November Issue 2018 by theLook Magazine

Issue 27 November 2018 Connecticut College

Letter from the Editors p. 2

Table of Contents theLook Abroad p. 4

Local Artist p. 6

Sustainable Fashion p. 8

Après Ski à la Plage p. 12

Holiday Dressing p. 30

Footwear p. 32

Blue Print p. 36

Room of Their Own p. 58

theLook Magazine

Letter from the Editors

Welcome back to theLook Magazine! After the tremendous success of our first issue this year, including printing and distributing theLook around campus(!!), we are honored and excited to share with you our second edition of the year. Drum roll for the 27th issue! Our club and Executive Board members got busy writing for this issue and we have a fun Room of Their Own to show you as well as a Local Artist from one of our very own musicians on campus. Don’t forget to check out our Holiday Dressing, Men’s Fall-toWinter Footwear and an interview with a sustainable fashion designer. We are set on producing five total issues this year, and we still have that goal in sight. After this issue is published, we already have a photoshoot scheduled for before break, so get ready to see more of theLook right when you get back to campus after winter break. This year, we want to continue to focus theLook’s theme on diversity in our magazine. We plan to include every point of view about fashion and lifestyle that we can squeeze out of our student body in everything we do, from articles in our publications, on our blog, trends on our Instagram and more. Please let us know your thoughts about this issue’s content to potentially get featured in our next issue at: thelookmag@conncoll.edu We want to thank all of our writers, photographers and models for helping this issue come to fruition. And thank you to our Executive Board for working with us to make our second issue a success! We’d like to leave you with: “Confidence. If you have it, you can make anything look good.” – Diane von Furstenberg. Enjoy the holiday season while sitting fireside with a cup of tea and theLook.

xoxo,

Annie & Victoria

Acknowledgements Editors in Chief Annie Breakstone & Victoria Slater Executive Producer John Pearson Co- Creative Layout Directors Isabelle Cookson & Quinlan Low Executive Web Designer Nadia Bednarczuk Events Director Jackson Bistrong Senior Stylist Marianna Wells Assistant PR & Marketing Interim Executive Copy Editor Samantha Barth The printing of this publication is made possible with special thanks to the Office of the President and the Office of the Dean of the College.

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theLook Abroad Paris, France Christian Carr-Locke

It was a random Wednesday night back in October. I had just finished another fantastic meal with my host family: a traditional soufflé, a couple glasses (or more) of a bordeaux, capped off with some strong French cheese of course. My friends and I had read earlier in the day about this speakeasy called Lavomatic close to le Marais. Lavomatic directly translate to laundromat in English and for the right reason. Upon arrival, you literally walk through a laundry machine that leads you upstairs to the speakeasy. So, while Lavomatic had one of the coolest layouts and bars I have seen to date, it was one of the interactions I had that night that was definitely the highlight of the experience. We’re sitting there enjoying our drinks and a couple sits down next to us on the couch. They hear our english and mediocre French and surprisingly ask us where we are from (not usual of the French). We quickly strike up a conversation and after chatting a little, the man explains that he is a painter and underwater photographer who gathers his inspiration for his work from fashion photography. Immediately, I tell him about my work as a photographer for the Look and next thing I know I am at his exposition the following evening. Picture an abandoned storage unit/garage with a cardboard sign that reads l’exposition. I had brought a friend of mine along and at first we take a look at the outside of the building and the sign thinking this couldn’t be the place. All of a sudden a man appears out of the darkness and asks us if we are here for the exposition, to which we responded in our best French accent, “Oui!?” Everything about that night screamed Paris: the boho chic attire, the haze of cigarette smoke, the makeshift DJ booth playing 80’s techno, and of course the art. After walking around and admiring the different pieces of art, we bumped into our new artist friend, Monsieur Chris Lavenair. To our amazement he simply treated us like we were old friends, introducing us to fellow artists, collectors, friends, all of whom introduced themselves with La Bise (introductory Parisian “hello kiss”). And just when we thought it was all over, the dancing began and, without surprise, continued to the early morning. That night definitely reaffirmed my appreciation for Paris and just about summed up the spontaneous, lively nature of this wonderful city.

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Local Artist:

Kevin Hyland

Article and Photography By Jack Pacilio Though Connecticut College is by no means lacking musical talent, Kevin Hyland ‘21 has a particular gift for getting musical projects off the ground. He’s a singer-songwriter from Fairfield, Connecticut and has released two EPs this year: one self-titled release by his band Petty Walker, as well as a solo project entitled “Artifact” under the name Boatweiler. He has been playing guitar for over half of his life and has been writing songs since high school. At Conn College, he’s the pitch of Vox Cameli and a staple of the MOBROC band scene, playing with Gregory Peck, Skunkadelic, and his new, live Boatweiler act. Jack Pacilio - What are you involved with on Campus? Kevin Hyland - I am one of the pitches of Vox Cameli, an a capella group. I’m in a bunch of different bands, including Boatweiler, Skunkadelic, Spacefolk, Mojo Rising–if we can say that, I’m not sure. I’m musical director for a Wig and Candle production of Next to Normal, I’m in jazz band, I take classical guitar lessons, [and] work at the recording studio. JP - What’s your take on the Conn Coll Music Scene? 6

KH - I think the Conn Coll music scene is special. It’s very small, but with all the moving parts, it’s insane how well we work together. It’s just a very small community of very tight-knit friends, but we all support each other so much. I want it to grow, but at the same time, having it this small [makes it a] crazy productive community. It’s great. JP - How would you say recording Petty Walker differs from Boatweiler? KH - Petty Walker was, is, and always will be... this very spontaneous process of doing things sporadically and very quickly. Usually, the songs start with my co-songwriter, Calvin, who will just have these little ideas that we’ll eventually start piecing together with the whole band. It’s very collaborative, but very quick. With Boatweiler, it’s all really coming from me, and a lot of the time, it’s these ideas that I’ve had for a very long time just kind of boiling up. I’m more methodical about the recording and songwriting process. I’m also just very protective, I think, over that stuff just because it’s all mine. But I’m trying to record [more quickly] and do things more on a hunch so I don’t have to plan everything out so much. I’m also trying to get more people involved with the songwriting process to try and open up those doors as well.

JP - How did you find your voice as a songwriter? KH - I would say I started writing songs when I was about 13. That’s when I first started singing my songs. I think as I’ve gotten older, I’ve used my writing more as a type of journalling or maybe some type of coping method, just getting these ideas that have really been boiling over or just stressing me out. A lot of those times I don’t really know what I’ve said until it’s written. It’s like coming from my subconscious and then it’s just out. Then I have to understand what I really meant. JP - What’s it like playing with the new, live Boatweiler? KH - It’s interesting. It’s definitely a different energy having the live band. ‘Cause Tom and I played at a coffeehouse once, and it was our first time playing original songs outside of Petty Walker. Also in Petty Walker, Calvin takes more of, like, the frontman energy. And with Boatweiler, it’s kind of the first time I’ve been able to, or had to, put on that whole thing. Making sure I’m at full attention, and really just sending it. JP - What was recording the “Artifact” EP like? KH - On the recordings, it was just Tom playing the drum parts and me doing everything else. I did the guitars, vocals, bass, and keyboards. JP - How does it feel having that much creative control? KH - I think it was cool to be able to play everything. Having the band is interesting because everybody has their own take on things, coming from different backgrounds. They interpret the songs differently which is cool. JP - You use a lot of acoustic guitars, banjo, real “folk” instrumentation on the “Artifact” EP, and now you’re translating it into an electric setting. How does that change the tone of the songs for you? KH - You know you have a good song if you can play it with just you and your acoustic guitar, and it holds up. From there, you can always add things to it. When I wrote [“Artifact”], it was just me and the banjo, nothing else. The version we cut was much slower, more restrained. Now doing the song with the full band is just like… driving drums, all the guitar bends, the energy of the driving bass that Luke does. It’s totally different; it’s got so much more energy. It still gives me the same feeling of when I first made the song, but it’s amplified. JP - How would you describe yourself as a lyricist? KH - I never thought of myself as much of a lyricist. As I’ve gotten older, I’ve gotten better at it. All my lyrics are coming from the music first, I never start with written words. JP - People graffiti your lyrics in dank basements and almost religiously chant that chorus of “Artifact” in live shows. Are these the best years of your life? KH - I’ll come back in ten years and then I’ll have an answer for you. JP - It’s a good chorus.

KH - Thank you, I like to think so. JP - What artists are you listening to right now? KH - Right now it’s been a lot of [Bob] Dylan. A lot of (Sandy) Alex G, Big Thief, and Pinegrove. I think I’ve been listening to a lot of artists that have a raw sound and that’s definitely had an influence on me. JP - What’s next? Can we plug anything? KH - I would say what’s next is more shows and more music, hopefully trying to keep a steady release of albums. Hopefully one by the end of the year and then one a few months after that, ‘cause there’s all these new ideas I have. Petty Walker is gonna record an album this winter. We’re gonna have a Boatweiler music video soon, too. We just put one out with Petty Walker, the “One Hundred Horses” music video.

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An Interview with Anne Whiting:

A Sustainable Fashion Designer based in New York City

By John Pearson Photography: courtesy of Anne James New York As a kid, we are all asked what we want to be when we grow up. Some of us know right away, and some of us take a little longer to find out. As a college senior, the ‘what next’ question is exciting, terrifying but also adventurous. Talking to different people in various industries brings new perspectives to the world outside of our Connecticut College bubble. Last year, I met Anne Whiting on vacation in Turks and Caicos where we chatted about the impact of sustainability in the fashion industry. Whiting is the founder of sustainable fashion brand, Anne James New York, a young fellow on the board for The Frick Collection, an art museum based in Manhattan, and on the board for an arts non-profit, Free Arts NYC. Her perspective on the world of ethical and sustainable fashion is both insightful and refreshing. To hear more from Anne Whiting and to stay up to date on her current projects, be sure to check out her Instagram @annejamesnewyork and her website annejamesnewyork.com. Below is the email interview exchange I had with Ms. Whiting.

“I can’t help but wonder if sometimes, your passion chooses you.” John Pearson - What originally peaked your interest in fashion? Anne Whiting - I’ve been drawing fashion since I picked up a pen. And my entire childhood I was obsessed with Barbie dolls and their fashion. (This love lasted into my pre-teen years until I realized it was no longer socially acceptable to play with them, so I took up shopping instead). Kindergarten art was spent drawing lots of dresses. Then, I was eight years old and totally obsessed with Limited Too and Steve Madden, spending recess drawing designs and creating magazines with my Jelly Roll pens. In middle school, I discovered the Crayola 50-pack of colors and I spent all my free time designing outfits. And it just kept going. I started covering my walls with pictures from my mom’s Town & Country, my grandma’s Santa Barbara Magazine, Teen Vogue, Vogue... I can’t help but wonder if sometimes, your passion chooses you. But I also like to think it’s genetic—both my grandmothers are two of the most fashionable women I know. And I was lucky to grow up surrounded by a heritage of beautiful taste. JP - How have you gone about breaking into the fashion world? AW - I didn’t go to fashion school right away. I love learning about everything, and came from a strong academic background, so while I did browse the brochures from Parsons, Central Saint Martins, and Columbia College in Chicago, I wanted to pursue a liberal arts degree, where I immersed myself in literature, language, art history, and journalism. I was heavily involved with the school paper and my professors were hinting that I should just be a writer. But I decided to attend fashion school instead, because that was still my dream and passion, though I did take time off after

graduation to work in international journalism. I learned so much at Parsons and met so many amazing people. I took two internships in my first semester alone. I just said yes to everything I could and soaked up the learning and the networking. Fashion is a saturated industry, but my internships and the Parsons community helped propel me in good directions. And I’ve just continued to immerse myself in my niche in the industry here, and it’s the growing of connections that allows one to “break in”. JP - Sustainability and the environment are some of the biggest questions we are trying to tackle as a society, how have you integrated that into fashion? AW - When I was younger, I used to yell at my sisters for not turning off lights, or we’d argue about carpooling, etc. I try to make a difference in little ways. Drops of water fill a lake, they say. So I really believe in trying to bring your own bag to the grocery store, being conscientious about plastic, keeping a reusable cup handy, etc. These values naturally applied themselves to my career in fashion, but at Parsons, the more I learned about the footprint of the fashion industry, the more I realized that we need big changes in our systems. Fashion is a hugely polluting industry, with a lot of other unsavory practices woven tightly into its seams. I got obsessed with researching the negative impact of fashion on our natural world, and equally obsessed with exploring ways for us to innovate and reverse our damage. I started blogging about it and interned at conscious companies like ZADY and Maiyet. I took jobs in global production and supply chain to learn about the behindthe-scenes. I traveled to Italy to have a closer look at some of the amazing eco-conscious fabric developments taking place theLook Magazine

“the fashion industry is listening to the need to make positive change… educating the everyday consumer to care and realize their purchase has impact is the challenge.”

in factories around the world. So it’s important to me that my designs and my company be as eco-conscious as possible. This is actually not easy, because as a designer, it’s really limiting to say, “Oh, I can’t use that tweed, because it’s dyed this way.” Or, “I’m committed to new tech fabrics made of recycled plastic bottles, so I can’t use that super cool synthetic silk pattern.” But I have to look on the bright side and focus on all the innovation that is happening, and how I can apply it to beautiful designs that don’t look like they were limited to sustainability constraints. I intend to develop gorgeous fabrics out of recycled materials, avoid wasting materials and resources, and employ a transparent supply chain. JP - What is the market for sustainable fashion? AW - Sustainability is a hugely important issue and the market is growing therefore, albeit slowly, even as bigger brands like Athleta and Everlane start to educate their millions of consumers about positive tweaks in their supply chain that address difficult issues. Consumers, of course, want to buy sustainable — the same way everyone would love to buy organic if it [were] widely accessible — but it’s hard for everyone to be on board with its high price point. It’s also expensive to make sustainable, ethically-made clothes in the first place. But here in New York there is a growing community 10

of activists, and the fashion industry is listening to the need to make positive change. I think educating the everyday consumer to care and realize that their purchase has impact, is the challenge. But the seeds have been planted and are getting watered and growing; will they overtake a field of weeds though? Time will tell, but we’re going to keep gardening. JP - What projects are you working on now? AW - I’m speaking with potential partners in India about developing an ethical collection for fashion week in February 2019, for which I’m hoping to work with some amazing wool mills outside of Turin, Italy. Next month, I’m about to launch another capsule collection, to showcase at PAUSE Pop Up— their first pop-up in New York—alongside 40 designers from around the world. I also work in the showroom at the amazing sustainable brand ADAY, and am a contributing writer for SUSTAIN Magazine, among too many other projects! JP - Aside from fashion what are you passionate about? AW - Art! And arts education. I really believe in the power of art (be it fine arts, music, poetry—even sport is an art, but it’s just not at all my area of expertise!) to inspire, uplift, and change individuals, and subsequently, their communities. I

am so dismayed that arts programs in schools are getting slashed, when art is exactly what schools need to foster the wellbeing of students. JP - To a college student who is interested in fashion industry, what advice would you give? AW - Network, and pursue relentlessly. In New York especially, there are so many jobs and ways to be involved. If you’re having trouble landing that first job, maybe take a couple courses in fashion, either online or at a school, to bolster your skillset. Fashion is a trade, after all. It has required many more skills than my English degree. But look into your experience and see what you can offer; if you’re a writer, you might be great at PR, for example. Highlight what skills you offer to a company. Build a portfolio. And ultimately, making connections is so powerful, as it’s really how any magic happens, because then it becomes this giant industry of collaboration. Also, I hate to say it, but be prepared to be a little overworked and underpaid.

“Be patient and really enjoy the journey.”

JP - If you can recall, what has been the best career advice you have been given? AW - My mother tried so hard to get me to take business classes in undergrad, but I was intent on taking anything but. But now I know that any knowledge of business goes a long way, so I wish I had listened. That said, I think someone once said to me to just do everything. To let life come at you. Never turn down an opportunity to learn and meet people. Soak up all the experiences. A family member reminded me, “It takes a long time to get from the bottom of the sales rung to the top of the tower.” Be patient. And really, enjoy the journey. JP - What instagram accounts to you recommend following to stay up to date on everything fashion and sustainable? AW - Companies who innovate like @everlane and @thisisaday. Organizations like @joinourco and @fash_revusa. Key influencers like @mr_pnh and @safia_minney and @mrspress. My list is long, DM me for more info!

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APRÈS-SKI À LA PLAGE

AprĂ¨s-Ski Ă la Plage captures an editorial composition of polar opposites by marrying casual beach fun and ski resort chic. Inspired by famous winter athletes like Gus Kenworthy, we captured the rugged look it takes to conquer the slopes.

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While bright colors pop behind the stark white backgrounds of pow, but in our case, the white sand of Harkness State Memorial Park did us wonders.

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Holiday Dressing

You Don’t Have to Tone it Down By Marianna Wells Holidays are a special time to spend with friends and family who you may not be able to see throughout the year. Thinking back, nostalgia floods as I remember cold nights wrapped up in coats on the car ride back from seeing family; cozy nights in; and awkward holiday parties in itchy formal wear. So, now, as an adult// Looking back, how have I dressed for this time that is clearly so important to me? I’ve noticed I ‘tone down’ my style, whether conscious or unconscious. ‘Toning down’ for me means putting myself in a box where I only wear knits, jeans, and boots, modifying my style to the environment that I am in. But this holiday season, I challenge myself not to compromise on fashion. I think this is especially important given that fashion is a means of self-expression and that one’s own personal style evokes an essential part of his or her personality. Here are five easy ways to dress comfortably, warmly, ‘appropriately,’ and still be fashionable during the upcoming holiday season! 1. Midi dresses: For a family occasion, try a midi dress or skirt (preferably in warm tones), with a turtleneck in a neutral color (but neon is also fun!) and over-the-knee heeled boots. This pairs well with puffer jackets, and you can always layer a chunky sweater, belted or tucked in. 2. Jewelry and Berets: For a more casual option, sport an oversized button down, such as a flannel with monochromatic jeans, add in chunky boots or platform sneakers to dress it down. For this outfit, I would wear a fun, more “out there” coat, such as an oversized workwear inspired leather jacket or a texture heavy i am gia inspired coat, a leather beret, and load up on jewelry (I mean rings on every finger!).

3. Biker Shorts and Blazers: For when Thanksgiving is weirdly warm, try an oversized blazer (there are racks of them at Goodwill for $15 or less), biker shorts (easily substituted in for jeans or a skirt if you would prefer), big chains, tiny sunglasses and a mini bag. This look capitalizes on the workwear trend in a wearable way. I’d wear these with Fila Disruptor II’s, which are very current, but for a more classic look, add chunky boots. Heels are also an option. 4. Your grandma’s fur coat, for a dramatic entrance, but comfort underneath: This is my dream Christmas Day outfit. I’d wear a faux fur coat (also a warm and easily thrifted item) with a matching, neutral sweat suit. This pairing brings together two different trends: streetwear and classic old Hollywood beauty. This look could be paired with casual sneakers or boots. 5. The inevitable formal holiday party: Don’t shy away from suiting and fringe! If you aren’t comfortable wearing either, texture and color choice are ways of livening up an otherwise purely classic dress. A bright color or a texture such as velvet, suede, or latex are great ways to add interest. With all of these options, I would wear statement earrings and thin, sparkly heels.

Happy Holidays everyone! I hoped this helped make the befuddlement of dressing for the holidays a little easier. -Marianna

The photos are not ours and are used only for marketing purposes. theLook Magazine

Footwear Same, but Different, but Same? Written by Emir Kulluk The photos are not ours and are used only for marketing purposes.

As we begin to settle in for the cold weather, we make changes in what we wear on our feet. Transitioning from Old Skool Vans, Adidas Stan Smiths, and flip-flops in the summer, it is the season to reconsider how to renew one’s wardrobe for the colder weather and appropriately match one’s shoes. Even though one might think that an act as important as the recreation of an entire wardrobe might result in many different possibilities, when it comes to footwear, three main trends emerge during these times. The first trend is to not change one’s footwear, but ironically, this group ends up as being the outlier compared to the other two groups; thus, they are a change itself. This group still clings onto its canvas and leather sneakers with bright colors. They go well with a lot of different colors, especially if they are monochromatic, and most sneakers are considered to be classics so there is no worry of being out-of-date. Whether black and white Vans slip-ons, all-white Adidas Stan-Smiths, Converse Chuck Taylors, or a pair of Old Skools, such chosen sneakers are seen with the same color scheme and are generally pretty similar. The usual color palette for these sneakers ranges from white to black to beige, or even a combination of the two.

“most sneakers are considered to be classics so then there is no worry of being out-of-date” The downside of sticking to lightweight sneakers is that the comfort level of the sneakers varies as they are not insulated well enough to resist the cold weather, rain, or any other weather-related element. Another downside of still wearing the same sneakers during the changing of the seasons is that it fails to highlight one’s winter outfit. The shoes just fail to be a part of that bundled-up image, seeming like a callback to summer. Finally, many classic sneakers have become so popular that they are no longer seen as fashion-forward. Rather, those who wear them may seem as though they are simply following the trend and thus are blending in with the crowd.

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The second group decides to change up their footwear but still remains classic, welcoming change but a familiar one nonetheless. This group wears Timberland boots, especially the wheat color, LL Bean boots, or black Doc Martens. These boots go well with lots of different combinations; however, each classic pair has its specific combinations which makes the outfit stand out further.

â&#x20AC;&#x153;welcoming change but a familiar one nonethelessâ&#x20AC;? Timberland boots pair well with jeans to enforce the bootsâ&#x20AC;&#x2122; brute and rugged aesthetic. An oversized sweater in a neutral color completes the comfortable yet powerful look that the boots imply. For added warmth, try a brown, warm-toned leather jacket. The brown jacket both emphasizes fall while also providing sophistication to the whole outfit.

For L.L. Bean boots, one can assume a much more cozy aesthetic. Patagonia, Columbia, and The North Face are all brands that pair great with these boots to create an active and sophisticated look. Whether it is a fleece pullover or a simple sweater, the LL Bean boots go along with a wide array of colors, ranging from red to brighter greens and even to several graphic designs, especially in the case of Patagonia. For Doc Martens, one can assume a cozy, yet fashionable look. These boots emit an edgy yet down-to-earth aesthetic. The laced version of the boots are reminiscent of a military-esque style while the lace-free version present a more practical look. For such footwear, cuffed pants are ideal, giving a tidied up look to the individual. Black or mustard yellow pants compliment allblack Doc Martens well; this look is trendy and unique without being too bold. For tops, one should go with something tightlyfitting, whether layered flannels and shirts, a sweater, pullover, or anything similar. A layered look will most likely provide an opportunity for mixing palettes; it is a functional way to add a sophisticated element to the outfit.

All these looks are generally worn by those who decide to play it safe and adjust to the weather; however, there

is a third group which has become increasingly prominent within fashion throughout recent years. The third group is the mostly formal yet casual enough Chelsea boots. These boots have no laces, they are shorter than the regular boot, have a heel component, and are adjustable through the elastic fabric on each side of the shoe. These shoes limit oneâ&#x20AC;&#x2122;s options severely, as they portray a formal and serious look that still appears to be friendly and familiar. Wearing shorts or joggers is not possible with Chelsea boots. One has to either dedicate to khakis or denim pants while wearing Chelsea boots, and one has to further continue this formal look with the top as well. One should either go down the

route of a layered look, with simple shirts, flannels worn on top of a t-shirt, or a look that is ready to go outside anytime, with a simple t-shirt and a bomber jacket. One definite advantage of Chelsea boots is that they look better once they get worn down, providing a rugged look similar to that of Timberland boots, while still being sophisticated like Doc Martens. They provide a balance between the other two boots, however, the limitation in possible ways to style the boots is a definite negative. Footwear is something that is always evolving, with new trends coming out every year. However, when the weather cools down, there are very few possibilities people choose to pursue. Sneakers, classic boots, and Chelsea boots are the three possibilities

that people mainly try to pursue, and there is no perfect choice. Every shoe or scenario requires a different outfit; however, one should always keep in mind how they are presenting themselves to others, since footwear is one of the first things people look at.

â&#x20AC;&#x153;[Chelsea Boots have] become increasingly prominent within fashionâ&#x20AC;? theLook Magazine

BLUE print

This winter nothing says style like a classic pair of blue jeans in all shapes, shades and sizes. These vintage inspired looks will have you bringing your Canadian tuxedo out of the closet. From distressed to embellished, our denim clad models shine in this seasons off-duty staple.

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ROOM OF THEIR OWN Emma Furgueson & Emeline Berthelon Photography By Ella Rumpf

In a cozy corner of Abbey House, Michael Lynch and Mary Kate Fox share a charming, sunshine-filled double. The pair have been dating for two years and decided to give living together a try before venturing out into the real world. Immediately after stepping into the room, it is clear that their experiences around the globe have inspired much of the decor. Among their many travels, France holds the most importance to Mary Kate. In addition to studying abroad in Paris in the fall of 2017, she had an internship back in the City of Lights over the summer. Mary Kate shopped for posters and pictures from quaint boutiques in Paris, looking to bring a piece of France back to Conn with her. As fate would have it, she found most of these pictures by stumbling upon them. Other decorations were found right here in the U.S. - at Ikea, Home Depot and even Conn’s Harvestfest. Michael has filled the room with paintings made by a friend who passed, his favorite depicts a barn. To add a personal touch, the two created a polaroid spread on their closet door, capturing their experiences and friends on film. The earliest photos date back to when they were in high school, with the most recent photos from this semester. Another addition to the double is a Boston Red Sox sign hanging above their window, taking inspiration from their favorite baseball team.

When asked about the color scheme, Michael revealed that as long as it wasn’t “too girly”, he wouldn’t have an issue. Mary Kate confessed that the decorating was mostly left up to her, though the print of a Fortnite llama showed a hint of Michael’s influence. The centerpiece of the room, however, was definitely the mega-bed. Michael and Mary Kate pushed their two twin beds together to create a huge king-sized one. The cozy blue and green accent pillows added to the natural feel of the room. Also contributing to this atmosphere were the many plants that hung around the windows. Mary Kate loves how the plants bring life into the room. She shared that her favorite part about the room is the three huge windows due to her love of waking up to the natural light every morning. It is obvious that that both Mary Kate and Michael worked as a team to create their room. Even though Michael gave Mary Kate control of the color scheme, they both worked hard to design a room that held importance to each of them. Even though the room is tucked away from most of the world, it is clear that they made a world of their own.

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Creative Layouts Cover

Isabelle Cookson

Table of Contents

Nadia Bednarczuk

Letter from the Editors

Quinlan Low

Camel Abroad

Ezra Norris

Local Artist

Isabelle Cookson

Sustainable Fashion

Isabelle Cookson

Après Ski à la Plage

Isabelle Cookson

Holiday Dressing

Nadia Bednarczuk

Shoe Trends

Quinlan Low

Blue Print

Quinlan Low

Room of their Own

Ezra Norris

Credits

Nadia Bednarczuk

Back Cover

Quinlan Low

Photoshoot Credits Photography

Models:

Après Ski à la Plage Vessel Day: Cover, 6, 9, 11, 13 Tyler Clark: 1, 2, 3, 4, 5, 7, 8, 10, 12, 14, 15, Credits

Après Ski à la Plage Kris Hess, Margaret Kelly, Meher Khan, Emir Kulluk, George Lantz, Ben Lewis

Blue Print Helen Fulmer: 1, 2, 5, 6, 9, 15, 17, 18, Back Cover Sydney Lamb: Inside Cover, 3, 4, 7, 8, 9, 10, 11, 12, 13, 14

Blue Print Jackie Chalghin, Paula Jurraldo, Matt Michaud, Jack Pacilio, Ian Stockham, Joseline Urbina

Makeup & Hair Cal Nadeau, Viri Villalva-Salas, Chloe Hunwick, Annie Breakstone

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