20th Century Design - 1 March 2025

20TH CENTURY DESIGN

SATURDAY 1 MARCH 2025

MODERN & CONTEMPORARY ART

SATURDAY 1 MARCH 2025 9.30AM

20TH CENTURY DESIGN

SATURDAY 1 MARCH 2025 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Thursday 27 February 10.00am to 4.00pm Friday 28 February 10.00am to 4.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 370

BACK COVER Lot 315 (right-hand cat)

20TH CENTURY DESIGN DEPARTMENT

Encompassing studio ceramics, ceramics, glass, metalwork, sculpture, furniture and furnishings from all the major design movements in the applied arts from 1860 to the present day. Periods of collecting include Arts & Crafts, Aesthetic Movement, Art Nouveau, Art Deco, Modernist, Post-War Design and Contemporary Design amongst others, through designers such as William Morris, Martin Brothers, William Moorcroft, Christopher Dresser, Liberty & Co, Lucie Rie, William De Morgan, Ferdinand Preiss, René Lalique, Émile Gallé, Archibald Knox and the Cotswold School. Mouseman and Yorkshire Critters MOUSEMAN

AND THE YORKSHIRE CRITTERS

Tennants is widely regarded as the leading auction house in the Arts & Crafts oak furniture and furnishings of Robert ‘Mouseman’ Thompson. In 2016 Tennants staged the first ever exhibition of Robert ‘Mouseman’ Thompson outside Kilburn in conjunction with his descendants. The Yorkshire Critters comprise over forty furniture makers working in the tradition of Robert ‘Mouseman’ Thompson, many of whom trained in his Kilburn workshop. Increasingly popular, the most well-known of them include Stan ‘Woodpeckerman’ Dodds, Wilf ‘Squirrelman’ Hutchinson and Colin ‘Beaverman’ Almack.

Numerous important private collections of Mouseman have been sold at Tennants over the years, including the Library from Leeds Girls’ High School, the Boardroom from Grattans in Bradford, the contents of St Hilda’s Priory in Whitby, and property from Marco-Pierre White’s Rudloe Arms Hotel in Wiltshire.

YOUR SPECIALISTS

Diane Sinnott is both the specialist in charge of the 20th Century Design Department and an experienced General Valuer. Since joining Tennants in 2002, Diane has been responsible for a number of high-profile sales, including the Robert ‘Mouseman’ Thompson Library at Leeds Girls’ High School, the Michael Webb Collection of Studio Ceramics, and the G. Kenneth Whitehead Deer Collection. Diane is considered to be one of the country’s most knowledgeable Robert ‘Mouseman’ Thompson and Yorkshire Critters specialists.

Diane began working in the auction business in 1996 having graduated from the Southampton Institute with a BA (Hons) in Fine Arts Valuation. She is a qualified Member of the Royal Institute of Chartered Surveyors in Chattels, and regularly gives talks on Robert ‘Mouseman’ Thompson and 20th Century Design. Diane has a particular interest and expertise in Arts & Crafts oak furniture, and is a member of the Decorative Arts Society and the Society for the Protection of Ancient Buildings (SPAB).

Jeffrey Lassaline joined Tennants in 2019 as the specialist in charge of the Silver and Objects of Vertu Department, bringing with him over 25 years’ experience working in with Fine and Decorative Arts. Having begun his career working for a museum in Canada, Jeffrey moved to London in 2000 to take up the post of Head of the Silver Department at Christie’s South Kensington. In 2005 Jeffrey moved to Christie’s King Street to become Senior Silver Specialist and Director. During nearly 20 years working at Christie’s, most recently as Consultant Senior Specialist, Jeffrey was involved in many landmark sales, including the David and Vivian Campbell Collection of Omar Ramsden silver and, more recently, the Peggy and David Rockefeller Sale in 2018, and handled numerous important items including the Richards Mazer bowl by Omar Ramsden, which sold for a then record price of almost £104,000, and the Fabergé Rothschild Egg, which sold for almost £8.9m.

Jeffrey has a passion for silver and works to promote the work contemporary goldsmiths and silversmiths, particularly through his previous roles as Curator and Secretary to the Trustees of the Silver Trust; Chair of the Board of Trustees of the Charitable Incorporated Organisation of Contemporary British Silversmiths and currently as Deputy Chair of the Board of Trustees of the Hand Engravers Association of Great Britain. Jeffrey is a Freeman of both the Worshipful Company of Goldsmiths and the City of London, a member of the Silver Society and a founding member of the Silver Society of Canada.

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-nine specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

Diane Sinnott BA (Hons) MRICS

Jeffrey Lassaline Silver and Objects of Vertu

THE DOCTOR EILEEN COBB COLLECTION

Eileen Cobb, née Darwood, was born in Blackheath in 1932, the only child of William and Gladys Darwood. Brought up in Kent, she was educated at Dartford Grammar School for Girls, which she credited for her work ethic.

Going on to study medicine at St Mary’s Hospital in London, she was a pioneering example of a woman in a world that did not encourage women entering the medical profession, let along rising to consultant status. She was a force to be reckoned with, and was known for her courage, fortitude, commitment and determination.

Having worked in several posts, including as a Houseman at Bournemouth and Poole Hospital, Eileen rose to Senior Registrar at Sussex County Hospital in Brighton before moving into paediatric anaesthesia at Great Ormond Street Hospital. She then went on to become a Consultant Anaesthetist with an interest in paediatric anaesthesia at Northampton General Hospital in 1969, where she worked with many surgeons, who included orthopaedic surgeon Nigel Cobb, who she went on to marry in 1972. Nigel was the surgeon who pieced back together the face of British motorcycle racing, Barry Sheene, following his horrendous Silverstone crash; Eileen was the ‘on call’ anaesthetist that day.

Nigel and Eileen were known amongst their more traditional colleagues for doing things in their own particular way, and Eileen went on to buy her own house near the hospital following their marriage, so she could be close when she was on call.

Eileen had a love of cars, driving, and Formula 1 racing, and was often on call for race days at Silverstone. Indeed, in the 1960s she commissioned a special, fast car to be built for her by Porsche.

Having retired from practice in the early 1990s, Eileen and Nigel had time to devote to other interests; they were members of the Northampton Food and Wine Society and are well remembered for hosting lavish parties. The pair were also avid collectors of furniture, furnishings and decorative items for their numerous homes, and Eileen had a special interest in Chinese porcelain and cats. Their tastes and collecting habits reflected their love of travel, which they were able to enjoy in retirement.

Eileen loved jewellery and brooches in particular, and loved to read, never throwing away any books; she and Nigel were very much collectors!

Items from this collection are marked with .

THE LION COLLECTION

Tennants is delighted to include a fascinating group of Arts & Crafts silver in this sale. The majority of the items, offered as lots 250-292, are sold as part of the Lion Collection, the endeavour of one man, John L. Davis. John is renowned for his collections of tobacco-boxes, caddy-spoons, buckles and contemporary silver, each collection having been carefully curated, researched and published by the owner.

The group presents a cross-section of some of the greatest makers and designers working in the first half of the 20th century, including Archibald Knox for Liberty; Henry George Murphy and Omar Ramsden and Alwyn Carr. These famous names are complemented with a further offering of the work of some more obscure designer silversmiths working at the same time.

While including a wide range of holloware the sale also includes a strong selection of napkin-rings, just a selection from a much larger collection which will be offered by Tennants in the Antiques & Interiors sale on 7 March and in the Fine Jewellery, Watches and Silver sale on 16 March.

Among the highlights of the section is an early biscuit-box by Omar Ramsden and Alwyn Carr, previously in the David and Vivian Campbell collection and a stunning Archibald Knox Cymric vase for Liberty & Co. Among the napkin-rings is a set of four by Henry George Murphy and rare examples by the Keswick School of Industrial Arts.

It is rare for such a collection of such breadth and quality to appear on the market but as the collector enters his eightieth year, we are delighted to have been asked to assist with finding these items new homes.

Jeffrey Lassaline

250

250

Omar Ramsden (1873-1939) & Alwyn Carr (1872-1940): An Arts & Crafts Silver and Enamel Biscuit-Box, London 1902, tapering oval, the sides chased with foliage scrolls and flowers, the pull-off cover enamelled with a scene of a windmill within a landscape, hallmarked London, 1902, maker’s mark Rn&Cr, further stamped ‘Designed and Made by Ramsden & Carr London’ 18.2cm wide, 12.2cm high, gross weight 22oz 12dwt, 703gr

Provenance:

The David and Vivian Campbell Collection, Christie’s, London, 20 April 2005, lot 3. The Lion Collection.

Comprising some 85 lots the collection of David and Vivian Campbell was one of the most extensive collections of the work of Omar Ramsden, both working on his own and working in partnership with Alwyn Charles Ellison Carr, to have yet be offered for sale by auction. Much of the collection was published by Eric Turner and Lynn Springer Roberts in their catalogue English Silver, Masterpieces by Omar Ramsden From the Campbell Collection, David A. Hanks & Associates, New York, 1992, which was published to accompany an exhibition of the pieces of the collection which has been assembled by 1992. The collection was exhibited in Chicago, Montreal, Nashville, Williamstown and Toronto. As the present biscuit-box was not included in either the book or accompanying exhibition it presumably joined the collection after 1992. The collection was sold by Christie’s in London on 20 April 2005.

The biscuit-box offered here represents an early example of their work, having only registered their first mark working in partnership in 1898, the same year they produced a mace for the City of Sheffield. By 1902, the year of the hallmark on the biscuit-box, there were already making extensive use of enamel panels such as the one featured here. As with other examples of their work, such as a vase offered as lot 4 in the same auction at Christie’s which is decorated with pomegranates, the biscuit-box offered here shows the strong influence of the French Art Nouveau movement on their production during the early years of their partnership.

£4,000-6,000

252

251

Omar Ramsden (1873-1939): An Arts & Crafts Silver Tobacco-Box, London, December 1918 to May 1919, oblong, the hinged cover chased with a ship at sail, the main sail chased with initials ‘CRE; and the middle sail chased with a coat-of-arms, further chased with foliage and flowers, all within wavy lines and with twisted wire borders, hallmarked London, 1918, maker’s mark OR, further engraved ‘Omar Ramsden me Fecit MCMXIX 12.7cm wide by 8.5cm deep, 8oz 8dwt, 262gr

Provenance: The Lion Collection.

£1,500-2,500

Omar Ramsden (1873-1939): An Arts & Crafts Silver and Enamel Dish, London, 1920, circular and with twisted wire borders, centring an enamel plaque painted with a portrait of Emilie Charlotte, Lady de Bathe (Lillie Langtry), probably inspired by Edward John Poynter’s (1836-1919) portrait now in the collection of the Jersey Museum and Art Gallery, on five ball feet, hallmarked London, 1920, maker’s mark OR, in original gilt-tooled fitted black leather case, 12.2cm diameter in a fitted case, gross weight 4oz 14dwt, 146gr

Provenance:

Gorringes, 3 September 2009, lot 1493, where purchased by the present owner. The Lion Collection.

Emilie Charlotte, Lady de Bathe (1853-1929), was better known by her name Lillie Langtry, through her first husband, and was nicknamed ‘The Jersey Lily’. She was born in Jersey before moving to London where was to create a sensation as the poster-girl for Pears soap and a West End actress. Her fame and beauty made her popular in London society. She was married twice, first to Edward Langtry, an Irish landowner, and later to Gerald de Bathe, son and first legitimate heir to Sir Henry de Bathe, 4th Baronet. She was also rumoured to have been the mistress of King Edward VII while he was still Prince of Wales.

£800-1,200

253

Omar Ramsden (1873-1939): An Arts & Crafts Silver and Enamel Dish, London, 1918, circular and with shaped border, set with an enamel portrait plaque of a pre-raphaelite maiden, within wirework border, hallmarked London, 1918, maker’s mark OR, the enamel plaque signed with initials ‘LC’, 13cm diameter, gross weight 3oz 3dwt, 99gr

Provenance:

Woolley and Wallis, Salisbury, 7 April 2009, lot 725, where purchased by the present owner. The Lion Collection.

£800-1,200

254

Omar Ramsden (1873-1939) & Alwyn Carr (1872-1940): An Arts & Crafts Silver Dish, London, 1900, the bowl circular and chased with fleur-de-lys, on three scrolling legs connected by a twisted wire, hallmarked London, 1900, maker’s mark Rn&Cr, 13.2cm diameter, 4.1cm high, 6oz 6dwt, 197gr

Provenance: The Lion Collection.

£800-1,200

Omar Ramsden (1873-1939): A Pair of Arts & Crafts Silver Napkin-Rings, London 1933, each centrally waisted and with a hammered finish, one stamped with a Tudor rose, the other with lilies, each within foliage, each hallmarked London, 1933, maker’s mark OR, further engraved Omar Ramsden me Fecit, 50mm diameter, 57mm high, 3oz 11dwt, 110gr (2)

Provenance: The Lion Collection.

£400-600

Omar Ramsden (1873-1939) & Alwyn Carr (1872-1940): A Pair of Arts & Crafts Silver Napkin-Rings, London, 1910, each centrally waisted with an overall hammered finish, one chased with a rose, the other with a pomegranate, each within foliage, each hallmarked London, 1910, maker’s mark RN&CR, 48mm diameter, 56mm high and slightly smaller, 2oz 5dwt, 70gr (2)

Provenance: The Lion Collection.

£400-600

257

Henry George Murphy (1884-1939): An Arts & Crafts Silver-Mounted Wood Mazer-Bowl and Cover, London, 1929, the turned-wood bowl tapering and with silver mounts, the cover with tapering wood-set finial, hallmarked London, 1929, maker’s mark HGM, 10.5cm diameter

Provenance: Bonhams, London, 26 April 2017, lot 339, where purchased by the present owner. The Lion Collection.

The mazer-bowl, perhaps named after the German màs, meaning ‘a spot’, in reference to the grain of the maple that was most often used to make them, is a traditional form of drinking vessel. English silver-mounted examples from the 14th to the 16th century are known and would have been available to view by Arts & Crafts artists in the early 20th century. As such they were a popular item for silversmiths, including not only Henry George Murphy as with the present example, but also Omar Ramsden whose name is perhaps more associated with the revival of the form. An example with very similar ornament to the present example, though lacking a cover and raised on a spiral-fluted foot is illustrated by P. Atterbury and J. Benjamin in their book on the artist (Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 95).

£3,000-5,000 257

258

Henry George Murphy (1884-1939): An Art Deco Silver Beaker, London, 1938, tapering cylindrical and on spreading foot, engraved with styled foliage, hallmarked London, 1938, maker’s mark HGM, further stamped with Falcon Studio mark, 95mm high, 85mm diameter, 5oz 3dwt, 161gr

Provenance:

Woolley and Wallis, Salisbury, 7 April 2009, lot 721, where purchased by the present owner.

The Lion Collection.

Paul Atterbury and John Benjamin describe the years after 1932 as ‘a highly productive period [for Murphy]’ and ‘... [a] period defined by a significant change in style, particularly in the field of silversmithing, with a new emphasis on line engraving and the modernist and geometric forms of Art Deco...’ (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 30), which is certainly an apt description of the present beaker. It has seemingly not been determined who was responsible for the engraving on these types of objects but George Taylor Friend, an accomplished engraver, was certainly known to not only be a friend of Murphy but also to have undertaken engraving work for him.

£2,500-3,500

259

Henry George Murphy (1884-1939): A Set of Four Art Deco Silver Napkin-Rings, London, 1935, with variously beaded or twisted-wire decorated sides, in fitted gilt-tooled green/brown leather-covered case, hallmarked for London, 1935, maker’s mark HGM, further marked with Falcon studios mark, the napkin-rings each 45mm diameter, 7mm high, the case 11cm wide, weight of silver 1oz 12dwt, 49gr (4)

Provenance: The Lion Collection.

£400-600

260

Henry George Murphy (1884-1939): An Art Deco Silver and Niello Napkin-Ring, London, 1929, hexagonal and with niello scrolls and wheat sheaves, with reeded column applied corners, hallmarked London, 1929, maker’s mark HGM, further stamped with Falcon studios mark, 50mm wide, 26mm high, gross weight 1oz 2dwt, 33gr

Provenance:

The Lion Collection. Niello is a traditional technique which Murphy himself describes as ‘... dating back to the 1st century A.D.’ (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 168), in the working notes for a lecture he presented at Goldsmiths’ Hall in 1935. He describes the process in some detail and his recipe in particular as using ‘3 parts silver, 2 parts copper and 1 part lead. The copper and silver are melted together in a crucible and when properly mixed the lead is added’

£100-150

259

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Vase, Birmingham, 1901, centrally waisted tapering and applied with three loop handles, each handle enamelled with vari-coloured Celtic knots, hallmarked Birmingham, 1901, maker’s mark L&Co, further stamped ‘Cymric’, 17cm high

Provenance: Lyon and Turnbull, Edinburgh, 13 November 2013, lot 148. The Lion Collection. £5,000-7,000

Archibald Knox (1864-1933) for Liberty & Co., London: A Pair of Arts & Crafts Silver and Enamel Beakers, Birmingham, 1903, each tapering cylindrical and with vari-colour enamel plaques within chased foliage, hallmarked Birmingham, 1903, maker’s mark L&Co, further stamped ‘Cymric’ and numbered ‘2018’, 12.2cm high, 11m diameter, gross weight 13oz 7dwt, 415gr (2)

Provenance:

The Lion Collection.

£4,000-6,000

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Two-Handled Cup, Birmingham, 1906, tapering cylindrical and with two scroll handles, chased near the rim with foliage scroll heightened with blue and green shaded enamel panels, with an overall hammered finish, hallmarked Birmingham, 1906, maker’s mark L&Co and numbered ‘2037’ 14.5cm wide over handles, 7.5cm high, gross weight 6oz 5dwt, 195gr

Provenance: with Alastair Dickenson, 2008.

The Lion Collection.

£1,500-2,500

264

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Napkin-Ring, Birmingham, 1903, circular and with vari-colour enamel, hallmarked Birmingham, 1903, maker’s mark L&C C Ld., 50mm diameter, 39cm high, gross weight 1oz 9dwt, 46gr

Provenance: The Lion Collection. £250-350

265

Archibald Knox (1864-1933) for Liberty & Co, London: An Arts & Crafts Silver and Enamel Napkin-Ring, Birmingham, 1908, circular and with vari-colour enamel, hallmarked Birmingham, 1908, maker’s mark L & Co, 52mm diameter, 36cm high, gross weight 1oz 9dwt, 46gr

Provenance: The Lion Collection. £200-300

266

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Napkin-Ring, Birmingham, 1904, circular and with vari-colour enamel, hallmarked Birmingham, 1904, maker’s mark WHH for William Hair Haseler, 52mm diameter, 39mm high, gross weight 1oz 6dwt, 40gr

Provenance: The Lion Collection. £200-300

267

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Napkin-Ring, Birmingham, 1903, circular and with three chased scroll ornaments, each with vari-colour enamel, hallmarked Birmingham, 1903, maker’s mark L & C C Ld, 48mm diameter, 40mm high, gross weight 1oz 8dwt, 43gr

Provenance: The Lion Collection. £200-300

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Napkin-Ring, Birmingham, 1904, circular and with three chased scroll ornaments, each with vari-colour enamel, hallmarked Birmingham, 1904, maker’s mark L & Co, further stamped ‘Cymric’ and numbered ‘6510’ 50mm diameter, 31mm high, gross weight 19dwt, 29gr

Provenance: The Lion Collection

£200-300

Archibald Knox (1864-1933) for Liberty & Co., London: A Pair of Arts & Crafts Silver and Enamel Napkin-Rings, Birmingham, 1904, each circular and with a blue and green heightened enamel Celtic knot panels, hallmarked Birmingham, 1904, maker’s mark WHH, for William Hair Haseler, numbered ‘5357’ 50mm diameter, 50mm high, gross weight 2oz 8dwt, 75gr (2)

Provenance: with Anthony Bernbaum, The Peartree Collection (as 1905), where purchased by the present owner. The Lion Collection.

£150-250

Liberty & Co, London and Charles Fleetwood Varley: An Arts & Crafts Silver and Enamel Box, Birmingham, 1914, quatrefoil shaped and with ribbon-tied reeded border, the hinged cover with enamel plaque painted with a landscape, the interior gilt, hallmarked Birmingham, 1914, maker’s mark L&Co, the enamel plaque signed ‘Varley’ 65mm wide, gross weight 3oz 1dwt, 95gr

Provenance:

The Lion Collection.

£400-600

Liberty & Co., London: An Arts & Crafts Silver Mustard-Pot, Birmingham, 1917, tapering and on spreading foot, with scroll handle, the hinged cover with spatulate thumbpiece, with blue glass liner, Hallmarked Birmingham, 1917, maker’s mark L&Co, further numbered ‘492’, 58mm high, 2oz 5dwt, 70gr

£150-250

272

Kate Harris for William Hutton: A Cased Pair of Art Nouveau Silver Napkin-Rings, by William Hutton and Sons Ltd., London, 1901, each shaped and stamped with a woman holding a flower, in fitted gilt-tooled black leather-covered case, retailed by Hall and Co., King Street Manchester, hallmarked for London, 1901, maker’s mark WH&SsLd, 52mm maximum width, 44mm maximum height, the case 14.5cm wide, weight of silver 2oz 5dwt, 71gr (2)

Provenance:

The Lion Collection.

£200-300

273

Kate Harris (Scottish, 1878-1948) for William Hutton and Sons: An Art Nouveau Silver Napkin-Ring, Birmingham, 1902, circular, pierced and stamped with foliage scrolls and berries, hallmarked for London, 1902, maker’s mark WH&SsLd, 46mm diameter, 34mm high, 17dwt, 27gr

Provenance: with Anthony Bernbaum, The Peartree Collection, where purchased by the present owner.

The Lion Collection.

£100-150

274

Kate Harris (Scottish, 1878-1948) for William Hutton and Sons: An Art Nouveau Silver Napkin-Ring, Birmingham, 1902, shaped oval and with flat base, stamped with a woman holding a flower, hallmarked for London, 1902, maker’s mark WH&SsLd, 53mm maximum width, 37mm maximum height, 1oz 5dwt, 40gr

Provenance: with Anthony Bernbaum, The Peartree Collection, where purchased by the present owner. The Lion Collection.

£100-150

275

Keswick School of Industrial Arts: An Arts & Crafts Silver Cream-Jug, Birmingham, 1899, baluster and with bifurcated loop handle, with an overall hammered finish, hallmarked Birmingham, 1899, maker’s mark KSIA, 97mm wide over handle, 66mm high, 2oz 4dwt, 68gr

Provenance: The Lion Collection.

£400-600

276

Keswick School of Industrial Arts: A Pair of Arts & Crafts Silver Napkin-Rings, Chester, 1904, circular, chased with a band of stylised dolphins within simulated waves, each hallmarked Chester, 1904, maker’s mark KSIA, 50mm diameter, 34mm high, 2oz 13dwt, 83gr (2)

Provenance: The Lion Collection.

£400-600

277

Keswick School of Industrial Arts: A Pair of Arts & Crafts Silver Napkin-Rings, Birmingham, 1902, each circular, chased with foliage scrolls on a matted ground, each hallmarked Birmingham, 1902, maker’s mark KSIA, 50mm diameter, 33mm high and slightly smaller, 1oz 14dwt, 53gr (2)

Provenance: The Lion Collection.

£200-300

278

Keswick School of Industrial Arts: An Arts & Crafts Silver Napkin-Ring, Chester, 1923, circular, chased with alternating roses, shamrocks and thistles, all on a matted ground and within foliage, hallmarked Chester, 1923, maker’s mark KSIA, 49mm diameter, 22mm high, 15dwt, 23gr

Provenance: The Lion Collection.

£120-180

279

Keswick School of Industrial Arts: An Arts & Crafts Silver Napkin-Ring, Birmingham, 1903, circular, chased with shamrocks within foliage, all on a matted ground, numbered ‘1’, hallmarked Birmingham, 1904, maker’s mark KSIA, 48mm diameter, 25mm high, 13dwt, 20gr

Provenance: The Lion Collection.

£120-180

280

Edward Spencer (1872-1938) for the Artificers’ Guild: An Arts & Crafts Silver Bowl, London, 1929, tapering cylindrical, on spreading foot with twisted wire borders, with a hammered finish, hallmarked London, 1929, maker’s mark ASGDLD, further stamped with the design mark of Edward Spencer 89mm diameter, 66mm high, 4oz 4dwt, 131gr

Provenance: Lawrences, Crewkerne, 20 July 2021, lot 976, where purchased by the present owner. The Lion Collection.

£200-300

281

Attributed to Edward Spencer (1872-1938) for the Artificers Guild: An Arts & Crafts Silver and Copper Napkin-Ring, circa 1920, the copper body circular and with twisted silver wire border, applied with the scales of justice, apparently unmarked 45mm diameter, 24mm high

Provenance: The Lion Collection.

£70-100

282

Amy Alice Sandheim (1876-1958): Two Art Deco Stone-Set Silver Napkin-Rings, London, 1929 and 1930, each shaped circular and with flat base, one with ribbon-tied reeded border and set with an oval green aventurine quart, the other with beaded border, tied wire ornament and oval garnet cabochon, hallmarked for London, the first 1929 and the second 1930, maker’s mark AS, 55mm wide, 39mm high and slightly smaller, total gross weight 2oz 12dwt, 80gr (2)

Provenance:

The Lion Collection.

£200-300

Amy Alice Sandheim (1876-1958): An Art Deco Carnelian-Set Silver Napkin-Ring, London, 1933, shaped circular and with flat base, with foliage border, applied with a lion rampant and star, flanked by two cut carnelians, with overall hammered finish, hallmarked for London, 1933, maker’s mark AS, 55mm maximum width, 32mm high, gross weight 1oz 4dwt, 37gr

Provenance: Kinghams Auctions, 13 July 2019, lot 563, where purchased by the present owner.

The Lion Collection.

£120-180

284

Amy Alice Sandheim (1876-1958): An Art Deco Moonstone-Set Silver Napkin-Ring, London, 1932, shaped circular and with flat base, with gadrooned border, applied with the Scales of Justice flanked on each side by a cabochon moonstone, with an overall hammered finish, the flat base engraved ‘Mother Xmas 1932’, hallmarked for London, 1932, maker’s mark AS, 58mm maximum width, 33mm high, gross weight 1oz 12dwt, 50gr

Provenance: with Anthony Bernbaum, The Peartree Collection, where purchased by the present owner.

The Lion Collection.

£100-150

286

Latino Movio (Italian, 1858-1949) for Holland, Aldwinkle & Slater: A Pair of Art Nouveau Silver Napkin-Rings, London, 1904, each centrally waisted circular, chased with flowers and foliage, one flower decorated with mixed metal, each hallmarked London, 1904, maker’s mark HA&S, further engraved with facsimile signature ‘L. Movio’, each 50mm diameter, 32mm wide, total gross weight 2oz 13dwt, 85gr (2)

Provenance: with Anthony Bernbaum, The Peartree Collection, where purchased by the present owner. The Lion Collection.

£200-300

285

Amy Alice Sandheim (1876-1958): An Art Deco Chalcedony-Set Silver Napkin-Ring, London, 1935, circular and with egg and dart border, set with a panel depicting Adam and Eve and flanked by two oval chalcedony cabochons, with overall hammered finish, hallmarked for London, 1935, maker’s mark AS, 50mm maximum width, 34mm high, gross weight 1oz 10dwt, 47gr

Provenance: The Lion Collection.

£100-150 286

287

Joseph Beeston Himsworth and Joyce Rosemary Himsworth (1905-1990): An Arts & Crafts Silver Napkin-Ring, Sheffield, 1926, hexagonal, set with a turquoise cabochon within a twisted wire and foliage border, with a hammered finish, hallmarked Sheffield, 1926, maker’s mark JBH JRH, in fitted black leather covered case with paper label, 45mm wide, 33mm high, 1oz 6dwt, 40gr

Provenance: The Lion Collection. £100-150

A. E. Jones and Ruskin Pottery: An Arts & Crafts Pottery-Set Silver Tea-Caddy, Birmingham, 1905, tapering cylindrical, set with six oval green pottery cabochons within chased foliage and lines, the pull-off cover with openwork scroll and ball finial, with an overall hammered finish, hallmarked form Birmingham, 1905, maker’s mark AEJ, 11cm high, gross weight 3oz 16dwt, 119gr

Provenance: Perhaps Sotheby’s, Olympia, 3 June 2004 (part). The Lion Collection.

£1,200-1,800

290

A. E. Jones and Ruskin Pottery: A Pair of Arts & Crafts Silver and Pottery Napkin-Rings, Birmingham, 1903, shaped circular and with openwork sides, each set with a mottled blue-green pottery cabochon, with an overall hammered finish, in fitted gilt-tooled black leathercovered case, retailed by Russells, Ltd., Liverpool and Manchester, each hallmarked for Birmingham, 1903, maker’s mark AEJ, each 48mm diameter, maximum height 31mm, the case 13.5cm, gross weight of silver 1oz 5dwt, 35gr (2)

Provenance: with Anthony Bernbaum, The Peartree Collection, where purchased by the present owner.

The Lion Collection

£200-300

289

A. E. Jones and Ruskin Pottery: A Pair of Arts & Crafts Pottery-Set Silver Vases, Birmingham, 1903, tapering and on spreading foot, the sides of each set with four circular mottled green pottery cabochons, with overall hammered finish, hallmarked Birmingham, 1903, maker’s mark AEJ, 12cm high, total gross weight 8oz 15dwt, 272gr (2)

Provenance: The Lion Collection.

£700-1,000

291

A. E. Jones: An Arts & Crafts Silver Bowl, Birmingham, 1912, tapering cylindrical and on spreading foot, the foot and rim each with incised lines, with an overall hammered finish, retailed by Terry & Co., Manchester, hallmarked Birmingham, 1912, maker’s mark AEJ, and numbered ‘66’, 11.5cm diameter, 5cm high, 3oz 6dwt, 102gr

Provenance: The Lion Collection.

£200-300

292

Charles Robert Ashbee (1863-1942): An Arts & Crafts Silver and Enamel Dish and Cover, 1900, the cover with blue enamel and jewelled knob, hammered with pulled wirework handles, hallmarked London, 1900, maker’s mark CRA, 29cm wide, 11cm high, gross weight 16oz 7dwt, 508gr (damaged enamel)

Provenance:

Gifted to the vendor’s late husband by his uncle Thomas Bond Worth (from the family of William Henry Worth carpet manufacturers of Kidderminster).

Charles Robert Ashbee (1863-1942) founded the Guild and School of Handicraft in 1888. Based on the model of the medieval workshop, the Guild operated as a cooperative. Its style and aesthetics followed the Arts and Crafts Movement and the Guild produced leather, furniture, silver and metalwork, jewellery and books, with much of the work based on Ashbee’s designs. Revival of traditional techniques, education of working people and encouraging satisfaction through work were key principles of the Arts and Crafts movement and the Guild. In 1902, the Guild (150 people, the Guildsmen and their families) moved from East London to Chipping Campden. Ashbee believed that living a simple, collective life in rural surroundings would add to the health and well-being of the craftsmen and consequently, the work they produced. Although its work was widely exhibited, increasing financial difficulties from 1905 eventually resulted in the voluntary liquidation of the Guild in 1908. In 1909, Ashbee published his book on “Modern English Silver” in which a comparable piece to this example is illustrated as plate 17.

In 1850 William Henry Worth’s three sons, Thomas Bond, William and Joseph started a new Brussells Weave factory at Stourport. They were amongst the first to appreciate the importance of powered looms. By 1866 a purpose built factory was beginning to take place at Severn Valley Mills and in 1888 Lower Dudbridge Mills at Stroud in Gloucestershire was purchased for the weaving of Jacquard carpets. In 1896 the company was incorporated as a Limited Company and following the death of Thomas Bond Worth his sons became joint Managing Directors. Their joint leadership continuing for nearly fifty years.

£1,000-1,500

293

Archibald Knox (1864-1933) for Liberty & Co.: A Tudric Pewter Lidded Jug, Model No.0278, cast in low relief with stylised leaves, stamped TUDRIC 0278 RD 421106, 15cm high

Liberty & Co. Tudric Pewter Tankard, designed by Oliver Baker,Model No.066, stamped marks, 12.5cm high

Keswick School of Industrial Arts: A Copper Napkin Ring, with a repeating floral pattern, unmarked, 3.5cm high (3)

£70-100

295

An Arts & Crafts Newlyn Industrial Classes Copper Charger, the border repoussé decorated with fish and bubbles, inscribed in black ink to the reverse /6 School No.760

Student’s Name Tyler Florence Augusta Age Adult Employment Art Teacher Sub Noof Work 240, 37.5cm diameter

£200-300

294

Keswick School of Industrial Arts: An Arts & Crafts Circular Copper Framed Wall Mirror,circa 1900, with repoussé foliate and roundel decoration around a bevelled plate, stamped KSIA mark, 41cm diameter

£200-300

296

Jugendstil WMF (Wurttembergische Metallwarenfabrik): A Brass Tray, hammered rectangular tray with whiplash handles, stamped W.M.F., 57cm wide

A Jugendstil Pewter Inkwell, circa 1900, cast as a maidens head, unmarked, 16.5cm long

A Jugendstil Pewter Dish, circa 1900, cast as a maiden on a lily leaf, stamped in the cast H.M., 23cm wide

Liberty & Co., Pewter Dish, Model No.0283, cast with lilies, stamped MADE IN ENGLAND ENGLISH PEWTER 0283 SOLKETS, 13cm wide (4)

£80-120

297

Attributed to Christopher Dresser (1834-1904) for Richard Perry, Son & Co., Wolverhampton, brass jug with hardwood mounted handle, unmarked, 32cm high

A H F Fearncombe & Co of Wolverhampton Brass Jug, with ebonised handle, stamped H.F & Co 4, 24cm high

A John Marston of Wolverhampton Brass Jug, stamped 42 J.M 2, 17.5cm high

A John Marston of Wolverhampton Brass Jug, stamped 28 J.M 3, 20cm high

Two Copper Kettles (6)

£100-150

298

An Arts & Crafts Brooch, dated 1914, cloisonné enamel decorated with a child playing panpipes riding a goat, within white metal frame, engraved 1914 and GT, 6.5cm wide, 7cm high

£70-100

299

Josef Lorenzl (1892-1950): An Art Deco Cold Painted Bronze Figure, circa 1925, modelled as a dancer, standing on one leg, on a circular marble base, signed in the cast LORENZL, 24cm high, figure 21cm high

£500-700

300

Josef Lorenzl (18921950): An Art Deco Cold Painted Silvered Bronze Figure, circa 1925, modelled as a nude, with outstretched arms, leaning backwards, on a black and green onyx base, signed in the cast LORENZL, 25.5cm high

£250-350

301

Josef Lorenzl (1892-1950): An Art Deco Cold Painted Silvered Bronze Figure, circa 1925, modelled as a nude, arms bent, on a green onyx base, signed in the cast LORENZL, 26.5cm high

£250-350

305

302

French (Early 20th Century): A Patinated Bronze Figure of a Cat, seated and tail wrapped around front paws, green patina, indistinctly signed in the cast, on a marble base, 35cm high excluding base, 38.5cm high

£300-500

303

Joseph Reinemann, Munich: A Jugendstil Pewter Novelty Inkwell,circa 1900, cast as a grotesque bird, with hinged head, ceramic liner, green base, on three webbed feet, cast mark on foot JRM, 10.5cm high

£300-500

304

M Lerche: A Patinated Bronze Group,circa 1900, modelled as a nude boy tipping a lizard out of a bowl, signed in the cast and indistinct stamped foundry mark, 26cm wide, 16cm high, bowl 19cm diameter

£300-400

Hannah Bolton Barlow (1851-1916): A Doulton Lambeth Stoneware Tyg, incised with a nanny and kid goat and a fox, on a buff ground, impressed factory marks, incised HBB, 18cm high (restored handle)

£250-350

306

A Royal Doulton Stoneware Lord Nelson Commemorative Tea Set, modelled in low relief with a roundel of The Victory and a portrait of Lord Nelson, the neck inscribed England Expects Every Man Will do his Duty, with rope handles, comprising teapot and cover, milk jug and sugar basin, impressed factory marks, teapot 13cm high (3)

£150-200

307

An Aesthetic Movement Copeland Fireplace Tile Panel, circa 1890, the four tiles painted with two maidens, an Artist and a Musician, impressed COPELAND factory mark and painted C1 172/C2 172/D1 172/D2 172, two 20.5cm (8”) square, two 41cm by 20.5cm (4)

£200-400

308

William Moorcroft (1872-1945) for James Macintyre: A Florian Ware Poppy Pattern Twin-Handled Bowl, circa 1903-4, in tones of blue and green on a white ground, brown printed Florian ware mark and Rd No 401753, green painted signature, 21cm across handles

£400-600

309

William Moorcroft (1872-1945):

A Pomegranate Pattern Trumpet Vase, on a blue ground, green painted signature, impressed factory marks, 27cm high (restored)

£100-150

310

William Moorcroft (1872-1945) and Shreve & Co., San Francisco: A Wisteria Pattern Trumpet Vase, circa 1920, on a blue ground, mounted on a sterling base with engraved leaves and initial P, stamped SHREVE & CO

STERLING 10113BASE LOADED, 40cm high

£400-600

311

William Moorcroft (British, 1872-1945): A Moonlit Blue Landscape Pattern Pedestal Bowl, circa 1925, painted with trees, impressed MOORCROFT MADE IN ENGLAND and blue painted signature, 26cm diameter (restored)

£150-250

312

311

312

Walter Moorcroft (1917-2002): An Orchid and Spring Flowers Vase, on a blue ground, impressed MOORCROFT MADE IN ENGLAND, blue painted monogram, 36.5cm high

£300-500

313

313

A Wedgwood Fairyland Lustre Woodland Bridge and Woodland Elves I Bowl, circa 1920s, pattern number Z4968, designed by Daisy Makeig-Jones, on a black lustre ground, gilt Portland Vase mark, painted Z4968 and D, 21cm diameter

£500-800

314

Louis John Rhead (1857-1926): A Staffordshire Pottery Charger, painted with a woman in Elizabethan dress surrounded by lilies and orange plants, within a feathered border, in tones of blue, green, rust orange and yellow, signed to the front “Louis Rhead” and to the verso in red paint Louis J Rhead 1881An Elizabethan Ladie, impressed 16 and a devise, 41.5cm diameter

£300-500

315

Émile Gallé (French, 18461904): A Polychrome Faience Model of a Cat, circa 1900, modelled seated wearing head scarf, decorated with flowers, with dog portrait pendant, green glass eyes, painted mark É.Gallé a Nancy, 33.5cm high

£1,000-1,500

316

A Continental Pottery Model of a Seated Dog in the Manner of Émile Gallé, circa 1900, wearing head scarf and a yellow coat transfer printed with flowers, with dog portrait pendant, brown glass eyes, unmarked, 30.5cm high

£200-400

317

A Continental Pottery Model of a Seated Cat,circa 1900, probably made by Mitterteich, Max Emanuel & Co., painted with deep blue socks, back of head and shoulders, transfer printed with flowers, with green glass eyes, unmarked, 34cm high

£100-150

318

A Continental Pottery Model of a Seated Cat,circa 1900, probably made by Mitterteich, Max Emanuel & Co., painted in lime green with blue hearts and circles all over, with green glass eyes, unmarked, 34cm high

These cats and dogs are often referred to as Mosanic Pottery. Mosanic Pottery was a trademark used by Max Emanuel & Co. which described products made exclusively for the London store.

£100-150

319

A Contnental Pottery Model of a Seated Cat,circa 1900, free standing fore-legs, painted with blue symbols on a yellow ground, with green glass eyes, indistinctly impressed factory mark, 30cm high

£100-150

320

A Jackfield-Type Pottery Model of a Seated Cat, black glazed, green glass eyes, unmarked, 32cm high

£70-100

321

Louis Wain for Max Emanuel and Co., A Lucky Sphinx Cat, design registered 1914, modelled as a cubist Egyptian figure, printed mark MADE IN ENGLAND and three stacked rifles (Mitterteich), black painted registration number 638316, Louis Wain on back leg, 11.5cm high

These models are from a group of nine which were produced for Max Emanuel and Co., and were launched at a private view at their showrooms.

£400-600

A Rozenburg Earthenware Jug, circa 1900, of square section form, painted with four parrots, printed and painted marks, numbered 1015, 30cm high

£200-300

3243

Kóbor Elek (Hungarian, 1889-1969): An Art Deco Terracotta Figure, modelled as a dancing male, turquoise glaze, signed in the cast Kobor, 44cm high

£100-150

323

Michael Powolny (Austrian, 1871-1954) for Wiener Keramik: Spring, A Pottery Figure,circa 1907, impressed WK factory mark and designers monogram MP, black painted Karl 1655 CH, 38cm high

£1,500-2,500

325

A Pair of French Art Deco Pierrefonds Vases, circa 1900, blue crystalline glazed stoneware, impressed maker’s mark PIERREFONDS 460, 31cm high

Pierrefonds pottery studio was founded in the village of Pierrefonds in 1903 by Count Hallez d’Arros.

£100-150

326

A French Art Deco Pierrefonds Vase,circa 1900, blue crystalline glazed stoneware, impressed maker’s mark PIERREFONDS 317, 23cm high

A French Art Deco Pierrefonds Jug,circa 1900, blue crystalline glazed stoneware, impressed maker’s mark PIERREFONDS 594, 22cm high

A French Art Deco Pierrefonds Twin-Handled Vase,circa 1900, blue crystalline glazed stoneware, impressed maker’s mark PIERREFONDS, 22.5cm high (3)

£180-220

3283

Richard Batterham (1936-2021):

A Stoneware Box and Cover, ash glaze, unmarked, 10cm diameter

Richard Batterham (1936-2021):

A Stoneware Box and Cover, ash glaze, unmarked, 10cm diameter (2)

£150-250

3273

Richard Batterham (1936-2021):

A Stoneware Box and Cover, ash glaze, two painted dots to base, 13.5cm diameter

Richard Batterham (1936-2021):

A Stoneware Box and Cover, ash glaze, painted 10 to base, 10cm diameter

Richard Batterham (1936-2021):

A Stoneware Box and Cover, ash glaze, unmarked, 10cm diameter (3)

£200-300

3293

Christopher (Chris) Lewis (b.1951): A Woodfired Twin-Handled Stoneware Garden Pot, with impressed chevron decoration between incised lines, unmarked, 45cm high

£100-150

3303

Christopher (Chris) Lewis (b. 1951): A Woodfired Stoneware Garden Pot, with impressed chevron decoration between incised lines, unmarked, 38cm high

£100-150

3

Christopher (Chris) Lewis (b. 1951): A Woodfired Stoneware Garden Pot, with impressed chevron decoration between incised lines, unmarked, 38cm high

£100-150

3

Christopher (Chris) Lewis (b. 1951): A Woodfired Stoneware Garden Pot, with impressed chevron decoration between incised lines, unmarked, 35.5cm high

£80-120

3333

Lawson E Rudge (b.1936): A Raku Pottery Grazing Flat Cow, abstract patterns and numbered 2525, unmarked, 23cm long, 26cm high

Purchased from an Art Gallery in Long Melford, Sudbury, Suffolk.

£600-900

3353

Sue Hanna (neé Collinson) (b.1963): Eye of Horus, A White Stoneware Mask, incised with two faces, on a smoked-fired plinth, impressed mark and signed twice, 25cm wide, 34cm high

£200-300

3343

Christine Cummings (b.1969): A Raku Pottery Old Spot Sow, monogrammed CC Old Spot Sow and dated July2011, 34cm long

£70-100

3363

Manuela M Clement (b.1957): “Maya”, polished Terazzo, inscribed to base M CLEMENT MAYA 3/8, labelled Mrs M Clement 4a Springvale Road Winchester, Hampshire, SO23 7LT, on a wood base

£100-150

337

A Favrile Glass Floriform Vase, by Tiffany Studios, the goblet form in pale green, with darker green featherpulls ascending the stem and bowl, the bowl in iridescent amber to yellow on the rim, 24cm high

Provenance: The Barbra Streisand Collection of 20th Century Decorative and Fine Arts, Part 1, Christie’s New York, Thursday 3 March 1994, lot 161

£1,500-2,500

338

Louis Comfort Tiffany (1848-1933): An Art Nouveau Iridescent Favrile Floriform Glass Vase,circa 1910, decorated with an engraved butterfly, on an iridescent gold coloured ground, inscribed to the base L.C.Tiffany Favrile 6871 3529, 15cm wide, 11cm high

£200-300

339

A Daum Nancy Enamelled Cameo Les Champignons Pounce Pot, circa 1907, relief decorated with woodland mushrooms, on an acid-frosted ground, signed in enamel DAUM NANCY with the Croix de Lorraine, 9cm high

£500-800

340

A Daum Pâte-de-Verre Appaloosa Louise Figure, by Jean-Philippe Richard, amber, engraved RICHARD Daum France and numbered 035/375, 40cm high

£200-400

342

René Lalique (French, 1860-1945): A Frosted and Clear Glass Épernay Ice Bucket, model 3703, designed 1938, the four handles moulded with vine leaves, stencil mark R LALIQUE FRANCE, 18.5cm high

341

René Lalique (French, 18601945): An Opalescent Algues Glass Bowl, moulded with swirling seaweed, wheel cut mark R LALIQUE FRANCE, 36cm diameter

£300-500

£300-500 343

René Lalique (French, 1860-1945): A Sepia-Stained Glass Pissenlit Bowl, No.3215, the underside moulded with dandelions, moulded R LALIQUE, 24cm diameter

£150-250

344

A French Art Nouveau Legras Enamelled Vase, painted with autumn leaves and berries, on an orange and yellow ground, signed Legras, 27cm high

£100-150

3453

Riccardo Licata (Italian, 1929-2014): Oriente, colourless bubbled glass, with silver foil inclusions and black veins, freely formed, with pink arms, signed, number I/II, on a rectangular base, 38cm wide, 25cm high with receipt

Purchased in 1999 from Berengo Gallery and Furnace, Fondamenta Vetrai 109/a, 30141 Murano Venezia.

£200-300

346

A Pair of Cenedese Murano Scavo Glass Ducks, red, orange and clear glass, both signed Cenedese Murano, 24.5cm and 27cm high

£70-100

347

An Artigianto Murano Glass Vase, by Enrico Camozzo, green fading body with fused amber, blue and red glass, labelled and signed Enrico Camozzo, 35cm high

£150-250

348

A Frosted Glass Vase, acid etched with a purple peacock, indistinctly signed and dated, 24cm high

£70-100

3513

Michael James Hunter (b.1958) for Twists Glass Studio “Blue Swirl”: A Contemporary Rolled Zanfirico Incalmo Glass Vessel, with torsade rim, signed Mike Hunter Blue Swirl, one of one, 26.5cm high

£200-300

349

A Stained, Painted and Leaded Glass Three-Section Window Light St Cuthbert,1902, standing figure holding the head of St Oswald, crown, diamond and leaf borders, with dedication To the Glory of God and the memory of John Bailey, born 1st Oct 1830 died 23rd May 1901; Mary his wife, born 31st December 1829 died 16th April 1902 R.I.P.

70cm wide, 179cm high in a frame

John Bailey was a freemason of the Restoration Lodge, Darlington, his initiation date 29 October 1862, listed as a draper then a bookseller and printer. Baptised at St Cuthbert, Darlington. Buried at Darlington West Cemetery.

Mary Pigg was born on 31 December 1829, in Heighington, Durham. She married John Bailey on 29 November 1853, in Heighington. She died on 23 April 1902, in Darlington.

£200-300

3503

Joseph Ambrose “Joe” Nuttgens (b.1941): A Stained, Painted and Leaded Glass Panel, depicting parakeets in a tree with foliage, signed and dated 1987, 128cm by 64cm

£300-500

3523

Helen Millard (Contemporary): A Cameo Glass Vase, cased in white over ruby ground, mouse with blackberries and a butterfly, engraved signature and dated 2018, 6cm high

Helen Millard (Contemporary): A Cameo Glass Vase, cased in white over ruby ground, wren and a bee with bluebells, engraved signature and dated 2019, 7cm high

Helen Millard (Contemporary): A Cameo Glass Vase, cased in white over pale blue ground, with a wren, bee and caterpillar, engraved signature and dated 2018, 6.5cm high (3) (boxed, two stamped Square One at Stow)

£300-500

522cm

£2,000-3,000

353

Gavin Morton for Alexander Morton & Co., An Arts & Crafts Donegal Carpet, circa 1900, the emerald green field decorated with angular vines centred by a stepped medallion containing stylised flowerhead, enclosed by coral pink borders of angular vines, flanked by guard stripes.

by 364cm

354

William Morris (1834-1896) for Morris & Co., The Appple Tree, An Embroidered Panel,circa 1890, coloured silk threads, in a gilt frame firescreen, 58cm square, frame 115cm high

Literature: Parry L. William Morris Textiles, 1983, page 28 where a similar design for embroidery is illustrated.

£400-600

355

Ten Rolls of Vintage Sanderson Morris & Co. Poppy Wallpaper, unopened in original cellophane, Batch No.BE1, Pattern No. WM7314/6, each 10.05 metres long, 51.5cm wide (pre-2000)

£200-300

356

Ten Rolls of Vintage Sanderson Morris & Co. Sunflower Wallpaper, unopened in original cellophane, Batch No.BF1, Pattern No. WM7197/5, each 10.05 metres long, 51.5cm wide (pre-2000) (two open)

£200-300

357

Nine Rolls of Vintage Sanderson Morris & Co. Standen Wallpaper, unopened in original cellophane, Batch No.BA1, Pattern No. WR8045/15, each 10.05 metres long, 51.5cm wide (pre-2000)

£200-300

358

An Arts & Crafts Oak Reading Chair, the adjustable slatted back with slatted seat and two loose cushions, between vertical slatted sides, fold out drinks rest and adjustable book rest on flat arms, sliding out slatted footrest, unmarked, 85cm deep, 92cm wide, 107cm high

£250-350

359

An Arts & Crafts Oak Foot Stool Frame, with four square section supports with capped feet, slatted sides, unmarked, 56cm wide, 38cm deep, 32cm high (lacking drop-in cushion)

£70-100

361

Two Arts & Crafts Cotswold School Ash Ladderback Chairs, five shaped slats, rush seated, turned front legs, joined by eight rails, unmarked, 115cm high

Two Others, 115cm high (4)

£150-250

363

Two Ash Ladderback Chairs, five shaped slats, rush seated, turned front legs, joined by turned front rails, 115cm high

A Similar Armchair, 117cm high

Four Others (7)

£100-150

360

Four (3+1) Arts & Crafts Cotswold School Ash Ladderback Chairs, three shaped slats, rush seated, turned front legs, joined by seven rails, unmarked, 88cm high

Two Others 87cm high (6)

£250-350

362

Three Arts & Crafts Cotswold School Ash Ladderback Chairs, attributed to Philip Clissett (1817-1913) four shaped slats, twisted rush seats, turned front legs with small rounded feet, joined by eight rails, unmarked, 102cm high

£120-180

364

An Arts & Crafts Cotswold School Ash Rocking Chair, attributed to Neville Neal, spindle turned back, rush seated, 101cm high

Three Other Chairs (4)

£100-150

365

A German Secessionist Sycamore Maple Salon Suite, circa 1900, comprising Vitrine, stepped breakfront with applied gilded motifs and wave borders, bevel edge glass door and side panels, silk lined back, three adjustable glass shelves, fall front cupboard, on four front feet, 112.5cm wide, 40cm deep, 160.5cm high

Side table, with inset circular marble top, on four tapering square section legs, mounted with gilded repeating motifs, 56.5cm diameter, 78cm high

Two Armchairs, upholstered seat, back splat and arms, on tapering square section front legs, 92cm high

Two Chairs, pierced splats, upholstered seats, on tapering square section front legs, 90cm high (damages) (6)

£300-500

366

An Art Deco Three-Piece Suite, reupholstered in blue leather with contrasting piping, comprising twoseater sofa and two chairs, with four loose cushions, Sofa 148cm wide, 77cm deep, 77cm high

Chairs 93cm wide, 77cm deep, 77cm high and 88cm wide, 77cm deep, 77cm high

£800-1,200

367

An Art Deco Oak Bedroom Suite, made by Good Furniture AB, retailed by W.Potts Art Furnisher, 45 Bond Street Blackpool, Wardrobe, with single door, hanging rail and shoe rail, pull handle, labelled, 61cm wide, 46cm deep, 169cm

Tallboy, with two cupboard doors over four drawers, pull handles, labelled, 69cm wide, 46cm deep, 108.5cm high

Chest of Drawers, with four drawers, pull handles, labelled, 53.5cm wide, 45.5cm deep, 76.5cm high

Two Bedside Chests, each with three drawers, pull handles, labelled, 34.5cm wide, 39cm deep, 60.5cm high (one with damaged front veneers)

Cheval Mirror, the rectangular mirror with stepped bevel edged top, mounted on a frame, the base with a single drawer, labelled, 150cm high

Bedside Cupboard, with open shelf above a cupboard door, labelled, 34.5cm wide, 39cm deep, 76.5cm high

Headboard, three planks, unmarked, 84cm wide, 64cm high

Dressing Table Stool, upholstered seat, on four square section legs, labelled,

50.5cm wide, 38cm deep, 43cm high

Ercol Child’s Chair, elm seat, beach frame, labelled, 70cm high (10)

£300-400

368

A Modern Oak Coffee Table, after Robert Lorimer, the octagonal sectional top, on spirally turned fluted and reeded supports, joined by curved stretchers, labelled Sir Robert Lorimer Table Limited Edition 3/10, 45cm high

£150-250

369

Sibyl Colefax and John Fowler: A Modular Three-Piece Bay Window Sofa, modern, upholstered in bottle green cotton velvet, rounded arms, four back cushions and three loose seat cushions filled with feather and down, with contrast dark green cotton piping, 362cm wide, 88cm deep, height of back 66cm (cushions higher than back of sofa)

Thirty-six metres of bottle green cotton velvet and three metres of contrasting piping.

With copy of original invoice.

£2,000-3,000

370

John Makepeace (b.1939): The Serendipity 2 Chair, cast and polished aluminium back and arms, upholstered red leather seat, on four stained English oak tapering legs, 81.5cm high

Originally designed for the Plymouth University Graduation Ceremonies, for the Chancellor, Principal and Heads of each School. A pair of these chairs were also acquired for the Permanent Collection at the Fitzwilliam Museum, Cambridge.

£2,000-3,000

371

Williams & Cleal Workshop: Two English Walnut Display Cupboards and a Cabinet, 2004, made in solid and veneered English walnut, the V panels in Burr walnut with an ebony inlay line, the other details ebonised, all with protruding triangular pegs, the display cupboards with overhanging tops above an open section, with one fixed shelf and one adjustable glass shelf, above two doors opening to reveal one fixed and one adjustable shelf, both with lighting, each stamped Williams & Cleal,

69cm wide, 43.5cm deep, 190.5cm high the cabinet with overhanging rectangular top, above an open shelf, above two doors opening to reveal two short over two long sliding English oak drawers, unmarked, 95cm wide, 55cm deep, 90.5cm high (3)

£700-1,000

372

Williams & Cleal Workshop: A Pair of Bedside Tables, burr top above a drawer, on four tapering square section legs joined by rails, unmarked, 38cm wide, 45.5cm deep, 58.5cm high

£300-500

3733

Robert Ingham (b.1938): A Burr Ash Veneered and Wenge Coffee Table, the top with four burr ash veneered sections and a solid wenge frame with four supports, each with three cold patinated bronze bars, labelled ROBERT INGHAM, 115.5cm square, 42cm high

£300-500

3743

Robert Ingham (b.1938): An English Walnut and Bog Oak Jewellery Box, the bog oak catch opening to reveal a sycamore liftout tray, signed Robert Ingham and numbered, 20.5cm by 11.5cm, 11.5cm high

£100-150

376

A Pair of 1970s Lacquered Copper Metal Side Tables, with octagonal bevel edged inset glass tops, supported in a tubular frame, on a column covered in leaves and a spider webb, pierced mesh bases on an octagonal tubular base, unmarked, 59cm high

Matching Lantern, 90cm high (3)

£100-150

375

M Long (Contemporary): A Hand Forged Wrought Iron Plant Stand, with circular glass inset top, on a curved support, on a circular base, stamped M.LONG, 89cm high

£70-100

377

A Magma Oak Armchair, designed by Peter Cummings, shaped back and seat, signed in pen Peter Cummings 2008 16, 105cm high

Peter Cummings, Reeth, near Richmond, North Yorkshire.

This design was awarded the Bespoke Guild Mark in 2009 from The Furniture Makers’ Company.

£300-500

378

Sigurd Ressell for Vatne Mobler: A 1960s Rosewood and Leather Five-Piece Modular Sofa, comprising three-seater, two-seater, single chair and two low tables, chrome fixings and Pirelli rubber seat supports, unmarked, tables 76.5cm square, 25.5cm high, chair 100cm wide, 83cm deep, 67cm high, three-seater 240cm wide, 83cm deep, 67cm high, two-seater 171cm wide, 83cm deep, 67cm high, seat height 36cm

With CITES A10 (non-transferable) licence number 24GBA10WSEAH2

£1,000-1,500

379

Hans Olsen (1902-1983) for Frem Rojle: A 1960s Danish Brazilian Rosewood Dining Room Suite, comprising Extending Circular Table, on four tapering circular legs, stamped FREM ROJLE MADE IN DENMARK and Danish Control label, 105.5cm diameter (closed) 73cm high with two leaves

Two Sets of Four Chairs, one set with black vinyl seats and backs, the other with upholstered seats, each on three tapering legs, stamped FREMROJLE MADE IN DENMARK, some with Danish Control labels, 70.5cm high and 71cm high, 51cm and 52cm wide, 41.5cm and 42.5cm deep, seat height 42.5cm (9)

With CITES A10 (non-transferable) licence number 24GBA10NN8T7R

£500-800

380

A 1970’s Brazilian Rosewood Office Desk, of rectangular form, each side fitted with full-length drawers, on chromed metal square-form legs 186cm by 91cm by 70cm

With CITES A10 (non-transferable) licence no. 24GBA10L1POT2

£300-500

381

A 1960/70s Brazilian Rosewood Two-Door Cabinet, the two cupboard doors with polished chrome handles enclosing a removable shelf, on chromed tubular legs 107cm by 52cm by 79cm

With CITES A10 (non-transferable) licence no. 24GBA10N8XT46 £100-150

382

Wittmann Sitzmaschine Recliner Armchair, designed by Josef Hoffmann, black frame with extendable footrest, grey leather button cushions, adjustable backrest with brass lacquer bar, unmarked, 66cm wide, 110cm high, seat height 40cm (re-issued)

£2,000-3,000

383

A Set of Five Mid Century Mahogany Chairs, shaped arms, with three rails, upholstered in buttoned teal leatherette, unmarked, 75cm high

£150-250

383

384

Four EFG Ruuto Birch Armchairs, originally designed by Eero Aarnio, bent plywood laminated with birch veneer, shaped backrests with square lattice work, upholstered blue seats, labelled, 76.5cm high

£400-600

382

385

Michel Ducaroy (1925-2009) for Ligne Roset: A Six-Piece Togo Modular Settee, originally designed 1973, comprising a three-seater (165cm wide), two two-seaters (122cm wide), one one-seater (80cm wide) and two corner one-seaters (95cm wide) in stripped multi coloured button-back fabric, 65.5cm high

£1,000-1,500

386

Philippe Starck for Kartell: Eight Charles Ghost Bar Stools, polycarbonate, in powder blue (2) crystal (2) smoke grey (2) green (2), moulded CHARLES GHOST by Kartell with StARCK MADE IN ITALY, 75.5cm high

£200-300

387

An Italian Red Lacquered and Glass Top Table, with oval glass top and curved supports, unmarked, 128cm long, 65cm deep, 48cm high £100-150

388

An Arts & Crafts Brass Telescopic Standard Lamp, circa 1900, with fluid scroll decoration and hammered surface, unmarked, converted to electricity, 155cm high

An Arts & Crafts Brass Bracket Wall Light, circa 1900, scroll work, unmarked, fitment 29cm long mounted on a mahogany back (2)

£150-250

389

An Industrial Barn Light Fitment, the central column with four arms each with green and white enamel shades stamped in the cast metal, 140cm wide, 48.5cm high

£70-100

390

Three American Industrial Gold Mercury Holophone Glass Pendant Lights, circa 1900, made by Curtis Lighting, Chicago, ribbed spiral, stamped, 25cm high

£100-200

391

391

A 1930s French Wrought Iron Floor Lamp, curved on three supports, unmarked, 159cm high

A Counterweight Floor Lamp, stained wood, on a black painted base, unmarked, 159cm high (2)

£70-100

392

392

ILUM: A Floor Lamp, circa 1950s, with three mixed length adjustable brass arms each with conical enamelled wire mesh shades, black enamelled central column on three legs, shade labelled ILUM Argentina, 176cm high

£70-100

393

Two 1950s Floor Lamps, twist frames on circular bases, enamelled in black and green, twin socket holders, unmarked, 167cm high with later shades

£100-150

394

394

A 1950s Swedish Teak and Metal Floor Lamp, teak column on a tapering circular brass base with four rectangular feet, labelled MADE IN SWEDEN

KONSTHANTVERK

TYRINGE, 131cm high

A 1950s Scandinavian Teak and Leather Floor Lamp, on a weighted circular base, unmarked, 139cm high (2)

£80-120

395

396

A Pair of 1960s/70s Floor Lamps, in the style of Cedric Hartman, the lamps have poles that are connected to an angled arm, reflector head, opposite a counterweight block, unmarked, 108cm high

£150-250

395

A 1960s Scandinavian Teak and Black Steel Floor Lamp, on a tripod base unmarked, 124cm high with later shades

A 1960s Scandinavian Teak Floor Lamp, two sockets, on three brass feet, unmarked, 151cm high with later shades (2)

£80-120

397

A 1950s French Ceramic Table Lamp, chrome twin bulb holder, brass twin handles with wood spacers, smooth and textured ceramic body, unmarked, 58cm high with later shade Another Table Lamp, with later shade (2) £100-150

398

Solère: A Desk Lamp, circa 1950s, designed by Ferdinand Solère (1896-1974) black lacquered metal and brass, extendable with a switch on the top, cast in shade SOR, 40cm high

£70-100

399

A 20th Century Table Lamp, the plated top and base holding a vertical glass tube, on a rectangular glass base, on/off pull cord, unmarked, 50.5cm high, with il Paralume Via Di Monserrato

50-Roma shade

Two Glass Rod Holders (3)

£100-150

400

A Pair of 1960s Italian Lucite Nautical Table Lamps, with sea life inclusions, including crabs, star fish, shells and seaweed, unmarked, 16.5cm high excluding fitments, with later shades

Matched Pair of 1960s Italian Lucite Nautical Table Lamps, with sea life inclusions, including crabs and shells, unmarked, 22.5cm high excluding fitments, with later shades (4)

£80-120

401

A Pair of 1960s Table Lamps, with two chrome branch arms sprouting from a stepped circular base, 25cm high

Purchased from The Pruskin Gallery, 73 Kensington Church Street, London. Two Other Pairs of Table Lamps

A Table Lamp, white painted, stamped HW, 41cm high with three later shades (7)

£80-120

402

A 1970s French Polished Ammonite Table Lamp, suspended in a brushed brass frame on a rectangular base, twin bulb holder, unmarked, 56.5cm high with later shade

£70-100

403

A 1970s Kaiser Leuchten Floor Lamp, tan leather wrapped column, pull cord switch, two white sockets, on a cast aluminium tripod base, labelled, 155cm high with later shade

£70-100

404

Attributed to Philippe Jean: A Pair of 1980s French Black Lacquered Table Lamps, with chromed graphical metal applications, unmarked, 37.5cm high with later shades

£100-200

Lots 405, 406 and 407 were commissioned in the 1930s for Tudor Croft, an Arts and Crafts house on the edge of Guisborough, was built by Ronald (Ron) Crossley in 1935.

Following the closure of their family brickworks in 1885, the Crossleys emigrated to the United States where Ron was born in 1891. However, the family returned to their homeland just a few years later and bought back the site of the brickworks and the whole neighbouring village of Commondale. Having re-established the brickworks to great success, by the 1930s the family were very wealthy.

Ron, along with his wife Lilian, built Tudor Court on the edge of Guisborough, and the house was constructed using the speciality 'Tudor' bricks made by the family firm, which were hand-made and sand-faced to give the bricks a textured surface.

Robert 'Mouseman' Thompson was commissioned to help furnish the house, including panelling the living and dining rooms, fitting and inglenook fireplace, beams, and front door as well as free-standing pieces of furniture. Indeed, there was even a Mouseman beam, carved with 'RGC 1935' supporting the loggia on the southern face of the house.

In tandem, Ron Crossley built an extraordinary garden, with built features made with both his own bricks and stones that were once part of the fabric of Guisborough Priory, which had been dissolved in 1540. Following the sale of the house in the early 1950s, the new owners reinvigorated the gardens, which are still beautifully cared for today by the family and are frequently open to visitors in aid of charity.

Tudor Croft

Tudor Croft interior with log box

Ron and Lilian Crossley with their daughter Bridgett Ann

Robert Mouseman Thompson (1876-1955): A Burr Oak Log Box, 1933, the rectangular lid with iron strap hinges, chip carved and iron nail heads to the front edges, front panel carved 19 C 33, with carved mouse trademark, 81cm wide, 37cm deep, 45.5cm high

Provenance: Made for Ronald (Ron) and Lilian Crossley’s Arts & Crafts house “Tudor Croft” in Guisborough. £4,000-6,000

406

Robert Mouseman Thompson (1876-1955):

An English Oak Dinner Gong,circa 1934, with an Egyptian circular engraved brass gong suspended in an octagonal frame, on two octagonal legs with sledge feet, with unusual two mice trademark, 74cm high with striker

Provenance: Made for Ronald (Ron) and Lilian Crossley’s Arts & Crafts house “Tudor Croft” in Guisborough.

£1,000-1,500

407

Robert Mouseman Thompson (1876-1955): An English Oak Tea Trolley, circa 1934, with three tiers joined by four square section supports each with octagonal posts, with recessed carved mouse trademark with front paws, 76cm wide, 46cm deep, 79cm high

Provenance: Made for Ronald (Ron) and Lilian Crossley’s Arts & Crafts house “Tudor Croft” in Guisborough.

£400-600

408

Robert Mouseman Thompson (1876-1955):

An English Oak 10’6” Refectory Table, circa 1930, dowelled adzed three plank top, on two shaped supports joined by a floor stretcher, with carved mouse trademark, 320.5cm, 75cm deep, 72cm high

£3,000-5,000

409

Robert Mouseman Thompson (1876-1955):

An English Burr Oak Panelled Floor Standing Corner Cupboard,1930’s, penny moulded top, the door with wrought iron hinges and latch with square head screws, the interior fitted with three fixed shelves, on five stile feet, recessed carved mouse trademark, 67cm wide, 46cm deep, 106cm high

£2,000-3,000

410

Robert Mouseman Thompson (1876-1955):

Two English Oak Church Chapel Chairs, cross slatted backs, solid seats, on two octagonal front legs joined by a front rail, each with carved mouse trademark, 86cm high

£500-800

411

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak 4’4” Octagonal Dining Table, 1958, the three plank dowelled adzed top, on a cruciform base, with carved mouse trademark, 132cm diameter, 73.5cm high

Provenance: C.W.Waddington menswear shop, Rotherham, South Yorkshire, 1958.

£1,000-1,500

412

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak 6ft Refectory Dining Table, the adzed rectangular top, on two octagonal legs joined by a chamfered floor stretcher, with carved mouse trademark, 183.5cm wide, 87cm deep, 73.5cm high

£1,000-1,500

413

Workshop of Robert Mouseman Thompson (Kilburn): A Set of Six English Oak Lattice Back Dining Chairs,1992/3, tan leather seats, on two octagonal front legs, each with carved mouse trademark, 84.5cm high (dated 13/11/92 and 8/1/93)

£1,500-2,500

414

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 6ft Refectory Dining Table, the adzed three plank rectangular top, on two octagonal legs joined by a chamfered floor stretcher, with carved mouse trademark, 183cm wide, 87cm deep, 74cm high

£1,000-1,500

415

Workshop of Robert Mouseman Thompson (Kilburn): A Set of Six (4+2) English Oak Lattice Back Dining Chairs, tan leather upholstered seats, on octagonal front legs with rush rail set between, each with carved mouse trademark, armchairs 90cm, chairs 84.5cm £1,800-2,500

416

Workshop of Robert Mouseman Thompson (Kilburn): A Set of Eight (6+2) English Oak Lattice Back Dining Chairs, tan leather upholstered seats, on two octagonal front legs, each with carved mouse trademark, armchairs 90cm high, chairs 85cm high

£2,500-3,500

417

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Serving Table, 1981, with raised upstand, rectangular adzed top above two drawers (one fitted for cutlery) with turned knob handles, above a shelf, on four octagonal legs, with carved mouse trademark, 106.5cm wide, 50.5cm deep, 85.5cm high

£1,000-1,500

418

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 6ft Sideboard,1975, with raised upstand, adzed top over two cupboard doors, with wrought iron hinges and latches (straight head screws), enclosing three graduating drawers (one fitted for cutlery) with turned knob handles, on four octagonal and block feet with central bracket, with carved mouse trademark

182.5cm (6ft) wide, 46.5cm deep, 81.5cm high

£2,500-3,500

419

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Longcase Clock, the movement with 11” square brass dial and silvered Roman chapter ring, twin weight driven, stamped E.SCHMECKENBECHER, WEST GERMANY, the oak case with a flat top and carved running detail to the sides, glazed rectangular trunk door and moulded plinth, with carved mouse trademark, 197cm

£2,500-3,500

420

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Longcase Clock, 1973, the movement with 11” square brass dial and silvered Roman chapter ring, twin weight driven, stamped E.SCHMECKENBECHER, WEST GERMANY, the oak case with a flat top and carved running detail to the sides, glazed rectangular trunk door and moulded plinth, with carved mouse trademark, 197cm high

£2,500-3,500

422

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Corner Display Cupboard, the upper section with leaded glazed door and sides, enclosing glass shelves, on a cupboard base, with carved mouse trademark, 73cm wide, 47cm deep, 188.5cm high

£1,200-1,800

421

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Drinks Display Cupboard, the leaded glazed upper section with three fixed glass shelves, the base with two cupboard doors with an oak shelf, wrought iron hinges, latches and drop handles, on four octagonal and block feet, with carved mouse trademark, 92cm wide, 51cm deep, 171cm high

£2,000-3,000

425

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Hanging Small Corner Cupboard, 1977, with panelled door enclosing three fixed shelves, wrought iron hinges and latch, straight head screws, with recessed carved mouse trademark, 70cm wide, 47cm deep, 97cm high

£400-600

423

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Corner Display Cupboard, the upper section with leaded glazed door and sides, enclosing glass shelves, on a cupboard base, with carved mouse trademark, 74cm wide, 48cm deep, 188cm high

£600-900

424

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Tea Trolley/Dinner Wagon, with two tiers both with raised sides joined by four square section legs, on shepherd castors, with carved mouse trademark, 85.5cm by 39cm, 75cm £300-500

426

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Hanging Small Corner Cupboard, 1981, with panelled door enclosing three fixed shelves, wrought iron hinges and latch, straight head screws, with carved mouse trademark, 70cm wide, 48cm deep, 97cm high with hanging bracket

£500-800

429

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Nest of Three Tables, adzed rectangular tops, on four octagonal legs, joined by rails, each with carved mouse trademark, largest 61cm (2ft) wide, 37.5cm deep, 47.5cm high

£600-900

427

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Octagonal Coffee Table, the adzed top, on a cruciform base, with carved mouse trademark, 54.5cm diameter, 46.5cm high

£400-600

428

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Octagonal Coffee Table, the adzed top, on a cruciform base, with carved mouse trademark, 47.5cm high

£400-600

430

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Lattice Back Arm Chair, tan leather upholstered seat, on octagonal front legs joined by a set back rush rail, with carved mouse trademark, 89.5cm high (upholstered 5/2/07)

£350-450

431

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Panel Back Dining Chair, upholstered leather seat, on two octagonal front legs with set-back rush rail, mounted oak plaque KATHRYN WHELAN

1975-1980 VICTORIA WHELAN

1982-1989, with carved mouse trademark, 85cm high

£250-350

433

Workshop of Robert Mouseman

432

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Fire Screen, the frame inset with a woolwork floral panel, with carrying aperture handle, on two sledge feet, with carved mouse trademark, 74.5cm high

£300-500

434

Thompson (Kilburn): An English Oak Panelled Fire Screen, the frame with carrying aperture handle, on two sledge feet, with carved mouse trademark, 76cm high

£300-400

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Flower Stand, on an octagonal column and base, with carved mouse trademark, 106.5cm high

£400-600

435

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fruit Bowl, with carved mouse trademark to the interior, 28.5cm diameter

£200-300

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fruit Bowl, with carved mouse trademark to the interior, 29cm diameter

£200-300

437

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fruit Bowl, with carved mouse trademark to the interior, 32cm diameter

£100-150

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 15cm diameter

£70-100

439

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Nut Dish, with carved mouse trademark to the exterior, 16cm diameter

£70-100

440

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Ashtray, of standard rectangular form, with carved mouse trademark, 10cm

Wrenman: A Bob Hunter (Thirlby): An Oak Match Holder, with tree trunk holder and strike to underside, with carved wren, 13cm by 4.5cm, 4.5cm high (2)

£70-100 441

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Cheese Board, post 1960, of standard form, with carved mouse trademark on handle, 39cm

£100-150

442

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Cow Stool, with shaped seat, on four octagonal legs, with carved mouse trademark on the seat, 45cm high

£200-300

443

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Cow Stool, the kidney shaped seat on three octagonal legs, dated 11.8.81, with carved mouse trademark on seat, 44.5cm high

£150-250

444

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Cow Stool, the kidney shaped seat on three octagonal legs, with carved mouse trademark on seat, 45cm high

£150-250

445

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Cow Stool, the kidney shaped seat on three octagonal legs, with carved mouse trademark on the seat, 45cm high

£150-250

446

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Cow Stool, the kidney shaped seat on three octagonal legs, with carved mouse trademark on seat, 45.5cm high

£150-250

447

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Kidney Shaped Calf Stool, on three octagonal legs, with carved mouse trademark on seat, 35.5cm high

£150-250

448

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Footstool, solid adzed rectangular top, on four octagonal legs joined by rails, with carved mouse trademark, 41cm wide, 28cm deep, 20cm high

£150-250 449

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Trinket Box and Cover,circa 1975, of rectangular form, the cover with carved mouse trademark, 18.5cm by 11cm, 8cm high

£200-300

450

451

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Trinket Box and Cover, of rectangular form, the cover with carved mouse trademark, 18.5cm by 11.5cm, 8cm high

£150-250

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Table Lamp, octagonal column on a square base, with carved mouse trademark, 26.5cm high

£150-250

452

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Table Lamp, octagonal column on a square base, with carved mouse trademark, 26cm high

£150-250

453

Workshop of Robert Mouseman

Thompson (Kilburn): An English Oak Candlestick, with wrought iron sconce, octagonal column, on a square base, with carved mouse trademark, 29cm high

£150-250

454

455

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of English Oak Triple Mice Bookends, each carved with three mice and tooled, 16.5cm high

£1,000-1,500

456

Robert Mouseman Thompson (1876-1955): A Pair of English Oak Single Mouse Bookends, each with a large carved mouse trademark, 15.5cm high

£300-500

457

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of English Oak Single Mouse Bookends, each with carved mouse trademark, 15cm high

£150-250

458 (part)

458

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Book Trough, with carved mouse trademark, 45.5cm wide

Thompson (James): The Mouseman of Kilburn, Surrey: Dalesman, 1992, Fourth Edition

Two Others (4)

£150-250

Workshop of Robert Mouseman Thompson (Kilburn): A Pair of English Oak Single Mouse Bookends,circa 1975, each with carved mouse trademark, 15.5cm high

£150-250

459

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Missal Stand Book Rest, the sloping top on an octagonal support, sloping square base with carved mouse trademark, 29.5cm wide, 21cm deep, 38.5cm high

£300-500

460

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Letter Rack, three-tiered, with carved mouse trademark, 33cm wide, 13cm deep, 21cm high

£250-350

461

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Pen Tray, oblong with penny moulding, three sections, with carved mouse trademark, 30.5cm long

£300-500

462

Workshop of Robert Mouseman Thompson (Kilburn):

An English Oak Kidney Tray, with carved mouse trademark handles, hand tooled surface, 47cm wide

£150-250

464

Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 121cm diameter, 74cm high (varnished)

£200-300

463

Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 122cm (4ft) diameter, 75cm high (varnished)

£200-300

465

Beaverman: Colin Almack (1930-1996)

(Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 90cm diameter, 75cm high (varnished)

£200-300

466

Beaverman: Colin Almack (1930-1996)

(Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 91.5cm (3ft) diameter, 74.5cm high (varnished)

£200-300

467

Beaverman: Colin Almack (1930-1996)

(Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 91.5cm (3ft) diameter, 74.5cm high (varnished)

£180-220

468

Beaverman: Colin Almack (1930-1996)

(Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 91.5cm (3ft) diameter, 74.5cm high (varnished)

£200-300

469

Beaverman: Colin Almack (1930-1996)

(Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 91.5cm (3ft) diameter, 74.5cm high (varnished)

£200-300

470

Beaverman: Colin Almack (1930-1996)

(Sutton-under-Whitestonecliffe): An English Oak Circular Pub Table, on a cruciform base, with carved beaver trademark, 91.5cm (3ft) diameter, 74.5cm high (varnished)

£180-220

468

466

471

Cat and Mouseman: Lyndon Hammell (1954-2015)

(Harmby): An English Oak Dining Table, the adzed rectangular top, on two turned legs joined by a chamfered floor stretcher, with recessed cat and mouse trademark, 155cm wide, 94.5cm deep, 75.5cm high

£400-600

472

Cat and Mouseman: Lyndon Hammell (1954-2015)

(Harmby): A Set of Six (4+2) English Oak Lattice Back Dining Chairs, upholstered drop-in seats, on turned front legs, each with recessed carved cat and mouse trademark, armchairs 95cm high, chairs 91.5cm high

£600-900

473

Cat and Mouseman: Lyndon Hammell (1954-2015)

(Harmby): An English Oak Panelled 5ft Sideboard, the adzed top above three drawers above three cupboard doors, turned knob handles, on a plinth base, with recessed cat and mouse trademark, 153cm wide (5ft) 45cm deep, 91.5cm high

£500-800

472

471

474

Eagleman: Albert J Jeffray (1937-2013) (Sessay):

A Burr Oak Fruit Bowl, tooled interior and exterior, with recessed carved eagle trademark, 26cm diameter

£100-150

477

Attributed to Knightman Family: An Old Mill Furniture (Balk): An Elm 4’6” Refectory Table, the flat five plank top, on two shaped supports joined by stretchers, unmarked, 137cm wide, 86.5cm dep, 75cm high

Attributed to Knightman Family: An Old Mill Furniture (Balk): A Set of Six Elm Lattice Back Dining Chairs, upholstered tan leather seats, on chamfered front legs, unmarked, 90.5cm high (7)

£500-700

475

Gnomeman: Thomas Whittaker (1912-1991) (Littlebeck): A Panelled English Oak Drinks Cupboard, adzed top, above a dentil frieze, above a fall front with white plastic cover, enclosing a shaped shelf, above two cupboard doors, cast metal drop handles and butterfly hinges, on four feet, with recessed carved gnome trademark, 64cm wide, 46.5cm deep, 139.5cm high (55” high)

£300-500

476

Gnomeman: Thomas Whittaker (1912-1991) (Littlebeck): An English Oak Stool, the adzed dodecagon top carved with the Yorkshire rose, on three chamfered square section legs, with recessed carved gnome trademark on leg, 33cm diameter, 40cm high

£200-300

479

478

Attributed to Knightman Family: An Old Mill Furniture (Balk): An Elm Display Dresser, the top with three glazed doors, wrought iron hinges and drop handles, the base with three drawers over three cupboards, on four square section legs, unmarked, 153cm wide, 46cm deep, 183cm high

£400-600

Attributed to Knightman Family: An Old Mill Furniture (Balk): An Elm Nest of Two Tables, on four chamfered legs joined by rails, unmarked, largest 49.5cm wide, 35.5cm deep, 44.5cm high

Attributed to Knightman Family: An Old Mill Furniture (Balk): An Elm Bench, the rectangular top on two shaped supports, unmarked, 137.5cm wide, 37cm deep, 63cm high

£70-100

481

Oakleaf Furniture: David Langstaff (Easingwold):

An English Oak Picture Frame, with tooled border, with recessed carved oakleaf trademark, 38cm wide, 45.5cm high

£150-250

482

Oakleaf Furniture: David Langstaff (Easingwold):

An English Oak Picture Frame, with tooled border, with recessed carved oakleaf trademark, 38cm wide, 45.5cm high

£150-250

480

Lizardman: Derek Slater (b.1945) (Woodcarvers of Crayke): An Oak Panelled Desk, inset green leather top, two banks of three drawers with pull handles, on eight octagonal and square section feet, with carved lizard trademark, 183cm wide, 90cm deep, 72cm high

Derek Slater served his apprenticeship with Acorn Industries of Brandsby. Derek started off with a recessed fish trademark, then used a relief carved lizard.

£250-350

479

483

Attributed to Sidney (Sid) Pollard (1914-1994) (Thirsk): An Oak Panelled Blanket Chest, the rectangular top with brass hinges, on four octagonal feet, unmarked, 122cm (4ft) wide, 43.5cm deep, 57cm high

£400-600

485

Sidney (Sid) Pollard (1914-1994) (Thirsk): Eight Oak Panel Back Dining Chairs, drop-in seats, ply bottoms, on two octagonal front legs, unmarked, 86cm high

£250-350

484

Sidney (Sid) Pollard (1914-1994) (Thirsk): Eight Oak Panel Back Dining Chairs, drop-in seats, ply bottoms, on two octagonal front legs, unmarked, 86cm high

£250-350

486

Sidney (Sid) Pollard (1914-1994) (Thirsk): Seven Oak Panel Back Dining Chairs, drop-in seats, ply bottoms, on two octagonal front legs, unmarked, 85cm high

£200-300

485

484

483

487

Sidney (Sid) Pollard (1914-1994) (Thirsk):

Six Oak Panel Back Dining Chairs, drop-in seats, ply bottoms, on two octagonal front legs, unmarked, 85cm high

£200-300

Sidney (Sid) Pollard (1914-1994) (Thirsk):

Five Oak Panel Back Dining Chairs, dropin seats, ply bottoms, on two octagonal front legs, unmarked, 85.5cm high

£180-220

489

Squirrelman: Wilfrid Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite):

An English Oak 7’10” Refectory Dining Table, three plank flat dowelled top, on two shaped supports, joined by a pegged stretcher, with carved squirrel trademark, 240cm wide, 97.5cm deep, 74cm high

£400-600

490

Squirrelman: Wilfrid Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite):

An English Oak Extension/Side Table, the two plank flat top, on two shaped supports, joined by a floor stretcher, with carved squirrel trademark, 99cm by 50cm, 73cm high

£200-300

489

488

487 488

494

Wren Cabinet Makers: Bob Hunter (Thirlby): An English Oak Letter Rack, made as a local Thirlby design fivebar gate, with carved wren, 33cm wide, 13cm deep, 18.5cm high

£100-150

491

Squirrelman: Wilfrid Hutchinson (19362013) and Trevor Hutchinson (b.1960) (Husthwaite): A Set of Eight (6+2) English Oak Lattice Back Dining Chairs, tan leather seats, on turned octagonal front legs, each with carved squirrel trademark, chairs 86.5cm high

£600-900

493

492

Squirrelman: Wilfrid Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite):

An English Oak Rocking Chair, 2017, the back with a central carved squirrel, acorns and oak leaf panel (carved by John Minikin, Thirsk) shaped arms, tan leather seat, with carved squirrel trademark, carved T.H 2017 JM, 100cm high

£500-800

Wrenman: A Bob Hunter (Thirlby): An Oak Letter Rack, made as a local Thirlby design five-bar gate, with carved wren, 33cm wide, 13cm deep, 18.5cm high

£100-150

495

Wrenman: A Bob Hunter (Thirlby): An Oak Hanging Letter Rack, made as a five-bar gate, with carved wren, 30.5cm wide, 9cm deep, 20.5cm high

£100-150

496

An English Hardwood Furniture Walnut Desk, the rectangular top with rounded front edge and two cable tidies, above four drawers with pull handles, on four square section legs, unmarked, 181cm wide, 91cm deep, 78.5cm high

A P Bulmer, Furniture Maker, Topcliffe. Paul Bulmer founded English Hardwood Furniture approximately twenty years ago. Joined by Nigel Dixon in 1997.

£300-400

498

Yorkshire School: An Oak Panelled Blanket Chest, the rectangular top with full length brass hinge, on four square section feet, unmarked, 94cm wide, 45cm deep, 55cm high

£200-300

497

An English Hardwood Furniture Walnut Cupboard, the rectangular top, above two drawers with pull handles, on four square section legs, unmarked, 95cm wide, 37cm deep, 59.5cm high

£150-250

499

Scottish School: An Oak Refectory Dining Table, the adzed three plank top on two octagonal legs joined by a chamfered floor stretcher, unmarked, 221cm wide, 89cm deep, 73.5cm high

£500-800

498

497

496

ART DECO: Celebrating Art Deco Fashion & Design

To coincide with the Centenary of the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris, which launched the Art Deco style onto a global platform.

20th March - 4th May 2025

Venue: The Garden Rooms at Tennants

Free Admission Open 7 Days

20TH CENTURY DESIGN

SATURDAY 14 JUNE 2025

Further entries invited

Richard (Louis) Garbe RA FRBS (1876-1957) for Doulton & Co., "Fate": A Ceramic Wall Mask, circa 1921, modelled as the head of a female, her hair entwined with serpents, flanked by two miniatures kneeling nudes, matt green glaze, green painted ‘Fate’. by :- Richard Garbe. A.R.A Potted by :- Doulton & Co., Edition Limited to 100 ..No.58.., ..G.. impressed 848, modelled RICHARD GARBE 1921 across the top of the head, 27cm long £800-1200

For further information please contact: Diane Sinnott 01969 623780 diane.sinnott@tennants-ltd.co.uk

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 22% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can be made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £6,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Export/CITES Regulations

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Certain species are also subject to CITES regulations when exporting/importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH

wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Droit de Suite/ Artists’ Resale Rights

All items in this catalogue that are marked with “3” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than £1,000. The royalty charge will be added to purchase invoices and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price of more than £1,000.

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of £1,000 is as follows:

Up to £50,000 – 4%

£50,000.01 to £200,000 – 3%

£200,000.01 to £350,000 – 1%

£350,000.01 to £500,000 – 0.5%

Exceeding £500,000 – 0.25%

For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Post 1950 Furniture

Some furniture offered in the sale (as applicable) was not originally intended for use in a private home and will be sold under the category “works of art”. It is possible that some furniture does not comply with the Furniture and Furnishings (Fire)(Safety) Regulations 1989 and, for this reason, should not be used in a private home or re-upholstered. We do not provide any warranty or guarantee as to the safety of such furniture or the compliance with the Furniture and Furnishings (Fire) (Safety) Regulations 1989.

Furniture Made from Brazilian Rosewood (Dalbergia Negra)

To comply with CITES Regulations on post-1947 Brazilian Rosewood furniture, all items have non-transferable Article 10 certificates. Brazilian Rosewood (Dalbergia Negra) is also subject to regulations when exporting and importing.

CITIES Regulations are given on www.ukcities.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road

Bristol BL1 5AH

Wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Method of Payment

Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction. All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

NEXT 20TH CENTURY DESIGN SALE

SATURDAY 14 JUNE 2025

2025 AUCTION DATES

Friday 7 February

Antiques & Interiors

including a section of silver Fashion, Costume & Textiles

Wednesday 12 February

Coins & Banknotes

Wednesday 19 February

Stamps, Postcards & Postal History

Friday 21 February

Antiques & Interiors

including Beswick & Border Fine Art

Saturday 1 March

20th Century Design

Modern & Contemporary Art

Friday 7 March

Antiques & Interiors

including a section of silver

Saturday 15 March

Spring Sale

Asian Art

British, European & Sporting Art

Fine Jewellery, Watches & Silver