Year 8 Programme of Study 23-24

Page 1

‭Year 8 Programmes of Study 2023/24‬

‭Subject‬

‭Term 1‬

‭Term 2‬

‭Term 3‬

‭Term 4‬

‭Term 5‬

‭Term 6‬

‭Year End Points‬

‭Art‬

‭ ood‬ F ‭Illustrations -‬

‭ ood‬ F ‭Illustrations -‬

‭ ood‬ F ‭Illustrations‬ ‭-‬

‭Textiles -‬

‭Textiles -‬

‭Textiles -‬

‭ sing iPad Apps‬ U ‭such as‬ ‭Pages App &‬ ‭Painnt App to‬ ‭design & make‬ ‭greetings‬ ‭cards as a‬ ‭resolution from‬ ‭own watercolour‬ ‭& black‬ ‭line illustrations‬ ‭of food.‬ ‭These are to be‬ ‭developed‬ ‭into a‬ ‭3D element‬ ‭paper/card‬ ‭sculpture.‬ ‭Initial focus -‬ ‭chosen focus‬ ‭area,‬ ‭watercolour‬ ‭skills &‬ ‭developments‬ ‭via line.‬

‭ id project‬ M ‭focus - creating‬ ‭a‬ ‭composition‬ ‭digitally via‬ ‭iPad‬ ‭Apps in‬ ‭addition to a 3D‬ ‭product via‬ ‭paper & card.‬

‭ id project‬ M ‭focus -‬ ‭continue‬ ‭exploring textile‬ ‭manipulation‬ ‭techniques.‬ ‭Begin Kente‬ ‭Symbolism‬ ‭research & start‬ ‭to create‬ ‭own designs.‬

‭ nd of project‬ E ‭focus -‬ ‭Having‬ ‭exploredKente‬ ‭Symbolism -‬ ‭heat press‬ ‭print from‬ ‭transfer ink‬ ‭weaving to‬ ‭create a‬ ‭drawstring‬ ‭bag.‬

‭ tudents will have built on Year 7. They‬ S ‭will have been encouraged to refine‬ ‭their work and challenge themselves‬ ‭creatively. Pupils will have been given‬ ‭greater independence in their work and‬ ‭ownership over their outcome and as‬ ‭well as having learnt about‬ ‭the research, presenting, refinement and‬ ‭development of work.‬

‭ reaking‬ B ‭the Mould‬

‭ ewing‬ S ‭machine‬ ‭End of project‬ ‭introduction.‬ ‭focus -‬ ‭Students to‬ ‭creating a‬ ‭understand‬ ‭series of‬ ‭textile‬ ‭greeting’s‬ ‭manipulation‬ ‭cards with‬ ‭such‬ ‭reference to‬ ‭as‬ ‭the addition‬ ‭Batik/Tie-dye/‬ ‭of fonts &‬ ‭Felting‬ ‭colours & the‬ ‭/Applique.‬ ‭impact that‬ ‭Students to‬ ‭has on the‬ ‭explore‬ ‭designs. .‬ ‭Kente‬ ‭Symbolism -‬ ‭heat‬ ‭press print from‬ ‭transfer‬ ‭ink weaving.‬ ‭Initial focus -‬ ‭sewing‬ ‭machine &‬ ‭hand-stitching‬ ‭basic skills.‬ ‭Begin‬ ‭exploring textile‬ ‭manipulation‬ ‭techniques‬ ‭such as‬


‭ atik/Tie-dye/‬ B ‭Felting‬ ‭/Applique .‬ ‭ omputer‬ C ‭Science‬

‭ odule:‬ M ‭Computer and‬ ‭Cyber Crime‬

‭ odule:‬ M ‭Website Hack‬ ‭Attack‬

‭ opics‬‭: Email‬ T ‭Scams,‬ ‭Computer‬ ‭Misuse,‬ ‭Protecting‬ ‭Personal Data,‬ ‭Copyright and‬ ‭Health and‬ ‭Safety‬

‭ opics‬‭: HMTL,‬ T ‭Web Analysis‬ ‭and Design,‬ ‭Development,‬ ‭Web Forms.‬

‭ ey Skills‬‭:‬ K ‭Write HTML‬ ‭code to create‬ ‭a simple web‬ ‭Key Skills‬‭:‬ ‭page and‬ ‭Legal‬ ‭display it in a‬ ‭safeguards‬ ‭browser. Write‬ ‭regarding‬ ‭CSS to define‬ ‭computer use,‬ ‭the styles used‬ ‭including‬ ‭in a web page.‬ ‭overviews of the‬ ‭Create a simple‬ ‭Computer‬ ‭navigation‬ ‭Misuse Act, Data‬ ‭system using‬ ‭Protection Act‬ ‭HTML. Use a‬ ‭ nd GDPR and‬ a ‭design to‬ ‭Copyright Law‬ ‭create a‬ ‭and their‬ ‭template for a‬ ‭implications for‬ ‭web page using‬ ‭computer use.‬ ‭HTML. Create‬ ‭Phishing scams‬ ‭their own‬ ‭and other email‬ ‭multi-page‬ ‭frauds, hacking,‬ ‭website. Insert‬ ‭“data harvesting”‬ ‭text, images‬

‭ odule:‬ M ‭Python‬ ‭Programming‬ ‭Skills‬ ‭ opics‬‭:‬ T ‭Strings and‬ ‭Variables,‬ ‭Data Types‬ ‭and‬ ‭Arithmetic,‬ ‭Selection,‬ ‭Iteration,‬ ‭Debugging.‬ ‭ ey Skills‬‭:‬ K ‭Run simple‬ ‭Python‬ ‭programs in‬ ‭Interactive‬ ‭and Script‬ ‭mode. Write‬ ‭pseudocode‬ ‭to outline the‬ ‭steps in an‬ ‭algorithm‬ ‭prior to‬ ‭coding. Write‬ ‭programs‬ ‭using‬ ‭different‬ ‭types of data‬ ‭(e.g. strings‬

‭ odule:‬ M ‭Software‬ ‭Development,‬ ‭Python Project‬ ‭ opics‬‭:‬ T ‭Variables and‬ ‭Constants,‬ ‭Looping‬ ‭Conditions,‬ ‭Developing‬ ‭Solutions to‬ ‭Problems‬ ‭ ey Skills:‬ K ‭Understand the‬ ‭use of variables‬ ‭and constants‬ ‭and when to‬ ‭use one over‬ ‭the other. Using‬ ‭count controlled‬ ‭and conditional‬ ‭loops. Be able‬ ‭to develop a‬ ‭solution to a‬ ‭problem‬ ‭through design‬ ‭and‬ ‭development‬ ‭including‬ ‭pseudocode,‬ ‭data flow‬

‭ odule:‬ M ‭Computational‬ ‭thinking‬ ‭ opics‬‭:‬ T ‭Computer‬ ‭Models,‬ ‭Creating a‬ ‭Financial Model,‬ ‭What If‬ ‭Scenarios,‬ ‭Conditional‬ ‭Formatting and‬ ‭Validation,‬ ‭Charts and‬ ‭Analysis.‬

‭ odule:‬‭IPad‬ M ‭Video Editing‬ ‭ opics:‬ T ‭Introduction to‬ ‭Digital Video,‬ ‭Project‬ ‭Planning,‬ ‭Shooting‬ ‭Scenes,‬ ‭Editing and‬ ‭Final Cut.‬

‭ ey Skills:‬ K ‭Develop a‬ ‭video to raise‬ ‭awareness of‬ ‭Key Skills‬‭: Give‬ ‭cyber-crime‬ ‭examples of‬ ‭and fraudulent‬ ‭how computer‬ ‭activity. Work‬ ‭models are‬ ‭as part of a‬ ‭used in the real‬ ‭team to‬ ‭world. Format a‬ ‭complete an‬ ‭simple‬ ‭appropriate‬ ‭spreadsheet‬ ‭advertisement‬ ‭model. Use‬ ‭or movie. Work‬ ‭simple formulae‬ ‭collaboratively‬ ‭and functions.‬ ‭on editing and‬ ‭ ame cells in a‬ ‭giving‬ N ‭spreadsheet‬ ‭feedback on‬ ‭model. Use a‬ ‭the work of‬ ‭simple‬ ‭others. Use of‬ ‭spreadsheet‬ ‭green screen.‬

‭ nderstand and name the major acts‬ U ‭concerning computer use. Describe‬ ‭briefly some of the dangers of putting‬ ‭personal data on social networking sites‬ ‭Understand ways of protecting online‬ ‭identity and identify some of the signs of‬ ‭fraudulent emails and respond‬ ‭appropriately. Reference Copyright Law‬ ‭when using written text, downloading‬ ‭music etc. List some of the Health and‬ ‭Safety hazards associated with‬ ‭computer use. Describe how to safely‬ ‭dispose of an old computer in order to‬ ‭minimise impact on the environment.‬ ‭Understand sequence, selection and‬ ‭iteration when constructing programs.‬ ‭Manipulate denary numbers into other‬ ‭number systems through conversions.‬ ‭Be familiar with encryption and the need‬ ‭to protect personal data.‬


i‭dentity theft and‬ ‭safe use of‬ ‭social media are‬ ‭discussed‬ ‭together with‬ ‭ways of‬ ‭protecting online‬ ‭identity and‬ ‭privacy. Health‬ ‭and Safety Law‬ ‭and‬ ‭environmental‬ ‭issues such as‬ ‭the safe disposal‬ ‭of old computers‬ ‭are also‬ ‭discussed‬ ‭ P1‬‭: End of Unit‬ M ‭Assessment‬

‭ nd links on‬ a ‭their web‬ ‭pages.‬ ‭ P1‬‭: End of‬ M ‭Topic‬ ‭Assessment‬

‭ nd integers).‬ a ‭Correctly use‬ ‭different‬ ‭variable types‬ ‭(e.g. integer‬ ‭and floating‬ ‭point),‬ ‭assignment‬ ‭statements,‬ ‭and‬ ‭arithmetic‬ ‭operators.‬ ‭Distinguish‬ ‭between‬ ‭syntax and‬ ‭logic errors‬ ‭and be able‬ ‭to find and‬ ‭correct both‬ ‭types of error.‬ ‭Describe the‬ ‭purpose of‬ ‭pseudocode‬ ‭in designing‬ ‭algorithms.‬ ‭Use‬ ‭comments to‬ ‭document‬ ‭their‬ ‭programs and‬ ‭explain how‬ ‭they work.‬ ‭Write an‬ ‭error-free,‬ ‭well-documen‬ ‭ted program‬ ‭involving‬ ‭sequence,‬

‭ iagrams,‬ d ‭creating a test‬ ‭plan and‬ ‭selecting‬ ‭appropriate test‬ ‭data..‬ ‭ P1‬‭: End of‬ M ‭Topic‬ ‭Assessment‬

‭ odel to‬ m ‭explore different‬ ‭“what if”‬ ‭scenarios.‬ ‭Create a basic‬ ‭pie chart to‬ ‭display results‬ ‭graphically.‬ ‭Explain what is‬ ‭meant by a‬ ‭financial model‬ ‭ P1‬‭: End of‬ M ‭Topic‬ ‭Assessment‬

‭ how‬ S ‭discrimination‬ ‭in selecting‬ ‭accompanying‬ ‭material such‬ ‭as still images,‬ ‭sound effects‬ ‭and‬ ‭background‬ ‭music. Use a‬ ‭range of digital‬ ‭devices. Use‬ ‭video‬ ‭transitions and‬ ‭video effects to‬ ‭improve their‬ ‭movie. Select‬ ‭appropriate‬ ‭material for a‬ ‭specific‬ ‭audience.‬ ‭Combine‬ ‭music and‬ ‭sound effects‬ ‭with moving‬ ‭and still‬ ‭images from‬ ‭different‬ ‭packages and‬ ‭sources into‬ ‭one end‬ ‭product. Add‬ ‭introductory‬ ‭and final‬ ‭pages with‬ ‭appropriate‬ ‭text.‬


s‭ election and‬ ‭iteration, but‬ ‭with some‬ ‭help given. ‬

‭ P1:‬‭End of‬ M ‭Topic‬ ‭Assessment‬

‭ P1‬‭: End of‬ M ‭Topic‬ ‭Assessment‬ ‭Drama‬

‭ rama skills -‬ D ‭Intro to‬ ‭Naturalism‬ ‭ verview‬ O ‭-Develop‬ ‭understanding of‬ ‭Naturalistic‬ ‭Drama and its‬ ‭popularity in the‬ ‭C19th‬ ‭-Characterisatio‬ ‭n‬ ‭-Creating a‬ ‭reality‬ ‭-Given‬ ‭Circumstance/‬ ‭fact and opinion‬ ‭/ finding action in‬ ‭the text‬ ‭-Students to self‬ ‭and peer assess‬

‭ tage Combat‬ S ‭and Script‬

‭ verview:‬ O ‭-Use of stage‬ ‭combat, using‬ ‭the body, the‬ ‭importance of‬ ‭safe practice,‬ ‭warm-up/cool‬ ‭down‬ ‭-Skill level of‬ ‭focus,‬ ‭observation‬ ‭and strategy‬ ‭-Techniques in‬ ‭theory to‬ ‭practise‬ ‭-Use of timing‬ ‭and‬ ‭communication‬ ‭on stage.‬ ‭Assessment 1‬‭–‬ ‭-Exploration of‬ ‭Using rehearsal‬ ‭use of stage‬ ‭techniques to‬ ‭combat in‬ ‭build a dialogue‬ ‭theatre/film‬ ‭and character.‬

‭Macbeth‬

‭Silent Film‬

‭ verview‬ O ‭-‭E ‬ pic scenes‬ ‭and‬ ‭ensemble‬ ‭work‬ ‭-Creating‬ ‭intensity in‬ ‭character‬ ‭and rapport‬ ‭on stage‬ ‭-Exploration‬ ‭of‬ ‭Shakespeare’‬ ‭s tragedy and‬ ‭use of‬ ‭Shakespeare‬ ‭an language.‬ ‭-Delivery of‬ ‭the text -‬ ‭focus on‬ ‭vocal skills.‬ ‭-Application‬ ‭of script to‬ ‭stage‬ ‭techniques‬

‭ verview:‬ O ‭-‭T ‬ o explore and‬ ‭understand‬ ‭history of silent‬ ‭film and its‬ ‭mark on‬ ‭modern film and‬ ‭theatre.‬ ‭- Explore mime‬ ‭skills and‬ ‭techniques.‬ ‭-To create a‬ ‭silent film using‬ ‭music and‬ ‭editing skills‬ ‭(iPads).‬ ‭-To work‬ ‭together‬ ‭collaboratively‬ ‭as a group with‬ ‭the addition of‬ ‭non-performanc‬ ‭e roles.‬ ‭-Students to self‬ ‭and peer‬ ‭assess‬

‭ arce and‬ F ‭Physical‬ ‭Comedy‬ ‭ verview:‬ O ‭-Exploration of‬ ‭genres of‬ ‭comedy‬ ‭-Understanding‬ ‭of key‬ ‭techniques such‬ ‭as timing/‬ ‭repetition / motif‬ ‭phrases /‬ ‭stereotypes‬ ‭-Comedy‬ ‭through the‬ ‭ages‬ ‭-Clocking the‬ ‭audience skills‬ ‭and rapport with‬ ‭performer and‬ ‭audience.‬ ‭-Students to self‬ ‭and peer assess‬

‭Frankenstein‬

‭End Points:‬

‭ verview:‬ O ‭-‭T ‬ o explore‬ ‭and‬ ‭understand‬ ‭(read, discuss‬ ‭and perform)‬ ‭the classic text‬ ‭of‬ ‭Frankenstein.‬ ‭-To understand‬ ‭the themes‬ ‭present in the‬ ‭text.‬ ‭- To explore‬ ‭the character‬ ‭in detail using‬ ‭both acting‬ ‭and rehearsal‬ ‭techniques.‬ ‭To work‬ ‭together‬ ‭collaboratively‬ ‭as a group.‬

‭ ) To extend understanding of skills‬ 1 ‭learnt in Year 7; acting technique and‬ ‭skill is progressed in order to show‬ ‭understanding of how to create a‬ ‭performance from the page to stage.‬ ‭Students will have increased repertoire‬ ‭of performance skills. EG. vocal skills‬ ‭used in Radio Drama in Yr 7 is utilised‬ ‭and honed when working on Naturalism‬ ‭term 1 Yr 8. The skills of diction, pause,‬ ‭pace are skills in Radio Drama that are‬ ‭built upon to create Naturalistic‬ ‭characterisation in Term 1 of Year 8.‬ ‭ ) Collaborative skills show confidence‬ 2 ‭and logistics of group work skills. How to‬ ‭communicate well with others is evident.‬ ‭ ) Performance stimuli and creation of‬ 3 ‭work shows knowledge of range of‬ ‭cultures and influences in theatre.‬


‭ ractical‬ P ‭performance‬ ‭using key‬ ‭techniques.‬

‭ rama -‬ D ‭Reason‬ ‭for SoW‬

‭ ecap of last‬ R ‭year‬ ‭Transferable‬ ‭skills – helpful‬ ‭for confidence,‬ ‭team building,‬ ‭decision making.‬ ‭Character‬ ‭building – voice,‬ ‭movement,‬ ‭interaction.‬ ‭Use of rehearsal‬ ‭techniques‬ ‭ lacement of‬ P ‭SOW‬‭- To recap‬ ‭and revise‬ ‭knowledge from‬ ‭last year.‬

-‭ Students to‬ ‭self and peer‬ ‭assess‬

-‭ Students to‬ ‭self and peer‬ ‭assess‬

‭ ssessment 2‬ A ‭–‬ ‭Application of‬ ‭stage combat‬ ‭applied to text‬ ‭and flow of‬ ‭stage combat‬ ‭/script to form‬ ‭assessment.‬

‭ ssessment‬ A ‭3‬ ‭–Performanc‬ ‭e of section of‬ ‭Macbeth text,‬ ‭showing‬ ‭range of‬ ‭characterisati‬ ‭ons and‬ ‭interpretation‬ ‭of the text.‬

‭ xplore how a‬ E ‭script is written‬ ‭(stage‬ ‭directions etc.)‬ ‭Explore‬ ‭physical‬ ‭communication‬ ‭and non-verbal‬ ‭communication‬ ‭Build on acting‬ ‭and directing‬ ‭techniques‬ ‭To reflect on‬ ‭and evaluate‬ ‭performances.‬

‭ o‬ T ‭understand,‬ ‭read and‬ ‭perform‬ ‭Shakespeare.‬ ‭To explore‬ ‭character‬ ‭(voice/movem‬ ‭ent‬ ‭/interaction)‬ ‭Rehearsal‬ ‭techniques –‬ ‭develop‬ ‭further.‬

‭ lacement of‬ P ‭SOW‬‭- to gain‬ ‭a better‬ ‭understanding‬

‭ lacement of‬ P ‭SOW‬‭- to‬ ‭build upon‬ ‭study of‬ ‭Shakespeare‬

‭ ssessment 4‬ A ‭– Assessment‬ ‭of final edited‬ ‭Silent Film‬ ‭performance‬ ‭(use of ipads)‬

‭ ssessment 5‬ A ‭- Choice of‬ ‭comedy‬ ‭performances‬ ‭for assessment‬ ‭to suit student:‬ ‭performance in‬ ‭small groups‬ ‭using range of‬ ‭skills from script‬ ‭writing, to‬ ‭improvisation, to‬ ‭sketches.‬

-‭ Students to‬ ‭self and peer‬ ‭assess‬

‭ ain increased‬ G ‭understanding‬ ‭of mime‬ ‭Explore Charlie‬ ‭Chaplin Buster‬ ‭Keyton‬ ‭Non-verbal‬ ‭communication‬ ‭To create silent‬ ‭films‬ ‭(narrative/storyt‬ ‭elling/‬ ‭script writing)‬

‭ o explore use‬ T ‭of timing and‬ ‭sequencing.‬ ‭To grow more‬ ‭confident with‬ ‭the‬ ‭performer/audie‬ ‭nce relationship‬ ‭To explore the‬ ‭progression of‬ ‭comedy in‬ ‭recent history.‬ ‭To explore‬ ‭adaptations to‬ ‭comedy in‬ ‭different‬ ‭cultures‬

‭ o explore a‬ T ‭classic text‬ ‭written in‬ ‭C19th by‬ ‭female writer‬ ‭To gain‬ ‭confidence‬ ‭with a‬ ‭challenging‬ ‭text.‬ ‭To explore‬ ‭themes of loss,‬ ‭isolation,‬ ‭betrayal and‬ ‭societal‬ ‭pressures.‬ ‭To look at‬ ‭adaptations of‬ ‭the story‬ ‭(National‬ ‭Theatre Danny‬

‭ lacement of‬ P ‭SOW‬‭- to build‬ ‭on mime skills‬ ‭and explore‬ ‭historical‬ ‭context and‬

‭ lacement of‬ P ‭SOW‬‭- to build‬

‭ ssessment 6‬ A ‭– Practical‬ ‭assessment of‬ ‭ability to‬ ‭maintain‬ ‭character in a‬ ‭performance‬ ‭and sustain‬ ‭audience‬ ‭attention.‬ ‭KS3 Practical‬ ‭Exam‬


‭English‬

‭The Gothic‬ ‭ im‬‭: To‬ A ‭introduce‬ ‭students to the‬ ‭gothic genre in‬ ‭preparation for‬ ‭their 19‬‭th‬ ‭century‬ ‭novel at GCSE‬ ‭and to develop‬ ‭their analytical‬ ‭skills acquired in‬ ‭Year 7. To help‬ ‭students‬ ‭understand‬ ‭gothic women‬ ‭stereotypes and‬ ‭how they‬ ‭engage with‬ ‭contemporary‬ ‭views.‬

‭ f non-verbal‬ o ‭communication‬ ‭and precision‬ ‭of movement.‬ ‭Use of stage‬ ‭combat in‬ ‭creative‬ ‭industries today‬ ‭(theatre/film/ad‬ ‭vertising)‬

t‭ext from‬ ‭year 7.‬ ‭Enhancing‬ ‭cultural‬ ‭knowledge of‬ ‭Elizabethan‬ ‭context and‬ ‭Shakespeare’‬ ‭s influences.‬

i‭nfluence of‬ ‭Silent Film in‬ ‭C20th and‬ ‭C21st theatre‬ ‭and film.‬

‭ pon recent‬ u ‭skills learnt in‬ ‭year 8. A‬ ‭creative and‬ ‭lively scheme in‬ ‭order to keep‬ ‭pupils interested‬ ‭and invested in‬ ‭the subject.‬

‭ oyle’s‬ B ‭version)‬

‭ Christmas‬ A ‭Carol‬

‭ ravel‬ T ‭Writing‬

‭Macbeth‬

‭ rime and‬ C ‭Punishment‬

‭ ulture and‬ C ‭Identity‬ ‭Poetry‬

‭ im‬‭: To‬ A ‭consolidate‬ ‭prior‬ ‭knowledge of‬ ‭Dickens and‬ ‭his writing and‬ ‭apply the skills‬ ‭used to an‬ ‭entire novel/ to‬ ‭teach a whole‬ ‭GCSE text in‬ ‭preparation for‬ ‭KS4. To‬ ‭develop‬ ‭students’‬ ‭understanding‬ ‭of cultural and‬ ‭contextual‬ ‭influences on‬

‭ lacement of‬ P ‭SOW‬‭- To‬ ‭complete year‬ ‭with study of a‬ ‭well-known‬ ‭classic text‬ ‭and utilising‬ ‭drama skills‬ ‭learnt‬ ‭throughout‬ ‭KS3.‬

‭ eading:‬ R ‭Clearly explain effect of linguistic and‬ ‭Aim‬‭: To‬ ‭structural features, zooming in to writers’‬ ‭Aim:‬‭To‬ ‭develop on prior‬ ‭Aim‬‭: To revisit‬ ‭methods and commenting on how‬ ‭examine the‬ ‭learning by‬ ‭non-fiction texts.‬ ‭Aim‬‭: To‬ ‭writer’s choices produce meanings. Be‬ ‭genre and‬ ‭studying an‬ ‭To understand‬ ‭introduce to‬ ‭able to explain inferred meanings clearly‬ ‭techniques of‬ ‭entire play-‬ ‭morals and‬ ‭unseen poetry‬ ‭and confidently, exploring alternative‬ ‭travel writing‬ ‭thus, preparing‬ ‭ethics when‬ ‭in preparation‬ ‭interpretations (including polysemy,‬ ‭to‬ ‭for R+J at KS4.‬ ‭shaping their‬ ‭for Lit Paper 2.‬ ‭symbolism). Clearly compare two writers’‬ ‭describe/ente‬ ‭To expose‬ ‭own personal‬ ‭To develop an‬ r‭ tain/persuad‬ ‭students to an‬ ‭viewpoints and‬ ‭appreciation of‬ ‭viewpoints, attitudes and the techniques‬ ‭they use to express their ideas.‬ ‭e in prep for‬ ‭early example‬ ‭ erspectives‬ p ‭different‬ ‭GCSE Lang.‬ ‭of a femme‬ ‭(human‬ ‭cultures,‬ ‭Be confident in reading and interpreting‬ ‭To‬ ‭fatale. To‬ ‭rights/law/journa‬ ‭experiences,‬ ‭challenging texts, including‬ ‭understand‬ ‭explore different‬ ‭lism/ethics in‬ ‭attitudes and‬ ‭the skills‬ ‭interpretations‬ ‭science).‬ ‭how these- as‬ ‭Shakespeare. Develop appreciation of‬ ‭depth of meaning and the writer’s‬ ‭used for‬ ‭and contextual‬ ‭well as the‬ ‭advertising‬ ‭factors‬ ‭Skills‬‭: Writing‬ ‭poet’s gender-‬ ‭intentions. Be able to link meanings and‬ ‭ideas in literary texts to specific‬ ‭and look a‬ ‭surrounding‬ ‭to‬ ‭impact their‬ ‭contextual factors and apply wider‬ ‭range of‬ ‭characters and‬ ‭argue/persuade/‬ ‭writing.‬ ‭knowledge and enhance cultural capital.‬ ‭contemporary‬ ‭to understand‬ ‭speaking and‬ ‭non-fiction‬ ‭the complexities‬ ‭listening/‬


‭ kills‬‭: Close‬ S ‭textual analysis/‬ ‭appreciation and‬ ‭effect of context/‬ ‭aspects of‬ ‭structure and‬ ‭understanding‬ ‭how tension is‬ ‭built- emulating‬ ‭style.‬

‭Geography‬

‭ orality and‬ m ‭social‬ ‭responsibility.‬ ‭(Writing novels/‬ ‭short stories for‬ ‭newspapers/tel‬ ‭evision).‬

‭ riters,‬ w ‭inspiring‬ ‭students to‬ ‭travel and‬ ‭explore and‬ ‭add cultural‬ ‭capital.‬

‭ f the human‬ o ‭psyche.‬

‭ kills‬‭:‬ S ‭language‬ ‭analysis/‬ ‭embedding‬ ‭context/creative‬ ‭Skills‬‭: Essay‬ ‭Skills‬‭:‬ ‭writing /‬ ‭writing/‬ ‭Writing to‬ ‭descriptive‬ ‭evaluating and‬ ‭argue/persua‬ ‭writing/ drama‬ ‭developing‬ ‭de/‬ ‭skills/ directorial‬ ‭critical‬ ‭discriminating‬ ‭choices.‬ ‭response/ close‬ ‭between and‬ ‭textual‬ ‭understandin‬ ‭analysis/‬ ‭g different‬ ‭ ppreciation‬ a ‭attitudes and‬ ‭and effect of‬ ‭perspectives.‬ ‭context/‬ ‭aspects of‬ ‭structure‬ ‭(hitting the‬ ‭same AOs‬ ‭needed for‬ ‭KS4).‬

‭ opulation and‬ P ‭Migration‬

‭ oastal‬ C ‭Landscapes‬

‭ auses of‬ C ‭population‬ ‭growth.‬ ‭Patterns of life‬ ‭expectancy.‬ ‭Causes and‬ ‭impacts of‬ ‭migration.‬

‭ oastal‬ C ‭processes;‬ ‭formation of‬ ‭wave-cut‬ ‭platforms,‬ ‭stacks and‬ ‭spits;‬ ‭Coastal‬ ‭management‬

‭Urbanisation‬ H ‭ ydrology &‬ ‭Flooding‬ ‭Growth of‬ ‭settlements.‬ ‭Water Cycle.‬ ‭Urban land‬ ‭Causes of‬ ‭use in AC‬ ‭flooding.‬ ‭and LIDC‬ ‭Hydrographs.‬ ‭cities.‬ ‭Impacts of‬ ‭Challenges of‬ ‭flooding.‬ ‭urban areas.‬ ‭Management of‬ ‭Fieldwork‬ ‭floods.‬

‭ nalysing‬ a ‭journalistic form/‬ ‭understanding‬ ‭issues of‬ ‭bias/opinion.‬

‭ kills‬‭: To‬ S ‭develop‬ ‭practical skills‬ ‭in annotation‬ ‭and analysis.‬ ‭To remind‬ ‭students of‬ ‭prior learning‬ ‭at KS2 and‬ ‭develop on‬ ‭understanding‬ ‭of poetic‬ ‭techniques.‬

‭Writing:‬ ‭ rite technically precise responses with‬ W ‭a controlled range of vocabulary,‬ ‭sentence forms, grammatical‬ ‭constructions, and accurate spelling of‬ ‭ambitious vocabulary for a wide range of‬ ‭purposes and audiences.‬ ‭ houghtfully explore characterisation,‬ T ‭setting and other narrative features when‬ ‭devising their own creative work,‬ ‭reflecting on feedback and re-drafting to‬ ‭improve.‬ ‭ racy:‬ O ‭-Pupils will be confident with identifying‬ ‭and delivering features of a persuasive‬ ‭speech.‬ •‭ listens to questions / feedback,‬ ‭responds thoughtfully and if appropriate‬ ‭contribute further ideas and information.‬

‭ eography of‬ G ‭Africa‬

‭ eography of‬ G ‭Africa‬

‭ nderstand how and why populations‬ U ‭may change over time.‬

‭ ey locations.‬ K ‭Physical‬ ‭Geography:‬ ‭climate and‬ ‭biomes.‬ ‭Synoptic links‬ ‭between‬ ‭climate, farming‬ ‭and food supply.‬

I‭nfluence of‬ ‭physical‬ ‭geography on‬ ‭tourism, piracy‬ ‭and migration.‬ ‭Addressing‬

‭ nderstand the causes and effects of‬ U ‭internal and international migration.‬

‭ nderstand how geomorphological‬ U ‭processes and geology create varied‬ ‭misconceptions‬ ‭coastal landscapes and that these short‬ ‭term changes need to be managed in a‬ .‭‬ ‭sustainable manner.‬


‭ nderstand how urban areas have‬ U ‭grown, the resulting characteristics and‬ ‭how urban areas can be improved‬ ‭sustainably.‬ ‭ nderstand how changes in the‬ U ‭hydrological cycle and human activity‬ ‭cause flooding.‬ ‭ nderstand how the impacts and‬ U ‭responses to flooding vary between‬ ‭countries.‬ ‭ nderstand the characteristics and‬ U ‭locations of selected ecosystems /‬ ‭biomes such as coral reefs, hot deserts,‬ ‭tropical grasslands.‬ ‭ nderstand how economic activities can‬ U ‭be dependent on physical factors‬ ‭(farming in Africa, tourism in Kenya,‬ ‭piracy in Somalia) and international links‬ ‭(tourism, Chinese investment in Africa).‬ ‭ nderstand how the impact of‬ U ‭geographical events may vary between‬ ‭countries with differing levels of‬ ‭development.‬ ‭ now the physical and human‬ K ‭characteristics of Africa and some of the‬ ‭factors influencing these characteristics.‬ ‭ now the key locations in the Middle‬ K ‭East.‬


I‭n groups, plan and complete a fieldwork‬ ‭investigation within the school grounds.‬ ‭ se OS map evidence to describe‬ U ‭landscape features and explain locations‬ ‭of economic activities.‬ ‭ escribe, present and/or analyse‬ D ‭geographical data using more complex‬ ‭techniques.‬ ‭ rovide partly developed explanations‬ P ‭for geographical features.‬ ‭ pply geographical knowledge in order‬ A ‭to make balanced judgements.‬ ‭History‬

‭ opics‬‭: Dangers‬ T T ‭ opics:‬‭The‬ ‭of Tudor‬ ‭Industrial‬ ‭England‬ ‭Revolution‬ ‭ nquiry‬ E ‭question:‬‭How‬ ‭dangerous was‬ ‭Tudor England?‬ ‭ ontent:‬ C ‭Religious conflict‬ ‭between‬ ‭Protestants &‬ ‭Catholics,‬ ‭Witchcraft,‬ ‭Gunpowder Plot‬

‭ nquiry‬ E ‭question‬‭: How‬ ‭revolutionary‬ ‭was the‬ ‭Industrial‬ ‭Revolution?‬ ‭ ontent:‬ C ‭Social‬ ‭conditions of‬ ‭the Industrial‬ ‭Revolution,‬ ‭Urbanisation,‬ ‭Public Health,‬

‭ opics:‬ T ‭Growth,‬ ‭morality &‬ ‭resistance‬ ‭towards the‬ ‭British Empire‬ ‭ nquiry‬ E ‭question:‬ ‭How were‬ ‭people‬ ‭affected by‬ ‭the British‬ ‭Empire?‬ ‭ ontent:‬ C ‭Development‬ ‭of Empire,‬

‭ opics:‬ T ‭Transatlantic‬ ‭slave trade‬ ‭ nquiry‬ E ‭question:‬‭How‬ ‭did people‬ ‭resist the slave‬ ‭trade?‬ ‭ ontent:‬ C ‭Origins of‬ ‭slavery,‬ ‭experiences of‬ ‭slavery, slave‬ ‭resistance,‬ ‭impact on South‬ ‭West England,‬

‭ opics:‬ T ‭Thematic study‬ ‭of multicultural‬ ‭Britain‬

‭ opics:‬‭Votes‬ T ‭for women‬

‭ nquiry‬ E ‭question‬‭: Has‬ ‭Britain always‬ ‭had a global‬ ‭identity?‬

‭ nquiry‬ E ‭question:‬ ‭How did‬ ‭women‬ ‭achieve‬ ‭political‬ ‭suffrage?‬

‭ ontent:‬ C ‭Roman to‬ ‭medieval‬ ‭migration‬ ‭groups, Irish‬ ‭migration,‬ ‭British empire &‬

‭ ontent:‬ C ‭Tactics of‬ ‭Suffragists &‬ ‭suffragettes,‬ ‭death of Emily‬ ‭Davison, role‬ ‭of women in‬

‭ o understand how society changed due‬ T ‭to the challenges it faced, including‬ ‭reasons for this change.‬ ‭ valuate the reasons for change (eg‬ E ‭religion), starting to differentiate between‬ ‭short & long term causes &‬ ‭consequences.‬ ‭ ble to write PEE paragraphs, with a‬ A ‭wider range of evidence being used &‬ ‭links made between paragraphs.‬ ‭ o analyse the content of sources and‬ T ‭draw conclusions about one aspect of‬ ‭provenance.‬


‭ ssessment:‬ A ‭How dangerous‬ ‭was Tudor‬ ‭England?‬ ‭ kills‬‭: Sources‬ S ‭& interpretations‬ ‭ ultural Capital:‬ C ‭Minorities in the‬ ‭Early Modern‬ ‭Era,‬ ‭Reformation,‬ ‭Religious‬ ‭intolerance,‬ ‭witchcraft &‬ ‭patriarchy, Black‬ ‭Tudors‬ ‭experience‬

‭Maths‬

‭ umber‬ N ‭Prime factors,‬ ‭HCF and LCM‬

‭ rime & Jack‬ C ‭the Ripper‬

I‭mpacts on‬ ‭Britain &‬ ‭colonies,‬ ‭British in‬ ‭India, legacy‬ ‭of Empire‬

‭ ssessment:‬ A ‭Did the‬ ‭Industrial‬ ‭Revolution‬ ‭make life better‬ A ‭ ssessment:‬ ‭for ordinary‬ ‭Mid year‬ ‭people?‬ ‭exam‬ ‭ kills‬‭: Nature‬ S ‭& extent of‬ ‭change‬ ‭ ultural Capital‬ C ‭includes:‬ ‭Technology and‬ ‭new inventions,‬ ‭Cultural/‬ ‭political impact‬ ‭of urbanisation,‬ ‭Impact of‬ ‭industrial past‬ ‭on Britain‬ ‭today,‬ ‭government‬ ‭intervention in‬ ‭crime & public‬ ‭health‬

‭ lgebraic‬ A ‭Thinking‬

c‭ ampaign for‬ ‭abolition.‬

‭ ost WW2‬ p ‭migration‬

‭ ssessment:‬ A ‭What caused‬ ‭the abolition of‬ ‭the slave trade?‬

‭ ssessment:‬ A ‭What impact‬ ‭have migrants‬ ‭had on British‬ ‭history? (TBC)‬

‭ kills:‬ S ‭Significance &‬ ‭causation‬

‭Skills:‬ ‭ kills:‬‭Thematic‬ C S ‭ ausation‬ ‭study of change‬ ‭Cultural‬ ‭Cultural Capital:‬ ‭Capital‬ ‭Push/pull‬ ‭includes:‬ ‭factors of‬ ‭Importance of‬ ‭migration,‬ ‭extending the‬ ‭political/religious‬ ‭political‬ ‭refugees,‬ ‭franchise,‬ ‭minorities in‬ ‭tactics used to‬ ‭British history,‬ ‭cause political‬ ‭Windrush‬ ‭change,‬ ‭generation &‬ ‭women’s role‬ ‭economic‬ ‭in the WW1,‬ ‭migrants post‬ ‭Traditional‬ ‭WW2‬ ‭gender‬ ‭stereotypes‬

‭ kills:‬ S ‭Consequence‬ ‭s & impacts‬ ‭ ultural Capital‬ C ‭includes:‬ ‭Experiences of‬ ‭Cultural‬ ‭Slavery,‬ ‭Capital‬ ‭Olaudah‬ ‭includes:‬ ‭Equiano, Black‬ ‭Legacy of the‬ ‭abolitionists,‬ ‭British‬ ‭legacy of‬ ‭Empire,‬ ‭slavery today‬ ‭Exploitative‬ ‭across the‬ ‭nature of‬ ‭world and‬ ‭imperialism,‬ ‭locally, Colston‬ ‭How the‬ ‭Statue debate‬ ‭Empire has‬ ‭added to‬ ‭Britain’s‬ ‭culture today,‬ ‭Morality of‬ ‭cultural‬ ‭appropriation.‬ ‭Shape‬

‭Proportion‬

‭Parallel Lines‬ ‭Introduction to‬

I‭nvestigating‬ ‭Data‬

‭ W1, short &‬ W ‭long term‬ ‭causes of‬ ‭WW1‬

‭ o appreciate there are several aspects‬ T ‭of significance to explain the cause of‬ ‭events.‬

‭ ssessment:‬ A ‭Summer exam‬

‭Mensuration‬

‭ ind the HCF and LCM from the product‬ F ‭of prime‬


‭ stimation and‬ E ‭errors‬ ‭Recurring‬ ‭decimals‬ ‭Rules of indices‬ ‭Standard form‬ ‭Problem‬ ‭Solving‬ ‭Investigation‬ ‭Non-Calculator‬ ‭assessment‬ ‭(will contain‬ ‭year 7 content)‬

‭ xpanding‬ E ‭single‬ ‭and double‬ ‭brackets‬ ‭Identities‬ ‭Solving‬ ‭equations‬ ‭with unknowns‬ ‭on both sides‬ ‭Solving‬ ‭inequalities‬ ‭Changing the‬ ‭subject‬ ‭ robability‬ P ‭Sample space‬ ‭diagrams‬ ‭Venn Diagrams‬ ‭and Tree‬ ‭Diagrams‬ ‭Calculator‬ ‭assessment‬

‭ ngles in‬ A ‭Polygons‬ ‭Congruency‬ ‭Rotation‬ ‭Reflection‬ ‭Negative‬ ‭Enlargement‬ ‭Describing‬ ‭Transformatio‬ ‭ns‬ ‭Pythagoras‬ ‭pe‬

‭ rigonometry‬ T ‭(SOHCAHTOA)‬ ‭Percentage‬ ‭Multipliers‬ ‭Non-Calc‬ ‭reverse‬ ‭percentages‬ ‭Compound‬ ‭Interest‬

‭ implifying‬ S ‭Ratio‬ ‭Collecting Data‬ ‭Averages from‬ ‭frequency tables‬ ‭Pie Charts‬ ‭Scatter Graphs‬ ‭Cumulative‬ ‭Frequency‬ ‭Nth Term rule‬ ‭Geometric‬ ‭Sequences‬

‭ rea and‬ A ‭perimeter‬ ‭Circles‬ ‭Volume &‬ ‭Surface Area‬ ‭of Prisms‬ ‭ raphical‬ G ‭Algebra‬ ‭Gradients‬ ‭Y=mx+c‬ ‭EOY Exams‬ ‭ on-‬ N ‭Calculator &‬ ‭ alculator‬ C ‭assessment‬

‭ umbers‬ n ‭Convert numbers into standard form and‬ ‭vice versa‬ ‭Apply the multiplication, division and‬ ‭power laws of‬ ‭indices‬ ‭Convert between terminating decimals‬ ‭and fractions‬ ‭Change the subject of a formula when‬ ‭two steps are‬ ‭required‬ ‭Manipulate algebraic expressions by‬ ‭expanding the‬ ‭product of two binomials‬ ‭Factorise an expression by taking out‬ ‭common factors‬ ‭Solve linear equations with unknowns on‬ ‭both sides‬ ‭and brackets‬ ‭Use set notation on a Venn Diagram and‬ ‭use simple‬ ‭probability trees‬ ‭Use angle rules to in a multistep problem‬ ‭explaining‬ ‭their method‬ ‭missing angles in a polygon and know‬ ‭exterior angles‬ ‭add to 360‬ ‭Rotate, reflect, enlarge (with a centre)‬ ‭and translate‬ ‭(using a vector) a shape‬ ‭Understand Pythagoras and use in‬ ‭multistep problems‬ ‭and in context and use SOHCAHTOA on‬ ‭right angled‬ ‭triangles‬ ‭Find a relevant multiplier when solving‬ ‭problems‬


i‭nvolving proportion, solve problems‬ ‭involving‬ ‭percentage change, including original‬ ‭value problems‬ ‭Understand the link between compound‬ ‭interest to‬ ‭finance‬ ‭Understand the importance of accurate‬ ‭data‬ ‭collection and interpret a frequency table‬ ‭Draw and use a line of best fit on a‬ ‭scatter graph‬ ‭Draw and use a cumulative frequency‬ ‭diagram‬ ‭Find the volume and surface are of a‬ ‭prism‬ ‭Know the difference between an‬ ‭arithmetic and‬ ‭geometric sequence‬ ‭Recognise and plot a linear graph.‬ ‭Identify its gradient‬ ‭and intercept‬

‭ FL‬ M ‭French‬

‭ kills:‬ S ‭Describing your‬ ‭summer holiday‬ ‭(normally, last‬ ‭year, next year,‬ ‭ideal holiday).‬ ‭Describing the‬ ‭weather,‬ ‭seasons and‬ ‭holiday activities.‬ ‭ rammar:‬ ‭The‬ G ‭perfect tense of‬ ‭-er, ir & re verbs‬

‭ kills:‬ S ‭Describing‬ ‭festivals and‬ ‭cultural events.‬ ‭Talking about‬ ‭food, quantities‬ ‭and going out.‬

‭ kills:‬ S ‭Describing‬ ‭your new‬ ‭year’s‬ ‭resolutions.‬ ‭Talking about‬ ‭healthy living,‬ ‭body parts‬ ‭Grammar:‬ ‭and illnesses.‬ ‭The present‬ ‭Describing‬ ‭tense of sortir &‬ ‭your daily‬ ‭partir plus 1st‬ ‭routine.‬ ‭person perfect‬ ‭forms. Using je‬

‭ kills:‬ S ‭Describing‬ ‭clothes,‬ ‭fashions, music,‬ ‭cinema & sport.‬ ‭ rammar:‬ G ‭Revision of‬ ‭adjective‬ ‭endings,‬ ‭revision of‬ ‭present tense‬ ‭verbs, regular &‬ ‭key irregulars.‬

‭ kills:‬ ‭Cinema‬ S ‭and key‬ ‭vocabulary for‬ ‭different types‬ ‭of films, poems,‬ ‭books and video‬ ‭games.‬ ‭ rammar:‬ G ‭Consolidating‬ ‭use of past,‬ ‭present and‬ ‭future. Present‬ ‭tense of voir‬

‭ kills:‬ S ‭Transactional‬ ‭language and‬ ‭role plays‬ ‭using key skills‬ ‭from Y8 in‬ ‭real-life‬ ‭contexts.‬ ‭Summer‬ ‭tourism project‬ ‭in which‬ ‭students write‬ ‭an email‬

‭ y the end of year 8, students will be‬ B ‭able to…‬ ‭…express their opinions and justify them‬ ‭on the topics of holidays, festivals,‬ ‭health, food and drink and film and TV.‬ ‭…conjugate verbs in the past, present‬ ‭and near future tenses, using a‬ ‭variety of time phrases‬ ‭…understand the use of modal verbs‬ ‭and reflexive verbs.‬ ‭…understand and respond to role play‬ ‭prompts accurately.‬


‭ sing avoir and‬ u ‭être.‬ ‭Use of‬ ‭past‬ ‭descriptions. (Il y‬ ‭avait, il faisait,‬ ‭c’était).‬ ‭ ssessment:‬ A ‭Listening‬ ‭assessment &‬ ‭Speaking‬ ‭assessment.‬ ‭Vocab Test x 2‬

‭ eux, veux +‬ p ‭negative forms.‬ ‭Partitive‬ ‭articles.‬

‭ rammar:‬ G ‭Use of if faut‬ ‭+ infinitive &‬ ‭on devrait +‬ ‭infinitives and‬ ‭negatives.‬ ‭Assessment:‬ ‭Use of dormir.‬ ‭Reading &‬ ‭Use of‬ ‭Translation‬ ‭first-person‬ ‭Assessment.‬ ‭reflexive &‬ ‭Vocab Test x 2‬ ‭interrogative‬ ‭forms.‬

‭ sing three‬ U ‭tenses together‬ ‭in at least the‬ ‭‘je’ form and‬ ‭advanced‬ ‭opinion‬ ‭structures.‬ ‭ ssessment:‬ A ‭Reading and‬ ‭Translation‬ ‭Assessment.‬ ‭Vocab Test x 2‬

‭ nd lire with‬ a ‭past participles.‬ ‭Direct Object‬ ‭Pronouns.‬ ‭ ssessment:‬ A ‭Speaking and‬ ‭listening task.‬ ‭Vocab Test x 2‬

r‭ equesting‬ ‭information.‬ ‭ rammar:‬ G ‭Consolidation‬ ‭of key‬ ‭grammar from‬ ‭Y8.‬ ‭ ssessment:‬ A ‭End of Year 8‬ ‭Exam‬

‭ ssessment:‬ A ‭Mid-year‬ ‭exam.‬ ‭Vocab Test x‬ ‭2‬

‭ FL‬ M ‭German‬

‭ olidays‬ H ‭How do you‬ ‭form the‬ ‭perfect tense?‬ ‭ kills‬‭:‬ S ‭Describing your‬ ‭summer holiday,‬ ‭transport and‬ ‭holiday activities,‬ ‭holiday‬ ‭destinations,‬ ‭weather,‬ ‭accommodation.‬ ‭ rammar‬‭: The‬ G ‭perfect tense,‬ ‭use of war and‬ ‭gab,‬

‭ aily Routine‬ D ‭and clothes‬ ‭What is a‬ ‭separable‬ ‭verb and how‬ ‭are they‬ ‭used?‬ ‭ kills‬‭: Talking‬ S ‭about daily‬ ‭routine, clothes‬ ‭and fashion,‬ ‭preparing for‬ ‭and going out,‬ ‭describing‬ ‭festivals and‬ ‭cultural events.‬

‭ estivals‬ F ‭and Health‬ ‭When do‬ ‭you need an‬ ‭adjective‬ ‭ending and‬ ‭what‬ ‭endings are‬ ‭there?‬ ‭ kills‬‭:‬ ‭Body‬ S ‭parts,‬ ‭illlnesses: ich‬ ‭habe‬ ‭Kopfschmerz‬ ‭en / ich fühle‬ ‭mich), role‬ ‭plays at the‬ ‭hospital,‬

‭ ood and‬ F ‭Drink‬ ‭What is a‬ ‭modal verb‬ ‭and how are‬ ‭they used?‬

‭ ilm and TV‬ F ‭What is a verb‬ ‭kicker and how‬ ‭are they used?‬

‭ ummer‬ S ‭Project‬ ‭What is the‬ ‭format of a‬ ‭role play?‬

‭ y the end of year 8, students will be‬ B ‭able to…‬ ‭…express their opinions and justify them‬ ‭on the topics of holidays, daily routine,‬ ‭festivals, food and drink and film and TV.‬ ‭Skills‬‭: Film and‬ ‭…conjugate verbs in the past, present‬ ‭television‬ ‭Transactional‬ ‭and future tenses, using a variety of time‬ ‭Skills‬‭:‬ ‭Talking‬ ‭genres and‬ ‭language and‬ ‭phrases‬ ‭about food,‬ ‭preferences,‬ ‭role plays‬ ‭…understand the use of modal verbs,‬ ‭drink and‬ ‭musical‬ ‭using key skills‬ ‭reflexive verbs and separable verbs‬ ‭preferences,‬ ‭instruments and‬ ‭from Y8 in‬ ‭including associated word order rules.‬ ‭ordering at the‬ ‭music‬ ‭real-life‬ ‭…understand and respond to role play‬ ‭market/restaura‬ ‭preferences.‬ ‭ ontexts.‬ c ‭prompts accurately.‬ ‭nt, talking about‬ ‭Summer‬ ‭sport and‬ ‭Grammar‬‭:‬ ‭project in‬ ‭healthy lifestyle.‬ ‭Consolidation of‬ ‭which students‬ ‭three tenses‬ ‭write an email‬ ‭Grammar‬‭:‬ ‭and‬ ‭requesting‬ ‭Consolidation of‬ ‭information.‬


t‭ime/manner/pla‬ ‭ce word order‬ ‭rules, mit +‬ ‭dative case‬ ‭ ssessment‬‭:‬ A ‭End of Unit‬ ‭Assessment‬ ‭(Listening and‬ ‭Speaking)‬

‭Music‬

‭ elody.‬ M ‭Harmony &‬ ‭Rhythm‬ ‭(Fanfares)‬ ‭ kills:‬ S ‭1.1‬ ‭Understanding‬ ‭primary chords‬ ‭1.2 Developing‬ ‭understanding of‬ ‭staff/Tab‬ ‭notation‬ ‭1.3 Developing‬ ‭instrumental skill‬ ‭and fluency on‬ ‭keyboard/ukulele‬ ‭/guitar/untuned‬ ‭percussion‬

‭ rammar‬‭:‬ G ‭Separable‬ ‭verbs, reflexive‬ ‭verbs, future‬ ‭tense,‬ ‭consolidation of‬ ‭adjective‬ ‭endings.‬ ‭ ssessment‬‭:‬ A ‭Mid-Year Exam‬ ‭(Reading,‬ ‭Writing and‬ ‭Translation)‬

‭ elody.‬ M ‭Harmony &‬ ‭Rhythm‬ ‭(Fanfares)‬ ‭For 3 weeks‬ ‭followed by‬ ‭ ariations.‬ V ‭Structure,‬ ‭Melody,‬ ‭Improvisation‬ ‭(Variations)‬ ‭ kills:‬ S ‭Continuing to‬ ‭develop and‬ ‭refine skills‬ ‭learnt in Term‬ ‭1‬

‭ dvice using‬ a ‭modal verbs.‬ ‭ rammar‬‭:‬ G ‭tut/tun mir‬ ‭weh, seit +‬ ‭time, modal‬ ‭verbs‬ ‭must/should‬ ‭+ infinitives,‬ ‭revise verb‬ ‭second idea.‬

t‭hree tenses‬ ‭together,‬ ‭introduce‬ ‭möchte +‬ ‭infinitive, revise‬ ‭subordinating‬ ‭conjunctions.‬

‭ ern/lieber/am‬ g ‭liebsten.‬ ‭ ssessment‬‭:‬ A ‭End of Unit‬ ‭Assessment‬ ‭(Speaking and‬ ‭Listening)‬

‭ ssessment‬‭:‬ A ‭End of Year‬ ‭Assessment‬ ‭(Reading,‬ ‭Writing,‬ ‭Listening and‬ ‭Translation)‬

‭ ssessment‬‭:‬ A ‭End of Unit‬ ‭Assessment‬ ‭(Listening and‬ ‭Writing)‬

‭ ssessment‬‭:‬ A ‭End of Unit‬ ‭Assessment‬ ‭(Reading and‬ ‭Translation)‬ ‭ ariations.‬ V ‭Structure,‬ ‭Melody,‬ ‭Improvisation‬

(‭ Variations)‬ ‭For 3 weeks,‬ ‭followed by‬ ‭Tonality,‬

‭ onality,‬ T ‭Improvisation,‬ ‭Chords (Blues‬ ‭and Jazz)‬ ‭ or 3 weeks,‬ F ‭followed by‬ ‭Texture,‬

‭Improvisation‬‭,‬ ‭Timbre,‬

‭ hords‬ C ‭(Blues and‬ ‭Jazz)‬

‭ kills:‬ S ‭Continuing‬ ‭to develop‬ ‭and refine‬

‭ rticulation,‬ A ‭Dynamics,‬ ‭Polyrhythms‬ ‭(Indian‬ ‭Classical‬ ‭Music/African‬ ‭Drumming)‬ ‭Skills:‬

‭ exture,‬ T ‭Timbre,‬ ‭Articulation,‬ ‭Dynamics,‬ ‭Polyrhythms‬ ‭(Indian‬ ‭Classical‬ ‭Music/African‬ ‭Drumming)‬ ‭ or 3 weeks,‬ F ‭followed by‬ ‭ reparation‬ P ‭and revision‬ ‭for the Y8 End‬ ‭of Year Exam‬

‭1.1‬ ‭Skills‬ ‭review‬ ‭1.2‬ ‭1.3‬ ‭Following‬ ‭the‬ ‭results of‬ ‭Term 5‬ ‭assessment‬‭/‬ ‭1.4‬ ‭End of‬ ‭Year‬ ‭exam:‬ ‭1.5‬ ‭1.6‬ ‭Skills:‬ ‭Specific‬ ‭skills‬ ‭based‬ ‭Performa‬ ‭nce‬

‭ NDPOINTS:‬ E ‭Ability to perform a fanfare on the‬ ‭keyboard with good fluency and‬ ‭technique‬ ‭Ability to compose a fanfare using‬ ‭Musescore 3 and a range of techniques‬ ‭Ability to recognise the key features of a‬ ‭fanfare through listening and also‬ ‭understand cultural importance.‬ ‭Ability to develop instrumental and‬ ‭singing performance skills (both solo and‬ ‭ensemble)‬ ‭Ability to sing a range of songs in parts‬ ‭with increasing technical skills, secure‬ ‭intonation and expression‬ ‭Ability to compose a piece using‬ ‭Variations on Musescore 3‬ ‭Ability to perform a Theme and‬ ‭Variations on the keyboard‬


‭ .5 How to play‬ 1 ‭in an ensemble‬ ‭1.6 Recognising‬ ‭different‬ ‭rhythms/dotted‬ ‭notes/triplets‬ ‭1.7 Developing‬ ‭Listening and‬ ‭appraising skills‬ ‭and technical‬ ‭ability to identify‬ ‭the musical‬ ‭elements‬ ‭(understanding‬ ‭what makes a‬ ‭good melody,‬ ‭how rhythm and‬ ‭harmony are‬ ‭used in a piece‬ ‭of music)‬ ‭1.8 Developing‬ ‭singing skills‬ ‭with a sense of‬ ‭ensemble and‬ ‭performance‬ ‭(phrasing/pitchin‬ ‭g/dynamics)‬ ‭1.9 Developing‬ ‭compositional‬ ‭skills using‬ ‭chords, melodic‬ ‭development,‬ ‭staff notation‬ ‭and music‬ ‭technology‬ ‭ ractical (5‬ P ‭weeks)‬

‭ kills learnt‬ s ‭in Term 2‬ ‭ kills:‬ S ‭1.1 Learn how‬ ‭to compose‬ ‭variations in a‬ ‭piece of music‬ ‭using contrasts‬ ‭of texture,‬ ‭rhythm, tonality‬ ‭and tempo and‬ ‭compositional‬ ‭techniques‬ ‭1.2 Developing‬ ‭instrumental‬ ‭skills and‬ ‭fluency on‬ ‭ukulele/guitar/‬ ‭untuned‬ ‭percussion and‬ ‭keyboards by‬ ‭performing‬ ‭themes/‬ ‭variations‬ ‭1.3 Learn how‬ ‭to improvise‬ ‭variations‬ ‭within a djembe‬ ‭ensemble‬ ‭1.4 Developing‬ ‭singing skills‬ ‭with a sense of‬ ‭ensemble and‬ ‭performance‬ ‭(phrasing/pitchi‬ ‭ng/dynamics)‬

‭ kills:‬ S ‭1.1‬ ‭Understandin‬ ‭g of the 12‬ ‭bar blues‬ ‭structure‬ ‭1.2 Learning‬ ‭how to‬ ‭improvise‬ ‭using the‬ ‭Blues scale‬ ‭1.3‬

‭ ontinuing to‬ C ‭develop and‬ ‭refine skills‬ ‭learnt in Term‬ ‭2‬ ‭ kills:‬ S ‭1.1‬ ‭Developing‬ ‭performance‬

‭ nsemble‬ e ‭skills and‬ ‭fluency,‬ ‭through‬ ‭Indian and‬ ‭Understanding‬ ‭African‬ ‭the contextual‬ ‭performanc‬ ‭features of‬ ‭e tasks‬ ‭the‬ 1 ‭ .2‬ ‭Developing‬ ‭Blues/Jazz‬ ‭an‬ ‭1.4‬ ‭understandi‬ ‭Understanding‬ ‭chromaticism‬ ‭ng of how‬ ‭1.5‬ ‭texture is‬ ‭Developing‬ ‭varied and‬ ‭performance‬ ‭used within‬ ‭fluency on‬ ‭these two‬ ‭keyboards,‬ ‭musical‬ ‭ukuleles and‬ ‭genres‬ ‭guitars‬ 1 ‭ .3‬ ‭Developing‬ ‭1.6 Learning‬ ‭an‬ ‭how to‬ ‭understandi‬ ‭composing a‬ ‭ng of how‬ ‭piece in a‬ ‭polyrhythms‬ ‭Blues style‬ ‭are used to‬ ‭using music‬ ‭technology‬ ‭create‬ ‭(Garageband)‬

‭ kills:‬ S ‭Continuing to‬ ‭develop and‬ ‭refine skills‬ ‭learnt in Term‬ ‭4‬ ‭ nd of Term 5‬ E ‭assessment:‬ ‭Revision/‬ ‭Theory and‬ ‭ erformance‬ P ‭tests‬ ‭ ND OF YEAR‬ E ‭Y8 EXAM‬

‭1.7‬ ‭Composit‬ ‭ion‬ ‭1.8‬ ‭Listening‬ ‭1.9‬ ‭Theory‬ ‭tasks‬ ‭1.10‬ ‭To‬ ‭ensure all‬ ‭skills are‬ ‭embedded‬

‭ nd‬ a ‭refined.‬ ‭ nd of term 6‬ E ‭assessment‬ ‭ kills based‬ S ‭tests (as‬ ‭above)‬

‭ bility to perform an instrumental part in‬ A ‭a Ground Bass and understand how to‬ ‭develop a melody.‬ ‭Ability to understand how the concept of‬ ‭variations work within a piece of music‬ ‭from the Classical period‬ ‭Ability to improve and refine‬ ‭performance skills on keyboard, ukulele‬ ‭and singing (solo/ensemble)‬ ‭Deep understanding of how structure,‬ ‭improvisation and chords are used within‬ ‭music‬ ‭Ability to understand the role of music‬ ‭and the culture history of‬ ‭slavery/development of blues and jazz.‬ ‭Ability to perform a blues inspired piece‬ ‭of music using appropriate chord‬ ‭patterns and musical devices with‬ ‭fluency‬ ‭Ability to improvise using the blues scale‬ ‭in an ensemble performance‬ ‭Ability to improve and refine‬ ‭performance skills on keyboard, ukulele‬ ‭and singing (solo/ensemble)‬ ‭Ability to sing a range of songs in parts‬ ‭with increasing technical skills, secure‬ ‭intonation and expression‬ ‭Deep understanding of how texture,‬ ‭articulation, dynamics and polyrhythms‬ ‭are used within music‬ ‭Understanding of the role of Music in‬ ‭India and Africa, the cultural aspects,‬ ‭key features and instruments‬ ‭Ability to perform a raga and a tala and‬ ‭use improvisation to compose a piece‬ ‭inspired by the main features of Indian‬ ‭Music‬


‭ .1 Rhythmic‬ 1 ‭awareness and‬ ‭revisiting.‬ ‭1.2‬ ‭Instrumental‬ ‭skill:‬ ‭keyboard/uk‬ ‭ulele/untune‬ ‭d percussion‬ ‭1.3‬ ‭Performing‬ ‭fanfares on‬ ‭the‬ ‭keyboard‬

‭ .5 Developing‬ 1 ‭listening skills‬ ‭and the‬ ‭technical ability‬ ‭to recognise‬ ‭the key‬ ‭features/purpos‬ ‭e of the music‬ ‭1.6 Revising‬ ‭“Just play”‬ ‭ensemble‬ ‭performance‬ ‭pieces to refine‬ ‭and improve.‬

‭ .7 Learning‬ 1 ‭to perform a‬ ‭piece of‬ ‭Ragtime‬ ‭using the‬ ‭keyboard‬

r‭ epetition‬ ‭and‬ ‭contrast in‬ ‭music‬ ‭1.4‬ ‭Using‬ ‭dynamics‬ ‭and‬ ‭articulation‬ ‭Topics:‬ ‭to show‬ ‭1.1‬ ‭Performin‬ ‭contrast.‬ ‭g‬ ‭the‬ 1 ‭ .5‬ ‭Utilising‬ ‭chords of‬ ‭improvisatio‬ ‭the 12‬ ‭n to‬ ‭bar blues‬ ‭1.4 Compose‬ ‭develop a‬ ‭(including‬ ‭chord‬ T ‭ opics:‬ ‭musical‬ ‭sequences on‬ s‭ evenths)‬ 1 ‭ .1 “Twinkle‬ ‭idea‬ ‭the‬ ‭, walking‬ 1 ‭ .6‬ ‭Developing‬ ‭ukulele/keyboard‬ ‭Twinkle little‬ ‭bass and‬ ‭Star”‬ ‭instrumenta‬ ‭ r guitar‬ o ‭syncopated‬ ‭performance/‬ ‭1.5 Just play‬ ‭l skills on‬ ‭patterns‬ ‭composition‬ ‭lessons/In the‬ ‭keyboard‬ ‭1.2‬ ‭Listening‬ ‭task‬ ‭hall of the‬ ‭and‬ ‭to a‬ ‭using‬ ‭mountain king‬ ‭djembes‬ ‭range of‬ ‭keyboards and‬ ‭practical‬ ‭1.7‬ ‭Learning‬ ‭blues‬ ‭Music‬ ‭ensemble‬ ‭and‬ ‭inspired‬ t ‭ echnology‬ ‭performance.‬ ‭understandi‬ 1 ‭ .2 “Faded”‬ p ‭ ieces‬ ‭1.6 Singing a‬ ‭ng the‬ K ‭ eyboard‬ a ‭ nd‬ ‭range of songs‬ p ‭ erformance/‬ ‭purpose‬ u ‭ ndersta‬ ‭(from MMC Y8)‬ v ‭ ariations task‬ ‭and context‬ ‭nding the‬ ‭1.7 Reading staff‬ 1 ‭ .3 Rhythmic‬ ‭of Indian‬ ‭stylistic‬ ‭notation/ukulele/‬ “ ‭ theme and‬ ‭Classical‬ ‭guitar TAB‬ ‭features‬ ‭variations”‬ ‭and African‬ ‭and‬ ‭improvisation‬ ‭ORCHESTRAL‬ ‭drumming‬ ‭context.‬ ‭ensembles task‬ ‭INSTRUMENT‬ ‭1.8‬ ‭Composing‬ ‭ .2‬ 1 ‭SMALL GROUP‬ ‭using‬ ‭using Indian‬ ‭Djembes‬ ‭Performing‬ ‭TASTER‬ ‭ragas and‬

‭ bility to perform, improvise and‬ A ‭compose an African inspired percussion‬ ‭piece‬ ‭Ability to use Music technology‬ ‭(Musescore 3) to compose an Indian‬ ‭piece of music‬ ‭Ability to listen to an Indian piece of‬ ‭music and understand the key features‬ ‭using a more detailed technical‬ ‭vocabulary loo‬ ‭Ability to sing a range of songs in parts‬ ‭with increasing technical skills, secure‬ ‭intonation and expression‬


‭ ESSIONS (20‬ S ‭MINS PER‬ ‭PRACTICAL‬ ‭LESSON)‬ ‭WHEN‬ ‭AVAILABLE‬ ‭ opics:‬ T ‭1.1 Fanfare‬ ‭composition and‬ ‭performance‬ ‭(keyboards)‬ ‭1.2 Just Play –‬ ‭use of chords‬ ‭and melody,‬ ‭timing and‬ ‭pulse/instrument‬ ‭al performance‬ ‭skill‬ ‭1.3 Chair‬ ‭drumming/classr‬ ‭oom rhythms‬ ‭with untuned‬ ‭percussion‬ ‭1.4 Aural‬ ‭dictation and‬ ‭MADTSHIRT‬ ‭listening.‬

‭ .3 Aural‬ 1 ‭perception‬ ‭tasks (melody‬ ‭dictation with‬ ‭wider intervals‬ ‭and‬ ‭more‬ ‭challenging‬ ‭rhythms)‬ ‭1.4 – Listening‬ ‭tasks (including‬ ‭analysis of‬ ‭Mozart’s‬ ‭variations) and‬ ‭Y8 MMC‬ ‭listening list‬ ‭using‬ ‭MADSHIRT‬ ‭ reakdown of‬ B ‭10-week term‬ ‭Practical (5‬ ‭weeks)‬

‭ .1 “Twinkle‬ 1 ‭Twinkle little‬ ‭star”‬ ‭performance‬ ‭and variations‬ ‭Composition &‬ ‭on‬ ‭Aural (5 weeks)‬ ‭keyboard‬ ‭1.1 Composing a‬ ‭1.2 Djembe‬ ‭fanfare for‬ ‭ensembles‬ ‭ceremony. AABA‬ ‭including‬ ‭structure,‬ ‭improvisation‬ ‭repetition, Call‬ ‭(creating‬ ‭and response,‬ ‭variations to‬ ‭imitation‬

“‭ In the mood”‬ ‭African‬ ‭in pairs on‬ ‭rhythms‬ ‭the keyboard‬ ‭1.3‬ ‭Topics‬ ‭Performing‬ ‭Performing‬ ‭“The‬ ‭and‬ ‭Entertainer”‬ ‭and learning‬ ‭improvising‬ ‭about the‬ ‭using the‬ ‭context of‬ ‭Vibhas (and‬ ‭“Ragtime”‬ ‭related)‬ ‭1.4 Aural‬ ‭ragas using‬ ‭perception‬ ‭keyboards/‬ ‭tasks using‬ ‭untuned‬ ‭the blues‬ ‭percussion‬ ‭scale/melodic‬ ‭Performing‬ ‭and rhythmic‬ ‭and‬ ‭dictation‬ ‭improvising‬ ‭using‬ ‭using the‬ ‭syncopation‬ ‭African “call‬ ‭1.5‬ ‭Composing a‬ ‭and‬ ‭blues inspired‬ ‭response”‬ ‭piece using a‬ ‭rhythm grid‬ ‭DAW‬ ‭and the‬ ‭(Garageband)‬ ‭“African‬ ‭1.6 Revising‬ ‭Hatsiatsia"‬ ‭“Just play”‬ ‭Listening to‬ ‭ensemble‬ ‭a range of‬ ‭performance‬ ‭Indian‬ ‭pieces to‬ ‭Classical‬ ‭refine and‬ ‭music and‬ ‭improve.‬ ‭African‬ ‭drumming‬ ‭pieces,‬ ‭understandi‬


‭1.2‬ ‭Developing‬ ‭skills of‬ ‭Technology‬ ‭(using‬ ‭Musescore/‬ ‭Garageband‬ ‭)‬ ‭1.3‬ ‭Composing‬ ‭a melody‬ ‭using root‬ ‭notes from‬ ‭primary‬ ‭chords and‬ ‭staff notation‬ ‭1.4‬ ‭Developing‬ ‭aural skills‬ ‭by writing‬ ‭down‬ ‭melodies‬ ‭using staff‬ ‭notation/usin‬ ‭g FOS‬ ‭lessons‬

‭ stinato‬ o ‭patterns/perfor‬ ‭mance‬ ‭pieces)‬ ‭1.3 “Faded”‬ ‭theme‬ ‭performance‬ ‭and‬ ‭improvising‬ ‭variations on‬ ‭the‬ ‭keyboard.‬ ‭1.4 Revisiting‬ ‭and refining‬ ‭Just play‬ ‭lessons/In the‬ ‭hall of the‬ ‭mountain‬ ‭king/Game of‬ ‭Thrones (refine‬ ‭ensembles)‬ ‭1.5‬ ‭Understanding‬ ‭the concept of‬ ‭“Ground bass”.‬ ‭Performing‬ ‭Pachebel’s‬ ‭Listening/appra‬ ‭Canon‬ i‭sing‬ ‭1.5 Singing a‬ ‭1.5‬ ‭Do it‬ ‭range of songs‬ ‭now/Listenin‬ ‭(from MMC Y8)‬ ‭g starters:‬ ‭using MMC‬ ‭ORCHESTRAL‬ ‭Y8 list‬ ‭INSTRUMENT‬ ‭(developing‬ ‭SMALL‬ ‭technical‬ ‭GROUP‬ ‭TASTER‬ ‭ability to‬

‭ reakdown‬ B ‭of 10-week‬ ‭term‬ ‭ ractical (5‬ P ‭weeks)‬ ‭1.3‬ ‭Performin‬ ‭g a 12‬ ‭bar blues‬ ‭chord‬ ‭pattern,‬ ‭seventh‬ ‭chords‬ ‭and‬ ‭walking‬ ‭bass on‬ ‭keyboard‬ ‭s (plus‬ ‭ukuleles/‬ ‭guitar/dru‬ ‭ms if‬ ‭time)‬ ‭1.4‬ ‭Learning‬ ‭the blues‬ ‭scale in‬ ‭C major‬ ‭and then‬ ‭learning‬ ‭how to‬ ‭improvise‬ ‭over the‬ ‭chord‬ ‭pattern‬ ‭1.5‬ ‭Performin‬ ‭g the 12‬

‭ g the‬ n ‭structure,‬ ‭musical‬ ‭elements‬ ‭and‬ ‭purpose‬ ‭Composing‬ ‭a piece‬ ‭using music‬ ‭technology‬ ‭and‬ ‭keyboards‬ ‭using‬ ‭raga/tala/Af‬ ‭rican‬ ‭polyrhythms‬ ‭/rhythm‬ ‭grids‬ ‭ .6 Revising‬ 1 ‭“Just play”‬ ‭ensemble‬ ‭performance‬ ‭pieces to refine‬ ‭and improve.‬

‭ reakdown of‬ B ‭10-week term‬ ‭ ractical (5‬ P ‭weeks)‬ ‭1.1‬ ‭Performing‬ ‭“Vibhas”‬


r‭ ecognise‬ ‭the musical‬ ‭elements/de‬ ‭veloping‬ ‭understandi‬ ‭ng/purpose)‬ ‭1.6‬ ‭Focus on‬ ‭sound‬ ‭theory‬ ‭lessons‬ ‭(using MMC‬ ‭guidance for‬ ‭Y8)‬

‭ ESSIONS (20‬ S ‭MINS‬ ‭PER‬ ‭PRACTICAL‬ ‭LESSON)‬ ‭WHEN‬ ‭AVAILABLE‬ ‭Composition‬ ‭& Aural (5‬ ‭weeks)‬ ‭1.1 Composing‬ ‭a set of‬ ‭Variations on‬ ‭“Twinkle‬ ‭Twinkle little‬ ‭Talk 4‬ ‭star” using a‬ ‭learning/Oracy:‬ ‭range of‬ ‭questioning/peer‬ ‭compositional‬ ‭ ssessing/‬ a ‭techniques‬ ‭1.2 Focus on‬ ‭discussion‬ ‭sound – Focus‬ ‭on sound‬ ‭Metacognition:‬ ‭theory lessons‬ ‭planning/‬ ‭(using MMC‬ ‭guidance‬ ‭organising‬ ‭for Y8)‬ ‭performances‬ ‭1.3‬ ‭Composition of‬ ‭Collaboration:‬ ‭a Ground bass‬ ‭Teamwork‬ ‭and variations‬ ‭1.3 Aural‬ ‭Feedback:‬ ‭dictation‬ ‭verbal/whole‬ ‭(melodic‬ ‭class/peer‬ ‭dictation‬ ‭assessment/‬ ‭1.4 Using‬ ‭Music‬ ‭skills trackers‬ ‭technology‬

‭ ar blues‬ b ‭as a‬ ‭whole‬ ‭class‬ ‭1.2‬ ‭Revisiting‬ ‭and‬ ‭refining‬ ‭Just play‬ ‭lessons/I‬ ‭n the hall‬ ‭of the‬ ‭mountain‬ ‭king/‬

r‭ aga on‬ ‭keyboards‬ ‭in four‬ ‭sections,‬ ‭using the‬ ‭Alap/Jhor/J‬ ‭halla/Gat‬ ‭structure‬ ‭and adding‬ ‭a Tala on‬ ‭untuned‬ ‭percussion‬ ‭(groups of‬ ‭2)‬ ‭1.3‬ ‭Game of‬ ‭1.2‬ ‭Performing‬ ‭Thrones‬ ‭“African call‬ ‭(refine‬ ‭and‬ ‭ensemble‬ ‭response‬ s‭ )‬ ‭rhythms”‬ ‭and “African‬ ‭1.4 Singing a‬ ‭Hatsiatsia"‬ r‭ ange of‬ ‭in groups of‬ ‭songs (from‬ ‭4, showing‬ ‭MMC Y8)‬ ‭excellent‬ ‭fluency,‬ ‭ensemble,‬ ‭expression,‬ ‭Composition‬ ‭timing and‬ ‭& Aural (5‬ ‭use of‬ ‭weeks)‬ ‭dynamics.‬ ‭1.6‬ ‭Composi‬ 1 ‭ .3‬ ‭Revisiting‬ ‭ng a‬ ‭and refining‬ ‭blues‬ ‭“Just play”‬ ‭inspired‬ ‭ensemble‬ ‭piece for‬ ‭performanc‬ ‭piano,‬


‭ iteracy:‬ L ‭musical‬ ‭keywords‬

(‭ Musescore‬ ‭and‬ ‭Garageband) to‬ ‭compose a set‬ ‭Music‬ ‭of variations‬ ‭technology skills‬ ‭Listening/appra‬ ‭ising‬ ‭1.5 Do it‬ ‭now/Listening‬ ‭END OF TERM‬ ‭starters:‬ ‭1‬ ‭using MMC Y8‬ ‭ASSESSMENT:‬ ‭list (developing‬ ‭1.Performance‬ ‭technical ability‬ ‭progress on‬ ‭to recognise‬ ‭keyboard/ukelele‬ ‭the‬ s‭ : fanfares and‬ ‭musical‬ ‭Just Play‬ ‭elements/devel‬ ‭(student‬ ‭oping‬ ‭assessed)‬ ‭understanding/‬ ‭2.Fanfare‬ ‭purpose)‬ ‭composition‬ ‭1.6 Listening to‬ ‭(teacher‬ ‭examples of‬ ‭assessed)‬ ‭variations/grou‬ ‭3.Listening tasks‬ ‭nd bass and‬ ‭based on‬ ‭understanding‬ ‭fanfares (student‬ ‭the key‬ ‭peer assessed)‬ ‭compositional‬ ‭4.FOS lessons‬ ‭features‬ ‭1.7 Focus on‬ ‭sound theory‬ ‭End of term 1‬ ‭lessons‬ ‭assessment:‬ ‭(using MMC‬ ‭Performance:‬ ‭guidance for‬ ‭African‬ ‭Y8)‬ ‭drumming –‬ ‭perform own part‬ ‭within group task‬

‭ lectric‬ e ‭guitar,‬ ‭bass‬ ‭guitar‬ ‭and drum‬ ‭kit using‬ ‭Garageb‬ ‭and. The‬ ‭compositi‬ ‭on will‬ ‭feature a‬ ‭range of‬ ‭Blues‬ ‭compositi‬ ‭onal‬ ‭features‬ ‭1.7‬ ‭Aural‬ ‭tasks‬ ‭featuring‬ ‭the blues‬ ‭scale‬ ‭(melody‬ ‭dictation/‬ ‭blues‬ ‭scale/syn‬ ‭copated‬ ‭rhythms)‬ ‭ istening/ap‬ L ‭praising‬ ‭1.8‬ ‭Listening‬ ‭to a‬ ‭range of‬ ‭blues/jaz‬

‭ pieces to‬ e ‭refine and‬ ‭improve.‬ ‭(add‬ ‭another‬ ‭new piece if‬ ‭time)‬ ‭ .4 Singing a‬ 1 ‭range of songs‬ ‭(from MMC Y8)‬

‭ omposition‬ C ‭and Aural (5‬ ‭weeks)‬ ‭1.1‬ ‭Composing‬ ‭a piece of‬ ‭Indian‬ ‭Classical‬ ‭inspired‬ ‭music using‬ ‭a raga/tala‬ ‭(keyboards/‬ ‭untuned‬ ‭percussion/‬ ‭music‬ ‭technology)‬ ‭1.2‬ ‭Composing‬ ‭a piece of‬ ‭African‬ ‭Drumming‬ ‭using a‬ ‭rhythm grid‬ ‭(Djembes)‬


‭ ased upon‬ b ‭rhythmic grid‬ ‭(teacher‬ ‭assessed)‬ ‭(Week 10)‬

‭ alk 4‬ T ‭learning/Oracy:‬ ‭questioning/pe‬ ‭er assessing/‬ ‭discussion‬

c‭ lass ensemble‬ ‭Respond to a‬ ‭Graphic score‬ ‭Developed‬ ‭singing skills -‬ ‭reading‬ ‭from notation.‬ ‭Recognising‬ ‭Melody and‬ ‭harmony‬ ‭parts through‬ ‭deliberate‬ ‭listening‬ ‭Aural dictation‬ ‭exercise‬ ‭completed‬ ‭with confidence‬

‭ etacognition‬ M ‭:‬‭planning/‬ ‭ rganising‬ o ‭performances‬ ‭ ollaboration:‬ C ‭Teamwork‬ ‭ eedback:‬ F ‭verbal/whole‬ ‭class/peer‬ ‭assessment/‬ ‭skills trackers‬ ‭ iteracy:‬ L ‭musical‬ ‭keywords‬ ‭ usic‬ M ‭technology‬ ‭skills‬

‭ omposition‬ C ‭variation in‬ ‭Major and Minor‬ ‭keys (Twinkle‬ ‭Twinkle) (week‬ ‭10)‬

‭ ECEMBER:‬ D ‭WRITTEN‬

z‭ inspired‬ ‭1.3‬ ‭Aural tasks‬ ‭pieces‬ ‭based upon‬ ‭and‬ ‭rhythms‬ ‭developing‬ ‭and Indian‬ ‭the‬ ‭ragas‬ ‭technical‬ ‭ability to‬ ‭Listening/appr‬ ‭recognise‬ ‭aising‬ ‭the key‬ ‭1.4 Listening‬ ‭features‬ ‭starters: using‬ ‭1.9‬ ‭Listening‬ ‭MMC Y8 list‬ ‭starters:‬ ‭(developing‬ ‭using‬ ‭technical ability‬ ‭MMC Y8‬ ‭to recognise the‬ ‭musical‬ ‭list‬ ‭(developi‬ ‭elements/devel‬ ‭oping‬ ‭ng‬ ‭technical‬ ‭understanding/p‬ ‭ability to‬ ‭urpose)‬ ‭Focus on‬ ‭recognise‬ ‭sound‬ ‭the‬ ‭theory‬ ‭musical‬ ‭lessons‬ ‭elements/‬ ‭(using MMC‬ ‭developin‬ ‭guidance‬ ‭g‬ ‭for Y8)‬ ‭understa‬ ‭nding/pur‬ ‭pose)‬ ‭1.10‬ ‭Focu‬ ‭s on‬ ‭sound‬ ‭theory‬ ‭lessons‬ ‭(using‬ ‭MMC‬


‭ roup‬ G ‭performance of‬ ‭‘Game of‬ ‭Thrones‬ ‭(week 10)‬

‭ ID YEAR‬ M ‭TEST‬ ‭~(THEORY/‬

‭ ccurate‬ A ‭recognition of‬ ‭instruments and‬ ‭instrumental‬ ‭groups‬ ‭Confident‬ ‭understanding of‬ ‭the types of‬ ‭instrumental‬ ‭ensembles‬ ‭Well informed‬ ‭understanding of‬ ‭various textural‬ ‭types in‬ ‭compositions‬ ‭A successful‬ ‭composition‬ ‭using a defined‬ ‭texture‬ ‭Performance of‬ ‭a folk music‬ ‭piece‬

‭ racy:‬ O ‭END OF TERM‬ ‭questioning/‬ ‭2‬ ‭ASSESSMENT‬ ‭peer‬ ‭assessing/‬ ‭:‬ ‭1.Performance‬ ‭discussion‬ ‭progress on‬ ‭keyboards/ukul‬ ‭Metacognition‬ ‭eles: Just Play‬ ‭:‬‭planning/‬ ‭and‬ ‭Variations‬ ‭organising‬ ‭performance‬ ‭performances‬ ‭pieces‬ ‭(students‬ ‭Collaboration‬‭:‬ ‭assessed)‬ ‭Teamwork‬ ‭2.Variations‬ ‭Feedback:‬ ‭composition‬ ‭(teacher‬ ‭verbal/whole‬ ‭assessed‬ ‭class/peer‬ ‭3.Listening‬ ‭assessment/‬ ‭tasks based on‬ ‭skills trackers‬ ‭variations‬ ‭(student peer‬ ‭Literacy:‬ ‭assessed)‬ ‭musical‬ ‭FOS lessons‬ ‭keywords‬

‭ nd of term 4‬ E ‭assessment‬ ‭ erformance of‬ P ‭a folk music‬ ‭piece as a class‬ ‭ensemble (eg‬ ‭Wellerman song)‬ ‭(Week 8)‬

‭LISTENING)‬

‭ uidance‬ g ‭for Y8)‬ ‭ alk 4‬ T ‭learning/‬

‭ usic‬ M ‭technology‬ ‭skills‬

‭ opics:‬ T ‭1.1 “Twinkle‬ ‭Twinkle little‬ ‭star”performanc‬ ‭e/composition‬ ‭task using‬ ‭keyboards and‬ ‭Music‬ ‭technology‬ ‭1.2 “Faded”‬ ‭Keyboard‬ ‭performance/va‬ ‭riations task‬ ‭1.3 Rhythmic‬ ‭“theme and‬ ‭variations”‬ ‭improvisation‬ ‭ensembles task‬ ‭using Djembes‬ ‭1.3 Aural‬ ‭perception‬ ‭tasks (melody‬ ‭dictation with‬ ‭wider intervals‬ ‭and more‬ ‭challenging‬ ‭rhythms)‬ ‭1.4 – Listening‬ ‭tasks (including‬ ‭analysis of‬ ‭Mozart’s‬ ‭variations) and‬ ‭Y8 MMC‬


‭ istening‬ L ‭exercises -‬ ‭Fanfares:‬ ‭Fanfare of the‬ ‭Common Man‬ ‭and Olympic‬ ‭fanfare (week 5)‬ ‭ oung Persons‬ Y ‭Guide to the‬ ‭Orchestra -‬ ‭listening‬ ‭test (week 8)‬ ‭ omposing -‬ C ‭Polyphonic or‬ ‭Homophonic‬ ‭composition on‬ ‭Musescore‬ ‭(Week 8)‬ ‭ HE CRYPT‬ T ‭SCHOOL:‬ ‭PROGRAMME‬ ‭OF STUDY:‬ ‭MUSIC,‬ ‭2022-2023‬ ‭ otation test‬ N ‭(Focus on‬ ‭sound/theory‬ ‭worksheets from‬ ‭Musical‬ ‭contexts)‬ ‭(Week 5)‬ ‭Composing:‬ ‭Rhythmic‬

(‭ teacher‬ ‭assessed)ton‬ ‭ality and‬ ‭tempo and‬ ‭compositional‬ ‭techniques‬ ‭1.2‬ ‭Developing‬ ‭instrumental‬ ‭skills and‬ ‭fluency on‬ ‭ukulele/guitar/‬ ‭untuned‬ ‭percussion‬ ‭and‬ ‭keyboards by‬ ‭performing‬ ‭themes/variati‬ ‭ons‬ ‭1.3 Learn‬ ‭how to‬ ‭improvise‬ ‭variations‬ ‭within a‬ ‭djembe‬ ‭ensemble‬ ‭1.4‬ ‭Developing‬ ‭singing skills‬ ‭with a sense‬ ‭of ensemble‬ ‭and‬ ‭performance‬ ‭(phrasing/pitc‬ ‭hing/dynamic‬ ‭s)‬ ‭1.5‬ ‭Developing‬

l‭istening list‬ ‭using‬ ‭MADSHIRT‬ ‭ RCHESTRAL‬ O ‭INSTRUMENT‬ ‭SMALL GROUP‬ ‭TASTER‬ ‭SESSIONS (20‬ ‭MINS PER‬ ‭PRACTICAL‬ ‭LESSON)‬ ‭WHEN‬ ‭AVAILABLE‬ ‭ omposition &‬ C ‭Aural (5‬ ‭weeks)‬ ‭1.1 Composing‬ ‭a set of‬ ‭Variations on‬ ‭“Twinkle‬ ‭Twinkle little‬ ‭star” using a‬ ‭range of‬ ‭compositional‬ ‭techniques‬ ‭1.2 Focus on‬ ‭sound – Focus‬ ‭on sound theory‬ ‭lessons (using‬ ‭MMC guidance‬ ‭for Y8)‬ ‭1.3 Composition‬ ‭of a Ground‬ ‭bass and‬ ‭variations‬


c‭ omposition‬ ‭using‬ ‭Musescore 3 or‬ ‭Garageband‬ ‭using a‬ ‭rhythm grid‬ ‭(devised in‬ ‭performance‬ ‭class) to‬ ‭compose for‬ ‭Samba kit. (Peer‬ ‭assessed) Week‬ ‭10‬ ‭Listening:‬ ‭deliberate‬ ‭listening test‬ ‭focusing on‬ ‭rhythm and‬ ‭pulse primarily‬ ‭(Week 5)‬

l‭istening skills‬ ‭and the‬ ‭technical‬ ‭ability to‬ ‭recognise the‬ ‭key‬ ‭features/purp‬ ‭ose of the‬ ‭music‬ ‭1.6 Revising‬ ‭“Just play”‬ ‭ensemble‬ ‭performance‬ ‭pieces to‬ ‭refine and‬ ‭improve.‬

‭ .3 Aural‬ 1 ‭dictation‬ ‭(melodic‬ ‭dictation‬ ‭1.4 Using Music‬ ‭technology‬ ‭(Musescore and‬ ‭Garageband) to‬ ‭compose a set‬ ‭of variations‬

‭ istening/appr‬ L ‭aising‬ ‭1.5‬ ‭Do it‬ ‭now/Listeni‬ ‭ng starters:‬ ‭using MMC‬ ‭Topics:‬ ‭Y8 list‬ ‭1.1 “Twinkle‬ ‭(developing‬ ‭Twinkle little‬ ‭technical‬ ‭star”performa‬ ‭ability to‬ ‭ ce/compositi‬ n ‭recognise‬ ‭on task using‬ ‭the musical‬ ‭keyboards‬ ‭elements/de‬ ‭and Music‬ ‭veloping‬ ‭technology‬ ‭understandi‬ ‭1.2 “Faded”‬ ‭Keyboard‬ ‭ng/purpose)‬ ‭performance/‬ ‭1.6‬ ‭Listening to‬ ‭variations‬ ‭examples of‬ ‭task‬ ‭variations/gr‬ ‭1.3 Rhythmic‬ ‭ound bass‬ ‭“theme and‬ ‭and‬ ‭variations”‬ ‭understandi‬ ‭improvisation‬ ‭ng the key‬ ‭ensembles‬ ‭composition‬ ‭task using‬ ‭al features‬ ‭Djembes‬


‭ .3 Aural‬ 1 ‭perception‬ ‭tasks (melody‬ ‭dictation with‬ ‭wider‬ ‭intervals and‬ ‭more‬ ‭challenging‬ ‭rhythms)‬ ‭1.4 –‬ ‭Listening‬ ‭tasks‬ ‭(including‬ ‭analysis of‬ ‭Mozart’s‬ ‭variations)‬ ‭and Y8 MMC‬ ‭listening list‬ ‭using‬ ‭MADSHIRT‬ ‭ RCHESTR‬ O ‭AL‬ ‭INSTRUMEN‬ ‭T SMALL‬ ‭GROUP‬ ‭TASTER‬ ‭SESSIONS‬ ‭(20 MINS‬ ‭PER‬ ‭PRACTICAL‬ ‭LESSON)‬ ‭WHEN‬ ‭AVAILABLE‬

‭1.7‬ ‭Focus on‬ ‭sound‬ ‭theory‬ ‭lessons‬ ‭(using MMC‬ ‭guidance‬ ‭for Y8)‬ ‭ ND OF TERM‬ E ‭4‬ ‭ASSESSMENT:‬ ‭1.Performance‬ ‭progress on‬ ‭keyboard/‬ ‭ukeleles:‬ ‭2.Just Play‬ ‭progress so far‬ ‭(teacher‬ ‭assessed)‬ ‭3.Listening‬ ‭tasks based on‬ ‭fanfares‬ ‭(student peer‬ ‭assessed)‬ ‭4.FOS lessons‬


‭ omposition‬ C ‭& Aural (5‬ ‭weeks)‬ ‭1.1‬ ‭Composing a‬ ‭set of‬ ‭Variations on‬ ‭“Twinkle‬ ‭Twinkle little‬ ‭star” using a‬ ‭range of‬ ‭compositional‬ ‭techniques‬ ‭1.2 Focus on‬ ‭sound –‬ ‭Focus on‬ ‭sound theory‬ ‭lessons‬ ‭(using MMC‬ ‭guidance for‬ ‭Y8)‬ ‭1.3‬ ‭Composition‬ ‭of a Ground‬ ‭bass and‬ ‭variations‬ ‭1.3 Aural‬ ‭dictation‬ ‭(melodic‬ ‭dictation‬ ‭1.4 Using‬ ‭Music‬ ‭technology‬ ‭(Musescore‬ ‭and‬ ‭Garageband)‬ ‭to compose a‬


s‭ et of‬ ‭variations‬ ‭ istening/‬ L ‭appraising‬ ‭1.5‬ ‭Do it‬ ‭now/‬ ‭1.6‬ ‭Listening‬ ‭starters:‬ ‭using‬ ‭MMC Y8‬ ‭list‬ ‭(developi‬ ‭ng‬ ‭technical‬ ‭ability to‬ ‭recognise‬ ‭the‬ ‭musical‬ ‭elements/‬ ‭developin‬ ‭g‬ ‭understa‬ ‭nding/pur‬ ‭pose)‬ ‭1.7‬ ‭Listening‬ ‭to‬ ‭examples‬ ‭of‬ ‭variations‬ ‭/ground‬ ‭bass and‬ ‭understa‬ ‭nding the‬ ‭key‬


c‭ ompositi‬ ‭onal‬ ‭features‬ ‭1.8‬ ‭Focus on‬ ‭sound‬ ‭theory‬ ‭lessons‬ ‭(using‬ ‭MMC‬ ‭guidance‬ ‭for Y8)‬

‭ ID YEAR‬ M ‭LISTENING‬ ‭EXAM‬ ‭(teacher‬ ‭assessed)‬ ‭ ND OF‬ E ‭TERM 4‬ ‭ASSESSME‬ ‭NT:‬ ‭1.Performanc‬ ‭e progress on‬ ‭keyboard/ukel‬ ‭eles:‬ ‭ reakdown‬ B ‭of 10-week‬ ‭term‬ ‭ ractical (5‬ P ‭weeks)‬


‭ .1 “Twinkle‬ 1 ‭Twinkle little‬ ‭star”‬ ‭performance‬ ‭and variations‬ ‭on keyboard‬ ‭1.2 Djembe‬ ‭ensembles‬ ‭including‬ ‭improvisation‬ ‭(creating‬ ‭variations to‬ ‭ostinato‬ ‭patterns/perfo‬ ‭rmance‬ ‭pieces)‬ ‭1.3 “Faded”‬ ‭theme‬ ‭performance‬ ‭and‬ ‭improvising‬ ‭variations on‬ ‭the keyboard.‬ ‭1.4 Revisiting‬ ‭and refining‬ ‭Just play‬ ‭lessons/In the‬ ‭hall of the‬ ‭mountain‬ ‭king/Game of‬ ‭Thrones‬ ‭(refine‬ ‭ensembles)‬ ‭1.5‬ ‭Understanding‬

t‭he concept‬ ‭of “Ground‬ ‭bass”.‬


‭ erforming‬ P ‭Pachebel’s‬ ‭Canon‬ ‭1.5 Singing a‬ ‭range of‬ ‭songs (from‬ ‭MMC Y8)‬ ‭ ND OF‬ E ‭TERM 3‬ ‭ASSESSME‬ ‭NT:‬ ‭1.Performanc‬ ‭e progress on‬ ‭keyboard/‬ ‭ukeleles:‬ ‭fanfares and‬ ‭Just PLay‬ ‭(student‬ ‭assessed)‬ ‭2.Blues‬ ‭composition‬ ‭(teacher‬ ‭assessed)‬ ‭3.Listening‬ ‭tasks based‬ ‭on fanfares‬ ‭(student peer‬ ‭assessed)‬ ‭4.FOS‬ ‭lessons‬ ‭PD‬ ‭3 lessons‬ ‭per‬ ‭fortnight‬

‭ ocial media –‬ S ‭FOMO, cyber‬ ‭bullying, online‬ ‭safety.‬

‭ exualisation,‬ S ‭stereo types,‬ ‭influences,porn‬ ‭ography, sexual‬ ‭bullying,‬

‭ areers-‬ C ‭UniFrog,‬ ‭career‬ ‭choices,‬

‭ PR, Knife‬ C ‭crime, Role‬ ‭models, Values,‬ ‭Democracy‬

‭ areers-‬ C ‭UniFrog. Youth‬ ‭Employment -‬ ‭career plans &‬ ‭goals.‬

‭ ealth check -‬ H ‭personal‬ ‭hygiene,‬ ‭dental‬ ‭hygiene, sun‬

‭ tudents will have an understanding of‬ S ‭the differences between the online world‬ ‭and the physical world and the risks of‬ ‭the on-line world. The characteristics of‬ ‭positive and healthy relationships (in all‬


‭ actors that‬ F ‭affect well-being‬ ‭& mental health‬ ‭& how to‬ ‭self-soothe.‬ ‭Mind/body‬ ‭connection:‬ ‭BARRIERS to‬ ‭good health - the‬ ‭effects of sugar;‬ ‭the importance‬ ‭of sleep; the‬ ‭benefits of‬ ‭physical‬ ‭exercise.‬

‭ rooming,‬ g ‭impact of‬ ‭negative‬ ‭experiences,‬ ‭exploitation.‬ ‭Healthy‬ ‭relationship –‬ ‭respect &‬ ‭equality,‬ ‭contraception &‬ ‭STIs.‬

c‭ areer hunt,‬ ‭career library.‬ ‭Drugs -‬ ‭County Lines‬

‭ uman‬ H ‭rights,Equality‬ ‭and Diversity,‬ ‭Children’s‬ ‭rights,‬ ‭Extremism.‬

‭ afety,‬ s ‭prevention of‬ ‭infection,‬ ‭self-examinatio‬ ‭n. peer & other‬ ‭influences‬ ‭linked to‬ ‭gambling.‬

‭ ontexts, including online) including‬ c ‭boundaries, abuse, and consent. This‬ ‭includes different (non-sexual) types of‬ ‭relationship with practical steps they can‬ ‭take in a range of different contexts to‬ ‭improve or support respectful‬ ‭relationships personally, locally and‬ ‭nationally and a reminder they can‬ ‭expect to be treated with respect by‬ ‭others, and that in turn they should show‬ ‭due respect to others, authority and‬ ‭show due tolerance of other people’s‬ ‭beliefs to demonstrate the legal rights‬ ‭and responsibilities regarding equality.‬ ‭They will consider the lives of people‬ ‭living in other places, and people with‬ ‭different values and customs to develop‬ ‭understanding of how the United‬ ‭Kingdom is governed and the rights and‬ ‭responsibilities of its citizens. They will‬ ‭have explored how the political system‬ ‭of the United Kingdom has developed as‬ ‭a democracy, including the role of the‬ ‭monarchy, the development of our‬ ‭constitution and Parliament. They will‬ ‭have had the opportunity to again‬ ‭consider some of the growing career‬ ‭areas and consider the skills that will be‬ ‭needed. They will have knowledge of the‬ ‭law relating to the illegal substances and‬ ‭an awareness of the dangers of drug‬ ‭gangs who exploit the young and‬ ‭vulnerable. Students deepen their‬ ‭understanding of the physical and‬ ‭mental effects of a healthy lifestyle,‬ ‭eating habits, sleep pattern. The‬ ‭understanding of what happiness is and‬ ‭its effects on one’s moods and‬


r‭ elationships. Students can review the‬ ‭impact of meditation to effectively‬ ‭alleviate anxiety. Students will have‬ ‭considered a life beyond their own to‬ ‭reflect on social values and the wider‬ ‭community.‬ ‭ SY8‬ R ‭(AQA‬ ‭Short‬ ‭Course‬ ‭GCSE)‬ ‭Content‬

‭ kills/Ass‬ S ‭essment‬ ‭Focus‬

‭ hristianity -‬ C ‭nature of God‬ ‭Attributes of‬ ‭God, the‬ ‭problem of evil,‬ ‭the Trinity,‬ ‭Creation, the‬ ‭afterlife.‬

‭1,2,4,5 mark qs‬

‭Science‬

‭ opics:‬ T ‭11. Pressure and‬ ‭Biology‬ ‭Moments‬ ‭Chemistry‬ ‭12. Gas‬ ‭ hysics‬ P ‭Exchange‬ ‭and Health‬ ‭Key Skills:‬ ‭Learning‬ ‭equations,‬ ‭calculating,‬ ‭describing,‬ ‭practical skills‬ ‭MP1: Pressure‬

‭ hristianity -‬ C ‭Jesus Christ‬ ‭and Salvation‬

‭ pplication /‬ A ‭debates!‬

‭ EEL‬ P ‭paragraphs‬

‭Islam - Authority‬ P ‭ eace and‬ ‭Conflict -‬ ‭Prophets, holy‬ ‭Religion,‬ ‭the 5 roots / 6‬ ‭books and the‬ ‭Violence,‬ ‭articles,‬ ‭Imamate.‬ ‭Terrorism and‬ ‭Tawhid, the‬ ‭War‬ ‭role of‬ ‭angels,‬ ‭The legitimacy‬ ‭predestinatio‬ ‭of violence in‬ ‭n and human‬ ‭the name of‬ ‭responsibility,‬ ‭justice: just war,‬ ‭the afterlife.‬ ‭holy war,‬ ‭extremism and‬ ‭terrorism.‬ ‭evaluation‬ ‭1,2,4,5 marks‬ ‭Knowledge‬

‭ opics:‬ T ‭13. Chemical‬ ‭reactions‬ ‭14. Electricity‬ ‭and Magnetism‬ ‭Key Skills:‬ ‭Calculating,‬ ‭analysing,‬ ‭drawing circuit‬ ‭diagrams,‬ ‭explaining,‬ ‭applying‬ ‭knowledge,‬ ‭observations,‬

‭ opics:‬ T ‭15.‬ ‭Inheritance‬ ‭16. Matter‬ ‭Key Skills:‬ ‭Understandin‬ ‭g the role of‬ ‭scientists in‬ ‭developing‬ ‭theories,‬ ‭using‬ ‭theories to‬ ‭make‬ ‭predictions,‬

‭ opics:‬ T ‭21. Cross‬ ‭curricular‬ ‭project –‬ ‭Plastics,‬‭22.‬ ‭Ecology‬ ‭Key Skills:‬ ‭Literacy,‬ ‭design,‬ ‭creativity,‬ ‭presenting,‬ ‭evaluating,‬ ‭ethics,‬ ‭sampling,‬

‭ he life of‬ T ‭Jesus,‬ ‭salvation and‬ ‭atonement.‬

I‭slam - Key‬ ‭Beliefs‬

‭ opics:‬ T ‭17. Metals and‬ ‭Acids‬ ‭18. Space‬ ‭Key Skills:‬ ‭Calculating,‬ ‭explaining,‬ ‭application of‬ ‭knowledge,‬ ‭practical skills,‬ ‭evaluating data,‬ ‭research‬ ‭techniques,‬ ‭sourcing‬

‭ opics:‬ T ‭19.‬ ‭Photosynthesis‬ ‭20. Our‬ ‭Atmosphere‬ ‭and Us‬ ‭Key Skills:‬ ‭Applying‬ ‭knowledge,‬ ‭explaining,‬ ‭describing,‬ ‭modelling,‬ ‭practical skills,‬ ‭chromatograph‬

‭ tudents will be confident explaining the‬ S ‭key beliefs of the two religions studied at‬ ‭GCSE, and have begun applying these‬ ‭to all question types.‬

‭evaluation‬ -‭ Understand that science is about‬ ‭working objectively, modifying‬ ‭explanations to take‬ ‭ ccount of new evidence and ideas and‬ a ‭subjecting results to peer review.‬ -‭ Evaluate our use of plastics and their‬ ‭impact on the environment. Understand‬ ‭the role of‬ ‭ cientists in developing alternatives and‬ s ‭advising governments.‬


‭ nd Moments‬ a ‭Test‬ ‭MP2: Gas‬ ‭Exchange and‬ ‭Health Test‬

‭ eveloping‬ d ‭theories,‬ ‭explaining,‬ ‭developing &;‬ ‭balancing‬ ‭equations‬ ‭MP3: Mid-Year‬ ‭Exam‬

c‭ ollecting and‬ ‭analysing‬ ‭data, practical‬ ‭skills,‬ ‭developing &;‬ ‭balancing‬ ‭equations‬ ‭ P4:‬ M ‭Inheritance‬ ‭Test‬ ‭MP5: Matter‬ ‭Test‬

i‭nformation,‬ ‭discussing,‬ ‭debating,‬ ‭concluding,‬ ‭ethics,‬ ‭evaluating‬ ‭human‬ ‭impact on‬ ‭environment‬ ‭ P6: Metals‬ M ‭Test‬ ‭ P7: Space‬ M ‭Test‬

‭y, microscopy‬ ‭ P8:‬ M ‭Photosynthesis‬ ‭Test‬ ‭MP9: Our‬ ‭Atmosphere‬ ‭and Us Test‬

‭ valuating the‬ e ‭human impact‬ ‭on the‬ ‭environment‬ ‭ P10: End-of-‬ M ‭year exam‬

-‭ Apply knowledge to a range of different‬ ‭contexts‬

‭ Rearrange and use a range of‬ ● ‭equations to make calculations‬ ‭ Use the particle model to explain‬ ● ‭energy transfer through solids, liquids‬ ‭and gases and‬ ‭ hat happens when substances change‬ w ‭state‬ ‭ Build simple circuits and measure the‬ ● ‭current and potential difference. Explain,‬ ‭in simple‬ ‭terms, the meaning of current and pd‬ ‭ Understand how magnets interact,‬ ● ‭what we mean by a non-contact force‬ ‭and the‬ ‭ pplications of magnets and‬ a ‭electromagnets‬ ‭ Explain how the Earth fits into the‬ ● ‭universe and the origin of day and night,‬ ‭the seasons‬ ‭and eclipses.‬ ‭ Begin to understand that a chemical‬ ● ‭reaction is balanced and hence mass is‬ ‭conserved.‬ ‭ Begin to write and balance simple‬ ● ‭chemical equations.‬


‭ Understand that the earth’s‬ ● ‭atmosphere has evolved over time.‬ ‭ Understand that the products of the‬ ● ‭reactions which are occurring now are‬ ‭changing the‬ ‭balance of gases in the atmosphere.‬ ‭ Understand some of the impacts of the‬ ● ‭changing levels of different gases in our‬ ‭atmosphere.‬

‭ Understand the function of the gas‬ ● ‭exchange system in humans, including‬ ‭the importance‬ ‭ f exercise and impact of some drugs‬ o ‭such as caffeine and alcohol.‬ ‭ Understand the role of DNA in‬ ● ‭inheritance, and the impact of the‬ ‭environment on‬ ‭ ariation and adaptations within a‬ v ‭species.‬ ‭ Understand the process of‬ ● ‭photosynthesis and the impact of the‬ ‭environment on it.‬ ‭ Understand relationships between‬ ● ‭organisms and their interactions with the‬ ‭environment.‬


‭DT Rotation Project‬

‭Assessments‬

‭End Points‬

‭Test tube holders‬

‭ ssessment taken throughout rotation based on‬ A ‭communication techniques, investigation,‬ ‭development and manufacture as per the school‬ ‭policy.‬

‭The students will be able to:‬ ‭●‬ ‭Demonstrate safe working practices‬ ‭●‬ ‭Understand the need for tolerances in‬ ‭work‬ ‭●‬ ‭Develop design ideas with an iterative‬ ‭approach‬ ‭●‬ ‭Classify different timbers‬ ‭●‬ ‭Describe different jointing techniques‬ ‭●‬ ‭Mark out and cut basic wood joints‬ ‭●‬ ‭Describe a range of wood surface finishes‬ ‭●‬ ‭Explain different polymers‬

‭ ood Technology -‬‭1 lesson per week‬ F ‭Objectves‬

‭Practical Dishes‬

‭End Points‬

I‭n approx. 12 hours students will focus on:‬ ‭Pre-prep system & washing up; use of kettle,‬

‭ ruit Fusion‬ F ‭Layered pasta salad‬

‭ tudents will have deepened their knowledge of:‬ S ‭The importance of the gathering and of the‬

‭ or the project the students will explore both‬ F ‭timbers and polymers to design and make a test‬ ‭tube holder. They will demonstrate safe working‬ ‭practice while using equipment in the workshop to‬ A ‭ ssessments taken during assessment windows‬ ‭create the wooden test tube holder with a quality‬ ‭as per the school schedule.‬ ‭finish. Development of design with be explored‬ ‭with the acrylic test tube holder taking an iterative‬ ‭approach while evaluating ideas using the laser‬ ‭cutter.‬


‭ eelers & understand the correct & safe use of‬ p ‭sharp knives (claw grip/bridge hold).‬ ‭Safe & accurate use/management of gas hob –‬ ‭use of control dials; Safe & skilled use of a frying‬ ‭pan to include the principles of stir-frying & wok‬ ‭cookery.‬ ‭The focus is on the green section of the Eatwell‬ ‭Guide - micronutrients and fruit &; vegetables,‬ ‭including starch & protein foods to make a‬ ‭“balanced” meal. The role & value of CHO &‬ ‭soluble NSP (dietary fibre) in the diet; The‬ ‭importance of vitamins and minerals in the diet;‬ ‭Benefits &‬ ‭use of cruciferous veg;‬ ‭Using a wide range of vegetables to include a‬ ‭wide range of “in season” fruits and salad‬ ‭vegetables – local, UK and exotic & unfamiliar‬ ‭and how to‬ ‭prepare these vegetables.‬ ‭An attractive presentation of food; Uniform‬ ‭consistency for quality control & end user‬ ‭satisfaction.‬ ‭Creativity and aesthetic when designing, making‬ ‭and presenting food items.‬

‭ ajitas or‬ F ‭Stir Fry‬ ‭Vegetable soup‬ ‭Tomato Pasta Bake or‬ ‭Marco’s Mother’s Pasta‬ ‭Dutch Apple Cake – all-in-one v creaming‬ ‭methods‬

‭ reliminary preparation of‬ p ‭the ingredients and equipment to be used in‬ ‭cooking and of the clearing‬ ‭up at the end of practical food work. This includes‬ ‭food hygiene and label‬ ‭analysis.‬ ‭An understanding of how to operate equipment‬ ‭safely to include a gas‬ ‭(and induction) hob, and how to keep themselves‬ ‭and others safe when‬ ‭working in a kitchen. This includes the anatomy of‬ ‭a cook’s knife and‬ ‭practising the claw grip and bridge hold, along‬ ‭with understanding the‬ ‭different colour-coded chopping boards in food‬ ‭preparation.‬ ‭Students will have deepened their knowledge of‬ ‭understanding the‬ ‭Eatwell Guide with a focus on micronutrients and‬ ‭fruit &; vegetables. In‬ ‭addition, an understanding of vegetable‬ ‭classifications and of culinary‬ ‭terms associated with the preparation &; cooking‬ ‭of fruit and vegetables.‬ ‭Students will have worked through different‬ ‭practical tasks and theory‬ ‭tasks. Together this is designed to have‬ ‭deepened and grown their‬ ‭experience of practical skills, knowledge,‬ ‭understanding and‬ ‭engagement.‬


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