Modern & Contemporary Art - 2 March

MODERN & CONTEMPORARY ART

SATURDAY 2 MARCH 2024

MODERN & CONTEMPORARY ART

SATURDAY 2 MARCH 2024 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Thursday 29 February 10.00am to 4.00pm

Friday 1 March 10.00am to 4.00pm

Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk

All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 602

BACK COVER Lot 510

MODERN & CONTEMPORARY ART DEPARTMENT

In line with rising interest with this area of visual culture, Tennants offer a wide range of examples by artists and movements from the 20th century through to the present day.

Yorkshire Pictures and Northern Art

Tennants is the leading auction house in the North of England representing and promoting high calibre and varied examples from this genre of artists. The importance of our local consigners and collectors, as well as those works sourced and sold from further afield, is testament to the notable reputation held by the Department.

The Picture Department is proud to have successfully represented many important living artists and artists’ estates from the North, including Norman Cornish, Peter Brook, John Ridgewell, Marie Walker Last, Karl Torok, Sally Arnup and Raymond Booth, to name but a few, and we continue to build new and lasting relationships with numerous living artists and estates.

YOUR SPECIALISTS

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major discipliners, making it one of the UK’s busiest salerooms.

Francesca Young Modern & Contemporary Art Specialist

Charlotte Conboy Consultant

Alice Milverton Trianee Picture Specialist

500 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Level Crossing”

Signed, a colour reproduction, 49cm by 58cm

£1,500-2,000

501 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Fever Van”

Signed, a colour reproduction, 45cm by 53cm

£1,500-2,000

502 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“People Standing About”

Signed twice, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 35cm by 53cm

£700-1,000

503 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

‘’His Family’’

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 55cm by 72cm

£1,200-1,800

504 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Self Portrait”

“The Artist’s Mother”

“The Artist’s Father”

Each signed, a colour reproduction, 33.5cm by 25cm (3)

£400-600

504 (part)

503

502

505

505 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Pond”

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 46.5cm by 58cm

£2,000-3,000

506 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Britain at Play”

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 60cm

£2,000-3,000

and numbered 22/75, lithograph,

507 ✓

Laurence Stephen Lowry RBA, RA (1887-1976)

“A Hillside” (1967)

Signed

50cm by 63.5cm £6,000-8,000

507

The next three works were given by Lowry to Ruth and Neville Blakey of Pendle, Lancashire, longstanding friends of the artist. Mr Blakey first met L.S. Lowry in the late 1950s, when the artist took a clock for repair in the Blakey’s business premises. During his first visit Lowry did not reveal his identity, however, by the time he went to collect the clock Mr Blakey had realised who the great man was and the pair, who had a mutual interest in collecting clocks, struck up a lasting friendship.

508 ✓

Laurence Stephen Lowry RBA, RA (1887-1976)

Street scene with dogs

Initialled, signed and inscribed “31 December 1963”, biro, 9.5cm by 16cm

The work forms part of Mr Neville Blakey’s autograph book and is sold together with a further key book, which details on p.87 that “This delightful sketch was drawn in the drawing room at “West View”, Burnley. He [Lowry] visited us here […] and we made return visits on many occasions to his house at Mottram in Longdendale. He always enjoyed coming and being with the children, whom he watched growing up. He was a most kind person…” before describing the exchanges of their first meeting and subsequent friendship, as well as the two gifts received “the pencil sketch of 7 figures […] and the larger sketch of 8 figures” - Lots 509 and 510 £4,000-6,000

508

✓

Laurence Stephen Lowry RBA, RA (1887-1976)

“Group of Children” (1966)

Signed and dated 1966, inscribed verso and dedicated “To Mr and Mrs Neville Blakey”, pencil, 21cm by 19.5cm

Provenance: A gift from the artist to Mr and Mrs Neville Blakey

Thence by descent

Sold together with letters of correspsondence between LS Lowry and Mr Blakey £12,000-18,000

509

509

510 ✓

Laurence Stephen Lowry RBA, RA (1887-1976)

Figures young and old (1969)

Signed and dated 1969, pencil, 42cm by 29.5cm

Provenance: A gift from the artist to Mr and Mrs Neville Blakey

Thence by descent

Sold together with letters of correspsondence between LS Lowry and Mr Blakey

£40,000-60,000

510

511 ✓

Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023) “Salford Buildings, Broad Street”

Signed and inscribed verso, oil on board, 66cm by 53cm £5,000-8,000

511

Harry Rutherford (1903-1985)

Signed, oil on board, with figurative pencil sketches verso, 41cm by 50.5cm (unframed)

£600-800

513

Circle of Harold Workman NEA, RA, ROI, RBA (1897-1975)

St Paul’s, London

Initialled HRW, oil on board, 37cm by 49cm £300-500

514 ✓

Mary Krishna (1909-1968)

“Stanhope Mews, Kensington”

Oil on canvas, 59cm by 49cm

£300-500

512 ✓

“Hyde”

514

513

512

515 ✓

Stuart Walton (b.1933)

“Brontë Parsonage, Haworth”

Signed and dated (19)78, oil on canvas board, 55cm by 39cm

£400-600

516 ✓

Stuart Walton (b.1933)

“Back Westgrove Street, Bradford”

Signed and dated (19)72, pencil, 39cm by 28.5cm

Provenance: Sands Gallery, Harrogate

£200-300

517 ✓

Tom McGuinness (1926-2006)

“Shifts That Pass In The Night”

Signed and dated (19)96, inscribed and numbered 22/50, etching, 18cm by 14.5cm

£100-150

516

515

517

518 ✓

Norman Stansfield Cornish MBE (1919-2014)

“Pit Road”

Signed, felt tip and ink, 15.5cm by 22cm

Provenance: The Stone Gallery, Newcastle upon Tyne £400-600

519 ✓

Norman Stansfield Cornish MBE (1919-2014)

“Troubled Man”

Signed, pen ink and watercolour, 21.5cm by 27.5cm

Provenance: The Stone Gallery, Newcastle upon Tyne £800-1,200

520 ✓

Norman Stansfield Cornish MBE (1919-2014)

“The Archway”

Signed, oil on board, 25cm by 45cm

Provenance: The Stone Gallery, Newcastle upon Tyne £1,000-1,500

520

519

518

Street with horse and cart

Signed twice, flomaster pen, 20cm by 27.5cm

£1,000-1,500

Miners trudging to work on the pit road

Signed, flomaster pen, 19cm by 27.5cm

£1,500-2,000

521 ✓ Norman Stansfield Cornish MBE (1919-2014)

522 ✓ Norman Stansfield Cornish MBE (1919-2014)

522

521

David Wilders (Contemporary)

Castleford born David Wilders began work at Fryston Colliery, West Yorkshire in 1976. He trained as a mining craft apprentice, coal-face worker and became a colliery Deputy in 1983. Along with painting, he enjoys experimenting with different methods of print-making. His work is greatly influenced from his underground memories and experiences in the coalmines. He has a strong theme of industrial landscape, mixing the northern landscapes of mines, factories, terrace housing, mills, and finding inspiration from his home town. David’s work can be regularly seen at the National Mining Museum, Wakefield and the Mining Art Gallery, Bishop Auckland.

523

David Wilders (Contemporary)

“Conflict 1984-5”

Signed and dated 2023, inscribed and numbered 2/10, linocut, 43cm by 13cm

This linocut was made to commemorate the 40th anniversary of the 1984 mining strike.

£120-180

524

David Wilders (Contemporary)

“Headgear III”

Signed and dated 2023, numbered 11/100, linocut and watercolour, 33cm by 23.5cm

£100-150

525

David Wilders (Contemporary)

“Last Inspection”

Signed and dated (20)23, inscribed verso, oil on board, 29.5cm by 24cm

£200-300

526

David Wilders (Contemporary)

“Collier”

Signed, inscribedverso and dated 2014, mixed media, 57cm by 40cm

£200-300

523

526

525

524

Signed, charcoal, 138cm by 140cm

Provenance: Raab Gallery, Berlin £2,500-3,000

Signed and numbered 60/500, lithograph, 35.5cm by 50cm

527 ✓ Ken Currie (b.1960) Scottish “The Crane Driver”

528 ✓ Trevor Grimshaw (1947-2001) “Ribblehead Viaduct”

£150-250

528

527

529 ✓

Maurice A Wade (1917-1991)

“Road Through Sneyd”

Oil on board, 90cm by 136cm

Exhibited: The Potteries Museum & Art Gallery, Stoke-on-Trent

The road depicted divided the site of Sneyd Colliery and Brick Works, Burslem, Stoke-on-Trent, with the spoil heap in the distance. By the 1970s both the Colliery and Brick Works had closed. Since then the area has been extensively redeveloped. The spoil heap has been reduced in height and incorporated into Sneyd Hill Park.

£2,000-3,000

529

Peter Brook RBA (1927-2009)

“Procession”

Oil on canvas, 52cm by 59cm

Exhibited: Agnew’s, London, 1970

£4,000-6,000

Figures before a mill town

Oil on board, 48cm by 60cm

Provenance: The artist’s family £1,500-2,500

530 ✓

531 ✓

Geoffrey W Birks YWS (1929-1993)

530

531

Figures and dogs in a Winter landscape

Signed and inscribed “Ann”, oil on canvas, 59.5cm by 90cm £7,000-10,000

532 ✓

Brian Shields ‘Braaq’ FBA (1951-1997)

532

Brian Shields ‘Braaq’ FBA (1951-1997)

Self-portrait of Braaq and two friends

Signed and dated (19)75, pencil and watercolour, 18.5cm by 13cm £1,500-2,500

‘’Rounding the Corner”

Signed, inscribed verso, pastel, 47cm by 38cm £700-1,000

533 ✓

534 ✓

Mackenzie Thorpe (b.1956)

Lot 534

Lot 533

Steven

“Whitechapel, London, 1958”

Signed, inscribed verso, oil on canvas, 29.5cm by 40cm £300-500

Steven Scholes (b.1952)

“Tower Bridge, London, 1958”

Signed, inscribed verso, oil on canvas, 19cm by 37cm £200-300

535

Scholes (b.1952)

536

536

535

537 ✓

Sue Atkinson (1949-2021)

“Day Out, Trafalgar Square”

Signed, oil on canvas board, 24cm by 29.5cm £250-400

538 ✓

Don McKinlay (1929-2017)

“A Thoughtful Moment Rawtenstall Market”

Initialled, inscribed verso, oil on board, 28cm by 40cm £200-300

539 ✓

Roger Eastwood (1942-2013)

Manchester Town Hall

Signed and dated 1994, oil on canvas board, 43cm by 50cm £400-600

539

538

537

“Church with Moon”

Signed, oil on canvas, 55cm by 60cm

Provenance: Page Fine Art, London

£1,000-1,500

540 ✓

Fred Uhlman (1901-1985)

540

“

Signed and inscribed verso, oil on panel, 122cm by 60cm

Exhibited: Jake Attree, Messum’s, London, 2013, no. 35 £1,000-1,500

542 ✓

Jake Attree (b.1950)

“The Minster seen from the Mansion House Roof”

Oil on canvas, 120cm by 150cm £1,500-2,500

541 ✓

Jake Attree (b.1950)

The Pele Tower”

542

541

543 ✓

John Northcote Nash CBE, RA (1893-1977)

“Storm Arising”

Signed and inscribed, pencil and watercolour, 18cm by 25.5cm

£700-1,000

Ralph* (20th Century)

Birdlike form in a landscape

Indistinctly signed and dated (19)58, mixed media, 30cm by 42.5cm

£150-250

545 ✓

George James Drought (b.1940)

“Hulkon Gorumma Island Two, County Galway”

Signed and dated (19)70, inscribed verso, mixed media, 23cm by 33cm (unframed)

£150-250

544

545 544

543

546 ✓

John Egerton Christmas Piper CH (1903-1992)

“Vaux le Vicomte” (1972)

Signed and numbered 12/70, lithograph, 59.5cm by 87.5cm

Provenance: Goldmark Gallery, Rutland £500-700

547 ✓

Sir Matthew Smith CBE (1879-1959)

“Hilly Landscape”

Initialled, watercolour, 26.5cm by 37.5cm

Provenance: Christie’s, London, “Modern British Paintings, Drawings and Sculpture”, 14 November 1975, lot 2

£800-1,200

547

546

Cheong Soo Pieng (1917-1983) Singaporean Harbour scene

Signed and dated (19)53, pencil and watercolour, 36.5cm by 54cm

Provenance: Purchased in Bali while the vendor’s parents were on honeymoon in 1954

Thence by descent

£3,000-5,000

548

548

549 ✓

William Black (20th Century) “Shells & Stones”

Signed, inscribed and dated (19)65, ink and wash, together with a further work by the same hand “Seashells”, 17cm by 12cm (2)

£150-250

550 ✓

William Black (20th Century) “Moorings”

Signed, inscribed and dated (19)68, ink and wash, together with a further work by the same hand depicting boats, 17cm by 12cm (2)

£150-200

549

550

551 ✓

William Black (20th Century)

“Landscape Creatures”

Signed, inscribed and dated (19)66, patinated copper alloy, 12cm high £200-300

552 ✓

William Black (20th Century)

Abstract Form

Signed and dated (19)63, patinated copper alloy, 56.5cm high £300-500

553 ✓

William Black (20th Century)

“Standing Form”

Signed, inscribed and dated (19)66 to base, patinated copper alloy on a wooden base, 23.5cm high

£300-500

551

551

552

William

“Twilight Reflections”

Signed, inscribed and dated (19)70, mixed media on board, 34cm by 47.5cm

£200-300

William Black (20th Century)

“Night Flying”

Signed, inscribed and dated (19)69, ink and wash, together with a further work by the same hand “Midsummers Day”, 28cm by 19cm (2)

£250-400

William Black

“Harbour Abstract”

Century)

Signed, inscribed and dated (19)71, mixed media on board, 33cm by 42cm

£200-300

554 ✓

555 ✓

Black (20th Century)

556 ✓

(20th

555556

554

Signed, stamped Fonderie Citterio verso, bronze mounted on board, 33cm by 33cm (overall size including board) £500-700

557 ✓

George Pickard (1929-1993)

Broken Bowl

Bronze on a wooden base, 60cm high (including base) £500-700

558

557

558 ✓

Mario Pinton (1919-2008) Italian “Il Volo” (1968)

559 ✓

After Joan Miró (1893-1983) Spanish “Lithograph VII” (1972)

Signed and inscribed EA, lithograph, 48.5cm by 30.5cm

Provenance: Stockeld Park, Yorkshire £500-700

560 ✓

After Patrick Heron (1920-1999)

“Screen Print (1973)” Design Research Christmas card

Signed and dated (19)73, screenprint, together with six further Christmas cards by other hands, to include “Lower Marsh, Winter ’81” after Ian David Baker, “Glass 2 (From there) 1971” after Robyn Denny, “Striped Hills” after Lucienne Day, “For John Constable” after Patrick Caulfield, “Autumn Charm” after Lau Man Mi, “Untitled” after John Hoyland, each in a dedicated envelope, 23.5cm by 32.5cm and various other sizes (7) (unframed) £200-300

560 (part)

559

561 ✓

Victor Pasmore CH, CBE (1908-1998)

“Points of Contact” (1981)

Signed and numbered 89/100, screenprint, 73cm by 53.5cm £500-800

562 ✓

David Blackburn (1939-2016)

“Desert Orange”

Signed and dated 1979, pastel and collage, 37cm by 39cm

Exhibited: “David Blackburn”, Messum’s, London, no. 10 £300-500

561

562

564 ✓

David Blackburn (1939-2016)

“Summer Walk, Marsden”

Signed and dated 1999, pastel, 47cm by 38cm

Exhibited: “David Blackburn, Works from the Studio Estate”, 2017, Messum’s, no. 21

£500-700

563 ✓

David Blackburn (1939-2016)

“New York Architectural”

Signed and dated 1983, pastel, 39cm by 32cm

£300-500

565 ✓

David Blackburn (1939-2016)

“Trees at the Water - Winter”

Signed and dated 2001, pastel, 49cm by 37.5cm

Exhibited: “David Blackburn, Works from the Studio Estate”, 2017, Messum’s, no. 25

£400-600

564

563

566 ✓

David Blackburn (1939-2016)

“Across the Viaduct”

Signed and dated 2005, pastel, 49.5cm by 37.5cm £400-600

567 ✓

David Blackburn (1939-2016)

“Sunset Edge of the Moors”

Signed and dated 2005, pastel, 49.5cm by 38cm

Exhibited: “David Blackburn, Works from the Studio Estate”, 2017, Messum’s, no. 36 £400-600

567

566

568 ✓

Marie Walker Last (1917-2017)

Abstract

Gouche, 36cm by 53.5cm

Exhibited: Women’s International Art Club, Exhibition of Graphic Art, London £250-400

569 ✓ Len Tabner (b.1946)

“The Shore South Gare: Driftwood Lying on the Sands” Signed, mixed media and collage on board, 56cm by 76cm £2,500-4,000

569

568

Norman Ackroyd CBE, RA (b.1938)

“Yesneby”

Signed and dated (19)96, inscribed and numbered 59/60, 25.5cm by 32cm

Provenance: Zillah Bell Gallery, Thirsk £200-300

“Footbridge, Whitby”

Signed, oil on canvas, 60cm by 90cm

£700-1,000

“Abstract Shapes, Yorkshire Coast”

Signed, charcoal and pastel, 27cm by 38cm £200-300

570 ✓

571✓

Lilian Colbourn (1897-1967)

572 ✓

Lilian Colbourn (1897-1967)

572

571

570

573 ✓ Lilian Colbourn (1897-1967) “Fishermen”

Signed, oil on canvas, 61cm by 51cm £250-400

574 ✓

Piers Browne (b.1949)

“August Morning: Upper Wensleydale”

Initialled, inscribed verso, oil on board, 21.5cm by 58cm £200-300

573 574

575 ✓

“Wensleydale Near Spennithorne”

Signed, oil on canvas, 35cm by 55cm £1,000-1,500

576 ✓

“West Tanfield”

Signed, oil on canvas, 34cm by 55cm £700-1,000

Anne Isabella Brooke (1916-2002)

Anne Isabella Brooke (1916-2002)

Leslie Marr (1922-2021)

“Yorkshire Dales towards Cray”

Signed and dated (20)02, signed and inscribed to stretcher verso, oil on canvas, 63.5cm by 76.5cm (unframed)

£150-250

Leslie Marr (1922-2021)

“Yorkshire, East Bolton Moor”

Signed and dated (19)72, signed, inscribed and dated verso, oil on canvas, 72cm by 91.5cm (unframed)

£150-250

577 ✓

578 ✓

578

577

579 ✓

John Miller (1931-2002)

“Landscape”

Signed and inscribed verso, oil on canvas, 76cm by 76cm

Provenance: New Craftsman Gallery, St Ives £600-800

580 ✓

John Miller (1931-2002)

“Atlantic Horizon with Flowers in a Vase”

Signed and inscribed verso, oil on canvas, 91cm by 86cm

Provenance: New Craftsman Gallery, St Ives £500-700

579

581 ✓

Tom Climent (b.1970) Irish “Scattered Light”

Signed verso, oil and plaster on canvas, 40cm by 40cm

Provenance: Solomon Fine Art, Dublin

Sold together with two exhibition catalogues, “Tom Climent: Land and Longing” and “Tom Climent; Everlast” £250-400

582

Darren Yeadon (b.1970)

Fish

Signed, Carrara marble, 21cm high £300-500

581

581

Darren Yeadon (b.1970)

Radiant Healing Stone

Signed, Preseli Bluestone, on a Carrara marble base, 112cm high (including base)

Preseli Bluestone, from the Preseli Hills in South-West Wales, was used to create the ancient Stonehenge. It is said to have magical powers and healing qualities.

£700-1,000

583

583

584 ✓

Sir William MacTaggart FRSE, RA, PPRSA (1903-1981) Scottish “La Logie” (1929)

Signed, oil on canvas, 54cm by 74cm

Provenance: The Collection of Donald McKay, Scotland

On loan to Kirkcaldy Art Gallery & Museum

Duncan R Miller Fine Arts, London

Thence by descent

Exhibited: “William MacTaggart”, Scottish National Gallery of Modern Art, Edinburgh, 1998

“Anne Redpath and the Edinburgh School”, Duncan R Miller Fine Arts, London, 2004.no.1

Born in Midlothian, MacTaggart was the grandson of the leading Scottish landscape artist William McTaggart. Having studied at Edinburgh College of Art from 1918-1921, he later returned to the capital to teach between 1933-1959, before becoming President of the Royal Scottish Academy for five years. He was interested in the use of colour as a way of expressing emotion and drew inspiration from French artists such as Georges Rouault as well as the works of Edvard Munch.

£5,000-7,000

584

Signed, oil on board, 47cm by 59cm £700-1,000

Signed, oil on board, 57cm by 72cm £800-1,200

585 ✓ Walter Goodin (1907-1992)

Bridlington Harbour

586 ✓ Walter Goodin (1907-1992)

Bridlington Harbour

585

“Les Martiques, South of France”

Signed, inscribed verso with sketch, oil on canvas, 34cm by 70cm £1,000-1,500

“The Moyen Corniche Road, French Riviera”

Signed, inscribed verso, oil on canvas, 50cm by 75cm £1,200-1,800

587 ✓

Cecil Rochfort D’Oyly John (1906-1993)

588 ✓

Cecil Rochfort D’Oyly John (1906-1993)

588

587

589 ✓

Cecil Rochfort D’Oyly John (1906-1993)

Flower Stall

Signed, oil on canvas, 21.5cm by 37cm £500-700

590 ✓

Cecil Rochfort D’Oyly John (1906-1993) Archway in a French coastal town Signed, oil on canvas, 41.5cm by 57cm £700-1,000 590

589

“Beach at Sanary”

Signed and dated (19)92, oil on canvas, 38.5cm by 49cm

£250-400

591 ✓ John Mackie (b.1953)

592 ✓ Lionel Bulmer (1919-1992)

“Beach Scene, Seaton Crew” Oil on board, 51cm by 61cm £700-1,000

591

592

593

Andrew Macara NEAC (b.1944)

“The Village Fountain, Samos, Greek Islands” Signed, oil on canvas, 64cm by 76cm £600-800

594

Andrew Macara NEAC (b.1944)

“Two Girls in Puglia, Italy” Signed, oil on canvas, 63cm by 76.5cm £600-800

593

Signed, oil on board, 28.5cm by 22cm

Signed, inscribed verso, oil on board, 72.5cm by 58.5cm

Provenance: Walker Galleries Ltd., Harrogate

597 and 598

No Lots

595

Jeremy Barlow ROI (1945-2020) “Doorway, Arles”

£300-500

596 ✓

Jeremy Barlow ROI (1945-2020) “Fleurs Apt”

£500-700

596

595

599 ✓

Antoine Blanchard (1910-1988) French “Paris, Porte St Denis”

Signed, oil on canvas, 30cm by 44cm

Provenance: Harrods, London

£1,500-2,500

600 ✓

Antoine Blanchard (1910-1988) French “Paris, Le Madeleine”

Signed, inscribed verso, oil on canvas, 44cm by 54cm

Provenance: Harrods, London

£2,000-3,000

600

599

601 ✓

Billie Waters (1896-1979)

“Back Gardens, Lelant”

Signed, inscribed verso, oil on board, 40cm by 50cm

£700-1,000

602 ✓

Billie Waters (1896-1979)

“The Pink Boat, St Ives”

Signed, inscribed verso, oil on panel, 29cm by 36cm

£800-1,200

602

601

603 ✓

David Eustace RBA (1950-2021)

‘’Contemplation, St Ives’’ (2002)

Signed, inscribed verso, oil on board, 56cm by 56cm

Provenance: Rowley Gallery, London £300-500

604 ✓

Simeon Stafford (b.1956)

Children and donkeys on a beach

Signed and dated 09.8.8, oil on board, with a further painting “Bumper Cars” to the reverse, 60cm by 89cm £1,000-2,000

604

603

605 ✓

Simeon Stafford (b.1956)

“The Band Stand”

Signed, inscribed verso, oil on canvas, 80cm by 80cm £700-1,000

607 ✓

James Fullarton (b.1946) Scottish “Study of Hens”

Signed, inscribed verso, oil on board, 24cm by 29.5cm

Provenance: Thompson’s Contemporary, London £400-600

606

Jonathan Armigel Wade (b.1960)

“The Quiet Land”

Signed, inscribed to label verso and numbered 2314 with the artist’s numbering system, oil on board, 20cm by 28.5cm £400-600

607

606

605

608 ✓

Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish “Langoustine” (2012)

Signed and numbered 42/50, etching, 39cm by 39cm

Provenance: Royal Academy Summer Exhibition, London £400-600

608

609 ✓

David Bomberg (1890-1957)

“Sappers at Work, Under Hill 60” (1919)

Ink and wash, 19cm by 12.5cm

This sketch was part of a series of works Bomberg created in commemoration of Canadian Soldiers who were commissioned to dig tunnels under the German trenches to lay explosives during World War I. Provenance: Collection of B Davies-Rees (the artist’s son-in-law) £1,000-1,500

609

“Players Resting, The Ghetto Theatre” Ink and wash, 26cm by 19.5cm

Provenance: Collection of B Davies-Rees (the artist’s son-in-law)

£1,000-1,500

610 ✓

David Bomberg (1890-1957)

610

✓

Frank Dobson CBE, RA (1886-1963)

‘’Study for ‘The Fount”

Mixed media, circa 1947, 38cm by 28cm

Provenance: Collection of Linda and Tony Kenyon

Jason & Rhodes, London

£1,000-1,500

Bareback rider

Signed, etching, 26.5cm by 13cm

£700-1,000

612 ✓

Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970)

611

612

611

613 ✓

Dame Laura Knight RA, RWS, PSWA (1877-1970)

Dancers

Signed, black ink, together with two further ink drawings by the same hand depicting other dancers and performers, 35cm by 24.5cm, 33.5cm by 26cm, 36cm by 26cm respectively (3) (unframed)

£300-500

614 ✓

Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970)

“The Cossack Act”

Initialled and dated 1935, coloured chalks, 26cm by 36cm £800-1,200

613 (part)

615 ✓

Josef Herman OBE, RA (1911-2000)

“Gathering Vines”, (circa 1960’s)

Ink and wash, 18cm by 22.5cm

Provenance: Ffin y Parc, Conwy £300-500

616 ✓

Roger Hilton CBE (1911-1975)

Untitled (1971)

Signed and dated (19)71, pencil, 20cm by 25cm

Provenance: Belgrave St Ives Modern & Contemporary Art, Cornwall £800-1,200

615

617 ✓

Patrick Hayman (1915-1988) Dancing ladies (1948)

Gouache on paper with an abstract watercolour study to the reverse, 9cm by 14cm £200-300

618 ✓

Hilde Goldschmidt (1897-1980) German Three women

Signed and dated (19)68, inscribed “for Wante with love”, woodblock print, 56cm by 40.5cm £150-250

619 ✓

After Marc Chagall (1887-1985) French/Russian “The Twelve Tribes of Israel” (1962)

Lithograph studies for the Jerusalem Windows, 80cm by 81cm (overall size)

Provenance: Goldmark Gallery, Rutland £500-700

617

619

618

620 ✓

Pablo Picasso (1881-1973) Spanish

“Combat de gladiateurs, avec spectateurs, et en bas, rappel de l’ Ecce Homo” (1970)

Signed and numbered 44/50, etching and aquatint, plate 19 from “The 156 Series”, 37cm by 46cm

Literature: Bloch; Baer, 1874; 1879

£4,000-6,000

620

621 ✓

Pablo Picasso (1881-1973) Spanish “Homme rembranesque assis chez les filles” (1968) Signed and numbered 23/50, aquatint, 19.5cm by 25cm £2,000-3,000

621

622 ✓ Mary Stork (1938-2007)

“Temptress”

Signed and dated 18.7.02, inscribed verso, mixed media, 35cm by 25cm

£250-400

623 ✓ Mary Stork (1938-2007)

“Maran”

Signed and dated 24.03.05, inscribed verso, mixed media, 45.5cm by 22.5cm

Provenance: Rowley Contemporary Art, Hampshire

£300-500

623

622

624 ✓

Sir Quentin Blake (b.1932)

An Anthology of Readers Men with Books No. 9

Signed, mixed media on paper, 39.5cm by 27cm £300-500

625 ✓

Sir Quentin Blake (b.1932)

Sennelier Portrait Series

Signed, oil pastel, 39.5cm by 28.5cm £250-400

626✓

Sir Quentin Blake (b.1932)

Sennelier Portrait Series

Signed, oil pastel, 40cm by 28.5cm

£250-400

626

625

624

627 ✓

John Bellany CBE, RA (1942-2013) Scottish “Portrait of Helen”

Signed, monochrome watercolour and wash, 29.5cm by 20.5cm £500-700

628 ✓

John Bellany (1942-2013) Scottish “Colchester Lil”

Signed and numbered 19/34, screenprint, 23.5cm by 15cm £250-400

629 ✓

John Bellany (1942-2013) Scottish Figures drinking sangria

Signed and inscribed “For Gordon Paterson”, pencil, 28cm by 21.5cm

Sold with an accompanying book “John Bellany” by John McEwen, and a copy of a letter given to Mr G Paterson from the artist £300-500

629

628

627

and the Elders”

Signed and dated (20)03, oil and gold leaf on canvas, 28.5cm by 28.5cm

Provenance: The Contemporary Fine Art Gallery, Eton £500-700

Signed, oil on board, 40.5cm by 26cm

Provenance: Wenlock Fine Art, Shropshire

630 ✓

Joe Hargan PAI, PPAI (b.1952) Scottish “Susan

630

631 ✓

Ruskin Spear CBE, RA (1911-1990) “Sunbather”

£600-800

632 ✓

Adolphe Valette (1876-1942) French Portrait of a young lady

Signed, pastel, 32.5cm by 24.5cm £500-700

632

631

Bernard Dunstan RA, PPRWA (1920-2017)

“Best Wishes for the Exhibition & love from Diana and Bernard”

Signed, mixed media, 26cm by 15.5cm

The drawing was sent to the John Noott Gallery for the private view day £200-300

633 ✓

Bernard Dunstan RA, PPRWA (1920-2017)

Portrait of a girl

Initialled, oil on panel, 19.5cm by 15cm £300-500

635 ✓

Sarah Raphael Balme (Contemporary)

Family portrait

Signed, oil on board, 40.5cm by 58.5cm

Provenance: Purchased from the artist £200-300

634 ✓

633

635

634

“Ghosts”

Signed and inscribed verso, oil on board, 43cm by 48.5cm

Provenance: Zillah Bell Gallery, Thirsk £300-500

“Interior”

Oil on board, 18cm by 26cm

Provenance: The artist’s estate £200-300

638 ✓

“Card Players”

Oil on board, 16cm by 25cm

Provenance: The artist’s estate £100-200

636 ✓

Sarah Raphael Balme (Contemporary)

637 ✓

Michael Upton (1938-2002)

Michael Upton (1938-2002)

638

637

636

639 ✓

Don McKinlay (1929-2017)

Veiled Nude

Initialled, oil on board, 39cm by 48.5cm £200-300

640 ✓

Robert Oscar Lenkiewicz (1941-2002)

“Study of the Painter with Roxana, Observations on the Theme of the Double” Signed and inscribed verso, from the “Project 18” Series, “St Anthony Theme”, oil on canvas, 153cm by 122cm £3,000-5,000

639

641 ✓

Robert Oscar Lenkiewicz (1941-2002)

“Painter with Esther Dalaway”

Signed and inscribed verso, from the “Project 18” series, “The Painter With Women”, oil on canvas, 203cm by 129cm

Literature. “The Painter with Women”, The Evolution of a Project, White Lane Press, 2011, p.25

£4,000-6,000

641

Jamie Routley RP (b.1982) Welsh “Torquil”

Signed, inscribed and dated (20)08 verso, oil on canvas, 64.5cm by 49.5cm

£250-400

Tony de Wolf (b.1961) Belgian

Still life with a Chinese vase, a silver bowl, a goblet and plums

Signed, oil on board, 29.5cm by 39.5cm

Provenance: Walker Galleries Ltd., Harrogate

£1,000-1,500

642 ✓

643 ✓

642

643

644

Jonathan Armigel Wade (b.1960)

“Root of Happiness”

Signed, inscribed to label verso and numbered 20/10 with the artist’s numbering system, oil on board, 18.5cm by 18cm £200-300

645 ✓

Ken McKie (Contemporary)

Still life of pears

Signed, oil on canvas, 75cm by 100cm

Provenance: Bohemia Galleries, Yorkshire £600-800

645

644

646 ✓

Emily Sutton (Contemporary)

“A is for Accordion”

Signed and inscribed A/P, screenprint, 53cm by 72cm £200-300

647 ✓

Emily Sutton (Contemporary)

“B is for Brown Bear”

Signed and numbered 57/75, screenprint, 52cm by 73cm £400-600

648 ✓

Emily Sutton (Contemporary)

“C is for Crockery”

Signed and numbered 71/75, screenprint, 53cm by 71cm £400-600

649 ✓

Emily Sutton (Contemporary)

“D is for Dolls House”

Signed and numbered 63/75, screenprint, 53cm by 71cm £400-600

647

646

648

649

650✓

Emily Sutton (Contemporary)

“F for Fishmonger”

Signed and numbered 56/75, screenprint, 53cm by 72cm £200-300

652 ✓

Emily Sutton (Contemporary)

“I is for Ice Cream”

Signed and numbered 11/75, screenprint, 55.5cm by 73cm £200-300

651 ✓

Emily Sutton (Contemporary)

“H is for Horse and Hound”

Signed and numbered 62/75, screenprint, 54.5cm by 73cm £200-300

653 ✓

Emily Sutton (Contemporary)

“J is for Jug”

Signed and inscribed A/P, screenprint, 55.5cm by 73cm £400-600

650651

652

653

Mandela (1918-2013) South African “The Struggle Series”

A set of six lithographs to include “Struggle”, “Imprisonment”, “Freedom”, “Unity”, and “Future”, with the signed “Motivation” and one numbered 73/125, 14cm by 10.5cm (6) (framed as one)

Provenance: Belgravia Gallery, London

Sold together with the Belgravia Gallery certificate of authenticity £700-1,000

Provenance: Michael Hoppen Gallery Ltd, London £300-500

654

655

William Claxton (1927-2008) American “Steve McQueen in his Jaguar XKSS, Paramount Studios 1962” Signed verso, no. 5/15, silver gelatin print, printed later, 32cm by 48cm

654

655

656

Bob Dylan (b.1941) American “Train Tracks” (2008)

Signed and numbered 176/295, giclee print from “The Drawn Blank Series”, 82cm by 60cm £2,000-3,000

657

Bob Dylan (b.1941) American “Trailer” (2013)

Signed and numbered 147/295, giclee print from “The Drawn Blank Series”, 61cm by 45.5cm

Sold together with the Washington Green Fine Art certificate of authenticity £700-1,000

658

Bob Dylan (b.1941) American “Bragg Apartment New York City” (2010)

Signed and numbered 266/295, giclee print from “The Drawn Blank Series”, 62cm by 45.5cm £800-1,200

657

656

658

659

Bob Dylan (b.1941) American “Bragg Apartment New York City” (2010)

Signed and numbered 266/295, giclee print from “The Drawn Blank Series”, 83cm by 60.5cm £1,000-1,500

660

Bob Dylan (b.1941) American “Fisherman” (2016)

Signed and numbered 238/295, giclee print from “The Drawn Blank Series”, 62cm by 42.5cm

Sold together with the Washington Green Fine Art certificate of authenticity £700-2,000

661

Bob Dylan (b.1941) American “Man on a Bridge” (2018)

Signed and numbered 96/295, giclee print from “The Drawn Blank Series”, 83cm by 60cm £800-1,200

661

659

660

662

Bob Dylan (b.1941) American “Edge of Town” (2023)

Signed and numbered 288/295, giclee print from “Deep Focus”, 74cm by 111cm

Sold together with the Washington Green Fine Art certificate of authenticity £1,500-2,000

663

Bob Dylan (b.1941) American “Brooklyn Bridge 7am” (2023)

Signed and numbered 36/295, giclee print from “The Beaten Path”, 49cm by 66cm

Sold together with the Washington Green Fine Art certificate of authenticity £1,000-1,500

663

662

664

Bob Dylan (b.1941) American “Omaha Rain” (2023)

Signed and numbered 36/295, giclee print from “The Beaten Path”, 49cm by 45cm

Sold together with the Washington Green Fine Art certificate of authenticity £1,000-1,500

665

Bob Dylan (b.1941) American “Tango Dancers” (2023)

Signed and numbered 288/295, giclee print from “Deep Focus”, 74cm by 111cm

Sold together with the Washington Green Fine Art certificate of authenticity £1,500-2,000

665

664

“Supa-structure”

Signed, inscribed and numbered 39/100, coloured silkscreen, 64cm by 90cm

£200-300

Gwyther

(1931-2008)

“Supa-structure”

Signed, inscribed and numbered 28/100, coloured silkscreen, 78cm by 102cm

£200-300

666 ✓

Gwyther Irwin (1931-2008)

667 ✓

Irwin

667

666

669 ✓

Tracey Emin CBE, RA (b.1963)

“Love U”

Signed and inscribed, biro on a Royal Mail Art in the 20th Century First Day Cover, 11.5cm by 21.5cm (unframed)

Provenance: White Cube Gallery, London circa 2013

£400-600

668 ✓

Sir Eduardo Paolozzi CBE (1924-2005)

“Les Merveilles”

Plaster relief panel, 42cm by 54cm

Provenance: From the Estate of M J Long £250-400

670 ✓

Tracey Emin CBE, RA (b.1963) “Messy Bitch”

Signed, inscribed and dated 2013, biro on a Royal Mail Art in the 20th Century First Day Cover, 11.5cm by 21.5cm (unframed)

Provenance: White Cube Gallery, London £300-500

670

669

668

671 ✓

Tracey Emin CBE, RA (b.1963)

“Cunnilingus”

Signed and dated 2013, inscribed and numbered 59/100, etching, 35cm by 37cm

Provenance: Emin International, London

£600-800

672 ✓

Damien Hirst (b.1965)

Shark and skull

Signed and dated May 6th (20)02, inscribed “for J”, pen and ink, 15cm by 12.5cm (unframed)

Provenance: White Cube Gallery, London

£400-600

672

671

673 ✓

Sir Peter Blake CBE, RDI, RA (b.1932)

Invitation for Sir Peter Blake: Under Milk Wood exhibition opening at Glynn Vivian Art Gallery, Swansea

Signed, together with a signed, unframed Beatles First Day Cover, 21cm by 15cm and 12.5cm by 22.5cm respectively (2)

£150-250

674 ✓

Sir Peter Blake CBE, RDI, RA (b.1932)

“Art Jak” (1978)

Designed for the Institute Contemporary Arts, polythene, together with a signed doodle by the artist, 10cm by 15cm (unframed)

£400-600

675 ✓

Sir Peter Blake CBE, RDI, RA (b.1932)

Live Aid T Shirt (1985)

Signed and with the artist’s famous target doodle (unframed)

£150-250

673 (part)

675

674

676

Shepard Fairey (b.1970) American “Liberte, Egalite, Fraternite”

Signed and dated (20)23, offset lithographic poster, together with a further signed and dated poster by the same hand “Wave of Distress”, 90cm by 60cm (2)

£200-300

678 ✓

Sir Grayson Perry CBE, RA Hon, FRIBA (b.1960)

Alan Measles

Signed postcard, together with a signed set of “Grayson’s Art Club” stickers for Manchester Art Gallery, 15cm by 10cm and 21cm by 14.5cm respectively (2)

£150-250

677 ✓

Sir Grayson Perry CBE, RA Hon, FRIBA (b.1960) “Normal People”

Signed, with Alan Measles doodle, lithographic poster, 59.5cm by 42cm (unframed)

£150-250

679 ✓

Sir Grayson Perry CBE, RA, Hon FRIBA (b.1960) “100% ART PLATE”

China plate, with artist’s seal printed to base, produced for York Art Gallery, 22cm (dia)

£150-250

679

678 (part)

677 (part)

676 (part)

680 ✓

Adam Dant (b.1967)

“St James’s Square” (2018)

Signed and dated (20)18, inscribed and numbered 12/50, lithograph, 75cm by 106cm

Provenance: Royal Academy Summer Exhibition

£200-300

681 ✓

Rebecca Lousie Law (b.1980) and Tom Hartford (Contemporary)

“Ambrosius Bosschaert the Elder” (2014)

Number 2/10, photographic print, 75cm by 50cm

Provenance: Lottie Inch Gallery, York

£200-300

681

680

Dame Vivienne Westwood DBE, RDI (1941-2022)

“VW Flag Mini”

Hand-woven tapestry for The Rug Company, 90cm by 153cm

This famous Union Jack motif was first provocatively modelled as a bridal stole in the Vivienne Westwood Autumn/Winter (20)02/(20)03 ‘Anglophilia’ collection

£700-1,000

682 ✓

682

BRITISH, EUROPEAN & SPORTING ART

SATURDAY 16 MARCH 2024

For further information please contact:

Alice Milverton

alice.milverton@tennants-ltd.co.uk

019669 623780

www.tennants.co.uk

Emilie Preyer (1849-1930) German

Still life of a peach, black grapes and cobnuts on a marble shelf Signed, oil on canvas, 15cm by 19cm £10,000-15,000

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 22% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Picture Descriptions

The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, a work by the artist named.

The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

The following terms apply in our determination of a picture description:

(a) “Attributed to” - is in our opinion probably a work by the artist.

(b) “Studio of” - is in our opinion a work from the studio of the artist which may or may not have been executed under his direction.

(c) “Circle of” - is in our opinion a work of the period of the artist executed under his immediate influence.

(d) “Follower of” - is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(e) “Manner of” - is in our opinion a work in a style related to that of the artist, but of a later date.

(f) “School accompanied by the name of a place or country and a date” - means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century.

(g) “After” - an artist is in our opinion a copy of any date after a work by that artist.

(h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the artist.

(i) “Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription” - have been added by another hand.

(j) All references to signature, inscriptions and dates refer to the present state of the work.

(k) Dimensions are given height before width and do not include the frame

(l) Pictures are framed unless otherwise stated.

Droit de Suite/ Artists’ Resale Rights

All items in this catalogue that are marked with “✓” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price more that the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates). It is the responsibility of the Buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the Day of Sale. The actual qualifying threshold will be calculated by the “Artist’s Resale Right Service Hub” based on the “European Central Bank” reference rate published at 2.15pm on the Day of Sale and can be found on www.dacs.org.uk

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of €1,000 is as follows:

Up to €50,000 – 4%

€50,000.01 to €200,000 – 3%

€200,000.01 to €350,000 – 1%

€350,000.01 to €500,000 – 0.5%

Exceeding €500,000 – 0.25%

For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Method of Payment

Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery. To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

NEXT MODERN & CONTEMPORARY ART SALE

15 JUNE 2024

2024 AUCTION DATES

Friday 9 February

Antiques & Interiors

Costume, Textiles & Accessories

Wednesday 14 February

Coins & Banknotes

Friday 23 February

Antiques & Interiors

Including Beswick & Border Fine Arts

Saturday 2 March 20th Century Design

Modern & Contemporary Art

Friday 8 March

Antiques & Interiors

To include Designer Fashion

Saturday 16 March

Spring Sale

British, European & Sporting Art Fine Jewellery, Watches & Silver

Wednesday 20 March Militaria & Ethnographica

Friday 22 March

Antiques & Interiors

Wednesday 3 April

Toys & Collectables

Friday 5 April

Antiques & Interiors

Wednesday 10 April

Books, Maps & Manuscripts