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Portfolio Reboot

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Intro to Sailing

Intro to Sailing

Portfolio Gets a Reboot

The Arts Club takes a new and exciting approach to this year’s literary magazine, including paintings, essays and multimedia works.

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WORDS by DARE FITZPATRICK

This year’s Portfolio is different from the format of previous years. Rather than being a print magazine composed only of visual and written art, the 2021 Portfolio includes extensive online submissions.

Behind the scenes of the literary magazine, are more differences; while there is usually a Portfolio team, which changes each year, the magazine is now run by the Art’s Club, which is a newly formed club this school year.

The club’s founder and president, junior Claire Tolles, describes the vision and the conceptual changes made to Portfolio.

Claire said that the initial reason for making the switch from print to online is, “Since the Arts Club took up the mantle later in the year, we weren’t necessarily able to put out a print issue with the manpower that we had.”

However, the solution to the problem of “manpower” turned out for the best. Claire explains that she and club members recreated Portfolio to make it a “multimedia experience” in which all could participate.

“It’s an online magazine, and instead of including just written works and photographs that you can put on paper. We

“Can’t Be Tamed” Senior Taylor Smith based her multimedia piece from a figure study drawing. “[I] screen printed it at another artist’s studio and put the piece through Photoshop to make it digital.” “Pop Art Eclipse” Sophomore Molly Morouse took inspiration from graphic designs on Pinterest and put her “own artistic spin on it” for this vibrant color-blocking piece. She decided to submit the work to Portfolio because her sister worked on the Portfolio magazine before, and she saw it as “a great opportunity to share [her] work.”

wanted to include the music students, the performing arts students, the game design kids [and] the animation kids.”

Portfolio showcases artistically motivated students’ work in a space where it is shared, admired and appreciated. One of the benefits to this unconventional Portfolio approach, Claire said, is the fact that the Arts Club “gets to display anything and everything that students create.”

Another valuable aspect of the online Portfolio experience is the inclusive approach Claire, and the Arts Club are taking.

Upper school students dominated Portfolio in previous years, but the new management made a conscious effort to reach out to younger kids in middle school.

Claire said that before this new advancement, Portfolio “felt exclusive”— now, the Arts Club has “a ton of[students in]Digital Arts [classes] from the middle school that wanted to have their work up, so it’s nice we get to include that.”

From painters to writers, artists share the inspirations for their works and why they chose to submit them to Portfolio.

Junior Patrik Nugent submitted a poem titled “Phenomenon Born.” “The idea just started with me thinking about what to write about—then I thought about a window. I wish something did spark inspiration, but it was more just a concept, and I kept adding more concepts to it.”

Urban Studies Unit Takes Students Downtown...

As part of the Urban Studies unit, students ventured off campus in order to bring different perspectives and real-life experience into their writing.

The Downtown Trip to Santa Barbara (DTSB), part of the Urban Studies interdisciplinary unit for ninthgrade, is the result of the collaboration of three teachers: Ashley Tidey, Amanda Whalen and Kevin Guay. Together they led the freshmen class downtown to invite them to experience their surroundings through a different lens.

Initially, the plan was to go to Los Angeles, but due to COVID-19, it changed to Santa Barbara. Explains Tidey, “The idea of a ‘neighborhood walk’ is really an offshoot of our Cannery Row unit about tide pools, ecosystems and adaptation. This year, we all had to adapt—and that meant adapting the curriculum as well.”

Students prepared for the trip in English and Civilization classes by researching issues of homelessness and gentrification and in biology class by studying viruses.

“The State Street corridor to the Funk Zone is a prime location for observing the juxtaposition between old and new developments,” explained Whalen.

“The whole idea,” said Tidey, “was to look at incredibly familiar territory but with new eyes. We’re asking kids to think about what it means to walk, talk, look, listen in a city and

Freshmen gather to listen to art teacher Douglas Uyesaka at his studio in the Funk Zone, Downtown Santa Barbara.

Mask-wearing freshmen gather in front of the George Floyd mural in downtown Santa Barbara. grapple with real-world questions. And when possible, to push outside of their comfort zones and talk with people they don’t know.”

Students began their trip in Alameda Park, near Kids World, where a significant number of people are experiencing homelessness. From here, students headed to the Farmers’ Market and the Funk Zone and ended up at art teacher Dug Uyesaka’s art studio.

They explored areas with a new perspective and interacted with Farmers’ Market sellers and interviewed random people. “I took time to explore State Street musicians and their challenges during the COVID-19 pandemic,” freshman Griffin Rick said.

“When I spoke to the musicians, I found how difficult it really was for people who did not have a steady income ahead of the chaos that we saw at the beginning of the pandemic where these musicians were not able to perform. So, I took away a great appreciation of what musicians have to go through to keep playing their instruments semi-professionally.”

... and to the Gainey Ranch

Spencer Hllavaty and Joshua Hansen walk towards the barn on the Gainey Ranch.

The Gainey Ranch Field Trip is an annual excursion that aligns with the classes’ reading of Steinbeck’s novel “Of Mice and Men,” which follows a pair of friends and migrant workers, George Milton and Lennie Small, who try to make enough money to fulfill their dreams of buying their own land during the Great Depression in California. They continuously hop from ranch to ranch, trying to keep a job.

The ninth-grade class started their day in the gym to watch the 1993 film production of Steinbeck’s novel before heading on their road trip.

After arriving at the Gainey Ranch in Santa Ynez students walked a little over a mile to the 19th-century barn where parts of the movie were filmed.

Having brought copies of their “Of Mice and Men” books, groups of students acted out different scenes from the novel in the barn setting.

“It was really incredible to be able to read the book, watch the movie and then visit Gainey Ranch,” freshman Amelie Dalporto said.

“I believe it gave the students several views and a new meaning to the story. Being able to go on this field trip, we were able to visualize the book. I think it was an amazing addition to this unit and curriculum.”

The Gainey Ranch dates back to the 1800s. “My grandfather and father purchased 1,800 acres of undeveloped land stretching across the eastern end of Santa Ynez Valley,” said Dan Gainey owner of Gainey Winery and Ranch.

“Within a year, they started a cattle operation and converted 600 acres into farmland for vegetables, fruit, flowers and hay crops that have sustained our family for generations.”

While at the barn, ninth-graders also participated in team-building activities organized by physical education teacher Andra Wilson including a type of relay race where a student from a team would act out a specific topic and run back to Whalen and Wilson once the team guessed right.

Later, students played various sports, including Frisbee, football, and volleyball, while munching on sandwiches and snacks provided by the parent volunteers.

“The Gainey trip allowed us to fully immerse ourselves in the setting of `Of Mice and Men,’” freshman Elyse Weaver said. “Seeing the ranch helped me fill in the blanks for the parts of the book that I didn’t fully understand or couldn’t visualize.”

Students make their way along the dirt path to the barn at the Gainey Winery.

WORDS by CIERRA NERVO and NIKKI MIELCAREK PHOTOS by ASHLEY TIDEY

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