February 2013
ST. LOUIS’
GAY BLUES
SOULARD
MARDI GRAS Gateway Sisters “Let The Good Times Roll”
1DualOUTSt.OF 10 Louis
George Hannah’s Historic Voice
“CHAMPION”
ENTERS THE RING Gay Themed Opera to Make StL World Premier
Leather Milestones
FRED SCHNEIDER
WANESSA From Brazilian Gay
Clubs to International Chart Topper
The B-52s Out & Proud Front Man Joins Gateway Men’s Chorus
Complimentary Copy
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February 2013
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February 2013
In this ISSUE February 2013 | Volume 14 | Issue 2
24. ON THE COVER:
The B-52s out and proud front man Fred Schneider appears with the Gateway Men’s Chorus at their spring “Bad Boys” concert on March 15 and 16.
6. EDITOR’S LETTER 8. ONLINE
@THEVITALVOICE.COM
11. ONE OUT OF 10
Mr. Missouri Leather and Gateway MC celebrate dual anniversary milestones in making their mark on St. Louis’ LGBT community.
14. DJ SPREAD: THE FAMILY Stay Connected with us 4
February 2013
20. ENTERTAINMENT GUIDE 31. MUSIC INTROSPECTION 32. NO SHOW KNOWS MUSIC: BAD ROMANCE 35. MARDI GRAS: A PARTY FOR ALL! 37. WANESSA
41. GEORGE HANNAH’S GAY BLUES
St. Louis is the birthplace of blues music and George Hannah was adding queer stories to the songbook early on.
24. CHAMPION ENTERS THE STAGE 46. PLAYD/A/TES 48. SCENE & STYLING Vital VOICE is printed on recycled newspaper and uses soy ink for a 100% recyclable product.
12 13
SEASON
CARMINA BURANA
team
STARRING NASHVILLE BALLET
120 VOICES • 60 MUSICIANS • 40 DANCERS
CEO/Publisher DARIN SLYMAN dsly@thevitalvoice.com Executive Editor/Senior Writer COLIN MURPHY colinm@thevitalvoice.com Staff Writer MATT JAMIESON mattj@thevitalvoice.com Art Director ANDREA PIAMONTE andrea@thevitalvoice.com Business Manager LEON BRAXTON/DIETA PEPSI dieta@thevitalvoice.com PR/Digital Communications JIMMY LESCH jimmy@thevitalvoice.com
FEBRUARY 21–24 2013 TOUHILL PERFORMING ARTS CENTER
Business Assistant JANAE JOHNSON janae@thevitalvoice.com Account Executive PATRICK MAGNUSON patch@thevitalvoice.com Photographer ALEX GALINDO alex@thevitalvoice.com
Contributors Photography: Alex Galindo, Luciano Santos, Mikey Berner, Alê de Souza, Scott Lokitz, Jack Beal, Kimono Photography , OTSL, Pieter M. Van Hattem and Josph Cultice Writing: Colin Murphy, Matt Jamieson, Alex Galindo, Jimmy No Show, Thiago Martins de Magalhães, Denny Patterson
Advisory Board William A. Donius, Thom Halter, Colin Murphy, Jay Perez, Pam Schneider, Kellie Trivers, Sharon Tucci
Online thevitalvoice.com facebook.com/TheVitalVOICE twitter.com/VitalVOICEmag youtube.com/TheVitalVISION instagram.com/thevitalvoice
Contact Vital VOICE Magazine. 4579 Laclede Ave #268 Saint Louis, MO 63108 VitalVOICEmag@gmail.com 314.256.1196
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February 2013
EDITOR’S LETTER
AS THE PRESSES
Roll...
Advertisers at a Glance
Welcome to February and the Music Issue. From queer themed opera and blues to an up and coming Brazilian chart topper and your favorite DJ’s dressed to the nines – we’ve hit a variety of notes for your reading pleasure. The next few months are all about the music of equality. Across the river, the “Land of Lincoln” is living up to the promise of its namesake in moving ever closer to full marriage equality. At this writing, the legislative sponsors of the Illinois marriage equality bill filed Senate and House bills on Jan. 9 that would grant all Illinois couples the freedom to marry and legislation has passed a key Senate Executive Committee vote. What’s more — Missourians for Equality have kicked off the effort to collect 150,000 signatures to put LGBT nondiscrimination before Show Me State voters in 2014. March 27 is PROMO’s Equality Day — a vital opportunity to let your voice be heard in Jefferson City. At Equality Day, you will have a chance to meet with your elected officials, use your voice to share your stories and talk about important issues in our lives. Equality Day is about protecting LGBT Missourians from employment and housing discrimination, safeguarding all youth from bullying in schools and standing up for LGBT parents and their families in Missouri. Finally — the St. Louis primary election is fast approaching on March 5. No matter which candidate you support — make it to the polls. Your vote counts! In Pride,
Colin Murphy, Executive Editor
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February 2013
Lumiere/River City Casinos 2 Gateway Men’s Chorus 3 Dance St. Louis 5 Just Johns 7 St. Louis Fashion Week 9 The LGBT Center of St. Louis 9 Planned Parenthood 10 SubZero Vodka Bar 10 Shop N Save 10 Talent Plus 20-21 Missouri History Museum 23 Cycle 5 Bookkeeping 23 Affordable Quality Writing 23 Scott Lokitz Photography 23 Premiere Eye Associates 23 Tyler Olsen ReMax 28 Butler’s Pantry- Bixby 29 Washateria 29 Cheap TRX 29 Mayor Slay 30 Out in the City 33 Rehab/Rough Trader 34 St. Louis Science Center 34 Stl Italian Restaurant 34 Back Door 36 Wall Ball 36 Crusoe’s 36 Christine Elbert 36 Touhill 41 WASHU- Physicians 45 Lewis Reed 45 Pam Schneider 47 Elco Chevrolet 50 Clear Channel 51
25K Issues Printed Monthly
300+ Points of Distribution Vital VOICE is your premier LGBT publication and reaches a diverse readership from thoughtful leaders and young thinkers to trend setters in culture, entertainment and beyond.
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February 2013
ONLINE @ THEVITALVOICE.COM ON THE WEB
DIDN’T LOG ON? HERE’S WHAT YOU MISSED!
The New Sheriffs of Pride St. Louis’ top three Pride organizations, Pride St. Louis, Inc., Metro East Pride of Southwestern Illinois and St. Louis Black Pride are seeing new changes within their executive boards. Their new presidents are well known individuals within the LGBT community who have dedicated their time and effort towards improvement and progression. They are bound and determined to make the LGBT community proud by taking the next step in becoming leaders within the three organizations.
New Year, New Day at Mary’s
Shining Star Sasha Nicole Passes Away
It’s easy to see why the community is rediscovering Hamburger Mary’s – their camp and kitschy brand, diverse menu, queer-centric entertainment and friendly and fabulous staff are proving a recipe for success. Read all about the new improvements at the LGBT friendly eatery which celebrated its one year anniversary, Jan 18-20.
The world of drag suffered a staggering loss yesterday (Jan 3, 2013) when Sasha Nicole, whose given name was Patrick McGuire, passed away at the age of 45. Sasha spent nearly a quarter century becoming a superstar within the Midwest, and within her St. Louis community. During her life, she held the titles of Miss Missouri Entertainer of the Year (2000), Tennessee Entertainer of the Year (2002), Miss Gay Missouri America (2005), Miss Gay Heart of America (2007) and Miss Gay Mid America (2008).
Kirkwood Passes LGBT Non-discrimination Ordinance Following a unanimous vote, Dec. 20 from the Kirkwood City Council, Kirkwood became the tenth municipality in Saint Louis County to add sexual orientation and gender identity to their already established nondiscrimination policy. With the support of several local clergy members, Kirkwood Gay/Straight Alliance and the Community for Understanding Hope, the inclusion will affect around 27,000 residents of Kirkwood, Missouri.
Stay Connected with us 8
February 2013
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February 2013
ONE OUT OF 10
EST. 1991
ONE OF 10 AIN’T BAD! OUT
A look into LGBT Life- Past & Present
MR.
@ 30 GATEWAY M.C. @ 40
MISSOURI LEATHER
Written by COLIN MURPHY – EDITOR Photography by JACK BEAL 2013 marks two major milestones in the St. Louis leather community – the 30th anniversary of Mr. Missouri Leather and the 40th anniversary of the founding of Gateway MC, which produces the annual contest. According to Ed Laxton, a charter member of St. Louis’ oldest leather club, Gateway got its start when his friend came back from traveling the country and described the new
Levi/Leather bars that were cropping up in gay communities in larger cities. The community of bars in St. Louis in the late 1960s could be cliquish clubs and their camp and flamboyant sub culture pervaded both sides of the river. Indeed, the feel was definitely more The Boys in the Band than Brokeback Mountain.
“No one knew anything different,” says Laxton. “It’s just the way things were then.” But due in large part to the liberating influence of the Stonewall rebellion in 1969, LGBTers nationwide became more open and developed a sense of community. Gay men who did not identify with drag queens or effeminate-acting men looked for a way to
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February 2013
“
The gay motorcycle scene caught on like wildfire and clubs were popping up all over the country.
establish their identity and find others who shared their interests. Laxton and a group of friends began going out to St. Louis gay bars wearing their Levis and leather – admittedly, they got a few concerned looks when entering as a group but were soon begrudgingly embraced as one of the family. They also discovered a shared interest in motorcycles. Gay motorcycle clubs began to appear between 1970 and 1975. The practice of referring to gatherings of clubs as “runs” came from these early years when many runs were outdoors and centered on motorcycle events. “The 2nd City Cycle Club of Chicago and Wranglers in Dallas assisted Gateway in forming their club in 1973,” explains Laxton. “The gay motorcycle scene caught on like wildfire and clubs were
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February 2013
popping up all over the country. By 1975, the Mid-America conference of clubs was formed with about 25 clubs from all over the Midwest. This was done to promote brotherhood and coordinate dates of club events.” Gateway MC, all of whose founding members were cyclists, required its members had to have motorcycles, and most of the activities were cycle related. Eventually, like other such clubs around the country, Gateway developed into a men’s social organization in which motorcycles were not the only focus. Activities broadened to encompass the Levi/Leather community as a whole and its need for its own identity, events and network of brotherhood. St. Louis has enjoyed one of the largest and most active leather communities in the Midwest over the years. At its zenith the early 1980s, the St. Louis Council of
”
Clubs consisted of Gateway MC, Blue Max CC, Spirit of St. Louis and Bacchus. Today, Gateway and Blue Max are the only two surviving gay leather clubs in the city. Jack Beal, another early member of Gateway, remembers the three-way runs hosted jointly with Gateway, Blue Max and Spirit in the late 1970s as a particularly fun time. The three day event was held on a gay owned farm in southern Missouri and drew hundreds of leathermen from across the country. Beal was instrumental in putting together the variety show – which was high camp theatre at its best. The weekend was filled with myriad contests, games, revelry, brotherhood and yes, sex. “The camaraderie was great and I met a lot of wonderful men,” says Beal. “I still keep in touch with many of them.
Mr. Missouri Leather Gateway, whose original home bar was in the Bob Martin’s complex by Union Station, held a variety of leather contests in its early years – but the first official Mr. Missouri Leather contest didn’t occur until 1983. “Reflecting back on that period, I think Gateway was interested being represented in the national leather picture by sending someone to the International Mr. Leather (IML) contest,” adds Laxton. “All the bigger cities were sending someone there.” Mr. Missouri Leather (MML) is the oldest leather competition sponsored by the same organization in the nation. Some 28 men have had the privilege to hold the title – Charlie Scheib is the only man to hold the title twice, 1983 and 1985. MML has had numerous men make it to the top 20 at and several have gone on to make it into the top 10 at IML in Chicago. Indeed, Mr. Missouri Leather 2013 will have some big boots to fill.
“Missouri has a strong and vibrant leather community,” offers Terry Laupp, who held the title of Mr. Missouri Leather in 2010 and is one of the organizers of this year’s event. “At this year’s contest we are hoping to have the most past Mr. Missouri Leather titleholders ever in attendance.”
2013 competition, admission $10. The contestants will be judged on Cruise wear, Physique and Personality, Formal wear as well as deliver a short speech to the crowd. The silent auction and used leather sale will continue throughout the evening. Final bids for the auction will be tallied as the contest comes to a close.
The 30th MML contest will be held March 1-3, 2013. All events are at JJ’s Clubhouse (3858 Market St. - StL). The weekend will kick off with a “Meet and Greet”, Friday night at 10 pm., for the contestants, judges and MML 2012 Scott O’Brien. The annual MML silent auction presented by Gateway MC and a used leather sale presented by Blue Max will round out the evening. Proceeds from the silent auction and Blue Max’s used leather sale will benefit area AIDS service organizations. (Decimated by AIDS in 1980s and early 90s, the St. Louis leather community remains devoted to the cause.)
The newly sashed Mr. Missouri Leather 2013 will receive a sponsorship to IML 2013, $100, a title sash and much more. Second place will receive $100, with third place receiving $50. The informal Gateway Guy contest has been a feature of the Mr. Missouri Leather contest to actively involve more people in the event and perhaps to encourage future contestants for Mr. Missouri Leather. The weekend will conclude on Sunday morning with the Mr. Missouri Leather Victory Brunch from 11 am to 2 pm presented by Blue Max - cost for the brunch is $10.
Saturday will start for the contestants at 1 pm. at JJ’s for their interviews — this part of the competition is not open to the public. The weekend will continue at 10 pm. with the Mr. Missouri Leather
“Involvement in the leather community doesn’t end when your title year is over,” says Laupp. “Mr. Missouri Leather has a rich history and a very bright future.” V
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Location: The William Kerr Foundation, Downtown St. Louis Models: Jimmy No Show, Chris Chrispy Pinson, Amber DJ Karma and Alexis Tucci Hansen Clothing From: Neiman Marcus and Byrd Style Lounge Special Thanks To: Neiman Marcus, Cheresse Pentella, Byrd Style Lounge, Julie Stotlar, Stray Rescue of St. Louis, Jimmy No Show, Chris Pinson, DJ Karma, Alexis Tucci Hansen, The William Kerr Foundation, John Sweed and Janae Nicole
The 14
February 2013
Written and Photographed by ALEX GALINDO
S
STYLE
o you hit The Grove, have a couple of drinks and catch up with some friends.You scope out the bar and who is all out – maybe spying someone you haven’t seen in a long while. Over all the voices in the crowd, you can’t help but feel the beat to some songs playing in the background. It could be some favorite remixed hit, dance or chill lounge music – or maybe even a show tune or two. Regardless, it’s probably being spun by one of the local DJ’s we have come to recognize and love. These talented handful of DJ’s are a secretly powerful little family. They create the life and energy of what makes a night out on The Grove something we crave. They are in control of the dance floor and spark the sing-out-loud, grinding, make-a-foolof-yourself moments we tend to want to delete the morning after. They have more control over our night than we probably give them credit. A request of a song or discovery of a great beat can sometimes turn your whole night around. They can rescue a silent moment or steer a conversation. So next time you see a member of this family with their headphones on—stay clear and just listen to what they serve you… because vinyl cuts deep. V
On Jimmy: Theory Haydin Trouser, Neiman Marcus Theory Sylvain Button Up, Neiman Marcus Rag & Bone Mens Sweater, Neiman Marcus Cinzia Rocca Trench- Byrd Style Lounge On Chris: Hudson Dandy Slouchy Straight Denim, Neiman Marcus Theory Sylvain Button Up, Neiman Marcus Armani Collezioni V-Neck Sweater, Neiman Marcus On Tucci: Patterson J. Kincaind Blazer, Neiman Marcus BCBG Black Tulle Dress, Byrd Style Lounge Be & D Studded Purse, Byrd Style Lounge Royal Gold Necklace, Byrd Style Lounge On Karma: Vince Leather Jacket, Neiman Marcus Alice + Olivia Skirt, Neiman Marcus Vera Wang Natasha Black Boots, Neiman Marcus Silver Plate Necklace, Byrd Style Lounge
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DJ Karma On Karma: Vince Leather Jacket, Neiman Marcus Valentino Red Lace Dress, Byrd Style Lounge Bone Necklace, Byrd Style Lounge
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February 2013
DJ Jimmy No Show
On Jimmy: Theory Haydin En Trouser, Neiman Marcus Vince Button Up, Neiman Marcus Burberry Jacket, Neiman Marcus
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February 2013
DJ Chrispy
On Chris: Robert Graham Minstrel Blazer, Neiman Marcus Burberry Brit Button Up, Neiman Marcus Armani Collezioni Striped Shirt, Neiman Marcus Hudson Dandy Slouchy Straight Denim, Neiman Marcus
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February 2013
On Alexis: Theory Cully Button Up, Neiman Marcus Elizabeth & James Blazer, Neiman Marcus Sinclair Shadow Dancer Pants, Neiman Marcus
DJ Alexis 19
February 2013
Vital VOICE
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SuperJam
The region’s premier country and classic rock band deliver a high octane sound coupled with an unforgettable, dynamic live performance. As seen at St. Louis Pride Fest and The Gay Rodeo. Contact www.wellhungarians.net bookus@talent-plus.com
The band you’ve been waiting for, playing classic rock you want to hear again from the ‘70s and ‘80s. As seen at Hamburger Mary’s. Contact www.superjamrocks.com bookus@talent-plus.com
Kim Massie This ultimate diva is sure to amaze with her signature style, singing blues, rock, pop, country, gospel and R&B. As seen at numerous Pride St.Louis sponsored events. Contact www.kimmassie.com bookme@talent-plus.com
Mr. Wizard Concotion Toss together songs from the ‘70s, ‘80s, ‘90s and 2000s, shake them up and serve up the variety that keeps it exciting and you have Concoction. Contact www.concoctionstl.com bookus@talent-plus.com 20
February 2013
The Mr. Wizard band exemplifies the sound of R&B and Rock mixed to soulful perfection, creating music capable of connecting with any audience. As seen at Novak’s. Contact bookus@talent-plus.com
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That ‘80s Band Rubik’s Cubes, PacMan, skinny ties and leg warmers. That ‘80s Band is bringing back the sound of the 80’s pop/ new-wave era. www.that80sbandstl.com bookus@talent-plus.com
Plastic Plastic is an alternative ‘80s, ‘90s and current hits band specializing in packed dance f loors. As seen during Pride Weekend at Rehab Bar and Grill. Contact www.plasticstl.com bookus@talent-plus.com
Tim Session Tim Session puts on a show unlike any other. Recording guitar, bass and drum sounds (all live) into a looping machine; Session is a self-contained, one-man jam band. Contact bookme@talent-plus.com
DJ Raven Fox Belle of the Ball Custom entertainment production, providing the regions premier performers with style, sophistication and class. Seen at Girl Friday’s Ultra White Party. Contact belleoftheballstl.com bookus@talent-plus.com
PROMOTION
DJ Raven Fox is a true Renaissance man, creating, transforming and spinning any event into a lifetime memory through his signature styles. Contact www.ravenfox.net bookme@talent-plus.com 21
February 2013
ENTERTAINMENT GUIDE CONTINUED
INDEPENDENT TALENT Zander Mander Iconic nightlife personality Zander Mander: Emcee, Performer and Activist. One of the original club kids! Available for national advance bookings. Contact zandermander.com
Timmy B. Vocal House style DJ since 2004. Personal DJ to Dieta Pepsi, event DJ for The Vital VOICE and Tucci Events. Spun at Complex Night Club, Just John, Metro East Pride, WigStomp, GroveFest, Pride Kick-Off Party and the Cavalia Opening night after party. Contact facebook.com/DJ.TimmyB dj.timmybstl.net
Shotgun Abby Shotgun Abby: Rock out with Shotgun Abby on Feb 21st at The Paragon as a featured RAW STL Artists for 2013! Contact rawartists.org/ shotgunabbyband
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February 2013
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February 2013
Fred Sch
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February 2013
hneider: BOUNCING OFF the satellites
Written by MATT JAMIESON – STAFF WRITER Photography by PIETER M. VAN HATTEM AND JOSPH CULTICE
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February 2013
F
COVER STORY
red Schneider has always had a style all his own. The lead singer of the groundbreaking new wave group, The B-52s, and synthpop band, The Superions, has been making waves for over 30 years with the fun he brings to music - including his distinctive use of sprechgesang (speak-singing). I spoke with Fred about his start, his association with some of music’s most amazing artists, and of course his upcoming concert with the Gateway Men’s Chorus this March! What was it about Athens, Georgia that made it such a nexus for all of these great artists? (Writer’s note: Fred and the B-52s are one of several artists, including R.E.M.’s Michael Stipe, and others who got their start in Athens, GA). Athens was a liberal, college town, for Georgia that is. The campus was a microcosm of all the nuts from a lot of different states actually. It was just full of all the creative and wild and interesting people that gathered in Athens and hung out. What was it like to have been an out artist in the late ‘70s and early ‘80s? Well we didn’t really flaunt anything; we didn’t bother to hide it. Sometimes I’d
“
”
Well we didn’t really flaunt anything; we didn’t bother to hide it. Sometimes I’d be coy and say “I was a trysexual, I’d try anything.”
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February 2013
be coy and say “I was a trysexual, I’d try anything.” Boy George came out on the scene a couple years later - we just hung in packs in a mixed group, hanging out with other people. It was a very social thing. Nobody had any money. There was no gay disco until a couple years. We’d all get thrown out because we didn’t want to pay the cover charge. What’s it been like to have worked with such varied artists like RuPaul and The Foo Fighters? I enjoy it. I don’t spend all my time eating, breathing music, wanting to perform. I listen to records all day though. The Foo Fighters - I had went to their Halloween and I didn’t realize they had practiced ‘Planet Claire’ and asked me to do it. And I was like ‘Oh god, will these kids even know who I am?’ But it went over really well, I think it’s on YouTube. Adele was amazing. And RuPaul of course is hysterical. I was in her Christmas special - it’s totally trashy. How did you discover your talent for sprechsang? I would write a lot of lyrics and it was sort of like off the top of my head. So instead of singing, cause I didn’t have a melody really - I was just talk sing. And later I started singing more, particularly with the Superions and the last B-52 albums, of course. I like writing. I don’t consider myself that good of a singer. If I was that good I’d be James Brown, Wilson Pickett or Jeff Buckley. That’s what I do, and I know what I’m doing. Is there anyone in today’s music scene like what The B-52s were about? Scissor Sisters, of course, but they’re a lot wilder than I am. There’s a great cover band in Denver I like called ‘Hey Lady!’. I think it’s hard to imitate my voice. [Laughs] There’s lots of bands that claim to be inspired. But I think 27
February 2013
the influence is - ‘do your thing and who cares what people think.’ We never set out to write hit songs, that’d be great if they were. The thing was the song - not planning ‘OK we’ve gotta run it #1 like Diane Warren’ or something. I think they [Scissor Sisters] did the same thing. We started out having fun, but we have a lot of hits and be doing that too.
Ricky was in the hospital and passed away. It’s such a shame we didn’t have the research then. I keep reading that there’s things that are amazing holistic and herbal things, some people are being cured of it. Of course, drug manufacturers don’t want you to know anything about that. So, let’s just hope that we find a cure or the cure is finally announced.
It’s been 27 years since your bandmate Ricky Wilson passed away from HIV/AIDS related complications. What are your thoughts on the way HIV/ AIDS research is progressing nowadays?
Lastly, what can St. Louis fans expect when you join the Gateway Men’s Chorus in March?
We’ve raised more than a million dollars for AIDS causes over the years. It’s such a shock because we lost so many friends within a span of five years. Back then, it was considered shameful and scary people would avoid you if they knew you had HIV or AIDS (or GRIDS back then). Nobody knew that Ricky was dying, all of a sudden I got a phone call that
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It’s gonna be a good time because it’s gonna be an interesting selection of songs. I’ve never done anything like this, it’s gonna be fun. I really wanna thank my friend Joe [Gfaller] who I’ve known for ten years for having them think of me. I’m excited, I think it’s gonna be great! Fred Schneider appears with the Gateway Men’s Chorus at their spring “Bad Boys” concert on March 15 and 16. More information can be found at their website: www.gmcstl.org v
6 1 1 ays
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of Forest Park for only $16 per person or $20 per person with a glass of wine. The locally inspired pre fixe menu includes a delicious scan for selections of appetizers, Sweetheart Menu entrees & desserts.
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February 2013
“Mayor Slay is my Mayor because he won’t tolerate animal abuse and because he shares my commitment to LGBT issues. He gets my vote.”
– Randy Grim Democratic Primary Election Day is
MARCH 5, 2013
To volunteer contact Bonnie@mayorslay.com or visit our campaign headquarters at 4507 Manchester Paid for by Slay for Mayor, Judy Murphy, Treasurer. www.mayorslay.com 30
February 2013
Music -
What Draws Us To Certain Artists?
Written by MATT JAMIESON – STAFF WRITER
M
adonna said it best — “music makes the people come together.” And within the LGBT community, you can’t swing a dead cat without finding an artist with a huge gay following. But what is it about divas like Madonna, Cher, Bette Midler, Kylie Minogue, Lady Gaga and countless others that drive gay men to them in droves? One big thing is that all of these women, all these fabulous divas are strong, independent women. They continue on by themselves — trucking on no matter what. You don’t see them on the arm of another man — they go from one to the next. In the book The Rise and Fall of Gay Culture, author Daniel Harris suggests that “at the very heart of gay diva worship is not the diva herself but the almost universal homosexual experience of ostracism and insecurity.” He says that we love to watch divas, love to worship because it’s almost like a sport to us. Who hasn’t been at a concert and gagged on the eleganza that
these divas are serving up? These divas are aware of their LGBT following and have become some of our greatest heroes because they’re our allies. When we can’t speak out at a national level, they can, and help influence change through the millions of fans — LGBT and otherwise. Lady Gaga took that to the next level in 2009 when she appeared at the National Equality March in Washington D.C., memorably shouting with vitriol towards President Obama “ARE YOU LISTENING!?!” Divas give us life, bring us to the next level of fabulous and just keep us going. On the opposite end of the spectrum, there are myriad of folk artists that many lesbians identify with because of the deeply personal nature of their music and personality. Look at Melissa Etheridge, Ani DiFranco, K.D. Lang, the Indigo Girls — all successes with large lesbian followings. Folk music has been deeply routed within the LGBT community for years — but didn’t really explode until the 90s with
mainstream women’s music festivals — which helped Etheridge get her start and standing as a major artist. As more artists began to come out on the scene (and some did “come out”) — folk began to take off more and more. Something about the style of music is strongly empowering and personal — and speaks to everyone. A huge highlight for both folk music and its lesbian fans was the formation of Lilith Fair — started in 1997 by Sarah McLachlan — which lasted until 1999 consisting only of female artists and groups. The festival raised $10 million for women’s charities and is seen as a major breakthrough for women’s artists in the ‘90s. Sure, it’s a bit of a cliché — but at both ends of the spectrum, we as a community are satisfied musically — by the big, brash and bold — and by the quiet reflection that fills us up and makes us think. V
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February 2013
NO SHOW KNOWS
No Show Knows Music
BAD ROMANCE:
the
WORST love songs of all time Written by DJ JIMMY NO SHOW
First off, let me just lay this out on the table: I’m bitter. While my boyfriend will be a thousand-something miles away this Valentine’s Day, I was assigned to put together a list of the greatest love songs for our Music issue. I was originally tempted to phone-it-in and just use the Boyz II Men Greatest Hits album, but instead I’ve instead picked 10 love songs you could never make love to. Hah! Your move, editor! (You’re fired, Noshi. –Editor).
1. 2.
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I Want to Know What Love Is by Foreigner
3.
Sometimes by Britney Spears
4.
Take My Breath Away by Jessica Simpson
5.
2 Become 1 by Spice Girls
An ironic place to start a compilation of terrible love songs, wouldn’t you agree? I’ll spare you the joke about how ironic it is that the band’s name plays so well off the song title.
God Must Have Spent A Little More Time On You by N Sync The title of this song really says it all, doesn’t it? Country band Alabama covered the song, which just lends further credit to how painfully terrible it is. I can’t stand when pop artists turn cheesy pickup lines into songs. I’m looking at you Britney... and yeah, I’m holding it against you.
February 2013
Speaking of Spears, Sometimes is another one of those love songs that makes you wonder WTF were they thinking. “Sometimes I run, sometimes I hide, Sometimes I’m scared of you,” That doesn’t sound like love to me, unless you’re Rihanna.
From a pop princess to well, this… A cover of the 80’s Berlin hit made presumably because the first one was just so amazing. People were clamoring for a fresh take on this amazing ballad. Yep! That must be why it climbed the charts to such dizzying heights: #20… eh’hem.
From a #20 to #1, by all accounts this builds up to a pretty good pop ballad about baby making, until it turns contrived with it’s safe-sex message lyrics, “Be a little bit wiser baby, put it on,” Respect for the good intentions, but all five Spice’s had their first child out of wedlock – take your own advice!
6.
Never Had A Dream Come True by S Club 7 Another British pop band, much less successful than the aforementioned - this was the S Club’s only US hit. Although the song has a really beautiful arrangement all seven, count em, seven, members are singing about not being able to get over a former flame. It just seems like a lot of people to be sharing the exact same, um, ‘sentiment’. (I’ll let you jump to your own conclusion.)
7.
Father Figure by George Michael
8.
Every Breath You Take by The Police
9. 10.
Regardless of listening to this song before or after Michael came out, this is song is a sure fire mood killer for it’s unapologetically creepy lyrics. I’m uncomfortable even writing about it. Next!
This is up there with Father Figure in the creepy factor. Its lyrics pretty much boil down to stalking an ex. I never thought I’d say this, but Puff Daddy got it right by transforming it into a memorial song instead of a love song. What has this world come to, readers?!
Cowboy Take Me Away by Dixie Chicks Was this song included on the soundtrack to Brokeback Mountain? In hindsight, it should have been.
in the City
Happy Hour Series for LGBT Professionals
Join host Sam Orlando at this hot happy hour at Nico.
6525 Delmar
02.28.2013 6-9PM
$5 donation to Food Outreach includes complimentary Bud Light. Must be 21+ to attend. PLEASE RSVP TO OUTINTHECITY@ALIVEMAG.COM
PRESENTED BY:
I Would Do Anything for Love But I Won’t Do That by Meat Loaf Lets face it, we’ve all got our limits in the bedroom, but when you’re running around calling yourself Meat Loaf, I really don’t think you’re in the position to be calling the shots. Just be happy somebody’s even asked you to do that. There you have it: my attempt to spoil your Valentine’s Day conquests. Looking back, I shouldn’t have admitted to what I was trying to do here. I should have just let you burn the CD and realize halfway through what was going on. To further honor those who are bitter and single on Valentine’s Day, Dieta Pepsi and myself will be hosting a very special AntiValentine’s Day event at Double Trouble Trivia at Hamburger Mary’s Thursday, February 14th from 7 - 10PM. We hope to see you there. I’ll be the guy wearing black. Cheers! V
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February 2013
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February 2013
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Mardi Gras: a party for all! Written by THIAGO MARTINS DE MAGALHÃES Photography by SCOTT LOKITZ
Mardi Gras is that time of year when we let ourselves go – freeing ourselves from social conventions all in the name a good time. St. Louis’ Soulard Mardi Gras is one of the largest in the country and its Grand Parade is lining up on February 9. Revelers of every stripe will come
together to drink, dance and collect the precious and colorful beads – whether from a throw or as a reward for a flash. Although Mardi Gras is an old tradition in many areas (including St. Louis) – the modern celebration and big parades didn’t arrive in St. Louis until 1980, and has since grown into a destination event. It all started with a group of friends who decided to take their merry making to the Soulard streets and march from bar to bar. They were led by Hilary Clemens, and started their trek from a building Clemens had just purchased (now called Johnny’s Restaurant & Bar.) In their improvised march they used the musical instruments available, boas, and, of course, beads. The intimate gathering soon grew larger and larger and now attracts sponsorship from big corporations and draws crowds half a million strong. Today, Soulard Mardi Gras is the second largest in the country, only behind New Orleans.
In the midst of all the Mardi Gras action are the Gateway Sisters of Perpetual Indulgence, a group of drag nuns and their guards who promote self-acceptance and collect money for charities. One of the organizations they have worked with is Project Ark, which helps children and families affected by HIV/AIDS. The Sisters go to the parade mainly to “have fun” and promote visibility — but accept donations throughout the day if someone wants to contribute to their cause. They encourage everyone to party hard and be themselves, thus using Mardi Gras to achieve their mission: “dedication to the promulgation of universal joy and the expiration of stigmatic guilt, public manifestation, habitual perpetration, community service and outreach by protecting and promoting human and civil rights.” Besides the parade, the Sisters make post-Mardi Gras appearances at the bars, but they do not hold a specific event. If you want to join the fun, party with the Sisters and all other participants, make sure to come to Soulard on January 9 at 11:00 am to get a good spot. Check out Mardi Gras’ official website, www. mardigrasinc.com, for a complete list of events and other details. Let the good times roll! V 35
February 2013
Wall Ball 2013 10th Anniversary Benefitting Saint Louis City Open Studio and Gallery
Saturday, February 9 7-11 pm $30 General Admission $50 VIP includes beer/wine
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February 2013
From Brazil’s dance floors, this is the voice of
Wanessa
Written by THIAGO MARTINS DE MAGALHÃES Photography by LUCIANO SANTOS AND ALÊ DE SOUZA
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S
amba, bossa nova, and maybe axé, are well known Brazilian rhythms that Americans often recognize, but they are not all that Brazilian music has to offer. Brazilian electronic pop is growing and becoming more popular with great DJ’s and performers. In Brazilian gay clubs and bars this genre is the most played, especially the songs from the new-born dance diva, Wanessa. She left behind her successful career singing ballads in Portuguese and took a chance starting something new. The gay crowds throughout the country fell for her charisma, fierce performances and fun choreographies making her songs big hits on dance floors. Vital VOICE recently chatted with Wanessa to talk about her career, her music and her plans for the future. Ah, don’t forget to check her songs out on YouTube, they are so fun – we promise!
Since 2000 when you released your first album you have been reaching the top of Brazilian charts singing romantic pop. In 2011 you released an electro dance album with all the songs in English. Why did you make that change? I have always liked electronic pop. I’ve sung in English since my first album and I decided to invest everything in this new genre. I have always identified myself with this rhythm, my audience accepted it and I am very happy with the results. Your new album is called DNA. Is your DNA dance music? Yes, I believe so. I identify myself with a mix of electronic pop and well elaborated choreographies, and the results are amazing. “Falling for U” was a big hit which DJ’s naturally started playing in the clubs. “Stuck on Repeat” received great compliments from the New York Post, which considered it “the most epic dance track heard in ages.” I believe that I am on the right track in my career. I sing what I like and I make music for people to dance and have fun. I have just heard that my new song “Hair & Soul” is being played in Spain and Mexico, cheering up their dance floors. I am really happy with all that. Your songs are played a lot in gay bars and clubs throughout Brazil. Was the LGBT receptivity to your music a surprise? Why do LGBTers identify themselves so much with your music? The truth is that the LGBT audience was always present in my career, since its beginning. I feel honored and at the same time really happy that they embraced my music. They are very demanding for quality and pay attention in all the details such as make up, choreography and music. That makes me dedicate myself to my work more and more every single day. After releasing the album DNA and recording a live DVD, what is going to be your next step professionally? When is the DVD going to be out? I have just released the video for my song “Hair & Soul” and in 2013 I will be on tour, going to the main Brazilian capitals and some concerts outside Brazil. The DVD is expected to be out in the first semester of this year and I am really anxious to see the results. We produced this DVD with a lot of love and professionalism – it is the second DVD of my career. As you said before, your single “Stuck on Repeat” was complimented by the New York Post. Do you have plans to start an international career? I loved that complement, it was a surprise! I am very happy to know that my songs are played on radios and dance floors in the United States, Latin America and some European countries. If I have opportunities to perform abroad, I am more than happy to do so. You had your first son this past year. How do you balance your pop star career with being a mom? My son, José Marcus, is a gift in my life. I try to spend most of my time by his side. I travel a lot, performing all over Brazil, but I have the support of my husband, Marcus Buaiz, to share responsibilities while I am traveling. I perform my concerts and come back home as quick as possible.
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The Brazilian electronic pop music is growing with many great DJ’s and producers such as Mister Jam, with whom you have worked. How was working with him? Who would you recommend from Brazil for Americans to listen to? There are great DJ’s and producers here, but I recommend Mister Jam who does a sensational job and is always attentive to new musical trends in the pop music market. We have lots of affinities professionally and he is a great work partner. In your concerts your moves and choreography are complimented and copied by your fans. What is your relationship to dance? How was working with Bryan Tanaka, Rihanna’s and Beyoncé’s choreographer? My relationship with dance is awesome; I started my career as a ballerina. I had the opportunity of meeting Bryan when I opened Beyoncé’s concert in Brazil and we shared ideas for future partnerships. I had the pleasure of working with him when I was recording my DVD, and he actually dances on it. He is a great professional. Wanessa, what do you expect from the future? Do you have any dreams that have not become reality yet? I will keep working hard on my career. I have many dreams that are yet to become reality. V
“I believe that I am on the right track in my career. I sing what I like and I make music for people to dance and have fun.”
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February 2013
Gay Blues
GEORGE HANNAH’S
Written by COLIN MURPHY – EDITOR
The blues - its music is infused with soul and wraught with melancholy. It is uniquely American and what’s more, it is uniquely St. Louis. The first official blues song was “Baby Seal Blues,” a tune by St. Louisian Artie Matthews but The Gateway City’s role in the birth-of-the-blues is often overlooked. To that end, plans to erect a first-of-its-kind 23,000 square foot National Blues Museum in downtown St. Louis are underway. The St. Louis LGBT History Project recently rediscovered the story of George Hannah, described as “a St. Louis bluesman with a mannered, lisping falsetto.” Little is known about this unique artist who recorded in the 1920s and 30s, but his queer lyrics reach out from the century past. Hannah recorded many gender-bending tunes, including his most famous, “The Boy in the Boat,” a lively nod to lesbian loving. He also recorded “Freakish Man” where he blurs the lines of sexual orientation in a very specific way.
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When you see two women walking hand in hand.
Cause my wheel was broke and my grinder could not be found
Just look ‘em over and try to understand. They’ll go to these parties have their lights down low.
-“Freakish Man”
Only those parties where women can go. You think I’m lying, just ask Tack Anne. Took many a broad from many a man. Face is still wrinkled and his breath smells like soap. Still talking about that boy in a boat. -“The Boy in the Boat” She called me a freakish man, what more was there to do? Just ‘cause she said I was strange that did not make it true. I sent her to the mill to have her coffee ground.
It’s a stretch to assume that Hannah was “a gay bluesman.” The truth is, we’ll never truly know how he identified. But the lyrics and context of his songs are undeniable. He sang of a forbidden sexuality and was a self-proclaimed “freak” – a term that was widely used in black America, often by African American homosexuals themselves, to describe their gayness. “It’s a suggestive term for several reasons,” writes Marybeth Hamilton in Sexual Politics and African American Music. “Most obviously, it is pejorative. With its overtones of the carnival sideshow, it cast gay men and lesbians as grotesque curiosities. A self described ‘freakish man” like George Hannah sold himself as a sexual oddity, and audiences likely viewed him precisely in that spirit – as a female soul trapped in a male body, one of nature’s mistakes.”
Indeed, “Hokum” or sexual double entendre music was a huge part of the early blues and has strong roots in our city. “It’s been underrated (like so many of the other largest aspects of the genre: female singers, piano music, etc.) by the macho guitar-adoring fans of the decades since the 20s and 30s,” says Kevin Belford, author of Devil at the Confluence – The Pre-War Blues Music of St. Louis, Missouri. “And St Louis, like no other area, had the most artists producing these popular music styles at
that time. This is why Devil At The Confluence was made – to rightfully reclaim that St Louis’ cultural legacy is as great as and in many cases greater than the traditionally revered cities like Chicago, New York and New Orleans.” You can listen to many George Hannah tunes online or check out Sissy Man Blues: 25 Authentic Straight and Gay Blues and Jazz Vocals. V
THE TOUHILL BRINGS YOU INSIDE THE PERFORMANCE LIKE NO OTHER VENUE! EXPLORE
Arrive early for expert discussion about the performance
EXPERIENCE
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ENGAGE
Mingle with artists and fellow audience members at a complimentary post-show reception
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CHAM Written by DENNY PATTERSON Photography by KIMONO PHOTOGRAPHY AND OTSL
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February 2013
ENTERS T
MPION
THE RING
D
ue to the combined forces of Opera Theatre of St. Louis and Jazz St. Louis, a new opera called Champion will receive its world premiere on June 15 as part of Opera Theatre’s 2013 Festival Season. Champion features a talented team of composers and performers, including music by five-time Grammy Award winning composer Terence Blanchard and libretto by Pulitzer Prize winning playwright Michael Cristofer. Champion is a story of self-discovery – of strength, courage and forgiveness. Prized boxer Emile Griffith recalls his greatest triumph – winning back the title from Benny “The Kid” Paret in 1962. Unfortunately, this would also be his personal tragedy. Griffith beat Paret so bad, that Paret went into a coma and died 10 days later, leaving a devastating impact on him. Before this televised event, Paret was mocking Griffith by calling him derogatory terms for homosexual to the press. Griffith’s sexuality was revealed years later after he was nearly killed in an attack oustide of a New York gay bar that put him in the hospital for four months. Griffith was quoted saying, “I kill a man and most people understand and forgive me. I love a man, and to so many people this is an unforgiveable sin.” Years later and suffering from dementia, Griffith meets Paret’s son, Benny Jr., who was two years old at the time of the fight. This show blends the classic American tradition of jazz with the dynamic power of opera. Blanchard is known for his work as a composer of jazz pieces for small ensembles, his music most recently being played in Emily Mann’s new Broadway production of A Streetcar Named Desire. In a Champion press release, Blanchard states, “I was drawn to tell Emile’s story through music from the moment I first heard of his incredible journey. I knew there was no other way to tell this story but through the unique power of opera.” Cristofer, best known for his play, The Shadow Box, claims that Champion’s libretto is a first. In the same release, he says, “It’s the story of courage in the face of sexual oppression, of love in the face of hate, of grace in the face of physical and mental decline. For me, Emile’s story not only asks the question of what it means to be a man. It asks what it means to be a human being.” Opera Theatre of St. Louis is one of the leading American opera companies and is known for discovering the hidden talents within many of the finest operatic artists of today. According to Opera Theatre’s Director of Marketing and Public Relations, Joe Gfaller, the company has a reputation for premiering new pieces of work. “We produce four operas a season, and the St. Louis community embraces new opera,” Gfaller said. “Opera Theatre of St. Louis has an extraordinary tradition and is the foremost opera house in the country to debut new productions. As of 2012, we have presented 22 world
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February 2013
premieres and 23 American premieres. This whole piece is a moving story, and for the national spotlight, it’s the most significant musical event of the year. Terence Blanchard has a gift and great knowledge of how symphony and orchestra works. Many of the characters portrayed on stage will be in attendance for the opening.” Directing the show is Opera Theatre’s Artistic Director, James Robinson, who has earned great acclaim for his productions. Champion starts off with Griffith in a nursing home getting ready to meet Benny, Jr. for the first time. Griffith will be looking back at his life in a series of flashbacks. The opera will be in 10 rounds, with an announcer guiding the audience. “I was passionate about this subject, looked at the idea, and thought “what a powerful story, let’s move forward with it,” Robinson said. “I’ve been working with the development, so it would be a natural thing to direct it. One of the greatest things is that I’m totally in love with the subject matter. It’s a very brave and progressive subject for an opera…they can be quite dusty. But I think it’s very compelling, very character driven, very relevant. I’m in love with the project. It’s about people embracing subjects about who we are as a society. Terrence has written terrific music for it; it’s really a bold new project.” At this writing, Champion has only been through a series of workshops. Rehearsals are to begin May 9. “Opera singers don’t always work with jazz artists,” Robinson said. “Jazz is about improvisation and opera is more literal. At the first workshop, the opera singers were trying to perform what Terence wrote on the page, and it was a disappointed fashion. We discovered we needed to use the word “groove” – it was the word of the day. What groove was in the piece? Once they found out, the singers allowed themselves to be much more flexible. Two worlds such as jazz and opera don’t usually form together, but we learned from each other. At the end of the day, we were able to collaborate with each other’s worlds.” Champion’s cast includes Denyce Graves (Emile’s mother), Arthur Woodley (older Emile), Robert Orth (Emile’s trainer), Meredith Arwady (Bar owner Kathy), Victor Ryan Robertson (doubling as Benny “The Kid” Paret and Benny Jr.),Brian Arreola (Emile’s adopted son) and Aubrey Allicock (young Emile). Allicock has performed previously at Opera Theatre in 2011 as Mamoud in The Death of Klinghoffer and as the Mad Hatter in Alice in Wonderland last year. He was approached by Robinson in 2011 to play the part of young Emile, and Allicock says he was thrilled. Allicock just recently received his score in New York, claiming that the combination of jazz and opera is a whole new level for him. “You need to bring an element of
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February 2013
improvisation in the jazz element, but sing with an operatic voice,” Allicock said. “The story itself is touching. The libretto is tough, but it’s going to take me to be brave to play these scenes well and get into the character. I’ve been thinking about how to do that, how to approach the character and let it consume me.” Before approaching his character, Allicock had to research his character. “A lot of people my age don’t know this story. I had to research it myself as to see what it’s all about. It’s definitely worth young audiences to come out and see this show. I hope they walk away with history and understand what these people went through and lost and gained in the end. Older generations know what this story is about and remember how big it was.” The two and a half hour show will produce six performances: June 15, 19, 21, 25, 27 and 30. Tickets are now available as part of a subscription to Opera Theatre, but single tickets will go on sale Feb. 23. According to Gfaller, some seating is already sold out. For more information on Champion or Opera Theatre of St. Louis, visit ExperienceOpera.org. V
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February 2013
February PLAYD/a/tes
Welcome to the Playdates section of Vital VOICE. Each month the VV team will select a number of signature events to keep on your radar. For a complete list of all vital happening in St. Louis, log onto the vitalvoice.com/events. To submit your next event, simply email vv@thevitalvoice.com with event name, date, location and a 20-word description.
BLACK HISTORY MONTH FEB. 2013
February is the month dedicated to remembering African American history – the struggles and prejudices they suffered, their victories, their leaders and their great contribution to our society.
NAUGHTI GRAS — FEB. 1 Koken Art Factory, 2500 Ohio Avenue, St. Louis, MO 63104 www.kokenartfactory.com Known as one of St. Louis largest art events, Naughti Gras is back with an erotic vengeance. Celebrate their fifth year of sensual art, performance and music paired with an exotic adult twist. There will be a variety of photography, painting, sculpture and mixed media displayed, so don’t miss out.
LADY GAGA — FEB. 2 Scottrade Center, 1401 Clark Avenue, St. Louis, MO 63108 www.ladygaga.com With “the largest scenic structure built to tour,” according to US Weekly, Lady Gaga is coming to St. Louis with her Born This Way Ball Tour. Don’t miss out on our Mother Monster singing her biggest hits, dancing in those crazy outfits that we love and being the queen of the huge medieval castle that she carries around. 46
February 2013
PLAYD/A/TES
ROMEO AND JULIET — FEB. 8 Touhill Performing Arts Center, One University Blvd., St. Louis, MO 63121 http://www.touhill.org/ One of the most passionate and dramatic story ballets returns. Saint Louis Ballet’s production of Shakespeare’s romantic tragedy features music by Prokoflev, choreography by Horiuchi, sword fighting, court dancing and the iconic balcony pas de deux. The ballet that received standing ovations during its 2010 premiere is back in time for your Valentine’s Day celebration.
MARDI GRAS IN SOULARD — FEB. 9 www.mardigrasinc.com While New Orleans may be the premiere Mardi Gras party on the Mighty Mississippi, a few hundred miles upriver, the good folks of St. Louis host a mighty grand Carnival celebration of their own. The Parade steps off at 11:00 at Busch Stadium. Come early to get a good perch and have fun!
WALL BALL - 2/9 Third Degree Glass Factory, 5200 Delmar Blvd., St. Louis, MO 63108 www.scosag.org St. Louis City Open Studio and Gallery presents Wall Ball, an exciting evening of live artistry, DJ’s, delicious appetizers and a sweet treat raffle. Engaging an eclectic mix of artists, patrons, collectors and admirers, this annual event features amazing art at unreal prices through unique silent auction. Tickets: $30 General Admission and $50 VIP includes wine and beer.
VALENTINE’S DAY - 2/14 Valentine’s Day is just around the corner, so let’s remember our loved ones and the special people in our lives, and celebrate love!
THE BOOK OF MORMON The Fabulous Fox, 527 N. Grand Street, St. Louis, MO 63103 www.thefabulousfox.com From the creators of South Park, this musical has won nine 2011 Tony Awards including Best Musical and a Grammy Award for Best Musical Theater Album. It is definitely the show of the year and it is coming to The Fab Fox in St. Louis. So buy your tickets early because it will be sold out. Guaranteed.
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February 2013
&
SCENE Styling
Photography by MIKEY BERNER
Brad Glackin, Justin Eaton and April Holeman at Novaks
Alison Spitler-Griffith and Stacey Spitler-Griffith at Just Johns
Kenneth Austin and Andrew Owens at Rehab
Tammy Chapman at Rehab 48
February 2013
Michelle Koch and Destiny Wright at Rehab
SCENE & STYLING
Ryder Reeves at Attitudes
Chris Kijowski and Caleb Wuertenberg at Novaks
Gustavo A. Perez Diaz and Chris Newsom at Attitudes
Tyler Cross, Frauline PInko and DJ Charlie Buttons at Just Johns
Lady Ashley Ann Gregory and Jason Lementino at Fubar
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THAT UPPITY THEATRE COMPANY & VITAL VOICE MEDIA PRESENTS
B r i e f s. Come for the play.... Stay for the party. A FESTIVAL OF SHORT LGBT PLAYS LA PERLA 312 NORTH 8TH STREET FEB. 28-MARCH 3, 2013
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February 2013
Get your tickets TODAY at: brownpapertickets.com