the overcoat《暖大衣》

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Theatre du Pif Theatre du Pif is known for its cross-cultural heritage and bilingual production in Cantonese, English or both. Using a workshop and devising process as well as collaborations with dramaturges and artists from other disciplines, the company orchestrates movement, text and visual images to create new productions acclaimed for their power and their poetry. www.thtdupif.com thtdupif@netvigator.com

Coming NEXT… 【The Actor's LAB 演員運動】2015 ......越界土壤 Crossing Canvas 年末展演 Presentation IIII: 白兔洞 THROUGH THE RABBIT HOLE 空間與劇場的試煉<Space & Stage> workshop presentation

30 Dec (Wed), 8pm Cattle Depot, Unit 12 牛棚 12 號屋 韓國導演梁正雄及舞台設計師李淪洙帶領,於牛棚空地及 12 號練習室與 本地專業演者及創作人共同探究空間與劇場的關係。以《愛麗絲夢遊仙境》 為起點,與愛麗絲和白兔先生一起遊園。 Collaborating with award winning Korean director Yang Jungung and stage designer Lee Yunsoo, the workshop will explore the relation between site,space and the stage, based on Alice in the Wonderland. Follow the rabbit and explore! 【訂票 TICKETING】https://goo.gl/uioxXh $60

BEWARE! FOR AT NIGHT A GHOST IS LURKING, READY TO SNATCH YOUR COAT……


暖大衣 THE OVERCOAT

About the playwright Nikolai Gogol (果戈里) (1809-1852)

As the freezing Russian winter approaches, Akaky, a lonely civil service clerk,

Nikolai Gogol (1809-1852) was a Ukrainian-born Russian dramatist and

discovers that his old overcoat has reached its final stages and can no longer

novelist. At the age of 22, he published the first volume of short stories

be repaired. It has become the laughing-stock of the whole office. He goes to

Evenings on a Farm Near Dikanka《狄康卡近鄉夜話》, which led him to an

the tailor, Petrovich and after much bargaining, Petrovitch finally agrees to

important position in Russian’s literary world. The novel Dead Souls《死魂靈》,

make him a new overcoat. Akaky finally saves enough money to get his new

the play The Government Inspector 《欽差大臣》 and the short story The

overcoat and we follow the fate of Akaky and his coat that leads to a

Overcoat《外套》are those among his masterpieces.

surprising ending. After leaving the high school, he made the journey to St. Petersburg to search Performed in English

for a government job, but only ended up with a junior civil servant in housing department. Living in poverty, he experienced the bureaucratic corruption and depression of the poor, which became the inspiration of his literary style. His satirical work undermined Russian Romanticism, and he was recognized as one of the early figures of Realism in Russian Literature.

Director: Bonni Chan Performer: Sean Curran, Anne Tam, Karen Chan, Dorothy Chu, Tomas Tse, Luke Lai

Project Coordinator: Phoenix Lee Production Manager: Lawrence Lee Stage Manager: Fan Man Yan

CAT·14 is financially supported by the Arts Capacity Development Funding

Assistant Stage Manager: Chan Kwun Wang, Cheung Wai Shan, Kwong Ka Chun

Scheme of the Government of the Hong Kong Special Administrative Region.

Company Manager: Jamie Wu

The content of this programme does not reflect the views of the Government of the

Company Assistant: Winnie Fung, Kiki Ng

Hong Kong Special Administrative Region.


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