Issue 1 SEPTEMBER 2020 Free
FRESHERS’ GUIDE TO SOUTHAMPTON
SOUTHAMPTON JUST GOT A WHOLE LOT ‘FRESHER’
EDITORIAL
ISSUE 1
The Team EDITOR
Morgan McMillan
editor@theedgesusu.co.uk
DEPUTY EDITOR
Maddie Lock
deputy-editor@theedgesusu.co.uk
NEWS EDITOR
Sam Pegg
news@theedgesusu.co.uk
RECORDS EDITOR
Alice Fortt
records@theedgesusu.co.uk
DIGITAL CULTURE EDITOR
Harry Geeves
culture@theedgesusu.co.uk
CLASSIC CULTURE EDITOR
Olivia Dellar
culture@theedgesusu.co.uk
FILM EDITOR
Theo Smith
film@theedgesusu.co.uk
FILM SUB-EDITOR
Lucy Maggs
film@theedgesusu.co.uk
LIVE EDITOR
Jo Lisney
live@theedgesusu.co.uk
PUBLIC RELATIONS OFFICER
Kiera Gormley
liverecords-pr@theedgesusu.co.uk
PUBLIC RELATIONS OFFICER
Becky Davies
culturefilm-pr@theedgesusu.co.uk
ONLINE MANAGER
Menno Kramer
design@theedgesusu.co.uk
HEAD OF DESIGN
Rebecca Ormsby
Editor’s Note
It’s no longer the 200th day of March and being allowed out the house again feels like a new beginning, something ‘fresher’. Despite the terrible puns, The Edge have felt awfully nostalgic this summer as we looked back at the simpler times like the noughties (p. 8). We have also introduced a new series called ‘My First..’ which sees our writers delve into their first ever entertainment experience from albums (p. 7) to cinema trips (p. 12). Local alt-rock band Artemis are the cover for our very first issue of the year, for those who do not know of them, they are an amazing Southampton based band currently taking the local music scene by storm. Showcasing local and student talent is something the 2020/2021 committee hopes to achieve this year, so be sure to constantly check out The Edge for your next new favourite musician, filmmaker or artist! For everyone who is new to Southampton do not fear as our writers introduce you to everything that is great about Southampton, from local legends (p. 15) like Craig David, to our favourite Southampton Cinema’s (p. 17). This is a Fresher’s guide to Southampton but also a guide into the heart of the city. And if you don’t go to University in Southampton, we hope this guide introduces you to the wonders of our city, and intrigues you to get down and groovy at our Palace of Dreams (p. 21) We are more than just a magazine; we are a community who hope to use our platform to educate ourselves and our readers on all areas of entertainment, especially entertainment that is often neglected by mainstream media. Alongside, writing we have also dabbled in the promoting business with our very own festival titled The Edgetival. A cheeky shoutout to the next festival streaming on 5th October from The Cube, be there or be… cube, baa dum tiss.
Charlotte Brennan
If you are interested in writing for The Edge be sure to drop us a message, the only criteria to write for us is that you are a student at the University of Southampton. Your ability or previous experience does not matter to us, we all started out a little messy so please don’t let your writing ability put you off. Passion is what we’re interested in, and that will shine through no matter your experience!
Katie Evans
And finally, welcome to The Edge!
manager@theedgesusu.co.uk
FEP OFFICER
Georgie Holmes
publicity@theedgesusu.co.uk
FEP OFFICER
RECORDS/LIVE EXECUTIVE VICE PRESIDENT ACTIVITIES
Corin Holloway
vpactivities@susu.org
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ARTEMIS SEPTEMBER 2020
Morgan McMillan, Editor
EDITORIAL
CONTENTS 01 02 03 04
EDITORAL
05 07
NOSTALGIC NEWS
08 09 10 11 12
CONTENTS NEWSBOX ENTERTAINMENT SOCIETIES IN FOCUS MY FIRST ALBUM: LANSDOWNE - BLUE COLLAR REVOLVER BATTLE OF THE POP QUEENS: 00’S QUEENS REIGNING SUPREME
21 23 24 25 27
IN DEFENCE AND IN CRITICISM: THE SIMULTANEOUS RELEASE MY FIRST CINEMA EXPERIENCE: SHREK THE THIRD
13 15
HIDDEN GEM: MANBORG
17
TOP SOUTHAMPTON CINEMA’S
19
WSA AT 150: A LOOK AT HISTORY AND ALUMNI
20
SOUTHAMPTON AND HAMPSHIRE LITERARY HERITAGE
ICONIC SOUTHAMPTON MUSICIANS
THE BEST COUCH COOP EXCITNG TV PILOTS: LEGEND OF KORRA
28
LITERATURE V ADAPTATION: THE HANDMAID’S TALE
29
HOW WATTPAD RUINED A GENERATION
30
BATTLE OF THE FESTIVALS: UK V US
31 32
INTERVIEW WITH ARTEMIS GUIDE TO HOSTING YOUR OWN CLUB NIGHT
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LISTINGS
BEST OF BOYBANDS BEST OF GIRLBANDS
JESTERS: THE PALACE OF DREAMS NEVER RARELY SOMETIMES ALWAYS: THE TOPIC OF ABORTION IN CINEMA FIRST IMPRESSIONS: THE BIG LEBOWSKI
Follow Us! /theedgesusu @theedgesusu @theedgesusu Cover image courtesy of ARTEMIS
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NEWS
THE NEWS BOX
THE EDGE’S ENTERTAINMENT PICKS DEPUTY EDITOR THE HAUNTING OF BLY MANOR (09/10/2020)
The Haunting of Bly Manor (Netflix, 9th October) is set to be even eerier than its premiere season (The Haunting of Hill House). As its chilling cast returns, with a few additions, get ready for another season of Netflix’s greatest horror series (sorry AHS…).
RECORDS EDITOR BLACKPINK - THE ALBUM (02/10/2020)
NEWS
IN BRIEF Microsoft Event unveils budget console Xbox Series S with £250 starting price along with premium console Xbox Series X clocking in at £450. Booker Prize 2020 offers its most diverse shortlist to date while simultaneously dominated by American authors. Mayflower Theatres set to take on Southampton’s NST City in a 35-year lease. Joining other musicians, FINNEAS and Billie Eilish work hard to complete their next projects but warn they won’t come out until COVID ends.
BLACKPINK are one of the biggest girl groups in the world right now, and their past year of killer collabs, from Gaga to Selena Gomez, has got me proper pumped for their upcoming album, aptly titled The Album. It’s sure to be full of bangers.
FILM EDITOR SAINT MAUD dir. ROSE GLASS (09/10/2020)
Rose Glass’s debut feature is being billed as mix of body horror and psychological thriller since it premiered at Toronto last year. The story of hospice nurse Maud’s (Morfydd Clark) obsession with saving her dying patient’s soul is set to send audience’s spines tingling and hearts racing when it finally reaches UK shores next month.
CULTURE EDITOR SERPENTINE by PHILLIP PULLMAN (15/10/2020)
A story in the Arctic from the world of His Dark Materials and The Book of Dust by master storyteller, Philip Pullman is soon to be hitting our shelves for an October release. The book is situated at the heart of the Book of Dust series, between the La Belle Sauvage and The Secret Commonwealth.
LIVE EDITOR TOM GRENNAN STREAMING ON MELODYVR (02/10/2020)
Tom Grennan is not about to let Coronavirus stop him bringing you the live experience, although not in the traditional format, he has teamed up with MelodyVR to get as close to the real thing as possible!
Back to the Future The Musical Comes To London! Morgan McMillan
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Cult classic Back to the Future will be transformed into a West End musical this year, the musical will be hosted at the amazing Adelphi Theatre which has been home to many exceptional musicals such as Kinky Boots. The show is set to open on 14 May 2021 and follows the story of teenager Marty McFly who accidentally travels back in time to 1955 using mad scientist Doctor Emmett Brown’s DeLorean time machine. But to make the show more exciting there will be lots of singing, but does this mean we may see Marty duet with Elvis? Who knows? Anything is possible. The show originally ran in Manchester Opera House in March but was cancelled due to national lockdown, however it will be back and better than ever taking over the London stage.
NEWS
ENTERTAINMENT SOCIETIES IN FOCUS It’s not like the last few months have been particularly normal - but luckily, weird is a speciality we’re pretty fond of at the Southampton Creative Writing society. As a society, we provide a place to work on and share writing of all kinds with like-minded students. We split our time between Thursday sessions which focus on critique and technique and more light-hearted Tuesday sessions where we brainstorm ideas and produce silly stories to get those creative juices flowing. Published or private, life-like or ludicrous, all kinds of writing and writers have a home in our society, so come along! If you’re interested in joining Creative Writing Society then please sign up on our SUSU society page.
Passionate about all things film-related? Want to join an ever-growing community of film lovers? Then Film Society (Film Soc) is the place for you! We are a recently established small and friendly society aimed towards both those studying Film at degree level, either undergrad or postgrad, and anyone at the university who (like us) spend most of their spare time watching movies. Film Soc is the perfect place for you to meet like minded individuals and chat about your favourite, or least favourite, films whilst making some brilliant mates along the way. We host a wide range of socials, including film screenings, film marathons, pub quizzes, pub crawls, and much more which anyone is welcome to get involved with! If you’re interested in becoming a member of Film Society, then please sign up on our SUSU society page or contact their president Katie (ke1g18@soton. ac.uk).
LOpSoc, The Light Opera Society, might sound like a niche interest to some, suffering from the unfortunate connotations of the word Opera. The thing is, it’s 2020, it’s about time we started admitting it; Opera can be pretty cool. Light Opera, a style popularised by famous duo Gilbert & Sullivan takes the eccentric Victorian sense of humour and puts it to some unbelievably catchy tunes. It embodies the same themes that people love in musicals today, just with slightly more contrived plotlines. None of us profess to be experts, but we strive to create a space where people can have fun without worrying about being perfect. 2021 is our 50th anniversary, so we’re hoping to have a great year and to see as many fresh faces as possible! Image courtesy of SUSU.org
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NEWS
NOSTALGIC NEWS 35 YEARS AGO
5 YEARS AGO
Conor Farrell
Morgan McMillan
Teen Wolf was released
Teen Wolf (1985) follows seemingly typical teenager Scott Howard (Michael J. Fox) as he discovers the family secret - he and his father are werewolves! Seeking fame and popularity, the physically inept Scott uses his newfound lupine abilities on the basketball court, earning respect and admiration of his peers while unintentionally pushing away his closest friends. Scott must now decide, does he really want to be defined by his hairy alter ego? The themes of Teen Wolf are universal and intergenerational. After all, it is human nature to crave love and acceptance. Some may view power as a shortcut to happiness, but that is rarely the case. As Scott’s father puts it in the film, “With great power comes great responsibility...”
Straight Outta Compton was released
Five years ago, we were graced with the excellent biographical drama Straight Outta Compton directed by F. Gary Gray. The film depicts the rise and fall of N.W.A and the lives of its key members Eazy-E, Ice Cube and Dr. Dre. The film exemplifies the racial inequalities of 1980s America by showcasing the lives of young Black men within the era and the constant police brutality they experienced. The treatment of N.W.A and other young black men echo the same treatment people of colour still experience today. Although the film’s primary goal is focusing on the band, it’s also a great educational tool in understanding police brutality. Straight Outta Compton is an amazing film in the way it portrays the lives of N.W.A, whilst also sticking true to the hardships and struggles all the members faced.
5 YEARS AGO
The Fratellis’ Eyes Wide, Tongue Tied was released Vicky Greer
I’m a firm believer that The Fratellis are the most underrated of the meteoric noughties indie rock scene. Their debut album Costello Music gave us bangers like ‘Chelsea Dagger’ and ‘Henrietta’ that still spark the same reaction today as they did at the height of their popularity. Since then, they haven’t released a bad album, even if they haven’t reached the same commercial popularity as their first record. From this album, you can hear the band’s instantly recognisable, high-energy sound on the bigger tracks like ‘Baby Don’t You Lie To Me!’, ‘Too Much Wine’ and ‘Thief’, but they weren’t afraid of a quick energy change in the second act with ‘Slow’ and ‘Medusa in Chains’. But the greatest track is arguably the album’s opener, ‘Me and the Devil’, a deliciously addictive slow-burner which erupted into a belting finale. Eyes Wide, Tongue Tied set a new precedent of what we could expect from The Fratellis, paving the way for the free-spirit albums that have come since 2015. Unwilling to be defined by a single emotion, this album is further proof that The Fratellis are experts in their field.
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Images courtesy of MTV, and UNIVERSAL PICTURES
NEWS
NOSTALGIC NEWS 5 YEARS AGO
Until Dawn was released Louise Chase
Released on August 25th 2015 in the U.S. and on the 28th in the U.K., Until Dawn is a singleplayer horror game by Supermassive Games starring Rami Malek and Hayden Panettiere among others in its cast. Paying homage and invoking several infamous horror movie tropes, your choices throughout the game - however insignificant - can determine which of the eight main characters make it to the end. There are numerous iconic moments that made this game for me, such as Mike’s run to save girlfriend Jessica or some of the many different endings. And I am someone who loathes horror games, but this just had me captivated! It has seemingly infinite replay potential, with the variety of alternative pathways to go down, and collectables to uncover. Will your nerve hold out? The game makes use of the motion controls - so having a steady hand can mean survival.
10 YEARS AGO
Mockingjay was released Lucy Maggs
Suzanne Collins’ Mockingjay completes The Hunger Games trilogy, which took the young adult world by storm in both book and film form in the early 2010s when revolutionary dystopia was at its peak. Looking back, it provides an entertaining yet important conclusion to not only its story but the broader concepts of capitalism, rebellion and the perpetuating cycle of revenge. Mockingjay hammers home the complexities of rebellions, trusting its young readers to engage in questions surrounding the morality of war and how far revenge can be used as a justifiable motive. Although the book has received criticism for wrapping up the trilogy a little too quickly, it certainly introduces and further explores enough of its own world to be unique against Battle Royale, for which The Hunger Games has been frequently compared to.
5 YEARS AGO
Chvrches’ Every Open Eye was released Connie Seamer
Chvrches’ second studio album Every Open Eye was released five years ago. A confident continuation of the sounds from their previous album, Every Open Eye saw the band delve further into what they knew made them good. Choosing not to shy away from their identity as a synth-pop band; the album comprises of nine radio-friendly dance anthems and two slower ballad tracks, allowing plenty of scope for dancing and ambition-filled lyrics. Every Open Eye is plastered with inspiring lyrics which see the band fighting adversity - during the album’s release, Lauren Mayberry received many misogynistic comments which we see her rise above. Along with celebratory tracks like ‘Clearest Blue’, where the simplistic sounds build towards an emotional instrumental break, this album defines the band’s uplifting spirit and focused nature. Although Every Open Eye perhaps lacks the early danger and urgency that The Bones of What You Believe had, it still maintains a fully charged atmosphere that guaranteed the band some smashing headline sets.
Images courtesy of SONY and SCHOLASTIC
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RECORDS
MY FIRST ALBUM: LANSDOWNE - BLUE COLLAR REVOLVER There I was, a young and impressionable thirteenyear-old, grasping my Samsung Galaxy tablet and wearing ridiculous oversized headphones. It’s a school night, and I’m up later than I should be, getting my secret late-night fix of “Battlefield 3 Tank Kills Compilation” when suddenly something catches me off guard. Jaded and disenfranchised from the pop music that I grew up on, this stinging riff and killer drum intro hit me right in the face and I ran straight to the YouTube comments looking for answers. What is this wonderful sound? Lansdowne? This was the moment that changed my life forever and sent me on a path of musical discovery. Blue Collar Revolver is the first, and only, full length album of Boston rock collective Lansdowne and to this day holds incredible nostalgia for me as being the album that really got me into the music I listen to now. Growing up on WWE and Guitar Hero 3, I had always had an inkling of knowledge into the rock and metal scene, but it wasn’t until hearing the opening track of Blue Collar Revolver, ‘Watch Me Burn’ that I started truly exploring the genres. Launching me into similar American rock bands like Adelitas Way and Halestorm, as well as rekindling my love for Skillet, Lansdowne were a gateway drug, and one that only cost me two weeks of paper round savings. There are some undeniably awesome songs on this album, and even nine years after its release, songs like ‘Drag Me Down’ and ‘By Your Side’ still stick with me as badass rock anthems. Glenn Mungo’s heavy drums and Jon Ricci’s gruff vocals make you want to listen to this album while wearing sunglasses and riding an open top convertible through an empty highway in Mississippi. The slower, ballad-esque tunes like ‘Holding On’ and ‘Used To Be’ are the types of songs that made you think you could sing
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when you were younger and make you think you can do karaoke when you’re drunk, and probably hold the most appeal for those who aren’t a fan of the hard rock style. Returning to the album in 2020 though has…. Mixed results, however. While I can’t help but sing along with every word (listening to an album on repeat all day every day at 13 will do that to you), something definitely feels off. What’s immediately noticeable is just how insanely sexually charged this album is. At least half the songs refer to women “riding” something, which at 13 years old was just vague enough to go over my head, and ‘One Shot’ and ‘Up All Night’ are essentially just 3-4 minute brags about how wicked-awesome at sex the lead singer is. Hand in hand with this, too, is the unavoidable fact that a lot of the representations of women in the lyrics of the album leave a lot to be desired. Sure, it’s cool to wear leather jackets, drink whiskey and ride motorcycles, but one thing that definitely doesn’t fly nowadays is bragging about your inability to retain the name of your drunken bar-room pickup. I still return to Lansdowne every now and then, partly for the nostalgia, and partly because I feel like the floaty pop punk I listen to now isn’t exactly conducive of a good gym playlist, and while I will gladly belt out classics like ‘Watch Me Burn’, I do try to avoid the songs that make me feel like I’m peeping through a dirty keyhole into a seedy Alabama motel room. Lansdowne are worth checking out for fans of the bands mentioned previously in this article, or if you do want to try to get into hard rock, but this album especially is by no means a “Drop what you’re doing and listen to this” classic, as much as it pains my thirteen year old self to say.
CALLUM HOLGATE Image courtesy of LANESDOWNE/FACEBOOK
RECORDS
BATTLE OF THE POP QUEENS: 00’S QUEENS REIGNING SUPREME MADDIE LOCK When you hear the names Taylor Swift, Lily Allen, Avril Lavigne, Kelly Clarkson, Lady Gaga, Britney Spears, Miley Cyrus, you are immediately transported back to a simpler time: the noughties. Whether you were blasting ‘Love Story’ and crying over your 10 year old romance that could never be, were screaming “fuck you, fuck you very very much” when your parents weren’t listening, were counting how many outfit changes Gaga had per video (of this I am guilty), resonating with ‘Sk8ter Boi’ in your tomboy chic, or innocently jamming to ‘Toxic’ without realising it’s sexual nature, you have to admit the 2000s were a questionable but iconic time to grow up, made even better by its reigning pop queens. Coincidentally, the noughties were most definitely the superior Disney Channel era, which launched many pop queens, some now more relevant than others; Miley Cyrus, Demi Lovato, Selena Gomez, Vanessa Hudgens (back when she wasn’t so problematic), our queen Ashley Tisdale, Hilary Duff, and of course the iconic Debby Ryan (heyyy Jessie, oh woah ooo). For 10-year olds and under, we had a lot of heartbreak, anger, and problems t h a t only these queens could comfort us in. From Cyrus’ Breakout (tunes such as ‘7 Things’ to ‘Fly On The Wall’ and ‘These Four Walls’), Miranda Cosgrove’s unforgettable ‘About You Now’, Demi Lovato’s absolute bangers in Camp Rock (2008) and her emo hits (‘Remember December’ / ‘Don’t Forget’), to Gomez’s ‘Everything Is Not What It Seems’, and ‘Fabulous’; there’s too many hits to name but I’m sure this gave you some nostalgia for those heart-breaking childhood days.
These queens were teaching us to be feminists before we even knew it. Lily Allen taught us that it’s ‘Not Fair’ that her man is selfish in bed, telling us to ‘Smile’ at the haters/cheaters, and called out racists and homophobes for their “medieval” point of view before we even knew what that meant. These 00s pop queens were high-key feminist, sexpositive, all round badasses that we were lucky to grow up listening to. Also, special mention to our ultimate bad girl Rihanna, giving us tunes such as ‘Shut Up and Drive’, ‘Unfaithful’ and ‘Umbrella’ in the noughties. Now it has to be said, this era would have been lacking without our gal Tay Tay, otherwise known as the queen of genre diversity. Surely, even if you hate her, you have to love that she gave us the meme-worthy video for ‘You Belong With Me’ - she was a staple of the 2000s pop/country scene and life would not be the same if we’d grown up without her sappy love songs. Same for Britney Spears, empowering us with her unmatchable lyricism in ‘If You Seek Amy’, and her power moves in ‘Womanizer’. It’s safe to say, the noughties pop queens were diverse, but unifying in their love of sappy songs or female empowerment. They also probably make up a good portion of your pres playlists, because we all know deep down this was the best era of pop. If you’re looking to cry, feel like a badass, and get flashbacks to simpler times, look no further than our noughties queens.
Disney Channel stars aside, the noughties truly did slap when it came to its pop queens - it’s no wonder that the Glee (2009-2015) soundtracks are full of bangers. Fergie was getting ‘Fergalicious’ and teaching us that ‘Big Girls Don’t Cry’, whilst Lady Gaga was creating a new religion for her monsters with the holy trinity ‘Poker Face’, ‘Paparazzi’ and ‘Bad Romance’ (also making us innocently sing at 8 that “I wanna take a ride on your disco stick”).
Image courtesy of DISNEY AND UNSPLASHED
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RECORDS
BEST OF BOYBANDS Boybands. Hate them or love them, they’re a staple part of the music scene. From *NSYNC to BTS to Brockhampton, boybands have been around for decades now, and have all fallen onto our playlists at one point or another. Our writers are here with their top picks for who they think are the very best of the boyband scene.
BACKSTREET BOYS
When someone says boybands, my mind instantly goes to the very intriguing but memorable music video for ‘Everybody (Backstreet’s Back)’ by the one and only Backstreet Boys. Nothing can beat the five-piece, whose catchy dance-pop songs led them straight to international fame in the 1990s after the release of their self-titled debut album Backstreet Boys (1996). If you ask someone who the most famous boyband in the world is, it’s quite likely they’ll answer with the Backstreet Boys. This could be due to their superstar status that followed after their first album and a 184 city (almost) worldwide tour, or the 24,000,000 sales made by their third studio album Millennium (1999) only proving further their expansive popularity. It’s clear to say the band defined the expectations set for boybands not only in the 90s, but for the many years to follow with their influence being seen to this day, with One Direction, Take That and Westlife as obvious examples. KATIE EVANS
BROCKHAMPTON
Ever since their arrival with their widely acclaimed SATURATION Trilogy back in 2017, Brockhampton have been a refreshing shake-up of the boyband formula. The group is 13 members strong, with vocalists like Kevin Abstract, Matt Champion and Merlyn Wood, to the production side in Romil Hemnani and Jabari Manwa. Every cog in the music process is collectively recognised and, in comparison to other boybands, the group has been allowed to organically form their own brand of DIY hiphop, music videos and live shows without outside interference. Likewise, this is a boyband without any boundaries and strives to celebrate all-inclusivity with half of their members being of colour and some who are openly gay, which their music isn’t afraid to reflect. With six albums under
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Image courtesy of. RCA RECORDS
their belt, this isn’t a group that shows signs of slowing down and as Abstract famously said, “We are the best boyband since One Direction”. THEO SMITH
JONAS BROTHERS
The Jonas Brothers are the boyband of our generation; if we weren’t battling our parents who refused to admit they were a pop rock band, we were crying over which JoBro to choose to be our soul mate. Consisting of Kevin Jonas, Joe Jonas and Nick Jonas they have rocked the charts since 2005 with their first releases ‘Mandy’ and ‘Time For Me To Fly’. But unlike many of our favourite childhood bands the Jonas Brothers are back together and better than before. Their recent album Happiness Begins (2019) proves they can conquer all genres and adapt to the changing musical landscape. However, we cannot forget their true bangers such as ‘S.O.S’ and ‘Burnin Up’, which I will admit I still play on repeat on the regular. The Jonas Brothers broke up in 2013 citing a “deep rift within the band” but they overcame their differences, and with their many concert films available to watch on streaming platforms you can still live out your JoBro fantasy and rock out to every single track of theirs. MORGAN MCMILLAN
Image courtesy of COLUMBIA RECORDS.
RECORDS
BEST OF GIRLBANDS Here come the girls! Girl groups DOMINATED the 00s, and I’m sure I’m not alone when I say that they pretty much defined the sound of my childhood. Here we celebrate some of our favourites!
THE SPICE GIRLS
So, I’ll tell you what I really, really want... The Spice Girls to go on tour again. They embodied ‘girl power’ and their own individuality through their personas in the mid to late 90s - it’s no wonder that they’re the most successful British female group of all time! The Official Charts Company stated in 2019 that the Spice Girls’ debut album Spice topped the UK chart of the best-selling albums of all time from a girl group. This album featured the singles ‘Wannabe’, ‘Who Do You Think You Are’ and ‘Say You’ll Be There’, spent 15 weeks at number one in 1996 and 1997, and has notched up over 2.98m combined sales as of June 2019. Likewise, Spice World followed in 2nd place on the UK chart of the best-selling albums of all time, with over 1.6m sales as of June 2019! Their Spice World tour in 2019 sold out within minutes. Even though they broke up in 2004, the demand to see them live speaks volumes - they’re a part of so many people’s childhood and still remain popular. Not only that, their clothes were iconic... sparkly Union Jack dress anyone? JO LISNEY
DESTINY’S CHILD
Destiny’s Child have gone through many line-up changes; however, the group is best known for the final line-up consisting of Beyoncé, Kelly Rowland and Michelle Williams. What makes Destiny’s Child a fantastic band is their ability to empower women. This is the key theme in their third studio album Survivor, which includes iconic tracks like ‘Independent Women’, ‘Survivor’ and ‘Bootylicious’. Destiny’s Child have released powerful tracks with all of them holding a
close place to my heart, but it has to be ‘Girl’ from their fifth and final album, Destiny Fulfilled, that is my personal favourite. The song was written by Beyoncé and Williams as a request for Rowland to leave an abusive relationship – it’s an incredibly empowering song and allows others going through similar situations to know that they are not alone. Billboard has ranked Destiny’s Child as the greatest musical trio of all time after selling over 60 million records to date. Though the group disbanded in 2006, their music is timeless and is just as relevant as it was when it was first released. MORGAN MCMILLAN
GIRLS ALOUD
After being put together by Simon Cowell on the UK TV show Popstars: The Rivals, pop girl group Girls Aloud, formed of Nadine Coyle, Sarah Harding, Nicola Roberts, Cheryl Tweedy and Kimberley Walsh, have gone on to be one of the biggest pop acts of the 21st Century. Dominating the charts between 2002 and 2012, Girls Aloud were able to accumulate 21 UK top ten singles and two UK number one albums. ‘Sound of the Underground’, their debut single, went straight to number one in the UK and spent four weeks there, proving that from the get-go they were always bound to be successful. As well as all of this chart success, the girls went on six successful UK tours over eight years and won a multitude of awards, and that, in my opinion, is enough to give them the crown for being the biggest girl group of the 2000s. Hits like ‘Love Machine’ and ‘The Promise’ are always karaoke favourites and are more than likely to feature in your cheesy pop playlists. We have all jammed out to a Girls Aloud song at some point in our lives, and if you deny that then you’d be lying. CHARLOTTE BRENNAN
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FILM
IN DEFENCE AND IN CRITICISM:
THE SIMULTANEOUS RELEASE IN DEFENCE
- THEO SMITH
For film lovers, the cinema is unlike anything else due to the immersion of the big screen, and the communal experience that can sometimes transform a midnight screening into a memorable event of passionate fans whooping and cheering (without breaking any codes of conduct). For myself, it’s the perfect way to watch any movie and I wouldn’t have it any other way. But times have changed and the likelihood of recreating these memories are a long way off with social distancing in place. All of this brings us to the simultaneous release which, for the time being, is a sensible idea for distributors and exhibitors. A key aspect surrounding the simultaneous release is cost. In an era where a family trip could potentially amount to an eye-watering £74.50 (not accounting
IN CRITICISM
- JACOB HANDO
For some, the emergence of streaming services such as Netflix and Amazon Video have spelled certain death for the cinema. For many, the recently announced simultaneous release of new film in both cinemas and on Video on Demand (VOD) has confirmed the fear that the big screen experience is on its way to becoming an artistic relic. Here is why the move is a terrible one. One of the most damaging threats to the film industry is pirating. Having a home release whilst the film is still playing in cinemas simply shortens the length of time for a full HD version to appear online for free. There won’t be people with camcorders sitting at the back of the cinema -
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food or drink if you’re that kind of viewer) then that £15.99 for Trolls: World Tour looks fairly reasonable if you’re looking for an afternoon film for the kids. Lastly, and most importantly, this has been a long awaited move for the film industry ever since the invasion of streaming services like Netflix and Amazon Prime. Actually, let’s rewind seven years back - ever since Ben Wheatley’s Field of England was released simultaneously in cinemas, VOD, and on TV the same day. It’s about time that Hollywood started experimenting further with releases considering that cinemas aren’t going to be a constant viable business option during the current climate. It won’t be a drastic change overnight, but it could finally see an end to the traditional system that executives have been clinging onto for a century.
there will be people relaxing on the sofa whilst the television screen records a brand-new blockbuster for everyone’s enjoyment. Do studios really want to shoot themselves in the foot? Lastly, going to the cinema to see an anticipated film can replicate the same effect as a cup final at the pub or watching the Olympics in a stadium full of 80,000 spectators. In a post-Covid world, collective experiences will return with a vengeance. Concerts, festivals and cinemas are among the finest examples of art being elevated by a responsive crowd. Simultaneous releases will only undermine this shared sense of wonder and take away the social aspects of cinema.
Image courtesy of UNSPLASH
FILM
MY FIRST CINEMA EXPERIENCE:
Shrek the Third Being one of the longest standing online memes over the past decade, everyone knows how iconic the Shrek films are. And although 7-year-old me wasn’t aware of the horrible “Shrek is Love, Shrek is Life” viral video just yet, I certainly loved Shrek. Walking into the cinema at that age felt like more than just a day-trip. In a time without Netflix, the only things I could watch on the TV were CBBC and the occasional film that’d been burned on a disc from a family friend. Going to the cinema felt like a massive deal, as it was something that happened very rarely as a kid. Shrek the Third may not be the most popular of all the green Ogre’s adventures, but to me in the cinema it was immense. The colours dancing vividly across the screen, and hearing other filmgoers around me enjoy the film was very energising. The story-line was great and watching Shrek, Donkey, Puss in Boots, Fiona, and the others cause havoc for an hour and a half was exciting. But it was the experience of sitting in the red, plush seats surrounded by other families that was the most enjoyable aspect of my first trip to the cinema. Seeing a film communally is something that isn’t hyped up enough. Sure, at home you can pause it whenever, grab the loudest snacks ever and have lots of space to stretch out and relax, but you don’t
Image courtesy of. DREAMWORKS
have the collective joy of watching the plot unfold. Since seeing Shrek 3 at the cinema at 7 years old, I’ve been to see much bigger films in the same environment like last year’s behemoth Avengers: Endgame; but this very first cinema trip still stands out as being the most memorable for the communal spirit I could feel. Being a child, other people’s reactions may not be at the forefront of your mind when Shrek’s hysteric face is in front of you. But that’s not to say you don’t notice them. I have a really vivid memory of sitting in the seat and looking up at the big screen (which was fairly difficult to see as a tiny child) thinking, “Wow, this is really happening. I am really in a cinema right now, with other people around me, watching a new film. This is cool.” Looking back on it, it seems funny to me as I was such a shy kid that was probably just overwhelmed by the amount of strangers sitting around me. However, at the time, I couldn’t have been happier. I don’t remember much of Shrek The Third, I won’t lie. But what I did recall was feeling so overwhelmed with happiness as I was experiencing something fun collectively with a group of strangers.
GEORGIE HOLMES
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HIDDEN GEM:
MANBORG
Read these next words closely because what I’m about to tell you could change your life forever. Take a single £1 coin, go to your nearest CEX and scour that building for a DVD copy of Manborg. This simple process might just enrich your life, and change your perspective on the world forever… It certainly did for me. Hyperbole aside, Manborg is absolutely quintessential viewing for fans of the B Movie genre. With a budget of approximately CAD$1000, and filmed almost entirely in what seems to be someone’s basement on a green screen, Manborg is the greatest bad film ever made. Sure, The Room is hilariously terrible, and Sharknado is one big joke, but there’s something incredibly endearing and gripping about the sheer ridiculousness of Manborg. After losing his brother to the invading demon forces of the Hell Wars, a simple soldier awakens to his new robotic body in a dystopian future. In a world overtaken and ruled by Count Draculon (Adam Brooks) and his army of fascist devils, Manborg (Matthew Kennedy) must team up with kung-fu movie parody Number One Man (Ludwig Lee), and the fast-mouthed brother-sister duo of Mina (Meredith Sweeney) and Justice (Conor Sweeney)
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Image courtesy of NJUTA FILMS
to topple the regime and save humanity forever. All while seeking revenge for his brother and trying to learn what has brought him to the future in this new form. With horrifying claymation demons that I could only imagine resemble Wallace and Gromit’s sleep paralysis monsters, utterly insane action sequences and some of the best intentionally awful dialogue ever written, Manborg is a masterpiece of parody cinema. As a huge fan and collector of B Movies like Sharktopus, Sharktopus vs Pteracuda and Troll 2, Manborg is easily my favourite of the genre. Its ruthless disassembling of B Movie tropes along with its ‘8 year old playing with a DigiBlue camera’ charm makes this quite possibly my favourite film of all time. Move over Hitchcock and stand aside Welles, because Steve Kostanksi has achieved perfection with Manborg. Deliciously cheesy, side-destroyingly funny and even at times genuinely impressive, Manborg is a great watch no matter your state of inebriation.
CALLUM HOLGATE
FRESHERS GUIDE
TITLE OF ARTICLE AUTHOR OF ARTICLE Article Content
ImageImage courtesy of... of UNSPLASH courtesy
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FRESHERS GUIDE
ICONIC SOUTHAMPTON MUSICIANS
CREEPER
Southampton rockers Creeper just released their second album Sex, Death & the Infinite Void this month, further pushing the band into the mainstream. Debuting at number 5 on the UK album Chart, Creeper is only getting better with every release, and are paving the way for other bands coming out of the Southampton rock scene. Forming in 2014, this six-piece is one of the most interesting rock acts in the music world at the moment. Incorporating elements of horror-punk, the goth-rock and emo into their sound, the group can nail fast-paced, riff-heavy tracks as well as slowing the tempo to tug on our heartstrings. Everything that the band releases feels very original and fresh, from the storylines and characters they incorporate into their work to the energy in their live shows, Will Gould and co are due to go down as legends of the Southampton music scene. In December of this year, the gothic six-piece is returning to Southampton to play multiple shows at one of the grassroots venues that supported them at the start of their journey as a band. Playing four live ‘outstore’ events for The Joiners in partnership with Vinilo for the release of Sex, Death & the Infinite Void, these shows will certainly go off and be something you’d hate to miss out on. CHARLOTTE BRENNAN
CRAIG DAVID
Growing up in the Town Quay, Craig David has established himself as Southampton’s greatest treasure. David is a known name at any club night or pre’s with his absolute bangers, like ‘Rewind’, getting anyone with a pulse up and dancing. The R&B singer even has a plaque dedicated to him in Southampton City Centre, proving Craig David really is “all over”. He is the gift that keeps on giving; on 10 October 2019 David did a free Virgin Media show at St Mary’s Stadium – he brought us into the New Year and is a huge name even outside of Southampton. He regularly celebrates his hometown and is loud and proud about where he’s from. For those who don’t know Craig David, he is a singer-songwriter, rapper, DJ and record producer born in 1981 who struck to fame after his collaboration with Artful Dodger on ‘Re-Rewind’. However, it wasn’t until his debut album, Born to Do It, in 2000 that he became a household name. The album’s lead single, ‘7 Days’, went straight to number one in the UK making David, who at the time was only 18 years old, the youngest British male to have a UK number-one single . MORGAN MCMILLAN
Image courtesy of PADIGRAM AND SOUTHAMPTONCOUNCIL
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FRESHERS GUIDE
BAND OF SKULLS
If you’re like me, you may have been first introduced to Southampton-based rock band Band of Skulls through their feature on the Twilight: New Moon soundtrack with their song ‘Friends’ (it’s a good soundtrack okay don’t judge me). Beyond popping up in certain sparkly vampire centred franchises, however, Band of Skulls are a damn good gritty rock band. With 5 studio albums under their belt, they’ve certainly made their mark on the music scene, both in the Southampton scene and beyond. Showing some clear blues influences, their sound floats around in the hard-garage-rock area, with banging albums such as Baby Darling Doll Face Honey, that’s turning 10 this year. If you’re a bit late to the party with checking out the cracking sound that is Band of Skulls, I implore you, take a dive into their discography; I promise that you’re going to love what you find. ALICE FORTT
DEAD!
Although considered a London band, Dead! were originally formed in Southampton in 2013 by Alex Mountford, Sam and Louis Matlock, and Sam Chappell. As a band that largely can be described as hard rock, Dead! do like to blend other genre elements such as pop-punk and grunge into their music. They typically sing about having a good time out and partying - great to add to your pre’s playlist! When they started the band up, Dead! began playing the local gig circuit on the South Coast, as well as in London venues and the South East. Their track, ‘The Damned Restless Future’ captured the hearts of many and began the band’s fan base. They continued to release tracks despite not being signed to a label and attracted more people to their live gigs. Eventually, Dead! attracted the attention of Infectious Music/BMG in the U.K. and Rise Records in the U.S. in 2016. Fans only had to wait a few years until their debut full-length album, The Golden Age of Not Even Trying dropped in February 2018. Their album is still a statement to local bands in Southampton that they can make it to the big time if they continue to pursue what they love. JO LISNEY
BURY TOMORROW
Melodic metalcore band Bury Tomorrow is another gift Southampton gave to the music world, officially forming in 2006 and still having an incredibly successful career to date. The five-piece band consists of Daniel Winter-Bates, Jason Cameron, Davyd Winter-Bates, Adam Jackson and Kristan Dawson and have released a total of six studio albums with their most recent, Cannibal only being released in July 2020. The success of Cannibal has led them to organise a tour for winter 2021 where they will be performing at Southampton Guildhall. Their most famous song ‘Lionheart’ has captured the hearts of many due to its impressive percussion and lyricism. MORGAN MCMILLAN
Image courtesy of. DEAD!/FACEBOOK
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FRESHERS GUIDE
TOP SOUTHAMPTON CINEMAS If you’re an avid film fan, then one of the places you’re likely to cherish most is your local cinema. Luckily, if you’re a film student or mainly a keen filmgoer situated in Southampton, then the city and the surrounding area has plenty to offer when it comes to cinemas. Here, our writers discuss their favourite ones.
UNION FILMS
Union Films is probably one of the most wellknown cinemas to students at the University of Southampton because it is on campus. It’s easily the most accessible, in both its location and its ticket prices. Why spend £15 a ticket at ODEON or other expensive chains, when you can see a film surrounded by all your pals for just £3 or £4? This cinema should be praised for its community spirit it holds as it’s collectively run by a variety of student volunteers. Showing both mainstream classics and independent darlings, Union Films gives a platform for many voices to be showcased. Alongside its convenient location, affordable ticket pricing and wide-ranging films, the seats at Union Films aren’t bad at all. Sure, they may not be as comfortable as the premium seats at ODEON, but for £3 or £4, you can’t go wrong.
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Union Films should be visited by every student at some point during their studies. Support the Union and its independent films, all for the price of a Tesco meal deal! GEORGIE HOLMES
SHOWCASE CINEMA DE LUX SOUTHAMPTON
Possibly the most expensive in regards to ticket price at face value, the Showcase Cinema De Lux is perfect if you’re looking to upgrade for a special occasion or watch your eagerly awaited film in bespoken luxury. Positioned just on the border of Westquay Shopping Centre, you can’t miss it with its distinctive architecture, or the fact that it reads Showcase on the building. Inside the complex there is a Nando’s, TGI Fridays and Five Guys downstairs for dining options, with the cinema upstairs containing a Costa and a refreshment kiosk (if you’re that kind of viewer). However, the real selling point is the recliner seats at no additional cost, which have user controls for both leg-rest and back-rest. It sounds pedantic but I promise that your mind will swiftly change once you experience the satisfying movement of your seat gently tilting backwards and your legs lifting into the air. It’s not the cheapest cinema outing, but if you haven’t experienced what cinema luxury would be like (apart from noisy viewers), then frankly you’re missing out! THEO SMITH
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FRESHERS GUIDE
ODEON SOUTHAMPTON
Located just opposite the legendary Oceana Nightclub, ODEON Southampton is the perfect cinema for those that like to cry to a cheesy RomCom then get down to party in the cheese room next door. The 13 screen cinema shows a wide variety of film from new releases to classic blockbuster – there is a movie for every mood and with the comfy seats and huge screens, including IMAX, you will never miss out on the action no matter where you are situated in the auditorium. ODEON also does cheap student tickets and accepts loads of voucher deals, so all you will need is a few pennies and some spare time to watch any movie of your fancy. ODEON no longer has a ticket booth and instead there are ticket machines for payment, making it perfect for those who hate social interaction. The limited social interaction extends as the cinema regularly shows films throughout the day meaning the cinema is not overly busy and perfect for those who want to watch a film in peace. MORGAN MCMILLAN
HARBOUR LIGHTS PICTUREHOUSE
I’ve always loved the movies, but when I was younger, bright eyed and bushy-tailed, the actual cinema experience would go unnoticed. My mum would load up the 2005 Ford Focus with the whole family and whisk us off; I’d be too busy crushing it on Mario Kart to really take in the moment. I was there for two things: a new movie and a large tub of salted popcorn all to myself. Now I’m older, with disposable income and a refined pallet, I can stop to appreciate the joys of not only the film, but the cinema experience itself. Harbour Lights, located just outside of town in Ocean Village, is one of 23
Picturehouse cinemas in the country. They deliver not only independent, international and heritage films that are less likely to be projected into mass market cinemas, but also a bespoke experience with attention to film-appropriate décor, a bar with craft beers on tap, and their popular quiz nights which happen monthly. Harbour Lights isn’t just a trip to the movies to see that latest Matt Damon flick that your mates have been raving about; it’s a day out, maybe stopping by the harbour or the nearby Dancing Man’s Brewery! MILES REBEIRO
EVERYMAN WINCHESTER
If you’re a lover of film, and are looking to dive into your student loan, then Everyman Winchester is the cinema for you. For starters, you are seated in style with their array of armchairs and sofas, giving you the comfort of home viewing with the benefits of a cinema screen. But what makes Everyman Winchester superior to all other cinemas is the food and drink delivery service; prior to the film you can order at the bar, then whatever food and drink of your choice, such as pizza and wine, will be delivered right to your seat. I’ve only witnessed this luxurious cinema once, and although Mary Queen of Scots (2018) wasn’t the greatest film I’ve ever seen, the seating and overall experience were worth the slightly more expensive tickets. If you’re not sure what to do this freshers, paying a trip to Everyman Winchester will be worth the short bus ride for the delusions of grandeur that it will give you. MADDIE LOCK Image Courtesy Of A Band Apart
FRESHERS GUIDE
WSA AT 150: A LOOK AT HISTORY AND ALUMNI For 150 years the Winchester School of Art has been teaching the wonders of art from graphics to fashion and seem to have big plans all year round for their anniversary, which proposes the perfect opportunity to take a look at their achievements of the last 150 years. Founded in 1870, Winchester School of Art originally occupied Winchester’s twelfth-century Wolvesey Palace, also known as the Old Bishop’s Palace. Whilst this may be the most ideal place for an art school, amongst history and the antique interior which would’ve been catalysts for inspiration, the palace is now owned by English Heritage and is a tourist highlight for Hampshire. 1962 saw WSA granted its own building which it still occupies, titled Park Avenue, and in 1996 the art school officially became a part of the University of Southampton. The school has been an established institution for 150 years and they have plans to host a series of events in celebration, including an archaeological dig, at the school’s site. This dig has already begun with a surface-penetrating radar of the currently vacant Police Station site but will look at the Winchester and the campus’ position on the boundary of the Roman City. Other events include a son et lumieré: an open-air projection which follows the art school from its founding year 1870 up to the present day. A full sound image and video system will delve into the history of the school, looking at staff, students and the innovative art and breath-taking creations that have made it what it is today. It looks to be a very promising and interesting event.
A date is yet to be announced as the current global pandemic may mean it’s difficult for these events to go ahead, but nevertheless it’s an event that will share more history about the institution and inspire many. As the art school is recognised for their creativity and dynamic teaching environment, it’s no surprise that they have a wide range of alumni that graced the halls of the schools and introduced the school to a new realm of art and artistic abilities. Alumni have secured prestigious positions in the art world including the textiles industry, fashion houses and galleries all of these positions worldwide. Through the Southampton Career service these alumni are also able to give current students and graduates career advice and guidance for their future careers. Bobbie Allsop, BA Games and Design student, went on to become a games designer at MangaHigh, a popular platform of maths games used by primary and secondary schools worldwide. With over a million users worldwide there is a huge audience out there for these games and the course at Winchester combines technology and design, something unique to their course collections. All courses that Winchester has to offer have their own Instagram accounts where you can find out more about their content and what the art school does on a day-to-day basis
OLIVIA DELLAR
Image courtesy of wsa/facebook
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FRESHERS GUIDE
SOUTHAMPTON AND HAMPSHIRE LITERARY HERITAGE
Southampton and Hampshire have many links to internationally celebrated writers and poets, those who created the foundation for literature through their classic novels and emotive poetry. Some writers used Hampshire as inspiration for writing and others were born and lived in the county.
CHARLES DICKENS
Perhaps one of the most famous authors to come out of the Victorian Era, and the bane of English students from GCSE to A level and beyond, Charles Dickens is perhaps more associated with London’s East End. Most of his novels detail the plight of the poorer class and he himself was known to walk around Whitechapel and mingle with the lives of those he wrote about in his works. But Dickens was born in Portsmouth, the second child of eight, and his time in the city was well-remembered later in life when his experiences were moulded into his writing. His father worked upon the docklands, but the family wealth fluctuated resulting in debt. When they recalled to London as his Father’s work took them there, the family ended up in a Debtor’s Prison in 1824. Nowadays, Dickens’ childhood home is one of the most well-known museums in the city, and the books are known around the world. LOUISE CHASE
JANE AUSTEN
When discussing the literary heritage of Hampshire there is one author who is impossible not to mention, Jane Austen. Born in Steventon, Hampshire in 1775, Austen spent the majority of her life living in and around Hampshire, eventually passing away in Winchester aged 41. In her lifetime Jane Austen wrote and published four novels, with two additional novels being published posthumously. Austen is renowned for the use of realism of her narratives, but for me her use of humour and wit makes her stories stand. Despite her novels being focussed around the marriage plot, Austen is a feminist and an intellect in her own right; through the manipulation of the marriage
plot Austen allows herself the space necessary to comment on and critique the role of women in society. Visiting Jane Austen’s House Museum in Chawton, Hampshire, is an experience in itself; being able to immerse yourself in the place where Austen published four major novels is enough to inspire the majority of visitors. Although Jane Austen is a clear representative of Hampshire’s literary heritage, she is also a national literary icon famed for her engaging, heartfelt and witty narratives. KAY MILLER
JOHN KEATS
Although born in Moorgate, London, and spending most of his life around the city, beloved Romantic poet John Keats had strong ties to Hampshire, with a lot of his more renown works either being written in the county or passing through. He was said to have written his last Great Ode, ‘To Autumn’, whilst in Winchester, specifically using the location as inspiration for his delicate poem. Only a 15 minute train journey away is Winchester, and there you can find Keats’ Walk, a path dedicated to the poet and his poem ‘To Autumn’ - a lasting remembrance of Keats’ stay there. ‘The Eve of St Agnes’, another of his most acclaimed poems was said to have been started in Chichester, 40 minutes down the road from Southampton where you can visit the house he stayed in during his trip. Some of Keats’ other works include, The Great Ode’s, ‘Ode on a Greccain Urn’, ‘On Insolence’, ‘On Melancholy’, ‘To a Nightingale’ and ‘To Psyche’, as well as other notable lyric poems such as ‘La Belle Dame Sans Merci’ and ‘Bright Star’ all of which explore Keats’ ideas on transiency, life and death as well as longing, love and loneliness. Keats poems are certainly worth checking out, and his ties and admiration to some beautiful locations in Hampshire give you all the more reason to do so. JACK BRANDON
Image courtesy of PENGUIN BOOKS
FRESHER’S GUIDE
JESTERS: THE PALACE OF DREAMS So, you’ve started the University of Southampton, and you’re now deciding what clubs to hit when they inevitably open back up. You think the city is your oyster with choices like the DnB heavy Switch, the painfully average Oceana or the clubs that were great at home but suck in Southampton like Popworld (Reading’s Popworld is much better). However, all I have for you is one word - Jesters. Ahhhh Jesters, The Palace of Dreams, Southampton’s local swamp and unarguably the best cheese dancefloor in the whole of the city. The only place where it’s acceptable to wear wellies to a nightclub, a place that diabetics are warded away more effectively than a vampire confronted with garlic, and a place that every fresher must become acquainted with to appreciate it fully. Jesters is an excellent place for a multitude of reasons; however, the greatness starts way before you even hit the steep decline into what most would have assumed is some strange sex dungeon. As you get yourself ready for a great night out, you’ll find yourself tracking down the worst pair of shoes you own (which will become unanimously known as your “Jesters shoes” in the coming days) and trying on a bunch of clothing that looks like it has had better days. A top tip: never wear anything you like to Jesters as it will be ruined by the time you leave. The great thing about Jesters though, is everyone looks like they have been mowed down in a sweatdriven filthy accident - and WE LOVE IT.
with two toilets so best friends can hold hands while peeing, and much more - all of these little traits are part of the charm in Jesters. But the real magic happens when you hit that dancefloor. You’ll find yourself trying to edge your way onto a dancefloor smaller than most people’s living rooms as you precariously hold onto the sloshing pink liquid called a drink. Feel yourself become submerged in a kaleidoscope of sweaty bodies and bad BO as you try to move in some semblance of a way that is only best described as interpretive dance. With enough alcohol, you’ll feel like you’re featuring in something plucked straight out of a Disney movie, except the backing tracks are pop music’s greatest dancefloor hits from Britney Spears or Beyoncé and even a little bit of Smash Mouth. The hours will soon trickle away with enough alcohol, and before you know, the Baywatch theme tune will mark Jesters approaching closure as an entourage of men rip off their tops and wave them in the air like they just don’t care. With a final few songs, a great night at Jesters is brought to a close, and you’ll find yourself leaving at a respectable 2 am, ready for that 9 am lecture that you’re most likely going to miss now. A degree you say - what’s that? I only heard you say, Jesters!
SAM PEGG
Upon arrival, the first mistake anyone can make is seeing the immense crowding around the bar and thinking its best to hit the dancefloor first. The first reason that’s wrong is that your first thought wasn’t “I need a drinky-poo” and that means you’re not drunk enough for Jesters. The second: if you thought the bar was busy, then oh boy, wait till you hit that dance floor. So, go over, buy a brightly coloured drink (we recommend a Jesticle), think to yourself “a drink shouldn’t be that colour”, and then take a sip and process everything around you. From UV lights, a floor submerged in an inch of questionable liquid, toilets without doors, cubicles
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Image courtesy of.. UNSPLASH.
FILM
Never Rarely Sometimes Always: The Topic of Abortion in Cinema When you sit and think about it, it’s pretty difficult to think of a film - either mainstream or independently produced - that focuses on such a tough and hardhitting (but ever-so relevant) topic as abortion. Just last year in the UK alone, over 200,000 abortions were carried out across England and Wales, so it is troubling to see such a lack of representation in our society about the process which greatly impacts a huge proportion of our population, and causes a multitude of tricky debates across the whole world. In both mainstream cinema and the media in general, the topic of abortion is treated in such a way that allows women who choose a path of abortion to become submerged into a cloud of judgment and struggles, which is worrying to see. Through the influence of the media that abortion should be perceived as a ‘taboo’ subject matter, it is unsurprising that many filmmakers aim to avoid such a controversial topic, but should the important topic of abortion really be one we aim to ignore when there is already an accessible and popular platform available to discuss it through? Cinema is such an incredible place for the true human experience to be portrayed, and with films becoming ever more available due to the increase in video-on-demand services, now is really the time for filmmakers to step up and explore the true realities of abortion and the struggles women go through daily in relation to issues of unintended pregnancies. Over the past few years, films have explored abortion in a range of ways. The 2007 hit-comedy drama film Juno (2007), for example, depicts the pressures that ‘unwanted’ pregnancies have upon a young person’s life in a lighthearted way. The romantic drama film Dirty Dancing (1987) explores the difficulties of living within a society that lacks abortion-rights however these issues are soon brushed over with dance sequences and romance. The 2020 American-British drama film Never Rarely Sometimes Always, directed by the incredible
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Eliza Hittman (Beach Rats), is a brilliant example of the cinematic progression needed in our modern world in relation to current dialogues. The film, which premiered earlier this year at Sundance Film Festival, follows the journey of 17-year-old Autumn (Sidney Flanigan) who, after assuming she is pregnant, goes to a crisis pregnancy clinic in hope of having an abortion. The clinic, however, leans towards a pro-choice stance and suggests she watch an anti-abortion video to encourage her to reconsider her decision. Tinted with muted tones to match the overall troubling mood, Never Rarely Sometimes Always understands just how difficult the topic of abortion is, but manages to become a masterpiece in cinema that dignifies through realism the difficulties women face when wanting an abortion - specifically in places where abortion is a criminal offence. It questions why a personal choice so big as having a child should be something that is forced upon an individual through raw imagery and brilliant direction. Never Rarely Sometimes Always brings a refreshing perspective upon an incredibly current and troubling topic, intending to push filmmakers into a new direction of socio-political exploration. The portrayal of ‘unwanted pregnancies’ is something that throughout the years has been an interesting issue within cinema, with films quite often depicting abortion as something that is unnatural or taboo (especially from a ‘pro-life’ perspective). Just earlier this year in April, Northern Ireland lifted their abortion ban, giving women the right to choose what they do with their own bodies. In a world where times are changing and discussions of abortion are becoming far more common and understanding, it’s cinema’s turn to do what Hittman’s Never Rarely Sometimes Always did so well, and present the issue with full, impactful and respectful force.
KATIE EVANS Image courtesy of. BBC
FILM
First Impressions:
The Big Lebowski ALICE FORTT
Okay, so MAYBE I’m a film student who had never seen The Coen Brothers The Big Lebowski until about 10 minutes ago. Sue me. Regarded as a cult classic, The Big Lebowski has become iconic in the film canon and is beloved for its mad dialogue, trippy dream sequences and legendary characters (big up The Dude). I finally got around to sitting down and watching it, and here are some of my thoughts. First off, the soundtrack is amazing. Creedence Clearwater Revival, Bob Dylan and Elvis Costello? Sign me up! I love a movie that actually engages with its music, and The Big Lebowski is no exception. The Dude regularly mentions his beloved Creedence tapes that he keeps in his very beaten up Ford Gran Torino (beautiful car that is definitely well overdue some TLC), and listens to a bunch of tunes on his little walkman whenever he has the opportunity to do so. There’s also a pretty cool cover of ‘Hotel California’ in there, despite The Dude himself not being an Eagles fan. What about the rest of the film? Well, in a word, it’s absurd. There’s just so much going on at once, and the plot just gets steadily more and more complicated, but this is placated with the easily relatable characters who don’t let the film run away with itself. A stoner (Jeff Bridges), war vet (John Goodman), and loveable sidekick (Steve Buscemi) are easy enough to keep up with. I can understand why people like it so much, and why the characters have become so legendary; it’s entertaining, but not too light that it doesn’t allow you to think for yourself and figure out what’s going on. Following lead character The Dude, the film begins with a mistaken identity and one poor soiled rug and evolves into a
complicated ransom plot gone wrong, with a side of a bowling championship. It’s ridiculous, but it’s entertaining and super funny. The Big Lebowski is also surprisingly poignant. Not to get too deep into an analysis of it, but I found that The Dude’s outlook on life, his experiences with those around him, and the film’s frequent discussion of philosophy were really interesting, and not something that I expected to find at all. A group of secondary antagonists are coined as ‘nihilists’ by The Dude, and he condemns their ‘not caring about anything’ attitude, but then The Dude himself is frequently critiqued for having no apparent direction in life, deciding instead to float through in a fog of hallucinogens and 70s rock music. Several times throughout the movie The Dude is asked what his occupation is, what he does with his time, and near enough every time he stumbles through an answer akin to ‘I just vibe man’, much to the confusion and annoyance of those around him. When presented with the possibility of something permanent in his life in the form of a child, The Dude panics, only calming down when he is told that he won’t have anything to do with the child’s upbringing. It’s a curious movie in general, but from the perspective of a close character study and said character’s reflection of wider philosophical questions, it opens up to be very fascinating. Overall, I’d say that I enjoyed The Big Lebowski. Was it a strange film? Most certainly. Was it enjoyable and entertaining? Definitely.
Image courtesy of POLYGRAM
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THE BEST COUCH CO-OP
CULTURE
There’s little else more likeable in gaming than local co-op - grabbing a few controllers and a group of friends is a joy certainly worth celebrating. From party games to racers to infuriating puzzle-platformers, Edge writers have come together to tell us their favourite titles to play with a friend or two.
MARIO PARTY
While it certainly loses points for its small number of participants, Mario Party is undeniably one of the best Mario games and definitely the best to play with others. It takes the classic enjoyment of rolling a dice with the added bonus of exciting 3D visuals and interactive minigames. Mario Party is an absolute classic, whether on the DS or the Switch, with many nights both youthful and now having been spent staring at the screen, crying for justice against Bowser, and laughing along with friends. The reason why Mario Party is such a good choice for a co-op couch game is simply because it’s the best. There are no parts that you wish you could skip, no parts that you wish you didn’t have to do (I’m talking about Mario Kart’s Rainbow Road), and every person gets their own chance to play without the worry of falling behind and needing to give up. It encourages its players to embody Mario and have a party, and there’s really nothing more that you could ask for. EMILY DENNIS
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HUMAN: FULL FLAT
If you’re looking for a great game to jump on local play with your mates, look no further than Human: Fall Flat. A simple premise, you play as blob-esque characters (all named Bob) that flop about unless carefully controlled by you, the player, with a handset and a fair bit of determination and patience. As these floppy little creatures, you solve puzzles in a platform-based series of worlds, ranging from a construction site to a medieval castle to an oil rig. Every level is open ended, giving the player the opportunity to get through them however they may want, taking logical routes or just going ham and trying whatever you can to make it to that sweet exit sign. There are also Easter eggs and secrets hidden throughout, making each replay an even more enriching experience. It’s a hilarious game to play by yourself, but even more so with your friends; the physics of it are equally frustrating and entertaining. Nothing really beats spending an age setting up the ending of a puzzle only to miscalculate a jump and fall into oblivion. ALICE FORTT
CULTURE
NBA 2K19
Move over FIFA 20, NBA 2K19 is in town! NBA 2K19 is a lot like every FIFA game except instead of the main sport being football, it’s basketball. The reason this game is even better is due to the non-stop action and ability to make each quarter extremely short or extremely long; you have 10 minutes til your mate’s cab arrives but want to play a quick game? 2K19 has you covered. You can make the game an average of 4 minute long - this doesn’t include free throws, timeouts or foul times. It is a great game to play with mates who want to understand the game of basketball more but also want to test out cool jump shots, which much more entertaining to re-watch than football. You are also able to play All-Star teams from each main team. For example, Chicago Bulls All-Stars consists of players such as Scottie Pippen, Dennis Rodman and Michael Jordan. It is great fun and even has a street edition so you can play street basketball with no rules and special moves. Everyone loves a bit of competition with their mates and this game can make or break friendships! MORGAN MCMILLAN
GANG BEASTS
Games in which you attack your opponents using a mixture of combinations will always be a successful recipe for a couch game. Gang Beasts takes this formula to the next level by making the player’s customisable character a rag doll. On paper, it looks like a video game designed for young children or early teens - however, I can assure at 21 years old, me and all my friends are obsessed with this unique beat ‘em up game. What makes the game so entertaining is that deep down I believe nobody really has a clue what they’re doing. The button commands to perform a combination attack or even throw your opponent seems so hard to execute that my friends and I class winning down to luck the majority of time; maybe we all just suck. With a variety of maps which are all destructible, you may choose to be brave and go and attack your friends by spamming punch or try and climb up the wall and hope the map doesn’t fall apart at your feet. Any game plan you have usually goes out the window when playing Gang Beasts but one thing that is guaranteed is a barrel of laughs. JOSH MATTHEWS
Image courtesy of NINTENDO
MARIO KART
If there is any racing series that has continued to destroy friendships in only two minutes, then Mario Kart is surely the best and the most competitive. For any first-timer it dons the sweetly innocent appearance of a fun racing game featuring Mario and his buddies, before swiftly removing this façade to reveal an absolute bloodbath (PEGI 3) that sends every type of gamer into full meltdown. A key factor for great multiplayer is accessibility and Mario Kart champions this as, arguably, newcomers and experienced drivers are at an equal (except if someone picks Yoshi with fast acceleration), no less due to quick learning through simple controls but also thanks to the iconic items deployed against opponents during races. Bullet bills and invincible stars allow laggers to catch up, while shells and bananas differ from useless tools to menacing landmines and lifesavers. And then there is the blue shell, an item that is either the definition of schadenfreude or, to put mildly, a total piece of shit. As you round the last corner in 1st place and see the finish line, your friend next to you forms a wicked smile over their face. You know what comes next: the dreaded whooshing noise, the beeping alert and then... WHAM! Your kart flies into the air and you hear the soundtrack of gloated cheers from your friends as they smugly overtake you and cross the line. It’s joyful, frustrating, possibly unfair, but it’s hellishly addicting. THEO SMITH
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CULTURE
INTERESTING TV PILOTS: LEGEND OF KORRA Set 70 years after the events of the world-wide television phenomenon Avatar: The Last Airbender (ATLA), the story of the new adolescent avatar Korra begins. Arriving in 2012, and with huge boots to fill, The Legend of Korra began with ‘Welcome to Republic City’, a tantalizing pilot episode which not only works to set up the entire series, but introduces a much advanced world to that of The Last Airbender which is both exciting and refreshing. One of the best features of the pilot is that despite the fact it contains some characters that are the children of the ATLA heroes, it is so abundantly different to its predecessor series. This difference is shown instantly with the introduction of avatar Korra, as her natural affinity for the physical aspects of avatar training whilst neglecting the spiritual sides are made profoundly clear, as well as the presence of her impulsive and boisterous personality which stands her in a stark contrast to that of avatar Aang. Probably the most obvious difference between the two series is conveyed by Republic City itself. Looking like a 1920s steampunk New York stylised with Asian influences, it is worlds apart from the feudal landscape of ATLA. This distinguishes The Legend of Korra as a series that builds and sometimes warmly reflects upon its predecessor but takes its own bold stab - it is not simply a rehash of stories past, which can often be the fate of a sequel series.
Additionally, the episode perfectly sets up the overarching themes of the series. It conveys the idea of finding one’s self and their place in life when it depicts Korra liberating herself from the compound in which she has trained her whole life, against the directions of her elders, to travel to Republic City and begin the last phase of her avatar training. Whilst exploring the city her forcibly sheltered life is made exceptionally clear as she tries to procure food with no money and ultimately has to catch fish in a park pond with a vagabond. Furthermore, her reckless abandon and impulsive personality, which develops and changes throughout the series, is shown when she attempts to apprehend criminals, yet ends up creating significant damage and being arrested herself. This pilot is improved even further by the artistic aptitude applied to it by creators Bryan Konietzko and Michael Dante DiMartino along with their exceptionally talented team. The hand-drawn animation, which continues at the same calibre throughout the series, is genuinely astounding. The unique style of the series never gets old and can at times steal the show. Furthermore, the original composer for ATLA, Jeremy Zuckerman, created a soundtrack that is entirely different to that of ATLA, yet completely captures the essence of the franchise. The music is sometimes hair-raising and other times tranquil, yet always perfectly complementing the show’s visuals. Being aired off the back of a massively successful predecessor series, ‘Welcome to Republic City’ embodies everything a pilot episode should feature and sets up The Legend of Korra expertly. It demonstrates both musical and visual artistic prowess like no other whilst masterfully introducing the broad themes the show wished to pursue. However, most impressively it is able to create a completely new take on the ATLA universe that is both fresh and extremely exciting, as it facilitates the mature and entirely original storylines that made the show a distinctive and revered addition to the franchise.
ALEX READ
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Image courtesy of. NICKELODIAN
CULTURE
LITERATURE VS. ADAPTATION: THE HANDMAID’S TALE
The Handmaid’s Tale is one of my favourites, both on page and screen. Hulu’s adaptation certainly does Margaret Atwood’s 1985 masterpiece justice, winning 14 Emmy Awards and 2 Golden Globes. For those who don’t know, the novel is centred around Offred, a handmaid in Gilead, a dystopian American society where women are the property of the state and serve as sex slaves for the elite; she is determined to overthrow the regime and regain her freedom. There are currently 3 seasons, yet only the first remains faithful to the novel with the second and third seasons continuing Offred’s rebellion and Gilead’s totalitarian regime. The bestselling story thrives on screen, making it an incredibly successful adaptation.
Offred, portrayed by Elisabeth Moss, is one of the most famous and interesting characters of 20th Century literature, (a personal favourite of mine) and the TV adaptation shines a brighter light on her character’s different facets. We learn more and more about her as the narrative strays further from the novel. Season 1 does not deviate from the original story and lays a solid foundation for the seasons that follow. Readers will know that the novel ends rather abruptly and we are left in the dark about what’s in store for Offred, therefore following seasons will definitely satisfy the fans desperate need to know what happens next. Season 2 and 3 and their extrapolating storylines delve deeper into Offred’s maternal instinct that is so intrinsic to her character and her position as a leader among the handmaids. As the narrative further unravels, Offred’s story arc is not the only one we see develop. The series presents us with
Image courtesy of HBO MAX
deeper details about the nature, intentions and perspective of some of the other characters like The Commander, Mrs Waterford, Aunt Lydia and Offred’s husband Luke. The TV adaptation allows us to get to know those characters better, and ultimately, these story arcs of fundamental secondary characters can be better fulfilled in later seasons; the varying focus on other characters makes for a multidimensional tale, one that fans of the novel will thoroughly enjoy. Season 4 is currently in development and it’s release has unfortunately been pushed back due to COVID-19, so fans will have to wait until 2021 to find out Offred’s fate. Offred and Gilead’s ongoing narrative will also be a significant segue and launching platform for the TV adaptation of The Testaments, Atwood’s sequel published in 2019, that is also said to be in the works and will surely complete the narrative of Offred and Gilead’s oppressive regime. It’s a perfect read to satisfy the desperate cravings many impatient fans will experience, now more acutely thanks to the push back of production.
I’d wholeheartedly recommend The Handmaid’s Tale whether you’re a die-hard fan of the novel, who has been living under a rock somehow, or are just in need of an excuse to procrastinate. It’s one of the best television adaptations I’ve seen, a story so relevant to the issues of feminism and women’s rights today - a must watch for any literature or film student.
SOPHIE YOUNG 28
CULTURE
HOW WATTPAD RUINED A GENERATION Wattpad is the home of fan fiction from Santana and Brittany from Glee (2009-2015) to One Direction, Wattpad will have your fan fiction needs fulfilled. It has also been the home to many (and I mean many) cheesy Netflix original movies such as After, which was originally One Direction fanfic with a 50 Shades of Grey vibe. After was a huge part of any young One Direction fan, it focused on the relationship, albeit an extremely toxic one, of Harry Styles and Tessa Young. Wattpad saw teenagers from the ages 13-16 years old becoming authors on this free storytelling site, reciting their very own love story with their favourite celebrity or two people they wish were a couple. For example, there is plenty of Demi Lovato and Jennifer Lawrence fanfiction depicting them as a lesbian couple.
movie, but instead you are the protagonist, and this is real life. Though there is the humorous side which sees ‘y/n’ (your name) meet the Jonas Brothers backstage and then you run away and marry all three of them, Wattpad has a dark and toxic side that is never usually discussed. Many of the fanfics we idolised as teenagers glamorise abuse and predatory behaviour, for example in After, Harry throws a lamp at Tessa for coming home late – behaviour we shouldn’t be teaching impressionable minds who could consider this behaviour usual in a relationship. It also touches on themes surrounding sex and sexuality and dismissing that ‘no means no’ by showing famous individuals forcing themselves on the protagonist of the story as something cute and romantic.
It is a site that merges Tumblr with teenagers’ sexual fantasies, and whilst I can admit to once being a huge Wattpad fan and at the age of 14 anticipating the arrival of After the movie, I must admit it also destroyed my life. Everyone who has ever been on Wattpad knows they can no longer get on a plane without thinking your mum has sold you off to Harry Styles to pay for her rent. And that Harry’s first words to you will be “hello luv” whilst you flick your long brunette hair in the wind (yes planes have wind on them now). Or going into surgery for a new heart and finding out Zayn Malik gave you his heart. Quite literally.
Wattpad has played a huge role in the coming of age years for many teens across the globe, and the name of the site can strike memories of disbelief at your love for hiding your smut on the bus. It was a platform that allowed young creatives to flourish despite the stories being incredibly questionable. However, though it saw teens explore themes of sexuality, it did so in ways that glamorised and promoted abuse, which is why Wattpad has ruined the minds of our generation.
Wattpad made it virtually impossible not to bring a book, preferably by Jack Keroac, to a concert because “you are not like the other girls”. At 13, you’d do a full body shave to go to One Direction concert knowing one of the boys will spot you in the crowd looking disinterested and reading a book as your friend “forced you” to attend. Basically, think Starstruck (2010), the Disney Channel Original
29 courtesy of HBO Image
MORGAN MCMILLAN
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BATTLE OF THE FESTIVALS: US VS UK ALICE FORTT I’ll start by saying that UK festivals are UNDENIABLY better than US versions. Am I a little bit biased? Possibly. Have I been to a US festival? Nope. But I don’t necessarily NEED to have gone to a US festival to know that they are definitely worse than UK ones. Festivals are all about the vibe. The music and artists playing are definitely important, but to me it’s the atmosphere that defines it. Your favourite bands might be playing all weekend but that doesn’t mean a thing if the vibe of the festival isn’t that great; you’ll just end up having a bad time despite your best intentions. I’ve had the pleasure of going to Reading and Leeds twice now, and the vibes? Immaculate. Sure, you’re covered in mud, probably have sunstroke and are dehydrated, but everyone there is just there to have an absolutely great time and nobody cares what they look like. I’m pretty sure I’ve never been more filthy than when I was covered in mud at Reading, but the beauty of it was that I just did not care. It’s massively freeing to just focus on the music and the good times you’re having with those around you. The first thing I think of when I think of US festivals is Coachella. It’s big on the production front and (usually) the line-up - hello ‘Beychella’. The shows are 9 times out of 10 absolutely spectacular. But the vibe just doesn’t really sound appealing. When summer rolls around, suddenly everything festival related is about Coachella fashion; what you’re going to wear, what this celebrity is wearing, spending excessive amounts of money on outfits to look good and people making questionable cultural appropriation choices (wearing bindis and Native American headdresses). It’s expensive and highly controlled. You go there for a glamourous time by the sounds of things, glamping and taking loads of
Image Courtesy of UNSPLASH
insta photos; it feels like it’s more about showing that you had a good time rather than actually doing so. Also, the owner of the festival is a rightwing billionaire who funded anti-LGBT causes, so there’s that too. I guess, without trying to sound too superior, it just feels a bit too superficial to me, and loses what a festival should really be about; the music. On a personal note, I’m also much more inclined to the alternative side of music, of which I feel the UK captures a bit more in their festival line-ups. Sure, Reading in the past few years has definitely dipped more into the mainstream side of things (see The Smashing Pumpkins headlining in 2007 vs. Post Malone headlining in 2019), but other festivals like Truck, Boardmasters and even Boomtown (if you’re more into your DnB then this is the place for you) still showcase a lot of alt and up-and-coming indie artists. From what I’ve seen of big US festivals, it’s a lot more mainstream focused, but I like the idea of festivals being used as a platform for smaller artists to bounce off of and grow. UK festivals also have a deep history; I’d be remiss to write an article on UK festivals without mentioning Glastonbury, which turned 50 this year. Festival culture is heavily ingrained in British culture; we like our live music here, and hold it very close to our hearts - big festivals are no exception. Michael Eavis’ farm has become sacred ground for British music, and that high regard of festivals is part of the appeal to me for UK festivals. This whole piece is obviously massively biased, but I’m certain that UK festivals are superior to US festivals because, well, they just are.
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“We wanted a name that stood for something strong and powerful” - AN INTERVIEW WITH ARTEMIS Artemis are an all-female alt-rock band from Southampton, their most recent release being ‘Reckless (Moan for Me)’. Read on to find out why they’re an up-and-coming band making waves in the alt-rock scene.
What was the inspiration for the name Artemis?
Originally we wanted a name that stood for something strong and powerful. We came up with the idea of using Greek gods as our lead singer Yianna is half Greek. We thought it would be amazing to add something that’s personal and powerful. We originally started with Aphrodite but thought it wasn’t a great representation of what we stand for. Aphrodite is the goddess of love and although we do write songs about love and passion, we wanted something much stronger, hence we came up with the name Artemis. The godess Artemis is associated with love but also is regarded as a patron of girls, young women and a protector. Her image is also portrayed as a huntress, a strong empowered woman which we really wanted to incorporate into our name.
What drew you four together to create Artemis?
Yianna (vocals) and Fenella (Drums) met at a university gig and chatted about starting an all-girl band, so we found Frankie (Guitar) and Hannah (Bass) also through our university and met for a drink in a pub! We shared our common music interests and what kind of music we wanted to make and that’s how it all started.
You smashed the New Blood competition, has this led you onto any big opportunities as a result?
Thanks! That was definitely one of our favourite gigs and a big opportunity for us, so we were really pleased with the results. Hot Vox (the promoters of the competition) offered us a London show, which got cancelled from COVID, but we’re rescheduling it all now! We’ve definitely gained more attention, it was amazing.
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Image courtesy of ARTEMIS
Being an all-girl alternative-rock band, have you found this has at all hindered your journey so far? I mean, we definitely get some patronising comments after our gigs or even when we’re setting up. It never affects how we play though, if anything we always want to perform at our best, it really drives us to be the best that we can be.
Is there a particular band/musician you’d love to see at one of your shows? Who wouldn’t want to have Hayley Williams at their band’s show?! There are so many amazing female rock artists out there that we’d definitely want to show our music to like WAAX, VUKOVI, and Estrons. We actually have an artist playlist on our Spotify page called ‘Angry Girls’ which has a load of amazing female rock artists and bands that’s worth checking out!
Southampton has a very active new music scene, are there any local bands you’d love to collaborate with?
Yeah Southampton has definitely got a great live music hub, and there’s a lot of talent here. Georgia Turnbull is an amazing singer-songwriter artist in the area that we were supposed to support The Riscas with, but got cancelled because of COVID-19.
You described your recent song ‘Reckless (Moan for Me)’ as being about sex and control, is this empowering style of music one you plan to continue?
Definitely. However, we like to show a range of emotion too; music is a perfect way to portray how you feel and why you’re feeling that way. We’ve got an unreleased track, ‘Julia’, which is about a betrayal from a best friend but rising above it and becoming a better person.
MADDIE LOCK
GUIDE TO HOSTING YOUR OWN CLUB NIGHT Coronavirus may have closed our clubs, but it won’t stop our spirit! Call to all Freshers - do not fear, the best club nights always take place in the comfort of your own home for many reasons. You have personal space, a clean toilet, a playlist of your choice and there’s always a comfy bed when you sesh too hard. Here is a guide to host your ultimate club night because the party never ends at The Edge. From the playlist to your clothing, we have it covered!
BANGING PLAYLIST
Before you embark on your club experience ensure the playlist is full of banging tracks, that means banning ‘Mr Brightside’ from appearing and playing every iconic noughties track you can think of. The best part about a home club night is every song is a club song – the gang want to cry to some Paramore? Go ahead. Want to party to some Macky Gee? No one can stop you. At Casa de Club you are your own DJ and whatever floats your boat is a suitable play.
LIGHTING
Every club you go to is in a dark room with LED lights, and thanks to online companies like Amazon, LED lights are affordable and can be delivered quickly. Once you put the bad boy LED lights on, your club setting is ready. Put on the flashing multi-colour lights in a dark room and even your bathroom can be transformed into the best club in town.
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EVERYTHING NEON
What club have you ever been to that hasn’t been full of neon? If it isn’t the lights, the décor or the clothing you will always see neon wherever you turn. To ensure it is a real funky night splash some neon green or pink across the room – the best way to do this is glowsticks, which are usually only a pound. Clubbing on a budget - now that’s a dream!
OUTFIT
The outfit you wear determines the night you’ll have! Comfort is the key to a great club night, and if you are shy of dressing in your favourite trackies at an actual club, don’t worry: at Casa de Club comfort is compulsory no matter what you choose to wear. Make sure it’s fun and you feel great because at the end of the day that’s what having fun is about.
DRINK AND MORE DRINK
What is a club without a drink? Now for my nonalcoholic friends I’m talking lots of fizzy drinks and red bull, because clubs aren’t just about the drink but about the atmosphere. So, if you have your lovely fizzy orange, you are ready to go. Now onto serious business – the alcohol. This is the one area you will guarantee to make a huge save – clubs charge about £5 for a single, so all you have to do is buy a bottle of your cheapest spirit for about £12 and you have made a huge save. This is also your time to look up cocktail recipes and see if you can recreate your club favourites i.e. the Jesticle from Jesters.
MORGAN MCMILLAN
Image courtesy of..ABIGAIL LYNN UNSPLASH.
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EDITORIAL
LISTINGS LIVE MUSIC 24th September – Sylvan Esso @YouTube 24th September – Applebum @ Switch 24th September – Goldfish @ nocapshows.com 25th September – Fleetwood Bac @ The Brook 26th September – Killing Morton + Artemis + Mighty Magic Animal + Kid Klumsy @ The 1865 26th September – Dirty Heads @ nocapshows.com 26th September – V-Recordings Session @ Switch 26th to 28th September – Montery Jazz Festival @YouTube 27th September – Wallows @ nocapshows.com 27th September – The Dolly Parton Experience @ Concorde Club 27th September – Frazey Ford @ universe.com 30th September – Footshooter, Wonky Logic x Nache @ DICE 1st October – Melanie C @ticketmaster.com 2nd October – Jazzmanix: Acoustic Night @ native.susu.org 2nd October – ABBA Disco Wonderland @ Switch 5th October – THE EDGETIVAL @ YouTube 10th October – BTS @ https://bts.kiswe.com/#/ 14th October – DMA’S @ O2 Guildhall Southampton
THEATRE 10th September to 4th October – Philadelphia Fringe Festival @ fringearts.com 10th September to 4 October – Pride and Prejudice: A Virtual Play @ lifelinetheatre.com 17th September to 31st October – The Time Of Your Life at BBC Television Centre @ YouTube 17th September to 31st October – Girls Like That at Birmingham Repertory Theatre @ YouTube 17th September to 31st October – Timpson The Musical at Edinburgh Fringe @ YouTube 17th September to 31st October – Top Story at The Old Vic at YouTube 17t September to 31st October – Cirque du Soleil at Gran Carpa @ YouTube 17th September to 31st October – Trouble in Tahiti at Leeds Grande Theatre @ YouTube 17th September to 31st October – First Encounter: King Lear at Royal Shakespeare Theatre @ YouTube 17th September to 31st October – The Rise and Fall of Orpheus at Cockpit Theatre @ YouTube 18th September to 18th October – Carmen @ Roh.org.uk 20th to 27th September – Indo-American Arts Council: Erasing Borders Dance Festival @ Facebook
COMEDY 25th September to 2nd October – The Best in Stand Up @ thecomedystorelive.co.uk 28th September to 4th October – British Comedy Guide: Laughter Lounge A Virtual Comedy Festival @ nextupcomedy.com
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