Italian “Minstrel angel playing a lute” (detail from the presentation of Jesus in the Temple, 1510) Indistinctly signed, watercolour, 51cm by 41cm

£120-180

265

Manner of Sir Peter Lely (1641-1709)

A portrait of a young boy wearing a white cravat, head and shoulders, together with a companion Oil on canvas laid onto panel, 31.5cm dia. (oval) (2)

£200-300

265 (part)

261 (part)

266

A Joined Oak Back Stool, late 17th/early 18th century, the scrolled top rail above a fielded back support and boarded seat, on turned and block forelegs joined by a bobbin stretcher 46cm by 39cm by 101cm

Another Example, late 17th/18th century, the wavy-shaped top rail between moulded finials, the moulded back support above a boarded seat, on turned spindle forelegs with block feet joined by a peripheral stretcher 50cm by 43cm by 95cm

A Joined Oak Chest, early 18th century, the moulded hinged lid with two fielded panel and iron hinges enclosing a vacant interior above a carved frieze and iron lockplate, all between moulded stiles

80cm by 44cm by 45cm (3)

£100-150

267

A Victorian Black-Painted Cast Iron Fire Back, in 17th century style, decorated with a lion, rose, thistle and fleur de lys motifs

72cm by 79cm

£100-150

270

A George III Pewter Tankard, with scrolling handle and bifurcated thumbpiece, touch marks for Birch & Villers, London 19cm high

Various Other Pewter, mainly hollowares, including, spoon warmer, baluster measure, wine taster, porringer, monteith etc (qty)

£100-150

268

Circle of Arnold Boonen (1669-1729) Dutch Portrait of a young gentleman, half-length, in naval attire, view of a seascape with tallmasted ship beyond Oil on canvas, 28.5cm dia. (oval)

Provenance: The Austen Hayes Galleries, York

£400-600

A George II Provincial Oak Lectern, 2nd quarter 18th century, the fixed slope front above a moulded rest with two oak-lined drawers below with engraved brass handles, on a turned column support with three splayed cabriole legs

54cm by 22cm by 91cm

£200-300

(part)

271

A Minton Pearlware Meat Dish, circa 1820, printed in underglaze blue with the “Basket of Flowers” pattern

52cm wide

A Similar Dish, printed with the “Willow” pattern

53cm wide

A J & M. P. Bell & Co. Meat Dish, with well and tree 43cm wide

Three Assorted Drainers (6)

£100-150

273

An Oak Four-to-Six-Seater Gateleg Dining Table, with two rounded dropleaves to form an oval above a single frieze drawer, on baluster turned supports with block feet joined by a peripheral stretcher, 17th century and later 104cm by 130cm by 74cm

£100-200

272

A Late 17th/Early 18th Century Carved Oak Bible Box, initialled EB, the hinged lid with chip-carved border, iron hinges and clasp enclosing a small shelf, the carved panel below decorated with a guilloche border and S scrolls below 78cm by 42cm by 32cm

£150-250

274

A George III Oak Close Stool/Commode, late 18th century, the hinged lid enclosing a removable seat and lidded compartment, with dummy drawers below, the moulded base on compressed bun feet 52cm by 43cm by 54cm

£100-150

275 ✓

Guy Taplin (b.1939)

“Dunlin”

Signed, inscribed, carved and painted driftwood with glass eyes, mounted on base, 21cm high (overall)

£300-400

A Late 17th Century Joined Oak Court Cupboard, the nulled frieze above two fielded panels carved with flowerheads and guilloche patterns flanked by two cupboard doors with lozengecarved panels, all between turned baluster supports, with two cupboard doors below all between carved stiles and muntins 173cm by 55cm by 154cm £250-350

277

An Edwardian Oak Country House Letter Box, of bow front form with central door having bevelled glass and flanked by two pigeon holes, with mounted brass plaques for “letters” and “telegrams” 48cm by 28cm by 30cm £200-300

278

Five Pearlware Drainers, circa 1820, printed in underglaze blue, various patterns largest 43.5cm by 30.5cm £80-120

279

A Carved Oak Bible Box, the associated hinged lid with iron clasp above an iron lockplate enclosing a vacant interior above a carved leaf front panel, 18th century and later 43cm by 30cm by 20cm

£100-150

280

British Provincial School (19th century)

Young girl seated on a chair holding a spaniel on her lap

Oil on metal, 44cm by 37.5cm

£70-100

281

Follower of Palamedesz (1654-1702) Dutch

Portrait of a noblewomen standing, wearing a plumed hat and holding a pair of gloves trimmed with lace

Oil on panel, 41.5cm by 25cm

Provenance: From the collection of John Ruskin, according to plaque fixed to lower frame

Christie’s stencil 713VF

£400-600

282

A George III Oak Open Dresser and Rack, late 18th century, the moulded cornice above two fixed shelves with iron cup hooks, the base with three long and three short pine-lined drawers above a potboard, on bracket feet

151cm by 40cm by 180cm

£300-500

A Late 17th Century Joined Oak Dropleaf Table, with two pivoting leaves to form an oval, on baluster turned supports with square moulded gatelegs above sledge bases and joined by moulded stretchers

72cm by 82cm extended by 69cm

£150-200

A Large Brampton Salt Glazed Stoneware Harvest Jug, dated 1857, with baluster shaped body, moulded greyhound handle and an opposing handle formed as a wheat sheaf, sprigged to the collar with fruiting strawberry plants, the shoulder with trailing vines, with a continual landscape depicting a hare coursing scene and with hounds below, inscribed with the date below the smaller handle

36.5cm high

£200-300

GPJ (20th century)

“Prize Pig Old Tom, Royal Sussex Show, 1865”

Initialled, oil on canvas, 62cm by 75cm

£50-80

A Joined Oak Wainscot Armchair, late 17th/early 18th century, with turned finials and scrolled top rail above a fielded back support with stylised flowers and leaves, the later boarded seat above a moulded seat rail, on turned and block forelegs joined by a bobbin-turned stretcher

58cm by 45cm by 117cm

£300-500

287

Follower of Henry Raeburn RA (1756-1823)

Portrait of a lady, head and shoulders wearing a powdered wig and white dress, in a feigned oval Oil on canvas, 73.5cm by 61cm

£250-400

289

Follower of Francis Hayman RA (1708-1776)

Portrait of a gentleman, full length standing before a landscape, wearing a short powdered wig, leaning on a pedestal topped with an urn Oil on canvas, 59.5cm by 49.5cm

£400-600

288

A Spode Pearlware Indian Sporting Series Meat Dish, circa 1810, printed in underglaze blue with the “Shooting a Leopard” pattern, printed mark 51cm wide

£300-400

290

British School (19th century)

Portrait of a young boy, three quarter length standing beneath a tree holding his hound on a chain Oil on canvas, 73cm by 61cm

£180-250

291

Follower of William Powell Frith RA (18191909)

Portrait of an elegant lady standing, threequarter length, wearing a plumed hat, with her attendant spaniel Oil on canvas, 106.5cm by 84cm

£250-400

292

An 18th Century Joined Oak Table-Top Bible Box, the moulded hinged lid enclosing a vacant interior above an engraved brass lockplate with two moulded panels below, on bracket feet 54cm by 29cm by 31cm

£150-250

295

Flemish Verdure Tapestry, circa 17th century Woven in silks and wool depicting a rural wooded landscape and a hunting lodge beyond, enclosed by richly decorated borders of swags, fruit and classical columns. 308cm by 430cm

£2,500-3,500

293

A Carved and Limed Wall Sconce, early 20th century, of reeded cornucopia form issuing from a ram mask on a shield adorned with ribbon tied fruit swags 42cm

£70-100

294

A Pair of Baroque Style Gilt Wood Candle Stands, of knopped column form over triform bases with paw feet 66cm high (2)

£150-250

296

An Oak Six-to-Eight-Seater Dropleaf Dining Table, early 18th century, with two pivoting dropleaves to form an oval above a single frieze drawer, on baluster turned legs with block feet joined by a peripheral stretcher 142cm by 187cm extended by 74cm

£250-350

298

297

Manner of John Boultbee (1753-1812)

Portrait of a prize-winning white bullock standing in a river landscape

Indistinctly signed and dated, oil on canvas, 44cm by 64.5cm

£200-300

A Late 17th Century Joined Oak Wainscot Armchair, the scrolled top rail above a fielded back support carved with a lozenge motif flanked by scrolls, the downswept arms above a boarded seat with chip carved border, on turned gun barrel supports with block feet joined by a peripheral stretcher

57cm by 41cm by 117cm

£300-500

299

A Late 17th Century Joined Oak Refectory Dining Table, the plank top with cleated ends above turned baluster supports joined by a peripheral stretcher and block feet (numerous old decay)

265cm by 67cm by 74cm

£1,000-1,500

300

Johann Huggler (1834-1912) Black Forest Carved Linden Wood Bull, Cow and Calf Group, dated July 1910, on a naturalistic mound base with rockwork and foliage over a moulded plinth adorned with a small bouquet, stamped to the reverse 46cm wide, 37cm high

£400-600

301

A Harlequin Set of Seven Late 17th/Early 18th Century Joined Oak Back Stools, each with scrolled and carved double crescent back supports above solid boarded seats, on turned and block forelegs joined by spiral and bobbin-turned stretchers

47cm by 38cm by 107cm

£300-500

302

Continental School in the Late 16th Century Style

Portrait of G.Vallotier (by repute,) three-quarter length standing wearing a fine lace ruff with a long gold chain over a black overcoat and gold embroidered dress

Inscribed and dated 1584, with inscribed label affixed verso, oil on panel, 32.5cm by 23.5cm

With Christie’s stencil 46STH? to reverse

Sitter born in Lantages according to later inscribed label to reverse

£400-600

303

A Large Worcester Porcelain Mug, circa 1760-65, painted in underglaze blue with the “Walk in the Garden” pattern, open crescent mark

15cm high

£200-300

304

305

An English Delft Flower Brick, circa 1750, on shaped bracket feet and painted with large peony blooms within fenced gardens

16cm wide

£300-500

304

British School (19th century)

Two young children in a landscape, one holding a rabbit

Oil on canvas, 111cm by 88.5cm

£500-800

306

A Set of Two Victorian Stained Pine Apothecary Drawers, each of nine drawers with moulded glass handles and later painted glass labels 62cm by 26cm by 43cm and 62cm by 26cm by 44cm respectively

Two Six-Drawer Examples 41.5cm by 26cm by 42.5cm and 44cm by 26cm by 42.5cm respectively (4)

£500-700

307 ✓ Guy Taplin (b.1939)

Heron, life size

Painted wood, mounted on a rectangular oak base

120cm high the base 59cm by 28cm

£1,500-2,000

308

Manner of John Opie RA (1761-1807)

Two young ladies seated in a landscape, one with a spaniel on her lap, the other holding a pink rose Oil on canvas, 79cm by 68cm

£250-400

307

309

A Spode Pearlware Footbath, circa 1820, of oval form with banded moulding and loop handles, printed in underglaze blue with the “Bridge at Lucano” pattern, printed and impressed marks

53cm wide

£300-400

310

A Near Pair of Turned Walnut Adjustable Candle Stands, 19th century, the dished tops each on a rise and fall mechanism with adjuster screw, on knopped pedestals over circular bases 23cm (lowest)

£100-150

311

A Set of Four Cromwellian-Style Oak Open Armchairs, one pair covered in gold floral needlework close-nailed fabric, the other pair in green floral needlework fabric, on spiral-turned supports with block feet joined by an H stretcher

54cm by 48cm by 98cm

£150-250

312

A Geometric-Moulded Oak Open Low Dresser, late 17th century, the moulded top above four two-as-one moulded drawers, on balusterturned forelegs with block feet 259cm by 52cm by 87cm

£1,500-2,500

313

A Mid 17th Century Stumpwork Picture, depicting a a female figure in a cream dress with blue under skirt, holding a striped fan, with in a landscape of decorative flowering trees including embroidered and raised stumpwork fruit, flower heads and leaves, insects and caterpillar, a blue and cream heraldic banner to the top of the embroidery, worked on a cream silk ground, later framed and mounted, actual size 30cm by 21cm, framed 50cm by 41cm

Bears a handwritten label to the reverse Old English Padded Work Embroidery, English, 1650-1660, mid-17th century, from Chapman Family to Schofield & Muggleton to McNaught. Similar work in the Burrell Collection in Glasgow and Berwick

£2,000-3,000

AUTUMN SALE SATURDAY 16 NOVEMBER 2024 AT 9.30AM

GLASS

500

A German Glass Goblet, probably Potsdam, circa 1725, the rounded funnel bowl engraved with a crest on a ground of scrolling foliage, on a triple annular knopped stem and circular foot engraved with foliage

25.5cm high

£200-300

501

A Bohemian Colour Twist Glass Goblet and Cover, circa 1725, the bell-shaped bowl engraved with stags in sun burst panels on a ground of scrolling foliage, on multi-knopped stem with central blue and white twist section 35cm high

£300-400

502

A Continental Wine Glass, probably Bohemian, 18th century, the conical bowl with basal gadrooning, engraved with fruiting vine on a multi-knopped stem 19cm high

£300-400

503

A Wine Glass of “Kit-Kat” Type, circa 1720, the trumpet bowl on plain stem, the basal knop with air tears 9cm high

£250-350

504

A Wine Glass, circa 1730, the rounded funnel bowl on flattened ball knop and six-sided pedestal stem with air tear and folded foot

16.5cm high

£180-250

505

A Baluster Wine Glass, circa 1730, the trumpet bowl with solid base, on three knops and baluster stem with basal knop

17.5cm high

£250-350

506

A Set of Three Wine Glasses, circa 1740, the trumpet bowls engraved Roger Beilby within foliate cartouche on plain stems with air tears and folded feet

18cm high

£300-400

507

A Balustroid Wine Glass, circa 1740, the rounded funnel bowl engraved with fruiting vine on a ball knop with air tears and annular knop and baluster stem

17cm high

£200-300

508

A Dutch Engraved Wine Glass, circa 1740, the rounded funnel bowl with an armorial on a four-sided pedestal stem with air tear and folded foot

16.5cm high

£250-350

509

A Wine Glass, circa 1740, the bell-shaped bowl on plain stem with air tear

16.5cm high

A Similar Wine Glass, the drawn trumpet bowl on air twist stem

16.5cm high

Another Wine Glass, the rounded funnel bowl on double knopped air twist stem 16cm high (3)

£200-300

510

An Ale Flute, circa 1740, the rounded funnel bowl engraved with swags, on a plain stem with central ball knop

18cm high

£150-200

513

A Baluster Wine Glass, circa 1740, the bellshaped bowl on a baluster stem with air tear and folded foot

15.5cm high

£200-300

511

A Ratafia Glass, circa 1740, the slender funnel bowl engraved with a band of foliage, on a plain stem and folded foot

19cm high

£200-300

514

A Flammiform Short Ale Glass, circa 1740, the wrythen funnel bowl on a short baluster stem with air tear

12.5cm high

£200-300

512

A Balustroid Wine Glass, circa 1740, the rounded funnel bowl on ball knop and plain stem 16cm high

£120-180

515

A Balustroid Wine Glass, circa 1740, the rounded funnel bowl on an annular knop, plain stem with basal knop and folded foot 16cm high

£250-350

516

A Jacobite Wine Glass, circa 1745, the drawn trumpet bowl engraved with a rose and single bud and with an oak leaf, on an air twist stem

16cm high

£500-700

517

A Wine Glass, circa 1745, the rounded funnel bowl on an air twist stem

16cm high

£150-200

519

A Jacobite Wine Glass, circa 1745, the bellshaped bowl engraved with a rose and single bud and with a basal air tear, on a plain stem and folded foot

16.5cm high

£350-450

518

A Wine Glass, circa 1745, the rounded funnel bowl with hammered and fluted base, on a shoulder knopped air twist stem

16.5cm high

£250-350

520

A Glass Goblet, circa 1750, the bell-shaped bowl on an air twist stem and folded foot

19cm high

£200-300

521

A Wine Glass, circa 1750, the rounded funnel bowl engraved with a band of foliage on an opaque twist stem

15.5cm high

A Similar Wine Glass, the semifluted ogee bowl on an air twist stem

16cm high

Another Wine Glass, the flared bucket-shaped bowl on an opaque twist stem

15.5cm high (3)

£200-300

522

A Wine Glass, circa 1750, the semi-fluted ogee bowl on a plain stem and folded foot 14.5cm high

A Similar Wine Glass, the ovoid bowl engraved with foliage 13cm high

A Dutch Wine Glass, the bellshaped bowl on a red and white twist stem

15.5cm high

An Ale Flute, the rounded funnel bowl on plain stem 20cm high

An Ale Flute, the rounded funnel bowl engraved with hops and barley on a plain stem

20cm high (5)

£200-300

522

521

523

A Bohemian Glass Goblet, circa 1750, the rounded funnel bowl engraved with a continuous landscape with castles and a deer hunt, on two ball knops and baluster stem with air tears

23.5cm high

£150-200

526

A Cordial Glass, circa 1750, the rounded funnel on an opaque twist stem

16.5cm high

£200-300

524

A “Williamite” Wine Glass, the flared bucket bowl engraved in the manner of Franz Tieze with an equestrian portrait inscribed GLORIOUS MEMORY OF KING WILLIAM III, on plain stem

14.5cm high

£200-300

527

A Cordial Glass, circa 1750, the rounded funnel bowl on an opaque twist stem

16cm high

£250-350

525

A Cordial Glass, circa 1750, the semi-fluted rounded funnel bowl on an air twist stem

17cm high

£300-400

528

A Dram Glass, circa 1750, the ovoid bowl on a plain stem and overstrung foot

9cm high

£150-200

529

A Glass Coin Tankard, mid 18th century, of baluster form with trailed rim, the gadrooned base enclosing a George II twopence piece dated 1737, on conical foot 12.5cm high

£150-200

532

An Ale Flute, circa 1750, the semi-fluted rounded funnel bowl on an opaque twist stem 16.5cm high

£150-200

530

A Firing Glass, circa 1750, the ogee bowl on short opaque twist stem and terraced foot 10cm high

£150-200

533

A Wine Glass, circa 1750, the ogee bowl on an opaque twist stem 15.5cm high

£150-200

531

A Wine Glass, circa 1750, the drawn trumpet bowl on an opaque twist stem 17.5cm high

£100-150

534

A Wine Glass, circa 1750, the rounded funnel bowl with basal flutes on an opaque twist stem 15.5cm high

£150-200

535

A Dram Glass, circa 1750, the semi-fluted ogee bowl on an opaque twist stem

12cm high

£100-150

537

A Composite Stem Wine Glass, circa 1750, the bell-shaped bowl on an air twist stem and beaded knop

18cm high

£350-450

536

A Wine Glass, circa 1750, the drawn trumpet bowl on a hollow stem 15.5cm high

A Similar Toasting Glass

21cm high (2)

£150-200

538

A Glass Goblet, circa 1760, the ovoid bowl engraved with an equestrian portrait and inscribed DUKE-OF-MARLBOROUGH-AT RAMILLIES, on a plain stem

18cm high

£400-600

539

A “Lynn” Wine Glass, circa 1760, the ribbed rounded funnel bowl on an opaque twist stem

14cm high

£350-450

540

A Wine Glass, circa 1760, the rounded funnel bowl on an incised twist stem 17cm high

£200-300

543

An Ale Flute, circa 1780, the bell-shaped bowl engraved with fruiting vine on a knopped faceted stem and scalloped faceted foot 20cm high

£250-350

541

A Sweetmeat Dish, circa 1765, the ogee bowl with dentate rim, on an opaque twist knopped stem and panelled foot 10cm high

£150-200

544

A Wine Glass, circa 1780, the bell-shaped bowl engraved with fruiting vine and a bird on a knopped faceted stem and scalloped faceted foot 16cm high

£150-200

542

A Jelly Glass, circa 1770, the fluted bellshaped bowl with loop handle, on a fluted domed foot 12cm high

£150-200

545

A Lace Maker’s Lamp, early 19th century, the ovoid bowl on a plain stem and circular folded foot 14cm high

£100-150

BRITISH & EUROPEAN CERAMICS

BRITISH CERAMICS

546

A Pair of Staffordshire Pearlware Figures of Cockerels, circa 1800, naturalistically modelled and painted on mound bases

21.5cm high

£400-600

547

A Pearlware Figure of a Medici Lion, circa 1810, naturalistically modelled and painted, standing with a forepaw resting on a globe, on a marbled rectangular plinth 31cm long

£600-800

548

An English Porcelain Fruit Cooler and Cover, circa1820, of campana form with entwined handles, painted with landscape vignettes within a turquoise border highlighted in gilt and with flowersprays

34cm high

£200-300

547

546

550

A Flight, Barr & Barr Worcester Porcelain Ecuelle Cover and Stand, circa 1825, painted with Ruins of Persepolis and Linlithgow, Birthplace of Mary Queen of Scots, the cover with Tomb of Metella, Rome and Old Tomb, Rome, on a pink ground within gilt gadrooned borders, painted titles and painted and impressed factory marks 17cm diameter

£500-700

551

A Pair of Royal Worcester Porcelain Vases, circa 1880, of flared cylindrical form, painted with continuous rural landscapes, on three leaf-capped paw feet, printed marks in green 11.5cm high

£150-200

549

A Pair of Flight, Barr & Barr Worcester Porcelain Urn Shaped Vases, circa1820, with flared necks, beaded rims and leaf scroll handles, painted with figures in river landscapes on a pink ground, on circular socles and square bases, painted marks in black 9.5cm high

£200-300

552

A Royal Worcester Porcelain Pot Pourri Vase and Cover, 1912, of lobed oval form, painted with pink roses within moulded strapwork borders, signed, printed mark in green 20cm high

£200-300

553

A Royal Worcester Porcelain Vase and Cover, by Harry Stinton, 1912, of lobed conical form with fluted cover, painted with highland cattle in a misty landscape below a strapwork border, signed, printed mark in green 17.5cm high

£200-300 555

554

A Royal Worcester Porcelain Vase, by James Stinton, 1919, of baluster form with pierced rim, painted with pheasants in a misty landscape, on four leaf-scroll feet, signed, printed marks in green 22.5cm high

£300-500

A Pair of Royal Worcester Porcelain Vases, by William Ricketts, 1926, of baluster form with flared necks, painted with still lifes of fruit on a mossy bank within gilt borders, signed, printed marks in puce 16cm high

£300-400

554

553

556

A Matched Set of Four Royal Worcester Porcelain Coffee Cups and Saucers, by James Stinton, various dates circa 1930, painted with pheasants in landscape within gilt borders, signed, printed marks in puce

£200-300

A Royal Worcester Porcelain Cream Jug, by Albert Shuck, 1936, painted with a still life of fruit on a mossy bank within gilt borders, signed, printed mark in puce 10cm high

A Similar Sugar Bowl, by Christopher Bowen, signed, printed mark in black 9.5cm diameter (2)

£300-400

A Pair of Royal Worcester Porcelain Side Plates, by Stephen Weston, 2nd half 20th century, painted with still lives of fruit on a mossy bank within gilt gadrooned borders, signed, printed marks in black 20.5cm diameter

£300-400

A Pair of Royal Worcester Porcelain Plates, by John Freeman, 2nd half 20th century, painted with still lifes of fruit on a mossy bank within gilt line borders, signed, printed marks in black 23.5cm diameter

£250-350

556

557

558

559

560

A Pair of Royal Worcester Porcelain Vases, by William Roberts, 2md half 20th century, of conical form with frilled rim, painted with a still life of fruit on a mossy bank within gilt line borders, signed, printed marks in black 9cm high

A Similar Pair of Vases, by William Roberts and Anne Leighton Mayberry, of wrythen ovoid form, signed, printed marks in black 7.5cm high

Three Various Circular Pin Trays, by William Roberts 10cm, 10cm and 8.5cm (7)

£400-600

561

A Garniture of Three Royal Crown Derby Porcelain Vases, 1898, painted in the manner of W E Dean with continuous coastal scenes depicting sailing boats below moulded borders on a cream ground highlighted in blue and green, comprising a baluster vase and two bottle vases, printed marks in red 33cm and 27cm high

£300-500

562

A Royal Crown Derby Porcelain Square Tray, by Albert Gregory, 1904, painted with a spray of summer flowers on a blue ground within a moulded and pierced scroll border highlighted in green and gilt, signed, printed mark in red 15cm wide

£600-800

A Royal Crown Derby Porcelain Plate, by Albert Gregory, 1905, painted with a rose sprig within a band of oak leaves and acorns on a blue ground with gilt decoration and a black border with further pink roses, signed, printed mark and By Appointment to His Majesty mark 26cm diameter

Provenance: Bears paper label for the Waterworth Derby Collection

£500-700

563

561

560

562

563

564

A Royal Crown Derby Trio from the Judge Gary Service, by Albert Gregory, 1910 and 1921, painted with baskets and sprays of flowers in panels on a turquoise and blue border highlighted in relief with gilt scrollwork and strapwork, comprising a teacup, saucer and tea plate, signed, printed marks in gilt

£2,000-3,000

A Royal Crown Derby Porcelain Ramakin Dish and Saucer from the Judge Gary Service, by Albert Gregory, 1910, painted with sprays and baskets of flowers in panels on a turquoise and blue border highlighted in relief with gilt scrolls and strapwork, signed, printed marks in gilt dish 9.2cm diameter

£800-1,200

564

565

566

A Royal Crown Derby Porcelain Vase and Cover, by Charles Harris, circa 1910, of fluted ovoid form with twin scroll handles, painted with exotic birds in landscapes within turquoise and gilt borders, signed, printed marks in green 14cm high

£200-300

567

A Royal Crown Derby Porcelain Box and Cover, by John Porter Wale, 1919, of circular form, painted with a thatched cottage and gardens within a beaded border on a blue ground highlighted in gilt, signed, printed mark in red 13cm diameter

£300-400

568

A Pair of Royal Crown Derby Porcelain Vases, by George Darlington, 1919, of baluster form with twin scroll handles and trumpet neck, painted with sprays of flowers in ribbon-tied gilt cartouche on a blue ground highlighted in white and gilt, signed, printed marks in red 26.5cm high

£1,000-1,500

567

566

EUROPEAN CERAMICS

570

569

A Delft Charger, 17th century, the central boss painted in blue and ochre with a stylised sun burst within moulded gadrooned borders 44cm diameter

Provenance: Ex Mobbs Collection £500-700

A Delft Canister, De Grieksche A Factory, late 17th century, of rectangular form, painted in blue with chinoiserie figures in gardens and landscapes within formal borders, AK monogram mark 27cm high

Provenance: Ex Mobbs Collection £500-700

571

A Delft Bottle Vase, circa 1700, of fluted pear form, painted in blue in Kangxi style with palmettes and pyramid-shaped foliate panels 23cm high

Provenance: Ex Mobbs Collection £300-400

572

A Delft Dish, circa 1700, in Kraak style, painted in blue with precious objects and flowers in a jardiniere within a foliate panelled border 25.5cm diameter

Provenance: Ex Mobbs Collection £100-150

574

A Delft Plate, De Twee Scheepjes Factory, 1750-1770, in Kangxi style, painted in blue with two figures in landscape within a foliate and figural border, painted marks in blue 23cm diameter

A Delft Plate, painted with a bird on a basket of fruit and flowers 23.5cm diameter

Another, painted with geese in a river landscape 23.5cm diameter (3)

Provenance: Ex Mobbs Collection £150-200

573

A Delft Bukkel Platte, circa 1700, painted in blue and ochre in Transitional style with figures amongst foliage and rockwork 35cm diameter

Provenance: Ex Mobbs Collection £300-500

575

A Delft Punch Bowl, circa 1720, of circular form, painted in blue with panels of flowers hung with floral festoons, the interior with two stylised figures 26cm diameter

Provenance: Ex Mobbs Collection £200-300

574

573 572

572 572572

576

A Delft Dish, De Porceleyne Schotel Factory, 1724-1764, painted in blue with a tree in a fenced garden within a broad border of stylised foliage and strapwork, painted mark in blue 34.5cm diameter

Provenance: Ex Mobbs Collection

£150-200

577

A Delft Punch Bowl, circa 1750, painted in blue and lined in manganese with stylised Oriental foliage and shells 25.5cm diameter

Provenance: Ex Mobbs Collection

£200-300

578

A German White-Mounted Faience Ewer, circa 1770, of baluster form, painted in colours with stylised foliage within manganese line borders 25cm high

Provenance: Ex Mobbs Collection

£200-300

579

A Silver-Mounted Mennecy Porcelain Snuff Box, circa 1750, naturalistically modelled and painted as a dog and puppy recumbent on a cushion, the cover painted with a flowerspray 6.5cm wide

£600-800

581 580

580

A Sèvres Porcelain Twin-Handled Chocolate Cup, Cover and Saucer, painter’s mark for Pierre Antoine Méraud, date mark for 1762, painted with flower swags and gilt fronds within blue and gilt borders, painted marks in blue saucer 19cm diameter

£500-700

581

A Sèvres Porcelain Cabinet Cup and Saucer, circa 1827, of cylindrical form with leaf-sheathed scroll handle, painted with bands of flowersprays in panels on a blue ground highlighted in gilt, painted and stamped marks

£400-600

582

A Meissen Porcelain Figure Group of The Seasons, circa 1750, by Johann Joachim Kändler, Spring holding a bunch of flowers, Summer with a wheatsheaf, Autumn sitting on a barrel and Winter with a brazier, on a mound base, crossed swords mark in underglaze blue

14.5cm high

£200-300

583

A Meissen Porcelain Coffee Cup and Saucer, circa 1745, with tau handle, painted with cut flowers and insects within gilt borders, crossed swords mark in underglaze blue

£150-200

584

A Sèvres-Style Bisque Porcelain Figure of a Cherub, after Moreau, sitting on wheat sheaves on a rocky outcrop and bowfront architectural plinth, bears impressed marks 52cm high

£300-500

585

A Matched Set of Three Bisque Porcelain Busts of Tenagra, Marinette and Dorien, after E Villanis Vander Straeten and Leopold Harze, on gilt metal circular socles and square green marble plinths

53cm, 55cm and 58cm high

£700-1,000

586 and 587

586

A Meissen Porcelain Figure of a Harlequin, modern, modelled by Jörg Danielczyk, as an abstract standing figure with geometric decoration, limited edition 28/75, crossed swords mark in underglaze blue

31cm high

£800-1,200

587

A Meissen Porcelain Figure of Odalisque with Harlequin, modern, modelled by Paul Börner, the crouching girl holding Harlequin by his ear, on a circular base, limited edition 17/100, crossed swords mark in underglaze blue

21cm high

This model was designed by Paul Börner in 1912. See Just Meissen Art Nouveau Porcelain, pl.78. This example being from the limited Masterpieces Carnival Collection

£1,200-1,800

588

A Pair of Capodimonte-Style Campana Vases, 20th century, typically moulded and painted with processions of classical figures, on fluted circular socles and square plinths, marks in blue 48cm high

£300-500

589

A Pair of Capodimonte-Style Campana Vases, 20th century, typically moulded and painted with processions of classical figures, on fluted circular socles and square plinths, marks in blue 48cm high

£300-500

590

A Capodimonte-Style Twin-Handled Urn-Shape Vase, en suite to the previous lot 62cm high

£300-500

591

A Metal-Mounted Capodimonte-Style Porcelain Casket, late 19th/early 20th century, of domed rectangular form, typically moulded and painted with classical figures in landscapes, on peg feet, printed mark in blue 39cm wide

£300-500

590

ASIAN CERAMICS & WORKS OF ART

593

592

A Pair of Chinese Sancai Glazed Dogs of Fo, in Tang style, typically modelled on waisted rectangular plinths 34cm high

£300-400

A Chinese Robin’s Egg Glazed Bottle Vase, Qianlong reign mark but not of the period, of globular form with tall cylindrical neck, six-character reign mark in underglaze blue

32.5cm high

£500-700

594

A Pair of Chinese PorcelainJars, in Kangxi style, of baluster form, painted in underglaze blue with dignitaries and attendants sitting at a garden table with musicians to one side 26cm high, with associated carved and pierced covers and stands

£1,000-1,500

592

593

595

A Chinese Porcelain Jar, in Kangxi style, of ovoid form, painted in underglaze blue with a figure riding a mythical beast and with attendants 23cm high, later carved and pierced hardwood cover and stand

Provenance: The Estate of the Late Lady Buchan-Hepburn

£200-300

597

A Chinese Porcelain “Ladies” Saucer Dish, Yongzheng, painted in famille rose enamels with two ladies on a balcony holding a fishing rod, a figure playing a flute beyond 20.5cm diameter

For a similar example see Sotheby’s, Hong Kong, 8 April 2011, lot 3064

£800-1,200

596

A Chinese Porcelain Teapot and Cover, Kangxi, of fluted rectangular form, painted in famille verte enamels with mythical beasts in landscape and with foliage, within panelled lattice borders, with replacement metal spout, knop and handles 13cm high

£150-200

597

596

598

A Chinese Armorial Porcelain Plate, Qianlong, of octagonal form, painted in famille rose enamels with the arms of Dundas and with scattered flower sprigs within a chain and arrowhead border 22cm diameter

For a discussion of this service made by James, 24th Earl of Dundas, see Howard (David Sanctuary) Chinese Armorial Porcelain, vol 1, pg.424, pl.11

£200-300

A Chinese Porcelain Dinner Service, Qianlong, painted in famille rose enamels with ribbon-tied bunches of flowers within underglaze blue, foliate and lattice borders highlighted in gilt, comprising:

2 sauceboats, 21cm long

1 octagonal basin, 37cm wide

2 canted rectangular dishes, 30cm wide

2 soup plates, 22.5cm wide

6 dinner plates, 22.5cm wide

1 trencher salt, 8cm wide (14)

£500-800

598

599

600

A Chinese Carved Pale Celadon Jade Carving “Washing the Sacred Elephant”, 18th/19th century, the recumbent elephant with two attendants, one on its back, the other standing by its left ear holding a vase 7.5cm long, 4cm high

Provenance: With Spink & Son Ltd, London, 17.11.49, £37 10/-, and subsequently sold in Tennants Spring Fine Art Sale, 28 March 2014, lot 159. The Spink’s receipt describes the piece as “Translucent pale celadon pale jade carving of the Washing of the Sacred Elephant of the famous sage known as the Great Master Samantabhadra, Ch’ien-Lung 1736-1795AD”

£4,000-6,000

601

A Chinese Jade Carving, in Archaic style, in the form of a stylised beast with raised head

20.5cm wide

£200-300

602

A Chinese Carved Cameo Agate Snuff Bottle, perhaps Suzhu, circa 1750-1850, of flattened ovoid form, carved in relief utilising the dark brown markings with a monkey amongst fruiting peach branches by a rock, with lighter agate domed stopper with compressed ovoid finial

7.5cm high

£500-800

603

A Chinese Cloisonne Enamel Bottle Vase, Qing Dynasty, decorated in Chinese style with formal scrolling lotus on a black ground over a white band of insects amongst flowering branches, on a circular foot, two-character Qing Dynasty seal mark

31.5cm high

£500-700

604

A Victorian Silver-Gilt-Mounted Porcelain Scent Bottle, Samson Mordan, London 1872, of compressed ovoid form, painted with bust portraits of young girls on a mottled green ground

8cm long

£400-600

A French Silver-Gilt-Mounted Enamel Perfume Bottle and Vinaigrette, circa 1900, of baluster form decorated with 18th century romantic figures in landscape, the vinaigrette cover engraved with a monogram, stamped ASPREY 22 ALBEMARLE STREET

8cm

£700-1,000

607

Christopher Friedrich Zincke (c.1683-1767):

Miniature Portrait of a Miss Rollenson, bust length, with flowers in her hair, wearing a blue dress, enamel, oval, with paper label to reverse 4.2cm by 3.3cm

£1,500-2,000

£600-800 605

606

A Gilt-Metal-Mounted Murano Aventurine and Coloured Glass Scent Bottle, of flattened ovoid form set with portrait canes, the hinged repoussé cover with faceted glass cabochon 8cm

£200-300

608

Andreas Henry Groth (fl.1739-1753):

Miniature Portrait of a Lady, half length, with pearls comb and earrings, wearing a white dress with blue ribbons, enamel, oval 4.6cm by 3.8cm

609

Andrew Plimer (1763-1837): Miniature

Portrait of a Cleric, bust length, with hair en queue, wearing a black jacket and white collar, on ivory 5.1cm by 4cm

With Non-Transferable Standard Ivory Exemption Declaration Number X68J5LL6

£700-1,000

610

£800-1,200 610 609

Andrew Plimer (1763-1837): Miniature

Portrait of a Young Lady, bust length, wearing a lace-trimmed turquoise and white dress, initialled AP and dated 1787, on ivory, oval 5.2cm by 4.2cm

With Non-Transferable Standard Ivory Exemption Declaration Number 2JPJJ3UX

611

Attributed to the Workshop of Niccolo Roccatagliata (act.1593-1636): A Bronze Figure of Bacchus, standing pouring from a ewer in his left hand, a shell in his right hand, his right foot resting on a flask 31cm high

For a similar example described as a fire dog figure and attributed to the Roccatagliata Workshop (c.1590-1625), see Victoria & Albert Museum, accession numbers A.1001910

£1,000-2,000

612

After Severo da Ravenna (1496-1538?): Bronze Figure of a Cherub, loosely dressed, standing on his left leg holding a large conch shell on his shoulder 12.5cm high

For a similar example attributed to Severo da Ravenna (c.15001525), see Victoria & Albert Museum, accession number A.65-1956

£500-700

613

Paduan School (16th century), probably cast by Francesco Segala (c.15351592) from the model by Tiziano Aspetti (c.1517-1552): A Pair of Bronze Figures of a Prophet and Sibyl, he standing wearing flowing robes holding a leather-bound volume, she in flowing robes holding a scroll across her wrap 22cm high, on later green marble bases

For a similar example of the Prophet, see Metropolitan Museum, New York, accession number 18.111.

Having identified the model of the male figure as Moses in his 1921 book on Venetian sculptors, Leo Planiscig attributed this model to Tiziano Aspetti. However, in 1976 Ian Wardroper observed that the figure holds a book rather than a tablet of the law and should be considered a prophet. In 1545 Aspetti was commissioned to execute a Serraglio (grille) for the Santo in Padua. Vasari records that this commission remained incomplete due to the premature death of the sculptor. In 1564 Paduan sculptor Francesco Segala requested the models in order to make casts.

£1,500-2,500

614

After the Antique: A Bronze Figure of the Dancing Faun, standing holding cymbals in each hand, his right foot on a scabellum, on a shaped oval base

59cm high

£700-1,000

615

After Giambologna (1529-1608): A Bronze Group of the Rape of the Sabine Woman

87.5cm high

£600-800

616

After the Antique: A Bronze Figure of Bacchus, standing with a raised goblet, clothed in fruiting vine, on a stepped rectangular plinth

48cm high

£200-300

618

John Ayres Hatfield after John Henry Foley RA (1818-1874): A Bronze

Figure of Caractacus, standing, his left arm raised, his shield at his side, on a shaped base inscribed EXECUTED IN BRONZE BY JA HATFIELD FROM THE ORIGINAL BY JH FOLEY RA FOR THE ART UNION OF LONDON 1862

79cm high

£400-600

617

After Aimé-Jules Dalou (1838-1902): A Bronze Classical Figure, standing wearing loose robes and a laurel wreath holding a scroll, on a square base, signed DALOU 69cm high

£500-700

619

After the Antique: A Pair of Bronze Figures of Classical Maidens, each standing holding a gilt torch aloft, on gilt drum bases cast with classical figures and gilt-bronze-mounted red marble plinths

65.5cm high

£700-1,000

616

617

618

619

620

After Séraphin Denécheau (1831-1912): A Bronze Figure of a Nymph, sitting in a crescent moon, on a variegated marble waisted circular column

99cm high

£1,000-1,500

623

621

After Guiraud Riviere: A Bronze Figure of a Bacchanalian Nymph, standing with one leg raised, draped in fruiting vine, on a veined black marble cylindrical column

44cm high

£300-400

623

A Venetian Carved, Painted and Giltwood Figural

Standard Lamp, in 18th century style, modelled as a blackamoor standing on the prow of gondola holding an oar, on an hexagonal column applied with the Lion of St Mark, fitted for electricity

193cm high

£1,000-1,500

624

622

After Emile Louis Picault (1833-1915): A Bronze Figure of a Harlequin, standing holding a violin under his left arm, on a faux wooden table base, sighed E PICAULT

29cm high

£700-1,000

A Pair of French Gilt Bronze Thirteen-Light Candelabra, in Louis XIV style, with fluted sockets, circular sconces, leaf-sheathed scroll branches on Bacchic caryatid supports and tricorn base, the bases surmounted by three sphinx

117cm high

£1,500-2,000

624

A Set of Five Gilt Metal Wall Sconces, 20th century, as cherubs holding urn-shaped sconces, on rectangular backplates cast with stylised foliage and cartouche

30cm high

£150-200

626

A Pair of French Gilt Metal Twin-Light Wall Sconces, in Louis XVI style, with leaf-sheathed scroll branches on angel backplates and rosette bosses 27cm high

A Similar Set of Three Wall Sconces, with urn shaped finials, leaf-sheathed scroll branches and fasces backplates 27cm high (5)

£300-500

627

A Set of Four Gilt Metal and Veined Rouge Marble Wall Sconces, in Louis XVI style, with urn shaped pediment and leaf scroll branches on fasces backplate

60cm high

£400-600

628

A Set of Seven Gilt Metal Pendant Light Fittings, 20th century, each modelled as a flying wing putto suspended from a circular boss

19cm long

Two Similar Wall Sconces, as putti

30cm high (9)

£200-300

630

A French Bronze Tazza, in Empire style, the circular plateau set with a relief panel, on three mermaids and tripodium supports, the tricorn base with three recumbent sphinx 44cm high

A Similar Lamp Base, cast with putti and foliage, adapted for electricity

20cm high (2)

£400-600

629

A Harlequin Set of Four Bronze Wall Sconces, in Louis XIV style, with anthemion crestings, lyre-shaped plinths applied with female masks and scroll branches

50cm high

£300-500

631

A Pair of French Gilt-Metal-Mounted White Marble Casolettes, in Louis XVI style, of ovoid form with fluted sockets cast with ram’s masks hung with floral swags, on triple monopodium supports and circular bases

24cm high

£300-400

632

A Gilt-Metal-Mounted Blue John Candlestick, 19th century, the campana sconce with detachable nozzle, on an ovoid stem and domed circular foot cast with stiff leaves, on peg feet

20cm high

£150-200

633

A Pair of French Gilt and Patinated Bronze Urns, in Empire style, with winged caryatid handles and applied figural plaques, on circular socles and square section bases with bun feet

48cm high

Provenance: The Estate of the Late Lady BuchanHepburn

£400-600

634

A Gilt and Patinated Bronze-Mounted Onyx Centrepiece, in Louis XIV style, as an ovoid urn mounted with swags supported by three putti, on tricorn variegated marble plinth and peg feet

50cm wide

£1,000-1,500

635

A Pair of Dutch Copper-Mounted Brass Log Bins, 19th century, of cylindrical form with repoussé landscape decoration, one incorporating the arms of Friesland, on paw feet

44cm high

Provenance: The Estate of the Late Lady Buchan-Hepburn

£300-500

£700-1,000 635 636

636

A Pair of Malachite Obelisks, 20th century, of tapering square section

66cm high

633

634

637

A Viennese Gilt-Metal and Enamel-Mounted Ebonised Table Cabinet, in Renaissance style, with figural surmounts over an arrangement of three drawers enclosed by two doors and frieze drawer, on plinth base, the whole with plaques of classical figures in landscape

48cm high

£500-800

A French Giltwood and Gesso Wall Bracket, in Louis XIV style, the serpentine plateau on a shell and scroll support centred by a female mask

50cm high, on later shaped wooden mount

£200-300

639

A Gilt Metal and Cranberry Glass Centrepiece, in Renaissance style, the central trumpet shaped vase with frilled rim and white enamel and gilt foliate decoration supported by a putto on a circular plinth cast with grotesquerie, on a circular socle

54cm high

£500-700

640

A French Gilt-Metal-Mounted Glass Centrepiece, of oval form with leaf scroll handles, etched with ivy tendrils on an openwork scroll base

47cm wide

£400-600

638

637

641

A French Gilt-Metal-Mounted Cut-Glass Centrepiece, of oval form with twin leaf scroll handles, on fluted circular socle and square plinth with scroll feet

49cm wide

£400-600

642

A Regency Tortoiseshell and Ivory-Banded Tea Caddy, of serpentinefronted sarcophagus form, with hinged cover, flared base and bun feet 18cm wide

With Non-Transferable Standard Ivory Exemption Declaration Number WNLM8TYD

£300-400

643

An Edwardian Walnut and Marquetry Stationery Box, of rectangular form, the hinged top and fall inlaid with classical ornament and foliage, enclosing a fitted interior with an arrangement of racks and drawers and with writing slope 44cm wide

£300-400

644

A Pair of Ceremonial Trumpet Banners, 18th/19thcentury, worked in bullion and coloured threads with the Royal arms within angels and roundels on a red silk ground within fringed borders

62cm by 52cm, mounted on a pair of natural trumpets, 71cm long

£1,000-1,500

645

Saroukh Feraghan Rug

West Iran, circa 1930

The madder field of angular vines centred by an indigo floral medallion, framed by ivory spandrels and borders of angular meandering vines, flanked by lemon guard stripes. 199cm by 129cm

£250-350

647

Silk Kashan Rug

Central Iran, circa 1920

The raspberry field centred by a cusped indigo medallion surrounded by flowering vines, enclosed by floral spandrels and indigo borders of meandering vines and ivory guard stripes. 216cm by 129cm

£1,000-1,500

646

Kashgai Kilim

South West Iran, circa 1930

The abrashed brick red stepped lattice field of polychrome diamond medallions enclosed by reciprocal geometric motif borders, chequered bands at each end.

214cm by 153cm

£300-500

648

Chondzoresk Rug

Karabagh, Armenia, circa 1880

The madder ground with two typical medallions enclosing stylised dragons and swastikas framed by ivory borders of serrated leaf and calyx design, flanked by barber poles.

164cm by 96cm

£300-500

647

646

645

650

Karabagh Runner

South Caucasus, circa 1910

The deep indigo abrashed field with a column of stepped diamond medallions flanked by zoomorphic devices, enclosed by leaf and calyx borders and meandering vine guard stripes.

304cm by 127cm

£200-300

649

Good Shahsavan Runner

North West Iran, circa 1880

The field with a column of octagons containing polychrome Memling güls, flanked by flowerheads and stellar motifs, enclosed by ivory borders of angular vines and stepped güls, flanked by harshang guard stripes.

356cm by 116cm

£800-1,200

652

Luri or Kurdish Kelleh

West Iran, circa 1920

The deep indigo field with diagonal columns of boteh enclosed by serrated leaf and calyx borders, flanked by mustard guard stripes of angular vines.

318cm by 166cm

£300-500

651

Saroukh Rug

West Iran, circa 1920

The ivory field of flowers and vines centred by a deep indigo scrolled cusped medallion framed by deep brick red floral spandrels, borders of flower heads and flowering plants, flanked by guard stripes.

150cm by 108cm

£250-350

653

Isfahan Rug

Central Iran, circa 1920

The ivory diamond lattice field of plants and flowers around a raspberry floral medallion framed by spandrels and borders of stylised flowerheads, flanked by multiple guard stripes. 215cm by 132cm

£300-500

654

Isfahan Rug

Central Iran, circa 1920

The sky blue field centred by an ivory flowerhead medallion enclosed by claret borders of scrolling vines, flanked by floral guard stripes.

203 by 142cm

£300-500

655

Pair of Kashan Rugs

Central Iran, circa 1930

Each with a deep indigo field centred by a terracotta medallion surrounded by vines and ivory spandrels, framed by borders of palmettes and vines, flanked by carnation guard stripes.

Both approximately 226cm by 135cm

£300-500

653

654

656

Rare Double Sided Anatolian Angora Rug, circa 1900

Side A: the crimson field centred by a turquoise diamond medallion enclosed by ivory spandrels and turquoise floral borders, flanked by guard stripes. Side B: similar in design to side A.

218cm by 137cm

£600-900

Kashan Carpet

Central Iran, circa 1970

The field with an allover design of scrolling vines enclosed by borders of palmettes and meandering vines, flanked by triple guard stripes.

357 by 245cm

£1,000-1,500

658

Feraghan Rug

West Iran, circa 1930

The midnight blue field of angular scrolling vines and stylised flowerheads enclosed by madder borders of geometric vines and flowering plants, flanked by guard stripes.

191cm by 124cm

£300-500

657

656

657

659

South East Caucasian Rug, circa 1890

The indigo field with three polychrome octagons containing Memling güls enclosed by ivory leaf and calyx motifs, flanked by barber poles and stylised flower head guard stripes.

175cm by 102cm

£350-450

660

Rare Salar Khani Baluch Rug North East Iran, circa 1900

The deep indigo lattice field of flowerheads enclosed by diamond medallion borders, flanked by ‘lady finger’ guard stripes, kilims at each end. 180cm by 90cm

£300-500

661

Tabriz Carpet

North West Iran, circa 1950

The raspberry field with an allover design of large palmettes and flowerheads connected by vines within an ivory floral vine border, flanked by indigo guard stripes, signed in upper guard stripe.

400cm by 300cm

£1,000-1,500

662

Tabriz Carpet

North West Iran, circa 1950

The cream field of angular vines centred by an indigo and terracotta pole medallion, enclosed by spandrels and indigo borders of flowerheads and meandering vines, flanked by dove grey guard stripes.

360cm by 284cm

£450-650

659

661

663

Nejafabad Carpet

Central Iran, circa 1970

The cream ground of floral sprays around a scrolled skeletal medallion, enclosed by brick red borders of meandering vines and palmettes, flanked by multiple guard stripes.

327cm by 220cm

£300-500

664

Tabriz Carpet

North West Iran, circa 1930

The soft gold field centred by a stepped anchor medallion framed by spandrels of angular vines and meandering vine floral borders, flanked by triple carnation guard stripes.

413cm by 297cm

£400-600

665

Baluch Rug

East Khorasan, circa 1900

The octagonal lattice field enclosed by ivory ‘bird’ borders flanked by guard stripes, kilims to both ends.

157cm by 86cm

£250-350

666

Ghom Silk Rug

Central Iran, circa 1960

The soft raspberry field of vines and plants around an indigo cusped medallion enclosed by ivory spandrels and indigo floral borders, flanked by carnation guard stripes.

210cm by 138cm

£400-600

667

Kashan Carpet

Central Iran, circa 1940

The ivory field of large flowerheads and palmettes interspersed with scrolling vines enclosed by sky blue borders of similar design, flanked by raspberry and carnation guard stripes. 436cm by 270cm

£1,000-1,500

668

Kork Kashan Rug

Central Iran, circa 1930

The sky blue field of scrolling vines centred by a claret pole medallion, the spandrels with sprays enclosed by claret borders of meandering vines, flanked by ivory guard stripes.

214cm by 127cm

£400-600

669

Savonnerie Design Carpet

Probably France or Spain, first half 20th century

The pale mint field with scrolling naturalistic flowers and vines centred by a leafy medallion, enclosed by spandrels of acanthus leaves and meandering vine borders. 423cm by 296cm

£400-600

670

Bakhtiari Rug

West Iran, circa 1940

The deep brick red field of polychrome vines around an indigo and ivory floral medallion framed by charcoal borders of meandering vines, flanked by carnation guard stripes and outer arrowhead guard stripe.

206cm by 153cm

£200-300

669

668

667

671

Isfahan Rug

Central Iran, circa 1930

The ivory field of angular vines centred by an indigo medallion framed by spandrels and terracotta borders of stylised plants flanked by guard stripes.

205cm by 145cm

£300-500

672

Part Silk Tabriz Rug of Unusual Size

North West Iran, Modern

The ivory field of scrolling vines around a raspberry and sky blue floral medallion framed by spandrels and borders of meandering vines, flanked by triple guard stripes.

205cm by 151cm

£450-650

673

Feraghan Saroukh Carpet

West Iran, circa 1930

The terracotta field of angular vines around an indigo, salmon pink and ivory medallion, framed by spandrels and indigo borders of geometric vines, flanked by carnation and further guard stripes. 387cm by 267cm

£1,500-2,500

674

Ushak Carpet

Central West Anatolia, circa 1920

The blood red field centred by a hexagonal medallion surrounded by stellar motifs, enclosed by spandrels and borders of angular vines.

371cm by 201cm

£700-900

676

Serafian Rug

Isfahan, Central Iran, second half 20th Century

The ivory field of intricate scrolling vines centred by a terracotta flowerhead medallion framed by indigo spandrels and borders of meandering vines, flanked by double guard stripes. Signed Serafian Isfahan Iran.

235cm by 156cm

Silk foundation and silk highlights.

The Serafian family were based in Isfahan in the 1930’s and have a reputation for producing very fine quality rugs using Merino wool. They have long been highly prized by collectors.

£2,000-3,000

675

Fine and Unusual Kashgai Rug

South West Iran, circa 1890

The deep indigo field with columns of polychrome flowerheads linked by vines, enclosed by madder borders of octagons containing stellar devices, flanked by ivory carnation guard stripes.

295cm by 161cm

£800-1,200

676

675

674

677

Fine Bidjar Carpet Iranian Kurdistan, circa 1880

The pale abrashed corn field centred by a cusped terracotta anchor medallion containing four palmettes and flowerheads, enclosed by ice blue spandrels of angular scrolling vines and terracotta borders of angular floral vines, flanked by ivory reciprocal guard stripes and a plain outer guard stripe.

578cm by 366cm

£7,000-9,000

677

CLOCKS & BAROMETERS

679

678

A Brass Atmos Clock, signed Jaeger LeCoultre, 20th century, case with five glass panels, stop/start lever above the balance wheel, 4-1/4-inch white chapter ring dial with Arabic and dagger markers, large balance wheel below and spirit level in the base, movement numbered 233122, with Jaeger LeCoultre fitted case 22cm high

£400-600

A French Ormolu Striking Mantel Clock, signed Baudin au Petit Carreau, early 19th century, case surmounted by a winged figure, base with panels depicting cherubs and classical figures, turned feet, 4-1/2-inch enamel dial with Roman numerals and signed, twin barrel movement with outside countwheel striking on a bell, silk suspension

49cm high

£400-600

680

A French Gilt Bronze and White Marble Figural Striking Mantel Clock, signed Boyer

A Paris, circa 1880, case surmounted by a bronze figure of a lady and infant by her side, gilt bronze mounted white marble base, 4-1/2-inch enamel dial with blue Roman and Arabic numerals, twin barrel movement striking on a bell

54cm high

£400-600

681

A French White Marble Striking Lyre Mantel Clock, late 19th/early 20th century, lyre shaped case with floral and swag gilt metal decorated mounts, oval shaped white marble base raised upon hoof shaped feet, 5-1/4-inch enamel dial with Arabic numerals, twin barrel movement striking on a bell, movement backplate stamped Horlogerie Paris 61cm high

£1,000-1,500

682

A Good Brass Engraved Strike and Repeat Calendar Alarm Carriage Clock, stamped Drocourt, circa 1880, elaborately floral engraved case with carrying handle and repeat button, enamel dial with Roman numerals, lower enamel dial with three dials for day/date and alarm, twin barrel movement with a silvered platform lever escapement, striking on a gong, movement backplate stamped DC for Drocourt and numbered 12119, with later travelling case 17cm high over handle

£600-800

683

A Good Brass Strike and Repeat Carriage Clock, circa 1890, case with bow sided bevelled glass panels, carrying handle and repeat button, Corinthian capped corner columns, enamel dial with Roman and Arabic numerals, twin barrel movement with a platform lever escapement and striking on a gong, movement backplate numbered 332, with original fitted travelling case and original key numbered 332 21cm high over handle

£1,200-1,500

684

An Ebonised Quarter Chiming Table Clock, signed Benj Baddy, London, circa 1750, inverted bell top pediment with carrying handle, glazed side panels, 8-inch arch brass dial with a Silvered Roman and Arabic chapter ring signed, matted dial centre with mock pendulum and date apertures, arch with rolling moonphase, two dials for strike/not strike and chime/not chime selections, triple fusee movement with a verge escapement, quarter chiming on a nest of eight bells and a further bell for the hours, movement backplate elaborately scroll engraved throughout, movement secured by brackets, bob pendulum 58cm high over handle

£1,500-2,500

681

682

683

684

684 (detail)

685

A Rosewood Brass Inlaid Striking Table Clock, signed Wilson & Son, Southampton Street, Strand, circa 1830, gadrooned pediment with a single pineapple finial, side carrying handles and fish scale sound frets, front with scroll brass inlay, brass ball feet, 6-inch silvered dial with Roman numerals and signed, twin fusee movement with an anchor escapement and striking on a bell, movement secured in by brackets

42cm high

£700-1,000

686

A French “Boulle” Striking Bracket Clock, signed Bury, Paris, circa 1890, the elaborate case with floral and figural gilt metal mounts, brass floral inlay, side glass viewing panels, cast dial with twelve blue Roman numeral enamel cartouches and signed below on a plaque, twin barrel movement with outside countwheel striking on a top mounted bell, 81cm high, with Matching “Boulle” Wall Bracket, 35cm high, (2)

£1,500-2,000

687

A Good Rosewood Eight Day Marine Chronometer, Signed Muston & Gath, London & Bristol, No: 5889, circa 1850, the three tier case with brass bound corners, lid with a vacant brass cartouche, front of the case with an ivory maker’s plaque and numbered, side carrying handles, 4-1/2-inch silvered dial with Roman numerals and signed and numbered, two dials for 8-day power reserve indication and seconds, single chain fusee movement, maintaining power, bimetallic balance with timing screws and weights, free sprung blued helical hairspring, movement and dial plate numbered 2432, movement contained in a brass gimbal, inside gimbal numbered 2432

21cm high

With Non-Transferable Standard Ivory Exemption Declaration Number UU191HV7

George Muston was in business at Small St Bristol and 18 Red Lion St London, W.W 1835 to 1883. He used movements by the famous chronometer maker Kessels of Altona.

£2,500-3,000

688

A Good Mahogany Eight Day Striking Longcase Clock, signed Emanuel Burton (Junior) Kendal, circa 1780, the nicely figured case with good colour and possibly by Gillows of Lancaster, swan neck pediment with inlaid capitals, arched trunk door flanked by inset stop wooden fluted pilasters, inlaid base with canted corners and bracket shaped feet, 13inch arch brass dial with a Roman and Arabic chapter ring, dial centre finely engraved with scroll decoration, seconds and date dials, arch with rolling moonphase and tidal scale with corresponding hand, signed above on a silvered plaque Emanuel Burton Junr Kendal, four pillar movement with an anchor escapement and rack striking on a bell

235cm high

£1,500-2,000

689

A Good Mahogany Eight Day Longcase Clock, signed Dwerrihouse & Carter, Berkeley Sq, circa 1800, arched pediment with ball finial, hood with stop brass fluted pilasters, fish scale pierced side sound frets, nicely figured flame mahogany arch trunk door, base with raised moulded panel, 12-inch circular painted dial with Roman numerals, two dials for seconds and date, strike/not strike selection lever above 12, Thwaites five pillar movement with an anchor escapement and rack striking on a bell, movement front plate stamped with Thwaites serial number for 1801

221cm high

£1,500-2,000

690

A Good Mahogany Eight Day Regulator Longcase Clock with an Unusual Detached Type Escapement, signed Rainforth & Son, Bridgwater, circa 1850, shell and scroll carved top pediment, nicely figured flame mahogany veneered case, glazed trunk door with canted corners, moulded base raised upon bracket feet, 13-inch silvered dial, outer minute track, two dials for hours and the other dial with seconds hand advances two seconds at a time, high quality eight pillar movement with a detached escapement, six spoke wheels, maintaining power

218cm high

£2,500-3,000

A Good Mahogany Stick Barometer, signed Dollond, London, circa 1800, swan neck pediment with an urn finial, concealed mercury tube case with a single vernier silvered dial signed, ivory adjustment knob, hygrometer dial, brass cased hinged door mercury tube thermometer box, turned cistern cover 113cm high

With Non-Transferable Standard Ivory Exemption Declaration Number T3MDXE9Z

£600-800

692

An Early 18th Century Oak Enclosed Dresser and Rack, the upper section with a moulded cornice above two fixed shelves and graduated end supports, the base with three two-as-one oak-lined drawers, all above a central geometric moulded panel flanked by cupboard doors with later brass hinges, on turned feet

182cm by 50cm by 210cm

£700-1,000

A Late 18th Century Carved Oak Wainscot-Type Armchair, the acanthus scrolled top rail above a panelled back support with moulded stiles, the outswept arms above a boarded seat and plain seat rail, on baluster turned forelegs with block feet joined by a peripheral stretcher 59cm by 43cm by 116cm

Provenance: The Estate of the Late Lady Buchan-Hepburn

£200-300

693

A Joined Oak Clamped-Front Chest or Ark, 17th century, the boarded hinged lid enclosing a vacant interior, on substantial stile supports 114cm by 58cm by 59cm

£400-500

695

A Joined Oak and Parquetry-Inlaid Chest, early 18th century, the boarded hinged lid enclosing a vacant interior above a foliate scrolled and carved frieze initialled TI and two octagonal moulded panels within a geometric parquetry border, with a pair of two-as-one oak-lined drawers below flanking applied profile mounts

123cm by 51cm by 79cm

£200-300

693

692

695

694

696

A George III Oak and Pine-Lined Straight-Front Chest of Drawers, late 18th century, the moulded top above two short and three long graduated drawers, on moulded base and scrolled bracket feet

87cm by 49cm by 84cm

£350-450

698

697

An Oak Geometric-Moulded Straight-Front Chest of Drawers, circa 1690, the threeplank top of nailed construction above three two-as-one graduated drawers, all between moulded panels, on stile feet 101cm by 57cm by 96cm

£500-700

A Continental Joined Oak Gateleg Dining Table, 18th century in part, the rectangular top of peg construction with rounded dropleaves (retipped) above two oak-lined drawers and a scrolled and pierced apron, on square fluted tapering gateleg supports with block feet joined by a peripheral stretcher 87cm by 173cm extended by 71cm

£300-500

699

A George II Oak Dresser Base, Shropshire Region, 2nd quarter 18th century, the three-plank moulded top above three parquetry-decorated oaklined drawers with engraved brasses, on turned spindle forelegs with scrolled brackets and turned and block feet 210cm by 55cm by 77cm

£1,500-2,000

696

697

698

701

700

A Joined Oak Child’s Armchair, probably Westmorland/Cumbria, part 17th century, the carved top rail initialled MI above a central moulded back support with carved guilloche patterns flanked by a scrolled border, the moulded and scrolled armrests above turned spindle uprights and a boarded seat, on turned forelegs with moulded and nulled sledge bases (formerly a high chair)

41cm by 37cm by 68cm

£300-500

A Burr Oak Crossbanded and Featherbanded Straight-Front Chest of Drawers, circa 1720/30, the moulded top above two short and three long oak-lined drawers with engraved brass handles, on moulded base and bracket feet

83cm by 49cm by 79cm

£400-600

703

A Joined Oak Refectory Dining Table, late 17th century, the two-plank top above a moulded frieze, on turned supports with block feet joined by a peripheral stretcher

244cm by 74cm by 74cm

£1,000-1,500

702

A George III Oak Dresser Base, 3rd quarter 18th century, the boarded top above three pine-lined drawers and a wavy-shaped apron, on turned spindle forelegs joined by a potboard and on block feet 174cm by 43cm by 79cm

£1,500-2,000

704

A George III Oak Enclosed Dresser Base, late 18th century, the moulded top above a central arched cupboard door flanked by eight oaklined drawers inlaid with shell patera, on a moulded base with bracket feet

191cm by 52cm by 86cm

£700-1,000

A George III Oak Tripod Table, late 18th century, the circular one-piece pollard oak top on a baluster turned support with three cabriole legs

50cm by 69cm

£200-300

706

A George II Oak and MahoganyCrossbanded Enclosed Low Dresser, mid 18th century, the moulded top above seven pine-lined drawers around a central cupboard door, on a moulded base with scrolled bracket feet

202cm by 53cm by 82cm

£500-700

707

A Joined OakWall-Mounted Westmorland Cupboard, early 18th century, the cupboard door carved with leaves and scrolls enclosing a fixed shelf, with iron hinges

48cm by 28cm by 62cm

£800-1,200

705

707

706

705

704

708

A Joined Oak Hinged Chest, 17th century, the moulded lid with two fielded panels enclosing a candle box, with iron clasp and lockplate above lozenge-carved panels flanked by geometric nulled borders, on stile feet

126cm by 51cm by 71cm

£300-500

711

709

A Joined Oak Refectory Dining Table, early 18th century, the three-plank top with cleated ends above a carved frieze, on turned baluster legs with with block feet and joined by an H stretcher

315cm by 101cm by 80cm

£2,000-3,000

710

A George II Walnut, Crossbanded and Featherbanded Bureau Bookcase, circa 1730, the moulded cornice above glazed doors enclosing a fabric-lined interior with two shelves with pull-out candle slides, the fall enclosing a good fitted interior of pigeon holes and small drawers all around a central cupboard door above a later leather writing surface, with two short over three long graduated oak drawers below with engraved brass backplate handles, on bracket feet

105cm by 60cm by 211cm

£700-1,000

A William III Walnut and Tracery-Strung Straight-Front Chest of Drawers, circa 1700, the moulded, crossbanded and quarter-veneered top with tracery-stringing above two short and two oak-lined long drawers, on substantial turned bun feet

82cm by 58cm by 81cm

£1,000-1,500

709

712

A George II Walnut and Featherbanded Chest on Chest, 2nd quarter 18th century, the ogee cornice above a plain frieze with three short and six oak-lined drawers below with later engraved brass handles, on splayed bracket feet

106cm by 50cm by 188cm

£1,000-1,500

714

A George II Walnut Bureau-Table, circa 1730-40, the quarter-veneered, crossbanded and featherbanded top with re-entrant corners above two long and six small drawers, all between canted reeded stiles, with kneehole cupboard door and sliding drawer above, on bracket feet

98cm by 53cm by 82cm

£1,500-2,000

713

A William & Mary Floral Marquetry Side Table, late 17th century, the moulded top inset with an oval panel of birds and foliage flanked by further flower panels, all above a single oak-lined frieze drawer, on spiral-turned legs joined by a flattened stretcher 90cm by 63cm by 77cm

Provenance: The Estate of the Late Lady Buchan-Hepburn

£1,500-2,000

713

713 (detail)

714

715

A George II Figured Walnut and Boxwood-Strung Straight-Front Chest of Drawers, circa 1740, the moulded top above a pull-out brushing slide and four graduated oak-lined drawers with later brasses, on a moulded base with scrolled bracket feet

80cm by 48cm by 82cm

£700-1,000

717

A Walnut, Oyster-Veneered and Tracery-Strung Straight-Front Chest of Drawers, late 17th century, the moulded top above two short and two long drawers with later brasses, on a stand with a long oak-lined frieze drawer, on bracket feet

97cm by 59cm by 95.5cm

£700-1,000

716

A George II Walnut, Crossbanded and Featherbanded Bureau-Table, 2nd quarter 18th century, the moulded top with re-entrant corners above a sliding drawer with green leather writing surface flanked by pen trays, an oak-lined long drawer below and six further small drawers all around an arched apron and central cupboard door, on scrolled bracket feet

77cm by 49cm by 76cm

£1,200-1,800

718

A George I-Style Figured, Burr Walnut, Crossbanded and Featherbanded Bureau on Stand, the moulded fall front enclosing a red leather inset writing surface with four small drawers and pigeon holes around a central cupboard door, all above a long oak-lined frieze drawer with pull-out lopers, the stand with wavy-shaped apron, on shell-carved cabriole legs with pad feet

72cm by 43cm by 92.5cm

£700-1,000

719

A George II Figured Walnut, Crossbanded and Featherbanded Bureau, 2nd quarter 18th century, the fall front enclosing a good fitted interior of pigeon holes, small drawers and central cupboard door above a sliding well, three graduated pine-lined drawers below, on scrolled bracket feet

101cm by 51cm by 109cm

£400-600

720

A George II Walnut Desk-and-Bookcase, circa 1730-40, the upper section with moulded cornice above two moulded featherbanded cupboard doors enclosing an oak-lined interior, pigeon holes and small drawers, the fall front enclosing a good fitted interior with sliding well, pigeon holes and drawers around a central cupboard door, two short over two long drawers below, on bracket feet

102cm by 55cm by 204cm

£1,500-2,000

721

A George II Figured Walnut, Crossbanded and Featherbanded Chest on Chest, circa 1735, the moulded top above three short oak-lined drawers with three long drawers below, the base with two short over two long drawers, all with engraved brass handles, on bracket feet 107cm by 54cm by 184cm

£1,000-1,500

721

719

722

A Set of Twelve Victorian Mahogany Dining Chairs, 3rd quarter 19th century, recovered in modern plush beige velvet, the camel-back top rails above horizontal splats, the drop-in seats above moulded seat rails, on turned and lappet-carved forelegs 46cm by 40cm by 86cm £400-600

723

A Victorian Carved Mahogany FourDoor Library Bookcase, 2nd half 19th century, the gadrooned cornice above a plain frieze with four blind fret carved and glazed doors enclosing a pink silk interior with removable shelves, breakfront base with four cupboard doors applied with foliate carving all within a fret carved border, the interior with adjustable shelves, on a moulded plinth base 263cm by 50cm by 248cm £1,000-1,500

722

724

A George III-Style Satinwood, Mahogany-Crossbanded, YewwoodCrossbanded and Marquetry-Inlaid Pembroke Table, circa 1900, the top richly inlaid with urns, swags and trailing foliage around an oval panel, with mahogany-lined bowfront drawer, on square tapering legs decorated with flowerbells and on block feet with pointed toes 99.5cm extended by 72cm by 75cm

£300-500

726

A Mahogany-Framed Wing-Back Armchair, 19th century, recovered in geometric cream and gold fabric, the overstuffed seat and upholstered seat rail on turned mahogany forelegs 75cm by 57cm by 99cm

£300-400

725

An Ebonised and Gilt-Metal-Mounted Tripod Table, late 19th century, the moulded circular top with pierced brass gallery inlaid with simulated hardstones, on a vasi-form support with C-scroll legs and giltmetal mounts 44cm by 76cm

£300-500

727

A Victorian Black-Lacquered Papier Mache and Mother-of-Pearl-Inlaid Tray and Later Stand, circa 1870, stamped Jennens & Bettridge, of moulded serpentine-shape form, decorated with trailing foliage centred by a flowers and leaves, the ebonised stand with simulated bamboo splayed legs joined by a cross-stretcher tray 63cm by 47cm stand 55cm by 42cm by 46cm

£150-250

A Victorian Burr Walnut, Crossbanded and Gilt-Metal-Mounted Writing Desk, late 19th century, in Louis XV style, the staged back with a threequarter pierced brass gallery above two mahogany lined central drawers flanked by mirror cupboard doors, canted stiles and gilt figural cast metal mounts, the base of serpentine-shaped form with red velvet inset writing surface and a leaf cast border and single frieze drawer, on slender cabriole legs with cast mounts and sabots 110cm by 60cm by 118cm

£400-600

729

A Set of Eight Victorian Mahogany Dining Chairs, 3rd quarter 19th century, recovered in yellow striped damask, the curved top rails above overstuffed seats and moulded seat rail, on ring turned tapering forelegs

44cm by 43cm by 88cm

£300-500

A William IV Mahogany Library Bergere, 2nd quarter 19th century, the curved back support above a single-cane back and sides, with scrolled hand grips above a removable buttoned green leather squab cushion and drop-in singlecane seat, the serpentine seat rail on turned and reeded tapering forelegs with brass-capped toes and castors

56cm by 50cm by 90cm

£600-800

729

728

730

731

An Early Victorian Rosewood Canterbury, circa 1850, with four concave dividers and scrolled handle between turned spindle uprights with turned finials, the base with a single drawer, on turned legs with brass-capped toes and castors

49cm by 37cm by 51cm

£180-250

733

A Pair of Satinwood, TulipwoodBanded, Ebony and Boxwood Strung Vitrines, mid 19th century, the moulded tops with shallow galleries above a glazed door enclosing a velvetlined interior, all between canted japanned and parcel gilt stiles above a moulded base and square tapering legs

67cm by 42cm by 59cm

£700-1,000

732

A Howard-Type Egerton Armchair, early 20th century, later recovered in pink and green check fabric, with horse-hair back support, two squab cushions and removable arm covers, the upholstered seat rail on square mahogany forelegs on Howard & Sons Ltd brass castors, the rear leg numbered 9204 71cm by 74cm by 79cm

£1,000-1,500

A George IV Mahogany Tripod Table, the associated circular moulded top inlaid with a marquetry sun burst, on a gadrooned and reeded support with flower-carved socle and triform base with compressed bun feet, the base 19th century, the top later 53cm by 72cm

£200-300

735 No Lot

736

A Pair of Victorian Figured Walnut, Marquetry-Inlaid and Gilt-MetalMounted Encoignures, 3rd quarter 19th century, in Louis XV style, the triangular top with stiff leaf cast border above marquetry-decorated frieze above a glazed bowfront door enclosing a fabric-lined interior flanked by gilt-metal foliate cast mounts, on a moulded platform base with moulded gilt metal egg and dart border

77cm by 54cm by 114cm

£400-600

737

A Victorian Satinwood, Tulipwood-Banded, Crossbanded and Marquetry-Inlaid Kidney-Shape Writing Table, stamped Edwards & Roberts, circa 1890, the crossbanded top inlaid with scrolling acanthus leaves and ivorine, above a velvet-lined oak drawer stamped Edwards & Roberts, on square tapering supports joined by a kidney-shape shelf, with brass-capped toes and castors

77cm by 36cm by 72.5cm

£300-500

738

A Victorian Sheraton Revival Mahogany and Marquetry-Inlaid Tray and Later Stand, late 19th century, with pierced brass border and scrolled handles, the oval patera flanked by acanthus scrolls, urn and flowerbells, on a later mahogany oval stand, the top with green baize and moulded border, on splayed legs

tray 61cm by 40cm

stand 59cm by 41cm by 49cm

£150-250

736

737

739

A William IV Rosewood Three-Division X-Form Canterbury, 2nd quarter 19th century, after a design by John Loudon, with turned handles above a platform base flanked by turned finials and a mahogany-lined drawer, on turned legs with brass-capped toes and castors

59cm by 36cm by 50cm

£250-350

740

A William IV Mahogany Library

Writing Table, 2nd quarter 19th century, the moulded top with an inset brown tooled leather writing surface above six frieze drawers, on turned bulbous and reeded tapering legs with brass-capped toes and castors

151cm by 105cm by 78cm

£900-1,200

741

A Mahogany, Brass and CoromandelInlaid Serving Table, 19th century, the jaune de valence yellow and black marble rectangular top above a beaded frieze inlaid with acanthus scrolls, on scrolled and carved sabre forelegs with claw feet

182.5cm by 71cm by 93cm

£2,000-3,000

740

739

742

A Harlequin Set of Twelve Green-Painted Hepplewhite-Style Armchairs, six 19th century, six later, with green leather drop-in seats, the shieldshape back supports and pierced splats above outswept arms and drop-in seats within curved seat rails, on square tapering forelegs joined by an H stretcher

53cm by 49cm by 93cm

£1,200-1,800

743

A Victorian Satin Birch and Marble-Top Washstand, circa 1890, the gallery back with Aesthetic floral tiles above a white and grey-veined marble top and two frieze drawers, on turned tapering legs with brasscapped toes and castors

122cm by 61cm by 106cm

A Similar Victorian Satin Birch Dressing Table, late 19th century, the rectangular mirror plate pivoting on triangular shaped supports with turned finials, six small drawers below, the base with two frieze drawers, on turned and tapering reeded legs with brass-capped toes and ceramic castors

122cm by 62cm by 170cm (2)

£500-700

744

A George III-Style Mahogany, Crossbanded, Boxwood and Marquetry-Inlaid Cabinet Bookcase, late 19th century, the fret-carved scrolled pediment inlaid with oval patera and surmounted by an urn, the moulded cornice above an inlaid frieze and lancet-glazed doors enclosing three adjustable shelves, the base of breakfront form with two cupboard doors enclosing a shelf, on stout toupie feet 126cm by 58cm by 233cm

Provenance: The Estate of the Late Lady Buchan-Hepburn

£500-700

745

A Victorian Black-Lacquered Papier Mache and Parcel-Gilt Tray on Later Stand, circa 1870, the tray stamped Jennens & Bettridge, London, Makers to the Queen, with crown mark, of moulded serpentine-shape form, decorated with scrolling foliage, on a later ebonised and parcel-gilt stand with turned and splayed legs joined by an X stretcher tray 78cm by 59cm stand 53cm by 38cm by 43cm

£200-300

746

A Hepplewhite-Style Carved Mahogany Triple Chair-Back Settee, 19th century, recovered in floral cream damask, the shield-shape carved and scrolled back supports above outswept arms with carved hand grips, the upholstered seat rail on square tapering forelegs joined by an H stretcher 140cm by 51cm by 97cm

£300-500

744

745 746

An Edwardian Mahogany, Tulipwood-Banded and Marquetry-Inlaid Two-Tier Kidney-Shape Table, in the manner of Edwards & Roberts, early 20th century, the top inlaid with an epergne with griffin-shaped scrolled handles issuing flowers and scrolls, on square tapering legs joined by an undertier inlaid with doves, musical trophies and foliage

62cm by 32cm by 68cm

£300-500

749

An Edwardian Sheraton-Revival Satinwood and Polychrome Painted Bonheur de Jour, early 20th century, the upper section with a three-quarter pierced brass gallery above a fall front painted with flower garlands, ribbons and acanthus scrolls, the tulipwoodbanded interior with a green and gilt-tooled leather writing surface, five oak-lined drawers and three small pigeon holes, all above a neo-classical-decorated base with single drawer, on square tapering legs with spade feet

92cm by 46cm by 145cm

£700-1,000

A Carved Mahogany Side Table, early 20th century, the flame mahogany top with moulded edge and ribbon carved border above a foliate carved frieze centred by a shell, on C-scroll acanthus-decorated cabriole legs with carved claw feet

111cm by 49cm by 84cm

£350-550

748

750

A George III-Style Mahogany Triple-Pillar Dining Table, possibly Arthur Brett of Norwich, of D-shape form with three additional leaves , on turned gun barrel supports with fluted splayed legs, brass-capped toes and castors

365cm extended by 116cm by 73cm

£1,000-1,500

751

Attributed to Gillows: An Imperial Mahogany Extending Dining Table, circa 1810, of D-shape form with six additional leaves above an extending oak frame, on ten turned and reeded tapering legs with brasscapped toes and castors

436cm extended by 151cm by 74cm

For a similar table see Stuart (Susan E) Gillows of Lancaster and London 1730-1840, vol 1, pg.243, pl.241

£3,000-4,000

753

A George II Mahogany Gainsborough-Type Library Armchair, mid 18th century, upholstered in light blue silk damask, the padded back with arched top rail, the padded arms with down-scrolled ends carved with slender leaves, on swept uprights carved with further acanthus leaves and C scrolls, the shaped apron incised with lattice and richly carved in relief with rococo scrolls throughout, on short cabriole legs, the inscrolled feet with recessed brass castors

98cm high, 75cm wide

£3,000-4,000

752

A Set of Six (4+2) French Rosewood and Ormolu-Mounted Upholstered Dining Chairs, attributed to Jeanselme, 19th century. the scrolled ormolu mounts stamped JP, recovered in floral yellow damask, with oval moulded back supports above overstuffed seats and serpentine seat rails, on stop-fluted tapering forelegs and castors

singles 49cm by 49cm by 93cm carvers 61cm by 50cm by 96cm

£1,000-1,500

753 detail

754

A George III Mahogany Straight-Front Chest of Drawers, circa 1800, the moulded top above two short and four long oak-lined drawers with original brasses, on bracket feet

113cm by 59cm by 148cm

£300-500

756

A George III Mahogany Open Armchair, late 18th century, recovered in yellow and cream silk damask, the oval back support and reeded splat centred by oval patera, with moulded outswept arms and serpentine overstuff seat, on fluted tapering forelegs with block feet

57cm by 50cm by 94cm

£250-350

755

A George III Mahogany ThreeTier Dumb Waiter, early 19th century, of circular moulded dished form with three graduated tiers on gun barrel supports with vasi-form column above three cabriole legs with flattened pad feet, formerly on castors largest tier 60cm diameter, 125cm high

Provenance: The Estate of the Late Lady Buchan-Hepburn

£150-200

757

£200-300 757 756

A Late George III Satinwood, Tulipwood, Purpleheart and EbonyCrossbanded Hanging Corner Cupboard, early 19th century, the moulded pediment above a moulded cupboard door with oval panel and fan patera enclosing three serpentine fixed shelves, all between canted stiles

78cm by 42cm by 111cm

755

758

A George III Mahogany Tripod Table, late 18th century, the circular one-piece top pivoting on a block part-wrythen and baluster turned support on three cabriole legs

88cm by 75cm

£200-300

759

A George III Mahogany, Satinwood-Banded and Parquetry-Decorated Free-Standing Corner Cupboard, late 18th century, the swan neck pediment above a geometric frieze and two two-as-one crossbanded cupboard doors enclosing a later painted interior, all between canted stiles, the base with two further cupboard doors above a wavy-shaped apron and bracket feet

113cm by 61cm by 244cm

£300-400 760

A Mahogany D-Shape Foldover Card Table, in the manner of Gillows, early 19th century, the hinged leaf enclosing a green baize-lined interior, with two rear pivoting gatelegs, on turned and reeded tapering legs

91.5cm by 45cm by 75cm

Provenance: The Estate of the Late Lady Buchan-Hepburn

£200-300

759

758

761

A Set of Six George III Mahogany Dining Chairs, late 18th century, in French Hepplewhite style, covered in yellow and cream floral striped fabric, the moulded and reeded back supports above serpentine seat rails, on slender cabriole forelegs

57cm by 45cm by 93cm

£1,500-2,000

762

A George III-Style Mahogany and Ebony-Strung Lady’s Writing Desk, the later curved superstructure with six real mahogany-lined drawers flanked by dummy drawers above a reeded hinged leaf enclosing a vacant interior, on square tapering legs joined by a curved shelf and Xform stretcher, part 18th century and adapted 61cm by 47cm by 90cm

£250-350

A George III-Style Mahogany Bachelor’s Chest, of attractive proportions, the moulded top above four mahogany and pine-lined drawers with brass oval backplate handles, on bracket feet 65cm by 45cm by 71cm

£250-350

761

763

764

A George II Mahogany Tilt-Top Circular Tripod Table, circa 1750, the one piece top pivoting on a birdcage platform and turned gun barrel support with three cabriole legs and pad feet, formerly on castors

79cm by 70cm

£300-400

765

A George III-Style Mahogany, Crossbanded, FruitwoodBanded, Ebony and Boxwood-Strung Bonheur de Jour, the moulded staged top with three-quarter gallery above a small frieze drawer flanked by two candle slides, the two cupboard doors enclosing a fitted interior of pigeons and small drawers, the pivoting mirrors with ratchet supports, two further drawers below a sliding writing surface, the arched drawer on square tapering legs joined by a shelf 69cm by 47cm by 140cm

£300-500

766

A George III-Style Mahogany Secretaire Chest, late 19th/early 20th century, the deep fall front secretaire drawer enclosing two small drawers and six pigeon holes, three oak-lined drawers below, on moulded bracket feet

92cm by 52cm by 104cm

Provenance: The Estate of the Late Lady Buchan-Hepburn

£300-400

767

A George III Mahogany, Satinwood-Banded, Boxwood and EbonyStrung Writing Table, circa 1780, inset with a modern brown leather skiver, the pivoting top with ratchet support and a rising fabric-covered face screen, one side with a pull-out slide and fitted drawer for inkwells and pens, the opposing side with a pull-out slide above a dummy drawer and a further green baize-covered slide below, all around a sham drawer with oval brass backplate handles, on square tapering legs with brass-capped toes and castors

49cm by 37cm by 74cm

£400-600

765

768

A George III Mahogany Kettle Stand, 3rd quarter 18th century, the square moulded top with narrow gallery above a pull-out candle slide, on square tapering legs with brass-capped feet and leather castors

24cm by 24cm by 67cm

£300-500

769

A George III Mahogany and Brass-Bound Oval Peat Bucket, circa 1800, the staved body with swing handle and removable brass liner above four brass bandings

32cm by 28cm by 31cm (excluding handle)

£300-400

770

A George III Mahogany Free-Standing Corner Cupboard, attributed to Gillows, late 18th century, the scrolled swan neck pediment surmounted by a gilt-metal Greek Key and eagle finial, the astragal-glazed doors enclosing a greenpainted interior, the base with two moulded cupboard doors, all between canted stiles with moulded panels, on bracket feet

110cm by 62cm by 244cm

£400-600

769

772

A Mahogany and Boxwood-Strung Vide Poche, 19thcentury, the rectangular tray top with brasshinged fall front, on standard end supports joined by an oval galleried shelf and splayed legs

57cm by 38cm by 72cm

£500-700

771

A Set of Eight (6+2) Mahogany and Crossbanded Dining Chairs, circa 1820-30, recovered in closenailed geometric cream fabric, the reeded top rails and uprights with pierced horizontal splats centred by moulded rectangular tablets above overstuffed seats, on ring-turned tapering forelegs singles 49cm by 41cm by 83cm carvers 53cm by 43cm by 83cm

£500-700

773

A George III Mahogany, Tulipwood-Banded and Boxwood-Strung Chest on Chest, late 18th century, the fret carved swan neck pediment above a dentil frieze and two short over three long oaklined drawers with original brasses, all between canted stiles, the base with a pull-out brushing slide above three long drawers, the moulded base on scrolled bracket feet

113cm by 56cm by 215cm

£600-800

771 773

772

774

A George III Mahogany Straight-Front Secretaire Chest, late 18th century, the moulded top above an oak-lined drawer with divided interior and a sliding writing surface and gilt Greek Key patterned leather skiver, three further oak-lined drawers below above a moulded base with scrolled bracket feet

104cm by 57cm by 91cm

£700-1,000

776

A George III Mahogany Octagonal Cellaret, late 18th century, the hinged lid with ebony banding enclosing the original lead-lined divided interior, with small brass loop carrying handles to the sides, on square tapering legs with brass-capped toes and castors

55cm by 54.5cm by 72.5cm

£700-1,000

775

A Mahogany-Framed Wing-Back Chair, 19th century, in George II style, recovered in modern blue and gold geometric fabric, with curved back support, overstuffed arms and squab cushion above an upholstered seat rail, on acanthus-carved cabriole legs with ball and claw feet 84cm by 63cm by 124cm

£700-1,000

777

A George III Mahogany, Tulipwood-Banded, Boxwood-Strung and Satinwood Escritoire, late 18th century, the moulded top above a gilt metal banding above a freize drawer, the fall front inset with a circular satinwood panel and enclosing a green baize-lined writing surface with six large and six small drawer around an open niche, two moulded cupboard doors below, all between canted stiles, on bracket feet

84cm by 51cm by 147cm

£800-1,200

778

A Regency Mahogany and Ebony-Strung Octagonal Library Table, early 19th century, with an inset green leather writing surface above eight oak-lined frieze drawers divided by small triangular drawers for pens and inkwells with sham drawers below, on a turned support with four reeded legs, brass-capped toes and castors

107cm diameter, 76cm high

£1,000-1,500

779

A George III Mahogany Bachelor’s Chest, late 18th century, the moulded top above a pull-out brushing slide with four oak-lined drawers below, on bracket feet

77cm by 49cm by 76cm

£1,000-1,500

781

A Cream-Painted and Parcel-Gilt ThreeSeater Sofa, 19th century, in the French Hepplewhite style, covered in worn cream floral old silk damask, the moulded show frame with padded arm supports and carved hand grips above a serpentine seat rail, on turned and fluted forelegs

212cm by 71cm by 102cm

£400-600

780

An Irish George II-Style Giltwood Wall Mirror, 19th century, the plain mirror plate within an acanthus-decorated foliate frame, the corners surmounted by squirrels, the rocaille plume with a basket of flowers 86cm by 104cm

£400-600

779

782

A George III Mahogany, Crossbanded and Parquetry-Decorated Serpentine Chest of Drawers, late 18th century, the toilet drawer with green baize sliding surface enclosing a fitted interior with mahogany and crossbanded lidded compartments, three oak-lined drawers below, all between canted stiles, on scrolled bracket feet and castors 97cm by 56cm by 85cm

£1,000-1,500

784

A George III Carved Mahogany Secretaire Linen Press, in the manner of Gillows, circa 1800, the dentil arcaded and blind fret-carved frieze above featherbanded moulded cupboard doors enclosing four mahogany and pine-lined sliding trays, a deep secretaire drawer below, the fall front with green baize-lined writing surface, pigeon holes and an arrangement of small drawers, two short over two long drawers below, on bracket feet

125cm by 60cm by 211cm

£1,000-1,500

783

A George III Beech-Framed Three-Seater Sofa, in the manner of Robert Adam, 18th century and later, recovered in close-nailed yellow floral patterned damask, the moulded frame with scrolled and carved hand grips and supports above a removable squab cushion, the fluted seat rail on fluted tapering legs headed by flower-carved roundels, 19th century and later 195cm by 68cm by 94cm

£800-1,200

782

783

785

A Mahogany-Inlaid and Parquetry-Decorated Square Piano, by J Watlin, 5 Leicester Place, London, circa 1820/30, the hinged lid enclosing a satinwood fret carved interior above an ivory keyboard with a concave sliding drawer below flanked by two smaller drawers, on ring turned tapering legs with castors 165cm by 59cm by 81cm

With Non-Transferable Standard Ivory Exemption Declaration Number T1K4X46X

John Watlin (1764-1833), music seller and instrument manufacturer, registered in 1796 at 34 North Bridge Street, Edinburgh and changed address to 5 Gloucester Place, Leicester Square from 1806-1818

£300-400

786

A George III Satinwood, Tulipwood Crossbanded, Ebony and Stained Harewood Display Cabinet, in the Neo-Classical Style, early 19th century, of breakfront form, the moulded pediment above a floral decorated frieze, the glazed doors below enclosing adjustable shelves, the base with a concave central drawer flanked by oak-lined drawers all above an open niche flanked by cupboard doors inlaid with urns and festoons, on square tapering legs with spade feet

147cm by 43cm by 199cm

£1,200-1,800

787

A George III Mahogany Metamorphic Library Armchair, in the manner of Morgan & Sanders, circa 1810, the curved and reeded back support above scrolled arm supports, the single-cane seat and reeded frame on reeded sabre forelegs with brasscapped toes and castors, the frame with pivoting hinges to reveal red fabric treads as steps 51cm by 96cm by 70cm as chair 53cm by 61cm by 88cm

£1,500-2,500

788

An Imperial-Style Mahogany Telescopic Dining Table, in the manner of Gillows, early 19th century, the D-end sections and four original leaves with reeded edge extending on a telescopic oak frame, on turned and reeded tapering legs with brass capped toes and castors

358cm extended by 152.5cm by 72cm

For a similar table see Stuart (Susan E) Gillows of Lancaster and London 1730-1840, vol 1, pg.243, pl.241

£2,000-3,000`

789

A George III Mahogany Secretaire Linen Press, attributed to Gillows, 3rd quarter 18th century, the dentil cornice above a gothic tracery moulded frieze, the moulded cupboard doors flanked by scrolled and carved acanthus leaves enclosing four oaklined sliding trays, the base with a five-as-one deep secretaire drawer with fall front enclosing a green baize-lined writing surface, pigeon holes and small oak-lined drawers, three long drawers below with original brasses, on scrolled bracket feet 132cm by 62cm by 219cm

For a similar gothic cornice see Stuart (Susan E) Gillows of Lancaster and London 1730-1840, vol 2, pg.61, pl.607

£2,000-3,000

788

791

790

A Regency-Style Mahogany Wall-Mounted Display Cabinet, the scrolled pediment above glazed doors enclosing an adjustable shelf, all between reeded stiles, 19th century in part 77cm by 34cm by 58cm

£200-300

A Regency Ebonised and Parcel Gilt Papier-Mâché Tray, stamped Clays, of oval form and with foliate border, on a later stand with turned legs tray 51cm by 40cm stand 51cm by 40cm by 47cm

£200-300

792

A Regency Mahogany and Rosewood-Crossbanded Card Table, early 19th century, the pivoting hinged leaves with reeded edge enclosing a green baize-lined interior above a pine-lined drawer, on spiral turned tapering legs with brass-capped toes and castors 50cm by 48cm by 74cm

£250-350

793

A Regency Rosewood and Brass-Inlaid Circular Dining Table, circa 1810, the crossbanded top inlaid with scrolling foliage, on a square tapering support with moulded socle and platform base with four splayed legs, brass hairy paw feet and castors

127cm diameter, 73cm high

£300-500

792

794

A Regency Giltwood and Ebonised Convex Mirror, early 19th century, the mercury mirror plate within a reeded and ebonised slip and reeded flower-moulded frame with an acanthus- scrolled apron supporting scrolled candle arms, the scrolled pediment as a basket issuing leaves

104cm by 60cm

£300-500

796

A Regency Mahogany Side Table, in the manner of Gillows, circa 1820, the reeded edge and drop flaps above a mahogany-lined drawer with divided interior and lidded compartments, on turned and reeded tapering legs with brass-capped toes and castors

57cm by 47cm by 73cm

£400-600

795

A Regency Rosewood, Coromandel and Tulipwood-Banded Foldover Card Table, early 19th century, of D-shape form with hinged leaf enclosing a green baize-lined interior, the plain frieze with stiff leaf giltmetal border, on C-scroll supports joined by an X-form stretcher and brass leaf cast feet and castors

91.5cm by 45cm by 71cm

£400-600

797

A Regency Rosewood, Crossbanded and Rosewood-Strung Sofa Table, early 19th century, with twin oval dropleaves above two mahoganylined drawers with opposing sham drawers, on standard end supports with brass foliate mounts, splayed legs and brass-capped toes and castors

92cm by 69cm by 72cm

£400-600

798

A Regency Mahogany Metamorphic Library Chair, early 19th century, the scrolled and curved top rail above a reeded frame with scrolled arm supports and worn red leather drop-in seat with reeded seat rail, the pivoting frame with four fabric-covered steps, on splayed rear legs and sabre forelegs chair 53cm by 55cm by 73cm steps open 53cm by 101cm by 73cm

£500-700

800

A Regency Mahogany and Ebony-Banded Bowfront

Serving Table, early 19th century, the moulded top above a central oak-lined frieze drawer with lion mask loop handle flanked by moulded panels, on reeded and tapering forelegs with brass paw feet

156cm by 46.5cm by 87cm

£1,000-1,500

799

A Regency Rosewood and BrassInlaid Three-Seater Sofa, early 19th century, recovered in blue striped silk damask, the carved and scrolled top rail above a padded back support and arms, the carved arm supports all above a squab cushion and moulded seat rail flanked by rectangular tablets and gadrooned mouldings, on splayed legs with brass-capped feet and castors

220cm by 63cm by 87cm

£600-800

798

801

A George IV Partridge Wood, Rosewood-Crossbanded, Boxwood and Ebony-Strung Cylinder Bureau, by William Wilkinson, 14 Ludgate Hill, London, 2nd quarter 19th century, the upper section with a three-quarter gallery above two small glazed doors enclosing a fabric-lined interior, the cylinder front enclosing a sliding writing surface with green and gilt leather skiver with ratchet support and two small drawers and pigeon holes, all above a frieze drawer stamped Wilkinson London Ludgate Hill, flanked by satinwood panels, on square tapering legs 57cm by 44cm by 123cm

William Wilkinson, 14 Ludgate Hill, London had formerly been a partner with Thomas Wilkinson at Brokers Row, Moorfields but the partnership broke up after 1807 and by 1808 William was trading on his own account at Ludgate Hill. In 1829 they were commissioned by the architect John Rennie to make a table which he presented to the Earl of Lonsdale at Lowther Castle and from 1833-1834 make furniture for the Goldsmiths Hall, London to the designs of the architect Philip Hardwick. The firm appear to have adopted a policy of stamping their products from a wide range of furniture in the Regency style. It has been noted that variations of stamps including “Wilkinson, Ludgate Hill”, “Wilkinson & Sons, 14 Ludgate Hill” appear on various sofa tables, breakfast tables, extending dining tables and occasional furniture. See Dictionary of English Furniture Makers 1660-1840, pg.978

£1,200-1,800

802

A Regency Rosewood, Tulipwood-Banded and Gilt-MetalMounted Chiffonier, by William Wilkinson, 14 Ludgate Hill, London, 2nd quarter 19th century the pierced three-quarter brass gallery above a rectangular mercury mirror plate flanked by gilt-metal fret-cut panels and scrolled supports above two mahogany-lined drawers with brass shell loop handles and a fall-front secretaire drawer numbered 4016, the interior with a red gilt tooled leather writing surface with two satinwoodveneered drawers flanked by anthemion mounts, on scrolled S-shaped supports above a moulded breakfront base 99cm by 51cm by 119cm

£1,500-2,500

801 (detail)

803

A Regency Rosewood and Brass-Inlaid Chaise Longue, early 19th century, recovered in striped orange silk, with scrolled back support, padded arms and squab cushion, the frame decorated with trailing foliage above four splayed legs with brass cast acanthus leaf scrolled capped feet and castors 200cm by 69cm by 47cm

£1,500-2,500

804 No Lot

805

A Set of Six Regency Simulated Rosewood and Parcel-Gilt Armchairs, early 19th century, three stamped John Gee, the other three unmarked, each with single-cane seats, with four removable squab cushions, two upholstered in floral silk, the others in plain cream silk, on splayed simulated bamboo forelegs 46cm by 42cm by 82cm

John Gee, London, Chair Maker and Turner (1779-c.1824) also listed as Gee & Sons (1809) and Gee, Thomas Aycliffe (18041809). In about 1779 John Gee replaced Thomas Aycliffe as partner to Benjamin Crompton who had been Turner in Ordinary to George III since 1762. On 14 October 1787 Gee was sworn in as Turner jointly with Thos. Aycliffe, his partner, but his name, unlike Aycliffe’s, does not appear in the Court and City Register until 1799. His productions have been identified through stamp marks: “J Gee”, “Gee”, “IG and crown”. See Dictionary of English Furniture Makers 1660-1840, pg.334

£2,000-3,000

806

A Pair of Regency Calamander and Brass-Strung Side Cabinets, early 19th century, after a design by George Smith, the crossbanded moulded tops with brass symbols above a pine-lined drawer inlaid with scrolls, brass grille doors below with later pleated black fabric enclosing a later simulated rosewood interior, on gilt claw feet

95cm by 38cm by 107cm

£5,000-7,000

A George III Carved Mahogany Chippendale-Style Foldover Tea Table, circa 1760, of rectangular form, the hinged leaf and double concentriccarved edge above a plain frieze with arched apron below carved with C-scrolls and foliage, on carved cabriole legs with carved knees and scrolled toes

86cm by 43cm by 71cm

£4,000-6,000

807

808

A Dutch Mahogany and Marquetry-Inlaid Cabinet on Chest, 19th century, the upper section with moulded cornice above a glazed door enclosing a faded pink velvet interior, all between canted stiles and scrolled trusses, the chest with moulded serpentine top above four oak-lined drawers and wavy-shaped apron, on compressed bun feet

91cm by 52cm by 198cm

Provenance: The Estate of the Late Lady Buchan-Hepburn

£300-500

809

An Italian Lombard Walnut, Fruitwood, Bone and Marquetry-Inlaid Bombé Commode, 19th century, inlaid throughout with equestrian, deer, wolf and wild boar hunting scenes, the moulded top with an egg and dart carved border above three deep drawers, on splayed forelegs, the stiles inlaid with trailing acanthus leaves and urns

78cm by 39cm by 82cm

£1,000-1,500

810

An Italian Lombard Walnut, Fruitwood, Bone and Marquetry-Inlaid Mirror-Back Commode, 19th century, the superstructure with a bevelled glass plate flanked by marquetry panels of leaves and C-scrolls and flanked by caryatid figures, inlaid throughout with equestrian, deer, wolf and wild boar hunting scenes, the moulded top with an egg and dart carved border above three deep drawers, on splayed forelegs, the stiles inlaid with trailing acanthus leaves and urns

78cm by 40cm by 159cm

£1,500-2,000

809

812

A Spanish Walnut and Parcel-Gilt Vargueno on Stand, 17th century, the boarded dovetail chest with nailed ornamental iron strapwork above a central cupboard door with scrolled pediment and pilasters enclosing three drawers, flanked by three further drawers to each side, carved with Moorish motifs and geometric moulded escutcheons surrounded by painted flowers, on compressed bun feet, the walnut table stand with a one-piece top on baluster and block ring-turned end supports joined by an iron cross-stretcher cabinet 89cm by 34cm by 53cm stand 102cm by 38.5cm by 81.5cm

For a similar cabinet see Feduchi (Luis) Historia de los Estilos del Mueble Español, Barcelona, 1969, afb 106.

£2,000-3,000

811

An Italian Carved Walnut Torchere, late 19th century, the rectangular platform top with scrolled border above a pedestal support as a tree and branches supporting birds and a bird’s nest, the base carved as putti seated around a rocky base 34cm by 29cm by 97cm

£300-500

815

A Pair of Victorian Gilt-MetalMounted Red Tortoiseshell and Cut-Brass Boulle-Style Side Cabinets, stamped Wilkinson & Son, 5421, 2nd half 19th century, each with later black slate tops above cupboard doors with arched mirror plates within a stiff leaf gilt-metal border, the mahogany-lined interior with two adjustable shelves between canted stiles with caryatid mounts, the brass-strung side panels centred by espagnolette masks, on breakfront moulded bases

79cm by 44cm by 110cm

Wilkinsons was founded around 1766 in Moorfields, London. The firm moved to 8 Old Bond Street after 1855 and remained there until 1909

£2,500-3,500

813

A Venetian Carved Pine and Polychrome-Decorated Blackamoor Figure, late 19th century, with silvered and gilt highlights, the female figure with arms outstretched wearing a floral painted dress and standing on a faux marble square base, on an ebonised and polychrome-decorated moulded stand the figure 130cm high, the stand 38cm by 38cm by 66cm

£600-800

814

A French Carved Giltwood and Gesso Marginal Mirror, circa 1870, the octagonal bevelled glass mirror plate flanked by a beaded border and egg and dart frame surrounding eight smaller plates surmounted for foliate C-scrolls

126cm by 89cm

£600-800

814

816

A French Louis XVI/Transitional-Style Mahogany, Kingwood, Ebony and Parquetry-Decorated Table Ambulant, circa 1900, of three-tier rectangular form with a pierced brass gallery above a single oak-lined drawer, with parquetry-decorated shelves below, on square-form supports with turned toupie parcel-gilt feet

38cm by 29cm by 81cm

£200-300

817

A Louis XVI-Style Ebonised, Gilt-Metal-Mounted and Faux Marble Chiffonier, late 19th century, the superstructure with scrolled pediment inset with a simulated lapis lazuli panel above two shelves decorated with drapery and ribbons, the mirrored panels with four oak and mahogany-lined drawers below, the base with a single frieze drawer decorated with putto, with a moulded cupboard door below inset with a leafdecorated oval metal plaque, all between fluted and carved supports

70cm by 46cm by 161.5cm

£700-1,000

818

A French Louis XV-Style Giltwood and Composition

Overmantel Mirror, late 19th century, the plain mirror plate within a moulded rockwork frame with acanthus C scrolls and surmounted by a scrolling shell and flower garlands

168cm by 110cm

£500-700

817

816

A French Louis XV-Style Kingwood and Gilt-Metal-Moulded Gueridon, late 19th century, the underside labelled Giroux & Co, No.7 rue du Coq-St-Honoré, Paris, the top inset with a floral-decorated Paris porcelain plate flanked by three smaller oval examples all within gilt metal borders, the arched apron on slender cabriole legs joined by a circular undertier surmounted by a porcelain plate, on splayed legs with acanthus-decorated feet and castors

46cm by 76cm

£300-400

820

A French Ormolu-Mounted and Brass-Inlaid Mahogany Envelope Card Table, by Paul Sormani, Paris, circa 1880, the rotating quarter-cut top inlaid brass banding and green baize-lined playing surface over a single oak-lined drawer, the lockplate signed P Sormani Paris 10.R.Charlot, Paris, also labelled with ivorine plaque S.& H. Jewell 131 & 132 High Holborn, London, W.C., on fluted tapering legs above toupie feet 58cm by 58cm by 76cm

£1,500-2,000

820 (detail) 820

819 (detail)

821

A Carved Giltwood and Porcelain-Mounted Table, circa 1890, of circular form with egg and dart border, with circular porcelain plaque depicting Napoleon I in robes flanked by twelve blue-ground porcelain portrait panels signed Resch, all above a wavy-shaped apron, on carved cabriole scrolled legs joined by stretchers

56cm diameter, 75cm high

£5,000-7,000

821

821 (detail)

822

A French Ormolu-Mounted, Mahogany, Amaranth, Bois Satine and Parquetry-Decorated Side Table, after the model by Adam Weisweiler, attributed to Paul Soumani, Paris, 2nd half 19th century, the lozengedecorated parquetry top above a mahogany-lined frieze drawer, on curule-form fluted legs headed by capitals and joined by a turned stretcher, on brass-capped feet

68cm by 38.5cm by 70cm

£1,500-2,000

824

A French Green Onyx, Gilt-Bronze and Champlevé Enamel Pedestal Table, late 19th/early 20th century, the square moulded top with champlevé enamel-decorated border, on four column supports with stepped base and gilt-metal cast claw feet

47cm by 47cm by 78cm

£300-500

823

A French Mahogany and Gilt-Metal-Mounted Free-Standing Dwarf Bookcase, late 19th century, the quarter-veneered and crossbanded moulded top above three adjustable shelves with gilt-tooled leather dust covers, all between fluted column supports, on spiral-turned toupie feet 111cm by 29cm by 124cm

£400-600

825

A French Louis XV-Style Rosewood, Marquetry-Inlaid and Gilt-MetalMounted Table Ambulante, circa 1900, the quarter-veneered and moulded serpentine hinged top enclosing a divided interior and bevelled glass mirror plate, on slender cabriole legs with gilt foliate cast mounts and sabots

56cm by 39cm by 75cm

£200-300

826

A French Provincial Chestnut and Fruitwood Armoire, 19th century, the moulded cornice above substantial cupboard doors with moulded panels and original engraved brasses, the later fabric-lined interior with removable shelf and later hanging pole, all above an arched apron, on scrolled forelegs

143cm by 52cm by 232cm

£400-600

827

A Pair of Chinese Carved Hardwood Plant Stands, circa 1900, with brocatelle voilette marble insets within flower-carved and beaded borders with pierced and scrolled aprons, on cabriole legs headed by berries and foliage and joined by a pierced circular undertier

42cm by 42cm by 82cm

£500-800

828

A Japanese Hardwood and Bone-Inlaid Shadona, Meiji period, late 19th century, foliate carved throughout with birds, leaves and animals in an arrangement of sliding and pivoting cupboards above foliate carved back panels, the base with three small drawers, formerly on feet

117cm by 42cm by 185cm

£500-700

826 827

A Japanese Black Lacquer and GiltDecorated Cabinet on Stand, 20th century, decorated throughout with cranes and other birds amongst flowers, the side panels decorated with trees, the engraved brass strapwork enclosing a lacquered interior of twelve drawers decorated with insects and flowers, on a moulded giltwood stand centred by a shell and flanked by acanthus leafdecorated cabriole legs 100cm by 56cm by 163cm

Provenance: By repute in the same family for the last 100 years

£2,500-3,500

829 (detail)

ASIAN ART AT TENNANTS

New for 2025

A dedicated Asian Art sale will be held during the Fine Sale week embracing all aspects of art from Asia and the East

A Chinese Celadon Jade Inscribed “Luohan” Boulder, Qianlong Sold for £88,000 (Hammer)

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 20% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale..

Additional Images

Requests for additional images of items in the sale can be made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.thesaleroom.com; and

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £6,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

CITES Regulations/Ivory Act 2018

CITES-restricted items will be accompanied by a current CITES Article 10 licence where applicable and the licence number will be displayed within the original catalogue description (required by UK law). CITES Article 10 licences are non-transferable and buyers must apply for a new Article 10 licence in their name if they wish to sell to a third party.

It is the sole responsibility of the buyer and/or contracted shipping agent to have in place the correct CITES re-export and import licences into the buyer’s chosen country before shipping can be undertaken.

CITES regulations are given on www.ukcites.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH

wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Method of Payment

Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale. above base rate from the day of sale.

Collection

All purchases much be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332

info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715

info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

NEXT FINE ART SALE

SATURDAY 15 MARCH 2025

2024 AUCTION DATES

Friday 8 November

Antiques & Interiors

including Designer Fashion

and a selection of Silver

Wednesday 13 November

Natural History & Taxidermy

Friday 15 November

Selected Contents of Bell Hall

Saturday 16 November

Autumn Sale

British, European & Sporting Art

Fine Jewellery, Watches & Silver

Wednesday 20 November

Coins & Banknotes

Friday 22 November

Antiques & Interiors

Fashion, Costumed & Textiles

Wednesday 27 November

Books, Maps & Manuscripts

enquiry@tennants-ltd.co.uk