Maine Magazine September 2017

September 2017

THE

PMA ISSUE

The Portland Museum of Art reinvents itself for a new era

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Making education

for our kids.

Drive for Education is a unique program that sets aside a portion of the proceeds of each vehicle sold to make an impact in schools in our local community.

For more information visit BerlinCity.com/Drive-for-Education.html

191 Riverside Street

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Across from Maine Mall

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CLAIRE BIGBEE SEPT 2 – SEPT 28

RE CEDING L IGH T | 24” X 36” | MI X ED AC RYLI C AND OI L

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One Chase Hill Road, Kennebunk, Maine

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20 17 B E R N A R D O S H E R L E C T U R E

T HER E S A SECO R D Keeping Tradition Alive: Native American Art Ecology in Maine and the Nation

Tuesday, September 12, 6:30 p.m.

Hannaford Hall, Abromson Center, University of Southern Maine $15 general public, $10 PMA members, $5 students

The annual Bernard Osher Lecture Series is made possible by the Peggy and Harold Osher Endowment at the Portland Museum of Art. Media Sponsor: Top to bottom: Jeremy Frey (Passamaquoddy, born 1978), Urchin Basket, 2007, brown ash, sweetgrass, dyes, 4 inches high. Abbe Museum, Bar Harbor, Maine. Museum purchase, Diane Kopec Collection Fund, #2007-03-001. © Jeremy Frey; Sarah Sockbeson (Penobscot, born 1983), Basket, 2011, brown ash, sweetgrass, antler, 4 x 31/2 inches. Hudson Museum, University of Maine, HM8622. © Sarah Sockbeson; Theresa Secord (Penobscot, born 1958), Barrel Basket, 2015, ash, sweetgrass, and cedar bark, 8 1/2 x 4 inches. Museum purchase with support from the Friends of the Collection, 2016.5; George Neptune (Passamaquoddy, born 1988), GMO Indian Corn, 2013, brown ash, sweetgrass, dyes. Abbe Museum, Bar Harbor, Maine. Museum purchase, Diane Kopec Collection Fund, #2013-06. © George Neptune

It wasn’t long ago that one of Maine’s oldest art forms—ash and sweetgrass basketry—was in danger of disappearing entirely. Activists and advocates from the Passamaquoddy, Penobscot, Maliseet, and Micmac tribes saved the tradition through a long, hard-fought struggle, preserving a crucial piece of the region’s cultural heritage. In this special lecture, Theresa Secord, the founding director of the Maine Indian Basketmakers Alliance, shares this story as well as insights from her decades of experience advocating for artists and the arts from Maine to Hawaii.

Tickets available by calling (207) 775-6148 or at PortlandMuseum.org/Secord

re serve your ticke t s today!

(207) 775-6148 | Por tlandMuseum.org

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New. Unexpected.

Just a few steps away.

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111 Beach Street Ogunquit, Maine #gatheringtable

OGUNQUITBEACHLOBSTERHOUSE.COM

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the art of dining

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ome &

arden Experience

A special interactive event for exploring all aspects of Highland Green Friday, September 8, 2017 – 1:00 to 5:00PM Please RSVP by September 4th

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5:10 PM

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You Tube

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T:8.5” S:7.67”

© 2017 Nestlé Waters North America, Inc.

S:9.91”

Photographed near Bradbury Spring in Franklin County, ME.

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T:10.75”

In the last 170 years, two things have never changed: our yearly battle with snow, and our commitment to the community. We’re proud to provide environmental education, community grants and nearly 900 jobs to Mainers. Learn more at PolandSpring.com/community

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Our brand new adventure destination is now open! Members and non members welcome.

Rates from just $80/night including all meals.

Outdoors.org/Loons 207-358-5187 MM_September17 (Conflicted copy from Katharine’s iMac on 2017-07-27).indd 13

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The Art of Living Well

92 Exchange Street MM_September17 (Conflicted copy from Katharine’s iMac on 2017-07-27).indd 14

|

207-842-6000

|

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contents All-American 092

Art made in the United States is in the care of Portland Museum of Art associate curator Diana Greenwold.

by Susan Axelrod | Photography by Matt Cosby

Art Road Trip 110

The Maine Art Museum Trail spans 200 miles, eight museums, and over 70,000 works from Bangor to Monhegan Island to Ogunquit.

by Brittany Cost | Photography by Greta Rybus

A Museum for the 21st Century 132 The Portland Museum of Art’s mission to reinvent itself and change the way people view art in Maine

by Paul Koenig | Photography by Nicole Wolf

Homer by the Sea 154

On the beaches and rocky cliffs of Prouts Neck to hear the rumble-crash of waves and see the scenery that inspired Winslow Homer to paint his masterpieces

by Sandy Lang | Photography by Peter Frank Edwards

Heart and Home 180

A creative couple discovers layers of history (and loads of character) in a dilapidated eighteenth-century mansion in downtown Yarmouth.

by Katy Kelleher | Photography by Erin Little

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on the cover

At the end of the hallway, Claude Monet’s The Manneporte, Seen from Below, circa 1884. Photography by Matt Cosby

on this page

The PMA’s exhibition A New American Sculpture, 1914-1945: Lachaise, Laurent, Nadelman, and Zorach is on display through September 8. Photography by Nicole Wolf

THERE + THEN 030 Going out, giving back: supporting nonprofits + local businesses in the vital work they do year-round SOCIAL MEDIA 039 Sharing memories of the state sparked by social media NEW + NOTEWORTHY

041 What’s happening around the state

48 HOURS

048 Freeport + York and Kittery

by Andrea King and Spencer Albee

A-LIST 070 Art Pairings from the PMA’s Collection

by Brittany Cost

WELLNESS 076 Medicine and Museums

by Dr. Lisa Belisle Photography by Matt Cosby

LOVE MAINE RADIO

with Dr. Lisa Belisle Nat May

085

Photography by Nicole Wolf

EAT BLOGS

192 The Burleigh at the Kennebunkport Inn + Standard Gastropub

by Karen Watterson Photography by Liz Caron

CAPTURE

216 Yinan Wang (Trax)

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EDITOR’S NOTE 021 NOTE FROM THE PMA 023 CONTRIBUTORS 025 WORDS FROM OUR READERS 035 EVENTS 036

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Because you’ve earned this.

R

Spirit prices are the same in stores all over Maine.

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Live well, drink responsibly. mainespirits.com

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urban dwellings

TM

INTERIORS

• DESIGN

• OBJECTS

PUBLISHER + CEO | Kevin Thomas ASSOCIATE PUBLISHER + COO | Andrea King EDITOR-IN-CHIEF | Rebecca Falzano MANAGING EDITOR | Paul Koenig ART DIRECTOR | Kate Seremeth DIRECTOR OF SALES | Jeffrey D’Amico

You may still be finding a dusting of sand here and there, but cooler days are just around the corner.

Shop our fall provisions to celebrate the autumnal change!

ADVERTISING ACCOUNT MANAGERS |

Karen Bowe, Anna DeLuca, Jessica Goodwin, Ryan Hammond, Peter Heinz, Tom Urban PRODUCTION MANAGER | Joel Kuschke DIRECTOR OF EVENTS + SPONSORSHIPS | Terri Coakley ONLINE EDITOR | Shelbi Wassick STAFF WRITER | Susan Axelrod EDITORIAL ASSISTANT | Brittany Cost OFFICE ADMINISTRATOR | Grace Skerritt COMMUNITY DEVELOPMENT MANAGER | Casey Lovejoy ART INTERN | Laura Douglas SPECIAL PROJECTS | Emily McConnell COPY EDITOR | Katherine Gaudet PROOFREADER | Skye Adams CONTRIBUTING EDITORS |

Dr. Lisa Belisle, Katy Kelleher, Sandy Lang, Karen Watterson PHOTOGRAPHERS |

Liz Caron, Matt Cosby, Dave Dostie, Kyle Dubay, Peter Frank Edwards, Erin Little, Greta Rybus, Nicole Wolf COVER PHOTOGRAPHER | Matt Cosby PHOTO RETOUCHING | Tripp Harrington CIRCULATION | Sarah Lynn ART COLLECTOR MAINE |

Laura A. Bryer, Jack Leonardi, Taylor McCafferty, Anna Wickstrom, Emma Wilson, Aurora Winkler THE BRAND COMPANY |

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Spencer Albee, Dr. Lisa Belisle, Brittany Cost, Paul Koenig, Casey Lovejoy, Shelbi Wassick MAINE HOME+DESIGN |

Jen DeRose, Heidi Kirn OLD PORT |

Susan Axelrod, Kate Seremeth SUBSCRIBE | themainemag.com

Chief Executive Officer | Kevin Thomas Chief Operating Officer | Andrea King Chief Financial Officer | Jack Leonardi Maine is published twelve times each year by Maine Media Collective LLC

URBAN-DWELL.COM 118 CONGRESS STREET PORTLAND, MAINE 207-780-6136

Editorial and subscription information: phone 207.772.3373 | fax 888.836.6715 75 Market Street | Suite 203 | Portland | Maine | 04101 Opinions expressed in articles or advertisements, unless otherwise noted, do not necessarily reflect the opinions of the publisher, staff, or advisory board. Every effort has been made to ensure that all information presented in this issue is accurate, and neither Maine nor any of its staff is responsible for omissions or information that has been misrepresented to the magazine.

Copyright © 2017, Maine Media Collective LLC. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission, in writing, from the publisher. Printed in the U.S.A. themainemag.com

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maine | themainemag.com

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EDITOR’S NOTE Photography by Heidi Kirn

Bangor Waterville

Rockland

Bridgeton Brunswick Freeport Yarmouth

Monhegan

Portland Prouts Neck Kennebunkport Ogunquit York Kittery

September in Maine—

Stories from around the state

I usually try to visit art museums or galleries whenever I’m somewhere new. Along with the opportunity to see art, museums can provide visitors a sense of place. At the Farnsworth Art Museum in Rockland, Andrew Wyeth’s depictions of the midcoast and Maine’s islands tell stories about the area you wouldn’t otherwise experience and provide a glimpse into the area’s history. Nearby, the Center for Contemporary Maine Art, with its modern and angular lightfilled space, highlights the region’s contemporary artists and the evolution of the town’s character.

This special issue focuses on the Portland Museum of Art (PMA), but it also examines the role of arts in Maine and celebrates the connection so many artists have to the state.

There is a guide to the Maine Art Museum Trail, an organization the encourages people to explore the state through its art museums,

from the Ogunquit Museum of American Art to the University of Maine Museum of Art in Bangor to the Monhegan Museum of Art and History (“Art Road Trip,” p. 110).

The museums’ directors and curators each recommend a standout piece of art that will be on view this fall.

After being closed for a month to renovate its spaces and to reinstall artwork throughout its galleries, the PMA reopened in February with a renewed focus on its collection (“A Museum for the 21st Century,” p. 132).

The museum centered its galleries around different themes, making for experiences that feel more eclectic and narrative. One of the first galleries visitors will see is called “The Great Atlantic” and features paintings depicting the Maine coast by artists such as Rockwell Kent, Mardsen Hartley, and Winslow Homer. “We wanted to have this fabulous rush of what it means to have arrived in Maine, to be with the painters, to see the Maine light,” says Jessica May, deputy director and Robert and Elizabeth Nanovic chief curator.

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Homer’s dramatic coastal scenes painted at his studio in Prouts Neck, where he lived from 1884 to his death in 1910, inspired writer Sandy Lang and photographer Peter Frank Edwards’s visit for another story (“Homer by the Sea,” p. 154). They tour his studio and follow the Cliff Walk, the same path along the crashing waves that Homer supposedly walked each day. At the studio, which is owned by the PMA, they see where Homer literally left his mark: one of the windows has his signature still scratched in the glass.

I hope you make your own discoveries about the state in this issue, and that when you visit different places you seek out the art museums and galleries, large or small, and find a sense of place.

Paul Koenig Managing Editor pkoenig@themainemag.com

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WE LOVE MAINE. We fill our work days creating Maine-centric media products—publishing magazines and guides, producing radio shows, managing social media sites, developing websites, filming videos, producing events—because of this simple tenet. Our staff stayed here, came back here, or moved here because they love Maine’s rich history, its unique character, and the people who live here, and most importantly we believe in Maine’s potential. We simultaneously love the Maine we grew up in, while fully embracing the reality that things change and evolve.

And we bear witness to that happening here. We are cheerleaders for Maine as a place for people to live, stay, and thrive—a place for people from away to move to, as a place for second homeowners to buy into, a place to raise children, a place to start and operate a business, as a place to visit and explore, as a place to escape and heal. And, as a place to be inspired.

We cover Maine in a positive light. We very intentionally leave the negativity and snark to other media outlets.

There is a place for everything, and we honor that. But that place is not here.

So if you love Maine, please turn to us with your reading eyes, your listening ears, your follows and your likes, your attendance, and your advertising and sponsorships.

Explore what we believe is the best Maine has to offer on the pages of our magazines, guides, through the airwaves, at events, and via social media.

Auburn | Augusta | Bailey Island | Bangor | Bar Harbor | Bass Harbor | Bath | Beaver Creek | Belfast | Bethel | Biddeford | Biddeford Pool | Blue Hill | Boothbay | Boothbay Harbor | Brewer | Bridgton | Bristol | Brooklin | Brownfield | Brunswick | Buxton | Camden | Cape Elizabeth | Cape Neddick | Cape Porpoise | Carrabassett Valley | Caribou | Castine | Chebeague Island | Chesterville | Cliff Island | Cornish | Cousins Island | Cumberland | Cushing | Damariscotta | Dayton | Dixfield | Eagle Lake | Eastport | Edgecomb | Ellsworth | Eustis | Fairfield | Falmouth | Fort Kent | Frankfurt | Freedom | Freeport | Frenchboro | Frenchville | Fryeburg | Gardiner | Gray | Great Cranberry Island | Greenville | Hallowell | Harpswell | Harrison | Hermit Island | Hope | Hurricane Island | Isle au Haut | Islesboro | Jewell Island | Kennebunk | Kennebunkport | Kezar Lake | Kingfield | Kittery | Lewiston | Liberty | Limerick | Lincoln | Lincolnville | Lovell | Lubec | Madawaska | Mars Hill | Matinicus Island | Millinocket | Monhegan Island | Monson | Moosehead Lake Region | Mount Desert Island | Newcastle | New Gloucester | Newry | North Haven | Northport | North Yarmouth | Norway | Oakland | Ogunquit | Old Orchard Beach | Oquossoc | Orland | Orono | Otter Creek | Owls Head | Oxford | Peaks Island | Phippsburg | Poland | Port Clyde | Porter | Portland | Pownal | Presque Isle | Prospect | Prospect Harbor | Rangeley | Rockland | Rockport | Rockwood | Rome | Roque Bluffs | Rumford | Saco | Scarborough | Seal Harbor | Searsport | Sebec | Sedgwick | Sinclair | Skowhegan | South Casco | South Freeport | South Portland | Southport | Southwest Harbor | Squirrel Island | St. George | Stockton Springs | Stonington | Stratton | Temple | Tenants Harbor | The Forks | Thomaston | Thorndike | Union | Unity | Veazie | Vinalhaven | Waterville | Wells | Westport Island | Westbrook | Wilton | Windsor | Winterport | Wiscasset | Woolwich | Yarmouth | York

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Chief Executive Officer | Kevin Thomas Chief Operating Officer | Andrea King Chief Financial Officer | Jack Leonardi Maine is published twelve times each year by Maine Media Collective LLC Editorial and subscription information: phone 207.772.3373 | fax 888.836.6715 75 Market Street | Suite 203 | Portland | Maine | 04101 Opinions expressed in articles or advertisements, unless otherwise noted, do not necessarily reflect the opinions of the publisher, staff, or advisory board. Every effort has been made to ensure that all information presented in this issue is accurate, and neither Maine nor any of its staff is responsible for omissions or information that has been misrepresented to the magazine.

Copyright © 2017, Maine Media Collective LLC. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission, in writing, from the publisher. Printed in the U.S.A. themainemag.com

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maine | themainemag.com

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NOTE FROM THE PMA Photography by Heidi Kirn

Can a museum influence a state?

That’s a question we discuss frequently at the Portland Museum of Art. One of our major goals at the museum is to frame the narrative of the state so that arts and culture—as well as the incredible people who create it—are as critical to Maine’s identity as its natural beauty, and a reason to visit or live here unto itself.

Maine magazine has the same mission. That’s why we are so excited for this special issue.

The PMA is evolving. In recent years, the museum has dedicated itself to broadening the range of perspectives within our galleries and making connections beyond our walls. The museum has changed because our communities in Portland, and across Maine, have as well. As a more diverse group of people has started calling

this state home, the PMA has renewed its focus on inclusivity and set a higher bar for the role we can play in the region.

We’re devoted to responding to the needs and reflecting the values of our community, and in the last few years, the museum has engaged audiences from Maine and abroad with a new sense of purpose. As a result, we’ve seen people from across the world coming to the museum to experience the state’s artistic legacy, in addition to our neighbors discovering a new sense of pride in their local heritage.

At the PMA, we use the phrase “the power of art to transform lives” as a north star, guiding everything we do, from curation to philanthropy, and from learning to communications. We believe in this because we see it every day, with

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visitors of all ages connecting art to their lives, discovering talents they didn’t know they had, feeling empathy for viewpoints they had never considered, and gaining inspiration to share their voices with the world.

These experiences are what I contemplate when I consider the above question, and the answer is simply this: If art can change a person, then art museums can influence a state, and in turn impact the world.

Elizabeth F. Jones Deputy Director and Director of External Affairs

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WE GIVE BACK.

Our mission is to make a substantial and unique commitment to supporting Maine’s nonprofit community both statewide, regionally, and at the town level. We believe that the work Maine’s nonprofit organizations do, individually and collectively, makes our lives better and Maine a better place to live. With limited budgets, Maine’s nonprofits need help boosting awareness of their specific causes and help to raise the funds they need. We have established long-term relationships with over 120 nonprofits and community-based organizations. We give to these organizations by providing, free of charge, services ranging from advertising, graphic design, brand development, marketing advice, online announcements, and social media engagement. We often include nonprofit organizations in our editorial coverage through feature articles and/or recaps of their events. You’ll find the latter in our “There + Then,” “Turnout,” and “Gather” sections. Over the past year, we have made cash and inkind donations and services of more than:

e chance to th s u e iv g l il ISE w TEDxDirigo R ach of us, e to t n a rt o p t is im e. consider wha ke a differenc a m s n o ti c a r and how ou

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Register today at TEDxDirigo.com

$1,930,463 WE ARE PROUD OF OUR AFFILIATION WITH THE FOLLOWING ORGANIZATIONS:

317 Main Community Music Center | American Diabetes Association | AIA Maine | Alfond Youth Center of Waterville | American Lung Association | Barbara Bush Children’s Hospital | Bicycle Coalition of Maine | Biddeford Ball | Biddeford/Saco Rotary Club | Boothbay Harbor Fest | Boothbay Region Chamber of Commerce | Boothbay Region Land Trust | Boys & Girls Club of Southern Maine | Bowdoin International Music Festival | Camden Garden Club | Camden International Film Festival | Camden Opera House | Camp Sunshine | Camp Susan Curtis | Cape Elizabeth Education Foundation | Cape Elizabeth Land Trust | Casco Bay Islands SwimRun | Castine Arts Association | CEI | Center for Furniture Craftsmanship | Center for Grieving Children | Colby Museum of Art | Cross Insurance Center | Dempsey Challenge | Easter Seals Maine | Elias Cup | Bayside Bowl | Environmental Health Strategy Center | Faily Hope | Farnsworth Art Museum | Fort Williams Park Foundation | Frannie Peabody Center | Friends of Casco Bay | Friends of Windjammer Days | Full Plates Full Potential | Georges River Land Trust | Gulf of Maine Research Institute | Good Shepherd Food Bank | Goodwill of Northern New England | Greater Portland Land Marks | GrowSmart Maine | Harbor House | Immigrant Legal Advocacy Project | Institute for Family Owned Business | Junior Achievement of Maine | Junior League of Portland | Kennebunk Free Library | Kennebunkport Conservation Trust | Kennebunks Tour de Cure | Kittery Block Party | L/A Arts | Life Flight of Maine | Lift360 | Maine Academy of Modern Music | Maine Audubon | Maine Cancer Foundation | Maine Center for Creativity | Maine Children’s Cancer Program | Maine College of Art | Maine Crafts Association | Maine Development Foundation | Maine Discovery Museum | Maine Flower Shower | Maine Interior Design Association | Maine Island Trail Association | Maine Jewish Film Festival | Maine Lobster Festival | Maine Preservation | Maine Restaurant Association | Maine Science Festival | Maine Start Up and Create Week | Maine State Ballet | Make-A-Wish Foundation of Maine | March of Dimes | Mercy/Gary’s House | MEREDA | Mitchell institute | Museums of Old York | MyPlace Teen Center | Natural Resources Council of Maine | New England Craft Brew Summit | North Atlantic Blues Festival | Ogunquit Museum of American Art | Ogunquit Playhouse | Osher Map Library | Passivhaus Maine | Portland Downtown | Portland Museum of Art | Portland Ovations | Portland Symphony Orchestra | Portland Trails | PORTopera | Portland Stage Education Programming | Ronald McDonald House Charities | Royal River Land Trust | SailMaine | Salt Bay Chamberfest | Scarborough Education Foundation | Share Our Strength | sheJAMS | Strive | Talking Art in Maine | TEDxDirigo/Treehouse | Teens to Trails | Travis Mills Foundation | The Strand Theatre | The Telling Room | University of Maine Gardens | United Way of Greater Portland | Viles Arboretum | Vinegar Hill Music Theater | Wayfinder Schools | Wells Reserve at Laudholm | Wendell Gilley Museum | WinterKids | Wolfe’s Neck Farm | Woodlawn Museum | Yarmouth History Center

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Chief Executive Officer | Kevin Thomas Chief Operating Officer | Andrea King Chief Financial Officer | Jack Leonardi Maine is published twelve times each year by Maine Media Collective LLC Editorial and subscription information: phone 207.772.3373 | fax 888.836.6715 75 Market Street | Suite 203 | Portland | Maine | 04101

Thank you to our Inspiration Partner

Opinions expressed in articles or advertisements, unless otherwise noted, do not necessarily reflect the opinions of the publisher, staff, or advisory board. Every effort has been made to ensure that all information presented in this issue is accurate, and neither Maine nor any of its staff is responsible for omissions or information that has been misrepresented to the magazine.

Copyright © 2017, Maine Media Collective LLC. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission, in writing, from the publisher. Printed in the U.S.A. themainemag.com

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Photograph by Heidi Kirn

Photograph by Greta Rybus

CONTRIBUTORS

KATY KELLEHER is the author of Handcrafted Maine,

ANDREA KING is an entrepreneur, adventurer,

traveler, and feminist. After working in over 25 countries, she is excited to spend time discovering all the charm that Maine has to offer. A native Newfoundlander, she feels at home by the ocean.

48 Hours, p. 048

Editorial assistant BRITTANY COST grew up visiting the Portland Museum of Art on First Friday Art Walks with her grandfather. Since moving to Portland from Brunswick, she attends film screenings at the PMA whenever possible, and she is looking forward to the upcoming Nan Goldin exhibition, Family History, opening in October.

A-List, p. 070, “Art Road Trip,” p. 110

“Every person has an identified way of seeing.

Art is a translation of that vision. I am inspired by how people interpret that.” NICOLE WOLF is a commercial photographer based in Portland, Maine, and loves being a part of the creative community in her city. For this month’s feature, she documents the newly renovated PMA and the imaginative new installations. “A Museum for the 21st Century,” p. 132

Photograph by Heidi Kirn

a book highlighting makers, growers, artists, and creatives living and working in Maine. When she’s not reporting for Maine magazine, she can be found paddling around the Saco River, hiking through the woods of western Maine, or devouring mystery novels on the couch. “Heart and Home,” p. 180

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• • • • • • •

MINIMALLY INVASIVE SURGERIES HIP AND KNEE ARTHROSCOPY JOINT RECONSTRUCTION TOTAL AND PARTIAL JOINT REPLACEMENT FOOT AND ANKLE MEDICINE AND SURGERY TRAUMA AND SPORTS MEDICINE COMPLEX FRACTURE CARE

Our Center for Joint Replacement offers postoperative care in a dedicated hip and knee replacement facility including:

• • • • • •

THERAPY GYM TRAINING FACILITIES QUIET, PRIVATE ROOMS PERSONALIZED CARE TO FIT YOUR SCHEDULE ACCOMMODATIONS FOR OVERNIGHT GUEST EDUCATION CLASSES

Questions for Center for Orthopaedics 15 Gracelawn Road, Auburn

Questions for Center for Joint Replacement 93 Campus Avenue, Lewiston

207-333-4710

207-333-4700 www.stmarymaine.com

ST. MARY’S REGIONAL MEDICAL CENTER WAS NATIONALLY RECOGNIZED AS A TOP GENERAL HOSPITAL IN 2016

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Š2016 Porsche Cars North America, Inc. Porsche recommends seat belt usage and observance of all traffic laws at all times.

Every car should be a sports car.

Introducing our latest proof of that belief.

It's more than a new car. It's a belief system. A 340-horsepower twin-turbo V6. Standard PDK double-clutch transmission. Active allwheel drive with Porsche Traction Management for maximum grip in varying conditions. The new Porsche Macan S is built around our defining belief that every drive should be an unforgettable thrill. Discover a more intensified life with a test drive. Porsche.

There is no substitute.

The new 2017 Macan S

Morong-Falmouth 187 US Route 1 Falmouth, Maine 04105 Tel. 207-781-4020 www.morong-falmouth.porschedealer.com Mon-Thurs 8:00AM - 7:00PM Fri 8:00AM - 6:00PM Sat 8:00AM - 5:00PM

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21 Albert Meadow Bar Harbor, Maine 04609 (800) 753-0494

Bar Harbor’s Premier Oceanfront Accommodations

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THERE + THEN Photography by Dave Dostie

SHAPING MAINE

Honoring Mainers who have shaped the past, present, and future of our state Maine magazine celebrated the state’s visionaries at Saint Joseph’s College in Standish in July. Attendees included honorees from this year’s 50 Mainers list, published in the July issue of Maine, individuals from previous years’ lists, and other community members. Former United States Senator George Mitchell provided opening remarks, and Portland-based musician Spencer Albee curated the music.

01

Staycations Just Got Better.

Treat yourself to a staycation with our Maine Resident Rate and enjoy some island time.

02 03

“Shaping Maine celebrates the hardworking Mainers that have spent their lives contributing to the state we all love. This event is our way of saying thank you.”

—Kevin Thomas, publisher and CEO of Maine Media Collective

61 South Rd. Chebeague Island, Maine 04017 www.chebeagueislandinn.com 207.846.5155

04

05

06

07

08

01 Guests mingle in the Stone Barn at Saint Joseph’s College. 02 George Mitchell, former United States senator, and Kevin Thomas, publisher and CEO of Maine Media Collective 03 Michael Nazemetz, veterinarian, and Ann Lee Hussey, advisor to Rotary International Polioplus Committee and Rotary’s representative on the Global Polio Eradication Initiative’s Transition Management Group 04 Suellen Hathaway, office manager of Shucks Maine Lobster, and John Hathaway, owner of Shucks Maine Lobster 05 David Currier, attorney at Warren, Currier & Buchanan; Adele Ngoy, president and founder of Women United Around the World, founder of Adele Masengo Designs, and owner of Antoine’s Tailor Shop and Formal Wear; and Scott Maker, senior vice president at UNUM 06 Dr. Meredith Tipton, president of Tipton Enterprizes; Dr. Stephen Sears, chief of staff at VA Maine Healthcare System; and Joanne Bean, vice president and chief advancement officer at Saint Joseph’s College 07 Diane Atwood, health and wellness blogger at Catching Health with Diane Atwood, and Barry Atwood, co-owner of Smith Atwood Video Services 08 David MacDonald, president and CEO of Friends of Acadia, and Lucas St. Clair, president of Elliotsville Plantation

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MAINE JEWELRY COLLECTIVE HAND CRAFTED • ETHICALLY SOURCED • INDIVIDUALLY INSPIRED

JENNIFER NIELSEN

LISA GENT

F I N E B E AC H S TO N E J E W E L R Y

O R G A N I C S T Y L E F O R E V E R Y DAY

P O R T L A N D | 2 0 7. 7 9 9 . 3 4 6 0 J N I E L S E N J E W E L R Y. C O M

C A P E E L I Z A B E T H | 2 0 7. 7 9 9 . 9 7 3 9 L I S A G E N T. C O M

C I R C L E STO N E D E S I G N S

LISA JANE GRANT

AUTHENTIC HAND FORGED DESIGNS

CONTEMPORARY MOKUME-GANE

W O O LW I C H | 2 0 7. 4 4 3 . 4 74 3 CIRCLESTONEDESIGNS.COM

C U M B E R L A N D | 2 0 7. 6 5 3 . 2 8 8 7 L I S A J A N E G R A N T. C O M

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THERE + THEN Photography by Dave Dostie

RUSSO READING SERIES WITH ANTHONY DOERR

An author reading to benefit Wayfinder Schools More than 300 people gathered at the Maine Irish Heritage Center in Portland for a reading and conversation with Pulitzer Prize-winning authors Richard Russo and Anthony Doerr. The event was part of an annual reading series organized

by Richard and Barbara Russo to benefit Wayfinder Schools, an alternative high school serving at-risk youth in Maine.

01

02

Maine Food. Bold Flavors.

BRUNCH. LUNCH. DINNER.

03

“This event was a tremendous success and will help us serve more Maine youth as they strive toward their graduation goals. The Russo Reading Series is becoming a much-anticipated event in southern Maine, and we look forward to next year’s event.”

—Paul Andrews, executive director of Wayfinder Schools

04

05

06

443 FORE STREET, PORTLAND 207 358 7830 EVOPORTLAND.COM

01 Annie Messinger, director of philanthropy at Wayfinder Schools, and Catherine Martin, member of board of directors at Wayfinder Schools 02 James Light, owner of James Light Interiors; Chris Kast, brand strategist at the Brand Company; and Paul Andrews, executive director of Wayfinder Schools 03 Pam Russell, member of host committee; Katie Hogan, realtor at Legacy Properties Sotheby’s International Realty; and Don Russell, president of board of directors at Wayfinder Schools 04 Kathy Grossman, member of host committee; Kim Dorsky, board member at Wayfinder Schools and member of host committee; and Dan Rosenthal, attorney at Marcus Clegg 05 Terri Coakley, director of events and sponsorships at Maine Media Collective, and Linda Coakley, retired 06 Karen Watterson, food editor at Maine Media Collective, and Howsie Stewart, former board member at Wayfinder Schools

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! ur ay yo t o d ok ur Bo o To i ud

St

Fall tours available through October 29.

Call (207) 775-6148 or visit PortlandMuseum.org/Homer for more information.

The Winslow Homer Studio Tour Van is generously sponsored in part by Prime Motor Cars Mercedes-Benz.

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suger maine made comfort crafted with joy

THERE + THEN Photography by Kyle Dubay

CONTEMPORARIES MIDSUMMER PARTY AT THE PORTLAND MUSEUM OF ART

Celebrating Maine’s art and its supporters The Portland Museum of Art invited its Contemporaries, a younger generation of arts supporters, to attend its annual Midsummer Party. Hosted in the museum’s new David E. Shaw and Family Sculpture Park with a recently installed Jonathan Borofsky piece, Human Structures (24 Figures Connected), the celebration honored ten years of the museum’s Contemporaries program.

02

portland 271 commercial

biddeford 25 alfred st

01

“It’s easy to get wrapped up in running a business and forget to take care of yourself or your community. But not on nights like this. There’s no better showing of Portland’s young philanthropists and entrepreneurs coming out to support the arts.”

03

—Erin Kiley, co-owner, Portland Flea-for-All

04

05

angelrox.com may peace prevail

06

01 Attendees gather in the new sculpture garden. 02 PMA director Mark Bessire delivers his remarks. 03 Katie Soule, office manager at Portland Springer’s Jewelers; Christopher Keene, fine jewelry sales consultant at Springer’s Jewelers, Bri O’Donnell Fisher, realtor at the Swan Agency Sotheby’s International Realty; and Alex Fisher, founder of Planet Dog and founder and co-owner of El Rayo Taqueria 04 Abbie Labonville, graphic designer; Justin Lumière, junior designer at Longstocking Design; and Taylor McElhinny, designer and production assistant at Benoit’s Design Co. 05 Alison Beyea, executive director of ACLU of Maine; Nathaniel Eldridge, creative professional; Brooke Chornyak, graphic designer at Collective IQ; Bree LaCasse, PMA trustee; and Jessica Tomlinson, director of Artists at Work at Maine College of Art 06 Ned Swain, Devenish Wines, and Patrick Roche, founder and director at Think Tank Coworking

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WORDS FROM OUR READERS Love an article from last month?

Have a place in Maine you want us to cover? We welcome comments of any kind. Send your notes to letters@ themainemag.com or message us on Facebook @themainemagazine.

CREATE BIGGER

BRAND

My July issue just arrived to my P.O. box here in Southwest Harbor. Patrick Dempsey, one of my favorite men, graced your cover.

But the article by Dr. Lisa Belisle with Matt Cosby’s photography had my full attention and admiration.

I am extremely grateful to Maine magazine for granting my wish of featuring Ashley Bryan.

Mr. Bryan is a gentle man who has lived a full and productive life. Meeting him and spending time at his dining table has changed me. Mr. Bryan has helped me choose love not hate.

—Lisa Liberi McGarvey, Southwest Harbor, ME

We love Maine! For the past 20 years or so, we have visited Maine every other year whenever possible. We seem to prefer the Harbor Square Condos in Camden, but we love making day trips along the coast and venturing into the center of Maine and into Canada. I am always interested in fall festivity schedules throughout the state and, of course, anything new happening. We are always interested in finding new, less expensive places to stay since we are retired.

—LaVerne Remmert, Bellville, TX We are very excited to be the newest readers of Maine magazine. My partner Matt and I are residents of Somerville, MA. However, we just bought our secondary home on Pemaquid Pond in Damariscotta. We absolutely love midcoast Maine and have been going up there for years. We are excited to finally be calling this area somewhat of a home. It’s been an absolute treat exploring everything the midcoast has to offer. Matt and I are major foodies and can’t pass up a good beverage, so we really enjoyed the Eat Maine Annual Guide this spring.

—Jessica Merrell, Somerville, MA

BRAND DEVELOPMENT ADVERTISING PRINT + WEB DESIGN SEARCH ENGINE MARKETING SOCIAL MEDIA STRATEGY MEDIA PLANNING

It’s about a new direction. thebrandcompany.me 207.772.3373

September 2017 35

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EVENTS COMMUNITY

SEPTEMBER

9.1–9.10

BOOTHBAY HARBOR FEST Various locations boothbayharborfest.com

9.2–9.28

THIS IS SO MAINE.

CLAIRE BIGBEE

Gallery at the Grand 1 Chase Hill Rd. | Kennebunk artcollectormaine.com

9.2–10.6 JANE DAHMEN

Gallery at Bald Head Cliff Cliff House 591 Shore Rd. | Cape Neddick artcollectormaine.com

9.7

FIRST THURSDAY ART OPENING FEATURING ARTWORKS BY DAVID ALLEN 5 p.m.–7 p.m.

Portland Art Gallery 154 Middle St. | Portland artcollectormaine.com

9.9

HENRYFEST

317 Main Skyline Farm 95 The Ln. | North Yarmouth 317main.org

9.9–9.10

30TH ANNUAL LAUDHOLM NATURE CRAFTS FESTIVAL 10 a.m.–4 p.m.

Wells Reserve at Laudholm 342 Laudholm Farm Rd. | Wells wellsreserve.org

9.14–9.17

CAMDEN INTERNATIONAL FILM FESTIVAL

WE DELIVER. Subscribe 207 772 3373 themainemag.com/subscribe

Points North Institute Various locations pointsnorthinstitute.org/ciff

9.16

LOBSTERJAM

sheJAMS Winslow Park | Freeport shejamstri.com 36

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HOLD ONTO THAT FEELING. 9.17

TRAIL TO ALE 10K RACE/WALK Portland Trails 9 a.m.

Eastern Promenade Cutter Street | Portland trails.org

9.17

TASTING EVENT WITH GATHER AND FRONTIER 3 p.m.–6 p.m.

Wolfe’s Neck Farm 184 Burnett Rd. | Freeport wolfesneckfarm.org

9.21

MAINE LIVE

9 a.m.–3 p.m.

Hannaford Hall 88 Bedford St. | Portland maineliveevent.com

9.23

21ST ANNUAL HARVEST DANCE FEATURING RUSTIC OVERTONES 6 p.m.–10 p.m.

Wolfe’s Neck Farm 184 Burnett Rd. | Freeport wolfesneckfarm.org

9.28

SIGNATURE CHEFS AUCTION

March of Dimes 5:30 p.m.

DiMillo’s On the Water 25 Long Wharf | Portland signaturechefs.marchofdimes.org

9.29–9.30

POLLINATION CELEBRATION 9 a.m.–3 p.m.

Viles Arboretum 153 Hospital St. | Augusta vilesarboretum.org

9.30

2017 HARVEST CELEBRATION & SILENT AUCTION Scarborough Education Foundation 6:30 p.m.–10 p.m.

Camp Ketcha 336 Black Point Rd. | Scarborough sefmaine.org

9.30

15TH PUNKINFIDDLE FAMILY FESTIVAL 10 a.m.–4 p.m.

Wells Reserve at Laudholm 342 Laudholm Farm Rd. | Wells wellsreserve.org

LET’S GET THIS PARTY STARTED. (207) 667-6000 | WALLACEEVENTS.COM

September 2017 37

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SOCIAL MEDIA Photography by Heidi Kirn @Maine Magazine

@themainemag

Every day our team is exploring the state and sharing its raw, singular beauty on social media. Followers write back, sharing their own stories of the places we visit—memories of past beach days, family vacations, and moonlit treks. Join our growing community of 200,000 followers.

Maine Magazine | Boothbay Harbor

20,912 people reached 201 likes, 49 comments, 51 shares CURATED BY MICHELLE GRABNER

ON VIEW JULY 20-SEPTEMBER 15

We invite you to join us for a one-day symposium with a panel discussion moderated by Barry Schwabsky on September 15, 2017. Space is limited, please RSVP to ica@meca.edu.

For more information contact ica@meca.edu or 207.699.5025 Hours: Wednesday–Sunday, 11AM–5PM, Thursday, 11AM–7PM Artwork By: Dan Attoe, Cedar Tree with Creep, 2017

522 CONGRESS STREET | PORTLAND ME, 04101 meca.edu/ica | 800.699.1509

We are tax ninjas.

PB PB

We are not bean counters.

For a story about lobster boat names, the Maine magazine team turned to its readers for the names that have made them laugh over the years, and those inspired by their favorite memories. Read the article online at themainemag.com.

And we have passion for all things accounting.

Robbi Chaponis Butterfly Kisses. I am my father’s only child. From day one, he was my best friend. The boat is named in honor of our relationship, after the song Butterfly Kisses by Bob Carlisle. This was also the song we danced to at my wedding. The boat is moored in Jonesport.

Elaine Osgood My husband’s boat is Split S.E.C.O.N.D. It’s the initials of our family members… Steven, Elaine, Chelsea, Osgood, Nicole, and David. My son named his boat Full S.E.C.O.N.D. Both are located in Vinalhaven.

Chris Ledue Shorr Pull and Pray always cracked me up in Casco Bay. Beth Gross Cunningham Beth Said Yes—my husband’s boat in Bar Harbor.

After 30+ years, I said yes… to a new boat.

130 Middle Street | Portland, Maine 04101 | 207.775.3496

purdypowers.com September 2017 39

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UNCOMMON UNDERTHINGS & EVERYDAY LINGERIE FOR ALL

BRA FITTING • BINDE R FITTING • PRIVATE PARTIES 646 CONGRESS ST, PORTLAND 207.370.7278 | ETAINUNDE RTHINGS.COM @ E TA I N _ U NDE R T HI NG S MM_September17 (Conflicted copy from Katharine’s iMac on 2017-07-27).indd 40

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NEW + NOTEWORTHY

by Brittany Cost

S Author Katy Kelleher has released a new book profiling Maine artists and craftspeople, Handcrafted Maine: Arts, Life, Harvest & Home. Featuring photography by Greta Rybus, Handcrafted Maine centers on local creatives who find inspiration in their heritage and environment, including architect Will Winkelman, painter Dozier Bell, and restaurateur Masa Miyake. Kelleher also contributes to Maine, Maine Home+Design, and Old Port magazines.

Benjamin Shaw, founder, director, and CEO of Vets First Choice in Portland, has received the Ernst and Young (EY) 2017 Entrepreneur of the Year Award for New England.

Founded in 2010, Vets First Choice brings technology and analytics to veterinarians, helping them identify and close gaps in care, increase practice revenues and profits, and improve pet owner satisfaction.

PB

Photography by Greta Rybus

PB

Australia-based developer Majella Group has purchased Saddleback Mountain Resort in Rangeley. Majella plans to transform the ski mountain into a four-season resort, adding lodging, restaurants, and activities.

The company has begun the process of replacing two lifts on the mountain, and a former mountain operations management team is returning to the mountain.

free and open to the public colby.edu/museum

#colbymuseum

Colby College Museum of Art Waterville, Maine 207.859.5600 Tuesday–Saturday: 10 am–5 pm; Sunday: noon–5 pm; Closed Monday Open until 9 pm on Thursdays during the academic year

Photo © trentbellphotography

The James Beard Foundation has honored Congresswoman Chellie Pingree with a 2017 Leadership Award, noting her support of national policies promoting healthy food, local and regional food systems, and organic practices.

Nancy White has been named the general manager at Cliff House in Cape Neddick. White has previously served as the interim general manager and director of sales marketing at Cliff House.

September 2017 41

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Invest for tomorrow, today.

Achieving your long-term financial objectives—and life objectives—starts right now. Talk to one of our experienced wealth advisors about devising a financial strategy based on your individual needs, goals and aspirations.

Call 800.224.5166 or visit CamdenNational.com

Camden National Wealth Management, a division of Camden National Bank, provides comprehensive wealth management, investment management and trust services to individual and institutional clients.

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Visit Once.

Stay Forever.

Stay with us and enjoy all the exclusive membership benefits at Boothbay Harbor Country Club and 50% off published green fees. www.BoothbayHarborOceansideResort.com Reservations: 800-762-8433 Other: 207-633-4455 35 Atlantic Ave., Boothbay Harbor

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Love with a view.

Now booking island weddings for 2017. 207 613 6110 GREATDIAMONDPOINT.COM

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WARM MODERN The Danish word hygge (pronounced ‘hoo-guh’) means “a sense of being cozy or comforted.” Chilton’s Hygge table is designed and built in Maine from solid ambrosia maple, known for its rich, distinctive wood grain. What could be cozier?

LI UTI

TY •

Q UA L I T Y • S I M P L

ICIT

Y

w w w.c h il to n s .co m 8 6 6 - 8 8 3 -3 3 6 6 F R E E P O R T 2 07- 8 6 5 - 4 3 0 8 • S C A R B O R O U G H 2 0 7- 8 8 3 - 3 3 6 6

C E L E B R AT E S U M M E R • P R E PA R E F O R FA L L !

Our summer finale sale runs now through the end of September. Visit our showrooms or Chiltons.com.

A Maine Artisan Boutique www.forerivergallery.com

Jewelry~Sculpture~Paintings Ceramics~Photography~and more

Located in The Old Port, just a short walk from the PORTLAND MUSEUM OF ART.

87 Market Street,Portland,Maine

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We know the state of Maine.

WHERE TO GO WHAT TO DO WHERE TO SHOP WHERE TO EAT

+ MORE

Need advice?

Ask the experts.

Stonington, Photo by Peter Frank Edwards

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W

e’ve been covering the state of Maine for years now and have gotten to know the people and places that make it such an incredibly exciting place to live and explore. We know how you can turn each moment you spend here into a lasting memory. When you’re ready to get out and about, ask for our expertise. We’ll point you in the right direction.

asktheexperts@themainemag.com

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FREEPORT in 48 Hours ANDREA KING ASSOCIATE PUBLISHER + COO WHERE WE STAYED HARRASEEKET INN WHERE WE ATE AZURE TUSCAN BRICK OVEN BISTRO BROAD ARROW TAVERN AT THE HARRASEEKET INN BOW STREET MARKET ROYAL RIVER NATURAL FOODS GRITTY’S FREEPORT BREW PUB AND RESTAURANT WHAT WE DID THOS. MOSER AND CHILTON SHOWROOMS SHOPPED DOWNTOWN TOURED WILBUR’S OF MAINE CHOCOLATE CONFECTIONS FACTORY NORDICA THEATRE WOLFE’S NECK FARM WINSLOW PARK BRADBURY MOUNTAIN STATE PARK

Home to Maine’s most iconic brand—L.L.Bean—along with outlet and independent stores, Freeport is a shopping destination, but it also offers coastal charm, great dining, and fun outdoor options for a weekend visit.

01

03

FRIDAY

AFTERNOON:

Tea and timeless furniture The historic Harraseeket Inn is lovely and has afternoon tea every day at 3:30 p.m. with cheese, crackers, and sandwiches, while someone plays the grand piano.

When we get to our spacious room for the weekend, the wood-burning fireplace is all set and ready to be lit. On Main Street, the hotel is in a perfect location for covering Freeport by foot.

A part of Maine, like L.L.Bean and lobster, Thos. Moser furniture focuses on the natural beauty of wood, creating graceful and timeless pieces. Their quality and craftsmanship allows the company to offer a lifetime guarantee. As you’ll see if you visit their workshop in Lewiston, the design and thought that goes into each piece make these investment pieces for generations.

Bridgham and Cook, also known as the British goods store, has many recognizable brands of teas, biscuits, preserves, and candies, as well as clothing and soaps from Great Britain.

They also carry specialty items like Lochcarron of Scotland family tartan scarves made of lamb’s wool. The store is great for interesting gifts, a trip down memory lane, or a reliable fallback if you forgot to pick up a gift for someone on a trip to England.

EVENING:

Dinner and cocktails at a celebrated eatery

03 48

02

With so many awards and accolades, we don’t want to miss Azure, and it doesn’t disappoint. The restaurant is

maine | themainemag.com

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04

www.dcolejewelers.com

01 Local crafts at Abacus. 02 Passing out Maine magazine stickers at Sherman’s bookstore. 03 The outside of Azure. 04 Soaking up the view at the top of Bradbury Mountain. 05 A tiny sample of bag designs at Sea Bags.

05

breakfast. From the blueberry muffins to the blueberry pancakes, it is homemade and exquisite. After a quick dip in the pool and some shopping at the gift store (which has a terrific variety of stuffed animals), we head out for our first full day in Freeport.

Before we arrive at the Wilbur’s of Maine chocolate factory for our tour we want to see Chilton’s furniture showroom.

Despite its Shaker inspiration, the furniture has many modern touches, and the live-edge bed is now on the top of my to-buy list for our new house.

intimate and full but doesn’t feel hectic or too loud. Our daughters are happy to be seated under a glimmering gold- and silverpainted fish on the wall. We start our evening with cocktails. I have a fresh basil gimlet with lime and St. Germain; my husband goes with a blueberry martini with Cold River Vodka. Everyone has raved to us about the calamari, and with good reason: it’s light and fresh and flavorful. My husband’s steak is cooked to perfection, and the blueberry sauce accompanying my salmon is a delightfully sweet addition.

The best part is the service. Our waiter is the perfect balance of attentive and knowledgeable without being overbearing. Coowner Jonas Werner comes to say hello, and at the end of the meal we learn that our waiter, Riley, is his son.

SATURDAY MORNING:

Shaker furniture and a chocolate tour With two young kids, we are early risers and among the first in the inn’s dining room for

Our chocolate factory tour begins, and with a few giggles, we all don our hairnets. The tour stops in four different rooms, and at each stop we are each given a handful of chocolate. We watch Oreo cookies being covered in melting chocolate and then sprinkled with colorful sprinkles.

AFTERNOON:

A day of shopping and art A visit to Freeport is not complete without shopping. We visit Sea Bags, which makes bags of all sizes from recycled sails, and are amazed at how many prints are available. We stop at Island Treasure Toys and find some crafts to do later. At Mexicali Blues we discover the cutest hand-knit sweaters for the girls.

Fiore Artisan Olive Oils and Vinegars encourages shoppers to sample different flavors, and

Join the Farnsworth [Collective]!

A dynamic group of art lovers and makers in the heart of Rockland, Maine. farnsworthmuseum.org/collective

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48 HOURS 01

02

01 Freshly made pizza at Tuscan Brick Oven Bistro. 02 Lambs at Wolfe’s Neck Farm. we decide on the blood orange olive oil, Japanese roasted sesame oil, and a superb pesto alla genovese.

ALL OF YOUR INTERIOR S OLUTION NEEDS

We go to Bow Street Market to get some lunch and snacks.

We are feeling adventurous and decide to spice up our cocktail-making routine with some bitters from Owl and Whale, a Maine company that is a mixologist’s dream. Then we take a break from shopping to catch a movie at the Nordica Theatre.

Back at the shops, we strike a pose at the tower of whoopie pies at Wicked Whoopies, another Maine institution. We contemplate the incredible variety of flavors at Coastal Maine Popcorn Co. And then we spend almost an hour at Sherman’s Books and Stationery picking out greeting cards, children’s books, and more toys. The Bowe Art Gallery has an eclectic, modern, and affordable selection of art, and Jean Jack’s gallery has her classic and distinctive straight line and big sky paintings.

EVENING:

Dinner, two ways After a short rest, we decide to split up for dinner, since one child wants to be in pajamas.

The Broad Arrow Tavern at the Harraseeket Inn is laid-back, cozy, and welcoming. It offers one of the best burgers in town and a fabulous beer selection.

CERAMIC TILE-HARDWOOD RESILENT-CARPET GRANITE COUNTERTOPS CABINETRY PAULGWHITE.US

207-797-4657

Tuscan Brick Oven Bistro is bustling when we arrive. The wood-fired ovens are blazing, and there are three chefs creating a pizza assembly line with flair.

My three-year-old and I watch as they toss the dough into the air, much to her delight. The pizza is sublime: the fennel sausage and burrata pizza is so good I order another one to go.

After the kids are in bed, my husband goes late-night shopping 50

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at L.L.Bean—the fact that it is open 24 hours a day makes us want to go there when everything else is closed. In addition to the seemingly limitless variety of clothing and sporting and camping gear, it is always a joy to walk through the store: its stunning wooden architecture, fish pond, stuffed wild animals, and charging moose make it a cathedral to the great outdoors as much as a retail store.

SUNDAY MORNING:

Mountain State Park in Pownal. We take the Summit Trail up to the top, which is a steep but short hike, and then take the Switchback Trail down.

At the end of the day, following many recommendations for a place to eat with kids, we go to Gritty’s Freeport Brew Pub. It is friendly and easy, and its big backyard, outdoor seating, and playground make it a perfect place to end our family weekend escape to Freeport.

Outdoor adventuring

FOR NEXT TRIP

After another great homemade breakfast (this time with French toast) and a dip in the pool at the inn, we head for the outdoors. But first, I don’t want to miss Abacus Gallery, a creatively curated collection of Maine-made crafts that are tasteful, modern, and distinctive.

LODGING IDEAS HILTON GARDEN INN BREWSTER HOUSE BED AND BREAKFAST CASCO BAY INN

We sign the kids up for Farmer for the Morning at Wolfe’s Neck Farm, an educational farm where kids can engage in farm chores like feeding the cows and giving a lamb a bottle. There are also oceanfront camping spots and kayak and canoe rentals that would be perfect in the summer.

We stop at Royal River Natural Foods, an oasis for Maine-grown produce and meats, to pick up some snacks and a light lunch to take with us to Winslow Park. The park is the highlight of the day; there is a large wooden boat for kids to climb on and a great playground surrounded by the ocean. There’s even a small beach to search for shells and launch kayaks from.

DINING IDEAS CONUNDRUM WINE BISTRO HARRASEEKET LUNCH AND LOBSTER COMPANY BUCK’S NAKED BBQ ACTIVITY IDEAS L.L.BEAN OUTDOOR DISCOVERY SCHOOLS MAINE AUDUBON’S MAST LANDING SANCTUARY DESERT OF MAINE SHOPPING IDEAS BROWN GOLDSMITHS BRAHMS MOUNT MAINE BEER COMPANY ANNUAL EVENTS FEBRUARY: FLAVORS OF FREEPORT OCTOBER: THE FREEPORT FALL FESTIVAL DECEMBER: SPARKLE CELEBRATION

AFTERNOON:

A short hike and familyfriendly dining We want to stay outside for the first warm day of spring, so next we head to Bradbury

maine | themainemag.com

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OCTOBER

6-8,

2017

11am - 4pm L.L.Bean Campus & Freeport Village Station in Freeport, Maine

Art

Food

Music

Chowder

Over 130 Maine artists including painters, jewelers, photographers, woodworkers and more

Maine food producers featuring goodies like jams, breads, honey, chocolates and olive oils

Live Music from Primo Cubano, Sylvain's Acadian Aces, Dark Hollow Bottling Co., Gunther Brown and Raging Brass Reggae

Sample chowders from Freeport chefs to determine who wins the 24th Annual Freeport Community Services Chowdah Challenge

The event is free and includes children's activities.

Call 207-865-1212 to order a free event brochure with a map of exhibitor booths or visit

FreeportFallFestival.com Presented by Sponsored by

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Importing Britain’s Best for Over 30 Years Bridgham & Cook, Ltd. 123 Main Street • Historic Freeport, Maine 04032 • (207) 865-1040 • www.britishgoods.com

A Family-owned Green Hotel Supporting Local Farmers and Growers A classic country inn with two of New England’s most acclaimed restaurants — Broad Arrow Tavern and Maine Harvest Restaurant • Voted Top Hotel in Maine, third in New England by Conde Naste Readers’ poll, 2016 • Award-Winning Lobster Sunday Brunch!

LARGEST SELECTION OF

Maine Tourmaline AND SO MUCH MORE! Featuring Maine Artists and Designers

162 Main Street, Freeport, Maine 1.800.342.6423 • www.harraseeketinn.com

13 Middle Street, Freeport, Maine

207.865.1818 | rdallen.com

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A Journey

To Love

Chart your course together.

THE COMPASS ROSE© SPIN BRACELET

11 Mechanic Street, Freeport, Maine | www.browngoldsmiths.com | 207.865.4126

Fine cutlery, cookware and cooks tools, plus unique gifts to entertain and please the chef

Discover Freeport Park Once, Walk Everywhere!

Onsite Restaurant and Lounge • Free WiFi Indoor Pool and Hot Tub • Fitness Center Private Function Space for up to 300 People Downtown Location 5 Park Street Freeport, ME 04032 FreeportDowntown.HGI.com (207) 865-1433

5 Depot St., Freeport ME 207-865-0779

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Great Bargains!

Great Fashion!

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Get your coupons worth $250 in Savings at onefreeportvillagestation.com!

at Catch a Movie e!

Nordica Theatr Parking is always FREE in our 500-car garage!

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Sunday Brunch 9 to Noon

Happy Hour

Monday – Friday from 3 to 6

15 Depot St., Freeport 207~ 865 ~ 6055 www.petrillosfreeport.com ■

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CBD ROASTERY PORTLAND, ME

HOW DO YOU LOVE YOUR COFFEE? Roasted in Portland, Maine for 23 years, CBD’s collection of coffees has something for everyone in the community.

Straight-up, latte, decaf, or sweet—there’s no wrong way to love your coffee.

VISIT OUR NEW WEBSITE AND STORE!

Order your favorite coffee online today. COFFEEBYDESIGN.COM

8 School St., Freeport Maine

(207) 869-6000

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DO G BOARDI NG & TRAI NING Stay & train programs • 24h caregiver on-site • All day play Nature walks on 10 private acres • New splash park & pool Spa bath & nails • Play groups based on size • 1.3 miles from Freeport Village

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@thebrowndoginn

1

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come take a dip...

Freeport is hot!

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Hand Blown

R A I N B O W VAS E S

! e r o l p Ex Maine’s Wild Places September 23, 2017

Bald Eagles of Merrymeeting Bay Enjoy scenic cruising and excellent wildlife watching. In addition to bald eagles, see other raptors, seals, sturgeon, shorebirds, and waterfowl along the way. since 1971

CRAFT . HOME . JEWELRY Boothbay Harbor Freeport Ogunquit Portland Kennebunkport

abacusgallery.com 800.206.2166

2017 Wildlife Trips maineaudubon.org

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BAR HARBOR FREEPORTT

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BREWER BRUNSWICK

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DISCOVER BOATING IN SOUTH FREEPORT

Full Service Marina • Beautiful Secure Harbor Wooden Boat Restoration • Honda Marine Dealer • Certified Technicians Transient Docks and Moorings • Bathrooms with Showers • Free WiFi

Full Service Marina • Travelift • New Customer Lounge Heated Indoor Storage • ValvTect Fuel • Yamaha Service Outdoor Storage • Certified Technicians • Yanmar Sales and Service

5 Wharf Rd. So. Freeport, ME 04078 • 207-865-3899 • stroutspoint.com

31 Main Street, South Freeport, ME 04078 • 207-865-3181 • byy.com/southfreeport

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GREAT STUFF!

HOME FURNISHINGS, ART & ANTIQUES’

AN ELEGANT CONSIGNMENT SHOP 207.865.1000 | 125 US RT 1, FREEPORT, MAINE (at the big indian)

Southern Maine's Largest

Consignment Boutique 1st Place

The Best of Maine

2017 Best of the Best ~ Northern Forecaster

Antiques, Vintage & Gallery Furniture & Home Goods

FREEPORT, ME www.VillageStyleMe.com 207.865.4500

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Maine Wicked Goods Mercantile offers a curated collection of Antiques, Vintage, Gifts, Crafts, Furniture, Home Decor, Jewelry, and original Art. Eclectic and unique, we have something for everyone.

mainewickedgoods.com

304 US Route 1 • 207-869-5251

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YORK + KITTERY in 48 Hours SPENCER ALBEE PRODUCER, LOVE MAINE RADIO

02 WHERE WE STAYED YORK HARBOR INN WHERE WE ATE TULSI BAGEL BASKET FLO’S HOT DOGS LIL’S CAFE FOX’S LOBSTER HOUSE STONES THROW ANTHONY’S FOOD SHOP WHAT WE DID WIGGLY BRIDGE FORT MCCLARY WHEN PIGS FLY GOOD TO-GO THE OLD YORK GAOL GEORGE MARSHALL STORE GALLERY CHASES GARAGE CAPE NEDDICK LIGHT SHORT SANDS BEACH LONG SANDS BEACH INN ON THE BLUES FUN-O-RAMA MOUNT AGAMENTICUS WIGGLY BRIDGE DISTILLERY

01

01

Visitors to York will find themselves awash in unique hiking trails, beaches, historic educational activities, and art galleries, while Kittery has developed a reputation for its downtown’s innovative eateries, cocktail spots, and shops.

FRIDAY EVENING:

Arriving at the inn and a dinner favorite

03 to our historic but newly renovated room, with views of both York Harbor and nearby woods. The campus is beautifully maintained, yet is not overly manicured.

We make our way from York to Kittery via the scenic Route 103 for dinner at Tulsi. Once there, our server describes the Indian restaurant’s varied and thoughtfully prepared menu. We enjoy the peshwari naan, pork vindaloo, and chana masala. Chef and co-owner Raj Mandekar makes it clear that quality is his number-one concern, and he and his staff put their hearts in to every plate.

Tulsi is one of my favorite restaurants not just in southern Maine, but anywhere.

With full bellies, we drive the winding Route 103 back to York Harbor Inn for a nightcap at the Ship’s Cellar Pub. Located in the basement of the inn, the pub offers a broad array of fine spirits in a beautiful wood and brass low-ceiling bar.

I grew up in York, so I’m interested in spending time there as a visitor. The staff at York Harbor Inn gets us settled in

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48 HOURS

04

05

01 View of York Harbor Beach from York Harbor Inn. 02 A coffee Oreo ice cream from Fox’s with a famous backdrop. 03 Foreside Bike Guys co-owner Steve Jacques in front of their newly opened storefront.

04 Bagels and coffee at the Bagel Basket in York Village. 05 The Goldenrod, famous for its salt water taffy, has been a staple of Short Sands Beach for decades.

SATURDAY

AFTERNOON:

A day of sights and snacks

When Pigs Fly in Kittery bakes its delicious breads at its bakery in York and delivers daily to the retail location. The shop is packed with freshly baked goods, as well as jams, butters, and spreads from around the state. Just north of When Pigs Fly on Route 1 in a newly expanded production space, Good ToGo is poised to produce half a million wholesome, gluten-free dehydrated meals this year alone. With distribution to over 500 locations, including a recent expansion into Canada, owners Jennifer Scism, a former New York chef, and husband David Koorits, an outdoor enthusiast, take pride in the fact that their products are made in Maine.

MORNING:

A quick bagel and coffee at Bagel Basket give us just the fuel we need to start the day.

Open since 1994, Bagel Basket offers sandwiches, freshly baked bagels, and a variety of housemade cream cheese spreads in the heart of York Village.

No visit to York is complete without a walk down the Wiggly Bridge, which connects a footpath atop an old dam to the Steedman Woods trail. Even as an adult, it’s fun to stand in the middle and jump up and down to make it wiggle.

My wife, who is the victim of my antics, may not agree.

Fort McClary State Historic Site in Kittery, once used to protect the Naval shipyard, is now a sprawl of rolling green hills, open buildings, and connecting tunnels for the public to explore and enjoy. After our walkabout in Fort McClary, a famous cruller from Lil’s Cafe in downtown Kittery and a hot cup of Tandem Coffee is in order.

Not only does Lil’s offer a wide variety of mouth-watering housemade treats, but it’s also home to the Vinyl Vault, where you can paw through and purchase vintage records.

Around the corner from Lil’s, we stumbled upon the newly opened Foreside Bike Guys.

Owners Steve Jacques and Aaron Chidester offer a unique combination of bike sales and service, as well as pick-up, delivery, and mobile bicycle repair.

Back up the coast for snacks, historic sites, and art

The Old York Gaol, a former colonial prison that dates back to 1720, is the crown jewel of Old York Village. It is one of the country’s oldest prison buildings and one of the oldest public buildings in Maine. The Museums of Old York offers tours of this and several other surrounding historic buildings and graveyards.

While in York, we visit some of the town’s numerous art offerings.

At George Marshall Store Gallery, curator Mary Harding selects contemporary work from a variety of the region’s artists.

The gallery is located in a historic building on the York River that is owned and maintained by the Museums of Old York. On Main Street near Sands Beach is Chases Garage, which houses a gallery, a ceramics and printmaking workshop, and artist studio spaces in a more-than

100-year-old auto garage.

EVENING:

Beach hopping with a light We stop at Fox’s Lobster House for an ice cream cone and a glimpse of Cape Neddick Light, known as the Nubble Light, one of the most photographed lighthouses in the world. An image of the Nubble is included in a cache of photographs aboard NASA’s Voyager 2 satellite, alongside photographs of the Great Wall of China and the Taj Mahal. Easy access from both Long Sands and Short Sands beaches keeps this destination hopping all summer long.

From here we walk to Short Sands Beach to enjoy a sunset stroll stop at Inn on the Blues for a couple of fine Hendrick’s Gin martinis. This gives us enough courage to brave the young crowd at Fun-O-Rama, a classic boardwalk arcade at the top of the beach with hardwood floors warped by the ocean spray. Armed with a fistful of quarters, my wife and I make our way through the collection of vintage and modern arcade and Skee-Ball games and the photo booth.

We close our evening with another walk and a late dinner at Stones Throw. The lobster roll keeps pace with most any lobster roll in size, quality, and value. Stones Throw also offers a full menu and bar with a breathtaking view of Long Sands Beach through an open garage door. Owner Joe Lipton is gregarious as usual and is beaming about his latest purchase, ViewPoint Hotel on Nubble Road.

jewelry romance c u s t o m | h e i r l o o m re d e s i g n | b r i d a l heatherperryjewelry.com

Est. 1907® FINE JEWELRY & SPECIALTY GIFTS

Just beyond the Perkins Cove draw bridge.

116-2 PERKINS COVE RD I OGUNQUIT, ME 207.646.5368 thewhistlingoyster.net

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48 HOURS 02

01 01 Short Sands Beach. 02 The Wiggly Bridge, which is, well, wiggly. 03 Dinner at Tulsi in Kittery.

SUNDAY

AFTERNOON:

Provisions and hiking

After our hike, it’s time for a little lunch at Flo’s Hot Dogs on Route 1 in Cape Neddick.

Know what you want before you come inside and have your money ready. Flo’s is a secondgeneration family business that serves what its sign declares as “The Most Famous Hot Dogs with Hot Sauce on Rt. 1 from Maine to Key West, Fla.” This old hot dog shack, which remains essentially unchanged for the past 40 years (save for a few coats of paint), indeed serves one of the finest steamed dogs in the state and perhaps the whole East Coast.

MORNING:

Being from York I may be biased, but I have yet to find a better pizzeria/deli/coffee roastery/ beer and wine shop/gas station than Anthony’s Food Shop.

Here we enjoy freshly roasted coffee and loose-leaf tea, coupled with two huge BLTs, before we head out for the day’s hike.

Chart & Map Jewelry and Accessories Handmade in Maine

Mount Agamenticus in York provides well-groomed hiking trails and offers one of southern Maine’s most scenic vistas, with views of the ocean and the Presidential Range in the White Mountains, as well as the surrounding towns. You can enjoy a hike or drive to the summit, depending on your schedule or physical ability.

weekend getaway and recall our favorite moments.

Steamed hot dogs and distilled spirits

Our final destination is Wiggly Bridge Distillery on Route 1 in York. The father-son run distillery serves its spirits straight or in delightfully crafted cocktails in a warm, rustic barn setting, which once housed a hardware store. Our final stop proves to be the perfect way to toast to our

03

FOR NEXT TRIP LODGING IDEAS VIEWPOINT HOTEL DOCKSIDE GUEST QUARTERS PORTSMOUTH HARBOR INN AND SPA DINING IDEAS ANJU BOB’S CLAM HUT THE CENTRAL RESTAURANT AND BAR ACTIVITY IDEAS FORT FOSTER YORK GOLF AND TENNIS CLUB YORK’S WILD KINGDOM SHOPPING IDEAS THE GOLDENROD THE DAISY TRADING CO. AND DAISY JANES STONEWALL KITCHEN ANNUAL EVENTS JUNE: KITTERY BLOCK PARTY OCTOBER: HARVESTFEST AND KIDSFEST

1 Pleasant St, Portland, Maine 207.221.6807 | chartmetalworks.com 64

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garden decor • home furnishings • fresh produce clothing • gifts for every occasion

BRIGHTON • NYDJ

250 York Street York, Maine 03909 207 •363 • 2242

www.daisytrading.com

FLY LONDON

JOULES • MOD-O-DOC JOSEPH RIBKOFF LISETTE • NOELLE NALLY & MILLIE SNOSKINS HATLEY • PURE & CO COMFY • LULU B BEYOND THREADS

Visit all three of our stores

Spirited clothing for women

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Daisy Trading 388 Route One York, Maine 03909 207.363.7941 daisytrading.com Daisy Jane’s 250 York Street York, Maine 03909 207.363.2242 daisyjanes.com The Lazy Daisy 45 Shore Road Ogunquit, Maine 03907 207.641.2820 lazydaisyclothing.com

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STOP IN AND TRY OUR

ROUTE 1, KITTERY, ME (207)439-4233 BOBSCLAMHUT.COM

7 Wallingford Square Kittery, Maine • 207-703-2800

www.lilscafe.com

Psychic Medium

Anne Donnell ANNEDONNELL.COM | YORK MAINE

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Southern Maine’s Newest Boutique Hotel OVERLOOKING NUBBLE LIGHTHOUSE 229 NUBBLE RD | YORK, M AINE | VIEWPOINTHOTEL.COM

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Betsey Telford-Goodwin’s

Rocky Mountain Quilts

Aug 15 Sept 10

Rocky Mountain Quilts

This beautiful Antique Silk Tumbling Blocks Quilt, an exquisite piece of artwork for your wall, was created c. 1845 in Andover, MA.

Marty Braun

Betsey Telford-Goodwin’s

Rocky Mountain Quilts has over 500 antique quilts for sale, dating from the early 1700s to the mid 1900s. We also do expert appraisals, washing and restoration of your family heirlooms using same date or earlier fabrics.

Located in quaint York Village, Maine, we are open 7 days/week during the summer.

A wealth of quilts with their information is available on our website.

130 York Street, York, Maine 03909

207-363-6800 | rockymountainquilts.com betsey@rmquilts.com

Rocky Mountain Quilts has over 600 antique quilts for sale, dating from c.1780 to c.1950. We offer appraisals, hand washing and restoration of your treasured quilts. Our restoration uses only same date or earlier fabrics. We are located in quaint York Village, Maine and are open all year. A wealth of quilts with their information is available on our webpage rockymountainquilts.com.

130 York Street, York, Maine 03909 | 207-363-6800 | betsey@rmquilts.com

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Originally Conceived, Directed & Choreographed

by Fran Charnas BUY TickeTs: 207.774.0465 www.portlandstage.org 25A Forest Ave, Portland, Me

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OUR VIEW IS A SHORE THING

Six separate inns ... each with its unique character and charm. Many rooms feature ocean views, fireplaces, jacuzzi spa tubs and decks. Enjoy entertainment and award winning cuisine in two ocean view restaurants.

Sandy beach, nearby golf, shopping and more.

One Pet Friendly Inn. Free WiFi Access.

OPEN YEAR ROUND

yorkharborinn.com

Coastal Rt. 1A York Harbor, ME

800.659.7863

Wood fired Neapolitan-style pizza • Entrees, appetizers & great salads • Full bar including-20 draft craft beers • Screened-in farmers porch and deck • Large screen TV

460 US Route 1 | Kittery, ME 03904 | 11:30 a.m. - Close daily | 207-438-7036 | WhenPigsFlyPizzeria.com

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A-LIST

by Brittany Cost Photography by Nicole Wolf

ART PAIRINGS AT THE PMA

Clifford Ross (United States, born 1952), Hurricane LXVIII, 2009, inkjet print, 48 x 82 inches. Museum purchase with support from the Irving B. Ellis Fund, the Photography Fund, the Contemporary Art Fund, and the Harold P. and Mildred A. Nelson Art Purchase Endowment Fund, 2016.9. ©Clifford Ross Studio, All rights reserved. Winslow Homer (United States, 1836–1910), Weatherbeaten, 1894, oil on canvas, 28 1/2 x 48 3/8 inches. Bequest of Charles Shipman Payson, 1988.55.1.

Although the Portland Museum of Art is well known for its extensive collection of classical landscapes and portraits, including those by Andrew Wyeth and Winslow Homer, the institution also exhibits contemporary works that continue the traditions set by the old guard and enhance the meaning of the archetypal images. Visitors can also reserve the Peggy L. Osher Art Study and Collection Committee Conference Room to view pieces from the museum’s collection that are not currently on display.

Above: Clifford Ross’s Hurricane LXVIII pairs well with Winslow Homer’s Weatherbeaten.

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WEATHERBEATEN (1894), Winslow Homer, and HURRICANE LXVIII (2009), Clifford Ross (opposite page) Homer’s Weatherbeaten communicates a familiar Maine coastal scene: a rocky shoreline battered by blue-green waves.

Although other works may express water symbolism as inherently comfortable, Weatherbeaten transforms the potential beauty of a seaside landscape into a tense, problematic experience. American photographer Clifford Ross similarly seeks a taut elegance in his images that, mirroring Homer, verges on eruption. Ironically, the two works suggest the subtlety of immense sentiments, like anguish, that can haunt the mind.

THIS IS SO PORTLAND.

RIVER COVE (1958), Andrew Wyeth, and YELLOW OVER BLACK (1964-1965), Ellsworth Kelly

Donated by David Rockefeller, River Cove shows a jetty near the artist’s home in Cushing. Fine details such as clamshells and the ephemeral traces of a bird’s talons embody the egg tempera with a sense of place, while the murky water captures the reflection of surrounding pine trees.

Understood in relationship to River Cove, the soft, tangent curves of Kelly’s strong shapes in Yellow Over Black refer to the feeling a landscape can offer; while Wyeth transmits loneliness through detail, Kelly creates emotion through precise simplicity.

THE SISTERS, BOSTON (1978), Nan Goldin, and UNTITLED (KARA’S FIRST PREGNANCY) (2005), Jocelyn Lee

From October 6 to December 31, the Portland Museum of Art showcases photographer Nan Goldin’s work in a careerencompassing exhibition, Nan Goldin: Family History. In The Sisters, Boston, the intimate, sideways glance of the woman on the right goes unnoticed by her sister who looks directly into the camera, representing a palpable—and perhaps one-sided— expression of emotional dependency. Shot 30 years later, Jocelyn Lee’s Untitled (Kara’s First Pregnancy) conveys the complexity of incumbent motherhood, which strips away the possibility of independence and separation between the self and another person.

JIM BRADY THINKS AHEAD

CREW CONVENES ON CASCO BAY

SPACE TO CREATE AT EAST END LOFTS

PORTLAND'S

CITY MAGAZINE JUNE 2017

Dockside Dining SCALES DISHES THE FRESH FLAVORS OF THE SEA

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Rum Runners

THE CITY’S COCKTAIL CULTURE COMES OF AGE

PORTLAND + ART GALLERY

HITS ITS STRIDE INSIDER PICKS:

10

LOCAL FAVES OF THE SEA DOGS

WE DELIVER. Subscribe 207 772 3373 themainemag.com/subscribe

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Supporting Maine artists and the creative economy since 2000

“LOVE” alphabet canvas flag prints by Addie Peet Design

Archipelago

THE ISLAND INSTITUTE STORE 386 Main Street | Rockland, Maine | 207.596.0701 | www.TheArchipelago.net

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53 Old Post Road, Arundel, ME (207) 985-5552

AUGUST 27

Visit www.vinegarhillmusictheatre.com for tickets and our full schedule!

SEPTEMBER 15

Jazz/Pop/Rock Singer-Pianist

PETER CINCOTTI

SEPTEMBER 16

40th Anniversary Tour

JOHN WAITE

WITH SPECIAL GUEST

JASON SINAY

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OCTOBER 6

Classic Music of the 50s and 60s and More

SEPTEMBER 3

Alt-Country/Americana/ Rock Band from Maine

An Acoustic Evening with Country Legend

THE MALLETT BROTHERS

LARRY GATLIN

OCTOBER 7

25th Anniversary Tour

OCTOBER 13

A Tribute to the Million-Dollar Quartet

ELLIS PAUL THE DOO WOP ONE NIGHT WITH PROJECT SOPHIE B. HAWKINS IN MEMPHIS

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The coast of Maine chart-etched Keepah cuff.

We meet every project with creativity and a passion for quality. Let’s get to work.

WARREN C ONS T RUC T ION GROUP.C OM

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OCTOBER 6 AT 7:30 PM Ride a wave of music and laughter on this fanciful British naval vessel! The very proper Captain Corcoran and ridiculously pompous Sir Joseph Porter preside, the villainous Dick Deadeye speaks the ugly truth, and Little Buttercup reveals the outrageous mistake that allows true love to overcome class distinction.

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Opposite page: Jennifer DePrizio and Tufts medical students discuss the painting Two Female Models Sitting with Legs Crossed and Kazak Rug (2013) by Philip Pearlstein.

MEDICINE AT THE MUSEUM

LEARNING OBSERVATION AND THINKING SKILLS BY TALKING ABOUT ART

T

wo lifeless geese lie on a jagged dune between sparse tufts of vegetation. Three of their brethren have taken to the sepia-toned skies above. Is it possible that a hunter is poised just beyond our view? Is there a deeper meaning to this work? When American artist Winslow Homer finished Wild Geese in Flight in 1897, he could not have known that his oil painting (now located at the Portland Museum of Art— just 12 miles away from his former studio on Prouts Neck) would become a topic of conversation for future physicians. For the past two years, students from the Tufts University School of Medicine Maine Track Program and health care providers from Maine Medical Center in Portland have been learning about observation, collaboration, and thinking skills through examination of pieces like Homer’s painting of wild geese, using an approach called Visual Thinking Strategies.

Jennifer DePrizio, the Peggy L. Osher director of learning and interpretation at the museum, says that the method helps people develop empathy and respect for others’ points of view. “Art is a way for us 76

to talk about the most important things about being human,” says DePrizio, who has worked in museums for 18 years.

Previously the director of visitor learning at the Isabella Stewart Gardner Museum in Boston, DePrizio has been with the Portland Museum of Art since 2014. “Our museum is really interested in how we can use the resources we have to better the community,” says DePrizio. “Art museums are traditionally tailored to people who already know about art. To make museums more accessible, we need to reach out to people who may not feel comfortable there.”

Cognitive psychologist Abigail Housen and Philip Yenawine, a former educator at the Museum of Modern Art in New York City, developed the concept of Visual Thinking Strategies in the early 1990s. “They were trying to figure out what happens when people look at works of art,” says DePrizio.

“Visual Thinking Strategies is an openended, learner-centered way of learning how to look and talk about art, and decipher what you’re looking at.” DePrizio has offered this experience to several Portland-based health care groups, including surgical residents and heart catheterization laboratory staff at

Maine Medical Center. “When I begin the conversation I say, ‘Everything is possible,’” says DePrizio. “‘Bring in anything you want to add.’”

The learning strategy focuses on three questions, beginning with, “What’s going on in this picture?” In the case of Wild Geese in Flight, the hunter hypothesis is a popular one. But perhaps there are other possibilities—the first owner of the piece told the Portland Museum of Art that the title was At the Foot of the Lighthouse. If that is true, perhaps the lighthouse played a part in the death of the geese? Or maybe there are other possibilities. Whenever anyone offers an interpretation, DePrizio asks, “What do you see that makes you say that?”

“It takes a while to develop an idea and be brave enough to raise your hand,” says DePrizio. “Then someone will have a different idea. That’s when it opens up and becomes this really rich conversation.”

DePrizio prompts people to go deeper with a third question: “What more can we find?”

A 2001 study done by researchers Jeffrey and Lisa Smith at New York’s Metropolitan

maine | themainemag.com

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WELLNESS

by Dr. Lisa Belisle Photography by Matt Cosby

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WELLNESS MEDICINE AND MUSEUMS Museum of Art found that museum visitors spent a median time of 17 seconds looking at one piece of art. Using Visual Thinking Strategies, DePrizio says that groups typically spend 25 minutes in conversation.

Some discussions have gone on for as long as 45 minutes. “This is really incredible in terms of sustained looking and thinking about works of art,” she says.

Sustained focus is important for people in the health care field. “Medical education really homes in on critical thinking skills and interpretations based in evidence,” says DePrizio. “You can’t just say, ‘Because I think so.’ There has to be something, whether or not you can always articulate it.” DePrizio has worked with Dr. Stephen Hayes, an internal medicine physician at Maine Medical Partners in Westbrook, and Dr. Jo Linder, the director of student affairs in Maine Medical Center’s Department of Medical Education, to introduce these concepts to second-year students in the Maine Track Program. The collaboration between Tufts University School of Medicine in Boston and Maine Medical Center gives admission preference to qualified Maine residents and individuals interested in rural health care with the hope that they will return to their home state to practice medicine.

“Going to the museum helps us to be open to looking at something that we do not see on a regular basis,” says Hayes, who has been in the medical field for 30 years. “It really helps people with observation and building a language around what they’re looking at.” Hayes has also been involved with the Maine Humanities Council’s Literature and Medicine program. “As you study something and think about it and look at it from different angles or collaborate with someone else, different aspects of it become more important,” he says.

“ART IS A WAY FOR US TO TALK ABOUT THE MOST IMPORTANT THINGS ABOUT BEING HUMAN.” 78

Hayes says that one of the most valuable aspects of his Portland Museum of Art experience is that it has helped him understand the way that he processes information. “Patients would want you to do that. They’d want you to be reflective and look at things critically. Decisions are not always black and white.” In his 2011 book Thinking, Fast and Slow, Nobel Prize winner Daniel Kahneman described “System 1” thinking as fast, instinctive, and emotional and “System 2” as slower, more deliberative, and more logical. Hayes says that health care providers are called upon to exercise both types of thinking. “There are

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Opposite page: DePrizio at the Portland Museum of Art’s historic McLellan House.

This page: Robert Indiana’s Seven sculpture (1980/2003) welcomes visitors to the PMA. Indiana is a Vinalhaven resident.

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Tufts medical students sketch Winslow Homer’s Wild Geese in Flight as part of the Visual Thinking Strategies exercise.

Opposite page, clockwise from left: Students Tom Zink, Grace Mueller, Mark Broadwin, William Long, and John (Jackie) Royal, II. The PMA was founded in 1882 as the Portland Society of Art. Alex Katz’s October, (2002).

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MEDICINE AND MUSEUMS

situations where you can make a judgment relatively quickly, and it’s correct, and you deal with it,” says Hayes. “But there are other situations where you have to keep going back and testing your thinking against what’s going on and making sure that you’ve got the right information to make a decision.”

Hayes also likes the collaborative nature of looking at art together. “As a group you might have more ability to think about something differently,” says Hayes. “People with different talents, or different ability levels, can actually cooperate or create something

in that kind of an encounter.” Hayes points out that most patients—especially those who have complex problems—will be interviewed by multiple providers, including front-office staff, medical assistants, nurses, primary care providers, and consultants. “We’re asking different observers to look at the same information, get different angles on the information, and to use that to interpret,” says Hayes.

Hayes and DePrizio believe that programs like Visual Thinking Strategies will help the Portland Museum of Art with its goal

WELLNESS

of benefitting the community as a whole.

“For anyone, no matter what your job is, no matter what you do when you’re not in a museum building, art can give you a better sense of what it means to be a human being,” says DePrizio. “That naturally enriches the experience that we can have with one another every day.”

Hear more from Jennifer DePrizio and Dr. Stephen Hayes on Love Maine Radio with Dr. Lisa Belisle. lovemaineradio.com

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Get to know your neighbors.

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PODCAST

#294

Melissa Smith, president and CEO of WEX, was inducted into the Junior Achievement of Maine Business Hall of Fame and named a Mainebiz Business Leader of the Year in 2017. She also cofounded the Executive Women's Forum and sheJAMS, an all-women training club.

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Luke Shorty is the executive director of the Maine School of Science and Mathematics (MSSM) and a 1998 graduate from MSSM. U.S. News and World Report recently ranked the school as the 10th-best high school in the nation for science, technology, engineering, and math and 19th-best overall high school.

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LOVE MAINE RADIO

by Dr. Lisa Belisle Photography by Nicole Wolf Love Maine Radio is a weekly radio show and podcast hosted by Maine magazine wellness editor Dr. Lisa Belisle.

NAT MAY

Guest curator of the 2018 PMA Biennial EPISODE #310

“There are so many ways people can help artists with their practice,” says Nat May. “I don’t know any artists who are concertedly working alone. Everybody needs another human to share their work with.” Previously the executive director of Space Gallery in Portland, May is executive director and cofounder of the Hewnoaks Artist Colony, located on the shores of Kezar Lake in Lovell.

This year May is helping curate the 2018 Portland Museum of Art Biennial exhibit, which will open in January.

The biennial showcases living artists who have a meaningful connection to Maine. The previous biennial, You Can’t Get There from Here, featured work by 32 diverse individuals, from painter Lois Dodd to ceramic artist Miles Spadone.

The 2018 biennial is the museum’s tenth. “We’re challenged with putting together a group of artists—and works— that work well together,” says May. He has been collaborating with Penobscot basket maker Theresa Secord, Mark Bessire, the Judy and Leonard Lauder director of the PMA, and Sarah Workneh, codirector of the Skowhegan School of Painting and Sculpture. “We’re particularly interested in trying to bring in a broader range of voices,” says May. “Especially folks who aren’t well represented in the museum world.”

Working on the 2018 biennial complements May’s other project, the Hewnoaks artist residency program.

Hewnoaks is located on property previously owned by American painter and art educator Douglas Volk and his wife, Marion Larrabee Volk, a textile artist. “It has this really rich history of being a place for artists to escape their regular daily lives and come and repose and relax and think and create,” says May. Hewnoaks can accommodate 50 artists each summer. “I am privileged to identify resources that are available, and privileged to know about artists that need the resources,” says May. “Somehow it’s worked out that I’ve been able to put those two things together.”

LISTEN TO THE FULL INTERVIEW Love Maine Radio airs Sundays on WPEI 95.9 FM at 7 a.m. and on WLOB 1310 AM at noon.

Past episodes are available for streaming on lovemaineradio.com. Subscribe on iTunes, or wherever you get your podcasts.

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ALISON RECTOR The Value of Thought an exhibit of paintings celebrating historic public library buildings September 1 to October 31, 2017 Ogunquit Museum of American Art 543 Shore Road, Ogunquit, Maine OgunquitMuseum.org

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PROFILE

by Susan Axelrod Photography by Matt Cosby

ALL-AMERICAN Elementary-school kids typically dream about being doctors or firefighters or pro athletes, but Diana Greenwold knew before she reached middle school that she wanted to be a museum curator. Like many children who grew up in Washington, D.C., Greenwold and her two siblings spent a lot of time in museums, most of which are free of charge. “There’s something about being able to pop into a Smithsonian museum whenever you feel like it that I think my parents identified early on as a really exciting opportunity for all of us,” she says.

Greenwold had a childhood friend whose father, the director of special exhibitions at the National Gallery of Art, took them for a behind-the-scenes tour of an exhibit featuring objects from the Olmec, an early civilization in what is now Mexico, famous for its giant carved stone heads.

“I remember him talking about the back and forth of how these enormous stone sculptures got from Mexico to Washington, and thinking, ‘This is a thing you can do? I want to do this.’”

As associate curator of American art at the Portland Museum of Art (PMA), Greenwold now spends a fair amount of time determining where pieces of art should go and how they get there. At Yale, where she studied art history, she became involved with the Yale Center for British Art as a tour guide. “That really cemented my interest in following this as a career,” she says. After graduation, she interned at the Smithsonian before moving to New York City and joining a prestigious museum exhibition design firm. Graduate school took her to Berkeley; she worked on her PhD there for four years, then returned to the East Coast on fellowships in New York and Boston to write her dissertation. Greenwold was a fellow at the Metropolitan Museum of Art and had just finished writing when she saw a posting for the PMA. After several years of experience at larger museums, she

Art made in the United States is in the care of associate curator Diana Greenwold.

Opposite page: Associate curator of American art Diana Greenwold in the Dr. Alfred Osher Reading Room at the Portland Museum of Art. This page, from left: Some of Greenwold’s favorite glass pieces are displayed in a case on the second floor of the PMA’s Payson Building: two etched, sandblasted bowls by German artist Ann Wolff; Radiant Persian Pair by Dale Chihuly; Untitled by Marvin Lipofsky.

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PROFILE

DIANA GREENWOLD

are the stories we’re telling here? How are we going to tell them? What are the objects that we have at our disposal to do that?’”

Greenwold says. “I came specifically with the mandate to integrate decorative arts more holistically into the collection, but also taking more leadership over the American art program and figuring out where the intersections were between the two.”

About 6,000 of the 18,000 items in the PMA’s permanent collection are considered decorative art—ceramics, glass, silver, textiles, and furniture— pieces that are both finely crafted and functional. “Like many similar institutions, the PMA was founded in the late nineteenth century largely through charitable donations from well-todo families in the region,” Greenwold says.

These bequests include a significant number of glass pieces designed for household use, such as pitchers, bowls, and vases, made in Portland, once a major center of glass production. “From 1863 to 1873 the Portland Glass Company made five million objects in pressed glass,” she says. In galleries focusing on the PMA’s collection, decorative objects now share space with fine arts pieces—a transferware pitcher patterned with signal flags flown from the Portland Observatory and an elaborate inlaid wood sideboard are displayed on the same floor as a painting

by John Singer Sargent and a fantastical sculpture by Portland artist Lauren Fensterstock. The integration reflects a prime tenet of the reimagining project: installing art from the PMA’s collection in new ways. “That was a big thing that I jumped right into when I got here—working from the ground up on the permanent collection galleries,” says Greenwold.

This page: The bulletin board in Greenwold’s office offers colorful inspiration. Opposite page: Greenwold gives a visitor a tour of her favorite works in the Payson Building, including Adventures of Huckleberry Finn—Asleep on the Raft (after Mark Twain) by Tim Rollins and K.O.S., on the far wall.

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appreciates that the smaller scale of the PMA means she gets to have her hands in a variety of projects. “I really fell in love with the institution, so I have been here ever since,” she says.

Greenwold joined the PMA staff as a curatorial fellow in December 2014, when the museum was two years into its five-year “Your Museum, Reimagined” project. “There had certainly been a good deal of planning that happened before I got here, but the three of us who are the curatorial team—Andrew Eschelbacher, Jessica May, and I—had a lot of fascinating conversations about, ‘What

Writing is also a significant aspect of Greenwold’s work. One of her first projects was to co-author the PMA’s first-ever catalogue of its collection; she also wrote the catalogue essay for the recent Hans Hofmann: Works on Paper exhibit, for which she was the in-house curator. Interviewing living artists like Duncan Hewitt, a sculptor from Hollis, for the 2016 exhibit Duncan Hewitt: Turning Strange was a new experience for Greenwold. “I was sort of a dead person researcher before this,” she says, adding that she was concerned about interpreting his pieces differently than he intended. “Duncan initiated me into the world of living artists and showed me that they can be delightful, and not that scary.”

Greenwold is working on several new exhibitions, including one opening on

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PROFILE

DIANA GREENWOLD

September 10 called Model Citizens: Art and Identity in the United States, 1770-1830. It uses work from the PMA’s permanent collection to “look at colonial and early federal questions about identity and self-expression,” she explains. The exhibition will include traditional painted portraits as well as needlework samplers and paper silhouettes. “It’s both about that very formal notion of refined portraiture, but also about how groups that we don’t often hear about—young girls, women—chose to represent themselves at that moment in time,” Greenwold says.

“We’re going to bring out some of our samplers, which I think are really gems in our decorative arts collection.”

“WHAT ARE THE STORIES WE’RE TELLING HERE? HOW ARE WE GOING TO TELL THEM?”

An exhibit focusing on the founding years of the Haystack Mountain School of Crafts—1950 to 1969—is in the works for 2019. This will be her first large-scale exhibition, and will feature about 80 objects, “everything from glass to ceramics to fiber to metalwork,” including work by celebrated glass artist Dale Chihuly. Greenwold is cocurating the exhibit with independent curator Rachel Arauz, and says that new Haystack director Paul Sacaridiz has been a helpful resource. A large part of her current work on the project is tracking down the pieces that will be featured. “I’m in the midst of this kind of stressful but quite fun job of figuring out where all the objects that we want to go in the show are—in public institutions or with private lenders—and going through the process of asking very nicely if we can have them for a while,” she says.

The PMA has a significant collection of works by the celebrated artist Winslow Homer, and the museum also owns the artist’s former studio at Prouts Neck, which opened to the public in 2012. “Homer is obviously a big part of my job as the American art person here,” she says. “I go there a lot, and every time it feels different and kind of magical.” The trips to Prouts Neck are an example of the variety and depth of work Greenwold loves in an environment she has embraced. “I think I’ve gotten a ton of opportunities here to really make an imprint in a way that I feel really, really excited about, and so pleased that the PMA lets me do.”

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Greenwold in front of Newell Convers Wyeth’s Dark Harbor Fishermen (1943) and Marguerite Thompson Zorach’s Diana of the Sea (1940).

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PHILIP FREY

Red and Green | Oil | 30 x 40’’

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MARGARET GERDING

Towards Tomorrow | Oil | 40 x 60’’

August 12 - September 4

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ELLEN WELCH GRANTER

Treat | Oil | 12 x 12’’

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DAVID WITBECK

September 23 - October 23

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JEFFREY T. FITZGERALD

Seaweed Lust | Acrylic, Graphite and Charcoal on Canvas | 40 x 30’’

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LIZ HOAG

September 2 - September 21

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JANIS H. SANDERS

Blue Island Skies | Oil on panel | 48 x 56’’

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CRAIG MOONEY

Mountain Lake | Oil on canvas | 47 x 47’’

14 Western Avenue | Kennebunk | 207.967.2803 | maine-art.com

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REBECCA KINKEAD

Bald Eagle (Hunting) | Oil and wax on linen | 58 x 64’’

14 Western Avenue | Kennebunk | 207.967.2803 | maine-art.com

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WILLIAM B. HOYT

A Sunny Spot | Oil | 20 x 30’’

14 Western Avenue | Kennebunk | 207.967.2803 | maine-art.com

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FrenchmansBay.com

Signature Chef’s

Signature Chef‘s Auction Join us for an evening to benefit Maine babies.

This event will feature local cuisine, a fabulous live & silent auction, and the opportunity to fund the mission of the March of Dimes.

Thursday, September 28th at 5:30pm DiMillo’s on the Water

Featuring signature dishes from: Black Tie Company DiMillo’s on the Water Elsmere BBQ & Wood Grill EVO Kitchen + Bar Ice It! Bakery Mami Food Truck Rí Rá Irish Pub Sur Lie UNION And many more!

www.signaturechefs.org/portlandme

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Challenge Cancer: Know the Facts

1

Nearly 900 Maine men are diagnosed with prostate cancer every year.

2

Prostate cancer is the most common cancer among men in Maine.

3

Maintaining a healthy weight can reduce your risk of prostate cancer.

September is Prostate Cancer Awareness Month.

Men should talk to their doctors about their risk and recommended screenings.

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WITH YOUR HELP WE CAN REDUCE CANCER IN MAINE.

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Photo by Greta Rybus

The Colby College Museum of Art in Waterville is one of eight museums on the Maine Art Museum Trail.

art Road Trip

Spanning two hundred miles, eight museums, and over 70,000 works from Bangor to Monhegan Island to Ogunquit, the Maine Art Museum Trail offers thousands of opportunities for transformative experiences with art across the state. The nonprofit organization provides maps of the various museums online. On the following pages, Maine’s museum directors and curators select standout artworks on view this fall.

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Bates College Museum of Art 75 Russell St. | Lewiston bates.edu/museum

RECOMMENDED VIEWING:

Intellectual Niece (1939), Marsden Hartley

Marsden Hartley, Intellectual Niece, 1939, oil on board, 22 1/2 x 12 1/2”, Bates College Museum of Art purchase

The permanent collection at the Bates College Museum of Art encompasses more than 5,000 objects, including many

by Maine artists. Notably, the Marsden Hartley Memorial Collection and Archive features over 100 artworks by the Lewiston-born modernist. Dan Mills, the museum’s director, recommends that visitors stop to see Hartley’s Intellectual Niece, a 1939 oil on academy board that features a pale, elongated female figure.

Norma Berger, Hartley’s niece and the subject of the painting, donated 99 of the artist’s drawings to the museum, along with other works that Hartley collected throughout his lifetime.

Colby College Museum of Art

5600 Mayflower Hill Dr. | Waterville colby.edu/museum/ RECOMMENDED VIEWING:

Twilight (1977), Alex Katz

Founded in 1959, the Colby College Museum of Art has curated a formidable collection ranging from American art—its primary focus—to Chinese antiquities and European paintings. In 2013, the museum opened its Alfond-Lunder Family Pavilion, created through a gift of more than 500 works from Peter and Paula Lunder. This year, the museum established the Lunder Institute for American Art, which creates a unique space for scholarship, creative works, dialogue, and mentorship. Sharon Corwin, the Carolyn Muzzy director and chief curator at the museum, encourages art lovers to view Alex Katz’s Twilight.

“When I first moved to Waterville, this was the painting that helped me to really see the Maine landscape,” says Corwin. “The pine tree silhouetted against the darkening sky is a scene I now experience through the lens of this painting, and I realize that I perceive twilight in Maine with greater clarity and appreciation than I ever did.”

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Bowdoin Farnsworth Art College Museum Museum St. | Rockland Museum of Art 16farnsworthmuseum.org 9400 College Station | Brunswick bowdoin.edu/art-museum RECOMMENDED VIEWING: Portrait of

Thomas Jefferson (ca. 1805-1807), Gilbert Stuart

In Brunswick, the Bowdoin College Museum of Art presents one of the oldest university art collections in the country, now comprising 23,000 objects. Free and open to the public, the museum features an extensive antiquities collection, as well as works by famed artists from around the world, including Rembrandt, Francisco de Goya, and Édouard Manet, and American painters John Copley, Mary Cassatt, and Gilbert Stuart. For first-time visitors, co-directors Anne and Frank Goodyear highlight the importance of Gilbert Stuart’s Portrait of Thomas Jefferson. Commissioned

by Bowdoin College founder James Bowdoin III in 1804, “the work stands as a lasting testament to the values of American democracy,” says Frank Goodyear.

RECOMMENDED VIEWING: Land and Development of New England (1935), Marguerite Zorach

Located in the rising art mecca of Rockland, the Farnsworth Art Museum features the work of American artists, particularly those inspired by Maine.

The museum was originally founded in 1948 through a sizable donation from Lucy Farnsworth. Its properties include the historic Olson House, depicted in Andrew Wyeth’s iconic Christina’s World, and Julia’s Gallery for Young Artists, a space for student artists to explore their creativity. Asked to suggest a can’t-miss piece in the collection, director Christopher J. Brownawell recommends Marguerite Zorach’s Land and Development of New England, describing it as “quintessentially Maine— the coastal village, rolling countryside, the L.L.Bean boots, and a family’s unflagging strength to carve their own path.” The work is currently on view as part of the museum’s exhibition Marguerite Zorach: An Art-Filled Life, which runs until January 7, 2018.

University of Maine Museum Ogunquit Museum of of Art 40 Harlow St. | Bangor American Art umma.umaine.edu RECOMMENDED VIEWING: Faun

Unveiling a Sleeping Woman (1936), Pablo Picasso The state’s only collecting institution specializing exclusively in modern and contemporary art, the University of Maine Museum of Art organizes several art exhibitions each year. Highlights from its permanent collection include photographs and prints by David Hockney, Roy Lichtenstein, Andy Warhol, and Edward Burtynsky. Executive director and curator George Kinghorn advises visitors to discover Pablo Picasso’s Faun Unveiling a Sleeping Woman: “It’s an exceptional etching that offers viewers insight on the artist’s practice and his longstanding interest in depicting figures from Greek mythology,” Kinghorn says.

543 Shore Rd. | Ogunquit ogunquitmuseum.org RECOMMENDED VIEWING:

Rhino (ca.1970s), Bernard Langlais

Lost Generation artist Henry Strater, friend of Ernest Hemingway and illustrator of Ezra Pound’s The Cantos, founded the Ogunquit Museum of American Art (OMAA) in 1953, the state’s only museum solely dedicated to the preservation and celebration of American art. Carl Walters, Eliot O’Hara, and Isabella Howland exemplify the diversity of American art on view at OMAA. Three acres of seaside sculpture gardens surround the museum, where visitors can find three wooden animal sculptures by Maine folk artist Bernard Langlais, including the hollowedout Rhino, carved in the 1970s, which previously decorated the University of Southern Maine’s Gorham campus.

of an era.”

Portland Museum of Art 7 Congress Square | Portland portlandmuseum.org RECOMMENDED VIEWING: Stormy

Weather at Etretat, Gustave Courbet

The Portland Museum of Art (PMA) positions itself as the cultural hub of the state’s art community, and with the recent addition of a public sculpture garden, the museum continues to evolve. Andrew Eschelbacher, the Susan Donnell and Harry W. Konkel associate curator of European art, urges museum guests to visit the European Landscape Gallery, which focuses on the works of nineteenth-century French landscape painters like Gustave Courbet, Claude Monet, and Camille Pissarro. “While each work sheds light on the balance between tradition and modernity that dominated people’s consciousness, together the works offer a beautiful presentation of light, color, and landscape,” says Eschelbacher. “You can get lost in the story of an era or the details of a painting, and either way you feel transported into another time and place.”

Monhegan Museum of Art and History

1 Lighthouse Hill Rd. | Monhegan monheganmuseum.org RECOMMENDED VIEWING:

Coast Guard (1957), Andrew Wyeth On Monhegan Island, the Monhegan Museum of Art and History features paintings that recount the island’s cultural and artistic legacy. Open from June 24 to September 30, the museum runs limited hours in September from 1:30 p.m. to 3:30 p.m. each day, and ferries depart to the island from Port Clyde, New Harbor, and Boothbay Harbor. One standout work in the collection is Andrew Wyeth’s Coast Guard, painted in 1957. The painting renders the old coast guard station on the small island of Manana, which was visible from Monhegan’s shore, and includes the radio tower and tramway, as well as the wooden tripod on Western Duck Rock that has since been destroyed. “This piece depicts a brief moment in the history of navigation,” says the museum’s chief curator, Jennifer Pye.

-Andrew Eschelbacher

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From Ogunquit to Bangor, see magnificent art from Maine’s most-renowned museums.

The Maine Art Museum Trail offers more than 73,000 works of art, from ancient to contemporary, in collections featuring works by the many artists associated with Maine, such as Marsden Hartley, Robert Indiana, Alex Katz, Rockwell Kent, John Marin, and Louise Nevelson. The Trail also includes paintings from Mary Cassatt, Edgar Degas, and Pierre-Auguste Renoir, early American silver and furniture, as well as contemporary

BATES COLLEGE MUSEUM OF ART BOWDOIN COLLEGE MUSEUM OF ART COLBY COLLEGE MUSEUM OF ART FARNSWORTH ART MUSEUM MONHEGAN MUSEUM OF ART & HISTORY OGUNQUIT MUSEUM OF AMERICAN ART PORTL AND MUSEUM OF ART UNIVERSIT Y OF MAINE MUSEUM OF ART

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George Bellows (United States, 1882–1925), Iron Coast, Monhegan, 1913, oil on board, 14 5/8 x 19 inches.

Monhegan Museum of Ar t and Histor y, Gif t of Jacqueline Hudson.

prints, photographs, and sculpture from Maine and around the world.

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UNIVERSITY OF MAINE MUSEUM OF ART BANGOR

COLBY COLLEGE MUSEUM OF ART WATERVILLE

MAI NE AUGUSTA

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BATES COLLEGE MUSEUM OF ART

FARNSWORTH ART MUSEUM

LEWISTON

95

ROCKLAND THOMASTON

196

BOWDOIN COLLEGE MUSEUM OF ART

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BRUNSWICK

PORT CLYDE

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PORTLAND MUSEUM OF ART

Monhegan Museum of Ar t and Histor y, Gif t of Jacqueline Hudson.

PORTLAND

MONHEGAN MUSEUM OF ART & HISTORY

MONHEGAN ISLAND

8 MUSEUMS 73,000 WORKS OF ART 200 SCENIC MILES TO EXPLORE

OGUNQUIT MUSEUM OF AMERICAN ART OGUNQUIT

AT LAN T I C O C E AN

INFINITE POSSIBILITIES MAINEARTMUSEUMS.ORG

BOSTON: 1.5 HOUR DRIVE

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(207) 775-6148 | PortlandMuseum.org

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WILLIAM CROSBY

S PR I NG AWAKENING I | 36” X 36” | AC RYL IC ON C ANVAS

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DARTHEA CROSS

S PR I NG RU NOF F , DIPTYC H| 80” X 72” | AC RYL IC ON PANEL

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WILLA VENNEMA

BOAT S ER I ES : BLAC K B OAT RESTING | 24” X 24” | ENC AU STIC ON PANEL

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ERIC HOPKINS

WATER - LAND - S KY B ANDS | 48” X 50” | OIL ON B IRC H PLYWOOD AND PINE

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WHITNEY HEAVEY

GOL DEN MARSH | 36” X 36” | OIL ON B OARD

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JEAN JACK

WAR M WEATHER IS HERE | 48” X 48” | OIL ON C ANVAS

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ANN SKLAR

HEADING HOME | 36” X 36” | OIL ON C ANVAS

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HELEN LEWIS

ON A M I S S I ON | 48” X 36” | OIL AND C OL D WAX ON WOOD PANEL

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SCOTT BOWE

THER MAL SPRING | 36” X 36” | AC RYL IC ON C ANVAS

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NANCY SIMONDS

S UR GI NG BLUES , V I OL ETS AND SPRING GREENS | 42” X 42” | GOU AC HE ON PAPER

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DAVID MOSER

DAVID MOSER

FALLEN | 87” X 29” X 29” | BRONZE

F AL L EN | 87” X 29” X 29” | B RONZE

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JANE DAHMEN

7 C L O U D S A N D A B I R C H | 7 2 x 36 ” | A C R Y L I C O N PA N E L

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M AT T H E W R U S S

S PR I NG AT PINE RIDGE #5 | 32” X 28” | OIL ON C ANVAS

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AURORA WINKLER

S OLS TI CE | 48” X 36” | AC RYL IC AND SPRAY PAINT ON C ANVAS

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ONE IN FOUR MAINE CHILDREN EXPERIENCE FOOD INSECURITY.

WHEN YOU SUPPORT FULL PLATES FULL POTENTIAL, YOU MAKE IT POSSIBLE TO:

THIS SCHOOL YEAR, LET’S RENEW OUR COMMITMENT TO ENDING CHILD HUNGER.

Feed a hungry child through school breakfast programs — and ensure that kids who don’t have enough food at home are starting the school day ready to learn.

BENEFIT EVENTS

Provide that same child with free lunches throughout the summer months so they can focus on just being kids and having fun.

Here at Full Plates Full Potential, we know which programs are effective to combat hunger. We know where to target resources to reach the highest numbers of hungry kids. And with your support, we will end childhood hunger.

The work of Full Plates Full Potential is largely supported by our slate of world class culinary events. Maine is home to a creative culture teeming with chefs and musicians whose talents are rivaled only by their generosity.

If, like them, you believe that it is unacceptable for a child in Maine to go hungry join us for our next benefit event. Enjoy a curated experience while cultivating your good karma.

fullplates.org FEATURED SPONSORS

UPCOMING EVENTS

FEATURED PARTNERS: THE MAINE SCHOOL NUTRITION ASSOCIATION, HEALTHY COMMUNITY PROJECT OF PISCATAQUIS COUNTY, MAINE FARM & SEA

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JOANNE PARENT

LI GH T MEETS DARK | 30” X 40” | OIL ON C ANVAS

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A Museum for the 21st Century THE PORTLAND MUSEUM OF ART’S MISSION TO REINVENT ITSELF AND CHANGE THE WAY PEOPLE EXPERIENCE ART IN MAINE

by Paul Koenig Photography by Nicole Wolf One of the first revamped galleries visitors will see on the Portland Museum of Art’s second floor is anchored by Winslow Homer’s Weatherbeaten, painted at Prouts Neck.

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Judy and Leonard Lauder director of the PMA Mark Bessire below Christopher Patch’s papier-mâché bird installation, Migration.

The peaks of the dark form protruding from the ceiling down the hall emerge on the final few steps up to the museum’s second-floor galleries.

The stalactite-like shapes made with seashells reach toward the floor, as if covered in a viscous tar oozing from above. Looking to the right I see a marble sculpture of a drowned pearl diver in the adjacent room, the smooth off-white body frozen in time.

The contrast of the two sculptures visible from the top of the stairs—one made two years ago by Portland artist Lauren Fensterstock and the other carved in 1858

by Maine sculptor Benjamin Paul Akers while living in Rome—illustrates a key piece of the Portland Museum of Art’s recent reimagining project.

The museum reopened in February after being closed for a month for renovations and 134

to reinstall artwork throughout its galleries.

For the reinstallation, the museum organized artwork in themes that feel less like chapters in art history textbooks and more like essay prompts, allowing commonalities between pieces of different media and eras to unfold naturally. Fensterstock’s Grotto and Akers’s The Dead Pearl Diver are part of different galleries, but the museum positioned them for visitors to make the connection, says deputy director and Robert and Elizabeth Nanovic chief curator Jessica May. “For just a moment you’re in a nineteenth-century fantasy of being in the sea, and then you’re looking at a 21st-century sculpture that is both cave-like and uses shells,” she says.

But the multi-year project, “Your Museum,

Reimagined,” went beyond gallery themes and interesting sightlines. It included digitizing the more than 18,000 pieces of work in the museum’s permanent collection, publishing its first-ever catalogue of highlights from its collection, opening an art study and conference room, increasing the number of pieces on display, and finding ways to make the museum more accessible to more people. The museum opened its sculpture garden to the public in July, and each floor has a more in-depth computer kiosk to allow visitors to learn more about the artwork they see. “People can approach art the way they want to rather than the way we want them to,” says Judy and Leonard Lauder director Mark Bessire.

maine | themainemag.com

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The PMA’s exhibition A New American Sculpture, 1914-1945: Lachaise, Laurent, Nadelman, and Zorach showcases the work of four European-born artists who all settled in the United States by the start of the first World War. The exhibition will be on display through September 8.

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Deputy director and Robert and Elizabeth Nanovic chief curator Jessica May in front of Duncan Hewitt’s Porch Mattress, a carved and painted wood sculpture on the third floor of the museum’s Payson Building. Opposite page: The Charles Shipman Payson Building was built in 1983.

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A Pillar in Maine’s Creative Economy The Portland Museum of Art (PMA) is the state of Maine’s oldest and largest public art institution. The museum and its primary structure, the Charles Shipman Payson Building, with its wide facade and semicircular openings at the top, anchor Portland’s Arts District. The museum also looms large across the rest of the state. A 2010 economic impact study of Maine museums found that of the roughly 442,000 people who visited the 14 museums participating in the study in 2009, more than a third went to the PMA. The study, prepared for the Maine Arts Commission, estimated that the spending impact of the art museum visitors totaled nearly $148 million, including $71 million in direct spending.

Congresswoman Chellie Pingree, who represents Maine’s southern district, says it’s only been in the last decade or two that people

have came to understand the impact the arts have on the state’s economy. It used to be viewed more as an activity for the wealthy, she says. “People just didn’t see it as an economic driver. Now you go to First Friday Art Walk [in Portland], and there are thousands of people in the streets on a cold February evening.”

She applauded the overall vision that Bessire, who became director in 2009, has brought to the PMA and the museum’s effort to stay current. Of the $2.7 million raised for the PMA’s reimagining project, about half came from out of state, including a $400,000 grant from National Endowment for the Humanities. “It’s always had a prominent role in the arts,” Pingree says of the PMA. “As the arts community has grown and as the value of arts and culture has become so much more important to the overall economy of Maine, it’s nice to see the Portland Museum of Art has upped its game in a sense.”

Discussions about the reimagining project began about five years ago, says Bessire.

PMA staff visited other museums that had

completed gallery or collection reinstallations, including the American Wing at the Metropolitan Museum of Art, the Detroit Institute of Arts Museum, and the Brooklyn Museum. “Audiences had gotten used to a museum with a capital M telling its story,” Bessire says. “Now our museum likes to use a smaller story.” They came away with the concept of basing galleries more on ideas and themes and embracing the mixing of media.

Making the galleries more approachable is part of the museum’s effort to break down barriers for the public, especially first-time visitors.

“I think we’re finding that certainly teachers and kids and families are having a much more welcoming experience because it’s an open conversation,” Bessire says.

“Whatever you come to the museum with, it’s validated, rather than being told, ‘No, that’s not right.’” For older audiences, there are more interesting juxtapositions between the artwork next to each other, he says.

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Art for Everyone To May, the opening of the David E. Shaw and Family Sculpture Park in the Joan B. Burns Garden in July represented a key component of making the museum more accessible to the public. “Even though some people simply aren’t interested in museums, everyone is welcome,” May says. “We need to be looking for every possible moment in which we reaffirm the value of being open and welcome. And I think having unticketed spaces is part of that. Not every space can be unticketed and not every space should be unticketed, but some spaces should be.”

The Expected and the Surprises Inside the museum, May brings me up to a second-floor gallery with a theme of “The Great Atlantic.” Around us are paintings largely depicting Maine, including work

by Rockwell Kent, Mardsen Hartley, and

photograph by Dave Dostie

Celeste Roberge’s Rising Cairn, a crouched figure made of a galvanized steel frame filled with smooth stones, has been located in an outdoor green space on the High Street side of the PMA since 2000. The museum acquired Anthony Caro’s Moment in 2012 and John Bisbee’s Hearsay in 2016, but the public hadn’t been allowed to access the space, apart from events. The unveiling of Jonathan Borofsky’s Human Structures (24 Figures Connected), colorful, blocky figures stacked on each other and holding hands, marked the public opening of the sculpture park. “There are few acquisitions that change an institution,” May says. “And the Caro is that, and the Borofsky, by the nature of what it is, it changes us as an institution.”

The space, now accessible by an open gate along High Street, is free for anyone to visit during museum hours May through December. “I feel like it’s really important to have places where you’re not quite sure if you’re in the museum or in the city,” she says. “Amazingly for a city that to my mind is astonishingly beautiful, we don’t have a lot of park space in Portland, especially in town.”

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The installation of Jonathan Borofsky’s Human Structures (24 Figures Connected) in July marked the opening of the David E. Shaw and Family Sculpture Park in the Joan B. Burns Garden.

than the way we want them to.”

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Attributed to Royal Brewster Smith (United States, 1801–1855) Portrait of Sally Stevens Lord, circa 1830, oil on canvas. Gift of Scott Hutchinson family, 2009.11.2, 33 x 26 inches.

Attributed to Royal Brewster Smith (United States, 1801–1855), Portrait of James Lord, circa 1830, oil on canvas, 33 x 26 inches. Gift of Scott Hutchinson family, 2009.11.1.

Paintings attributed to Royal Brewster Smith: Portrait of Sally Stevens Lord and Portrait of James Lord, both circa 1830.

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“We need to be looking for every possible moment in which

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ch

Two Winslow Homer paintings on display: An Open Window (1872) and Wild Geese in Flight (1897).

Winslow Homer, whose Weatherbeaten painting hangs at the center of a blue wall.

“Two thirds of the people who come to the museum are going to see this gallery first, and we wanted to have this fabulous rush of what it means to have arrived in Maine, to be with the painters, to see the Maine light,” May says. “So we weren’t totally focused on making sure this gallery was, you know, a kind of proper history of marine painting; we wanted a rush of feeling, and there’s no better way to charge people up than with a great, late Homer.”

As May and I continue through the museum, May explains the different themes of the galleries, while detailing the underpinnings of the museum’s philosophy. On the third floor is a gallery called “Rediscovering Nature,” which displays work from artists who were trained in New York or had experience in urban art markets, yet found inspiration in the natural world in the 1950s and 1960s, often in Maine, including Alex Katz, Lois Dodd, and David Driskell. Some of the styles differ—there is even a Dale Chihuly blown-glass piece—but all the work captures a feeling of embracing nature with a modern perspective. “I think sometimes we get criticized for not being Maine enough or not being away enough,” May says, “but actually we’re trying to find a balance so we can be really consistently true to our community and to telling a story about Maine that feels true to broader art history.”

Before I leave the museum, May points out a glowing hole in the wall near the Konkel Family Welcome Center. As I get closer, I notice that the hole, no more more than a few inches wide, has a round window. Bending over to look inside, I see a detailed diorama of a nature scene, some mushrooms, a branch, and moss, as if from the perspective of a small critter. “Wanting people to feel like they were immersed in art was one of the drivers for us to be looking at these kind of odd angles and odd spaces because we wanted the experience of art to continuously surprise and delight you,” May tells me.

Surprise is an important piece, she says, because it suggests that we don’t only look at art in traditional ways. “I like it when art can kind of catch you off guard and you can have an experience that you’re not anticipating and that you’re not already in art mode for.”

we reaffirm the value of being open and welcome.”

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CELEBRATE THE LEGACY OF

BOB CREWE

Pictured: Dan Crewe (left) and Bob Crewe (Right)

Bob Crewe (1930-2014) was a legendary record producer for the Four Seasons and co-writer of many popular hit songs as well as being a visual artist. Bob had one of the most innovative and varied careers in pop music and appears as a supporting character in the Tony Award-winning Broadway musical Jersey Boys, which was recently adapted into a film.

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THE SPIRIT OF GIVING BACK: EMPOWERING ARTISTS & UNDERSERVED YOUTH

The Crewe Foundation was established by Bob Crewe to provide support in the fields of fine arts and music by empowering aspiring artists and underserved youth to pursue, develop, and realize their talents and goals. His brother, Dan Crewe, is now the CEO and chairman of the foundation as well as a trustee at MECA.

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EXPLORE THE INTERSECTION OF ART AND MUSIC The Bob Crewe Program in Art & Music at Maine College of Art was made possible by the largest gift in the College’s 135 year history, a $3 million grant from the Crewe Foundation. The program, working in tandem with MECA’s rigorous visual arts offerings, prepares students to cross traditional boundaries as musicians, performers, sound artists, and artists.

Photo by: Kyle Dubay

Photo by: Tim Gaudreau

VISIT THE BOB CREWE GALLERY As part of the Crewe Foundation gift, Dan Crewe worked with MECA to create a beautiful gallery to house Bob’s art and extensive memorabilia from his music career, located in the lower level of MECA’s historic Porteous building. For hours and more information, visit meca.edu/crewe.

H

ze s ell

Photo by: Séan Alonzo Harris

MAINE COLLEGE OF ART 522 Congress St., Portland, ME, 04101 207.879.5742 • meca.edu

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Andrew Wyeth, Alvaro and Christina, 1968, watercolor on paper, museum purchase, 1969.1646, ©2017 Andrew Wyeth/Artists Rights Society (ARS)

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BY THE SEA

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B Y S A N DY L A NG / / PHOTO G R A PH Y B Y P E T E R F R A N K E DWA R D S On the beaches and rocky cliffs of Prouts Neck to hear the rumble-crash of waves and see the scenery that inspired Winslow Homer to paint his masterpieces

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n the wet wash of sand just across the roadway from the Black Point Inn, I find bits of crab and Belon oyster shells, sea glass and seaweed, and then something that I haven’t seen before: a decent portion of a clay smoking pipe—most of the bowl and part of the narrow stem are intact, and the word GLASGOW is in relief on one side.

Through a quick Internet search on my smartphone while sandpipers and terns skitter past, it doesn’t take long to find

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details. The small object may be a kind that was manufactured only through the 1890s. I instantly think of only one person: Winslow Homer.

Homer, the artist. The recluse by the sea.

The man who spent the last decades of his life looking out onto ocean scenes like this, painting figures on beaches and boats, and the collision of waves against the rocky shore—simple scenes, but powerfully unforgettable.

The seaside enclave of Prouts Neck, some 1,500 acres on a peninsula jutting toward the ocean about 12 miles south of Portland, was a profound source of inspiration for the Boston-born artist. From 1883 until his death in 1910, Homer lived and painted here, in a studio overlooking the Cliff Walk that follows the perimeter of the rocky shorefront.

It’s along this rugged seaside where Homer did his best and most famous works. And that’s why we’re here.

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Opening spread: Waves crashing at Prouts Neck, where Winslow Homer often painted. Opposite page: On a gray day along the Cliff Walk at Prouts Neck, with a sketchbook and boots with a good tread.

This page: Back to the Black Point Inn to think more about the seaside works of Homer (1836-1910).

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Before Prouts Neck, visitors can see original works by Homer and other artists influenced by Maine (and beyond) at the Portland Museum of Art. Opposite page: Students viewing Homer’s iconic 1894 painting Weatherbeaten.

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RAINY DAY P M A Before getting to that rain-slicked beach, we arrive in the dim light of mid-morning showers at the Portland Museum of Art (PMA), and I keep telling everyone that the weather’s just fine. Graeme Kennedy, director of PR and marketing for the PMA, is standing in the museum’s airy atrium—one of the human figures adding to the visual scene of sweeping architectural lines and boxy openings that frame glimpses of art on other floors. Kennedy knows I’m here with Homer interests, and he joins me in dismissing any cares about the gray day.

“Homer rarely painted a beautiful sunny day,” he says. “He painted on days just like this.”

Plus, this is the perfect weather for a museum visit, and it’s not difficult to find Homer in this place. The artist first began exhibiting with the Portland Society of Art

(the precursor to the PMA) in the 1890s, and his works are on display in several different gallery rooms. It’s a new way of displaying the museum’s collections, Kennedy explains, by arranging artworks not by era or by artist or medium, but by subject or theme. So even if you’ve seen an artist or artwork before, you may see things freshly, or draw new meaning or connections.

Near paintings by Marguerite Zorach, Neil Welliver, and N. C. Wyeth, I notice Homer’s 1897 painting Wild Geese in Flight, a khakiand cream-colored scene of geese in the sand dunes, including two lifeless and tumbled upside-down birds in the foreground. As an illustrator, he’d often depicted the Civil War, and this has the feel, almost, of a battle scene on the beach. Then there’s a smaller, quieter Homer painting of possibility and light; An Open Window (1872) is of a woman caring for potted flowers on a sill. From a distance I see, and practically hear, one of Homer’s most iconic paintings. The wave-crashing Weatherbeaten (1894) is centered on a wall in a sky-lit gallery room of Maine art. The captivating painting is a rage of water; it

looks like it could splash seawater over us all. Several young women—high-school aged, probably—are sitting before the four-footwide canvas, on a long bench and on the floor with legs curled under them. When I get closer to the painting, I notice that on the carved wood frame is a metal plaque, and the title spelled out in two words: “Weather Beaten.” The students are considering the 123-year-old painting, talking about it in voices so low I can’t hear.

Such oceanfront depictions by Homer showed his view from Prouts Neck and Maine to the world. Let’s get there, I think, and soon we leave the museum in downtown Portland and drive south along Route One to Black Point Road in Scarborough, and follow it to the peninsula’s narrow neck lined with sandy beaches where the Black Point Inn has a vantage point, perched on a grassy hill since 1878. This is where we’ll stay for a couple of days, about a mile and a half from Homer’s studio, which the PMA owns and opens seasonally for tours.

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A wood fire in the hearth at the Black Point Inn, the only one remaining of seven inns that were built in the 1800s for summer season travelers to the 1,500-acre Prouts Neck.

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The drive from Congress Street takes more than 30 minutes, but only because we stop for views—at Scarborough Beach State Park and to look across the fairways of the Prouts Neck Country Club. We’re in part of Maine’s most beachy territory. Higgins Beach is across the choppy surf to the north, and Old Orchard Beach is to the south. From the inn’s parking area, I can see the old-school wooden decks and changing rooms of the private Prouts Neck Beach Club just across Beach Road.

The fireplace is going when we walk into the wood-paneled lounge area at the Black Point Inn, and they’ve got hot tea and cookies out for guests. The lobby is nearly empty now, but the desk attendant lets me know that the live jazz in the inn’s pub, the Chart Room, will begin in a couple hours. “It’ll get pretty crowded then.”

She’s right. By cocktail hour, I hear music and a hum of conversation from our room upstairs, where there’s a wide, cushioned

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window seat facing west toward the ocean.

We’ve already followed a footpath from the inn to make a first excursion on the famed Cliff Walk. The mist and rain continue, so I return with ocean-waved hair and other guests arrive to the pub damp and with rain jackets, too. But the vibe is upbeat.

The couple next to us is here for a family member’s eightieth birthday weekend, and say that several cousins flew in from Australia for the festivities. Besides hotel guests, many of the Neck’s summer residents who live in nearby “cottages” are filling the pub, greeting each other and talking of beach and golf plans. The inn, with both a formal dining room and a casual pub that opens to oceanfront decks, is obviously an important local gathering place. Prouts Neck has only the 25-room Black Point Inn now, compared to the 1800s building boom of seven inns when Homer was alive.

A SA LTY STO I C ON T HE ROCK S I’m not sure Homer would have been too keen about the lively social scene at the inn.

The artist is known to have promoted the image of “the hermit of Prouts Neck” as he worked in etchings, watercolors, and oils there. He didn’t want visitors at his studio when he was working, and it’s said that he would raise a flag when he was ready for his lunch order to be delivered from the Black Point Inn. As someone who’s always interested in seeing the studios of artists and writers—O’Keeffe’s ranch in New Mexico, Hemingway’s house in Key West, Faulkner’s place in Mississippi—I think these kinds of details add to the mystique.

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Opposite page, from left: Executive chef Daniel Harrison Dumont at the Black Point Inn. Oysters Rockefeller in The Point dining room at the hotel. This page: Seen from the Cliff Walk, a couple of anglers fishing for stripers (and catching them, one after another).

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“HOMER RARELY PAINTED A BEAUTIFUL SUNNY DAY. HE PAINTED ON DAYS JUST LIKE THIS.”

Gray weather sights along the shoreline at Prouts Neck, about a dozen miles south of Portland.

Opposite page: The rugged Cliff Walk pathway follows the shoreline.

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When I talked with Kennedy at the museum, he suggested that the reclusive persona that Homer projected became the very trait that people would associate with Maine going forward, “the hardy, resolute personality, the salty stoic. All of that came from Homer.”

The next day warm sunshine finally works its way through the clouds, and we follow the Cliff Walk again. There are still some puddles and mud-soaked sections, but in rain or sun, this natural oceanside pathway is a treasure.

While many other New England resort areas developed by allowing homeowners to build as close to the water’s edge as possible, which created barriers for anyone wanting to walk along the shoreline, the layout of Prouts Neck has included a public marginal way since the 1800s.

This time, I have a picnic along, and my sketchbook. We take our time and follow the path slowly, stopping wherever we like.

We must have hit the perfect timing for the goldfinch migration, because I see the little yellow and black birds by the dozens in the shrubs along the way. Two men stand on rocks about 10 yards apart with fishing poles, and we watch them for only a few minutes, but see one man catch three striped bass, “stripers,” and the other reel in one. Just like Homer, we can see the ocean from so many perspectives. We come upon a bench with a plaque dedicated to a man whose name I don’t recognize, marked with the words, “He loved the path and the rocks.”

From left: The narrow pathway of the Cliff Walk follows the oceanfront at Prouts Neck and is unimproved, narrow, and has discreet entry points. The oceanfront Winslow Homer Studio.

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Inside the Winslow Homer Studio at Prouts Neck, where Homer painted and often fished along the shore. Opposite page, from left: Graeme Kennedy of the Portland Museum of Art joins a tour of the studio. An interior view of the community library at Prouts Neck.

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CLIFF WALK, POETRY, PIPE DREAMS The ocean roars here. I find a rock that’s jutting yards upward, and I clamber up to sit a while. I open my sketchbook on the flat surface, no wider than a couple of car seats. I draw a few lines, trying to sketch the angles of the striated, dark rocks at the water’s edge.

It’s thrilling. In the sound of rushing water and air you can hear, distinctly, the smallest rocks tumbling over each other in the surf.

It’s like the amplified sounds of gumballs

falling through a machine.

Later I read my fast-jotted notes, and realize that this stretch of oceanfront inspired something almost poetic: I sketch, we picnic. Goldfinches flurry.

The rumbling build-up of the tumbled rocks.

Striper season, almost June.

At Ferry Beach Landing. Not a breath of air.

Homer, we’ve come to find.

Cliff Walk is a gift. We can see what he saw.

Wave action thunders and thumps, and he appreciated, “the dignity of gathering fish from the sea.”

We’ve arranged to meet Graeme Kennedy from the museum at the former carriage

house that was renovated to become Homer’s ocean-view studio. Architect John Calvin Stevens (1855-1940) directed the design changes, including an upper-floor “piazza,” a wide porch that flanks the small, boxy building. Stevens, by the way, was an accomplished painter himself, and he designed more than 350 buildings on the Portland peninsula and more than 1,000 in Maine.

The wooden structure’s details are what you notice—the elegant landing on the steps, the lines of the paneling. The building appears sturdy, handsome, and lasting. And you can get a glimpse of the man who lived here. To help him limit the interruptions of visitors, Homer painted on a sign that’s now displayed

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The view from the second floor of Winslow Homer’s studio in Prouts Neck.

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Looking seaward from the second floor of the former carriage house that was renovated to become Winslow Homer’s ocean-view art studio. Today, the access road is gated, and exclusive tours are coordinated by the Portland Museum of Art.

above the fireplace, “SNAKES! SNAKES! MICE!” And he scratched his name into the pane of one of the windows so clearly that it can still be easily read. The house is largely unfurnished now, but there are books and a Homer family photo album, and on the mantel... what’s that up there? Yes, it’s a pipe.

Now, I’m not saying that what I picked up on the beach on Prouts Neck is actually the

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famed American artist’s pipe. But I think of it all again: I’m standing there on the beach with the uncovered clay pipe in my hand on a chilly morning just before summer’s start.

The remnant is a connection to another time and something to wonder about, of course.

And I do just that when I look at such objects or paintings and oceans. In the best of ways and for as long as I can, I wonder.

maine | themainemag.com

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HeartAND HOME

A creative couple discovers layers of history (and loads of character) in a dilapidated eighteenth-century mansion in downtown Yarmouth.

by Katy Kelleher Photography by Erin Little

Opposite page: With bold red walls, a built-in bar, and big windows with views of the yard, this family room is often used for casual entertaining.

This page, from left: The Leahys always knew they wanted to keep the traditional appearance of their Yarmouth home—hence the white clapboard, black shutters, and classic red door. In the renovation, the Leahys added several outdoor dining spaces, including this back patio.

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IN

Leeann and Tom Leahy’s house, in the downstairs powder room against a backdrop of cherry-red seahorses and blue mermaids, hangs a framed real estate advertisement. “An Old Shipmaster’s Mansion,” it reads. “Built in 1792, restored in 1921, and located in the heart of the old shipbuilding country.”

At the bottom of the paper, below blackand-white photographs of the stately Federal-style structure (obscured by unruly rhododendrons and out-of-control lilacs), a price is listed: $25,000.

“We think it’s from the 1950s,” Leeann explains. “But can you believe it?” The price was shocking, but then again, so was the

state of the house when the couple first saw it. After being a beloved family home for over 30 years, the house had been purchased by a couple who never moved in, and it sat empty for four years, which gave the harsh Maine weather plenty of time to work its charms.

“It was in terrible condition,” she says.

“When a house doesn’t have someone living in it and loving it, it can fall apart quickly. But when we were looking for houses, we saw so many lovely homes, and yet a lot of them didn’t feel like Maine to me.” In spite of the rusted pipes and the yard choked by weeds and punctuated by rotting tree stumps, the white-painted house felt different from all the other Colonials and cottages for sale. “It pulled at our heartstrings,” Leeann says, as she sits in the red-painted family room. “It

had all this character and all these stories to tell.”

As the CEO of the VIA Agency in Portland, Leeann is in the business of telling stories, but it was her husband, Tom, who ultimately pushed forward on the sale. “Everyone in Yarmouth knew about this house,” he says. “People kept saying, ‘Oh, it’s too bad about that house.’” But Tom, who is on the board of Maine Preservation, a nonprofit organization based in Yarmouth, saw the home’s potential. And after repeated viewings, Leeann began to see it, too. “Once I realized we could take out the wall that used to be here, that we could really open this space up—then I knew I could do it,” she says. “But still, it was a project and a half.”

Opposite page: Above the dining room table hang lamps made from Turkish olive baskets. This page, from left: Duncan Leahy sits on the counter as Mac Leahy descends the stairs into the kitchen. The bathroom wallpaper is a custom print made from a map of Casco Bay.

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“It pulled at our heartstrings. It had all this character and all these stories to tell.”

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The sea foam green living room has a slightly more formal feel than the rest of the house.

The Leahys use this area for entertaining guests during the holidays.

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It was important for the couple to keep the character of the home intact, but they did need to renovate and update the shipmaster’s home. “People were much smaller back in the 1700s, and much of the house felt really small to me,” says Tom. “He had to stoop to go into some of the rooms,” adds Leeann, who serves on the Portland Museum of Art’s Board of Trustees. While the miniature rooms had charm, they simply weren’t livable. The Leahys brought in residential designer Travis Kinney of Gulf Shore Design in Scarborough to draw up plans for a more spacious interior, and hired Paul Moutal of Flying Point Construction in Topsham to oversee construction. Together, they dropped the floors down, took out a crawlspace, and gained 18 inches of air. “We took the 186

kitchen down to the dirt,” Leeann says. “We found some really interesting things down there, like vintage apothecary bottles and a petrified squirrel.” They also removed the servants’ staircase, rebuilt the entire kitchen, mudroom, laundry room, and powder room area (in order to set them on concrete slabs, which provide radiant heat throughout the floors), and finished part of the barn/garage to serve as a rec room for their three teenage kids. “We didn’t change the overall footprint of the house—we just changed the flow,” says Leeann. “We favor restoration over renovation, which is why we kept the oldest part of the house to its original character and updated the newer sections to be more livable for today’s life.”

As these projects were going on inside, a similar overhaul was happening outdoors.

Over the years, the lot had descended into verdant chaos, with overgrown plants hiding still more relics. Under a six-foot-tall thicket of weeds and raspberries they found the remains of an old, collapsed caretaker’s cottage. “We did decide to keep that quince,” Leeann says, pointing toward a pretty flowering tree. “It’s old, old, old and it shows up in a lot of the pictures.” They also kept the hostas, which were growing wild around the yard, as well as the peonies, lupines, and phlox. “Wherever we could, I wanted to keep the original plants, so the first thing I did in the yard is move the plants around,” she says.

The result is a carefully sculpted yard with boxwood hedges, a brick patio, and plenty

maine | themainemag.com

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Opposite page: Winnie Leahy pictured in the renovated kitchen. During the remodel, the Leahys decided to keep many features of the original home intact, including the hardwood beams. They added the granite countertop and sink. This page: The furniture in the house is a mix of antiques and newer pieces. The sunroom showcases Leeann’s classic yet unfussy personal style.

September 2017 187

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Opposite page: The dining room features a large white chandelier and slate-gray walls. This page: Boxwood hedges create definition in the backyard, where the Leahy family frequently gathers for dinner during the warmer months.

Opposite page: The dining room features a large white chandelier and slate-gray walls. This page: Boxwood hedges create definition in the backyard, where the Leahy family frequently gathers for dinner during the warmer months.

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of lawn space for games of croquet. An outdoor fireplace sends up “smoke signals” to friends. “I often tell people, ‘If you’re walking through town and you see smoke coming from our backyard, that means we’re welcoming guests,’” she says. A typical party at the Leahy house includes wine, cheese, and dancing under the disco light in the barn. “We’ve already had tons of great nights by the fire,” says Tom, “and tons of fun dance parties.”

“I think the builders thought I was a little crazy when I asked for a working disco ball,” Leeann says. But somehow, such funny little details go well with the historic house.

After all, many old houses have their own little quirks. “We discovered early on that we have our very own birthing room,” Tom says. “We ended up turning it into a powder room.” Other things remain unchanged from the house’s early days, like the kitchen posts, which are decorated with notches that were once used to tie up livestock, and the butler’s pantry. “Many of the early plans we saw suggested we take out the butler’s pantry to make the kitchen bigger,” Leeann reveals.

“But I knew I wanted to keep it. It seemed true to the house, and I wanted it to stay that way.” Similarly, the couple has decided to forgo curtains, leaving their windows bare (save for the black-painted shutters, which are never closed). Curtains, Tom says, wouldn’t have been a feature of the home decor 200 years ago.

Although there are many thoughtful touches scattered throughout the house, from the custom printed wallpaper designed from a map of Casco Bay to the chicken coop wire shelving to the Turkish olive basket lamps, Leeann’s favorite feature is, rather fittingly, an idiosyncrasy created by Mother Nature.

“Look at this,” she says, placing her finger on the gray granite kitchen countertop, above a heart-shaped flaw in the stone. “Someone pointed it out to me, and I thought it was this very cool little happenstance. It’s proof that we restored this house with love. Whenever we found little things like that, we decided to keep them sticking out—it adds character.”

Winnie and Duncan play Xbox in the rec room under the glittery lights of their working disco ball.

Thousands of Maine homes, 10 years and counting.

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Overlooking Port Clyde harbor, my summer art gallery features the Wyeths, living and painting in this island-dotted midcoast region since 1920.

Original art, rare signed & limited edition collector prints and books, a frame shop, raven sculpture, Wyeth illustrated children’s books, cards, gifts, and ticketing for Wyeths by Water excursions, all combine to make this a unique destination in Maine, not to be found anywhere else.

Open daily from 10am-6pm Memorial Day thru Columbus Day. 207.372.6543 ext. 3 Jamie Wyeth, Red Tailed Hawk, mixed media, 15” x 15,” original, signed lower left

wyethgallery@lindabeansperfectmaine.com

Andrew Wyeth, Jamie Wyeth, and N.C. Wyeth famous painting locations can be seen on your choice of three art tours aboard the Maine lobsterboat “Linderin Losh.” A Coast Guard licensed captain and tour guide will also tell you about local lobstering during each 2.5-hour excursion.

2.5 Hours - $42 per person Departs Port Clyde General Store Dock 2pm, Monday–Friday Book online, get tickets at the dock, or in the Wyeth Gallery! wyethtours@lindabeansperfectmaine.com

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THE BURLEIGH

AT THE KENNEBUNKPORT INN

BY KAREN WATTERSON PHOTOGRAPHY BY LIZ CARON

One Dock Square | Kennebunkport | 207.967.2621 kennebunkportinn.com

YOU ASKED US WHERE TO EAT AND WE ANSWERED WITH A WEEKLY RESTAURANT BLOG. FOLLOW THE JOURNEY ONLINE.

I

n the late 1890s, Burleigh S. Thompson built a Federal-style home on the Kennebunk River.

The beautiful home is now the Kennebunkport Inn, part of the Kennebunkport Resort Collection. The inn’s restaurant has recently been renamed the Burleigh, a nod to its historic past and original owner. Outside, a big deck complete with a stone fireplace beckons on a sunny day.

“The Kennebunkport Inn needed a new food and beverage concept,” says Rachel Pelkey, marketing manager for the resort group. A casual

asktheexperts@themainemag.com

Restaurant manager Noelle Croce has developed the new cocktail menu that complements Shaw’s dishes. The signature cocktail is the Riverhouse Old Fashioned, a savory blend of bacon-infused rye, Angostura bitters, Luxardo cherries, and garnished with candied bacon.

Beer drinkers can choose from five taps of local brews, including Banded Horn Brewing Company and Baxter Brewing Company.

STANDARD GASTROPUB

BY KAREN WATTERSON PHOTOGRAPHY BY LIZ CARON

233 Main St. | Bridgton | 207.647.4100 standardgastropub.com

Belgian-style presentation. Stretching the width of the restaurant, a refrigerator beer wall holds over 200 kinds of beer, plus 15 draught lines. The selection is diverse and far ranging with plenty of small and large Maine breweries represented, such as Banded Horn Brewing Company, Maine Beer Company, Bunker Brewing Company, and Allagash Brewing Company.

themainemag.com/blog

OR ASK AN EXPERT FOR PERSONALIZED ADVICE.

pub concept that was in place throughout the winter proved popular, so the evolution to the Burleigh came about naturally. Executive chef John Shaw and director of operations Justin Grimes helped shape the Burleigh’s concept.

Classic pub food with an upscale twist dominates the menu, with an emphasis on seafood. Shaw’s signature item, the blue cheese Maine mussels with bacon, caramelized onions, and a touch of cream, is as popular as ever. New to the menu is a decadent dish of lobster mac and cheese made with Pineland Farms cheddar and presented in an iron skillet. The addition of charred poblano peppers and fresh corn make it a standout. The Fisherman’s Stew, one of the “Big Plates,” is terrific, a cross between cioppino and bouillabaisse. A large piece of pan-seared cod is surrounded with shrimp and mussels, all in a light saffron-tomato broth.

I

n Italy and other parts of Europe, it’s not unusual to find a restaurant attached to a service station. William Holmes was aware of this when he drove by the abandoned gas station in Bridgton several years ago. “If you put a restaurant in a gas station, people will always come,” he continues. “But the biggest question was, ‘Are we allowed to do this?’”

Holmes put his creativity and knowledge of the restaurant industry to work. “We found ways around the problems,” he says. Food is served on metal trays, and fries are piled into paper cones in Mason jars, a riff on the traditional

Holmes envisioned a restaurant serving the kind of food he felt was missing from the area—high quality, from scratch, and responsibly sourced.

Twice-cooked, Belgian-style fries are fantastic, made from Fryeburg’s Green Thumb Farms potatoes. Flash-fried Brussels sprouts in a sweet and salty glaze are irresistible. But it’s the burgers and barbecue that bring back hungry diners again and again. The Double Standard is a fast-food-style burger made of dry-aged, fresh Maine Family Farms beef, and is topped with American cheese, shredded lettuce, pickled red onions, and Standard sauce, a Southern-style remoulade. I also love the veggie burger, a hearty blend of black beans, sweet potato, and quinoa, topped with cilantro cream. A smoker in the open kitchen turns out chicken, pork, and brisket with house-made barbecue sauce and a choice of slaws.

Corn on the cob is partially smoked, too, then grilled for elote, Mexican street corn. It’s slathered with chili-spiced mayo, cotija cheese, and fresh herbs. Chicken wings are incredibly popular, too, and come in a variety of flavors, including honey sriracha, Korean, and rotating specials.

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THOUGHTFUL AMERICAN FOoD IN RELAXED, MODERN SURrOUNDINGS WEeKNIGHT FOoD + DRINK SPECIALS In Camden, Maine at historic Whitehall hotel.

Open to the public seven days a week.

HAPpY HOUR 5—-6PM EVERY DAY 2 BEERS, $5 EACH 2 WINES, $6 EACH 2 COCKTAILS, $7 EACH $8 HOUSE BURGER

pigandpoetmaine.com | (207) 236-3391 | 52 High St., Camden, ME 04843

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THE KENNEBUNKPORT INN’S NEW RESTAURANT Fresh Maine Seafood, Classic Pub Fare, Creative Cocktails Serving Dinner Nightly, 5–9pm; Daily Happy Hour, 3–5pm Live Music, Thursday–Saturday, 7–10pm Executive Chef John Shaw

The Kennebunkport Inn, One Dock Square, Kennebunkport (207) 967-2621 www.kennebunkportinn.com

254 Kings Highway, Goose Rocks Beach, Kennebunkport

Oceanfront dining on Goose Rocks Beach Serving Lunch & Dinner Daily, 12-10pm Daily “Perfect 10” Happy Hour, 3-5pm Wine Down Wednesdays— ”Wind down” mid-week with 50% off select bottles of wine, 3pm to close.

Sept. 20 to Oct. 25.

207.967.3757 www.tidesbeachclubmaine.com

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the

FRONT PORCH Ogunquit, ME

Celebrating over 35 years as a world famous entertainment destination. Located in the heart of beautiful downtown Ogunquit village. The Front Porch is one-of-a-kind, offering an elegant and diverse fine dining menu in all three unique venues; dining room, bar/lounge, and our non stop party, The sing along Piano Bar. 9 Shore Rd. Ogunquit, ME | thefrontporch.com | 207.646.4005 |

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THEFRONTPORCHOGT

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390 Congress Street | Portland, Maine 04101 | 207.808.8700 | unionportland.com

Join us October 15th at the at Wolfe’s Neck Farm for the Harvest Dinner

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WHAT MAKES A DISH “WOW” WORTHY? A culinary mind that never stops creating.

CHEF

DAVID TURIN

Exciting Maine palates for over 25 years.

Small Batches • Roasted in Maine Family Owned & Operated SEACOASTCOFFEE.COM 877 221 0012

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DAVID’S RESTAURANT Portland davidsrestaurant.com

PRIVATE DINING & CELEBRATIONS at DAVID’S OPUS TEN Portland davidsopus10.com

DAVID’S 388 South Portland davids388.com

DAVID’S KPT Kennebunkport boathouseme.com/dining

We love our partners.

Tempo Dulu

in Portland, Maine.

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THE TOAST OF THE COAST

S E D G W I C K

BALANCED

M A I N E

S T R O N G B R E W I N G .C O M

ETHICALLY SOURCED COFFEE

1

ORDER ONLINE

617.678 .2474

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0

Catered Receptions Up to 100 Guests (45 max seated) Craft Cocktails High End Liquor Selection 80" Projection Wall Energetic and Fun Team

Book Now 207-770-2404 www.glassloungeoldport.com

433 Fore Street Portland, ME

C

aptivating cuisine that constantly delights & surprises Spectacular Ocean Views Intimate Dining Room & al fresco Deck Cozy Fireplace Bar & Lounge Breakfast, Lunch, Dinner & Weekend Brunch Vegetarian & Vegan Options Available .

A Special Labor Day BBQ Sat., Sept. 2 ~ 11:30am-3pm Adults $34 | Kids 5-12 $18 BBQ with Traditional Fare!

View the menu online.

48-hour reservations required (Inside if inclement weather)

At Inn by the Sea Restaurant open to the public

For reservations or more information please visit InnbytheSea.com or call 207.799.3134

Reservations recommended. Only 10 minutes from Portland. Gift certificates available.

InnbytheSea.com | Tel 207.799.3134 | 40 Bowery Beach Road | Cape Elizabeth, ME 04107

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THE THE GREAT GREAT LOST LOST BEAR BEAR HARVEST TIME LOCAL MAINE BEERS LOCAL MAINE PRODUCE

540 FOREST AVENUE PORTLAND, ME 207-772-0300 www.greatlostbear.com

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photo credit: kristin teig

i magi ne. . . w e d d i n gs b y a uror a p rov i si on s

inspired catering . bar services . event design & planning 64 pine street, portland, maine 207.871.9060 auroraprovisions.com

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7 W A L L I N G F O R D S Q U A R E K I T T E R Y, M A I N E • 2 0 7 . 7 0 3 . 4 2 9 8 • A N J U N O O D L E B A R . C O M • T H E W A L L I N G F O R D . C O M

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f

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4

The essence of Maine.

Dine . Relax . Stay New Harbor, Maine • bradleyinn.com • 207.677.2105

Welcome Aboard the Kennebunks’ Only Floating Restaurant!

Open 11am (May–October) Open Monday - Saturday, 12 Noontoto10pm 10pm • Everyday Sunday Brunch, 10:30am to 10pm (May – October) www.spiritofmassachusettsrestaurant.com The Spirit of Massachusetts is a 125-foot schooner built right here in New England at the Charlestown NavalShipyard. Her launch in 1984 was celebrated in Boston Harbor with a tallship festival that welcomed over 80 tall ships from all over the world. After her launch she served as a goodwill ambassador for the Commonwealth of Massachusetts while sailing the globe as an educational vessel. In 2014 The Spirit of Massachusetts was restored and brought to her new home in Kennebunk, ME.

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We welcome you to our 56th anniversary serving the public

OPEN DAILY UNTIL NOVEMBER

LUXURY LOBSTER & SEAFOOD SERVED IN AN UNSURPASSED ATMOSPHERE 2 RESTAURANTS SIDE-BY-SIDE IN QUAINT PERKINS COVE 50-70 Perkins Cove Rd • Ogunquit, ME (207) 646-5575 • barnbilly.com

Latitude 43° 45’ 1”

98 TOWNHOUSE RD, WHITEFIELD, MAINE 2 0 7. 5 4 9 . 5 1 8 5 | S H E E P S C O T G E N E R A L . C O M O P E N T U E S D A Y - S A T U R D A Y 7 - 6 | S U N DAY 9 - 5

from classic to contemporary from maine boiled lobster to Maine craft beer You can find it all here at

Come and enjoy live music on our deck, great food and drinks, spectacular views, and breathtaking sunsets...Cook’s Lobster & Ale House, where all great things come together for one

amazing experience!

Photos: Lucas Sharpe, Maine Imaging (top right)

Visit our website for the weekly entertainment and concert schedule.

cookslobster.com Longitude -69° 59’ 32”

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2

legacysir.com

Connect with LegacySIR:

Inspired

TO S E L L

207.712.6860 | LMcCoy@LegacySIR.com

25 Ledge Road

CUMBERLAND FORESIDE

Horseshoe Pond STONEHAM

Located just 15 min. from downtown Portland, this 5 bedroom, 4 bath, open concept contemporary is thoughtfully designed to incorporate exceptional water views from every room. Inviting entertainment spaces on all levels including a covered patio w gas fireplace that flows into another terrace which leads to an in-ground pool with pool bar. Boasting 312’ of oceanfront, accessible from a large private dock featuring a beautiful boathouse equipped with a kitchenette.

Perched at the brink of a downward slope, this one of a kind, award-winning architectural gem yields an intimate view across Horseshoe Pond to the eastern-most boundary of the White Mountain National Forest. Gently nestled on 2.8 acres, this extraordinary marvel includes a living room, dining rm, sitting rm, large library, kitchen, master and guest suites, a drawing studio, a dog run & fenced yard, a sleeping porch and two additional screened porches, and includes a 2-car garage and large, separate artist’s studio.

MLS 1314676 | $3,100,000

MLS 1307729 | $2,000,000

MARY LIBBY

207.712.5594 mlibby@legacysir.com

Open Concept Triplex

537 CONGRESS STREET, UNIT 510 | A “Manhattan-like” hip condo conveniently located in the heart of Portland’s Art District. Near restaurants, shopping, the Portland Museum of Art and much more. Well-established, secure building. No HOA fees and covered parking available with entry to building. Peaceful get away for full time residence or a place to crash when visiting the city! Moments away from Portland’s Waterfront and ten minutes to the jetport. MLS 1311687 | Offered at $648,000

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legacysir.com

Connect with LegacySIR:

Susan Desgrosseilliers 207.975.4304 | susand@legacysir.com

CONTRACT PENDING

102 Vaughn Street

21 Atlantic Street

PORTLAND

ROCKLAND

A historic West End John Calvin Stevens home has lovingly and meticulously been renovated into the Philip J Deering two unit Condominium Association and is now being offered to the market for the first time. There are incredible period features restored throughout the unit while incorporating high end features. Large, light filled rooms with high ceilings, beautifully refinished hardwood floor, original molding and hardware were retained throughout the home.

Brick warehouse conversion with 16’ ceilings with multi-levels, exposed brick, roof-top deck & outstanding ocean views from every room! Incredible location take a stroll on the waterfront board walk to Rockland’s historic down town area and visit the Farnsworth Art Museum, the Center for Maine Contemporary Art, numerous galleries, outstanding restaurants and quaint shops or collect sea glass and shells on the intown beach located diagonally across the street!

MLS 1314575 | $1,275,000

MLS 1316852 | $940,000

KATIE HOGAN 917.622.8082 khogan@legacysir.com

Representing buyers & sellers in Greater Cumberland County & beyond.

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MOUNT DESERT

SOUTHWEST HARBOR

TREMONT

MLS 1309241 | $450,000 Andy Pooler & Jane Pooler 207.276.5080

MLS 1084989 | $925,000 Andy Pooler & Jane Pooler 207.276.5080

MLS 1308083 | $1,475,000 Andy Pooler & Jane Pooler 207.276.5080

MOUNT DESERT

NORTHEAST HARBOR

SEAL HARBOR

MLS 1303869 | $495,000 Jennifer Mitchell 207.479.4348

MLS 1297879 | $399,000 Erika Wibby Mitchell 207.276.5080

MLS 1279315 | $1,350,000 Erika Wibby Mitchell 207.276.5080

BAR HARBOR

TRENTON

STONINGTON

MLS 1248744 | $2,850,000 Gail L. Caruso 207.266.9585

MLS 1280878 | $1,300,000 Gail L. Caruso 207.266.9585

MLS 1282399 | $849,000 Margaret Smith 207.266.5867

MOUNT DESERT

SOUTHWEST HARBOR

SORRENTO

MLS 1266204 | $999,000 Erica Brooks 207.217.0505

MLS 1314834 | $689,000 Erica Brooks 207.217.0505

MLS 1266965 | $895,000 Marcella Flubacher 207.479.7611

www.swanagency.com

BAR HARBOR

NORTHEAST HARBOR

BLUE HILL

Each office is independently owned and operated

43 Cottage Street | 207.288.5818

3 Summit Road | 207.276.5080

9 Main Street | 207.374.2020

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SOUTHWEST HARBOR

TRENTON

LAMOINE

MLS 1309635 | $380,000 Andy Pooler & Jane Pooler 207.276.5080

MLS 1304164 | $575,000 Andy Pooler & Jane Pooler 207.276.5080

MLS 1232320 | $339,000 Jennifer Mitchell 207.479.4348

NORTHEAST HARBOR

NORTHEAST HARBOR

SURRY

MLS 1276565 | $1,999,000 Linda Jonas 207.276.5080 ext 13

MLS 1275486 | $4,210,000 Linda Jonas 207.276.5080 ext 13

MLS 1283513 | $375,000 Amy Cameron 207.479.7877

BIG LAKE TOWNSHIP

DEER ISLE

DEER ISLE

MLS 1302146 | $949,000 Margaret Smith 207.266.5867

MLS 1307070 | $2,995,000 Margaret Smith 207.266.5867

MLS 1307106 | $3,995,000 Margaret Smith 207.266.5867

LUBEC

SOUTHWEST HARBOR

BAR HARBOR

MLS 1270762 | $495,000 Marcella Flubacher 207.479.7611

MLS 1308196 | $425,000 Ted Koehler 207.266.5051

MLS 1312897| $1,999,900 Betty Bryer 207.288.5818 ext 21

www.swanagency.com Each office is independently owned and operated

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Follow The Swan Agency Sotheby’s International Realty:

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“I don’t just list homes, I am your real estate advocate, negotiating the best deal on your behalf.”

Photographer: Darren Miles | Location: Campiello Ristorante and Bar, Naples, Florida

YOUR MAINE MAN IN NAPLES, FLORIDA

WILL FULLER California License # 01975989

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MVP REALTY®

Florida License # SL3354720

478 5TH AVENUE SOUTH, NAPLES, FLORIDA 34102 office 239.785.3310 | mobile 760.989.1882 will@willfuller.com | WILLFULLER.com

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Distinctive properties.

Legendary service.

Real Estate Sales • Luxury Properties • Vacation Rentals Since 1898

STONE HAVEN

GLENDON ACRES

WINDFALL

HI MOUNT

Bar Harbor - Location!! Views, impeccable condition, and room to spread out! $529,000

Mount Desert - 5+/- acre parcel with deeded access to Long Pond. $595,000

Northeast Harbor - Inner harbor home. Close to Gardens and dock. Guest house. $1,450,000

Seal Harbor - 4-bedroom home, water views, and vintage 1920s cabin. $1,950,000

TALLY HO

LAMOINE LAND

ASTICOU ACRES

HARBOR SHORES

Somesville - Sweet seasonal cottage with dock on pristine Long Pond. $699,000

Lamoine - 2000 feet of shorefront lot with 43+ acres! Fields, woods, and privacy! $375,000

Northeast Harbor - 5-bedroom home with stables on 7 private acres. $1,750,000

Bass Harbor - Three-bedroom cottage w/6.7 acres & private beach. $1,275,000

LONG POND LOT 2

OCEAN CAMP

POND VIEW

PINE HEATH HOME

Mount Desert - 5.2+/- acres and 571+/- feet of shorefront. Soil tests on file. $699,000

Pretty Marsh - Waterfront camps with nice beach and new dock. $1,795,000

Mount Desert - Cottage, bunkhouse and guesthouse on desirable Long Pond. $799,900

Town Hill - Charming cape on 2 acres nestled in the woods with delightful gardens. $310,000

EASTERN SHORE COTTAGE

MAYPOLE

CONNOR COVE COTTAGE

PRIMROSE INN

Swans Island - Shorefront cottage. 438+/- ft. of shore. Includes mooring. $395,000

Little Cranberry Island - Shorefront location.

8+/- acres, 1,940+/- feet of shore. $1,350,000

Southwest Harbor - Cottage on Fernald Cove offers 575+/- ft of shore. $2,300,000

Bar Harbor - 15 guest rooms; this landmark is in impeccable turn-key condition. $2,800,000

www.KnowlesCo.com One Summit Road, Northeast Harbor, ME 04662 info@KnowlesCo.com 207-276-3322

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Follow us on Facebook, Pinterest, Google+ & our blog at www.KnowlesCo.com

7/31/17 1:38 PM

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Ski Season is just around the corner.

Great Sugarloaf location!

6002 Piscataqua LN Carrabassett Valley, ME MLS # 1310877

Mark Small

Ph. 207.807.7889 mark@Landmarkrealtymaine.com

LandmarkRealtyMaine.com

Own a piece of quintessential oceanfront real estate on Penobscot Bay.

Just steps to the ocean

64 Kelley Dr, Stockton Springs, ME This stately cottage-style home is sequestered on 6.8± acres with 400± feet of picturesque Maine ocean frontage.

Within the 5,000± SF of main living space, you’ll find 3 bedrooms, 2.5 baths, and a

Attached garage

Bright, spacious interior

stone fireplace with Deer Isle Granite hearth.

The Kennebec Kitchen, at the center of the home, includes top-of-the-line appliances and opens to an expansive dining space.

entrance and a patio. An attached 2-car garage, plus large barn with guest apartment provide ample storage and accommodations for family and friends.

Ocean views throughout including from the 2,347± SF of finished space in the 2-bedroom walk-out basement apartment with private

Steps to the ocean, and a haven of wildlife, this home is perfectly suited for a life of adventure, reflection, and balance.

Large barn with guest apartment

Buy it at your price!

PUBLIC AUCTION ON-SITE: Wednesday, September 20 Tranzon Auction Properties is a member company of Tranzon, LLC. All Tranzon companies are independently owned and operated.

TRANZON.COM 866-503-1212

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Listed by Mia Thompson and Lili Pew

The Ledges

Distinctive properties.

Legendary service.

Northeast Harbor Step ashore from your private deep-water dock to enjoy The Ledges, a stunning 9-bedroom luxury cottage in Northeast Harbor. Completely renovated with top quality craftsmanship and fully modernized with state-of-the art conveniences throughout, this spacious waterfront home has been reimagined from the original 1901 Fred Savage design.

1 Summit Road Northeast Harbor, ME 207-276-3322

www.KnowlesCo.com

offered for $5,700,000

Are you looking for a neighborhood that offers a true Maine lifestyle?

CONSIDER THE NEWEST PREMIER COMMUNITY IN OLD ORCHARD BEACH • Fully Customizable Plans • Common Water Frontage • Private Walking Trails • 15 Minutes to Portland • 90 Minutes to Boston

• Package Pricing Available

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180 MAIN ST. SACO, ME 04072

CALL 207-956-0543 FOR MORE INFORMATION OR VISIT WWW.PONDVIEWWOODS.COM

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Life’s better when we’re connected®

to talent

to potential

to inspiration Nothing helps people connect like the arts — to themselves, to each other and across cultures. It’s why we’re supporting a wide range of organizations, from leading, world-class art institutions to local, community-based programs right here in Maine.

It’s an ongoing effort that’s helping to inspire, strengthen and fuel the cultural and economic health of our communities.

to each other

Bank of America, N.A. Member FDIC. •

Learn more about what we’re doing in Maine at bankofamerica.com/maine

Equal Housing Lender. ©2017 Bank of America Corporation. AR83HKB6

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When you see Karen out and about tell your server, “I’ll have what she’s having.”

2

An nd

nu

B al

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Ed

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Bonita Pothier ’71

Lou Chantigny ‘66

Join us in honoring two generous community partners and longtime contributors to learning

Saturday, October 14, 2017 UNE Campus Center 11 Hills Beach Road, Biddeford

Maine magazine food editor Karen Watterson and detail of her tasting at Dutch’s Breakfast & Lunch, Portland.

6:00 p.m. ~ Silent auction, hors d’ouevres and cash bar 7:00 p.m. ~ Dinner 8:00 p.m. ~ Honorees Recognized Cost: $50 per person or $350 for a table of eight FMI: Call 391-6885

Join Karen’s dining adventures.

Subscribe, read, like, follow. themainemag.com + @eatmaine

Proceeds benefit the Biddeford Education Foundation y: db

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ns Spo

Biddeford Savings Bank

P&C Insurance Saco & Biddeford Savings

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CAPTURE

by Yinan Wang (Trax)

EVERY DAY WE COMB THROUGH OUR INSTAGRAM FEED TO FIND IMAGES FROM FOLLOWERS DOCUMENTING OUR STATE. ON INSTAGRAM WE SHARE A CAPTURE OF THE DAY, AND EACH MONTH IN MAINE MAGAZINE WE HIGHLIGHT ONE OF THOSE PHOTOS.

Follow us on Instagram and use #CaptureMaine to share your love of the state.

“ I’

ve loved traveling with my girlfriend, exploring cities and urban edges around New England, since I graduated from Harvard University Graduate School of Design last year.

Portland came to our attention, not only because of its famous lobsters and lighthouses, but also because of this particular building, the Portland Museum of Art, designed by esteemed architect and Harvard alumnus Henry Cobb of Pei Cobb Freed and Partners. This is the first photo I took in Portland. It was my first impression of the city as I pulled over the car right in front of the PMA. The building exterior is as modest as many New England

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structures. Geometries are kept to a minimalist expression, while red bricks are laid deliberately and meticulously. These high, curving windows break the silence, inviting you to peek inside. As you step into the building the windows lead you on a tour, as they occur between every level along the open stairs; they frame a different view of the city every time you step higher and make your journey inside the museum naturally related to its outside context. The museum is both sensitive and sensible in its unique form. I treasure these moments when space is transcended into meditation, light into peace, and the impossible into possible.

Yinan Wang (Trax) is an architectural and urban designer. He received his master of architecture in urban design at Harvard University Graduate School of Design with an Urban Planning and Design Thesis Prize and his bachelor of architecture at Zhejiang University in Hangzhou, China. During his free time, Trax loves traveling and shooting photos.

You can follow him on Instagram @chchchchchrax

maine | themainemag.com

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True stories of journey creativity & triumph.

Told by the people who are shaping Maine.

THURSDAY SEPTEMBER 21 University of Southern Maine’s Hannaford Hall Portland, Maine

Watch videos from past Maine Live events online: themainemag.com/maine-live Tickets:

maineliveevent.com 207 772 3373 events@themainemag.com

Presenting sponsors:

Participating sponsors:

CBRE he Boulos Compan | Co ee b Design | urlbutt Designs | im odbout Plumbing eating Mougalian Rugs | Pierce twood | Richard Mood ons | homas Lord | own Countr Federal Credit Union Brought to you by: Photo: Stuart Kestenbaum, Maine’s Poet Laureate, at Maine Live, March 2017.

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A place where great wine is rivaled only by great friendships.

Vinfest, Lincolnville

Food, fun, friends -- All made better with Maine made wine.

Lincolnville Winery | Portland Tasting Room | mainewine.com

Live your life. Be who you are. Drink good wine along the way.

TM

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Fine home builders, general contractors, and developers

899 Post Road • Wells, ME 04090 • 207.646.6194 • Rmoodyconstruction.com

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