Atlas Magazine | Fall 2018 | The Brazen Issue

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When the Sun Goes Down

by Ekaterina Ignatova

So it Goes

by Valeriya Shustval

Small Worlds

by Alexandre Faraci

SPKTRM Beauty an Interview with the Founders

In Bloom

by Tijana Lilic

The Fire in Your Heart

by Filip Zawadzki

High Noon

by Eve J. Liu

Thistle and Lemon

by Tran Chau Tu

Eltha: Wearable Art an Interview with Shadgie Jean

Shimmers

by Ray Ranoa

Fell to Pieces

by Patrick Lacsina

Quiet Freedom

by Mateusz Wojnar

I Can't Forget

by Claudia Grassl

Finchitua: Modest Wear with a Twist an Interview with Feiruza Mudessir

Reflections

by Lucy Rooney

Verticals

by Tim Gao

When I Saw You in My Dreams I Knew You Were the One by Jasmine Chew

Resources for Creatives

by Megan Breukelman

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BRAZEN Brazen: /'brāzən/ adjective 1. bold and without shame.

I am so excited to share the stories of such talented trailblazers in this issue. The creatives featured in this issue are brazenly innovating in their craft. We’re featuring two editorials with video, a first for Atlas Magazine, and something I’ve wanted to do for a long time.

To be able to bring stills to life; bring a story beyond the page, is all too exciting.

Additional to our beautiful visual editorials, flip through to read about Feiruza Mudessir of Finchitua, a brand shaking up the Middle Eastern fashion industry with its AvantModest line. SPKTRM Beauty is trailblazing in beauty, looking to disrupt the industry with their retouching ban and ethical practices.

Designer Shadgie Jean is crafting one-of-akind wearable art with the women of Haiti, aiming to empower with fair, equitable and responsible work.

These are the creatives who have brazenly said ‘no’ to the cookie cutter approach to fashion and are making waves with unique and innovative ideas.

Every single contributor who made this issue possible did so with drive, energy and creativity. I am grateful that so many talented individuals submit to Atlas Magazine each issue, and absolutely floored by the outcomes at all skill levels. The cover, shot by Eve J. Liu, fills my heart with warmth. Not only is it Atlas Magazine’s first Asian cover model since 2013 (something that will never stretch that long of a time span again), but it is truly evocative of the bold and unabashed feeling I strived for with this issue.

I truly hope you enjoy the Brazen Issue, and that you take from it a feeling of confidence and of boldness in yourself.

With love, Megan

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WHEN THE SUN GOES DOWN Photographer Ekaterina Ignatova Stylist Zie Pulci Model Silvia Bandera @ Fashion Models

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Dress Malta, Shirt Der Wildschutz, Tights Calzedonia, Earrings Vintage 8

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Shirt Zara, Trousers Mango, Vest Charming

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Left: Shirt Vintage, Trousers Imperial Middle: Suit Model-Vest, Accessories Vintage Right: Total Vintage Look

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SO IT GOES Photographer + Stylist Valeriya Shustval Makeup Elena Kapustina Model Tatyana Kudryavtseva

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Dress Grecha THE BRAZEN ISSUE

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Left: Blouse Zara, Skirt Vintage Right: Dress Trends Brands

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Left: Overalls Grecha, Shoes Christian Louboutin Right: Blouse Zara, Skirt Vintage

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One Shoulder Pants Kenta Matsushige

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Photographer Alexandre Faraci Creative Director + Stylist Christelle Mbazoa Makeup + Hair Stylist Yangsun Seo Model Romane Greze @ Premium Models

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Bi-material Jacket Andrea Crews, Thigh High Boots Desigual Couture, Earrings Éloïse Fiorentino, Ring Nach

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Left: Fringe Top Ici Store, Pants Afterhomework Paris, Earring Pollock and Friends Middle: Top Afterhomework Paris, Pants + Sunglasses Ici Store, Skirt Rouge Margaux, Lace-up Boots Victoria/ Tomas, Choker Clara Jasmine Right: Top + Pants Afterhomework Paris, Lace-up Boots Victoria/Tomas

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Left: Jacket Ici Store, Cropped Sweater Desigual Couture, Inside Out Jeans Ll by Litkovskaya, Mule Sneakers Pairs in Paris, Cap La Prestic Ouiston, Belt Bag Rouge Margaux Right: Jacket + Skirt Andrea Crews, Blue Dress Afterhomework Paris, Fringe Boots Litkovskaya, Sunglasses Ici Store, Rings Clara Jasmine THE BRAZEN ISSUE

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SPKTRM BEAUT Y Photographer Osvaldo Ponton

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Three women of varied ages and ethnic backgrounds are raising the bar in the beauty industry with a refreshing take on the needs of the makeup market. SPKTRM Beauty is an up-and-coming brand devoted to reshaping the industry to make it more inclusive and transparent. As the world’s first beauty brand to entirely ban skin retouching, it’s safe to say that founders Jasmine Glass, AnnaLiisa Benston and Ehlie Luna are ready to disrupt–– and to liberate.

Beyond their mission to shatter unrealistic ideals in beauty marketing, SPKTRM has created a line of paraben-free, cruelty-free, PETA certified products that are available in a true spectrum of shades. Additionally, a portion of all profits will go to organizations that assist disadvantaged women and the LGBTQ community. “Through celebrating the genuine beauty of more diverse and relatable individuals in our imagery, we aim to dismantle unrealistic ideals and empower our supporters.

By providing an ethically marketed product, our customers can feel good about purchasing SPKTRM Beauty.” Their foundation is inclusivity regardless of race, age, and gender.

The founders come from three different backgrounds: Jasmine is a magazine editor, Ehlie is a makeup artist and singer/songwriter, and AnnaLiisa is an artist and designer. What started as an idea over mocktails quickly became a passionate project. Ehlie recalls, “I couldn’t think of a single reason not to dive in.

It made so much sense and is so aligned with my beliefs.”

While retouching is often the center of controversy in both fashion and beauty (you know, when it gets noticed), SPKTRM has chosen to forgo this common practice altogether. “It's something we had seen slowly pop up in the mainstream market… it felt like such a natural step in the evolution of marketing materials pertaining to beauty.” This concept was an important factor in moving forward with the brand’s development.

Why is banning skin retouching important to you?

Ehlie: As a woman, I’ve definitely felt the pressure retouched images encourage. It was frustrating at times–– that feeling that I just had to play ball. As a makeup artist it’s important to me because I see how this kind of distortion makes it impossible to for people to know what their eyes are actually looking at. It’s this unreasonable standard and I see people holding themselves to it. I’m constantly trying to remind them, those images are mostly a fabrication.

AnnaLiisa: No retouching is a direct reaction to the over saturation felt in social media and online. So much of my identity is wrapped up in visual language. As an artist I see SPKTRM as an opportunity to put more positivity in the world. A celebration of honest visual representation and thus the chance to help people see themselves in the beauty industry: scars, freckles, blemishes, and all.

Beyond inclusivity, representation and ethical responsibility, the brand doesn’t want to stop there. “We intend to move into biodegradable packaging and are interested in less waste overall. We’re also looking at going the reusable as much as possible.” They also plan to continue welcoming more diverse selections of campaign models.

As for any disruptive business, it does not come without hurdles. “We are learning a lot from our initial outreach. Some of our first moves didn't pan out the way we expected, but we're staying flexible and focused.” SPKTRM will be launching its e-commerce platform soon after listening to feedback from supporters. The challenges they face, however, are no match for the reward. (Cont'd.)

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What is the most rewarding part of creating this brand?

Ehlie: The most rewarding part so far is the partnership between Jasmine, AnnaLiisa and I. We each bring different perspectives and it’s something I think we all value.

AnnaLiisa: Hear hear! I couldn't agree more. I'd also add that it's such a honor to start a brand with two like-minded people who truly want to add some positivity to the beauty industry. It feels like a dream.

If you’re looking to start a business, the founders of SPKTRM hold sage advice on making it work. “Use what you know and learn what you don’t. Start now.” They also encourage you to step out of your comfort zone, adding “Work with people who aren't like you. You need people with different skill sets, but similar passions and goals.” Finally, they advise not to shy away from tough advice and prepare for a lot of hard work–– something we’re certain these women are familiar with.

Follow along with @SPKTRM. Beauty to keep up with the latest from the beauty brand, and stay tuned for their e-commerce launch.

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Hat Brixton, Dress Leon Cutler, Pants Eccence, Blouse + Belt -Thrifted 36

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IN LI M BO Photographer Tijana Lilic Stylist Ana Zarac Model Adhel Acuil @ Chadwick Models

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Left: Scarf Picasso, Sunnies Vintage Fendi, Leotard Lovable, Coat 70s Vintage Right: Hat Recycled, Dress Thrifted, Coat Vintage, Socks Stylist’s Own, Shoes Paris Hilton

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Beret The Two Mrs Greenville’s, Earrings Broken Doll Vintage, Dress Missguided, Silk Blouse Vintage

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Left: Suit Katies, Sunglasses Vintage Chloe Right: Scarf + Suit Thrifted 42

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Shirt Neige, Pants Philip Lim/lui Store, Shoes Skechers, Earrings Kopi

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THE FIRE IN YO U R HEART Photographer Filip Zawadzki Stylist Marta Roszewska Makeup & Hair Stylist Karolina Markowska Model Dominika Robak @ D'vision Model Location Warszawa

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Left: Shirt Neige, Pants Philip Lim/lui Store, Shoes Skechers, Earrings Kopi Right: Hat Fenty x Puma/Chmielna20.pl, Hoodie Tommy Jeans, Pants Champion/ Veteran Store, Shoes &Other Stories

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Left: Sweater Jonathan Simkhai/lui Store, Pants Marlu, Belt Neige, Shoes &Other Stories Right: Coat MMC, Hoodie Etma

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Left: Coat MMC, Hoodie Etma Middle: Coat Łukasz Jemioł, Hoodie Etma, Pants Neige, Earrings Kopi Right: Suit MMC, Bag Mandel, Shoes Nike Air Max 97

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HIGH NOON Photographer Eve J. Liu Stylist Monkey Styles Makeup Melyna Reese Hair Stylist Veronica Vargas Model Ma Zizhan @ Next Models

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Clear Rain Coat Heron Preston, Black Mesh Turtleneck Only Hearts, Vintage Two Piece Set, Black Booties Avec Les Filles

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Right: Vintage Custom Suit + Heels Left: Vintage Cache Blazer, Green Metallic Top Topshop, Pleated Tahari, Vintage Heels

Body Gold Crop Skirt

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Vintage Gold Cold Shoulder Dress, Gloves Manoki Leather

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Left: Vintage Gold Cold Shoulder Dress, Gloves Manoki Leather Right: Gold Hologram Sequin Kimono Jaded London, Metallic Dress + Heels Zara, Vintage Belt

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THISTLE AND LEMON Photographer Tran Chau Tu Stylist Stella Mercedes Schwarzer from the collection "Disteln & Zitronen" Makeup & Hair Stylist Melissa Komma using Chanel & Balmain Hair Couture Model Lara Lisboa @ Louisa Models

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E LT H A : AN INTERVIEW WITH DESIGNER SHADGIE JEAN Photographer Jeremy Rodney Hall Stylist Shadgie Jean Makeup Antonio Adrian Hines Model Claudia Stone Fashion Assistant Matt Ward

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Shadgie Jean is the founder and creative director of Eltha, a Canadian brand of ethical and sustainable fashion. Montrealborn and of Haitian origin, Shadgie’s backgrounds in both marketing and fashion come together to form her independent brand. Shadgie’s latest collection of one-of-a-kind wearable art pieces is a true testament to her passion for design.

With a name that means “to be ready”, it’s no surprise that Shadgie readily lives up to the challenge of creating such an intricate collection. With each piece requiring anywhere from days to months to complete, these handmade garments are a feat that not just any brand would take on. “All of the embroidered and painted pieces are hand embroidered and hand painted by women in Haiti.”

Shadgie has held an interest in fashion her whole life, studying under Claudette Floyd through her business degree. With no training or background, she was ready for the challenge.

“I spent hours watching her drape, sew and work. I would then go home, take apart clothing and put them back together. This is how I practice my craft. I can definitely say that I am self taught.”

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Eltha began in 2016, the year her father was diagnosed with pancreatic cancer. While looking into what cancer patients do to feel better, she realized there was no mention of clothing. “I spent months researching fabrics and discovered that the fashion industry is the second most polluting after the biochemistry.”

This inspired Shadgie to hunt down organic and sustainable clothing, but found none suited her style. Thus, Eltha was born: a line using only natural fabrics; certified materials on which women in Haiti would hand embroider and hand paint using non toxic paint.

Is there a deep connection between yourself and your work?

Eltha is an homage to my father, Botex Jean.

After his passing, I travelled to Haiti in October 2016, and gave a small group of women fabrics, threads and all the material needed for my first embroidered fabrics, [which] I received in March 2017. I made a promise to my father that I would always keep an eye on my mother and make sure she is happy. This is why I named my company Eltha. It is my mother’s name. In ancient Greek, it means “Healing”.

Shadgie’s inspiration for the Wearable Art Collection was to showcase the craftsmanship of Haitian women. “The beauty about the time we are living in now is that women can express themselves through different means. I strongly believe that by giving women a salary, you feed a family.” Her aim was to display the resilience, strength and beauty of these women. (Cont'd.)

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Working with women in a country limited in resources, infrastructure and with a lack of education proved to be a challenge, but not a deterrent. “Communication can sometimes be challenging.” Another challenge is within modern society as an ethical, independent designer. “I make a lot of one-of-a-kind pieces to encourage the reduction excess purchase of synthetic clothing and fabrics; moreover, we live in a world where the consumption of fashion is high and fast.”

What kind of impact do you hope to have in the fashion industry?

I aim to provide women with fair, equitable and responsible work by empowering them through the use of their abilities, talent and art to advance in our society. All while promoting real diversity, behind the scenes and on the runway. It is important to raise awareness of the rise of natural fabrics and materials. I truly believe that slow, equitable and sustainable fashion is the future of the industry.

Her motivation is the awareness of how important sustainability is. “Seeing high fashion brands making decisions that are greener and more sustainable, I realize that we are paying attention and listening more to our planet, Mother Earth.” For up-andcomers in the industry, she recommends the ‘five P’s’: passion, purpose, perseverance, persistence and peace. “I believe that you have to have passion; without it you will not be able to move towards your dream. Whatever the idea, know its purpose. By sincerely giving you will receive more. Persevere through thick and thin. Be persistent: Do a little every day!

[Finally,] peace of mind. Be patient and believe in the process.”

Keep up with @eltha_official, and view her one-of-a-kind Wearable Art Collection. eltha.ca

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SHI MM ERS Photographer Ray Ranoa Stylist Maria Maung Makeup Linda Lubrin Hair Stylist Matthew Rogen Model Shimma @ KULT Models

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T-Shirt Jungles, Dress Ganni, Skirt Ganni, Scrunchy Ganni, Earrings Valet Studio

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Left: Left: Jumper AMI Paris, Scrunchy Ganni, Earrings Valet Studio, Bag Truss Right: Top Ganni, Pants Bassike, Scrunchy Ganni

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Jumper Ganni, Dress Ganni, Earrings Valet Studio, Shoes Rag & Bone

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Left: Jumper ACNE Studios, T-Shirt Strangers, Pants Ganni, Scrunchy Ganni, Earrings Valet Studio Middle: Jumper AMI Paris, Skirt Ganni, Scrunchy Ganni, Earrings Valet Studio, Bag Truss, Shoes Rag & Bone Right: Top Ganni, Earrings Valet Studio

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FELL TO PIECES Photographer + Stylist Patrick Lacsina Model Constantin @ Elmer Olsen

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Left: Shirt COS, Pants Banana Republic Right: Shirt Topman, Trousers Saint Laurent

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Left: Trench Coat Ted Baker, Shirt Calvin Klein, Pullover Topman, Pants Theory Right: Jacket Ralph Lauren, Shirt Marc Jacobs, Trousers Perry Ellis 84

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Left: Shirt Hunter Preston, Pants rag&bone, Shoes Lacoste Right: Jacket J.Lindeberg, Tank Top Urban Outfitters

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QUIET FREEDOM Photographer Mateusz Wojnar Stylist Yana Bodyak Makeup Joanna Sliwinska Model Jula Nowak @ Rebel Models Photo Assistant Magdalena Krzepina

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Left: Dress Magdalena Koziej, Hat Topshop, Shoes Mango Right: Dress Anna Wilk, Hat Topshop

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Left: Shirt CYVONYUK, Overalls Kardash, Jewellery + Shoes Topshop Right: Shirt Katarzyna Kaczmarik, Vest + Trousers CYVONYUK, Jewellery ALESSANDRA, Shoes Zara

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Left: Dress Anna Wilk, Hat Topshop, Shoes Versace Right: Dress AJ, Shirt CYVONYUK

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Dress Victor Costa VintageMartini.com

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I CAN' T FORGET Photographer Claudia Grassl @ RenĂŠ Hauser Stylist Ariella Villa Beauty Jo Franco @ Kim Dawson Agency Model Sierra @ Wallflower Management Fashion Assistant Sammy Ramirez Style Assistant Benjii Aguirre Photo Assistant Stephen Hardy Locations Ariella Villa

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Vada Acrylic Disc Collar, Rachel Comey Arcadia Earrings, Opening Ceremony Gathered Coat, Zero + Maria Cornejo Flo Shoe, All Shop. tenoversix.com

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Opening Ceremony Nylon Maxi Anorak Dress, Rachel Comey Desia Belt & Arrow Earrings, Chen Chen & Kai Williams Stone Age Bangle, Zero + Maria Cornejo Flo Shoe, All Shop.tenoversix.com, Kate Spade New York Sheer Socks (Worn Throughout)

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Vada acrylic disc collar, Rachel Comey Arcadia earrings, Opening Ceremony gathered coat, Zero + Maria Cornejo Flo shoe, all Shop.

Tenoversix.com

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FINCHITUA: MODEST WEAR WITH A TWIST Photographer Ausra Osi Stylist Feiruza Mudessir Makeup Simari Beauty Models Courtesy of Niche Modeling Agency

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Dubai-based Ethiopian designer Feiruza Mudessir is disrupting the Middle Eastern fashion scene with her brand Finchitua. With her latest collection titled ‘AvantModest’, Feiruza is putting a twist on traditional modest wear–– designed for women who value modesty and individuality.

Born in Ethiopia, Feiruza moved to India at thirteen to attend high school. This was followed soon after by a move to the UAE, where she decided to study fashion whilst working full-time. With her career stemming from lifelong passion, she has been working for over ten years creating edgy and modern streetwear with origins in a tribal Ethiopia.

“Each and every FInchitua design blends traditional handwoven Ethiopian fabric, made by artisans in the villages of Ethiopia, with modern fabrics which create a fresh, stylish and contemporary look.”

There is a deep connection between Feiruza and her work; it’s essential to create authentic designs. “I design for myself first. In fact, Afro Retro is essentially my personal style played out in a collection.” The brand using traditional Ethiopian tribal fabrics ties the designs deeply to her roots, with the brand, as well, being named after her. “‘Finchitua’ means ‘the girl with the gap in her teeth’ in Amharic, the national language of Ethiopia.”

Her biggest inspiration is her background, her day to day life and the places she visits. “I find inspiration in everything around me. My mum has also been a big influence on me. She is a stylish woman who embellishes a simple dress and makes it look a million dollars.”

What are some of the challenges you have faced?

It's hard for an up and coming designer to find a platform to showcase. Getting exposure whether it be in magazines, stores or on social media is all about your connections.

Networking is a skill I’ve had to learn to overcome this. As a designer, what I’m less skilled at is business and financial management, which in this age, go hand in hand. Learning the business of fashion has been challenging as it doesn’t come naturally to me. I’ve become more adept at business with experience.

Feiruza wants Finchitua to positively impact the fashion industry in the way that it is worn and produced. Her pieces are designed to last, as she is against fast fashion and values quality.

Finchitua also uses sustainable materials and manufactures ethically. “The handwoven Habesha I use in my designs is created by real artisans in rural Ethiopia. This production puts money back into low income communities and makes a real difference to those people and their families.” (Cont'd.)

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As an independent artist, Feiruza is motivated by two things: confidence in her work, and goal setting. “I believe my designs are getting better and better which drives on with each new collection,” adding “I respond best when I have a clear path. Each quarter I set goals for what I want to achieve over the next 13 weeks.

Short term goal setting keeps me focused and on track.”

Do you have any advice for upand-comers?

Keep your designs original. Easier said than done, but so important if you want to stand out from the crowd. To do that you must know exactly what you stand for and how you will convey that through your brand’s message.

Make mistakes. You will not get it right first time and that’s OK. Keep moving forward and treat each mistake as an opportunity to learn and improve. It’s a long game. Learn the business side of fashion. To be able to design and produce you need to understand the basics of business. Read and take online courses to understand the fundamentals.

Follow along with @Finchitua to keep up with the latest, and take a peek at her Avant-Modest line. finchitua.com

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Taupe coat Cos Stores, Jacket Aurora Vintage, Belt Stylist’s Own

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REFLECT IONS Photographer Lucy Rooney Art Director Charlotte Lea Stylist Susie Walsh Makeup Crystal Hair Stylist Makoto Hayashi Model Johanne Lykke @ Wilhelmina Models Fashion Assistant Jade Hennessey Photo Assistant Oliver Francis

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Shirt Vivienne Westwood Man, Corset NoDress Official, Trousers Cow Vintage, Earrings (worn throughout) Monki

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Left: Taupe Suit Trouser Cos Stores, Sheer Tna Dress (Worn as Top) Cow Vintage, Boots Vintage Russell and Bromley, Leather Harness (Worn as Belt) Stylist’s Own Right: Crushed Velvet Jacket Vintage Gianni Versace, Scarf Stylist’s Own 112

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Left: Longline Bra Beyond Retro Vintage, Striped Trouser Zara Woman Right: Longline Bra Beyond Retro Vintage, Striped Trouser Zara Woman, Trouser + Blazer Zara Woman, Yellow Shirt + Mules Stylist's Own

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Earrings Celia Collection, Overalls & Shoes SUPERR, Gloves Stylist's Own

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VER TIC ALS Photographer Tim Gao Stylist + Art Director Celia Chen Makeup & Hair Stylist Rally Wong Model Camelia Yang

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Left: Shirt SAUGE, Earrings Trina Turk Right: Dress DIDDI STUDIO, Earrings J.Crew, Gloves Stylist's Own, Boots RAYE

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Left: Dress DIDDI STUDIO, Earrings J.Crew Right: Knitwear Uniqlo x Lemaire, Shirt DIDDI STUDIO, Tie Vintage item, Pants SUPERR, Shoes HOLYRAPE

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WHEN I SAW YO U IN MY DREAMS I KNEW YO U W E R E THE ONE Photographer Jasmine Chew Stylist + Makeup Mischel Warenits Wardrobe Petra Kovacs Model Emma Lea @ Exit Model Management

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RESOURCES

F O R C R E AT I V E S Essential Sites for Finding Creative Job Listings & Internships

Throughout college, I was constantly combing the internet for opportunities. I didn’t have any connections at first and wanted to find job opportunities that spoke to me and were relevant to my creative career. There are plenty of career sites, but as a creative, how do you know where your time will be best spent? These are the absolute essential sites creative job listings –– so you can stop searching, and start pursuing.

4 Tools Creatives Need to Start Using

As a creative developing your brand, exposure and networking are absolutely crucial to developing a name. These are 4 tools that creatives need to start using. It's time to look outside the box (or grid) for tools that serve you as a creative; not the other way around.

Beyond the BFA: Career Options in the Photo Industry

While pursuing my BFA in Photography, I quickly recognized that not everyone who gets their degree in photography is going to be a photographer –– and that's okay. There are vast amounts of talented photographers who are becoming technically trained and formally educated, and not every one of them is going to be the next Annie Leibovitz. That being said, those thoughts should never discourage you if you are truly passionate about shooting for a living. It is important, however, to consider that there are other routes in the industry that can feed your creative passions.

Model Tests: What They Are and How to Book Them

For up-and-coming photographers, building an industry-standard portfolio can sometimes seem like a challenge. That's why opportunities like model testing are so important to build your portfolio, and build your relationships within the industry. Model testing can involve as few people as a photographer and model, or include a small styling team. Pushing yourself to organize tests can also be a good step into production experience. I've outlined the basics of model testing for new and up-and-coming photographers who are ready to take a dip into the fashion industry.

Creating an Effective Mood Board

When planning a photo shoot, you'll often be asked by members of your team to share a mood board. If you've never made one of these–– don't fret. Everybody has to start somewhere. The first time I was asked to do this, I frantically googled "mood board" and made an atrocious document with all of the images blended together with a feathered eraser. If only I'd had this blog back then. Ha! Let's get started on creating an effective mood board.

5 Reasons Why You Should Submit to Magazines

I've seen a lot of back and forth from photographers about submitting to magazines –– some think it's a great idea, and others are not so fond. As the creator of a submissions-based magazine, it may seem like I'm a little biased, but hear me out. As a creative, I believe magazine submissions can absolutely be worth your time professionally. Here's five good reasons why you should submit to magazines.

Do's and Don'ts of Magazine Submissions

We've gone over why you should submit to magazines, and now you're ready to hit send. Before you do, there are a few tips to consider to ensure the highest chance of success with your submission. Check out my handy list of do's and don'ts of magazine submissions.

8 Trends in Photo Submissions to Avoid

This list is not to say that image-makers who attempt these won’t make a successful image; it is simply a list of trends that I find to be repetitive, making it difficult to see something “new” in them. These are my 8 trends to avoid in photo submissions.

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WINTER 2018 Submissions close November 1, 2018 info@theatlasmagazine.com theatlasmagazine.com/submissions FOLLOW US instagram.com/theatlasmagazine twitter.com/myatlasmagazine facebook.com/theatlasmagazine pinterest.com/atlasmagazine

CREDITS Edited & Designed by Megan Breukelman Co-founded by Megan Breukelman & Olivia Bossert Logo by Jessica Bailey Special thanks to Giselle Melendres

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