THEHOLYART MAGAZINE
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In the dynamic contemporary art scene, The Holy Art Gallery is an innovative hub for artists in London, Athens and New York. We foster global creativity through exhibitions, welcoming artists worldwide.
Our team at The Holy Art Gallery is committed to opening the art world up to new faces, new possibilities and new challenges We are ever growing and ever changing, trying to always elevate the experience of exhibiting with us
Join us in celebrating art's universal language of emotion and thought. Explore artists, artworks and inspiring stories in our magazine. Let's push boundaries and celebrate the transformative power of creativity!
Your solo exhibition, "Quanta Dada London," draws inspiration from the original Dada movement of 1916. How do you see the parallels between the world events that inspired Dadaism then and the contemporary issues that fuel your "Quanta Dada" series today?
I created my artistic series, "Quanta Dada", to express my disgust with what is happening in the world today. I am drawn to the Dada movement of 1916-1923, because it was a powerful reaction to World War I by artists who believed that war itself is craziness incarnate.
Dada artists used humor and absurdity to hold up a mirror to the absurdity of a world around them. Today, we find ourselves back where we were 100 years ago -- only now, we have weapons much more powerful than before. In this era of crushing autocracy, global greed, and a world on the brink of destruction, I believe it is time for a new Dadaism which can shock us back to our senses. It is time for Quanta Dada.
Your diverse body of work spans various mediums, from music to literature to film. How do you navigate the differences in expression between these mediums, and do you find that each form of expression informs the others in your artistic journey?
Each form of expression definitely informs the others. It happens mainly because of the people you get close to. Being pen pals with the writer Charles Bukowski actually bolstered my approach to Desmond Tutu, and being friends with author Lucia Berlin encouraged me to always keep humor in my work. And fellow literary publisher, Romanian poet, and the author of “The Posthuman Dada Guide”, Andrei Codrescu, was the first to recognize the Dada in my paintings. As he said at the time: “After decades of keeping away from Dada, which I inherited from my ghost-daddy Tristan Tzara, I wrote a sane book advising sane people to stay away from it. I thought I succeeded. Then I saw Ivan Suvanjieff’s work that streams like a quantum computer, and I knew that I will never escape as long as a human can make Quanta Dada!
Your black and white pieces really stand out in the explosion of colour that is most of the works featured in “Quanta Dada London”, can you tell us a little bit more about them?
For twelve years, I painted only in black and white, in order to learn more about color. Ignore something long enough and maybe it will go away.
It was a difficult challenge, my black and white period, and I became a better painter as a result. I came to love the thousands of different shades of gray, the clash of opposites of negative space, etc.
The vibrant colors of the place where I live, Spain’s Costa Brava, are in a ‘danse de la mort’ with the bleakness of a world at war. That was what I captured in my “Quanta Dada London” solo show.
The celebrated artist left us in 2023 but his work continues to inspire!
Born in the vibrant city of Athens in 1976, Stelios Faitakis embarked on his artistic journey with a can of spray paint in hand, making his mark as BIZARE in the 90's street art scene - think mesmerizing gold backgrounds that catch the eye and heart.
One of Stelios's standout pieces is "Siege (Allegory of Florida)" created for the Wynwood Walls project at Art Basel Miami Beach in 2009. This piece is a visual feast, showcasing a dynamic ensemble of worshippers, workers, musicians, and more, all set against a stunning backdrop that melds Byzantine charm with Art Deco sophistication. It's a true spectacle of technical brilliance and artistic vision.
Faitakis was recognized as a trailblazer in the Greek street art scene. His artwork was noted for its deep references, drawing inspiration from Byzantine era hagiographies and paintings. Brunswick Bound editions, when introducing Faitakis' publication, highlighted his art as disconcerting in its perspectives and challenging in its subject matter. They pointed out the striking contrasts in his visuals, such as giraffes with Medusa heads alongside skateboarders navigating through cataclysmic waves, or saints and odd criminals mixed with figures of tormented lovers amidst scenes filled with violence, mortality, and chaos.
Faitakis himself cited his motivation stemming from famous painters like José Clemente Orozco, Diego Rivera, and the broader Mexican street art culture He expressed admiration for European masters such as Brughel and Hieronymus Bosch, along with contemporary artists like Neo Rauch, particularly for their depiction of "industrial alienation " Above all, Faitakis' work was perceived as a profound exploration of "modern Greek" "day-to-day existence "
Explore his work on this website: www.steliosfaitakis.com
Through his grandparents' reproduction company, Weigle Reprotec, the German conceptual artist Sven Weigle came into contact with the broad field of art at a very early age. Especially through the influence of his grandfather, Theo Weigle, a successful painter and sculptor, art has become an important and pioneering part of his life
www.svenweigle.com mgmt@weigle net
The realisation of artistic projectsparticularly the implementation of something abstract into something specific - delights and fascinates him. With his work, he wants to pick out varying, especially socio-critical topics and to admit individual interpretations. As inspiration, he uses the experience in the interaction with people who, with their individuality, behaviour and being as they are, repeatedly provide him with new input for his artistic work and his own development.
Can you give us insight into your early inspirations, and how did you first get started in the world of DJing?
My parents both worked in the music industry My dad kept his record collection in my bedroom, so I grew up literally surrounded by records. I loved 80s pop as a kid, but the first music I got into for myself was hip-hop, which, at the time, was very led by sampling and scratching That was the stuff that really caught my ear, so I tried to emulate at home. This led to making mixtapes, and eventually selling them, and teaching myself to DJ and produce.
Your work spans a fascinating range of collaborations, from classical composers to neuroscientists. Can you share what drives you to seek out such diverse partnerships?
I've now been DJing and producing for 30 years. The way that I've found to keep it interesting and fresh for myself is to keep collaborating and trying different styles every year. My whole interest in the turntables as a musical instrument has always centred around taking it away from the traditional club environment - can you incorporate a scratch DJ into a brass band? A choir? A library? These are the things that fascinate me.
Transitioning from ‘turntablism’ to producing full albums, like "Home Cooking," represents a significant shift. What inspired this evolution in your career?
My background was the turntablism scene of the 90s, which is really where I learnt the technical craft. But that scene kind of imploded, when it got too focussed on intricacies of the technical side. I wanted to take those basic skills and then think about how to create music that just felt good to listen to. I tried with each of my five albums to learn new skills and go into new areas. That's why an album like "Home Cooking" was very much a journey into the UK jazz scene for me. And my last album "Prom Nite" was heavily inspired by the music of the 1950s.
The "Stranger Things Mixtape" achieved viral success. What was your process in creating it, and how did you approach blending the show's themes with your style?
It's always come naturally to me to make themed mixtapes. I spent a year really deep-diving into Asian music, then made a mixtape of everything I learnt. The same with country & western. And so on. When "Stranger Things" first came out on Netflix, the influences really struck a chord with me, so I just collated those influences with the amazing music in the first season of the show and made a mix, like I always do. To be honest, that mix only took me a day or two, which is really fast for me, but now that mix has been streamed over a million times!
Performing at Banksy's Dismaland must have been an extraordinary experience. Can you tell us more about that event and your role in it?
I DJ'd for Banksy for one of his very first London exhibitions, and I was really proud that he asked me to come and play at Dismaland too. Especially given the very esteemed company I was in musically. The night I played was with Run The Jewels and Mos Def, who I've always been fans of too. I performed an audio-visual set - I scratch and mix video as well as songs - and that night, I felt I had licence to do things a bit more like an art instillation, so I used a lot of weird and wonderful samples. I had a great time.
You've pioneered a new form of audiovisual entertainment, merging clubbing with cinema. What challenges did you face in merging these two worlds?
Because there was no precedent for me - in other words, no DJs came before me who mixed video, I had to learn a lot of things the hard way. For a while I struggled trying to get the attention of ravers in clubs, trying to get them to pay attention to a screen. Until I realised that people don't really want to watch and dance. So a lot of the issues came down to where and when to perform AV shows. I played in cinemas, IMAX's, movie festivals, cultural events. Essentially, I figured out that the bigger and better the screen, the more impact the show will have. I'm constantly battling the technologybecause no-one else is doing this, I'm the guinea pig, finding flaws and bugs in the combinations of everything I'm using. That can be frustrating. But it pays off when I feel like I've done something new. At the moment I'm experimenting with audiovisual synthesis and scratching - making visuals shapes with scratching.
Throughout your discography, is there a particular album or track that stands out to you as the most personally significant, and why?
I got to make two songs with my favourite rapper of all time, Biz Markie, who sadly passed away in 2021. So those really stand out to me as something special.
With such an innovative approach to music and performance, how do you stay inspired and continue to push the boundaries of what's possible in DJing and production?
Sometimes it's technology-led. So if a new piece of software or equipment comes out, I start to think about what I can do that's never been done before. Other times it's more traditional inspiration - I'll see a movie, or hear a song, or even just go for a walk, and start to think about new ways of combining things to make something.
For Natalia, art is akin to a complex mystery awaiting unraveling. She views each piece as a dense concentration of ideas or concepts, not immediately apparent to the observer The true essence of her work lies beneath the surface, demanding analysis and interpretation to uncover the underlying themes or messages a process from which she derives immense satisfaction.
@presidentialmodel
www artmajeur com/presidentialmodel
As a mixed media artist, Natalia thrives on experimenting with various techniques and blending seemingly incompatible styles. She has a particular affinity for neo-surrealism and neopurism, along with analog photography. This eclectic approach allows her to create unique and thought-provoking artworks that stand as physical embodiments of her intricate ideas and concepts Through her art, Natalia invites viewers into a world where every piece is a puzzle, challenging them to look beyond the obvious and explore the depths of their interpretation.
A contemporary artist and educator working with the School of the Art Institute of Chicago, where he is now Assistant Professor at the Department of Photography.
Your work often explores the intersection of various mediums. How does this multidisciplinary approach influence the way you guide students in their creative projects for ART on THE MART?
In my work, the media typically adheres to the concept, which is something I strive to impart to my students. In the context of Art on theMart, where the medium –digital projection - is predetermined, we opted for the theme of "Analog" to encourage students to explore various forms of media production based on their ideas.
Community engagement seems to be a crucial element of your work. Can you tell us more about how this project involves or impacts the community?
It largely depends on the project. When invited to interact with a community or a group of people, I make an effort to listen and collaborate, fostering spaces for exchange and potential impact. For instance, when I was invited by the MSU Broad Museum to create a piece in response to the Flint Water Crisis, I facilitated connections between teens from the affected areas and those from areas dealing with other social conflicts. Often, my works serve as platforms for sharing and fostering connections.
Reflecting on your extensive experience in exhibitions and community projects, what unique challenges and rewards come with working on large-scale public art installations like ART on THE MART?
Large-scale public installations offer a unique means of communicating with audiences. Artists must respect the shared public space, which operates under a different social contract compared to traditional art spaces such as galleries and museums. In many cases, this necessitates a distinct artistic sensitivity. Nevertheless, such installations afford us the opportunity to share our art with a much larger audience.
Given your successful career and contributions to both the art and academic worlds, what advice do you have for artists aspiring to work on large-scale public projects?
opportunities to engage projects during their time at on the institution and Apprenticeships with artists production studios can also to the medium and its these experiences, it easier to pursue various open calls that sometimes use to recruit
The collaboration with SAIC students is a unique aspect of this project. What do you hope the students take away from this experience?
It is a unique opportunity for our students to engage with such a vast public platform. In addition to the experience of developing a new project on a new platform and medium, Art on the Mart provides exposure to a wide audience of thousands of people from various walks of life.
What motivates you to engage with communities through your art?
My fundamental belief is that art has the ability to effect change. While it may not solve our problems outright, it can facilitate our engagement with them.
The Holy Art Gallery community is all about embracing artists from diverse backgrounds. How important do you believe diversity and inclusion are in the art world?
Your exhibitions have been showcased globally, from the Museum of Contemporary Art in Chicago to the Kunsthalle Osnabrueck in Germany. What do you find most rewarding about exhibiting your work internationally?
It offers the opportunity to reach new audiences and to engage in entirely new dialogues and responses.
Diversity and inclusion are crucial in the art world and the realm of cultural production, as we strive to represent the many facets of the worlds we inhabit. Finally, for our community members eager to follow in your footsteps, what opportunitiesshould they seek out to grow and make their mark in the art world?
Engage with yourself and the world around you. As an artist, there is always something unique that you can share with others. Answer the call you hear and don’t hesitate to showcase your work when asked.
30 x 21 cm
£400
@luca nenning lucanenning de
Boundaries
Mixed media on canvas
85 x 35 cm
£175
@Jessica lawrence art www jessicalawrence uk
Paradiseisbeforeyoureyes
Mixed Media
45 x 33 x 25 cm
£1200
@marionlaurent art marion-laurent.com
ExportedGoods,2023
Underglaze paint on Ceramic
57 x 42 cm
£9,250
@spaoart
Martinsecretlydoingpushupsinhisroom
Archival Inkjet Print
30" x 45"
£750 @rchrdffrench
SantoSpirito23:18
Oil on canvas
49 x 46 cm
£1000
@ruby chroma www rubyfrederikse com
60 x 40 cm £699 99 @asycd www asycd online
76 2 x 76 2 cm $3000 @leighsartflI
Jumpintothecolour
Painting, acrylic on canvas
50cm x 40cm
500 @sammylaiartspace www.sammylai.com
"Me,MyselfandI", 2023
Ofrecklessnessandwater
Acrylics on MDF 60x60 cm €1450 @nathalie duflos www.nathalieduflosart.com
RainbowValley, 2023
Acrylic on Paper
35x45 cm
550
@cronesonja.art
www sonjacrone art
Acrylic on Canvas 120x80cm 800€ @yasmin.shafi.art www yasmin-sb de
Photography
70 x 52 cm
£250
w
@photoglory1
40 x 30 cm
150€
@root yarden
yardenroot wixsite com/rootyarden
PresentMoment,2023
Photography
40cm x 40cm
£80
@j a archive www jouannarchive com
CELADON’SRHYTHM, 2023
Glass and Concrete
30 x 70 x 70
11500€
@ annatretiak annatretiak tumblr com
Itwasdarkinsidethewolf, 2022
Oil on Canvas
48" x 60"
$6000 @reixiao reixiao com
BlueMoroccanBreakfast, 2018
Mixed media on stonehenge paper
11" x 15"
$5000
@yuko kyutoku
www yukokyutoku com
“IntheTraintoNowhere”fromtheseries“Ephemera”
Acrylics on wood
238cm x 80cm
£1450
@temaspi
Sonsofadesert
Digital art
50,8 x 28,5 cm
100€ @tarelkin.in
WaterPurifier
Concrete, Metal, Plastic @b gmmm
TheRealObject
Clay Sculpture with Gold Leaf in museum box
12 x 12 cm
£560
@ninolla elisabeth www iamninolla com
YouThinkYou'reMad, 2023
Stoneware Clay, Slip and Glaze 14cm height, 14cm diameter @landclayceramics www landclayceramics com
Maria Mueller is a textile artist based in Germany
In 2021, Maria launched her first textile art collection under the title “SEEKING CALM”
Maria's signature style includes a monochromatic colour palette of soft beige and white hues She works with layers of textiles draped into organic and fluid folds The organic and fluid nature of the textiles is contrasted by a more structured grid of sewn silk threads. Her art pieces encourage the viewer to take time to explore the delicate and intricate details of her pieces Materials used in Maria’s work include handmade paper, and a variety of light and heavyweight natural textiles, e g , linen, flax, cotton, and silk threads Inspired by the beauty of imperfection and transience, Maria seeks to create work that a sense of calm and tranquillity, providing a serene respite amidst our increasingly hectic everyday lives Her unique artistic style has been showcased in exhibitions across Europe since she launched her first art collection From commercial to private commissions, Maria's work has continued to captivate audiences in Europe and the USA
@mariamueller art www.maria-mueller.com
Asanartist,Iamdrawntofigurativepainting Ienjoy paintingflesh,andthehuesandtonesthatworkso miraculouslywithinit Iamalsodrawntotheharmonious relationshipbetweenfleshandink Thisrelationshipallows formetopaintanimagewithinanimage Withthisneedto doandsaymore,Ihavestartedpaintingimagesdepicting tattooedindividualsinatraditionalfigurativepaintingstyle usingoilpaints Throughthickandfreshapplicationsof paintonthecanvasIwanttoallowthepainttocreatean atmospherearoundthesubject,andallowthepaintand thesurfacetosuggesttheseductivequalitiesoffleshtoa viewer Paintinginthetraditionalstyleofthosefromthe Renaissance,mannerist,andneo-classicalerasallowsfor theviewertomakeafamiliarconnectionatfirst,andtobe drawnintotheimagesbythetonesandstrokesinthe painting Simultaneously,thesubjectmatterkeepsthemin ourtimeandcontemporaryculturethroughthedepiction oftattoosandtheirroleinformingidentity,aswellasthe apparelandaccessoriesdepictedinthepaintings This juxtapositionofoldandnew,differentstylesandcontent fascinateme Itallowsformetoplaywithviewers’ perceptionofthepainting,andIamcontinuouslyexploring possibilitiestobringtheseconnectionstolight @jperry artist
www telltaletattoos com
@mroy
https://tba.tw/artist/Yaochung
Fungi
Ceramics
38 x 36 x 26 cm
£2500
@na ceramics
https://naceramics ch
[Whatisintimacy?]-aseries
Analogue photograph
29 7cm x 42 cm
£100
@ashhealy.photography
www ashhealy cargo site/Home
ABlessinginDisguise
Stained Wood with Mirror
25 x 12.5 x 130 cm
£500
@tulipflwrs
TheBeautyofKindle,2023
Photograph 11x14
$350
@ptcberg
Chenyao He (Eva), born in 2001 in Shenzhen, China, currently studies at The Cooper Union in New York My discipline includes but is not limited to installations, performance art, moving images, and mixed media My work often relates to the body as an individual form and entity with specific cultural contexts Individual body, referring to the female body’s complexities, represents anxiety, confusion, and fear associated with femininity and fertility. Individual body reconstruction and repositioning imply a deliberate attempt to change bodily form concerning the conflict of inviting and rejecting the idea of individual agency and autonomy.
The imposition of discipline by institutional power and other larger societal and systematic forces over smaller and less powerful individuals will physically and mentally transform bodies and our daily experiences: starting from personal stories and experiences, visually striking works attempt to arouse strong feelings and desire of the audience to reflect the patriarchal social structure Materiality, in my practice, is crucial in delving into bodily awareness and the contradictions in the binary of push and pull, invitations and rejections, and soft and rigid To convey struggle and intense vulnerability, my sculptural strategy includes disproportionate scale, scenic setting, and stage costumes Incorporating an absurdity factor into my practice is a deliberate effort to imbue my work with a playful incongruity Simultaneously, I aim to engage the viewer in a poetic and contemplative watching experience, encouraging engagement with their surroundings and blurring the boundaries between the artwork and the space.
ThroughtheVeil, 2024 Plaster and glue on canvas
Amappingofreason, 2020
Photographic printing on Canson - Infinity - Fine Art 310gsm, drawing and watercolor on paper Mi-Teintes 1,70 x 0,60m @icatucci.art
www isabellecatucci wixsite com
@deepseafishing7
Terredenaissance
feutre fin noir 0 5 mm
40x 60 cm
£500
@shirin dogus www.sirindogus.com
Dry point
9 x 10in
£1000 @vinayakpandya22
Thuy Linh Vu
120 cm x 100 cm
Price: 2860,00€
@LV artwork www lv-fineart com
galleries, Elmers school glue, and Painters paper 77” x 59”
$6,500 @griffingallas www griffingallas com
“I have been drawing since I could hold a pen. I think of drawing as pictorial journaling, so my drawings are often based on my own life and emotions. I like to express my moods with my drawings, and dense lines and strokes are my usual style. I am very fond of observing details, so my works also have a lot of details that I have converted from my own observations from life ”
@riha is me
023,30cm x 42cm, £513
abstraction in my am aware that life is stract experiences. y to rationalise every me which are simply periencing change, orld upside down in and negative ways ecome chaotic in an e, juggling things. To ngs and e through a medium texture has been an ol for me.”
les art nowles.com
Sergiu Ciochina is a painter who was born and raised in the Republic of Moldova and currently resides in Paris, France. His artistic journey began at the age of 16 when he entered the College of Fine Arts “Alexandru Plămădeală” in Chișinău, specializing as a “professional artist.”
@ artserge https://artserge com/
m
Fascinated by stylized figures, Sergiu draws energy from exploring subtle lines, firmly believing that a single brushstroke or gesture has the power to transform emotions He paints in diverse materials but mostly uses oil and acrylic on canvas. His art traverses a diverse range of aesthetics, employing unusual dimensions to represent human thoughts and feelings The primary objective of his work is to captivate viewers with rhythmic movement and meaningful gestures, encouraging them to perceive emerging expressions.
Katherine Kneafsey
Shhh,youaredisturbingMotherNature
Nikon D5500, Lightroom
18x24
£35
@katherine kneafsey
www katherinekneafsey myportfolio com
St f i B d
50 x 40 cm
£700
@daintyart stefania
120cm x 120cm £2000 @coleabraham www abrahamcole vercel app
Warm(Lander)
24
$1200
EverythingisOKAY, 2023
Fluidity
Oil on Canvas
50 x 60 cm
£500
@najlaaqiblawisart
100 x 80 cm
£7500
@cgayasart www cgayas com
CaliforniaPoppies, 2023
Oil on canvas
70 x 90 cm
$750
@derrickhelphenstineart
GalleriesontheSeaway Oil on canvas
40" x 60"
£14,444 @gabbz gabriellagomezz wixsite com
Asingledeckchair, 2019
Digital photo taken by camera
8 3 x 11 7 inches
£60
@victorious008
Portraitofabranch
Mobile Photography
12 x 16 inch
£60
@kritee mahanti
www createdbykritee com
Still Photography
24" x 36"
Price: £250
@yoochansong
www andysong org
NocturneTuileries, 2024
Digital
12 x 16 in $500 @pelllewis
www TheLewV com
“Iam30yearsold,andmyartistnameis Textured Ihavebeentrainedasan engineersince2016andhavebeena contemporarypaintersince2020 I followedthepathofengineering somewhatbydefault,butalsounderthe influenceofexternalfactors Infact,I initiallywantedtopursuegraphicdesign studies,butforvariousreasons,Ididn't followmyinstinctsatthattime.Allthisto saythat,despitebeingquiteyoungand growingupinafamilyenvironmentwith littleorientationtowardsart,Istillhadan unmistakableattractiontobeauty,color, textures,andespeciallythefreedomthat graphiccreationcanoffer”
@textured art studio www en texturedartstudio com/
“I create photo-montages with a digital camera and the computer. I present a full explanation for my work, on the home page of my website (mikeaskewart.co.uk). I photograph anything and everything that attracts my attention, knowing however insignificant, the image/object might feature in a future picture ”
www.mikeaskewart.co.uk
Friendship, 2016
Artwork on film - watercolors, pencil and computer ink
240mm x 163mm (frame 450mm x 330mm)
£186 00
@richie valentino
www delvalentinoproductions com
BirdonaWire, 2024
Acrylic on Canvas
36" x 36"
$900
@painting elj
OntheFresco, 2023
Oil on Canvas
80 x 80 cm
£1700 @ w
“Ifusenon-traditionalmaterialsand founditemsintomywork,whichallows metobreakfreefromtheconfinesofthe canvasandgivemypiecesamore sculpturalquality Natureandtheeffects ofthepassageoftimearemytwo primarysourcesofinspiration Ibelieve theyofferauniqueperspectiveonthe interplaybetweentheartificialandthe natural Myartreflectsmypassionfor exploringthecomplexrelationship betweenhuman-madeobjectsandthe naturalworld Withafocuson sustainability,thematerialsforthese worksweresourcedfrommyhomeand scavengedfrommyneighborhood.By transformingdiscardeditemsintoart materials,Ichallengetheconventional socialwisdomofwhatisvaluable.”
@samuel bartlett art www.samuel-bartlett.com
Collapse, Mixed media, acrylic, wax, and resin on canvas with rope, 2023, 120 x 145 cm, $999
“I was born in Sofia, Bulgaria, and grew up in Moscow during the time of the USSR I have been living in Belgium since the end of 1999 At the age of 16, I decided to study medicine and became a medical biochemist For over 35 years, I have looked in awe at the world of human cells under the microscope My grandfather, my father, and my uncle were artists, muralists, and painters My great-grandmother was a fashion designer and the owner of the fashion house Arcus in Shanghai I believe it's my turn now. At the age of 57, I feel an irresistible need to create beautiful things, to use my imagination and creativity, and to participate in artistic performances I adore vibrant colors Often, I go to a place where I can watch the sunset or sunrise Every time, I am captivated by this powerful spectacle Living in Antwerp, a large city with a major port and industrial areas, sunsets particularly occur by the river with the silhouettes of boats and wind turbines in the background I find it beautiful The sun makes everything beautiful ”
@xeniarubleva
Untitled
Oil and mixed media on canvas
125 x 110 cm
2200$
@maria nasrallah
LostBehindLines, 2023
Acrylic and spray paint on canvas
80cm x 80cm
£575
@isabellachung art
“I’monlysleeping”
Painting, Acrylic on Canvas
50 cm x 50cm
900€
@louburtin
November
Acrylic on canvas
80 x 80
£400
@sophiebatey paints www.bateyart.com
Pool41
Metallic photo print behind acrylic glass
120 x 80 cm
3900€
@studiojilanders www studiojilanders com
HappyPlace
Digital Drawing
A4
450$
@melindamouzannar
www melindamouzannar com
It saHabit
Oil Painting
21 x 29 cm Not For Sale @fineartist em
Fine Art Print on 400 gsm Hahnemühle paper, Limited edition of 30 50 × 50 cm
£125
@altre cose @francesco paini
Zygote, 2021
Photo Print Fine Art Paper Hahnemühle
30x30cm
€250
@kitty lakke www kittylakke com
Vina Kent
BetheLight, 2023 oil on canvas, 24 x 30 inch
£1200
@alesia y art www alesiayeremeyeva com
ProtectoroftheLand
Oil on canvas
16" x 20"
£450
@vinakentart
GinkgoGrove
Acrylic paint on acrylic paper
27.9 x 42 cm
£350 @enipennydesigns
Acrylic on Canvas
70 x 100 cm
£550
@lojenart www lojenart com
£6500 @worldofumans www worldofumans com
TheAfricanChild Painting, Oil and Acrylic on Canvas
61x76.2cm
£1800
@adesola ayoolamide
Digital Scan of a Darkroom Print
10x8 inches
$60
@shotbystrvsky
SuperSoaker! Digital Art 8" × 10" $100 @yungkga
g y y settling in a studio near Stuttgart in 2023 to bring art to people in a legal way. getFreaky works mainly with the Graffifi technique Stencil Art according to the credo ''Art is the free mirror of our thoughts''
@frenchies art cave
Objectificationoflove, 2023
90 x 140 mm
£200
Fatima Khan
SecretGarden, 2022
Acrylic on Canvas
90 cm diameter
1000€ @runggartgallery
Whentheheartopensfearsrunawayonpanic
, 850€ @frenchies art cave
PsychedelicConflagration1,2023
Special Porcelain, Bismuth
32 x 27 x 23 cm
£4019
ValuesofDifferentEggs,2023
Mediums: Bronze, quartz, garnet, ruby, opal
8 5cm*6 5cm
£1300
@zhangkangyi.a
www kangyizhang me
Arrangement05
Cotton yarn, wool yarn, acrylic yarn, knitting technique
36 x 70 x 18
@lseunly
www seongeunlee co kr
Mistress, 2023
Fabric, hair
60x30x24
1000€
@valeria.fittipaldi www valeriafittipaldi com
Yellowlady,2021
Mixed Media on Canvas
3ft x 2ft
$790
@space cowbo www msdaisy ca
TheCowgirl
Oil and Acrylic on Canvas
75 x 75 cm
£1500
@stestistudio www stestistudio com
Fatiguée, 2023
Digital Print, Decayed Flowers & Paper
18 x 24 inches
$170
@nadegedebrosseart www nadegedebrosse wixsite com
70 x 48 inches @mjhinsonart
As an award-winning Ohio-based a Surber has carved out a unique nic the art world, one that honors the of painting while pushing its bound His artwork continues to inspire an captivate, securing his place as a significant contemporary artist wh work resonates with a wide audien inviting us all to find our own storie within the vibrant hues and bold te of his creations.
@michaelwsurber
https://www michaelsurberart com
Raining in the City, Acrylic Pour Paint, 2023, 24 in x 30 in, $500
Karolina is a multifaceted mixed media artist and graphic designer and a proud member of the Design & Craft County Council and the Art Council Her brainchild, didART studio, stands as a beacon of her relentless pursuit to push creative boundaries. Karolina's artwork is an intriguing blend of unconventional materials, rich textures, and explosive colours.
Beyond her own artistic endeavours, Karolina is deeply committed to fostering creativity in others Through mixed media art workshops in the local Fingal Area, collaborations with Argillan Castle, and The Seamus Ennis Art Centre, she brings art into the lives of the community
@didart studio www.didartstudio.com
70 x 80 cm
£880
@bartuahiska
www bartuahiska com
x 76 cm
£1200 @art vsarma
"NobodyBuysArt", 2023
Acrylic Ink, Acrylic Paint, Spray Paint, & Charcoal 48"x48" $2,000 @hannahwbooneart www hannahwboonefineart squarespace com
CelebratingFreedom,TheFalloftheBerlinWall, 11/9/1989
Acrylic, mixed media, spray paints, oil pastels, chalk, pen, self-contained battery operated beer dispenser powered bluetooth speaker and neon looking bar sign Light, wood beer glass holder and beer glass @reinhardthollstein www.reinhardt-hollstein-artist.ueniweb.com
IT’SALLCONNECTED
Acrylic on canvas
100 x 100 cm
£450
@hp art86
www hpart86 com
gouache
Illustration
$3000
@minibeachabode
www filippocamarin bigcartel com
Theendinsight
Acrylic and Pen on Canvas
25 x 25 cm
£420
Acrylic Pour Paint on Canvas
30" x 24"
$500
TY2kLove,2024
Oil and acrylic on canvas with rhinestones
16“ x 20”
$200
@afro picasso
www afropicassso com
@michaelwsurber
X-RAY
Mixed medium on canvas
60 x 180 cm
£5100
@ortz official
Bridget Farrands is a self-taught artist with a passion for painting landscapes and florals in acrylics and oils Her art transcends the visible, capturing the mood, structure, and essence of her subjects through the interplay of color and light Bridget believes in the neverending journey of learning and discovery in art, constantly exploring new techniques to deepen her understanding and expression of the world around her.
@bridgetfarrands www.bridgetfarrandsart.com
Nitay Domingos, a creative young artist, fearlessly explores a diverse range of art styles while proudly claiming and celebrating his roots. As the son of Brazilian-born parents with a heritage that spans Italians and Brazilian indigenous ancestors, Nitay emerges as a quintessential global citizen, seamlessly blending cultural influences into his artistic expression. His work stands as a testament to the richness of his heritage and his unyielding commitment to the new. His work is a fusion of Old World tradition, modern dynamism, and the warmth of Brazilian influences.
"Bu-Daryah:ARipplefrom1991", 2023
Installation
7" x 12"
@jasemalsanea
www jasemalsanea com
GreenJuice
Digital canvas 2400 x 3800px $85 @inkbycash
Adoration
Acrylic Paint on canvas
18 in x 24 in @haleyandhares www linktr ee/haleyandhares
LastBastion
Digital painting, generative & medias tools 58x58cm (2160x2160px)
800€
@marienara111 www marienara com
CascadeofIncredibleBeauty Painting, Oil on Canvas & NFT, $2850
Nft on Opensea, $2000
108 cm x 76 cm @motherguzplanetnfts www motherguz my canva site
Wundervei, 2023
Digital photography, Archival inkj
594 x 841mm
$300
@mainaito art www mainaito com
LaPetiteFéeNymphomane
Oil, Acrylic, Paper, Paint marker on canvas
48"x 64"
£10,000 @rosebudrenders www.aalaoni.com
Heavy Textured Mixed Media, Soil and Moss from Tahoe, California, Leaves and Branches from Chico, California, Shells from Harbour Island Bahamas, Oil Paint, Texture
Material, Pencil, Charcoal, Resin Finish
30 in x 40 in
7000
@theartofkell
Abundance
Stoneware ceramics
15 x 3 cm
£300
@leylaborovali www atolyeleyla com