THE MQ UC SAN DIEGO
September 22, 2021
“It costs a lot of money to look this cheap.” - Anna Wintour, Honorary Chair of the MET Gala
Volume XXVIII Issue I
The bad boys of print journalism
Fraudulent Blacksmith Forges Sword
IN THIS ISSUE ONLINE PROXY WARRIOR STUCK IN INFINITE LOOP
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CRYPTO-ENTOMOLOGIST FINDS BUG IN HIS CODE
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GET INVOLVED!
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VACCINE SITE INCENTIVIZES WITH FUNFETTI FROSTING SUSAN BAGEL’S CLASSIC LASAGNA RECIPE PHOTO BY SHARON ROTH “It looks great in my hand but it sucks during warfare,” claimed Jean Dark. “Kind of a double-edged sword.” BY ANIELA DRUMONDE Editor-in-Chief
T
he workshop of Trevor McLintosh is cold and pristine, with bright lights hanging overhead and a team of apprentices each wearing the same casual work robes, so as to distinguish themselves from the hoard of customers that enter their workshop each day. Their apprentice seal, a biblical motif, is identical to the one emblazoned on the hilt of each of McLintosh’s celebrated swords. As one fan puts it, “With a single glance into the heat of a stoked kiln, anyone can see the dedication and craftsmanship that goes into each sword here,” before adding an aside, “I’m so glad I get to come here every year, almost on the dot, right as my glorious sword slays my thousandth foe and collapses into itself, accidentally stabbing me in the process.” “These guys have dominated the market ever since Trevor McLintosh figured out how to perfectly calibrate swords to their wield-
ers, inventing the iSword in the process. But somewhere along the way, the iSword I’d bought would end up falling apart, and I’d have to buy a new one,” claimed Jean Dark, an up-and-coming soldier on her first siege. “I’m up to the iSword X dual-wielding, and I paid an extra gold ingot for the lapis lazuli sheaths, which I’m so happy with. But still.” That is one of the many complaints soldiers and infantrymen alike have had with weapons made in this shop. “I feel like right as McLintosh leaves his workshop and a herald announces his newest design, my own sword starts performing so poorly that I’m forced to buy a new one,” said Owain Argent, local munition man. “This man must have been given the gift of prophecy, to know just when I am going to need a new weapon! Truly, Trevor McLintosh has been given many blessings, apart from inherited wealth, to be so perceptive of my needs as a customer. He really fills the
niche made by people who have both filled pockets and a burning desire not to get killed by enemy combatants.” Recently, McLintosh has started expanding his clientele, adding new spins on a plethora of bows to the joy of archers everywhere. “I just bought a whole quiver of arrowheads from here, and the craftsmanship is unlike anything I’ve ever seen before,” exclaimed Dark, before hurriedly buying the official McLintosh whetstone to sharpen her new arrows, as all other whetstones from any other blacksmith “would be incompatible.” “Sure, sometimes swords break,” acknowledged McLintosh, “however, I’m working on a new project that would keep all my customers’ swords up-to-date on everything they would ever need.” These fixes, colloquially called “updates,” have sword owners come into the blacksmith for improvements to their alreadypurchased swords for no cost. It is, claimed McLintosh, a
universally beloved practice, that allows the swordwielder to feel like a part of a “wonderful, constantly-expanding conversation” in smithing. “I hate it,” Argent said. “Everyone I know hates it. My handle’s no longer got the same grooves and wears I’ve tirelessly worked my hands into while practicing with it, and I know one of my friend’s companions died because they forgot to account for the new chain length of their updated morning star. The only reason any of us come back to get these updates done is because a pigeon comes to our doorstep every day to give us the message that up-to-date installments are available to us now. It’s so annoying.” The last straw for many happened recently, when McLintosh got rid of sword hilts entirely, and created an apparatus to be inserted through the arm to allow for “better ease of motion.”
La Jolla Family Rents Out Doghouse to UCSD Student Amidst Housing Crisis
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NEWS IN BRIEF RANDOM PASSERBY CROWNED “KING OF THE MET GALA” Celebrities attending the Met Gala last weekend were surprised to see viewers choose random passerby Jim Hornbloom as the unofficial King of the Met Gala. Hornbloom, who had taken a wrong turn on the way to pick up his dry cleaning, was soon approached by critics who praised the “all-encompassing stylistic vision” of his fashion for encapsulating the gala’s theme, “Americana.” According to critic George Lions, Hornbloom was on point: “The taupe cargo shorts, symbolic of a nation that carries, a country of movers and shakers ... A Morrissey Tshirt, walking the perfect line between racism and beauty ... And look at the
Carhartt beanie, clearly evocative of the American tradition of rock and roll: countercultural, immune to the icy blasts of skepticism... I have no words. A true American inspiration.” When asked how it felt to turn celebrity heads, Hornbloom seemed more anxious than flattered. “Look, I don’t know what’s going on here. I was supposed to pick up my cousin Danny’s blazer three hours ago. If you could be a dear and direct me to Lo Chieu’s 24-Hour Dry Cleaning, I would appreciate it.” Hornbloom was later found battling waves of rabid critics, wielding Timothée Chalamet as an improvised sword.
CLOWN COSTUMES MOVED TO SEXY SECTION OF SPIRIT HALLOWEEN Sales of clown costumes were up last Halloween, but not for the reason one would expect. With COVID-19 still surging through the United States, Halloween 2020 proved that costume stores provided more use beyond family holiday fun. “You would think the most popular costumes for these uh...adult house parties would be skimpy cats, cheeky cheerleaders, or nuns or nurses. Something like that,” reported Spirit Halloween sales representative Carl Hieronymus, “but our clown section was completely wiped out
by mid-October. Come to think of it, we were also struggling to keep up with the demands for adultsized baby costumes.” CEO Steven B. Silverstein of Spencer Spirit Holdings Inc., who is in charge of both Spencer’s and Spirit Halloween, has seen the shift in perception of clowns from scary to sexy and is responding by reorganizing all of the 2021 Spirit Halloween store layouts so as to place all clown costumes and clown-related accessories among the “sexy” costumes.
NINTENDO ACCIDENTALLY SUES ITSELF AFTER REMAKING ITS OWN GAME PHOTO BY MARIA DHILLA “I like having the extra money,” said Mrs. MacInson. “But I no longer have a place to send my husband to when he messes around with other women.” BY KAZ NUCKOWSKI
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Distribution Lieutenant
aced with the combined pressures of an ongoing pandemic and record admission rates, many UCSD
students are struggling to find housing for the upcoming academic year. Students have taken matters into their own hands in the absence of administrative action, with many Facebook groups being dedi-
cated to the task of helping students find places to live. In many cases, this involves taking advantage of transitional university housing, or renting out living rooms in other students’ apartments. For one
Benji Clifford, an affordable accommodation meant the MacInsons’ doghouse. “I was browsing Facebook in an attempt to find something, anything,” said Clifford,
See Doghouse, page 2
CAPTAIN AHAB CLOSES IN ON RARE WHALE
I LIKE MY CHICKEN HOW I LIKE MY FISH:
Ahab claims, “He’s a slippery sunuva bitch”
Smoked.
Nintendo’s legal department recently announced that they will be pressing charges against the creators of “Donkey Kong HD,” a 4K remake of the 1981 arcade classic — a game which turned out to be a product by Nintendo Entertainment Planning & Development, causing confusion within the company. The representative for Nintendo EPD, Mario L. Bowser, commented on the lawsuit. “I can’t believe we are being sued by our own corporation,” he said. “All we did was follow the quarterly plan. This was literally in the meeting, everyone agreed on it.” According to Bowser, they tried to contact the legal department
to resolve the conflict “or at least get someone to represent us,” but the only response was “Don’t expect to settle this out of court, mushroom eater.” W. A. Luigi, a lawyer for Nintendo, stated that “Despite this being our own company we are suing, we can’t let them just go and remake our own games. They are stealing money we could spend on more lawsuits!” The presidents of Nintendo refused to comment, while chief game designer Shigeru Miyamoto stated, “Next time we will be suing people for saving their game since this is technically making changes to the game files.”
See BRIEFS, page 11