Jewellery, Watches & Silver - 17 May

JEWELLERY, WATCHES & SILVER

SATURDAY 17 MAY 2025

ALSO SELLING:

COUNTRY HOUSE SALE

FRIDAY 16 MAY

(comprising the selected contents of Scorborough Lodge from the estate of Stephen Thornley-Wilson)

SATURDAY 17 MAY 9.30AM

YOUR SPECIALISTS

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

Jeffrey Lassaline (Silver & Objects of Vertu)

Jessica Fall BSc (Hons) FGA, DGA (Jewellery)

Adam Wasdell Wostep, MBHI (Watches & Clocks)

Sarah Hardy, PJ Dip, FGA, DGA (Consultant, Jewellery)

JEWELLERY, WATCHES & SILVER

SATURDAY 17 MAY 2025 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Wednesday 14 May 10.00am to 4.00pm

Thursday 15 May 10.00am to 4.00pm Friday 16 May 8.00am to 5.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER

Lot 2292

BACK COVER Lot 2360

JEWELLERY

2001

A Diamond Pendant on Chain the old cut diamond in a yellow claw setting, to an openwork pear shaped frame, suspended from a plain polished bale, on a 9 carat gold trace link chain, estimated diamond weight 0.75 carat approximately pendant length 1.9cm, chain length 39.5cm

£400-600

2002

A Multi Gem-Set Chain set throughout with oval cabochon opal, oval cabochon turquoise, varihue oval cut sapphires and bi-colour oval cut tourmaline, in yellow chain linked spectacle frames length 30.2cm

£200-300

2003

A Turquoise and Diamond Cluster Ring, circa 1900 of floral form, the central old cut diamond within a border of oval cabochon turquoise, to an outer border of old cut and eight-cut diamonds, in white and yellow millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.45 carat approximately finger size Q

£400-600

2004

An 18 Carat Gold Opal and Diamond Three Stone Ring the oval cabochon opal flanked by round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately finger size O½

£150-200

2005

An 18 Carat Gold Sapphire and Diamond Cluster Ring the central raised round cut sapphire within a border of round brilliant cut diamonds, to an outer border of round cut sapphires, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.30 carat approximately finger size O

£200-300

2006

An Opal Doublet and Diamond Ring, designed by Zoltan Popovits for Lapponia the abstract form decorated with an oval opal doublet and a round brilliant cut diamond, in yellow and white rubbed over settings, to a yellow plain polished shank, estimated diamond weight 0.04 carat approximately finger size H

£150-200

2007

A Turquoise Ring the oval cabochon turquoise in a yellow four claw setting, to a trifurcated shoulder plain polished shank finger size H½

Provenance: Property of a Lady

£200-300

2008

A Multi Gem-Set Necklace set throughout with vari-cut peridot, citrine, vari-hue corundum, varihue tourmaline, opal, moss agate, tiger’s-eye, moonstone, banded agate, amethyst, lapis lazuli, carnelian, labradorite, garnet, aquamarine etc, in yellow chain linked spectacle frames length 143cm

£400-600

2009

A Two Row Cultured Pearl Necklace, with A Sapphire Clasp the 49:52 cultured pearls knotted to a square clasp, with a cluster of round cut sapphires centrally to a yellow textured ground length 45cm

£300-500

2010

An Early 20th Century Turquoise Bracelet the central oval cabochon turquoise chain linked to seven round cabochon turquoise to each side, in yellow claw settings length 17.4cm

Provenance: Property of a Lady

£200-300

2011

A Plique-à-Jour Enamel Scarf Clip modelled as a stylised fairy, the wings set throughout with purple, blue and green plique-à-jour enamel measures 4.4cm by 3.7cm

£80-120

2012

A Split Pearl Necklace, circa 1900 a trio of graduated crescent and star motifs alternate with foliate motif drops, set throughout with split pearls, to a split pearl back chain, in a fitted case labelled Nathan & Co, Coronation Street, Birmingham drop length 2.0cm, necklace length 39.7cm

£500-700

2013

An Edwardian Split Pearl, Green Garnet and Pink Stone Pendant on Chain the central oval green garnet within a border of round cut pink stones, to a scroll frame set throughout with split pearls, suspending an oval green garnet drop, on a fancy figaro link chain, case labelled Manoah Rhodes Sons Ltd, Diamond Merchants, Bradford pendant length 5.0cm, chain length 44cm

£300-500

2014

A Diamond Ring two old cut diamonds positioned up the finger, to old cut diamond set stepped shoulders, in white claw settings, to a yellow plain polished shank, total estimated diamond weight 1.10 carat approximately finger size S

£500-700

2015

A Diamond Five Stone Ring the graduated old cut diamonds in yellow claw settings, to a plain polished shank, total estimated diamond weight 1.25 carat approximately finger size G½

£400-600

2016

An Early 20th Century Split Pearl and Diamond Floral Spray Brooch set throughout with old cut diamonds and split pearls, in yellow claw and collet settings, total estimated diamond weight 0.10 carat approximately measures 4.8cm by 2.3cm

£100-150

2017

An Early 20th Century Split Pearl Swallow Brooch three graduated in-flight swallow motifs set throughout with split pearls, in yellow claw settings measures 6.5cm by 2.6cm

£150-200

2018

A Diamond Solitaire Ring the round brilliant cut diamond in a white square setting, to a yellow plain polished border, to a fancy broad tapered shoulder shank, total estimated diamond weight 0.35 carat approximately finger size O

£300-500

2019

A Diamond Solitaire Ring the old cut diamond in a yellow claw setting, to a grooved shoulder plain polished shank, estimated diamond weight 0.65 carat approximately finger size T½

£300-500

2020

A Split Pearl Crescent Brooch, circa 1880 set throughout with graduated split pearls, in yellow claw settings length 5.2cm

£200-300

2021

A Split Pearl and Diamond Pendant, circa 1900 and A Split Pearl Brooch/Pendant, circa 1900 the star motif set throughout with split pearls with an old cut diamond centrally, to a similarly set oval frame, with a plain polished suspension loop, estimated diamond weight 0.05 carat approximately; the circular brooch depicting three flowerheads and foliage, set throughout with split pearls, suspended from a similarly set detachable bale pendant measures 2.7cm by 2.0cm, brooch measures 3.5cm by 2.4cm

£100-150

2022

An Early 20th Century Jade, Diamond and Split Pearl Brooch the old cut diamond within a border of oval and round cabochon jade to tapered terminations comprising of four split pearls, in yellow claw and collet settings, estimated diamond weight 0.35 carat approximately length 3.1cm

£150-200

2023

A Diamond and Pearl Bracelet seven pearls alternate with six old cut diamonds in rose claw settings, to a back chain consisting of old cut and rose cut diamonds in collet settings, total estimated diamond weight 2.25 carat approximately length 17.7cm

NB: one diamond deficient and the pearls have not been laboratory tested

£600-800

2024

An 18 Carat Gold Cameo Brooch the shell carved to depict Venus playing pan pipes, in a yellow plain polished frame measures 6.9cm by 5.3cm

£200-300

2025

An 18 Carat Gold Diamond Cluster Ring the square cluster comprised of nine round brilliant cut diamonds in white claw settings, the central diamond held within diamond tipped claws, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.40 carat approximately finger size M

£400-600

2026

An 18 Carat Gold Diamond Three Stone Ring the yellow tapered band inset with three round brilliant cut diamonds, total estimated diamond weight 0.70 carat approximately finger size J½

£350-450

2027

An Enamel Regimental Brooch for The Green Howards, enamelled in green to depict The Yorkshire Regt Princess of Wales Own, engraved 1875 Alexandra, and with a red enamel coronet measures 4.3cm by 2.7cm

£200-300

2028

A Cameo Pendant, circa 1900 the oval shell cameo carved to depict a gentleman in a yellow star shaped frame decorated with beadwork, suspended from a plain polished bale, with a locket compartment to the reverse, in a fitted case measures 6.7cm by 4.7cm

£200-300

2029

A Pair of Cultured Pearl and Diamond Earrings a round brilliant cut diamond surmounted by a cultured pearl, in white claw settings, total estimated diamond weight 0.30 carat approximately, with screw fittings length 1.3cm

£200-300

2030

A Diamond Three Stone Ring the round brilliant cut diamonds arranged in a trefoil formation, in white claw settings, to eight-cut diamond set twist shoulders, on a yellow plain polished shank, total estimated diamond weight 0.85 carat approximately finger size P

£300-500

2031

An Early 20th Century Diamond Fox Bar Brooch the running fox pavé set throughout with old cut and rose cut diamonds, with a cabochon ruby eye, to a plain polished bar, total estimated diamond weight 0.15 carat approximately length 6.3cm

£100-150

2032

A Diamond Cluster Ring the central old cut diamond within a border of smaller old cut and eight-cut diamonds, in white claw and millegrain settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.65 carat approximately finger size Q

£300-500

2033

A Pheasant Stick Pin the yellow textured pheasant in a strutting pose, with a rose cut diamond eye, to a pin with a mid-way twist

£200-300

2034

A Pearl, Enamel and Diamond Bracelet, circa 1900 cube forms set with old cut diamonds to four sides and tapering terminations to the other two, decorated with black and white enamel, to a yellow cable link chain interspaced with pearls, total estimated diamond weight 0.60 carat approximately length 21.0cm

NB: the pearls have not been laboratory tested

£300-500

2035

A Diamond Fox Stick Pin, circa 1900 the running fox pavé set throughout with rose cut diamonds, with a cabochon ruby eye, to a yellow pin with a mid-way twist, total estimated diamond weight 0.10 carat approximately, cased

£200-300

2036

A Diamond Pendant on Chain a round brilliant cut diamond suspends a marquise cut diamond, surmounted by a suspension loop, in white claw settings, on an 18 carat gold snake link chain, total estimated diamond weight 0.60 carat approximately pendant length 1.7cm, chain length 42cm

£400-600

2037

An 18 Carat White Gold Diamond Brooch three bars set throughout with round brilliant cut diamonds in claw settings, arranged in a triangular formation, total estimated diamond weight 2.10 carat approximately measures 3.2cm by 3.2cm

£600-800

2038

A Single Row Cultured Pearl Necklace, with A Lapis Lazuli and Diamond Clasp the forty-four cultured pearls, with a scalloped lapis lazuli bead with a row of eight-cut diamonds centrally, total estimated diamond weight 0.15 carat approximately length 44cm

£100-150

2039

A 9 Carat White Gold Diamond Bracelet trios of round brilliant cut diamonds in claw settings, spaced by plain polished bars, total estimated diamond weight 1.10 carat approximately length 19.2cm

£200-300

2040

A Pair of 18 Carat White Gold Diamond Cluster Earrings the central raised round brilliant cut diamond within a border of smaller round brilliant cut diamonds, in claw settings, total estimated diamond weight 1.10 carat approximately, with post fittings measure 0.9cm diameter

£300-500

2041

A Sapphire and Diamond Ring, circa 1930 the rectangular cushion cut sapphire to a pierced border of eight-cut diamonds, in white millegrain settings, to a diamond set shoulder yellow plain polished shank, total estimated diamond weight 0.10 carat approximately finger size P

£300-500

2042

A Diamond Cluster Ring the central raised round brilliant cut diamond within a border of round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.10 carat approximately finger size O

£400-600

2043

An Emerald and Diamond Cluster Ring the rectangular step cut emerald to an eight-cut and old cut diamond openwork navette shaped border, in white claw and millegrain settings, to a forked shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately finger size L

£400-600

2044

An 18 Carat White Gold Diamond Three Stone Ring the round brilliant cut diamonds in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size M

£300-500

2045

An Amethyst Brooch a white plain polished bar with three graduated round cut amethysts centrally, terminating to pear cut amethysts, in millegrain settings length 6.5cm

£200-300

2046

A 14 Carat White Gold Diamond Half Hoop Ring ten pear cut diamonds with round brilliant cut diamond accents, in claw settings, to a plain polished shank, total estimated diamond weight 0.60 carat approximately finger size P

£200-300

2047

An 18 Carat White Gold Sapphire and Diamond Half Hoop Ring four round cut sapphires alternate with five round brilliant cut diamonds, in a millegrain channel setting, to a plain polished shank, total estimated diamond weight 0.75 carat approximately finger size S

£400-600

2048

Three Loose Round Brilliant Cut Diamonds weighing 0.22, 0.22 and 0.28 carat approximately

Each stone is accompanied by a Quality Report from AnchorCert, dated July 15, 2002, 109718-004 states the diamond weighs 0.22 carat, colour F, clarity SI1, 109718-010 states the diamond weighs 0.22 carat, colour I, clarity SI2, 109718-008 states the diamond weighs 0.28 carat, colour F, clarity SI2

£250-300

2049

Five Loose Round Brilliant Cut Diamonds weighing 0.31, 0.31, 0.32, 0.33, 0.34 carat approximately

£500-700

2050

Two Loose Round Brilliant Cut Diamonds weighing 0.53 and 0.54 carat approximately

£500-700

2036

2037

2039

2038

2240

2043

2042

2045

2041

2044

2046

2051

An Aquamarine and Diamond Pendant on Chain the pear cut aquamarine in a white claw setting, surmounted by a round brilliant cut diamond in a rubbed over setting, on an 18 carat gold trace link chain, estimated diamond weight 0.15 carat approximately pendant length 2.0cm, chain length 46cm

£300-500

2052

An Aquamarine and Diamond Necklace the ribbon bow motif set throughout with round brilliant cut diamonds and gathered centrally by a round cut aquamarine suspends an oval cut aquamarine within a border of round brilliant cut diamonds, in white claw, rubbed over and millegrain settings, total estimated diamond weight 0.35 carat approximately drop length 3.7cm, necklace length 44cm

£300-500

2053

A Diamond Cluster Ring the central raised round brilliant cut diamond in a white square setting, within a border of four larger round brilliant cut diamonds in millegrain settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size N

£300-500

2054

An Art Deco Style Diamond Ring two round brilliant cut diamonds aligned up the finger in white claw settings, with a rectangular border, to eight-cut diamond set stepped shoulders, on a plain polished shank, total estimated diamond weight 0.65 carat approximately finger size N½

£300-500

2055

A Synthetic Sapphire and Diamond Cluster Ring the oval cut synthetic sapphire within a border of round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.20 carat approximately finger size O

NB: one diamond deficient

£200-300

2056

An 18 Carat White Gold Sapphire and Diamond Cluster Ring the central raised round brilliant cut diamond within a border of pairs of graduated round brilliant cut diamonds, spaced by marquise cut sapphires, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.05 carat approximately finger size N½

£500-700

2057

A Pair of Sapphire and Diamond Cluster Earrings the oval cut sapphire within a border of round brilliant cut diamonds, in white claw settings, total estimated diamond weight 0.70 carat approximately, with post fittings

£400-600

2058

An 18 Carat White Gold Aquamarine and Diamond Ring the oval cut aquamarine within a border of round brilliant cut diamonds, flanked by fancy trilliant cut aquamarines, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately finger size N

£400-600

2059

A Pair of 18 Carat Gold Sapphire and Diamond Cuff Earrings three oval cut sapphires alternate with two round brilliant cut diamonds, in yellow claw settings, to a plain polished hinged back, total estimated diamond weight 0.20 carat approximately, with post fittings length 1.5cm

£300-500

2060

A Pair of Aquamarine and Diamond Drop Earrings a cluster of four round brilliant cut diamonds, suspends a row of round brilliant cut diamonds and round cut aquamarine, terminating to an oval cut aquamarine within a border of round brilliant cut diamonds, in white claw and rubbed over settings, total estimated diamond weight 0.60 carat approximately, with post fittings drop length 3.7cm

£250-300

2061

A Diamond Five Stone Brooch the graduated old cut diamonds in white millegrain settings aligned diagonally, to a twist plain polished bar, total estimated diamond weight 0.90 carat approximately length 5.2cm

£250-300

2062

An 18 Carat White Gold Opal and Diamond Cluster Ring of plaque form, the oval cabochon opal within a border of round brilliant cut diamonds, in white rubbed over and claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size L½

£300-500

2063

A Diamond Brooch three graduated old cut diamonds centrally, to a white plain polished bar terminating to a single old cut diamond at each end, in millegrain settings, total estimated diamond weight 0.95 carat approximately length 5.1cm

£300-500

2053

2055

2057

2061

2056

2059

2063

2054 2051

2052

2064

A Sapphire Star Brooch, circa 1880 a raised cushion cut sapphire centres twelve radial arms, each set throughout with graduated round and cushion cut sapphires, in white claw and collet settings measures 3.6cm diameter

£200-300

2065

An Aquamarine, Pearl and Diamond Pendant on Chain the oval cut aquamarine in a yellow claw setting, within a scroll frame decorated with pearls and eight-cut diamonds, with three similar drops, and suspended from a cluster form bale, on a trace link chain interspaced with pearls, total estimated diamond weight 0.10 carat approximately drop length 4.5cm, chain length 35.2cm

NB: the pearls have not been laboratory tested

£500-700

2066

A Diamond Star Brooch, circa 1880 an old cut diamond within a border of smaller old cut diamonds centres eight radial arms set throughout with graduated old cut diamonds, with knife edge bars between each terminating to old cut diamonds, in white claw and collet settings, total estimated diamond weight 2.50 carat approximately measures 3.0cm diameter

£700-1,000

2067

A Sapphire and Diamond Twist Ring a round cut sapphire and an old cut diamond aligned diagonally in white millegrain settings, to twist shoulders, on a yellow plain polished shank, estimated diamond weight 0.15 carat approximately finger size L

£100-150

2068

An 18 Carat Gold Sapphire and Diamond Three Stone Ring the oval cut sapphire flanked by round brilliant cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.10 carat approximately finger size I½

£200-300

2069

A Late Victorian Diamond Horseshoe Bar Brooch the white knife edge bar centred by a horseshoe set throughout with old cut diamonds, with a single old cut diamond to the centre and flanked by two to either side, in claw settings, total estimated diamond weight 0.60 carat approximately length 3.7cm

£200-300

2070

A Diamond Eternity Ring twenty round brilliant cut diamonds in white claw settings, total estimated diamond weight 1.40 carat approximately finger size M½

£500-700

2071

An 18 Carat Gold Diamond Cluster Ring the central raised round brilliant cut diamond within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size M

£200-300

2072

A Single Row Cultured Pearl Necklace, with A Cultured Pearl and Diamond Cluster Clasp the graduated forty-nine cultured pearls knotted to a white rectangular clasp with a cultured pearl centrally within a border of rose cut diamonds length 45cm

£100-150

2073

A Pearl and Diamond Pendant, circa 1910 the pearl with old cut diamonds at four points, in white millegrain settings, to a spaced quatrefoil frame, suspended from a tapered bar, on a yellow suspension loop, total estimated diamond weight 0.05 carat approximately length 4.3cm

NB: the pearl has not been laboratory tested

£200-300

2074

A Diamond Eternity Ring the twenty-two round brilliant cut and old cut diamonds in white claw and channel settings, total estimated diamond weight 1.30 carat approximately finger size O½

£300-500

2075

A Blue Topaz and Diamond Ring the emerald-cut blue topaz in a white four claw setting, to textured foliate shoulders inset with eight-cut diamonds, to a plain polished shank, total estimated diamond weight 0.15 carat approximately finger size P½

£250-300

2076

A Diamond Eternity Ring twenty-four eight-cut diamonds, in white claw and channel settings, total estimated diamond weight 0.70 carat approximately finger size P

£250-300

2077

A Lady’s Diamond Set Rectangular Wristwatch, 1930’s manual wound lever movement, silvered dial with Arabic numerals, case with round brilliant cut and eight-cut diamond set bezel and lugs, hinged back cover, on a 9 carat white gold mesh bracelet, total estimated diamond weight 1.05 carat approximately 11mm by 23mm

£300-500

2064

2068 2067

2069

2070

2073

2272

2071

2065

2074

2077

2075

2076

2078

A Pearl and Diamond Pendant on Chain the white circular frame encompassing a floral motif with rose cut diamond set leaves and terminating to a pearl, surmounted by a tapered plain polished bar, on a later 9 carat gold curb link chain pendant length 3.7cm, chain length 41.5cm

NB: the pearl has not been laboratory tested

£250-300

2079

A Pair of Opal and Diamond Cluster Earrings the oval cabochon cut opals within borders of round brilliant cut diamonds, in white claw settings, total estimated diamond weight 0.55 carat approximately, with post fittings measure 1.3cm by 1.1cm

£400-600

2080

An 18 Carat Gold Diamond Wishbone Ring seven round brilliant cut diamonds in yellow claw settings, to a plain polished shank, total estimated diamond weight 0.40 carat approximately finger size L½

NB: with certificate of authenticity for Welsh Gold

£200-300

2081

A Platinum Diamond Solitaire Ring the round brilliant cut diamond in a claw setting, to a broad shank with yellow band detail, estimated diamond weight 0.55 carat approximately finger size N½

£400-600

2082

A Diamond Eternity Ring sixteen round brilliant cut diamonds in white square settings, total estimated diamond weight 0.45 carat approximately finger size K½

£250-300

2083

A Two Row Cultured Pearl Necklace, with An 18 Carat Gold Cultured Pearl and Diamond Cluster Clasp the 45:48 uniform cultured pearls knotted to an 18 carat gold cultured pearl and diamond cluster, the central cultured pearl within a border of round brilliant cut diamonds, to an outer border of cultured pearls, total estimated diamond weight 0.15 carat approximately length 41cm

£300-500

2084

An 18 Carat Gold Diamond Cluster Ring three baguette cut diamonds arranged in a cross formation within a border of round brilliant cut diamonds, in white rubbed over and claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.95 carat approximately finger size O½

£300-500

2085

An 18 Carat Gold Sapphire and Diamond Triple Cluster Ring the graduated round cut sapphires in white claw settings, within borders of round brilliant cut diamonds in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.40 carat approximately finger size O½

£400-600

2086

A Ruby and Diamond Three Stone Ring the round brilliant cut diamond flanked by two round cut rubies, in white claw settings tipped with rose cut diamonds, to a tapered shoulder plain polished shank, estimated diamond weight 0.65 carat approximately finger size L½

£600-800

2087

An 18 Carat Gold Sapphire and Diamond Half Hoop Ring four round cut sapphires alternate with three round brilliant cut diamonds, in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.25 carat approximately finger size M

£200-300

2088

An 18 Carat Gold Diamond Five Stone Ring the round brilliant cut diamonds in yellow claw settings, spaced by smotif bars, to a plain polished shank, total estimated diamond weight 0.50 carat approximately finger size O½

£150-200

2089

A Cubic Zirconia Line Bracelet thirty-six pairs of square cut cubic zirconia in yellow channel settings length 19.3cm

£300-500

2090

An 18 Carat Gold Ruby and Diamond Cluster Ring; and An 18 Carat Gold Wishbone Ring

the oval cut ruby within a border of round brilliant cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.35 carat approximately; the wishbone ring of yellow plain polished form finger sizes L½

NB: Both with certificates of authenticity for Welsh Gold

£400-600

2091

A Loose Round Brilliant Cut Diamond weighing 0.65 carat approximately

The diamond is accompanied by a Diamond Certificate from E.G.L International, report number EGL3023330822, dated July 11, 2010, stating the diamond to weigh 0.65 carat, clarity VS2, color (sic) D

£500-700

2080

2081

2082

2084

2085

2086 2087

2089

2083

2090 2090

2092

Two Loose Round Brilliant Cut Diamonds weighing 0.39 and 0.42 carat approximately

£250-300

2093

A Loose Round Brilliant Cut Diamond weighing 0.59 carat approximately £400-600

2094

A Loose Emerald-Cut Kunzite, weighing 23.56 carat approximately £300-500

2095

A Pair of 18 Carat Gold Mother-of-Pearl Earrings, by Bulgari the round mother-of-pearl plaques within rose borders inscribed BVLGARI BVLGARI, with post fittings

£300-500

2096

An 18 Carat White Gold Diamond Pendant on Chain three round brilliant cut diamonds in claw settings, surmounted by a plain polished bale, on an 18 carat gold cable link chain, total estimated diamond weight 0.40 carat approximately pendant length 1.7cm, chain length 40.5cm

£300-500

2097

A Pair of 18 Carat White Gold Ruby and Diamond Earrings of target design, the central raised round brilliant cut diamond within a border of calibré cut rubies, total estimated diamond weight 0.30 carat approximately, with post fittings

£300-500

2098

A Synthetic Ruby and Diamond Ring, by Catherine Best the round cut diamond and round cut synthetic ruby positioned diagonally in white and yellow rubbed over settings respectively, to twist shoulders, on a plain polished shank, estimated diamond weight 0.35 carat approximately finger size P

£300-500

2099

An Emerald and Diamond Five Stone Ring three round cut emeralds alternate with two round brilliant cut diamonds, spaced by yellow plain polished bars, to a plain polished shank, total estimated diamond weight 0.15 carat approximately finger size J

£300-500

2100

A Novelty Stock Pin the yellow plain polished pin overlaid with a bloodhound centrally length 5.3cm

£200-300

2101

A Green Stone and Diamond Brooch three cushion cut green stones alternate with two old cut diamonds, in white millegrain settings, to a plain polished bar, total estimated diamond weight 0.15 carat approximately length 6.4cm

£200-300

2102

An 18 Carat Gold Diamond Solitaire Ring the princess cut diamond in a white four claw setting, to a yellow tapered shoulder plain polished shank finger size M

The ring is accompanied by a Jewellery Identification Report from International Gemological Institute, IGI, report number F3D95593, dated September 11, 2003, stating the diamond weighs 0.50 carat, colour H, clarity SI1

£300-500

2103

A Pair of 18 Carat Gold Diamond Solitaire Earrings

the round brilliant cut diamonds in white rubbed over settings, total estimated diamond weight 0.50 carat approximately, with post fittings

£200-300

2104

A Diamond Solitaire Ring

the round brilliant cut diamond in a white square claw setting, to eightcut diamond set shoulders, on a plain polished shank, total estimated diamond weight 0.60 carat approximately finger size L½

£300-500

2105

A Diamond Pendant

the Arabic script set throughout with round brilliant cut diamonds, overlaid upon a scalloped mount, in white claw settings, suspended from a plain polished bale, total estimated diamond weight 0.30 carat approximately measures 3.9cm by 2.4cm

£100-150

2106

A Diamond Solitaire Ring

the round brilliant cut diamond in a white four claw setting, to a twist shoulder plain polished shank, estimated diamond weight 0.55 carat approximately finger size L

£400-600

2107

A Jade Bracelet

seven circular pierced jade plaques in white claw settings alternate with fancy plain polished links length 17.3cm

£400-600

2108

A Citrine, Cultured Pearl and Diamond Necklace the oval cut citrine in a yellow rubbed over setting, to a planished triangular surround with round brilliant cut diamond decoration, to a cultured pearl back chain, total estimated diamond weight 0.10 carat approximately drop length 2.5cm, necklace length 46.5cm

£200-300

2109

An Amethyst and Diamond Necklace three graduated pear cut diamonds spaced by yellow plain polished bars, suspend an oval cut amethyst, in claw settings, to a hayseed link back chain, total estimated diamond weight 0.40 carat approximately drop length 3.5cm, necklace length 38.5cm

£400-600

2110

An Amethyst and Split Pearl Brooch, circa 1900 the oval cut amethyst within a border of split pearls, in yellow claw settings measures 2.9cm by 2.5cm

£150-200

2111

A Pair of Diamond Earrings of yellow shell form, gathered by a white plain polished ribbon motif and decorated with two rows of eight-cut diamonds in pavé settings, total estimated diamond weight 0.60 carat approximately, with post and clip fittings measure 2.2cm 1.6cm

£400-600

2112

An Amethyst and Diamond Ring an oval cut amethyst in a yellow elongated claw setting, to a broad tapered shank, the shoulders decorated with three round brilliant cut diamonds to one side and two to the other, total estimated diamond weight 0.25 carat approximately finger size O

£300-500

2113

A Pair of Mother-of-Pearl and Cultured Pearl Drop Earrings the pear cabochon mother-of-pearl in a yellow rubbed over settings, with a cultured pearl border to the lower section, with hook fittings drop length 3.8cm

£150-200

2114

An Amethyst, Emerald and Citrine Necklace the cushion cut citrine in a yellow claw setting, to a plain polished border decorated with a round cabochon emerald to each corner, to a seven strand faceted amethyst necklace length 39cm

£300-500

2115

A Pair of Multi-Gem Set Earrings the stylised ribbon spray motif set centrally with an oval cabochon ruby, a round cabochon emerald, an oval cabochon sapphire and round cut white zircon, in yellow claw and rubbed over settings, with post and clip fittings measure 3.3cm by 3.6cm

£300-500

2116

A Cultured Pearl and Diamond Cluster Ring the cultured pearl within a border of round brilliant cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately finger size N½

£200-300

2117

A Pair of 18 Carat Gold Cufflinks, by Wright & Teague the yellow textured cross motif chain linked to a T-bar

£400-600

2118

A Multi-Gem Set Ring the abstract cluster set throughout with oval and round cabochon ruby, garnet, sapphire, moonstone and emerald, interspersed with round cut white zircon, in yellow claw and rubbed over settings finger size N

£200-300

2119

A Double Row Cultured Pearl Bracelet, with A Diamond Clasp the 21:21 cultured pearls to yellow cap terminations and a fluted clasp inset with round brilliant cut diamonds, total estimated diamond weight 0.30 carat approximately length 20cm

NB: three diamonds deficient

£200-300

2120

A Hinged Bangle of yellow matte and twisted plain polished form, with plain polished beadwork and crossover decoration inner measurements 5.8cm by 4.8cm

£500-700

2121

An Enamel Pendant and Earring Suite, by Georg Jensen of daisy form, the petals enamelled in white with yellow beadwork decoration to the centre, to a plain polished suspension loop, earrings with post fittings length 4.0cm, earrings measure 1.2cm diameter

£100-150

2122

A Silver Butterfly Bracelet, designed by Edvard Klindt-Larsen for Georg Jensen comprising of plain polished twisted wing links, numbered 104A length 20.9cm

£100-150

2123

A Silver Brooch, designed by Arno Malinowski for Georg Jensen depicting a kneeling deer amongst stylised foliage within a double border, numbered 256 measures 4.3cm by 3.4cm

£100-150

2124

A Silver Ring, designed by Allan Scharff for Hans Hansen produced by Georg Jensen of modernist design finger size L

£100-150

2125

A Silver Brooch, designed by Arno Malinowski for Georg Jensen the rectangular frame with a foliage motif diagonally and two diving dolphins, numbered 251 measures 3.1cm by 3.7cm

£100-150

2126

A Ring, designed by Andreas Mikkelsen for Georg Jensen of abstract plain polished design, numbered A110B finger size L

£200-300

2127

A Silver Butterfly Necklace, designed by Edvard Klindt-Larsen for Georg Jensen comprising of plain polished twisted wing links, numbered 104A length 46cm

£300-500

2128

A Silver Brooch, designed by Arno Malinowski for Georg Jensen in the form of a bird in flight, numbered 320 measures 4.3cm by 2.6cm

£150-200

2129

Two Pairs of Silver Cufflinks, by Georg Jensen the circular concave plaque with swivel bars, designed by Steffen Andersen and numbered 107; the second pair of oblong form with stepped terminations and swivel bars, designed by Henry Larsen and numbered 95

£150-200

2130

A Silver Brooch, designed by Henning Koppel for Georg Jensen of circular concave form, numbered 356 measures 3.9cm diameter

£100-150

2131

A Silver Butterfly Bracelet, designed by Edvard Klindt-Larsen for Georg Jensen comprising of plain polished twisted wing links, numbered 104B length 20.5cm

£150-200

2132

A Moonlight Blossom Brooch, designed by Arno Malinowski for Georg Jensen the circular openwork frame depicting butterflies and flowers, numbered 283 measures 5.4cm diameter

£150-200

2124

2122

2127

2128

2129

2132

2131

2123

2125

2126

2133

A Stranger on Lo Brooch, designed by Björn Weckström for Lapponia of matte abstract form, with a figure to the base measures 4.7cm by 3.8cm

The Stranger on Lo brooch forms part of Bjorn Weckström’s Space series.

£100-150

2134

A Necklace, designed by Björn Weckström for Lapponia of white matte abstract form, to a tapered back chain length 41.5cm

£150-200

2135

A Silver Onyx Sphere Necklace, designed by Regitze Overgaard for Georg Jensen comprising of ten tapered links with central round openwork sections, one inset with an onyx bead length 43cm

£200-300

2136

Three Silver Brooches, by H.G Murphy each of circular form depicting a duck, a lion and Virgo each measures 3.2cm

£120-180

2137

Three Pairs of Earrings comprising of a pair of silver earrings, by Georg Jensen, of leaf form, numbered 50B, with screw fittings; a pair of silver drop earrings, designed by Eigil Jensen for Anton Michelsen, of boomerang form, with screw fittings; and a pair of earrings, designed by Björn Weckström for Lapponia, of abstract matte form, with post fittings length 1.6cm, 4.0cm and 2.3cm respectively

£120-180

2138

A Silver Bracelet, by Hans Hansen for Georg Jensen comprised of five chain linked undulating circular plaques length 18.3cm

£400-600

2139

A Silver Ring, designed by Regitze Overgaard for Georg Jensen the round cabochon onyx within a plain polished frame, to a plain polished shank, numbered 466 finger size L½

£100-150

2140

A Silver Bangle, designed by Vivianna Torun Bülow-Hübe for Georg Jensen the plain polished bangle gathered by a clip fastening suspending a bulbous drop, bangle numbered 205, drop numbered 303 bangle inner diameter 5.9cm, drop length 4.0cm

£150-200

2133

2134

2135

2136

2138

2140

2137

2141

A Silver Chrysoprase Bangle, by N E From the broad white plain polished cuff bangle overlaid with three vari-sized round cabochon chrysoprase inner measurements 5.9cm by 5.4cm, width 2.3cm

£80-120

2142

A Fancy Link Egyptienne Bracelet, designed by Karl Gustav Hansen for Hans Hansen comprising of thirteen double chain linked textured tapered plaques length 19.5cm

£200-300

2143

A Platinum Diamond Solitaire Ring the princess cut diamond in a four claw setting, to a twist shoulder plain polished shank, estimated diamond weight 0.45 carat approximately finger size Q

£250-300

2144

A Diamond Ring three princess cut diamonds in a white channel setting, to a plain polished shank, total estimated diamond weight 0.50 carat approximately finger size J½

£250-300

2145

A Diamond Half Hoop Ring of crossover design, comprised of graduated round brilliant cut and graduated baguette cut diamonds, in white rubbed over and channel settings, to an openwork shoulder plain polished shank, total estimated diamond weight 1.35 carat approximately finger size L

£400-600

2146

A 14 Carat White Gold Diamond Triple Row Ring the princess cut diamonds in channel settings, to a plain polished shank, total estimated diamond weight 0.65 carat approximately finger size P½

£200-300

2147

A Silver Necklace, designed by Hans Hansen for Georg Jensen composed of curved triangular links length 40cm

£700-1,000

2148

A Brooch, by Georg Jensen of naturalistic form, numbered 68 measures 3.0cm by 2.3cm

£80-120

2149

A Silver Green Chrysoprase Brooch, by Georg Jensen depicting stylised foliage within an oval frame, with a round cabochon green chrysoprase centrally, numbered 138 measures 4.0cm by 3.2cm

£150-200

2150

A Brooch, designed by Henning Koppel for Georg Jensen of amoeba design, numbered 324 measures 3.6cm by 4.2cm

£100-150

2151

A Silver Bracelet, designed by Nanna Ditzel for Georg Jensen comprising of four chain linked tapered links with openwork sections centrally, numbered 170 length 17.5cm

£200-300

2147

2148

2149

2152

A Silver Torque Necklace and Bangle, designed by Andreas Mikkelsen for Georg Jensen of twisted form, each numbered A80 necklace inner measurements 14.4cm by 11.5cm, bangle inner measurements 5.8cm by 4.5cm

£200-300

2153

A Brooch, designed by Kristian Møhl-Hansen for Georg Jensen depicting a dove within a wreath, numbered 165 measures 4.1cm by 4.0cm

£80-120

2154

A Brooch, by Georg Jensen of circular form depicting leaves and berries, numbered 82B measures 4.1cm diameter

£80-120

2155

A Diamond Solitaire Ring the round brilliant cut diamond in a white claw setting, to old cut diamond set shoulders, on a plain polished shank, total estimated diamond weight 0.75 carat approximately finger size P½

£300-500

2156

An Amber and Chrysoprase Brooch, designed by Kristian Møhl-Hansen for Georg Jensen depicting a dove within a wreath, with round cabochon amber and chrysoprase accents, numbered 70 measures 6.2cm by 6.0cm

£150-200

2157

A Diamond Three Stone Ring the graduated old cut diamonds in white double claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.10 carat approximately finger size P

£300-500

2158

An Amber Brooch, by Georg Jensen of circular wreath form with two round cabochon amber accents, numbered 42 measures 5.1cm diameter

£150-200

2159

A Silver Brooch, by Georg Jensen the grapevine motifs enclosed within an oval frame, numbered 177B measures 5.3cm by 3.3cm

£100-150

2160

A Silver Bittersweet Bracelet, designed by Gundorph Albertus for Georg Jensen stylised leaf motif links spaced by plain polished links, numbered 94B length 18.2cm

£200-300

2161

A Pair of Drop Earrings, designed by Vivianna Torun Bülow-Hübe for Georg Jensen of plain polished spiral form, numbered 370, with post fittings drop length 4.3cm

£80-120

2152

2153

2154

2156

2155

2157

2160

2161 2158

2159

SILVER & OBJECTS OF VERTU

2162

A George II Silver Caster, Maker’s Mark Indistinct, London, 1733 baluster and on spreading foot, the lower body applied with strapwork, the pull-off cover pierced and engraved with foliage scrolls, with baluster finial, engraved with a coat-of-arms 18.5cm high, 13oz 12dwt, 423gr

£500-800

2163

A George II Silver Chamber-Candlestick, Maker’s Mark Worn, London, Circa 1730 circular and with scroll handle, with spool-shaped socket which supports an associated conical extinguisher, engraved with the crest of Chaloner 17cm wide over handle, 11oz 8dwt, 354gr

£150-250

2164

A George II Silver Cream-Jug, by Louis Laroche, London, 1734 baluster and on three scroll legs, the body chased overall with foliage scrolls and flowers, with leaf-capped scroll handle 10.5cm high, 3oz 17dwt, 119gr

Laroche, of French Huguenot extraction, entered his first mark as a largeworker, in November 1725 and a second mark in 1739, both using ‘Lumber Court, the Corner of Seven Dials neare Porter Street’ as the address. His work does not appear often on the market but does include at least one other cream-jug of similar form to the present example (Christie’s, New York, 14 April 2005, lot 249). £100-150

2164

2163

2162

2165

A George II Provincial Silver Tankard, by James Kirkup, Newcastle, 1753

baluster and on spreading foot, with central reeded band, the hinged domed cover with openwork thumbpiece, scroll handle later engraved with initials

20cm high, 26oz 15dwt, 833gr

£800-1,200

A George II Silver Tankard, by Robert Albin Cox, London, 1754, The Spout With Additions Mark for Sheffield, 1987 baluster and on spreading foot, with later spout and later chased on one side with archers hunting a deer and on the other with figures at a table, the hinged cover with openwork thumbpiece, with ivory-insulated handle, later engraved with an inscription, the interior gilt 19.3cm high, gross weight 22oz 10dwt, 700gr

The later inscription reads ‘Presented to Mr E. Catting by Harold Clarke in recognition of loyal and efficient service February 8th 1956’

With non-transferable standard ivory exemption declaration number F1JBT3X1.

£600-800

2167

A George II Silver Tankard, by Thomas Mason, London, 1749

baluster and on spreading foot, the hinged domed cover with openwork scroll thumbpiece, with scroll handle, the body and cover later chased with foliage scrolls and centring on the body a cartouche with engraved initials 21cm high, 29oz 10dwt, 917gr

£700-1,000

2166

2165

2166

2167

2168

A George II Silver Warwick-Cruet, by Samuel Wood, London, The Stand and One Caster 1755, Two Casters 1754 the cinquefoil shaped stand on shell-cast feet, with a central rocaille cartouche, engraved with a crest, with an overhead leaf-capped handle, with a larger and two smaller casters, each vase-shaped, the pull-off covers with baluster finials and with two silver-mounted cutglass bottles the stand 23cm high, weight of silver 45oz 6dwt, 1,409gr

£1,000-1,500

2169

A Pair of George II Silver Sauceboats, Maker’s Mark WH, Perhaps for William Hunter, London, Probably 1748 each oval and on three stepped trefoil-capped scroll feet, with leafcapped scroll handle, later engraved with a crest 18.7cm wide, 16oz 15dwt, 521gr (2)

£400-600

2170

A George II Silver Coffee-Pot, Maker’s Mark Worn, London, 1759 baluster and on spreading foot, the hinged cover with gadrooned baluster finial, with wood handle and engraved with a crest 25cm high, gross weight 29oz 18dwt, 805gr

Provenance: The Estate of the late Lord Lloyd of Berwick (1929-2024)

£500-800

2168

2170

2169

2171

A Set of Four George II Silver Candlesticks, by John Cafe, London, 1752 each on shaped square base with rocaille and vacant cartouche-cast corners, chased with latticework above, the baluster stems with leaf-cast shoulders and terminating in spool-shaped socket, with detachable nozzle, the bases engraved with a coat-of-arms, the nozzles engraved with a crest

23cm high, 95oz 11dwt, 2,972gr (4)

Provenance:

The Estate of the late Lord Lloyd of Berwick (1929-2024)

£3,000-5,000

2172

A Pair of George II Silver Candlesticks, by John Cafe, London, 1747 each on shaped square base, the baluster stems terminate in a spool-shaped socket, engraved with a coat-of-arms 17.5cm high, 28oz 13dwt, 891gr (2)

£800-1,200

2172

2171

2173

A George III Silver Salver, by John Carter, London, 1772

shaped circular and on four ball and claw feet, with foliage-heightened beaded border and engraved with a coat-of-arms within foliage and flowers

35cm diameter, 38oz 11dwt, 1,200gr

£800-1,200

2174

2174

A George III Silver Waiter, by John Crouch and Thomas Hannam, London, 1772

shaped circular and on three scroll feet, with gadrooned border, engraved with a crest 16cm diameter, 6oz 9dwt, 200gr

Provenance:

Ogdens, Harrogate, 3 August 1967.

£300-500

2175

A George III Silver Salver, by Robert Makepeace and Richard Carter, London, 1777

shaped circular and on three ball and claw feet, with foliage-heightened beaded border and engraved with a coat-of-arms within ribbon-tied husks

30cm diameter, 28oz 12dwt, 890gr

£600-800

2176

A George III Silver Basket, by Thomas Heming, London, 1768 shaped oval and on conforming spreading foot, with simulated openwork basketweave sides, the overhead swing handle applied with twisted wire and with foliage terminals, engraved with the arms of Chaloner with a label for difference within drapery cartouche 35cm wide, 44oz 17dwt, 1,395gr

The arms are perhaps those of Edward James Chaloner, second son of William Chaloner and his wife Mary, née Finny. Edward was born in 1749 or 1750 and died in 1807, having married Theophania née Burridge.

£2,500-3,500

2177

A George III Silver Inkstand, by Charles Aldridge and Henry Green, London, 1771 oblong and on four ball and claw feet, with gadrooned border, with supports for three bottles and rests on each side for a pen, with two silver-mounted glass bottles and a further silver bottle mount, bottle lacking, engraved with a coat-of-arms 25.2cm wide, weighable silver 21oz 14dwt, 676g

The arms are those of Chaloner impaling those of Harvey, for William Chaloner, son of William Chaloner and his wife Mary, and his wife Emma, daughter of William Harvey, whom he married on 8 August 1771.

£400-600

2176

2177

2178

A George III Silver Mustard-Pot, by Burrage Davenport, London, 1775 drum-shaped and with husk swag-heightened pierced sides, the hinged cover with openwork thumbpiece and later engraved with a coat-ofarms, with associated blue glass liner 95mm wide over handle, weight of silver 4oz 3dwt, 129gr

£150-250

2180

A George III Silver Wine-Funnel, Perhaps by Hester Bateman, London, 1778 of typical form, with beaded border and plain shaped clip, engraved with initials 12cm high, 2oz 11dwt, 80gr

£120-180

2179

A George III Provincial Silver Sauce or Cream-Boat, by John Langlands, Newcastle, 1774 oval and on three leaf-capped scroll legs with pad feet, with leaf-capped scroll handle

15.5cm wide over handle, 5oz 3dwt, 160gr

£200-300

2181

A George III Silver Teapot, by William Vincent, London, 1777 oval and engraved with flower and foliage swags, the flat, hinged cover with wood finial and with wood handle 23cm wide over handle, gross weight 12oz, 374gr

£150-250

2178

2180

2179

2181

2182

A Set of Four George III Silver Sauce-Tureens and Covers, by James Young, London, Two 1784 and Two 1787 each oval and on spreading foot, with beaded borders and reeded handles, the pull-off covers with vaseshaped finials, the bodies engraved with a coat-of-arms, the covers engraved with the crest of Chaloner 26.5cm wide over handles, 85oz 16dwt, 2,700gr (4)

The arms are those of Chaloner impaling those of Harvey, for William Chaloner, son of William Chaloner and his wife Mary, and his wife Emma, daughter of William Harvey, whom he married on 8 August 1771.

£2,000-3,000

2183

A Pair of George III Silver Waiters, by John Crouch and Thomas Hannam, London, 1782 each oval and on four panel feet, with beaded borders, engraved with the crest of Chaloner 23.5cm wide, 23oz 11dwt, 733gr (2)

£400-600

2182

2183

2184

A George III Silver Chamber-Candlestick, by John Schofield, London, 1786 on circular base with reeded rim, engraved with a crest, the tapering socket with detachable reeded nozzle, the handle with detachable conical extinguisher

16cm wide over handle, 9oz 10dwt, 295gr

£200-300

2186

A George III Silver Chamber-Candlestick, by William Bennett, London, 1807 on circular base with gadrooned rim, engraved on one side with a crest and the other with an initial, the tapering socket with detachable gadrooned nozzle, the handle with detachable conical extinguisher 16.5cm wide over handle, 10oz 5dwt, 319gr

£200-300

2185

A George III Silver Saucepan, by John Emes, London, 1803 tapering and with beak-form spout, engraved with the crest of Chaloner, with turned-wood handle

26.5cm wide over handle, gross weight 10oz 15dwt, 334gr

£150-250

2187

A George III Silver Pap-Boat, by John Emes, London, 1804 of typical oval form, with reeded rim, the interior gilt, engraved with the crest of Chaloner 12.6cm wide, 2oz 16dwt, 87gr

£70-100

2184

2185

2186

2187

2188

A Pair of George III Silver-Gilt Candlesticks and a Pair of Silver Plate Candle Branches, The Candlesticks by John Roberts and Co., Sheffield, 1807, The Branches Probably Late 19th Century the candlesticks each on domed base with gadrooned band, the tapering stems terminate in a tapering socket which supports the conforming silver plate branches, each branch with two scrolling arms which terminate in a conforming socket, with a further central socket, the bases later engraved ‘N.S.Y.C. 1888-1893’, the bases filled the candlesticks 28.5cm high, total height 47cm (2)

£500-800

2189

A Set of Four George III Silver Entree-Dishes and Covers, by Edward Fernell, London, 1788 each oval and with beaded border and two beaded loop handles, the covers with foliage-heightened handles, each engraved with the crest of Chaloner 38cm wide, 157oz 7dwt, 4,894gr (4)

£3,000-5,000

2190

A George III Silver Argyll, by William Plummer, London, 1789

cylindrical and with reeded borders, with wood handle and tapering spout, the hinged cover with ball finial and opens to reveal a central compartment with silver cover, engraved with a coat-of-arms within foliage mantling

12cm high, gross weight 14oz 14dwt, 458gr

£600-800

2191

A Pair of George III Silver Salt-Cellars, by John Kidder, London, 1797 each oval and on square base, with two reeded angular handles, engraved on each side with a crest, the interior gilt 13cm wide over handles, 5oz 7dwt, 167gr (2)

£100-150

2192

A George III Silver Goblet, by Robert Hennell and Samuel Hennell, London, 1807 the bowl tapering and with part-fluted lower body, on spreading foot with reeded rim, the interior gilt, filled 19.5cm high

£120-180

2190

2192

2191

2193

A Three-Piece George III Silver Tea-Service, by Thomas Robins, London, 1818 and 1819

each piece oblong and on four ball feet, with fluted lower body and gadrooned rim, comprising a teapot, with ivory finial and later wood handle; a cream-jug and a sugar-bowl the teapot 30.5cm wide over handle total gross weight 40oz 17dwt, 1,271gr (3)

With non-transferable standard ivory exemption declaration number DJNWYMHQ.

£700-1,000

2194

A George III Provincial Silver Teapot, by Christian Ker Reid, Newcastle, 1800

oval and with fluted lower body below an engraved band of foliage scrolls and flowers, the hinged cover with stained ivory finial and with wood handle

30.5cm wide over handle, gross weight 14oz 4dwt, 442gr

With non-transferable standard ivory exemption declaration number 8PP38WBG.

£250-350

2195

A Three Piece George III Silver Tea-Service, by Duncan Urquhart and Naphtali Hart, London, 1808

each piece oblong and on four ball feet, with gadrooned rim, engraved with initials, comprising a teapot, with ivory-insulated handle, the finial lacking insulator; a cream-jug and a sugar-bowl the teapot 28cm wide over handle, total gross weight 36oz 11dwt, 1,137gr (3)

With non-transferable standard ivory exemption declaration number YQP8CWHP.

£600-800

2196

A George III Silver Teapot, Maker’s Mark Worn, London, 1812 oblong and on four ball feet, with reeded band, the hinged cover with disc-form finial, with ivory-insulated angular scroll handle 29.5cm wide over handle, gross weight 20oz 3dwt, 626gr

With non-transferable standard ivory exemption declaration number SXQ5HR6P.

£300-500

2193

2195

2196

2194

2197

A George III Silver Mug, by Rebecca Emes and Edward Barnard, London, 1809

tapering cylindrical and incised with lines, with angular scroll handle, engraved with the initials ‘WC’ 75mm high, 5oz, 156gr

The initials are perhaps those of William Chaloner, son of Robert Chaloner and his wife the Hon. Frances Laura Dundas, daughter of Thomas, 1st Baron Dundas of Aske. William was born in 1805 and was lost at sea while en route to Halifax.

£100-150

2198

2199

A George III Silver Mug, by Peter and William Bateman, London, 1811 tapering and incised with lines, with angular scroll handle, engraved with a crest

11.6cm high, 11oz 11dwt, 359gr

£250-350

A George III Silver and Cow Horn Beaker, Perhaps by William Stroud, London, 1819

the tapering cow horn beaker with silver lining, the crimped rim later engraved with an inscription and crest, the horn detatched 13.6cm high, the silver lining 5oz 9dwt, 170gr

The inscription reads ‘Presented by the Senior Members of the Staff to Mr FDK Harland on the Occasion of his 60th Anniversary with the Company’

£150-250

2200

A George III Silver Wine-Funnel, by John Wakefield, London, 1819 of typical form, with gadrooned rim and shell grip, engraved with a crest

14.5cm long, 4oz 19dwt, 155gr

£100-150

2197

2198

2199

2200

2201

A George III Silver Soup-Tureen and Cover, by William Bennett, London, 1814 in the George II style, oval bombé and on four leaf-capped ball and claw feet, with gadrooned border and two reeded handles, the detachable cover with leaf-capped reeded double scroll handle, the body and cover each engraved with the crest of Chaloner, Together With a conforming silver plate liner

39.5cm wide over handles, weight of silver 131oz 13dwt, 4,094gr

£2,500-3,500

2201

2202

A Charles II Scottish Silver Trefid-Spoon, by Alexander Reid, Edinburgh, Circa 1670, Deacon’s Mark of Edward Cleghorn the bowl oval and with ribbed rat-tail, the back of the trefid terminal engraved with an initial ‘H’ below a rainbow 18.5cm long, 1oz 10dwt, 47gr

Provenance: Nicholas Shaw Antiques, Petworth, 15 February 2004, where acquired by the present owner.

£1,200-1,800

2202 (alternate view)

2202

2203

A George II Silver Fish-Slice, by Edward Aldridge, London, 1751 the triangular blade pierced with scrolls and quatrefoils, engraved underneath with a crest, with part-turned wood handle 32cm long, gross weight 5oz 17dwt, 183gr

£150-250

A George III Provincial Silver Divided Straining Spoon, by John Hampston and John Prince, York, 1790, With York Town Mark Old English pattern, engraved with initials ‘WC’ 38cm long, 7oz 6dwt, 227gr

£150-250

2204

2204

2205

A Cased Set of Eighteen Victorian Silver-Gilt Teaspoons and a Pair of Sugar-Tongs En Suite, by John Aldwinckle and James Slater, London, 1882 each with figure cast finial and twisted stem, in fitted gilt-tooled burgundy leather case the case 31.5cm wide, 6oz 13dwt, 207gr (19)

£120-180

2205

2206

A George III Scottish Silver Fish-Slice, by Robert Gray and Son, Edinburgh, 1810

Fiddle pattern, the blade pierced and engraved with a stylised dolphin

29.1cm long, 4oz, 124gr

£70-100

2207

Two George III Scottish Silver Basting-Spoons, One by David Marshall, Edinburgh, 1789 and One by Alexander Gardner, Edinburgh, 1792 each Pointed Old English pattern, one with feather edge cartouche and engraved foliage, each engraved with initials 32cm long and slightly smaller, 6oz 3dwt, 192gr (2)

£120-180

2208

Two George III Scottish Silver Basting-Spoons, One by Matthew Craw, Edinburgh, 1802 and One by Alexander Spence, Edinburgh, 1805 each Old English pattern, engraved with differing initials 33cm long and slightly smaller, 6oz 8dwt, 199gr (2)

£100-150

2209

A Pair of George III Scottish Silver Basting-Spoons, by Matthew Craw, Edinburgh, 1815

Fiddle pattern

29.2cm long, 5oz 18dwt, 184gr (2)

£100-150

2210

A Scottish Provincial Silver Soup-Ladle, by Alexander Cameron, Dundee, Circa 1830

Fiddle pattern, engraved with an initial 6oz 19dwt, 216gr

£120-180

2211

A William IV or Victorian Scottish Silver Soup-Ladle, Probably by William Marshall, Edinburgh, Circa 1830

Fiddle pattern, engraved with a crest, with an oval bowl

33cm long, 6oz 9dwt, 201gr

£100-150

2212

A William IV Scottish Silver Fish-Slice, by Andrew Wilkie, Edinburgh, 1834

Old English pattern, engraved with an initial, the blade pierced

31.6cm long, 4oz 1dwt, 127gr

£70-100

2213

A Victorian Scottish Silver Basting-Spoon, by James McKay, Edinburgh, 1842

Fiddle pattern, engraved ‘2 For Leicester Wood Exhibited at the Competition at Edinburgh 1842’

31cm long, 4oz 2dwt, 127gr

£70-100

2214

2214

An Edward VII Silver Paper-Knife, by Henry Wigful, Sheffield, 1901 in the Art Nouveau style, the shaped tapering handle filled 28.4cm long

£70-100

2215

2219

Three Graduated George II Silver Meat-Skewers, Maker’s Mark JJ, London, 1759

each tapering and with loop handle, engraved with a crest 33cm long and smaller, 10oz 6dwt, 321gr (3)

Provenance:

The Property of Sir Brooke Boothby, ex Fonmon Castle.

£150-250

2216

A George III Silver Soup-Ladle, Probably by Thomas Ellis or Thomas Evans, London, 1776

Old English pattern, engraved with a crest and with shell-shaped bowl 34cm long, 5oz 12dwt, 174gr

£120-180

2217

A Set of Three George III Silver Basting-Spoons, by George Smith and William Fearn, London, 1787

Old English pattern, engraved with the crest of Chaloner; Together With another similar example, by Thomas Wallis, London, 1790, similarly engraved the three each 29.2cm long, the other examples slightly larger, 14oz 16dwt, 460gr (4)

£200-300

2218

Three George III Silver Soup-Ladles, One by George Smith and William Fearn, London, 1792; One by Richard Crossley, London, 1800 and One by William Eley and William Fearn, London, 1801

Old English pattern, engraved with the crest of Chaloner, the first with round bowl and the others with oval bowls

34cm long and slightly smaller, 15oz 14dwt, 489gr (3)

£250-350

A George III Silver Soup-Ladle and a George IV Silver Basting-Spoon, The Soup-Ladle by Josiah and George Piercy, London, 1816, The Basting-Spoon by William Eley and William Fearn, London, 1821

Hourglass pattern, each engraved with a crest the soup-ladle 33cm long, total weight 15oz 8dwt, 478gr (2)

£250-350

2220

A George III and George IV Silver Table-Service, Mostly by William Eley and William Fearn, London, 1812 and 1821

Hanoverian Military Thread pattern, engraved with the crest of Beckford, comprising 7 table-spoons

11 table-forks, one by Paul Storr, 1812

An ice-cream spade, by Mary Chawner, 1824

56oz 11dwt, 1,759gr (19)

£1,000-1,500

2221

A Victorian Silver Soup-Ladle, by William Davidson and Frederick Upton, London, 1864

Fiddle Thread pattern, with an oval bowl

33cm long, 9oz 18dwt, 308gr

£150-250

2222

A Russian Silver and Enamel Spoon, by Dmitry Yegorov, Moscow, Late 19th Century, the back of the bowl with vari-colour enamel foliage and flowers on a matted ground, the handle twisted and further enamelled decoration 16.5cm long, gross weight 1oz 9dwt, 46gr

£70-100

2218 2219

2220 (part)

2223

A Collection of Assorted George III Silver Flatware, by George Smith, London, 1783

Old English pattern, engraved with the crest of Chaloner, comprising 17 dessert-spoons

8 basting-spoons

5 sauce-ladles

A soup-ladle

60oz 17dwt, 1,893gr (qty)

£1,000-1,500

2224

An Edward VII Silver Table-Service, by George Maudsley Jackson and David Landsborough Fullerton, London, 1903

Fiddle, Thread and Shell pattern, engraved with an initial, comprising

6 table-spoons

6 table-forks

6 dessert-spoons

6 dessert-forks in fitted oak canteen with brass shield, the canteen

35cm wide, weight of silver 65oz 3dwt, 2,025gr (24)

£1,200-1,800

2223 (part)

2224 (part)

2225

A George V Silver Table-Service, by Wakely and Wheeler, London, 1928

Hanoverian pattern, with a rat-tail, engraved with an initial, comprising

18 table-spoons

18 table-forks, with three tines

18 dessert-spoons

18 dessert-forks, with three tines

A pair of basting-spoons

A soup-ladle

A sauce-ladle

in fitted mahogany finish canteen on four fluted legs, with two drawers, 170oz 18dwt, 5,312gr (76)

£3,000-5,000

2225 (part)

2225 (the canteen)

2226

A George V and Later Silver Table-Service, Mostly by Henry Atkin, Sheffield, 1923, 1932, 1934, 1935, 1937 and 1938

Hanoverian pattern, comprising

6 table-spoons

6 table-forks

6 soup-spoons, by J. B. Chatterley and Sons Ltd., Sheffield, 1973

6 dessert-spoons

6 dessert-forks

6 teaspoons, by Richard Comyns, London, 1975

2 serving-spoons

and the following with filled handles and stainless steel blades

6 table-knives, by J. B. Chatterley and Sons Ltd., Sheffield, 1975

6 cheese-knives, by J. B. Chatterley and Sons Ltd., Sheffield, 1975 in fitted mahogany finish and black leather covered canteen, the canteen 46cm wide, weighable silver 68oz, 2,115gr (50)

£1,000-1,500

2227

A George V Silver Table-Service, by Atkin Brothers, Sheffield, Mostly 1934

each piece with ribbon-tied reeded border, engraved with an initial, comprising 4 table-spoons

12 table-forks

12 dessert-spoons

12 dessert-forks

12 teaspoons

A pair of sugar-tongs, 1929 the teaspoons and sugar-tongs in a fitted gilt-tooled black leather covered case

weight of silver 89oz 3dwt, 2,772gr (53)

£1,500-2,500

2226 (part)

2227 (part)

2228

A George V Silver Table-Service, by Elkington and Co., Birmingham, 1910 and 1911

Old English pattern with a zig-zag border, comprising

12 table-spoons

12 table-forks

12 dessert-spoons

12 dessert-forks

121oz 5dwt, 3,771gr

Together With 6 silver plate soup-spoons to match (54)

£2,000-3,000

2229

A French Silver Plate Table-Service, Maker’s Mark JB, 20th Century each piece stamped with foliage and rocaille, comprising

12 table-spoons

12 table-forks

12 cake-forks

12 teaspoons

12 table-knives with stainless steel blades

A soup-ladle

A cake-slice in fitted faux crocodile covered case, the case 50cm wide (62)

£100-150

2230

A French Silver Plate Table-Service, by Ravinet and D’Enfert, Paris, 20th Century, Retailed by Christofle each piece stamped with berried husks and thyrsi, comprising 12 table-spoons

12 table-forks

12 fish-forks

12 fish-knives

12 dessert-spoons

12 dessert-forks

12 cake-forks

12 teaspoons

11 coffee-spoons

8 various serving implements and the following with stainless steel blades

12 table-knives

12 cheese-knives in fitted green simulated leather covered canteen with four drawer (139)

£300-500

2228 (part)

2229 (part)

2230 (part)

2231

A Set of Five Silver Decanter or WineLabels, by Wyard Druitt and Co. Ltd., London, 1973 in the George III style, each cast with a Bacchic mask among fruiting vines, pierced for ‘Brandy’; ‘Gin’; ‘Port’; ‘Sherry’ and ‘Whisky’

70mm high excluding chain, 9oz 7dwt, 291gr (5)

£150-250

2232

2231

A George III Silver Medicine Feeding-Tube, or Sick-Syphon, by Thomas Phipps and Edward Robinson, London, 1801

tubular and with a straining surface at one end, with suspension clip

12.6cm long, 18dwt, 28gr

£100-150

2233

A George IV Silver Snuff-Box, by Ledsam and Vale, Birmingham, 1823 oblong and with overall engine-turned finish, the cover engraved with initials and with foliage and flower thumbpiece, the interior gilt

63mm wide, 1oz 12dwt, 50gr

£70-100

2234

Two William IV Silver Vinaigrettes and a Victorian Silver Vinaigrette, One by Taylor and Perry, Birmingham, 1833; One by Thomas Shaw, Birmingham, 1836 and One by Nathaniel Mills, Birmingham, 1851

each oblong or shaped oblong, two with differing engine-turned decoration and one with engraved flowers and foliage, with various pierced and engraved grilles, the interior of each gilt, one with a suspension loop

36mm wide and smaller, 1oz 8dwt, 44gr (3)

£100-150

2235

A Victorian Silver Snuff-Box, by Nathaniel Mills, Birmingham, 1840 shaped oblong, the base, sides and hinged cover engraved with foliage scrolls, the cover further engraved with an inscription, the interior gilt

86mm wide, 4oz 5dwt, 133gr

The inscription reads ‘Com’r Tho’s Chaloner From His Friends on H.M.S. Bittern 18th July 1845’

£100-150

2236

Two Victorian Silver Vinaigrettes, by Nathaniel Mills, Birmingham, One 1841 and One 1848 each shaped oblong, the bases and hinged covers each engraved with foliage centring a differing engraved name, the second with suspension loop, each with pierced and engraved foliage and flower grille, the interiors gilt

41mm wide and smaller, 1oz 11dwt, 49gr (2)

£120-180

2237

A Victorian Silver ‘Castle-Top’ Card-Case, by Nathaniel Mills, Birmingham, 1844 oblong and with hinged cover, the front stamped with a view of York Minster in high relief and within foliage scrolls, the back with foliage scrolls and fruiting vines centring a cartouche with an engraved initial ‘C’

85mm high, 1oz 13dwt, 52gr

£400-600

2238

A Victorian Silver Snuff-Box, by Nathiel Mills, Birmingham, 1845 oblong, the hinged cover chased with foliage scrolls and flowers centring a vacant cartouche, the base engraved with foliage scrolls and the sides reeded, the interior gilt

70mm wide, 2oz 2dwt, 66gr

£70-100

2239

A Victorian Silver Card-Case, by Robert Thornton, Birmingham, 1867 the card-case shaped oblong, with engine-turned finish, centring on the one side engraved initials and on the other engraved foliage and flowers, in fitted leather-covered case the card-case 10cm high, 1oz 19dwt, 61gr

£100-150

2240

A Collection of Silver, Silver Plate and Brass Medals Presented to Miss Calmady Hamlyn comprising sixteen National Pony Society silver medals, one side stamped with a polo player, the other with four ponies in a landscape, engraved with various inscriptions to Miss Calmady Hamlyn, each with suspension loop; five other silver medals, variously engraved; a silver-gilt Royal Agricultural Society of England medal, engraved with an inscription to Miss Calmady Hamlyn, in fitted case; six cased silver plate national pony society medals, each engraved to Miss Calmady Hamlyn, in fitted case; eight brass Bath & West & Southern Counties Society Campion Medals, each stamped with a portrait bust of Edmund Rack, the back engraved with an inscription, mostly to Miss Calmady Hamlyn for various Dartmoor ponies; three other copper or brass medal Together With a 9ct gold and enamel pin and a further metal pin weight of silver 30oz 14dwt, 954gr (qty)

£500-800

2237 2238

2239

2241

An Edward VII Silver Vesta-Case With Tinder-Cord, by William Frederick Wright, London, 1903 oblong, the hinged cover engraved ‘Earl of Lonsdale Lowther Castle Penrith’, one end with a striking surface, with a tinder cord the vesta-case 60mm wide

Provenance:

Hugh Lowther, 5th Earl of Lonsdale (1857-1944) and by descent.

£100-150

2242

An Edward VII Silver Double Measure, by Albert Barker Ltd., London, 1901

tapering cylindrical and with domed pull-off cover, opens to reveal a conforming glass cup, engraved with measures in teaspoons and tablespoons and a funnel, the inside of the cover with two compartments, each with hinged cover, engraved with an initial ‘L’ below an earl’s coronet 85mm high, weight of silver 4oz 4dwt, 131gr

Provenance:

Hugh Lowther, 5th Earl of Lonsdale (1857-1944) and by descent.

£70-100

2243

A Victorian Silver Cased Combination Aneroid Barometer and Compass, by Richard James Oliver, London, 1881 circular and on two ball feet, with reeded winded knop, one side with an aneroid barometer, the other with a compass with painted motherof-pearl face, engraved inside each section with an initial ‘L’ below an earl’s coronet

65mm high

Provenance:

Hugh Lowther, 5th Earl of Lonsdale (1857-1944) and by descent.

£100-150

A George V Enamel and Gold-Mounted Leather Race-Card Holder, Maker’s Mark RM Only, Further Stamped ‘9ct’, Dated 1928 oblong and with gold-mounted border, applied on one corner with an plaque, enamelled with the ‘L’ cypher below an earl’s coronet, gilttooled with an inscription, inside with various compartments, one gilt-tooled ‘Fixtures’; Together With a Victorian silver pocket-knife, Birmingham, 1890, engraved on one side as a rule and on the other with an initial ‘L’ below an earl’s coronet the racing-wallet 16cm high

Provenance: Hugh Lowther, 5th Earl of Lonsdale (1857-1944) and by descent.

The inscription reads ‘A Small Token of Respect and Appreciation from The Gate Keepers of Ayr, Edinburgh, Gatwick, Hurst Park, Lingfield Park, Newbury, Sandown Park & Windsor in Commemoration of the Earl & Countess of Lonsdale’s Golden Wedding 17th June 1928’ £70-100

2242

2241

2243

2244

2244

2245

A George V Gold Cigarette-Case, by Deakin and Francis, Birmingham, 1928, 9ct oblong and with an engine-turned finish, engraved inside with initials 10.6cm wide, 4oz, 125gr

£3,000-5,000

2246

2246

An Edward VII Novelty Silver Pin-Cushion, by Crisford and Norris, Birmingham, 1907, Design Registration Number ‘Rd495897’ in the form of a lizard, with green velvet covered pin-cushion 11cm long

£300-500

2247

A George V Gold and Enamel Cigarette-Case, by Fattorini and Sons Ltd., Birmingham, 1916, 9ct oblong, the hinged cover enamelled with the Yorkshire rose within an inscription on a blue enamel ground 78mm wide, gross weight 2oz 7dwt, 73gr

The inscription reads ‘Yorkshire County Cricket Club Honorary Life Member Committee 1894-1914 J. J. Hounsfield’

£1,500-2,500

2248

A George V Silver and Enamel Cigarette-Case, by E. J. Trevitt and Sons, Chester, 1923 oblong, the hinged cover enamelled in the manner of Arthur Rowland Knight (1897-1921) with a view of fish lying beside a creel in a landscape, the borders and base engine-turned, engraved ‘Harry from Anna’ inside 10.3cm wide, gross weight 4oz 7dwt, 136gr

£300-500

2245

2247

2248

2249

A Stipula Prometheia Limited Edition Silver Fountain-Pen, Designed by Paolo Cerrini, Number 242 From a Limited Edition of 398 the body cast in high relief with Prometheus reaching downward towards man, the cap further cast with depictions of various Greek gods, in fitted maroon leather case with booklet and magnifying glass and with a further outer cardboard box the outer cardboard box 29.5cm wide

£200-300

2250

A Cartier Limited Edition Ballpoint-Pen, Number 1786 From a Limited Edition of 1847 the silvered body with black stripes, with facsimile signature ‘Louis Cartier’, in fitted gilttooled red leather-covered case the case 18cm wide

£100-150

2251

A Pair of Gold Lorgnettes, Apparently Unmarked, 20th Century the plain tubular stem terminates in two hinged spring loaded folding lenses, a ring at the end of stem operates the mechanism, with foliageengraved ring

15.5cm long

£150-250

2252

A Victorian Turquoise and Coral-Mounted CutGlass Double Scent-Bottle, Apparently Unmarked, Last Quarter 19th Century the tapering faceted glass body with one hinged and one screw top, each set with a band of alternating turquoise and coral beads

12.5cm long

£120-180

2253

A Victorian Silver-Gilt Mounted Engraved-Glass Double Scent-Bottle, Apparently Unmarked, Last Quarter 19th Century

the silver-gilt mounts applied with twisted-wire borders, the glass engraved with differing foliage scrolls, one end with hinged cover, the other with screw cap, centrally hinged

12.2cm long

£120-180

2254

A Dupont Laque de Chine Limited Edition ‘Rendez-Vous Soleil’ Sun Ballpoint-Pen, Number 305 From a Limited Edition of 2000 the red body with gilt decoration, including a smiling sun 13.6cm long

£70-100

2255

A Pair of Must de Cartier Spectacles, Numbered 1526073 the gilt frames with wood arms, in gilt-tooled red leather-covered case the case 17cm wide

£100-150

2256

A Montblanc Meisterstück No. 149 FountainPen, Numbered MBBF41ZF2 the black resin body with gilt mounts, the nib engraved with foliage, with an associated fitted case gilt tooled ‘Limited Anniversary Edition 1924’, applied with a gilt plaque celebrating ‘75 Years of Passion and Soul’ the case 17.5cm square

£100-150

2251

2252

2253

2254

2255

2256

2257

2259

Three Chinese Export Silver Snuff or Dressing-Table Boxes, Two Retailed by Kwan Wo, Canton and Hong Kong and One Retailed by Wang Hing, Hong Kong, Canton and Shanghai, Circa 1900 each oblong or shaped oblong, the first two stamped on the covers with dragons on a textured ground, each centring a shield, one engraved with initials, the sides with bamboo, the sides and hinged cover of the third stamped with prunus flowers and leaves on a matted ground 10.6cm wide and smaller, total weight 9oz 15dwt, 304gr (3) £150-250

2258

A Set of Six Chinese Export Silver Teaspoons, With Chinese Character Artisan’s Mark, Late 19th Century each with a single sided cast dragon handle, the oval bowls gilt, engraved on the plain back with initials ‘H.J.B.’, 13cm long; Together With two Chinese Export silver napkin-rings, one pierced with auspicious characters and engraved ‘Bob’, with indistinct Chinese Character Artisan’s Mark, 44mm diameter and the other pierced with dragons among foliage, engraved ‘Lilian’, retailed by Wo Shing, Shanghai, 47mm diameter total weight of silver 5oz 4dwt, 161gr (8)

£100-150

A Set of Four Chinese Export Silver Goblets, With Chinese Character Retailers Mark of Yang Qing He, Fu Ji Branch, Circa 1900 each with plain bowl and on spreading foot, the lower stem chased with foliage 94mm high, 6oz 12dwt, 205gr (4)

Tennants are grateful to Dr Adrien von Ferscht for his assistance in identifying the marks.

£100-150

2260

An Assembled Five-Piece Chinese Export Silver Dressing-Table Service, Circa 1900 mostly stamped with dragons on a matted ground, mostly engraved with initials, comprising a hand-mirror, retailer’s mark indistinct; a shoe-horn, retailed by Wang Hing; an oval scent-bottle, apparently unmarked; a hair-brush and a button-hook, each retailed by Kwan Wo, Canton and Hong Kong weighable silver 6oz 2dwt, 189gr (5)

£100-150

2257

2259

2260

2258

2261

A Four-Piece Chinese Export Silver Tea-Service With a Set of Six Silver Cups and Saucers, The Teapot Retailed by Yok Sang, Shanghai, The Other Pieces Retailed by Chi Hua, Peking, Circa 1900 each piece tapering and chased with chrysanthamum flowers and foliage on a matted ground, with branch-cast handle and a vacant shield, the teaservice comprising a teapot, with bone-insulated handle; a cream-jug; a sugar-bowl and a pair of sugar-tongs, the cups and saucers similarly decorated the teapot 25cm wide over handle, total gross weight 56oz 16dwt, 1,767gr (16)

£1,500-2,500

2261

2263

A Chinese Export Silver Basket, Retailed by Wo Shing, Shanghai, Circa 1900 shaped oval, the sides pierced with differing birds and flowers, with twisted wire overhead swing handle, on four engraved fish motif feet 22.6cm wide, 10oz, 312gr

£150-250

2262

A Chinese Export Silver Cup, Artisans Mark of Shan, Canton, Retailed by Cutshing, Canton, Circa 1840 the cup tapering and cast with thistles and foliage on a matted ground, with cast branch form handle and with engraved presentation initials, the cast branch form foot, the spreading base engraved with thistles and foliage

17.5cm high, 9oz 10dwt, 296gr

Cutshing are recorded as working at 8 New China Street in Canton from circa 1790 to 1895 (see A. von Ferscht, Chinese Export Silver 17851940 The Definitive Collectors Guide, 4th Edition, 2015, no pagination). A number of similar examples exist, for example a set of three without handles (op cit.). One with a handle was offered by Bonhams, 9 December 2015, lot 177, though it was decorated with more conventional prunus and foliage on a matted ground rather than the distinctive thistle motifs as on the present example.

Tennants are grateful to Adrien von Ferscht for his assistance in preparing this catalogue entry.

£500-800

2264

A Chinese Export Silver Vase, Retailed by Yok Sang, Shanghai, Circa 1900 tapering cylindrical and on spreading foot, stamped with a tree and birds in flight, on a matted ground, on carved wood base the vase 29.5cm high, including stand 35.5cm high, weight of silver 13oz 15dwt, 428gr

£400-600

2262

2264

2263

2265

A Four-Piece Spanish Silver Tea and Coffee-Service With a Silver Plate Kettle En Suite, Maker’s Mark a Cup, 20th Century, Retailed by Lopez y Fernandez Joyeros, Madrid or by A. Munoz each piece fluted tapering and chased with foliage and flowers, comprising a teapot; a coffee-pot, each lacking insulators and two cream-jugs, the conforming silver plate kettle on leaf-capped paw feet, handles lacking the coffee-pot 24.5cm high, total weight of silver 95oz 13dwt, 2,975gr (5)

£1,500-2,500

2266

A Four-Piece Italian Silver Tea and Coffee-Service, by Bottega Eugenio e Angelo Orefice, With Rabbit Trademark, Milan, 20th Century each piece tapering and on leaf and shell-capped scroll legs, comprising a teapot; a coffee-pot; a sugar-bowl and cover and a creamjug

the coffee-pot 22.5cm high, total weight 103oz 3dwt, 3,208gr (4)

£1,500-2,500

2265

2266

2268

A Spanish Silver Water-Jug, Maker’s Mark a Beaded Circle, 20th Century baluster and on circular foot, with leaf-capped scroll handle 28.5cm high, 19oz 3dwt, 596gr

£250-350

2269

A Four-Piece Spanish Silver Tea and Coffee-Service, Maker’s Mark Indistinct, 20th Century each piece tapering fluted and on four leaf-capped scroll feet, comprising a teapot; a coffee-pot, each with ebonised-insulated handle; a sugar-bowl and cover and a cream-jug the coffee-pot 23.5cm high, total gross weight 61oz 11dwt, 1,914gr (4)

£1,000-1,500

2267

A Spanish Silver Sauce-Tureen, Cover and Stand, by Lopez, Madrid, 20th Century, Retailed by E. Garcia, Antiguedades, Madrid in the French Empire style, the body oval and with two bifurcated leafcapped handles, the conforming stand on four ball feet, the pull-off cover with finial cast as a putto wrestling a dolphin 23cm wide over handles, 37oz 8dwt, 1,163gr

£600-800

2269

2267

2268

2270

A Cased German Silver Christening-Set, by Wilhelm Binder, Schwäbisch Gmünd, First Quarter 20th Century each piece fluted, comprising a bowl; a beaker; an egg-cup; a napkin-ring; a rattle, teether lacking, and four items of flatware, in fitted blue cloth-covered case with space for a further implement, now lacking the case 34cm wide, weighable silver 8oz 10dwt, 265gr (qty)

Provenance: by tradition a christening gift from Princess Helga Schaumburg Lippe. £150-250

2271

A German Silver-Gilt Beaker, by Neresheimer, Hanau, Late 19th Century in the 17th century Dutch style, tapering cylindrical and on spreading foot, the foot stamped with winged putto masks, the lower body chased with foliage scrolls below an applied twisted spike band, the body engraved a figure and dogs within auricular scrolls 22.3cm high, 18oz 19dwt, 590gr

£500-800

2272

A French Silver Tray, by Paul Canaux et Cie., Paris, Circa 1900 oblong and with canted corners, with reeded and beaded border and two foliagecapped handles 29cm wide over handles, 11oz 15dwt, 365gr

£150-250

2270

2271

2272

2273

An American Silver Bowl, by Whiting Manufacturing Company, Providence, Rhode Island, 1905, Retailed by Hardy and Hays Co., With English Import Marks for London, 1948 shaped circular and with lobed border, each lobe stamped or engraved with alternating foliage scroll and lattice work or flower panels, with foliage and shell border 32cm diameter, 25oz, 778gr

£500-800

2274

A Continental Silver Box, Maker’s Mark A over FC Only, 20th Century plain oblong, the pull-off cover with conforming clear perspex finial

77mm wide, gross weight 11oz 8dwt, 354gr

Provenance:

The Estate of the late Lord Lloyd of Berwick (1929-2024)

£150-250

2275

An American Silver Pedestal-Dish, by Lebolt and Co., Chicago, First Quarter 20th Century shaped circular and with a foliage and flower stamped and openwork border, on trumpet foot with similar border 23.5cm diameter, 13cm high, 20oz 1dwt, 624gr

Provenance:

The Property of Sir Brooke Boothby, ex Fonmon Castle.

£300-500

2275

2273

2274

A Three-Piece George IV and George IV Silver Tea-Service, by Charles Fox, London, The Teapot 1829, The Cream-Jug 1831 and The SugarBowl 1832 each piece melon fluted, comprising a teapot, the hinged cover with foliage and flower finial, handle detached and insulators lacking, a cream-jug and a sugar-bowl; Together With a similar coffee-pot, by Rebecca Emes and Edward Barnard, London, 1828, the handle with white plastic insulators the coffee-pot 23.5cm high, total gross weight 67oz 5dwt, 2,091gr (4) £1,000-1,500

2277

A George IV Silver Inkstand, by S. C. Younge and Co., Sheffield, 1825 oblong and on four shell and scroll-cast feet, with shell and foliageheightened gadrooned rim, with supports for the two silver-mounted cut-glass bottles, flanking a box with detachable taperstick, each side with a pen rest 29cm wide, weight of silver 31oz 19dwt, 993gr

Provenance: The Property of Sir Brooke Boothby, ex Fonmon Castle. £600-800

2276

2276 2277

2278

A Silver-Mounted Coconut-Cup, Apparently Unmarked, Probably 19th Century in the 17th century style, the coconut body with silver mount and on trumped-shaped foot, applied with a plaque with an engraved inscription 12cm high

The inscription reads ‘Of Hippocrene when y’u have sipped and your noses therein dipped Then beware here’s one will whip-yee this is little Aganippe to the Muses thee’s a Doxie if y’u will not have her foxe yee of y’u bellies make noe Ocean but be sparing of her potion’

£150-250

2279

A Victorian Silver Mug, by Edward, Edward, John and William Barnard, London, 1838

tapering and with spreading base and flaring rim, with an overall matted finish, centring a foliage cartouche with engraved inscription, with loop handle

88mm high, 4oz 18dwt, 152gr

The inscription reads ‘Presented To Lieu’t Tho’s Chaloner of H.M.S. Sloop Harrier by His Messmates 18 July 1839’

£70-100

2280

A Victorian Silver Bowl, by Joseph Willmore, Birmingham, 1844 shaped circular and with alternating foliage engraved lobes, the overhead swing handle similarly engraved, the base engraved with a view of a church, perhaps Halifax Minster 14cm diameter, 4oz, 124gr

£100-150

2281

A Victorian Irish Silver Trivit, by Henry Flavelle, Dublin, 1850 oblong and on tapering feet, the spatulate handle with heart-shaped terminal 12.5cm wide, 3oz 10dwt, 109gr

£70-100

2278

2280

2281

2279

2282

A William IV Silver Tea-Caddy, Maker’s Mark IW, London, 1831 tapering oblong and on four mask-capped scroll feet, the sides robustly cast and chased with foliage scrolls and rocaille on a matted ground, the corners with applied openwork buttresses, the front with a cartouche with an engraved coat-of-arms, the other sides cast and chased with figures, the hinged cover with leaf and flower finial 15cm high, gross weight 16oz 6dwt, 507gr

£400-600

2283

A George IV Silver Teapot, by Charles Fox, London, 1823 circular and on spreading foot, with gadrooned border and ivory-insulated leaf-capped scroll handle, the hinged cover with ivory-insulated foliage finial

27.5cm wide over handle, total gross weight 20oz 8dwt, 635gr

With non-transferable standard ivory exemption declaration number XFP4W4NL.

£300-500

2284

A Victorian Silver Christening-Set, The Beaker by John Samuel Hunt, London, 1858, The Flatware by Francis Higgins, London, 1859 the beaker tapering cylindrical and on spreading foot, engraved with a putto and with foliage and palette border, the knife, fork and spoon each similarly engraved, each piece engraved with a cypher, in fitted gilt-tooled leather-covered case the case 22cm wide, weighable silver 6oz 7dwt, 198gr (4)

Provenance:

The Property of Sir Brooke Boothby, ex Fonmon Castle.

£150-250

2282

2284

2283

A Victorian Silver Inkstand, by John Samuel Hunt, London, 1855 shaped oval and on four cast lily pad, flower and openwork branch feet, with a cast figure of a robed Greek philosopher holding a scroll and globe, reaching out to an attendant putto who holds a cup for him, flanked with two foliage chased vases, each with angular handles, the hinged covers with flower finials and opening to reveal a glass bottle

39.5cm wide, weight of silver 61oz 7dwt, 1,909gr

£1,500-2,500

2285

2285

2286

A Victorian Irish Silver Kettle on Victorian Silver Plate Stand, The Kettle by James Le Bas, Dublin, 1843, The Stand by Elkington, 1844

the kettle pear-shaped, the hinged cover with tapering finial, the overhead swing handle with ivory insulators, engraved on each side with a coat-of-arms, the conforming stand with quilted scroll feet, lamp lacking 38.5cm high, the kettle gross weight 57oz 15dwt, 1,796gr

The arms are those of Chaloner impaling those of Butler, with a martlet for difference, probably for Robert Chaloner, third son of Robert Chaloner and his wife the Hon. Frances Laura Dundas, daughter of Thomas, 1st Baron Dundas of Aske, and his wife Laura Mary, daughter of Sir Thomas Butler, 8th Baronet, who he married on 29 February 1844.

With non-transferable standard ivory exemption declaration number NR3HFSFE.

£1,000-1,500

2287

A Victorian Irish Silver Kettle, Probably by Robert W. Smith, Dublin, 1849 the kettle plain globular, the fixed overhead handle with ivory insulators, the hinged cover with melon and foliage finial, engraved with the arms of Chaloner; Together With an associated silver plate stand and lamp, with reeded border and on three cast shell feet 25cm high, gross weight of silver 38oz 18dwt, 1,209gr

With non-transferable standard ivory exemption declaration number P3ANL3SG.

£700-1,000

2286 2287

2288

A Victorian Silver Condiment-Stand With a Pair of George III SilverMounted Glass Bottles, The Stand by Richard Sibley, London, 1849, The Mounts on The Bottles by Edward Jay, London, Circa 1760, Retailed by Thomas, New Bond Street, London the stand hourglass-shaped and on four shell-cast feet, with leafcapped handle and rocaille cast cartouche, engraved with the crest of Chaloner, the cut-glass bottles each with foliage and scroll cast mounts and leaf-capped scroll handles, the hinged covers cast as a dog’s head, engraved with the crest of Chaloner the stand 19cm wide, weighable silver 23oz 19dwt, 745gr

£500-800

2289

A Victorian Silver Waiter, by Henry Wilkinson and Co., London, 1871 shaped circular and on three shell-cast tapering feet, with shell and foliage border, engraved with foliage scrolls centring a vacant cartouche 21.2cm diameter, 10oz 12dwt, 329gr

£150-250

A Pair of Victorian Silver Salters Company Salt-Cellars, by Stephen Smith, London, 1879 each of square section and on four cast winged female monopodia with paw feet, with openwork shell and scroll skirt, each side applied with the crest of the Worshipful Company of Salters

11.4cm square, 37oz 11dwt, 1,168gr (2)

Provenance:

The Estate of the late Lord Lloyd of Berwick (1929-2024)

£800-1,200

2288

2289

2290

2290

A Victorian Silver Claret-Jug With an Associated Stopper, The Claret-Jug by George Fox, London, 1870, The Stopper by Frederick Brasted, London, 1871, Retailed by Carrington, Regent Street, London the claret-jug in the Cellini pattern, tapering and cast and chased overall in the Renaissance style with masks and animals amid foliage scrolls, all on a matted ground, on conforming foot, with bust-capped scroll handle, cast and chased below the spout with a further mask, the stopper cast a as Renaissance figure with shield 42.5cm high including stopper, gross weight 54oz 1dwt, 1,681gr

£2,000-3,000 2291

2292

A Rare Victorian Silver-Mounted Green or Amber Glass Novelty Claret-Jug, by Alexander Crichton, London, 1882

realistically modelled as a squirrel, resting on his back paws while using his front paws to hold a cast nut which acts as the spout, the hinged cover with two glass eyes, with textured shaped amber glass body and carved wood tail 24cm high

Provenance:

Almost certainly Sotheby’s, Belgravia, 3 November 1977, lot 161 and by descent.

Literature

J. Culme, The Directory of Gold and Silversmiths, Jewellers and Allied Traders 1838-1914, Woodbridge, 1996, vol. I, p. 102.

J. B. Hawkins, “Alexander Crichton - Through the Drinking Glass”, published online, p. 2.

Alexander Crichton was a Scottish silversmith who found fame creating charming novelty silver items such as the present claret-jug. He is believed to have been born in Edinburgh to a family with close connection to the silver industry but was to make his career in London where he is recorded as winning a £25 prize from the Goldsmiths’ Company for ‘presentations for designs, etc.’ (as recorded in the Art Journal, 1870 and quoted by J. Culme, The Directory of Gold and Silversmiths, Jewellers and Allied Traders 1838-1914, Woodbridge, 1996, vol. I, p. 102.). Though he is known to have made interesting items through the 1870s, it must certainly be his whimsical novelty silver-mounted claret-jugs and scent-bottles which are his most famous legacy. By the time he started to imagine and produce these zoomorphic items, Crichton was in partnership with another silversmith called Charles John Curry, trading as Crichton & Curry, ‘designers, modellers and silversmiths’ at Rathbone Place, Oxford Street, London.

The production of these claret-jugs was to be very shortlived as the demand for them collapsed in the early years of the 1880s due to a financial downturn, so most of the known extant examples date to 1881 or, like the present example, 1882. Only 34 different forms are recorded by J. B. Hawkins in his online article “Alexander Crichton - Through the Drinking Glass”. Hawkins notes that most of the designs are registered with the Patent Office but the squirrel is not.

The squirrel must rate as among the rarest form of these zoomorphic claret-jugs, Hawkins notes only two examples, one with a silver tail, previously owned by the Late Queen Mother (Hawkins, op cit., pl. 18) and the example sold at Sotheby’s, Belgravia in November 1977. While it is almost certain that the present examples and the one sold in 1977 are one and the same, unfortunately the family records do not confirm where it was acquired. It is clear that the 1970s was a fruitful time in the development of the family’s collection so it seems likely that they acquired the jug either directly at the Sotheby’s sale or through the trade not long after the sale.

£5,000-8,000

2292 (alternative view)

2293

A Five-Piece Victorian Silver Tea and Coffee-Service, by John Edward Bingham, Sheffield, 1879

each piece tapering shaped oval, engraved with foliage and flowers and later engraved with an initial ‘L’, comprising a teapot; a coffee-pot; a hot-water jug, each with pierced handle and carved ivory finial; a cream-jug and a sugar-bowl, in fitted mahogany finish case, with hinged cover and brass handles and shield the coffee-pot 21.5cm high, gross weight 93oz 5dwt, 2,901gr (5)

With non-transferable standard ivory exemption declaration number ULJUJ8UN.

£2,000-3,000 2294

A Pair of Silver Plate Three-Light Candelabra, Apparently Unmarked, Second Half 19th Century each on fluted oval base, the tapering faceted stems terminate in tapering socket which supports the detachable branches, each reeded arm terminates in a tapering socket and with a further central socket, each with reeded nozzle, filled

47.5cm high (2)

£100-150

2293

2295

A Victorian Silver Coffee-Pot, by William Henry Jackson and Walter Chase, London, 1880, Retailed by Francis Boone Thomas, New Bond Street

tapering oval and on spreading foot, the lower body part-fluted, engraved with an inscription, with ivory-insulated handle, the hinged cover part-fluted and with conforming finial 23.5cm high, gross weight 24oz 19dwt, 776gr

The inscription reads ‘Presented to Admiral Chaloner by the Guardians of the Guisborough Poor Law Union as a Small Token of Their High Appreciation of the Admirable Manner in Which for the Past 23 Years He Has Discharged The Onerous Duties Which Devolve Upon The Chairman of Their Board 5th April 1881’

With non-transferable standard ivory exemption declaration number KXU2JQHT.

£400-600

2296

A Victorian Silver Dinner-Plate, by Robert Harper, London, 1881 in the George III style, shaped circular and with gadrooned rim, engraved with a coat-of-arms below an earl’s coronet 25cm diameter, 17oz 6dwt, 538gr

The arms are those of Lyon quartering Bowes as borne by the Earls of Strathmore and Kinghorne.

£200-300

2295

2296

2297

A Pair of Victorian Silver Candlesticks, by James Kebberling Bembridge, Sheffield, 1885 each on stepped square base, with fluted stems, the sockets with detachable gadrooned nozzle, filled 15.2cm high (2)

£100-150 2299

A Victorian Silver Mug, by John and Frank Pairpoint, London, 1897 in the George III style, baluster and on spreading stepped foot, with leaf-capped scroll handle, engraved with initials and numbered ‘9’ 12cm high, 9oz, 280gr

£120-180

A Pair of Victorian Silver Candlesticks, by William Hutton and Sons Ltd., London, 1894 each on fluted oval base, the stems fluted and terminating in a tapering fluted socket with conforming nozzle, filled 21.2cm high (2)

£120-180

2300

An Edward VII Silver-Mounted Inkwell and Stand, by Charles and George Asprey, London, 1905 the plain, square section glass bottle with silver mounts and hinged cover, the conforming stand on four pad feet and with wavy border the stand 95mm square, weighable silver 4oz 4dwt, 130gr

Provenance: The Estate of the late Lord Lloyd of Berwick (1929-2024)

£120-180

2301

A Victorian Silver Basket, by Elkington and Co. Ltd., London, 1900 oval and on conforming foot, the sides pierced with slats and stamped with flower and foliage swags, the shell-heightened rim with stamped rocaille below

37.6cm wide, 20.5cm high, 62oz 1dwt, 1,899gr

£1,500-2,500

2302

A Victorian Silver Novelty Scent-Bottle, by Charles Thomas Fox and George Fox, London, 1847

modelled as an owl, with glass eyes, the hinged cover opens to reveal a silvermounted mounted cut-glass bottle, the silver-gilt stopper with drop-ring handle 90mm high, gross weight of weighable silver 5oz 5dwt, 164gr

£1,500-2,500

2301

2302

2302 (alternate view)

2303

A Four-Piece Victorian Silver Tea-Service, by Walter and John Barnard, London, The Hot-Water Jug 1893, The Other Pieces 1895 in the George III style, each piece partfluted and with foliage and shell-heightened gadrooned border, comprising a teapot; a hot-water jug, each with ebonised handle and finial; a creamjug and a sugar-bowl the hot-water 18cm high, total gross weight 43oz 18dwt, 1,366gr (4)

£700-1,000

2304

A Victorian Silver Teapot, by William Gibson and John Lawrence Langman, London, 1896 in the George III style, part-fluted and with foliage, shell and mask-heightened gadrooned border, with ebonised handle and finial

26.6cm wide over handle, gross weight 24oz 1dwt, 748gr

£300-500

2305

A Victorian Silver Salver, by Richard Martin and Ebenezer Hall, Sheffield, 1900 shaped circular and on three ball and claw feet, with foliageheightened beaded border, engraved with foliage scrolls and flowers

32.5cm diameter, 29oz 14dwt, 923gr

£500-800

2303

2305

2304

2306

A Pair of Edward VII Silver-Mounted Glass Decanters, by William Comyns, London, 1902 the glass bodies spirally-fluted and centrally waisted, the foot and neck each with openwork lattice and foliage scroll silver mounts, with conforming stoppers

34.5cm high (2)

£150-250

2307

2307

2306

A Victorian Silver-Mounted Glass Claret-Jug, by John Grinsell and Sons, Birmingham, 1887 the glass body globular and with an overall textured finish, the silver mount with an overall hammered finish, with flat hinged cover and angular scroll handle 16cm high

Provenance:

The Property of Sir Brooke Boothby, ex Fonmon Castle.

£100-150

2308

An Edward VII Silver-Mounted Engraved-Glass Claret-Jug, The Silver Mounts by John Thomas Heath and John Hartshorne Middleton, Birmingham, 1903 the tapering glass body engraved with lilies and lines to simulate water, the plain silver-mount with gadrooned border and hinged cover; Together With a silver plate decanter or wine-label, pierced for ‘Claret’

33.5cm high (2)

£150-250

2308

2310

A Four-Piece Edward VII Silver Tea and CoffeeService, by Goldsmiths and Silversmiths Co. Ltd., London, The Coffee-Pot 1902, The Other Items 1906 each piece baluster and on four lion-mask capped paw feet, connected by drapery swags, comprising a teapot; a coffee-pot, each with ebonised handle and finial; a cream-jug and a sugar-bowl the coffee-pot 22cm high, total gross weight 76oz 1dwt, 2,366gr (4)

£1,200-1,800

A Pair of Edward VII Silver Two-Light Candelabra, by Walker and Hall, Sheffield, 1909

each on shaped oval base with reeded border, the tapering stems terminate in tapering socket which supports the detachable branches, each reeded arm terminates in conforming socket with detachable nozzle, with a central vaseshaped finial, the bases filled 32.5cm high, 33.5cm wide, the branches 35oz 5dwt, 1,096gr (2)

£700-1,000

Two Edward VII Silver Baskets, One by Goldsmiths and Silversmiths Co. Ltd., London, 1908 and One by Williams (Birmingham) Ltd., Birmingham, 1908 each shaped oval and with openwork border, on conforming openwork base with four claw feet, the overhead swing handles similarly pierced 17cm wide, 16oz 18dwt, 523gr (2)

£300-500

2309

2309

2310

2311

2311

2312

A George V Silver Pedestal-Dish, by Herbert Edward Barker and Frank Ernest Barker, Chester, 1915 the bowl shaped circular and on tapering spreading foot 21.5cm diameter, 12.2cm high, 13oz 9dwt, 417gr

£250-350

2314

A George V Silver Bowl, by James Ramsay, Sheffield, 1912 shaped circular and on conforming foot, the sides and base pierced with foliage and latticework, with fruiting vine-cast borders 28.5cm diameter, 13cm high, 41oz 4dwt, 1,282gr

£700-1,000

2313

An Edward VII Silver Pedestal-Dish, by Mappin and Webb, Sheffield, 1908 the bowl tapering circular and with two bifurcated handles and pierced Greek-key border, on wirework base

23.5cm wide over handles, 14cm high, 14oz 9dwt, 450gr

£300-500

2315

A George V Silver Pedestal-Dish, by Henry Atkin, Sheffield, 1912 the bowl tapering circular and with pierced Greek-key border and two bifurcated handles, on pedestal foot 27cm wide over handles, 14cm high, 17oz 7dwt, 539gr

£300-500

2316

A George V Silver Mug, by A. and J. Zimmerman, Birmingham, 1912 in the George II style, tapering cylindrical and on spreading stepped foot, with angular scroll handle

10cm high, 4oz 14dwt, 146gr

£70-100

2318

A George V Silver Mug, by Edward Souter Barnsley, Birmingham, 1915 in the George II style, tapering cylindrical and on spreading stepped foot, with scroll handle 95mm high, 6oz 1dwt, 188gr

£100-150

2317

A George V Silver Wine-Taster, by D. and J. Wellby, London, 1922 in the French 18th century style, the bowl chased with fruiting vines, with stamped beaded border and loop handle, the base set with a Charles I shilling

12cm wide over handle, gross weight 3oz 19dwt, 122gr

£70-100

2319

A George V Silver Mug, by P. G. Dodd and Son, London, 1931 in the George II style, baluster and on spreading stepped foot, with angular scroll handle 90mm high, 7oz 4dwt, 224gr

£100-150

2316

2317

2318

2319

2320

A George V Silver Kettle and Stand, by Hendeles and Co., London, 1913 in the William IV style, fluted tapering and with overhead fixed raffia-covered handle, the pull-off cover with foliage and flower finial, the conforming stand with foliage-cast supports and a central space for a lamp, now lacking 41cm high, gross weight 114oz, 3,546gr

£2,000-3,000

2321

A George V Silver Tray, Maker’s Mark O&RLd., Sheffield, 1913 in the George III style, shaped oblong and with foliage and shell-heightened gadrooned border, with two conforming handles

69cm wide, 116oz, 3,609gr

£2,000-3,000

2320

2322 (19th Century Engraving of the Warwick Vase)

2322

A George V Silver Copy of the Warwick Vase on Silver-Mounted Ebonised Wood Plinth, The Vase and Silver Mounts by Reid and Sons, London, 1911 of typical form, on square base, the sides cast with bacchic masks and thyrsi, all on a lion pelt-cast ground, with two reeded bifurcated branch handles, with egg and dart and beaded borders above a band of applied fruiting vines, on square section ebonised plinth, with foliage stamped silver mounts, one wide applied with a silver plaque, later engraved with an initial ‘B’ and dated ‘1955’ 43cm high including plinth, 39cm wide over handles, weighable silver 120oz 13dwt, 3,752gr

The Warwick Vase, now in the Burrell Collection, Glasgow, was discovered in the late 18th century by Gavin Hamilton, a Scottish art dealer, at Hadrian’s Villa in Rome. The vase was found on the villa’s extensive grounds, which Hamilton had been permitted to excavate. It was in pieces when discovered and sold by Hamilton to Sir William Hamilton, British envoy at the court of Naples, and passed from him to his nephew George Greville, 2nd Earl of Warwick. The celebrated engraver Giovanni Battista Piranesi made two etchings of the vase once its restoration was complete and published these etchings in his 1778 publication Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi) which will undoubtedly have added to the fame of the vase.

The Earl of Warwick had intended to sell the vase to the British Museum but the sale wasn’t to come to pass so he kept it at Warwick Castle where it remained until 1978 when it was sold to the Metropolitan Museum of Art, New York. Before it could leave the country however it was declared to be of national importance and so an export license was denied and the funds were instead raised for it to stay in the country. In the decades since it was discovered it was to prove a popular form for silversmiths to copy with many examples known from the beginning of the 19th century and through into the 20th century. Another example, though just under half the weight of the present example, by the Goldsmiths and Silversmiths, Co. Ltd. passed through these rooms in 2023, selling for £11,000.

£7,000-10,000

2324

A George V Silver Salver, by Henry Atkin, Sheffield, 1930, Retailed by Bravintons Ltd., Kings Cross, London in the George II style, shaped circular and on four scroll feet

41.5cm diameter, 59oz, 1,836gr

£1,000-1,500

2323

A George V Silver Salver, by Walker and Hall. Sheffield, 1919 in the Victorian style, shaped circular and on three openwork panel feet, with foliage and flower-heightened reeded border, engraved with a vacant foliage cartouche 32.5cm diameter, 28oz 8dwt, 883gr

£500-800

2325

A George V Silver Salver by John and William F. Deakin, Sheffield, 1932 in the George III style, shaped circular and on four scroll feet, engraved with a Masonic inscription 30.5cm diameter, 28oz, 871gr

The inscription reads ‘Walthamstow Lodge No 2472 Ladies Festival Presented to Mrs Arthur Oakden by the Officers and Brethren 18th February 1933’

£500-800

2324

2323 2325

2326

A Pair of George VI Silver and Enamel Dishes, by Omar Ramsden, London, 1937 each shaped circular and with crenelated rim, with central red enamel-heightened Tudor rose boss 11cm diameter, gross weight 4oz 17dwt, 151gr (2)

£500-800

2327

A Four-Piece George V Silver TeaService, by Charles Edwards, London, 1917 each piece in the Arts and Crafts style, tapering cylindrical and on three scroll legs, the handles partbifurcated, with an overall hammered finish, comprising a teapot; a hot-water jug, each with ebonised handle and finial; a creamjug and a sugar-bowl the hot-water jug 17cm high, total gross weight 37oz 13dwt, 1,171gr (4)

£600-800

2328

A George V Silver Basket, by A. E. Jones, Birmingham, 1919 tapering cylindrical and on spreading foot, with pierced foliage and flower border, the overhead swing handle with twisted wire border, with overall hammered finish 18cm diameter, 10oz 8dwt, 323gr

£200-300

2326

2328

2327

2330

A Pair of George V Silver-Gilt Trencher Salt-Cellars, by Thomas Bradbury and Sons Ltd., London, 1935 each in the George I style, elongated octagonal, rising to a conforming bowl; Together With a pair of Elizabeth II Old English pattern condiment-spoons the salt-cellars 80mm wide, total weight 4oz 17dwt, 150gr (4)

£70-100

2329

A George VI Silver Salver, by Roberts and Belk, Sheffield, 1942 in the George II style, square and with incurved corners, engraved slightly later with an inscription, the back engraved with names 31.2cm square, 39oz 17dwt, 1,240gr

The inscription reads ‘Presented to the Earl of Rosse On His Return From Service Abroad September 29th 1945 by the Tenant Farmers of the Womersley Estate’

£700-1,000

2331

A George V Silver Salver, by Edward and Sons, Sheffield, 1931 in the George II style, shaped square and on four tapering panel feet

23cm square, 14oz 19dwt, 466gr

£200-300

2329

2330

2331

2332

A George V Silver-Gilt and Enamel Freedom-Casket, by Turner and Simpson, Birmingham, 1933 oblong and on fluted base with stepped feet, the front of the base applied with an enamelled Yorkshire rose, the front applied with the enamelled arms of the Borough of Morley, flanked on one side by an enamel plaque of Leeds Town Hall and the other with a council chamber, the back with two enamel plaques with members of the council flanking enamelled initials, the short ends applied with laurel wreaths with dates, the pull-off cover with figural finial, with leather-covered scroll container, silver-gilt plaque from a plinth, engraved with an inscription, and various items of ephemera 33cm wide

The inscription on the plaque reads ‘Presented to Councillor Brian B. Barker J.P. with the Honorary Freedom of the Borough of Morley 25th April 1934’

£700-1,000

2332

A George V Silver Bowl and Stand, by Adie Brothers Ltd., Birmingham, 1923 in the George II style, the bowl circular and with quatrefoil and strapwork decorated border, on conforming stand with four block feet, the bowl engraved with initials, dates and a presentation inscription 20cm diameter, 11.5cm high, 24oz 17dwt, 773gr

£400-600

2334

A Pair of George V Silver Sauceboats, by James Ramsay, Sheffield, 1930 each in the George III style, oval and on three shell-cast feet and with leaf-capped scroll handle, with gadrooned rim

16.cm wide, 12oz 14dwt, 395gr (2)

A George VI Silver Christening-Bowl, by Asprey and Co Ltd., Birmingham, 1939 circular and on spreading foot, with two scroll handles, engraved with chickens 15.5cm wide over handle, 9oz 7dwt, 291gr

£120-180

£150-250 2336

A Pair of George VI Silver Sauceboats, by Edward Barnard and Sons Ltd., London, 1937 in the George III style, each oval and on three shell-capped pad feet, with gadrooned border and leaf-capped scroll handle

15.5cm wide, 9oz 14dwt, 302gr (2)

£150-250

2336

2337

A George VI Silver Salver and Bowl, by James Ramsay, Birmingham, The Bowl 1937, The Salver 1938 each shaped circular and with a Celtic motif cast border, the salver on three pad feet, the bowl on spreading foot the salver 32.5cm diameter, the bowl 27cm diameter, 7.5cm high, 56oz 15dwt, 1,766gr (2)

£800-1,200

2338

A Pair of Elizabeth II Silver Candlesticks, Probably by John Charles Lowe, London, 1958 in the George II style, each on shaped square base and with baluster stem which terminates in a spoolshaped socket 16.5cm high 25oz 10dwt, 793gr (2)

£500-800

2339

An Elizabeth II Silver Bowl, by Turner and Simpson Ltd., Birmingham, 1961 tapering cylindrical and on conforming foot, the rim engraved with foliage and flowers 23cm diameter, 10.5m high, 22oz 18dwt, 713gr

£500-800

2337

2338

2339

2341

2340

An Elizabeth II Silver Cigarette-Box, by Padgett and Braham Ltd., London, 1957, Retailed by Cartier plain oblong, the hinged slightly domed cover opens to reveal a wood-lined interior, in Cartier gilt-tooled red leather-covered case the cigarette-box 17cm wide

£100-150

An Elizabeth II Gold, ‘Gem’-Set and Specimen-Mineral Bird Ornament, Apparently Unmarked, In the Manner of Asprey and Co., Circa 1970 realistically modelled as a ‘gem’-set bird resting on an enamel branch, feeding three ‘gem’-set chicks in a nest, on specimen-mineral base 17cm high

£250-350

2342

An Elizabeth II Silver Notepad-Holder, by Garrard and Co. Ltd., London, 1989

oblong, the hinged cover engraved with a view of the Old Laundry, Achfary, on the Lochmore estate, with a wooded landscape and mountains behind, below an initial ‘W’ and duke’s coronet and above an engraved facsimile inscription, the inside engraved with various names, filled; Together With a gilt-tooled red leather-covered folder, containing two sheets with the signatures of the donors 17.5cm high

2341

The inscription reads ‘For Dearest Nancy With boundless gratitude and everlasting affection for all those magical days at Lochmore from your devoted old friends Charles Nov 90’

The initial and coronet are those of Anne Grosvenor, Duchess of Westminster (1915-2003). Known as Nancy she was the daughter of Brigadier-General Edward Sullivan and his wife Winifred. She married, in February 1947, Hugh Grosvenor, 2nd Duke of Westminster, becoming his fourth wife.

Provenance: Presented to Anne Grosvenor, Duchess of Westminster (1915-2003) by Charles, then Prince of Wales and 40 other royal, aristocratic and landowning friends in November 1990.

£200-300

2340

2342

2343

A George VI Silver Tray, by Cooper Brothers and Sons Ltd., Sheffield, 1937 in the Art Deco style, shaped oval and with two angular handles

51cm wide over handles, 44oz 3dwt, 1,373gr

£800-1,200

An Elizabeth II Four-Piece Silver Plate Tea-Service and Tray, by Mappin and Webb, Sheffield, Mid-20th Century, Designed by Eric Clements each piece in the Modernist style, comprising a teapot; a hotwater jug, each with ebonised handle and finial; a cream-jug and a sugar-bowl, the conforming tray shaped oval the tray 45.7cm wide (5)

£70-100

2345

An Elizabeth II Limited Edition Silver Gallery-Tray, by Roberts and Belk Ltd., Sheffield, 1977, Number 50 From a Limited Edition of 250 commemorating the silver jubilee of Queen Elizabeth, oval and on four fun feet, with pierced gallery, engraved with the Royal coat-of-arms, dates and an inscription 45.6cm wide, 71oz 3dwt, 2,213gr

£1,200-1,800

2344

2343

2344

2345

Twelve Elizabeth II Silver Goblets, by C. J. Vander Ltd., London, Three 1970 and Nine 1971 in the George III style, tapering and on spreading foot, the border engraved with foliage, further engraved with an initial within ribbon-tied foliage cartouche

three 13.6cm high, the others very slightly smaller, total weight 71oz 19dwt, 2,238gr (12)

£1,200-1,800

A Cased Set of Fifty Elizabeth II Silver Ingots, by John Pinches, London, One 1972, Fourty-Eight 1973 and One Apparently Unmarked commemorating 1,000 years of the British monarchy, each stamped on the obverse with a cameo portrait of the monarchs from Edgar to Elizabeth II, Cromwell lacking, replaced by an extra James II ingot, the portrait surrounded by a depiction of a significant event from their reign, the reverse with their name and regnal dates, in fitted walnut finish case with applied plaque, with certificate the case 61.5cm wide, weight of silver 106oz 9dwt, 3,311gr (50)

£1,500-2,500

2346

2347

2346

2347

2348

A Zimbabwean Silver Model of a Bull Elephant Reaching, by Patrick Mavros, Harare, Circa 1992 realistically modelled and with resin tusks, on blackwood base the base 14cm wide, 18.5cm high, gross weight of model 21oz 1dwt, 6556gr

Provenance: Sold by Order of the Royal Regiment of Fusiliers to Benefit the Fusiliers’ Aid Society.

£500-800

2349

An Edward VIII and a George VI Silver-Mounted Glass Whisky-Tot, by Hukin and Heath, Birmingham, One 1936 and 1937 each tapering and with plain silver mounts 10.5cm high (2)

Provenance: The Property of Sir Brooke Boothby, ex Fonmon Castle. £150-250

2350

A Zimbabwean Silver Model of ‘Zolo’ The Baby Elephant, by Patrick Mavros, Harare, With English Import Marks for London, 2014 realistically modelled 62mm wide, 6oz, 187gr

£200-300

2348

2349

2350

2352

An Elizabeth II Silver-Mounted Cut-Glass Claret-Jug, by William Whitehill Silver Co., London, 1994 the cut-glass body tapering, the silver mount decorated in the Victorian manner with foliage and flowers, the hinged cover with tapering finial, the scroll handle capped with a grotesque mask, the spout similarly cast 27.5cm high

£150-250

2351

An Elizabeth II Silver Bowl, by Gerald Benney, London, 1975

tapering cylindrical and with a textured finish below the plain rim 10.5cm diameter, 5oz 3dwt, 161gr

Provenance:

The Property of Sir Brooke Boothby, ex Fonmon Castle.

£200-300

2353

An Elizabeth II Parcel-Gilt Limited Edition Silver Goblet, by Hector Miller for Aurum, London, 1977, Number 132 From a Limited Edition of 750

commemorating the 50th anniversary of Blackburn cathedral, the bowl tapering, with flower-cast stem, the interior gilt, engraved underneath with an inscription 16.5cm high, 9oz 11dwt, 297gr

£150-250

2351

2353

2352

WATCHES

2355

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168.004, 1964, (calibre 561) lever movement signed and numbered 21280951, adjusted to five positions and temperature, silvered dial with baton markers, date aperture, case with screw back and Constellation logo, inside back cover stamped Omega Watch Co and numbered 168.004, Omega stainless steel bracelet with a deployant clasp numbered 1502 No.12

36mm wide

£150-200

2356

Rolex: A Gold Filled and Steel Rectangular Wristwatch, signed Rolex, retailed by West’s, Dublin, ref: 2317, 1940’s, manual wound lever movement signed, silvered dial with Arabic numerals, seconds dial, case with gold filled hooded lugs, curved steel back cover numbered 14382 2317, inside back cover stamped Rolex Geneve 22mm by 37mm

£500-700

2357

Rolex: A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Shock Resisting, model: Oyster Royal, ref: 6244, 1952, (calibre 710) manual wound lever movement signed and numbered 81925, honeycomb finish silvered dial with dagger markers, blued centre seconds hand, case with screw down crown, case serial number 835028, screw back stamped inside Rolex Geneva Swiss and numbered 6244

31mm wide

£400-500

2358

Rolex: A Lady’s 18 Carat White Gold Wristwatch, signed Rolex, Precision, ref: 8792, circa 1959, (calibre 282) manual wound lever movement signed, silvered dial with dagger and dot markers, case with faceted bezel, snapon back numbered 244359, inside back cover stamped Rolex Montres and numbered 8792, convention mark 18k0750, with Rolex guarantee paperwork dated 16 Dec 1959

16mm wide

£150-250

2359

Hemmen: A Silver Pair Cased Repousse Verge Pocket Watch, signed Edward Hemmen, London, 1780, chain fusee verge movement signed and numbered 1545, baluster pillars, enamel dial with Roman and Arabic numerals, outer repousse case back depicting figures and a horse within a scroll frame, inner case with maker’s mark JC and a London hallmark for 1780

48mm wide

£200-300

2360

Rolex: A Rare Stainless Steel Wristwatch Made for the Canadian Royal Air Force, signed Rolex, Shockproof, model: Sky Rocket, 1940’s, (Fontmelon calibre 59) manual wound lever movement, black dial with Arabic luminous numerals and outer 24 hour chapter, seconds dial, luminous hands, case with screw back and stamped inside Rolex, one side of the case with a fixed bar between the lugs

30mm wide

These Rolex Sky Rocket watches were made exclusively for the Canadian Royal Air Force. These watches were not issued to the Canadian military, and were available for purchase for servicemen. To our knowledge, Rolex did not manufacture the case or movement for the watch. The cases were manufactured in North America, and the movements were made by a Swiss movement maker Fabrique Horologerie de Fontmelon.

£300-400

2361

Tudor: A Stainless Steel Centre Seconds Wristwatch, signed Tudor, Shock Resisting, model: Oyster Royal, ref: 7903, 1950’s, manual wound lever movement signed, silvered dial with baton markers, case with screw down crown, screw back numbered 7903 and 81063, inside back cover stamped Tudor Geneva Switzerland 31mm wide

£150-250

2362

Rolex: A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Precision, model: Oyster, ref: 6422, 1957, (calibre 1210) manual wound lever movement signed and numbered 33346, silvered dial with Arabic and dagger markers, case with a screw down crown, screw back with an engraved inscription, back cover stamped inside Montres Rolex S.A Geneva Switzerland, numbered 6422 and dated III.57, case serial number 296653, Rolex steel buckle

34mm wide

£300-500

2363

Longines: A 10 Carat Gold Filled Wristwatch, signed Longines, 1952, (calibre 9LT) manual wound lever movement signed and numbered 8803387, silvered dial with Arabic and dagger markers, seconds dial, rectangular case with snap-on back, inside back cover stamped Longines-Wittnauer Watch Co and numbered 8695543 22mm by 38mm

£100-150

2364

Omega: A 9 Carat Gold Centre Seconds Wristwatch, signed Omega, Geneve, 1973, (calibre 601) manual wound lever movement signed and numbered 32666391, adjusted to two positions, silvered dial with baton markers, case back stamped inside Omega Watch Co and numbered 1315016, London hallmark for 1973, Omega plated buckle 33mm wide

£250-300

2365

IWC: A Stainless Steel Square Shaped Centre Seconds Wristwatch, signed International Watch Co, Schaffhausen, circa 1948, (calibre 89) manual wound lever movement signed and numbered 1187842, silvered dial with Arabic and dot markers, case with snap-on back and stamped inside IWC and numbered 1206662

31mm wide

£400-500

2366

Universal: An 18 Carat Gold Automatic Day/Date Centre Seconds Wristwatch, signed Universal, Geneve, model: Polerouter, ref: 172100, circa 1970, (calibre 72) lever movement with micro rotor, champagne coloured dial with baton markers, day/date apertures, tonneau shaped case, screw back stamped inside with maker’s mark Universal Geneve and numbered 2 172100, 18k0.750

35mm wide

£600-800

2367

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster Calendar, ref: 2757-1, 1952, (calibre 355) lever movement signed and numbered 13548013, bumper automatic rotor, white dial with Arabic and dagger markers, date aperture at 6, snap-on back

34mm

£500-700

2368

Omega: A 9 Carat Gold Wristwatch, signed Omega, 1957, (calibre 266) manual wound lever movement signed and numbered 15132090, black dial with Arabic and dagger markers, seconds dial, case with snap-on back stamped inside Omega Watch Co Dennison and numbered 13322 794368, case with Birmingham hallmark for 1957, later 9 carat gold bracelet

34mm wide

£400-600

2369

Omega: A Stainless Steel Electronic Chronometer Calendar Centre Seconds Wristwatch, signed Omega, F300 Hz Chronometer, model: Seamaster, ref: 198.001, 1970, (calibre 1250) electronic battery tuning fork movement signed and numbered 32838995, grained finished silvered dial with baton markers and outer fifth of seconds track, date aperture, case with screw back and stamped inside Omega Watch Co, case maker’s mark CB (La Centrale Boites) and numbered 198.001, Omega steel buckle

37mm wide

£200-300

2370

Marlys: An Early Calendar Display Silver Wristwatch, signed Marlys Watch Co, 1930, manual wound lever movement signed, silvered dial with Arabic numerals and inscribed “Patent Appl for”, date aperture at 12, seconds dial, inside case back stamped Marlys Watch Co GS and numbered 69327, London silver import mark for 1930

30mm wide

£100-150

2371

James Crichton: An 18 Carat Gold Full Hunter Pocket Watch, retailed by James Crichton, 84 Argyle Street, Glasgow, 1904, manual wound lever movement signed and numbered 35995, split bimetallic balance with a blued overcoil hairspring, diamond endstone, enamel dial with Roman numerals, seconds dial, case with maker’s mark WN and numbered 35995, London hallmark for 1904, cuvette with an engraved presentation inscription, 55mm wide, together with a Yellow Metal Curb Link Watch Chain, end clasp stamped 15, (2)

£2,500-3,000

2372

Certina: A 9 Carat Gold Wristwatch, signed Certina, 1973, (calibre 2330) manual wound lever movement signed, silvered dial with baton markers, case with snap-on back stamped RHS, 9K0.375 and London import mark for 1973, 9 carat gold textured integral bracelet 34mm wide

£700-900

2373

Longines: A Lady’s 9 Carat Gold Wristwatch, signed Longines, 1978, manual wound lever movement signed and numbered 53455472, white dial with Roman numerals, case with a snapon back stamped inside B&Co, London import mark for 1978, 9 carat gold bark finished integral bracelet 19mm wide

£250-350

2374

Jaeger LeCoultre: A Lady’s 9 Carat Gold Back Winding Wristwatch, signed Jaeger LeCoultre, 1961, manual wound lever movement signed, silvered dial with Arabic and dagger markers, case back with winding crown, inside back cover stamped DTE and numbered 1165, London hallmark for 1961, 9 carat gold mesh integral bracelet 15mm wide

£400-500

2375

John Forrest: An 18 Carat Gold Open Faced Pocket Watch, retailed by John Forrest, London, 1901, key wound single fusee lever movement, dust cover signed and numbered 10976, dial with Roman numerals and signed, seconds dial, case back with engraved floral decoration and a central vacant cartouche, case maker’s mark WH and numbered 10976, Birmingham hallmark for 1901, 54mm wide, together with a Watch Chain, end link with small tab stamped 9c, (2)

£2,000-3,000

2376

Bueche Girod: A 9 Carat Gold Wristwatch, signed Bueche Girod, 1973, manual wound lever movement signed, adjusted to five positions, bark finished champagne coloured dial with baton markers, case with snap-on back stamped inside RCK and a London hallmark for 1973, bark finished 9 carat gold integral bracelet 26mm wide

£600-800

2377

Longines: A 9 Carat Gold Wristwatch, signed Longines, 1960, (calibre 19.4) manual wound lever movement signed and numbered 11146478, silvered dial with baton markers, seconds dial, case with snap-on back and stamped inside Baume DS&S, numbered 13260, London hallmark for 1960, with a later 9 carat gold bracelet, with Longines box

33mm wide

£600-800

2378

Omega: A 9 Carat Gold Wristwatch, signed Omega, 1959, (calibre 267) manual wound lever movement signed and numbered 16826306, silvered dial with Arabic and dagger markers, seconds dial, case with snap-on back stamped inside Omega Watch Co Dennison, numbered 13339 928286, Birmingham hallmark for 1959, with Omega box 34mm wide

£250-300

2379

Jaeger Le Coultre: A Gold Plated Automatic Calendar Centre Seconds Alarm Wristwatch, signed Jaeger LeCoultre, model: Memovox, 1960’s, lever movement, silvered dial with baton markers, date aperture, central alarm disc, case back numbered 1200272 P 38mm wide

£500-700

2380

Omega: A Stainless Steel Centre Seconds Wristwatch, signed Omega, ref: 136.0104, 1978, (calibre 1030) manual wound lever movement signed and numbered 41484914, silvered dial with baton markers, date aperture, case with snap-on back, inside back cover stamped Omega Watch Co and numbered 1360104, Omega steel buckle, with Omega box and International guarantee booklet 35mm wide

£300-400

2381

National Watch Co: An 18 Carat Gold Single Push Chronograph Wristwatch, signed National Watch Co, Chaux De Fonds, 1920’s, manual wound lever movement, enamel dial with Arabic numerals, outer red tachymeter scale, outer fifth of seconds track, two dials for seconds and 30 minute register, case with hinged lugs, single push button located below 6, hinged back cover stamped inside K18 and numbered 1256 7500

40mm wide

£400-600

2382

Rolex: A 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, Precision, model: Oyster, ref: 6022, 1950, (calibre 710) manual wound lever movement signed, movement with a Patented Superbalance, silvered dial with Arabic and dagger markers, outer fifth of seconds track, case screw back with an engraved inscription, case serial number 753745, inside back cover stamped Rolex Geneva Swiss RWC.Ltd and numbered 753745 6022, Glasgow import mark for 1950, convention mark 0417-10k 34mm wide

£800-1,200

2383

Jaeger LeCoultre: A Stainless Steel Centre Seconds Alarm Wristwatch, signed Jaeger LeCoultre, model: Memovox, 1960’s, (calibre K814) manual wound lever movement signed and numbered 1476362, silvered dial with Arabic and dagger markers, central alarm disc, case with snap-on back numbered 755087, inside back cover stamped LeCoultre Co Swiss 36mm wide

£500-700

2384

Movado: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Movado, model: Tempomatic Sport, ref: 7112, 1950’s, (calibre 221) lever movement signed and numbered 9090, bumper automatic rotor, silvered dial with Arabic and dagger markers, case with screw back, inside back cover stamped Movado Factories Switzerland and numbered A23711216159, case maker’s mark FB (François Borgel) 33mm wide

£100-200

2385

Omega: A Plated and Steel Calendar Centre Seconds Wristwatch, signed Omega, model: De Ville, ref: 7420, 1990’s, quartz battery movement, silvered dial with Roman and baton markers, date aperture, case with snap-on back and De Ville logo, case numbered 53185620, Omega strap and Omega plated buckle, with Omega boxes, International guarantee card and booklets 33mm wide

£150-200

2386

Zenith: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Zenith, model: Auto Sport 28800, ref: GR720001, circa 1970, (calibre 2562PC) 28800vph lever movement signed, silvered dial with baton markers, eccentric date aperture, tonneau shaped case with a screw back numbered 01-1114-290, Zenith steel buckle, with Zenith box 36mm wide

£400-500

2387

Omega: A Lady’s 9 Carat Gold Wristwatch, signed Omega, 1968, (calibre 620) manual wound lever movement signed and numbered 25951793, adjusted to two positions, champagne coloured textured dial with baton markers, case with snap-on back stamped inside Omega Watch Co and numbered 7115531, London hallmark for 1968, Omega 9 carat gold textured integral bracelet

19mm wide

£350-450

2388

Omega: A Steel and Gold Capped Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168.004, 1962, (calibre 562) lever movement signed and numbered 19433370, adjusted to five positions and temperature, silvered dial with Arabic and baton markers, date aperture, case with screw back and Constellation logo, inside back cover stamped Omega Watch Co and numbered 168.004, with Omega

Constellation box

36mm wide

£300-500

2389

Longines: A Plated Wristwatch, signed Longines, model: La Grande Classique de Longines, ref: L4.709.2, circa 2003, quartz battery movement, silvered dial with baton markers, case back signed and numbered 31276112, Longines plated bracelet with a concealed double deployant clasp, with Longines box, International guarantee card, booklet, service paperwork from 09/10/2020 and five spare bracelet links

33mm wide

£200-300

2390

Rolex: A 9 Carat Gold Wristwatch, signed Rolex, Precision, 1962, manual wound lever movement signed and numbered N743057, silvered dial with Arabic numerals, seconds dial, case with snap-on back stamped inside DS&S, numbered 19023 and a London hallmark for 1962, Rolex 9 carat gold textured integral bracelet

33mm wide

£900-1,200

2391

Vacheron: A Lady’s 18 Carat Gold Centre Seconds Wristwatch, signed Vacheron & Constantin, Geneve, 1940’s, (calibre V466) manual wound lever movement signed and numbered 458878, adjusted to temperatures, champagne coloured dial with Roman and dagger markers, case with a snap-on back and stamped inside Vacheron Constantin Swiss and numbered 303527, convention mark 18k0.750

26mm wide

£400-500

2392

Omega: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster De Ville, 1960’s, lever movement, dark blue dial centre with a silvered outer chapter ring with baton markers, date aperture, case back with Seamaster logo, Omega stainless steel bracelet with a deployant clasp

35mm wide

£300-400

2393

Rolex: A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Precision, model: Oyster, ref: 6426, 1969, (calibre 1225) manual wound lever movement signed and numbered 8237, silvered dial with baton markers, case with screw down crown, screw back stamped inside Montres Rolex S.A Geneva Switzerland, dated IV69 and 6426, case serial number 2250552

34mm wide

£400-600

2394

Tag Heuer: A Stainless Steel Calendar Chronograph Wristwatch, signed Tag Heuer, Professional 200m, model: Formula 1, 1990’s, (calibre ETA 251.262) quartz battery movement signed, black dial with luminous Arabic markers, seconds dial and two chronograph register dials, eccentric date aperture, case with buttons in the band to operate chronograph, rubber 60 minute scale rotating bezel, protected screw down crown, screw back signed and marked Official Timekeeper of the FIA F1 World Championship, Tag Heuer rubbed strap and steel buckle, with Tag Heuer boxes and booklet

36mm wide

£200-300

2395

Omega: A Stainless Steel Automatic Calendar Centre Seconds “Pie Pan” Dial Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 14393-61 SC, 1961, (calibre 561) lever movement signed and numbered 18311565, adjusted to five positions and temperature, silvered “pie pan” edged dial with baton markers, date aperture, case with screw back and Constellation logo, inside back cover stamped Omega Watch Co, case maker’s mark C.B (La Centrale Boites), and numbered 14393 61 SC

34mm wide

£600-800

2396

Bulgari: A Lady’s Stainless Steel Wristwatch, signed Bulgari, model: B.Zero1, ref: BZ 22 S, 2000’s, quartz battery movement, black dial with triangle hour markers, case bezel with Bulgari signature, back cover signed and numbered D191512, Bulgari stainless steel bracelet, with Bulgari pouch 23mm wide

£200-300

2397

Omega: A Gold Plated Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168017 SP, 1971, (calibre 564) lever movement signed and numbered 33079684, adjusted to five positions and temperature, silvered dial with baton markers, date aperture, tonneau shaped case with a screw back and Constellation logo, inside back cover stamped Omega Watch Co, case maker’s mark KB (Bielna SA) and numbered 168017 SP, Omega gold plated bracelet with deployant clasp dated 11-70 and numbered 1040 No12, with Omega International guarantee paperwork 35mm wide

£300-500

2398

Omega: A Lady’s 9 Carat Gold Wristwatch, signed Omega, 1974, (calibre 485) manual wound lever movement signed and numbered 34993633, silvered dial with baton markers, case with snap-on back and stamped inside Omega Watch Co and numbered 7115639, London hallmark for 1974, Omega 9 carat gold integral bracelet, Omega box

18mm wide

£350-450

2399

Longines: A 9 Carat Gold Automatic Calendar Centre Seconds Wristwatch, signed Longines, 1978, (calibre L633.1) lever movement signed and numbered 53702521, champagne coloured dial with baton markers, date aperture, case with snap-on back stamped inside Baume DS&S and numbered 14392, London hallmark for 1978, Longines 9 carat gold mesh integral bracelet

34mm wide

£500-700

2400

Bedat: A Lady’s Stainless Steel Wristwatch, signed Bedat & Co, Geneve, model: No.3, ref: 304, circa 2005, quartz battery movement, engine turned silvered dial with Roman and diamond set hour markers, Bedat & Co secret signature at 8, tonneau shaped case back cover secured by four screws and numbered 6224, Bedat & Co stainless steel bracelet with a deployant clasp, with Bedat & Co boxes and guarantee booklet 24mm by 27mm

£150-250

2401

2402

Tag Heuer: A Stainless Steel Automatic Calendar Wristwatch, signed Tag Heuer, model: Carrera Calibre 6, ref: WAR2110, 2000’s, (calibre 6) lever movement signed, black dial with Arabic numerals, seconds dial, date aperture at 6, case with glazed screw back numbered WAR2110 EWV9033, Tag Heuer stainless steel bracelet with concealed deployant clasp (one end link missing) 39mm wide

£600-800

2403

Omega: A Lady’s 9 Carat Gold Wristwatch, signed Omega, 1965, (calibre 620) manual wound lever movement signed and numbered 22125186, adjusted to two positions, silvered dial with baton markers, case with snap-on back and stamped inside Omega Watch Co and numbered 7115500, London hallmark for 1965, Omega 9 carat gold integral bracelet, with Omega boxes and International guarantee booklet 19mm wide

£200-300

2404

Raymond Weil: A Lady’s Bi-Metal Calendar Wristwatch, signed Raymond Weil, Geneve, model: Parsifal, ref: 9440, circa 2010, quartz battery movement, mother of pearl dial with Roman numerals, date aperture, case with synthetic sapphire set crown, case back numbered V923536 and secured by four screws, Raymond Weil bracelet with a concealed double deployant clasp, with Raymond weil International guarantee card/booklet

28mm wide

£100-150

2405

Longines: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Longines, model: Conquest, ref: 1571.1.633, 1970’s, (calibre L633.1) lever movement signed and numbered 52693187, grained finish grey dial with baton markers, date aperture, tonneau shaped case, screw back numbered 17534054, inside back cover stamped Longines and numbered 633 1571 4, stainless steel bracelet with deployant clasp, with Longines boxes 37mm wide

£250-350

2406

Omega: A 9 Carat Gold Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster De Ville, ref: 1665020, circa 1968, lever movement, silvered dial with baton markers, date aperture, case back with Omega Seamaster logo, Omega strap and Omega gilt metal buckle, with Omega boxes, International guarantee booklet and card holder

35mm wide

£400-500

2407

Raymond Weil: A Bi-Metal Automatic Day Date Centre Seconds Wristwatch, signed Raymond Weil, Geneve, model: Parsifal, ref: 2844, circa 2008, (calibre ETA 2834-2) lever movement signed, mother of pearl dial with Roman numerals, day/date apertures, case with synthetic set crown, glazed back cover numbered V601448, Raymond Weil bracelet with a concealed double deployant clasp, with Raymond Weil box, guarantee card/booklet and purchase receipt 39mm wide

£200-300

2408

Omega: A Plated Electronic Chronometer Calendar Centre Seconds Wristwatch, signed Omega, F300Hz Chronometer, model: Geneve, ref: 198.030, 1973, (calibre 1250) electronic battery tuning fork movement signed and numbered 36925768, champagne coloured dial with baton markers, date aperture, tonneau shaped case with a stainless steel screw back and stamped inside Omega Watch Co and numbered 198.030, Omega gilt metal buckle, with Omega boxes and instruction booklet

38mm wide

£200-300

2409

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168.0062, 1970’s, lever movement, silvered dial with baton markers, date aperture, case back with Constellation logo, case number 368.0855, Omega stainless steel bracelet with a deployant clasp numbered 1235/226, with Omega box

37mm wide

£500-700

2410

Hornby: An 18 Carat Gold Open Faced Lever Centre Seconds Pocket Watch, signed Richard Hornby, 41 Pool Lane, Liverpool, 1836, single chain fusee lever movement signed and numbered 24218, diamond endstone, enamel dial with Roman numerals and signed, case with scroll and floral decorated band, back cover with a central engraved family crest, inside case back stamped TEHF and Chester hallmark for 1836

51mm wide

£1,200-1,500

2411

Omega: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Omega, model: De Ville, circa 1998, quartz battery movement, silvered dial with Roman and baton markers, date aperture, snap-on back with De Ville logo and numbered 56058008, Omega stainless steel integral bracelet with deployant clasp, with Omega box, International Warranty card, booklets, purchase receipts and three spare bracelet links 33mm wide

£150-200

2412

Rolex: A 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, Precision, 1960, (calibre 1210) manual wound lever movement signed and numbered 83018, silvered dial with Arabic numerals, case with snap-on back and engraved with a presentation inscription, inside back cover stamped DS&S, numbered 10487 and a London hallmark for 1960 35mm wide

£300-400

2413

A Selection of Wristwatch Boxes, comprising of, by Patek Philippe, Two Cartier, Two International Watch Company, Hublot, Cartier Pouch, Chopard, Girard Perregaux Ferrari, Jaeger LeCoultre, Audemars Piguet, Vacheron & Constantin, Laco and Favre-Leuba, (14)

£100-200

2414

Breitling: Three Breitling Watch Advertising Shop Display Signs, comprising of, a Breitling yellow ground sign with chrome plated P51 Mustang airplanes in formation, 62cm by 48.5cm, a Breitling brown ground with plastic moulded square shaped panels depicting fighter jets, 65cm by 60cm, and a Breitling plastic embossed sign of the Breitling-Cap 232 Patrick Paris, 62.5cm by 89cm, (3)

£200-300

2415

An 18 Carat Gold Digital Display Pocket Watch, circa 1910, manual wound lever movement, enamel dial with a central recessed silvered dial with hour and minute apertures and a sub seconds dial, inside back cover stamped with maker’s mark of a sphinx, numbered 901333 and 18k, cuvette with an engraved inscription, with fitted box, inside box lid stamped Albert Mayer & Cie Bijouterie Horlogerie St MoritzLuzern-Davos

50mm wide

£400-500

2416

Omega: A Lady’s 18 Carat Gold Wristwatch, signed Omega,1964, (calibre 484) manual wound lever movement signed and numbered 22781935, silvered dial with baton markers, case with snap-on back and stamped inside Omega Watch Co and numbered 7115683, London hallmark for 1964, Omega fancy link 18 carat gold bracelet 16mm wide

£600-800

2417

Baume Mercier: An 18 Carat Gold Wristwatch, signed Baume Mercier, Geneve, 1960’s, (calibre 200) manual wound lever movement signed, silvered dial with baton markers, seconds dial, case with a snap-on back stamped 18k and numbered 3555, inside back cover stamped Baume & Mercier

Geneve Swiss and convention mark

18k0.750 35mm wide

£500-700

2418

Omega: A Gold Plated Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster Calendar, ref: 2849-4 SC, circa 1956, (calibre 503) lever movement signed and numbered 15230463, black dial with dagger markers, date aperture, gold plated case with a snap-on steel back stamped Seamaster, inside back cover stamped Omega Watch Co and numbered 2849-4 SC 34mm wide

£200-300

2419

Viner: An Unusual Large Silver “Patentee” Alarm Watch, signed Viner, London, 1819, single chain fusee lever movement signed Viner Patentee New Bond Str & Royal Exchange London, hammer striking a bell for the alarm, enamel dial with Roman numerals and signed Viner Patentee London, central alarm hand, case back with a central engraved family crest, alarm hand set by the pendant, inside back cover with London hallmark for 1819, cuvette with finely pieced sound fret outer border 73mm wide

£1,000-1,500

2420

Omega: A 9 Carat Gold Automatic Centre Seconds Wristwatch, signed Omega, model: Seamaster, ref: 165.5003, 1963, (calibre 552) lever movement signed and numbered 20656920, silvered dial with baton markers, case screw back with Seamaster logo, back cover stamped inside Omega Watch Co, numbered 1655003 268682, Birmingham hallmark for 1963 34mm wide

£250-350

2421

Hamilton: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Hamilton, model: Jazzmaster, ref: H324111, circa 2022, quartz battery movement, black and grey coloured dial with Arabic and dagger markers, date aperture, case back signed and numbered KHA BE0 GER, Hamilton strap and steel buckle, with Hamilton boxes, blank Warranty card and Instruction booklet 38mm wide

£200-300

Valuations for Insurance, Probate and Family Division

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 20% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platformTennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a)authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(b)confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Jewellery

Coloured Stones. It should be noted that gemstones are often treated to improve their appearance. Heating, for instance, can intensify the colour or transparency of sapphires and rubies, whilst oiling can improve the clarity of emeralds. The international jewellery trade generally accepts these methods. Once heated, the colour enhancement is permanent, though there may be some effect on the durability of the gemstone in question. Once a gemstone has been oiled, the process may need to be repeated in the future to maintain the clarity.

Certificates. Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular piece. These certificates may have been obtained by Tennants or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Tennants and we cannot be held responsible for any disagreement over the content of certificates after the sale or for a retrospective change in opinion by the providers of any of the certificates.

Watches

All Lots are sold as seen, and the absence of any reference to the condition of a watch does not imply the lot is in good condition and without defects, repairs or restorations. Most watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. We do not undertake any inspection of any watches prior to any Sale. We make no representation or warranty that any watch is in working order. As watches often contain fine and complex mechanisms, Prospective Buyers should be aware that a general service, change of battery or further repair work, for which they are solely responsible, may be necessary.

CITES Regulations/Ivory Act 2018

CITES-restricted items and Ivory Exempt items will be accompanied by a current CITES Article 10 licence/Ivory Exemption Declaration where applicable and the licence/exemption declaration number will be displayed within the original catalogue description (required by UK law). Both CITES Article 10 licences and Ivory Exemption Declarations are non-transferable and buyers must apply for a new Article 10 licence/Ivory Exemption Declaration in their name if they wish to sell to a third party.

It is the sole responsibility of the buyer and/or contracted shipping agent to have in place the correct CITES re-export and import licences into the buyer’s chosen country before shipping can be undertaken.

CITES regulations are given on www.ukcites.gov.uk or may be obtained from:

The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Method of Payment

Payment is accepted online via our website.

Card payments where the cardholder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

FORTHCOMING VALUATION EVENTS

Thursday 1 May

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Jewellery

Monday 19 May

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Watches

Wednesday 21 May

Lytham Hall, Ballam Road, Lytham FY8 4JX

Jewellery & Watches

Thursday 22 May

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Jewellery

Tuesday 3 June

St Mary's Church, Beverley HU17 8DL

Jewellery

Tuesday 10 June

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Jewellery

Tuesday 1 July

Leighton Hall, Carnforth LA5 9ST

Jewellery & Watches

Thursday 3 July

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Jewellery

Tuesday 29 July

The Bar Convent

York YO24 1AQ

Jewellery & Watches

NEXT JEWELLERY, WATCHES & SILVER SALE

SATURDAY 13 SEPTEMBER 2025

2025 AUCTION DATES

Wednesday 7 May

Coins & Banknotes

Friday 9 May

Antiques & Interiors to include a section of Silver

Wednesday 14 May

Scientific & Musical Instruments, Cameras & Tools

Friday 16 May

Country House – Day 1

Saturday 17 May

Country House – Day 2

Jewellery, Watches & Silver

Friday 23 May

Antiques & Interiors

to include Affordable Modern & Contemporary Art

Friday 23 May

Fashion, Costume & Textiles

Wednesday 4 June

Stamps, Postcards & Postal History

Friday 6 June

Antiques & Interiors to include a section of Silver

Saturday 14 June

20th Century Design

Modern & Contemporary Art

Friday 20 June

Antiques & Interiors to include Beswick & Border Fine Art

Wednesday 25 June

Militaria & Ethnographica