December 5, 2012
www.pacepress.org
Volume 64 | Issue 7
THE PACE PRESS SERVING PACE UNIVERSITY’S MANHATTAN CAMPUS SINCE 1948
“Party Time” and “A Number” debut together for a good time IRENE SCHULTZ Contributor
The university’s renowned performing arts department has produced another fantastic week of theatre. The most dramatic of all works presented thus far, Caryl Churchill’s drama “A Number” was truly outstanding. Directed by senior Chad Chenail as a part of a magical night of one acts performed in the Schaeberle Theater—including Harold Pinter’s “Party Time”—Churchill’s complicated and eccentric script thrilled the audience. The play touched on the controversial subject of human cloning, along with the questions of identity and nurture. From the very moment the show began, the combination of video projection and the brilliant choreography revealed to the audience that the plot revolved around the concept of cloning. The idea of human cloning proves upsetting, establishing the unnerving tone of the play, which ultimately reveals itself as more of a tragedy than a drama. As the show evolves, an understanding is gained that there is more to the story than just human duplication, but that of the value and worth of a person. “Both once [sic] act plays had incredible performers, especially those in ‘A Number,’” said David Shocket, a member of the technical staff at the Schaeberle Theater. At first this particular production of the play got off to a bit of a rocky start because it was evident that the cast, consisting of two male actors, had forgotten several lines, interrupting the authenticity of the story. However, as the actors grew more comfortable onstage in their characters, the acting became more real and the lines came more naturally in the moment. The main plot of the play is based on the character of Salter, played by junior Soun Long, who becomes entangled in lies and conflicts with his sons. Previously, Salter was married with one male child. When his wife and mother of his son commits suicide, Salter attempts to raise the boy on his own and fails due to his inability to grieve the loss of his wife. Ashamed by his lack of success as a father, he ultimately sends his first son away. Regretting his troubled parenting and behavior, Salter feels he needs a second chance at being a father and clones his son’s DNA in order to create an exact replica and start all over again with a new son. With the implementation of the procedure, which was guaranteed to produce only one copy, having gone horribly wrong, Salter’s second son Bernard discovers he is not unique. The truth behind this story is revealed throughout the play as Salter’s first son, still alive, discovers there are other people who are just like him.
continued on PAGE 9 Top Left- Jimmy (Keith Vartanian) during the final moments of “Party Time” Bottom Left- Salter (Soun Long) confronting son (Jade Ziane) Top Right Salter and his son share a tense moment during “A Number”
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