THE OTHER PLACE STRATFORD-UPON-AVON
24 MAY - 17 JUNE
L A C I RAD
S I M F E I H C ION T I D E AL FESTIV
WWW.rSC.ORG.UK/MISCHIEF
Barriba tt & Lucy eya Sco Fr y b s Photo
ll
N
HYMA W A C I R E PUTY R S C D E D IR E C T O R IC T A R T IS R O F & E D IT O L M IS C H IE F R A D IC A
L i r p a ISSUE 07
7 1 20
THE
EARTHW
'THE UNI VERSE DO ESN’T CA RE Photo courtesy of Tom -Morton -Sm
ith
, IT WA M Y I N ST N T ENTION TO FOL LOW U
s TOM MORTON-SMITH
O N T H E T H IN K IN G B E H IN D THE EARTHWO RKS
P OPPE W IT H A N H E IM E NOTHE R R PLAY P H Y S IC A S , but h ey... you B O U T really co can’t ntrol ho w these come ab things out. And , while b use the la oth n about hu guage of scienc plays e man tho ught and to talk they’re emotion not reall , y setting the same out th much mo ing. The Earthw to do orks is re It’s got a of a character study. much sm all deals wit h someth er focus, but it ing that undenia is bly unive rsal. G r The play i ef. is s et on the activatio eve of th n of the e La Collider - the sup rge Hadron e r allowed scientists collider that to prove existenc e of the the - then th - Higgs’ eoretica boson. T l he searc Higgs’ is hf all part of our tr or the understa yin nd mass - what it g to it exists, is, why why som e things and othe have it rs don’t. I use this backdro p to exp as a lore idea s around
WORKS IF WE KN OW HOW I T WORKS'
why we ascribe weight im p o r a s c r ib tance e - to som our life e events and not in to other we make s. Why d w o importan hat is important t to us? to us The Earth works s commiss ion for a tarted as a short-pla The or y. ig w a s n in in a l v e r s io n e-page t e n - m in s utes lo and this was ng ba short-pla ck in 2012/201 3. Most ys have fairly lim life -expe ited ctancies . Theatr ephemer e is an al short-pla art-form anywa y, but ys are e ve get perf ormed o n more so. They nce maybe a couple o or twice for f dozen and then pe they’re done. Bu ople sometim t es a sho rt-play d want to oesn’t go away . There’s a sweet-s looking pot I’m for whe always n I’m wr I don’t a iting, an lways fin d d stop writ it ing the c , but it’s when I haracter and they s’ lines just star t talking of their
,
own acc ord. The characte off the p rs just li age and ft every w becomes ord somehow because i n evitab th le characte at’s simply how th rs talk... that’s ho ose characte w rs respo nd to the those situation given . That’s w hen writ this joyo ing is jus us thing . And th t it worke at was h d with C ow lare and The Earth Fritjof in works. T h e y l ik to tal k . And ed they like each oth d to talk er. So I to kept com to it... tr ing back yin more tim g to find a way to spend e with th em ... to into their go deep lives. I w er asn’t pla write this nn play. I w asn’t pit ing to meeting s with lite ching it in ra just bub bled to th ry managers. It e surfac I enjoye e. B ds two cha pending time wit ecause racters. h these And the characte n a third r (Herta ) turned day and up one mu mind. S h scled her way in. I don e’s co ’t
ol.
THE
L A V I T S fE
ve of On the e on ati v ti the ac arge L e th of , ll Co ider Hadron
two ers strang
THE
S K R O W E A RT H MITH R TO N - S N O M M MA TO A WHY R E R IC IZ E D IR E C TO NNA V R ROSA E N N A L D E S IG TO G M ARK LI G H T IN W E LLY N E LL H A SAR ON M U S IC A T K IN S STEVEN SOUND
alist - a journ tist n ie c and a s eir share th of s e c experien
loss and h o pbeut y
in a funn
y deeplg n i h t o u c play.
one-act ith’s rton-Sm Tom Mo , created eimer 14, Oppenh SC in 20 for the R mash hit, was a s e ring to th transfer . d n E t s We
XT the NE
EF m i s c hViA L FESTI IS IN
KINGDOM COME
ER GEMMA BROCKIS & WENDY HUBBARD SEPTEMB 'I THOUGHT TO HAVE BEEN SILENT. BUT THIS IS A TIME OF WAR' '
MY TH
& ARTLEY MATT YH HOUSLEY KIRST A L ID E A
IN N O R IG S LE Y FRO M A TY HOU Y B Y K IR S H O U S LE Y T S IR R K V IZ E A D IR E C TO N N A ER ROS LO W D E S IG N A N L A ID JO N A T H G N Y IN T LL LI G H LL E W E SAR AH SON M U S IC IN K T A STEVEN ID SOUND OMI SA ENT NA M E V MO
In one lled wine-fue , g in even
uple t w o ceoir
s
debate th c lifestyle. sti materiali ner party din ir e As th s into d n e c s de , ip h s d n ie r their f lives are . and their ged bly chan irrepara cal
chaos
tri A t h e ai m e n t e x p e r things we e into thos to see nt a w don’t . y a s or
The year is 1640. Parliament is rebellious. There are mobs on London’s streets. England, Ireland and Scotland are poised on the brink of a devastating civil war. In Whitehall, supported by the newest theatrical machinery, King Charles I is playing a god. This cannot end well. As the world turns upside down, women preach, poor men lead, and radical ideas illuminate the carnage. But the puritan state starts to tighten its grip, and making theatre could soon be a capital offence... This September, join us for a performance set at the bitter end of one political order and in the struggle for something new.
MYT
Photo courtesy of Kirsty Housley
'I CAN ON LY SEE WR ONG CHOIC ES.thin TBC
s KI KIRS RSTY TY HO HOUS USLE LEYY
THIS I A B O U ST A S T O R Y HUMAN THE RACE AND O NE OF IT S P
ROBLEM T R IC K IE R good sto S . It could be a really ry; a sto r y of unit overcom ing and ing an e normous Acting to obstacle gether o . n a scale seen bef ore. It c never ould be story. B a ut f great finding it or some reason we’re a bit h a r These tr ickier pr d t o T E L L . oblems, we can’t th seem to solve, ar e ones “ w ic k e e called d prob lems”. They’re n of evil, b ot wicked in the ut rathe sense r, they’r the sens e wicked e that th in ey’re ex difficult trao to solve. And we’v rdinarily trying to e be solve this problem particula en for a lon r g to find o ur narra time now: trying ti ve. But a nu mber of contribu factors te particula to the wickedne ss of this r proble m, difficulty of findin and the g a stor us throu y to guid gh it. e Firstly, th not addr e c o n s e u e n essing th c is proble e s of the futu m are in re. And although with an we live inc panic, ris reasingly sicken ing ing in ou rc levels - a slow daw hests like sea consequ ning tha ences ar t those e closer present and mor than we e think - w e’re alm ost
O N T H E T H IN K IN B E H IN D M Y T H G
TH
ngs that will make everythin g worse' trained not to lo ok in tha In the fu t directi tur on. death, so e somewhere lie s understa ndably w our so great e’re not at lo Secondly oking that way. , th e c onseque no fixed nce ar is grey a rival date. The d s have e nd blurr ed. So th adline can’t be e proble that urg m ent, righ Still, lots t? of narra tives inv protago olve nis their sh* ts taking a while t togeth to get er. still be a good sto So this could ry... I me Hamlet p an rocrasti nates fo And it’s r ages. still the g reatest b of all tim attle e, which th a battle the like s of e human race has seen bef never ore. So why can we not tell it does it n ot ? Why headline s c r e a m fr om ever , every a y rt work, policy d e ecision f rom now very day this until the wick Well, on ed problem is so e factor lved? makes th in partic is story ular u n us to tell iquely ha . rd for All good s to r ie s have a and pro h ro, b w i l l c aobly a villain. G oeo n uer ev d But wh a t if w il. e v il l a in ? Not so ’ r e t h e me of us us. The h , but all uman ra of ce. Wha t if it’s u s?
Deep do w too scar n, we know: like ed to loo children ku except th is time, th nder the bed, e threat We have is real. become engagin experts g in c u l at t ur We know how our a l a m n e s ia . laptops clothes, and foo phones, d produ produce cts are d. We d o n’t like it have lea rned to but we forget a I type th bout it. is into a MacBoo knowing k Air fu It is plug ll well how it wa ged in a s made. s I type. arrives a Energy s if by m ag we can ’ t g o o ic, and I know I know it n l ik e t h is . . We may b e e xpe away th ese anxie rts in packing tie go away . There is s but they won’t no such away. T he thing as probably stress of denial will become u some po int. Let’s nmanageable a t hope tha before it t ha ’s worst of too late to avoid ppens the cons the equence s.
MAY 2017
Sat
10
AND
PERFORMANCE SCHEDULE THE EARTHWORKS & MYTH
1.30 M
THE EARTHWORKS & MYTH
7.30
Mon 12
THE EARTHWORKS & MYTH
7.30
Tue 13
THE EARTHWORKS & MYTH
7.30
Wed 14
THE EARTHWORKS & MYTH
7.30
Thu 15
THE EARTHWORKS & MYTH
1.30 M
THE EARTHWORKS & MYTH
7.30
Wed 24 THE EARTHWORKS & MYTH 7.30 7.30 Thu 25 THE EARTHWORKS & MYTH
7.30
Fri
26 THE EARTHWORKS & MYTH
7.30
Sat
27 THE EARTHWORKS & MYTH
7.30 P
Mon 29 THE EARTHWORKS & MYTH
7.30
Tue 30 THE EARTHWORKS & MYTH
7.30
Wed 31
1.30 M
THE EARTHWORKS & MYTH
THE EARTHWORKS & MYTH
Fri
16
THE EARTHWORKS & MYTH
7.30 ●
Sat
17
THE EARTHWORKS & MYTH
1.30 M
THE EARTHWORKS & MYTH
7.30 L
7.30
JUNE 2017 Thu 01
THE EARTHWORKS & MYTH
7.30
Fri
02 THE EARTHWORKS & MYTH
7.30
Sat
03 THE EARTHWORKS & MYTH
1.30 M
KEY
THE EARTHWORKS & MYTH
7.30
Mon 05 THE EARTHWORKS & MYTH
7.30
Tue 06 THE EARTHWORKS & MYTH
7.30
Wed 07 THE EARTHWORKS & MYTH
1.30 M ■
THE EARTHWORKS & MYTH
7.30
Thu 08 THE EARTHWORKS & MYTH
7.30
Fri
7.30
THE EARTHWORKS & MYTH = Reduced Price Preview P = Press Night M = Matinee L = Last Performance ● = Captioned Performance ■ = Audio Described Performance = Semi -integrated British Sign Language Interpreted Performance = Pre- or Post-Show event
Tic k e ts P r i c e s £ 1 5 f o r th e d o u b le- b i ll
70p D a y Ti c k e ts
10 tickets are available for every performance during the Festival for 70p. These tickets are available on the day only at 10am from the Box Office at The Other Place.
B P £5 ti c k e ts f o r 1 6 - 25 y e a r o ld s
20 tickets are reserved for every performance during the Festival for individuals aged 16-25 who must make the booking themselves. 14 are available in advance and 6 are available on the day only at 10am from the Box Office at The Other Place. All tickets, including those booked in advance can only be collected from the Box Office 1 hour before each performance. Proof of age will be required.
Disa b le d pe o ple 09 THE EARTHWORKS & MYTH
Tickets for disabled people cost £15. If you require the services of a companion, their ticket will be free.
To book viSit www.rSC.org.uk/miSchiEf or caLL thE Box
WHAT'S ON f e st iv a l events All events take place at The Other Place unless otherwise stated.
B R I G HT S MOKE: SP O KE N WORD NIGHT Friday 19 May, 7.30pm Free W R IT E R a nd DIRECTOR TAL K Friday 26 May, 5.15pm £5 P L A YO N: L A T E NI G H T M USIC Thursday 1 June, 10pm til late Free B U S KI NG I T Work in progress by Danusia Samal Friday 2 June, 2.30pm £5 P O S T S HO W TAL K BACK Monday 5 June A C O NVE RSATION: O U R CLI MA TE CRISIS Saturday 10 June, 11.30am £5 A C O NVE RSATION: P O WE R PLA Y Saturday 10 June, 4.30pm Swan Theatre, £5 MA ST E RCLASS FROM P U R IT Y BE E R Saturday 10 June, 6pm Free P O S T S HO W TAL K BACK Tuesday 13 June BSL Interpreted
# W EA RE A RRESTED Work in progress by Can Dündar Friday 16 June, 2.30pm £5 B R I G HT S MOKE: SP O KE N WORD NIGHT Friday 16 June, 9.45pm Free
OfficE on 01789 403493
WHILE Y OU’R E H E R E, M ak e t h e m os t of y o ur fe s t i v a l e x per i e n c e by che c k i n g ou t s om e o f o u r ot h e r act ivi t i e s a n d e v e n ts. . . WORK s I N P R O G R E SS
A chance to look inside the engine room of the RSC and join us for these sharings of works-in-progress as part of our ongoing Research and Development programme.
FOOD AN D D R I N K
Continue the conversation at Susie’s Cafe Bar. Open from 10am until late, Susie’s Cafe Bar serves an all-day menu including gourmet hotdogs, salads, sandwiches, cakes, hot and cold drinks and draught beer. It’s the perfect setting to continue the conversation once the plays are over.
Hotdog and a pint for £8 During the Festival get a gourmet hotdog and pint* for £8 *Other drink options are available.
TOURS
Discover the incredible process as a play makes its way from page to stage at The Other Place. Hear accounts from Directors and Actors about their rehearsal process, discover how costumes and props used in rehearsals can influence the performance and peek into the vast Costume Hire store.
tour for just £5
Festival ticket holders can get tickets for the tour for only £5; just show your ticket when booking.
BP £5 tickets for 16-25 year olds Supported by BP
in the n EX T i SS U E OF
L RADICA
FESTIVA
MIS F E I H C L
We look ahead to to the next
M IS CHI E F FE STIV AL in September.
Find out more about new writing in the 2017 Winter season including:
I M p eri um: T he Cicero P l ay s Based on the Cicero trilogy by Robert Harris Adapted by Mike Poulton
A C H RI ST MAS CAR OL
Charles Dickens A new adaptation by David Edgar
EDITORIAL TEAM: GRAHAM ROLFE, LOUISE SINCLAIR, ERICA WHYMAN AND THE RSC LITERARY AND MARKETING DEPARTMENTS. CONTRIBUTORS: KIRSTY HOUSLEY, TOM MORTON-SMITH AND ERICA WHYMAN. The work of the RSC Literary Department is generously supported by THE DRUE HEINZ TRUST.
WWW.rSC.ORG.UK/MISCHIEF