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Publisher & Chief Executive Officer Tempestt Har r is (CEO) Creative Director Michael Lopez Administr ative Staff Sales/Marketing Michelle Mitchell Ashley Lindo Gr aphic Design Layout Designer Antoine Boder ick Elisha Cutter Fashion Stylist Jer r y Thompson Style and Wardrobe Contr ibutor Jekia Benson Makeup Ar tist Alexis Washington Apr il Hill Wr iter s Wr iter Desiree Helm Contr ibuting wr iter Mar age Blakeney Mar y Lucas Wr iter Inter n Colby Poston Sydney Torcellini This Edition Photogr aphy Laurence Logan- The T.Z Studio Michael Lopez Videogr aphy Toussaint StudiosEmmanuel Toussaint Digital Level21 Media LLC. Yumpu Wr ibits
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Content 6 Moon Ultr a light 10 Affordable Housing Cr isis 20 Standing On Pr int 33 Joel Odom
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Written By : Colby Poston Photo Model: Yamaris Polanco
An Exclusive look into the Mind behind the MOON UltraLight Edward Madongorere is the creative mind behind the MOON UltraLight, which is a highly advanced and sleek light for your phone or most any tech product with a camera. I got to sit down with him via Zoom, and was able to ask him a couple questions about his creative process, influences, and more about the MOON UltraLight. Wer e you Af r ican r aised? Tell u s a lit t le m or e abou t you r f am ily lif e an d h ow t h at in f lu en ced w h o you ?ve becom e. Edward Madongorere: To a degree, my parents are both of African descent and my family heritage is Southern African in Zimbabwe. Wasn?t raised per se that way, But I had an opportunity when I was younger to actually go live in Zimbabwe and go to school there when I was a young adult, and that was pretty trans-formative. So w ou ld you say you ?ve spen t m or e of you r t im e in Am er ica w it h t h e par en t al in f lu en ce of you r r oot s in Sou t h er n Af r ica?
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EM : My parents to a degree were very Americanized, so my mom is western educated and traveled the world actually working as a flight attendant for major airlines, so she traveled all over the world when I was a kid, and my dad worked in government so he
traveled a lot too. I really had a multicultural upbringing; I grew up in New York City, so that was pretty much the melting pot. I was around twelve years old and had a chance to go to Zimbabwe for the first time; it was important for me to go because I sort of knew there was a little bit more to who I was, and I felt disconnected from it. Having that opportunity really changed my perspective on everything. Wh y ar e you so passion at e abou t t ech ? EM : This sort of ties into my upbringing? I love design more than anything; I love tech. I just love the whole idea of design; in fact, I actually got accepted to attend a design school in California when I was out of high school, and I couldn?t afford to go. At the time, my parents had split up before then, and my mom wasn?t really in a financial decision to send me to school. But I always had a passion for design, and that got me into music, and every time I needed to fix a problem, I?d use design tools that my friend would teach me how to use. I always had a reason to learn something, and after I learned it, it became part of the core values of who I was. And because I still loved to design, I was just always designing whether it was websites or user interfaces, but I love gadgets and tech. I used to buy all kinds of tech gadgets, so I always had a keen eye for design. So when Apple was really taking off, that became my gold standard; I was very impressed by what Steve Jobs and his team did with Apple. When you think about it, it was so monumental when you think about the level of design that was put into it, and that always stuck with me. When the idea for the MoonLight came about, I used all those certain chops I had learned over time.
Was t h er e ever a specif ic t im e like w it h Apple?s ?r ise t o pow er ? in w h ich you t h ou gh t , ?h ey, I cou ld t ot ally do t h at ?? EM : I didn?t even think I could do it to be honest, it was more of serendipity. So when I had the idea for MOON, I had already been a cinematographer, I?d been a designer, I?d worked in the corporate world (Cisco) where we did a lot of video conferencing, and form all that, I learned so much about tech in general. But for me, my goal was just to continue to design and film; I never intend to make a product. When the idea hit though, it just made me say, ?wait a minute, I
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should make this product.? I knew I actually had the skills to pull this off and I knew enough about myself and lack of ability, to know I personally wasn?t going to be able to make the product. However, going back to Steve Jobs, he didn?t per se make the products, but he did envision the products and where to go, and I knew I could potentially do the same thing. EM : I just knew that to do it I had to find my team, my ?Wozniak? so to speak, and I was lucky enough that I did find somebody was able to partner with me as my co-founder. So, it took a lot of my creativity and my understanding of video and lighting and all those things I learned over time, and then my co-founder bringing all of his skills in making physical products? we just became an unstoppable force. The first design that we had was the actual product we ended up making. We agreed on the size and we were committed to doing everything we could to accommodate that vision. Wh at set s you r pr odu ct apar t f r om t h e var iou s ot h er t ypes of self ie ligh t s, like t h e Self ie Rin g? Or on e of t h ose ph on e cases t h at h ave ligh t s bu ilt in t o t h eir per im et er s? EM : I?m a creator first; I love to create content. As I was thinking about not only the consumer, but how I would like to use it. I didn?t want it to be stuck in a place that was just for my phone. Selfies are great, they?re limiting. If you get one of the selfie rings then you can just use it for selfies, and similar products are also really bulky, and for you to pull that out in an environment where you want to create content, it almost limits you from doing anything because you feel so self conscious of holding this giant light in public to create content. Size was a discretionary thing, we wanted people to not have that anxiety of being embarrassed to take out this huge light for one picture. So size is definitely one of the biggest things that sets us apart from other products; nothing is as small as we are. And further than that, it had to look and feel like something you wouldn?t be embarrassed to carry around. Similar to when Beats by Dre came out and people started wearing them as badges of honor more than they were using them as headphones. It was because it wasn?t an embarrassing or bulky pair of headphones to put on your head or carry around, and so it became a fashion trend. Our goal was to create a product that you could have on your phone
and it would be a casual thing where more people could create the content they want and be like, ?hey I have a MOON UltraLight on my phone,? and it can almost become part of your identity, similar to Beats. Our product also really lets you get the lighting just right. The precision with which the lighting adjustment options is complexity unique to our product. You can manipulate the light size and dimness all the way down to the color tone of the actual light. This is again, really important because when you are going out with friends you?ll see everyone is unique in their tone and complexion, and so we wanted to accommodate every single person so they may have a good photo? especially in the tricky situations of group photos. You want to be able to easily capture the moment. M an y of t h e pr odu ct s on e can f in d on am azon in t h e w ider sph er e of ph on e cam er a ligh t s, ar e pr iced at an aver age of $25 dollar s or low er , yet t h e M OON Ult r aLigh t is pr iced at $60. How w ou ld you explain t h e h igh er pr ice t o som eon e in t h e m ar ket f or a det ach able ph on e ligh t ? Do you t h in k it w ou ld be a det er r en t t o t h ose in t h e m ar ket as t h e u n in it iat ed? EM : When you think about the level of our product, the consumers are paying for the highest of quality because we use the best material, best metals, best engineers, along with everything right down to the unboxing experience. Also, we spend almost $1000 on our cell phones that can take these amazing pictures in the right lighting, however, that lighting is not very precise or of high quality. SO if you?re going to spend all of this money on a quality phone, the picture quality should be great as well. The MOON UltraLight gives you an opportunity to experience lighting technology with the same level of craftsmanship as your smartphone. All of those things considered, the fact that we actually back up our products with technical support unlike some of the cheaper lights you can find on the internet, is a big part of our experience. Th ey say n ecessit y is t h e f at h er of in ven t ion , so w h at pr oblem , if an y did you set ou t t o solve w it h t h e in ven t ion of t h is pr odu ct ? EM : It was actually an ?ah-ha? moment in real life. Our youngest son is autistic and when we found out he had autism, our life mantra became to capture as
many moments as possible because we knew one day everything was going to click for him, and the main question would be how did he get here? wherever ?here? was in life. At the time my agency was the biggest thing and when my son is older he?s going to ask ?how did you do all this??, and especially as a young black kid seeing a guy come up and build something, it was very important for me to be able to tell that story for him. Capturing content and moments became our entire life? didn?t matter where we were, we were always taking photos. One night, we were in a particularly dim restaurant and my wife was trying to take a picture of us and it just wasn?t working out, and I was super frustrated and she was super frustrated and in that moment she challenged me, ?You know what you?re the cinematographer. You know light. Why don?t you come up with something?? With the combination of my ego and my desire to just be able to eat already, I just decided to try something for that moment. I literally just took two phones and held them together back to back while I took the picture with one, using the flashlight in it as a light and took the selfie of us. She was blown away, and I was semi-blown away, but I was kinda like ?Of course. Lighting solves this problem.? It was just sort of inherent to me; it wasn?t until this couple two tables away from us tried the same thing a few minutes later, where I realized my wife had a point and maybe I was supposed to solve this problem. Wh at advice w ou ld you give t o in ven t ive people? Th ose w h o h ave vision an d n eed f or people t o believe in som et h in g t h at is yet t o exist . EM : You just have to get up and do it. You need to believe in it so much that everyone around you just cannot deny the belief. Don?t take doubt to heart in fact, take in feedback and pocket it to mine for potential fixes to future problems. Not all feedback is gold, but it is some of the best ways to improve. You need to be willing to sacrifice. It?s not going to be an easy road and you?re going to have to make some sacrifices, meaning you?re going to have to sacrifice your time, maybe even friendships (hopefully not), but you will have to sacrifice something? you have to be okay with that. Some of the best ideas I?ve ever had came from people who were ?hating? on the product. Really internalize the criticism; that is how you solve all of the potential problems with it.
If everyone around you and on your team think you and the product are the greatest thing in the world and it?s brilliant and genius and only saying positive things, then you?re surrounding yourself with the wrong people on your team. You need people who can actually bring reality to the project. Wh er e do you see t h is goin g in t h e n ext f ew year s? EM : A global brand. Definitely. MOON is going to excel in all things content creation, especially lighting. I want to be able to create products that make visual content creation much more accessible while still maintaining the quality of many professional creators. Ar e t h er e an y ot h er pr odu ct s com in g f r om t h e M OON br an d t h at you 'r e able t o cu r r en t ly disclose? EM : I can?t disclose yet, but I can say one of them is going to be pretty awesome as an accessor to the UltraLight, and the other one is actually the next generation of the MOON UltraLight. I can?t really share the details (I wish I could) but I?ll tell you this: all I can say is? no wait? as a creative it is something that I am personally excited about, as I have been creating content with my mobile phone lately, and using smaller point and shoot cameras lately. That?s all I can really say but when I can disclose more information I?ll definitely let you guys know. Wh er e can people f in d you r pr odu ct ? Moonultra.com / Moon Instagram: @mymoonultra / Edward?s Instagram: @edemante * Respon ses ar e n ot ver bat im . Th ey h ave been edit ed dow n f or br evit y an d applicabilit y
LET'S TALK AFFORDABLE
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Now, do not judge me for that statement. Please. Growing up in that time I understood less about my black culture and wanted what my parents wanted, to get out of it. They wanted me to live in what they deemed a safer neighborhood with better schools. My parent?s idea of success was achieving the same dream as George Jefferson. To move on up. I give you this back story so you will understand that when I looked out the window riding through Charlotte all I saw was poverty because I had been taught to believe that all black communities equaled poverty. I made a silent vow that I would never move my family to the south because I wanted better for them. Too ignorant then to understand how I was myself being classist within my own ethnicity because I had no idea how my parents ideal of success was a detrimental narrative that impacted my thought process. I was a part of the circle that perpetuates gentrification because I had been raised to devalue my own culture. When you do not recognize the beauty and pride within your own culture, when you are raised to think that what others have is always better, it is hard to place or keep value within. Taking it one step further, when other cultures teach that our culture has no value and then further suppresses our economic value thru unhealthy and discriminatory policies, we never want what we have. It creates what I call ?The Jefferson?s Complex?, the idea within our race that to achieve success I must move out of my minority community instead of investing in it. To utterly understand gentrification which later leads to an affordable housing crisis, we must first understand the mentality that exist within lower income communities that ?out is better ?. We must address and acknowledge our role in the gentrification process and educate ourselves to create changes within our municipals. Only I didn?t, until recently, understand that. Although I had vowed never to move here, in 2009, after the death of my mom and experiencing some financial setbacks I found myself moving to Charlotte. Chasing the same dream as my parents, I was looking for a place where I could afford to raise my family in a diverse community. Now in the long run, moving to Charlotte has been one of the best decisions I have ever made. However, being totally transparent, at that time I moved to the Queen City my motives were less than admirable. I could not afford to live anywhere in Maryland or DC that was not majority minority and I did not want that. I had a child with special needs and the school system of the county I lived in was underfunded and could not support his needs. Again, I also subscribed to the theory that placing my children in diverse schools and neighborhoods created a better opportunity for their lives. When instead I should have been taking stock in how I could use my life to improve the community around me. I should have reinvested in the areas I fought so hard to leave.
CONTINUED... Let me just come right out and say it, being an all minority community does not mean it is inherently bad. An all-white community does not mean a community is any more safe than a brown one. If we, as other black and brown people, do not begin to move back into our communities, we will not have communities to move back into. We will continue to perpetuate the lie that was fed to most of us as children. I do not blame the generations before for my current thought process. I blame the racist system that led to this thought process in the first place. All people are created equal, but if we don?t believe we are equal to the next we will never solve the problems that plague us. So now I ask the question back to you. How do we stop the false narrative taught to us from previous generations that success equals moving out of our neighborhoods? How do we fight against societal norms and show the next generation that black and brown areas are worthy of staying in? Reinvestment in our own communities is one of the keys to solving the affordable housing crisis that gentrification creates. Our community cannot be pushed out of our neighborhoods if we realize the true value and worth of our own communities. We must work to identify ways to assist our neighbors in maintaining and repairing homes, so we don?t have to depend on others to revitalize them. By bringing in programs that teach financial literacy we can create a mindset of prosperity for the next generation that will generate resources to support the needs of the community. We can reduce and eliminate most crimes by providing education, job skills training and mentoring to those most at risk. All these things can help us fight an inherently racist system designed to devalue our homes and decrease our personal wealth. Together, we must keep a seat at the table by placing ourselves in a financial position to hold down our own areas to prevent them from becoming colonized. We must do this task, not with the thought of keeping other races out. When we see the true beauty in ourselves, there is no need to covet, feel inferior of want what others have. Being black, or brown does not automatically place a person in a lower social class. On a larger scale it is as much about social classes as it is about races. Separate is not equal. Separating people by race effectively separates people by social class. Our goal must be to responsibly integrate and promote communities where people of all income levels are valued and can thrive together. True economic change starts at home.
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ALEXIS ROCHELLE
Written By Colby Poston
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Photogr apher & Cr eative Dir ector : Michael Lopez
RIANNA
Photogr apher & Cr eative Dir ector :Laur ence Logan
Photogr apher & Cr eative Dir ector : Michael Lopez
Photogr apher & Cr eative Dir ector : Michael Lopez
Photogr apher & Cr eative Dir ector : Laur ence Logan
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Photogr apher & Cr eative Dir ector : Laur ence Logan
Photogr apher & Cr eative Dir ector : Laur ence Logan
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For mer Charlotte Mayor al Candidate, Joel Odom, Takes On CLT City Council Wr itten By Sydney Torcellini
A Joel Odom
t the young age of 21, Joel Odom has already become a well-respected community activist, led the charge of many rallies, and even ran for mayor. The accomplishments Odom has made are incredible enough for anyone's lifetime, but he's done it all at the young age of 21. His most recent endeavors are filing a complaint against the Charlotte councilman, Malcolm Graham, for a lack of transparency and speaking at NAACP March For Justice this past weekend. He accused Graham of not disclosing to the public that he sits on the Grants Committee for the United Way Central for the Carolina. This is a conflict of interest because Beds for Kids, an organization that Councilman Graham is Executive Director of, received twenty-five thousand dollars from a grant that was voted on by the Grants Committee for United Way. While speaking to Level 21 about this matter Odom stated that he believes there needs to be an audit done so that the public knows for sure what the money was used for. Joel said, "Whether he likes me or not I am still a citizen of Charlotte and the citizens have the right to know what?s going on." Q: You r an f or M ayor as t h e you n gest per son in ou r cit y t o do so. Wh at en cou r aged you t o t ak e t h at leap? What encouraged me to take on the challenge of running for mayor at such a young age was seeing the death and carelessness of many citizens of Charlotte?s lives. Our local leaders are more concerned and worried about re-election and their interests with nonprofits and private businesses than the people of Charlotte. Q: How is you r per spect ive dif f er en t as a Gen Z/ M illen n ial t h an ou r m ayor al can didat es f r om older gen er at ion s?
NAACP - Cor in M ack
I think the older generation and the younger generation have to come together. We have to value both perspectives to better the systems that be and work on creating a more robust America. I do value history and my elders, but I also value my peers at the same time. Everyone has different problems. My peer ?s issue would be with housing, car payments, loans, and preparing for a family. My elderly peer ?s issues would be health care, medicine, and paying for property taxes. The issues are different but they?re also the same because one day the younger generation will be where the older generation is so we have to take care of both generations, it?s not all about one.
Q: Ar e you look in g t o r u n f or an ot h er of f ice in Ch ar lot t e? At the current moment, I?m just focused on bettering the city of Charlotte and making sure that this is the place where I want to live and my family wants to live. So, at the current moment no I am not focused on running.
Q: Wh at ar e t h e m ost im por t an t issu es t h at local polit ician s in Ch ar lot t e n eed t o addr ess in you r opin ion ? One would be corruption. We need to weed out the people that are taking money from the city. Not only taking money but they are prioritizing their private interest over the wellbeing of the citizens. Not only corruption but we have to prioritize affordable housing, and we have to prioritize maintaining communities, not just Southpark, Ballantyne, and Myers Park but we also have to prioritize areas like Mallard Creek. Q: Wh at ch an ges w ou ld you lik e t o see be m ade t o Ch ar lot t e in t h e n ext 5-10 year s? One thing I would like to see in Charlotte is affordable housing. I would also like to see tent city be taken down not just moved somewhere else, if they are moved they should be moved into homes. I want to see taxes lowered and sustained for the elderly. I want to see young people getting paid a liveable wage. Even though they might be starting at Mcdonalds or Burger King, they should still be able to live off that salary for a certain amount of years before they have to move on to the next stage in their life. A lot of people don?t value entry-level positions, but people need to understand that those positions are available so that students will be able to pay off some debt while they?re in school. I think everyone should get paid a liveable wage and to have good healthcare. Q: Wh at m ak es you so passion at e abou t ch an ge? I don?t know, I think it?s in my blood. So many people tell me that I?m unique and that I have a calling and I kind of downplay myself and say If I can do it I know they can do it. My passion comes from seeing other leaders like Dr. Martin Luther King, Arthra Franklin, Maxine Waters, and Nina Simone, and all the other leaders that came before. They weren?t focused on money, they were focused on bettering this country for their children and their grandchildren. That?s where I get my passion from. I go back and I think about the slaves that were put on those ships and traveled across the Atlantic. I think about all the people who put up a fight so that I could live and push so that other people could get their rights and have their rights in this country. Q: Wh at w as it lik e f or you gr ow in g u p, do you t h in k t h at t h e w ay you w er e r aised or cer t ain t h in gs in you r lif e gr ow in g u p af f ect ed h ow you f eel polit ically an d you r passion ? I have seen reality. I had the pleasure of not only seeing what was going on from TV or seeing just what people want us to see. It?s not just some fairy tale. I got to see
people, older people, that were renting homes for almost 50-60 years, and all of a sudden they were told to move out. I?ve seen violence, I?ve seen communities come together, community engagement. I?ve seen a plethora of different motivations and genres in the Charlotte community. My family has been in Charlotte for over a hundred years. My great grandmother, Vera she?s now 82, helped raise me with the help of my grandmother because my mother passed away. I might be 21, but I have the history and the wisdom of a 100-year-old. Q: How did you en d u p f in din g ou t abou t t h e m on ey n ot bein g u sed cor r ect ly by cit y of f icials, an d w h at does t h at w h ist le blow m ean f or people in t h e Cit y of Ch ar lot t e? I sit on the board of directors for Generation Nations, a non-profit that is involved in civic advocacy for the youth, and so I was looking for different grants and seeing what type of nonprofit in the Charlotte community get some type of assistance. I came across the COVID-19 relief on the United Way Central Carolina website and it listed $25,000 for Beds For Kids. I thought that was kind of strange because it is Malcolm Graham?s nonprofit but he?s also on the grant committe. So he sits on the very committe that approved giving him $25,000. I went to Brian Collier, the Executive Vice President of the Foundation for the Carolinas, and he told me that the million dollars they received were spent in the first 3 weeks. He also said that the million dollars went under the shelter and housing department. As I told Mr. Collier over the phone, I said you know that?s where Malcolm Graham?s program falls under. That just says to me that these people assume they can do what they want to do and get away with almost embezzling from the city and nothing is going to happen to them. Also, It says a lot to me that this rich man can contact me the day after I file an ethics complaint and talk to me about the transactions of the Foundation of the Carolinas but Malcolm Graham has been receiving phone calls and emails from me going back to early July about the Beatties Ford Road Massacre and he can?t even get with me. That says a lot about him and his character and how he feels about the people of Charlotte. Whether he likes me or not I am still a citizen of Charlotte and the citizens have the right to know what?s going on. They need to do an audit of this money. What did he get this money for and on top of that where did he spend it? Did he spend it or did it go to his salary? After doing a little bit more digging I found out that the RNC committe donated over 900 pieces of furniture to Beds For Kids and last time I checked the RNC was under a contract with the city. I did not know that you could donate to employees of the city while they?re in office. That puts the city in a place of vulnerability when it comes to bribery, extortion, and corruption.
Q: You spok e at t h e NAACP M ar ch For Ju st ice t h is past w eek en d, w h at w as t h e in spir at ion beh in d you r speech an d poem ?Never For get ? I wrote the poem ?Never Forget? a couple of months ago when one of my friends was killed. I was reminiscing on history and what was going on in Charlotte. The poem inspired me to touch and connect to all of my ancestors. Some people ask how I prepare for a speech and I usually don?t. I might write a speech out but usually, when I start speaking it comes out natural. Before I go on, I do what Dr. Angelou said ?Call up all your ancestors, all your leaders and take them with you? and that?s what I do. I love the passion for speaking and motivating people. I take on the life force of leaders that have come before me and I try to do my best to impress them. Q: Wh at ar e som e w ays you plan on en cou r agin g t h e people of Ch ar lot t e t o vot e? On my social media platforms, I share voting information and voting registration. I am also a part of BPC and they have a Get Out To Vote Committee that I take part in. We would normally knock on doors, which is something we
VOTE can?t do right now, but I did at one point knock on doors, send out letters, and try to get people to register to vote wherever I was and just make people aware. One thing that?s happening in Charlotte that I shared on my social media is the 2020 Voter Workshop. It?s a program that teaches people about civics 101 and how local government works. I put that on my social media pages just to remind people that there is no shame in not knowing, the shame comes in when you admit you?re ignorant yet you?re not taking the steps to educate yourself. Q: Ar e you plan n in g on speak in g at an y u pcom in g r allies? I am planning a memorial service with the county commissioner, Vilma Leake, for the people that were murdered in the Beatties Ford Road Massacre. So I am coordinating with Westside leaders, and churches to figure out how we can pull this off for not only the families but the citizens at Beatties Ford.
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