February 20, 2013
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Volume 64 | Issue 11
THE PACE PRESS SERVING PACE UNIVERSITY’S MANHATTAN CAMPUS SINCE 1948
IRENE SCHULTZ Features Assistant
From England, the highly recognized Motionhouse Dance Company made its New York City debut here at the University, presenting their successful touring theater production “Scattered.” Demonstrating their trademark use of imagery and theatrics, “Scattered” delved into a world of water, as well as into the minds and imaginations of the audience. In addition to a mere seven-member company of incredibly athletic and talented dancers originating from countries all around the globe, the performance included a unique set design and original music. Similar to their other theatre productions, this particular show incorporated hypnotizing aerial work on a curved floor that utilized film and graphic projections to create an underwater sensational experience. The huge half-pipe like floor skyrocketed upwards, creating a dangerously entertaining steepness on which the dancers performed for an astounding stamina and strength-challenging seventy minutes. The dancers dangled from the edge of the cliff-hanging peak with all of their strength, while at the same time performing incredible tricks. Many times they clung on with only one hand and intertwined with other bodies in various positions, all the while remaining present in their facial expressions and emotions. From the very first time a dancer simply rolled herself down the steep arch, the tricks continued to become increasingly difficult, and therefore all the more impressive. The dancers climbed silk sheets up the floor, built a human chain on top one another, walked across each others feet, and tumbled in bungee harnesses, all on the incredibly steep angle of the floor.
Motionhouse Scattered continued on PAGE 10
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ARTS How to survive a zombie apocalypse, Pace edition PAGE 9
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NEWS
February 20, 2013
Pope Benedict XVI abrubtly announces his resignation Cardinals forced to elect new Pope in first antemortem election in 600 years ELINOR COHEN Contributor
Pope Benedict XVI announced his resignation on Feb. 11 at the Vatican. Pope Benedict, born and raised in Germany, is the first pope to resign from his position since Gregory XII, in 1415. Benedict cited “advanced age” as the primary cause. Although the majority of Vatican experts and officials reported that they were shocked by the news, Benedict previously spoke in press conferences about the possibility of resigning should he ever feel that he was not able to properly perform the duties required of the Pope. “Strength of mind and body are necessary, strength which in the last few months has deteriorated in me to the extent that I have had to recognize my incapacity to adequately fulfill the ministry entrusted to me,” he said in his statement of resignation at the Vatican. Vice President Joe Biden has made it clear, on numerous occasions, that he is a Catholic himself and supports Catholic views. In a statement coming from Washington, Biden said, “The decision reinforces for me as a practicing Catholic that this is a man of great integrity and looking out for what he believes is in the best interest of our church. I admire him for it.” In the United Kingdom, Archbishop Vincent Nichols agreed, saying, “I am sure that many will recognize it to be a decision of great courage and characteristic clarity of mind and action.” Others were saddened about the news. Archbishop Timothy Dolan, President of the U.S. Conference of Bishops, likened the situation to the aging of a family member. “It’s like watching your own Dad get old and admit he’s not up to all the duties that being the head of a family involves. And there’s a somberness, there’s a sadness there.” Senior Lauren Rogers, who spent last semester studying abroad in Rome, was also saddened by the breaking news, “I think it’s kind of nerve-wracking that he resigned so suddenly,” she said. “When I was in Rome this past fall, I went to the canonization of saints, which is monumental, and he was there. He seemed fine and in good health, so this news is pretty unexpected. [A papal resignation] Hasn’t happened for almost 600 years, so it’s definitely going to shake things up a bit.” Senior Spencer Cammarano took a travel course to Rome during her junior year, where she had the opportunity to attend a papal audience, saying,“While I didn’t meet him one on one, it was a moment well worth waiting for. Regardless of the fact that I’m not Catholic, I found it overwhelming to see the Pope in all his glory. This [resignation] is a historic event- regardless of religious beliefs, that’s something to take note of.” There is speculation if there were other factors that influenced Benedict’s ultimate decision to step down. Benedict XVI’s reign began in 2005, at the height of the molestation scandal within the Catholic Church involving numerous priests. In 2008, he publicly
acknowledged “the shame which we have all felt” regarding the abuse reports and convictions. Evidence has also been found to reveal that in 1985, prior to his ordination, Benedict signed a letter to thwart efforts to dismiss a convicted child-molesting priest, citing “the priest’s relative youth, but also the good of the church.” Some members of the community within the University are also voicing speculation about his true reasoning for resigning. Professor Susan Brownmiller, an acclaimed author, recently expressed her thoughts,
“It’s like watching your own Dad get old and admit he’s not up to all the duties that being the head of a family involves. And there’s a somberness, there’s a sadness there.” -Archbishop Timothy Dolan,
President of the U.S. Conference of Bishops
saying, “I don’t buy the lack of energy line. I think his cover-up role in the church abuse scandals was getting too hot to handle.” Rumors of replacement options are also being discussed. Cardinal Angelo Scola of Rome, Cardinal Marc Ouellet of Canada, Cardinal Leonardo Sandri of Argentina and Cardinal Peter Turkson of Ghana are amongst the top contenders. There is the possibility that the next Pope could be Latin American or African which has sparked various debates about the future of the Catholic Church. Still, factors determining the next pope are not based on nationality so much as age and the ability to properly do the job. “All of the questions about nationalities are nonsense,” said Michael Sean Winters, a visiting fellow at the Institute for Policy Research and Catholic Studies. “There are 118 men [Cardinals who will make the decision on a 2/3 vote], and all of them have gotten to know one another. ... Their questions are going to be ‘who can we see in that chair?’” While Pope Benedict XVII has no direct input as to who his successor will be, it must be accounted for that he personally appointed 67 of the 118 cardinal; that alone is bound to have some influence on the final decision. Vatican spokesman Reverend Federico Lombardi reported at a news conference that the new pope will be instated before Easter.
“Spider-Man: Turn Off the Dark” to put on autism-friendly MICHAEL “TJ” WILLIAMS Arts Assistant An autism-friendly performance of the Broadwayhit musical, ‘Spider-Man: Turn Off the Dark’ will hit the stage on April 27 in honor of Autism Awareness month. This performance of ‘Spider-Man: Turn Off the Dark’ is being organized by the Theatre Development Fund, whose mission reads: “Theatre Development Fund, a not-for-profit organization, was created with the conviction that the live theatrical arts afford a unique expression of the human condition that must be sustained and nurtured. TDF’s twofold mission is to identify and provide support, including financial assistance, to theatrical works of artistic merit and to encourage and enable diverse audiences to attend live theatre and dance in all their venues.” Other shows that this non-profit organization has provided for those with autism include ‘The Lion King,’ ‘Mary Poppins’ and ‘Elf: The Musical.’ ‘The Lion King’ was the first ever autism-friendly show, and proved so successful that it returned for a second performance last year. ‘Spider-Man: Turn Off the Dark’ was chosen as the next autism-friendly show because, according to a survey conducted by the Theatre Development Fund, this was the show that most families were interested in seeing. Representatives of this non-profit organization explained that the Broadway musical will be shown “in a friendly, supportive environment” for those with autism and their families. According to AutismSpeaks.org, it is estimated that autism affects 1 in every 88 children, and more specifically, 1 in every 54 boys. In the United States, autism is the fastest growing serious developmental disability, and there is no cure. Some common symptoms include high sensitivity to loud
noises and bright lights, difficulty sitting down for long periods of time, and a struggle to remain quiet at times. Some adjustments to make the show more autismfriendly include limited strobe lights and a reduction of the numerous sound effects. Additionally, if anyone needs to leave their seat at any time, there will be autism experts staffing designated quiet and activity areas. These stations will include beanbag chairs as well as coloring books. Executive Director of the Theatre Development Fund said, “Watching families experience live theatre together for the first time in an environment that was safe and supportive is a truly emotional and gratifying experience. We could never do this without the co-operation of everyone involved in the productions from the producers to the ushers.” The Theatre Development Fund is trying to make the attendees as comfortable as possible too. Children with autism will even have access to a downloadable guide that will explain what the performance will be consist of such as the plot of the musical, what the ushers do during the show, and what to do during the duration of a curtain call. Although these may seem obvious to people who go to Broadway shows regularly, someone with autism may be thrown off by these factors, which could ultimately negatively affect their enjoyment of the production. The Theatre Development Fund is striving to eliminate any possibilities of disappointment from those with autism when attending ‘Spider-Man: Turn Off the Dark.’ Freshman Valentina Sotomayor stated, “I think this is truly a great opportunity for those with autism. Especially something like Spider-Man! There are not many children who do not like Spider-Man...” Freshman, Nicole Sletcher, agreed saying, “Every little kid loves Spider-Man and can probably relate to him in some way. I use to babysit for my neighbor’s kid who
had autism and she was limited to what she could watch on television due to the intense sound and lights. No one should be held back from what many of us do for fun and entertainment. It just wouldn’t be right.” This show will take place at the Foxwoods Theatre located at 213 West 42nd Street, New York, NY 10036. Tickets are being sold solely by the Theatre Development Fund, who have promised to sell the tickets at a lower price than the usual amount. Rather than tickets ranging from $49 to $135, tickets will be sold anywhere from $30 to $80. The producers of this musical are excited about this autism-friendly show. In a statement, producers Michael Cohl and Jeremiah J. Harris said, “We are delighted to have the opportunity to share our production with those affected by autism.” The ‘Spider-Man’ producers are hopeful this performance will be a great and enjoyable experience for those with autism.
thebroadwaycriticblog.com
NEWS
February 20, 2013
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University’s Model UN to participate in upcoming conferences Students hoping to place at University of Peace Conference in Costa Rica ANGELICA RAZACK Staff Writer The Model United Nations team will be participating in the annual New York City National Model United Nations Conference in March as well as the University of Peace Conference in Costa Rica in February where members will get the opportunity to interact with other student delegations from around the world. The university’s Model UN Team boasts 60 years of excellence and recognition in national and international conferences. Last year, during the 2012 spring semester, students participated in the prestigious Geneva International Model United Nations Conference in Switzerland, and won three awards. Student delegates also participated in the 2012 NMUN conference within the same semester, representing Tunisia and the Democratic People’s Republic of Korea, taking home more awards than any other university that participated in the conference. The MUN team also participated in the Penn State Model United Nations Conference this past fall, and two university students have received verbal commendations for representing Monaco. “Engaging in Model United Nations simulations prepares students for working in the global policymaking arena through hands-on training in diplomacy, research, public speaking and writing,” says Dr. Matthew Bolton, faculty advisor of Model United Nations. “In Model UN conferences, students get the chance to interact with other people from around the country and the world. In doing research, writing policy papers and giving speeches, they learn skills that are useful in a wide variety of careers and settings. Model UN can be an empowering experience for students because it offers a ‘toolbox’ of techniques for influencing political decision making processes. These skills are useful whether you are a diplomat at the UN, a parent at a PTA meeting, a resident at a Community Board meeting or involved in student governance.” Elena Marmo, a sophomore majoring in Political Science with a minor in Peace and Justice Studies, said that MUN is both a course in which students can receive credit, and a club where students can simply observe class meetings. Students are assigned partners, and can choose from two countries and various committees to represent. The head delegates make the ultimate decision as to which country and committee each student represents. Michael Zona, senior, said that classes are held weekly on Mondays from 2:30 to 5:15. Kimberly Alonso, senior, says that each delegate has his or her own strengths in teaching the class, for instance, Zona assists students with three point plans, which are student’s solution to an issue discussed in committee, and Marmo assists with speeches. “We work with Dr. Bolton to figure out what we are doing for class… we act as
liaisons with the students and the professor, so if there is an issue with students, we report to Dr. Bolton. We also grade and edit the assignments and position papers,” says Marmo, “The classes are not taught solely by Dr. Bolton and are co-facilitated by the head delegates.” “My experience with MUN has been nothing less than extraordinary,” said Abdul Khalil, a sophomore majoring in Political Science. “The people you meet, the languages you hear, the experiences you gain just by attending not only class but conferences is extraordinary…You also obtain so many friends both in class and internationally which is super cool.” Abdul has attended three conferences, representing Tunisia, Colombia and now Uganda in the upcoming NMUN conference, “I have…benefited from MUN by furthering my aspirations to become a diplomat in the United Nations. The networking MUN has is way better and much more on a personal level.” This will be the first MUN conference at the collegiate level for Lindita Capric, freshman, majoring in Political Science. Caprio said she joined MUN because, “I am really interested in Political Science, and I also did Model United Nations in high school and I wanted to see how it was done in college. I also want to work for the United Nations in the future and want to gain a better understanding on how the United Nations works.” As a new member of the university’s MUN team, Caprio says that the first meeting was a bit intense, especially since the drafting of her position paper would have to start right away. She says that the process has been fun but hard. Representing Kenya in the General Assembly First Committee, she is looking forward to conference, and is ready to share her knowledge of her country, as well as embrace what she has learned in class and put it into practice. Bushra Anwar, who is majoring in International Management, will also be participating in the upcoming MUN conference for the first time, will be representing Kenya in the General Assembly Second Committee. She joined Model UN as a club, because she wants “To learn more about international relations, policy making and diplomacy.” During her first few weeks on MUN, Anwar finds MUN to be a “challenging class, but so far it has been quite enriching.” Head delegates Alonso and Zona encourages students of all majors to join Model United Nations. “If you never had great study habits, then MUN will teach you how to study, how to memorize, how to theorize and how to analyze from a different perspective,” Alonso said. “No other class will provide you with the necessary skills to succeed in the professional world,” Zona stated, “Experiential education teaches more about real life than a term paper on a computer screen.”
GIMUN 2012 paceneymundotorg.files.wordpress.com
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NEWS
February 20, 2013
Bengali man pleads guilty in attempted terrorism attack Quazi Nafis is on trial for his attempt to bomb the NY Federal Reserve SHANNON MCMAHON News Assistant A man from Bangladesh, accused of trying to blow up the Federal Reserve Bank with what he thought was a one thousand pound car bomb, pleaded guilty to terrorism charges early last week. Quazi Mohammad Rezwanul Ahsan Nafis, 21, was arrested on Oct. 17 after pulling up to the Federal Reserve and attempting to detonate what he thought to be a one thousand pound bomb hidden in a van. In its place, he was actually carrying materials planted by an undercover FBI agent as part of a sting operation. “I had intensions to commit a violent jihadist act,” Nafis told the judge. Nafis also displayed his shift in jihad participation, saying at the hearing, “I no longer support violent jihad. I deeply regret my involvement in this case.” On May 30, the 21-year-old will face a possible life term at sentencing. Investigators said in court papers that Nafis came to the U.S. committed to jihad and worked out the details of a plot when he arrived. He then selected his target, drove a van loaded with imitation explosives to the door of the Federal Reserve and tried to set off the bomb from a hotel room using a cellphone he thought had been rigged as a detonator. Nafis also stated that he had the approval of al-Qaida and was acting on behalf of it, but he has no known connection to the terrorist group, according to federal officials. During the investigation, Nafis spoke about his deep admiration for Osama bin Laden, talked of writing an article about his plot for an al-Qaida-affiliated magazine and said he would willingly be a martyr but preferred to go home to his family after finishing the attack. However, Nafis’ family members in Dhaka say they do not believe he was capable of these actions.
“I had intentions to commit a violent Jihadist act.”
-Quazi Mohammad Rezwanul Ahsan Nafis, The New York Federal Reserve Man accused of the attempted bombing of the New York Federal Reserve Bank
“My son couldn’t have done it,” Quazi Ahsanullah said after news of his son’s arrest. Nafis, who was working as a busboy at a restaurant in Manhattan at the time of the arrest, came to the U.S. as a student. According to his parents, he did very poorly at school in Bangladesh and was able to persuade them to send him to study in the U.S. as a way of improving his job prospects. They don’t believe he was planning an attack. According to unsealed criminal complaints filed in Oct., Nafis entered the United States in 2012 with a student visa, and eventually traveled to Queens, New York. Once in Queens, he searched for targets for a potential attack - including the New York Stock Exchange and President Barack Obama. He eventually settled on the Federal Reserve Bank in Manhattan. Nafis also attempted to recruit others to aid in his plan, and discussed his plots over social media sites such as Facebook. He claimed he was interacting with al-Qaida operatives overseas and actively sought out new al-Qaida connections in the United States. One of the individuals he brought into his plan was an undercover agent working for the FBI, who monitored Nafis’ activities and helped arm him with the inoperable explosives according to authorities. Prosecutors also said Nafis tried to use a mobile phone to detonate the explosives that were concealed in a van. After Nafis repeatedly tried and failed to ignite the explosives, he was arrested. U.S. Attorney Loretta lynch spoke of Nafis’ plan, saying, “As today’s guilty plea shows, the defendant came to this country not to further his studies, but to advance the goal of jihad. With diligence and determination, Nafis attempted to carry out his plan in the name of al-Qaida.” The Federal Reserve Bank in Manhattan is one of 12 branches around the country that make up the Federal Reserve System that serves as the main bank of the United States. It is one of the most architecturally stunning buildings in the city and is in the middle of a massive security effort headed by the New York Police Department where a network of thousands of private cameras watch for suspicious activity. Junior Erica Crespo gave her input on the frightening prospect of an attack, “It’s scary because it’s something that’s not only going to affect that place but everything and everyone around it. Since we’re so close here at Pace it can also really negatively impact us. It’s just like the Twin Towers when we lost a lot of people from our school. The fact that he didn’t think about others is disturbing.” Following the hearing, Nafis’ lawyer, Heidi Cesare, said he “pleaded guilty because he is guilty, and wants to take responsibility for that.” She also said that under the plea agreement his sentencing range between 30 years and life.
CBSNEWS.COM
Man accused in attempted bombing of NY Federal Reserve NYPOST.COM
February 20, 2013
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OPINION AND EDITORIALS
THE PACE PRESS
DISCLAIMER: These opinions are expressed by contributors (students, faculty, administration and staff) to The Pace Press. These opinions are solely those of the individual writers and do not reflect the opinions of The Pace Press, the members of The Pace Press staff or Pace University. The Pace Press is not responsible and expressly disclaims all liability for damages of any kind of arising out of use or relevance to any information contained in this section.
Fotini Sachpatzidis Editor-In-Chief
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EDITORIAL BOARD
Katrina Abreu Ads Manager Nicole Morales Managing Editor Damien Morgan Creative Director Sarah Aires News Editor Olivia Beteta Arts Editor Erick Mancebo Features Editor Brian Rentas Web Editor Kathryn Bosch Circulation Manager Stephanie Hsu Faculty Advisor
STAFF Julia Yeung Shyam Nooredeen Patrick deHahn Thatiana Diaz Daniel Depasquale
The Pace Press is the student newspaper of Pace University’s New York City Campus. It is managed and operated entirely by members of the student body as it appears above. The Pace Press welcomes guest editorials and letters from students, faculty, administration and staff. The Pace Press reserves the right to not publish any submitted material, both solicited and unsolicited. All submissions must include the author’s full name and contact information. The Pace Press 41 Park Row, Rm. 902 New York, NY 10038 www.pacepress.org editor@pacepress.org Copyright 2013
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February 20, 2013
ARTS
Thrive at the University during the inevitable zombie attack CHRISTIAN GOMEZ Arts Assistant
There is no longer a question if there will be a zombie apocalypse, but rather when. With the amount of television shows, movies, video games, novels, comic books and even parades, zombies have taken over the media and it seems society will not be satisfied if the world ends in any other way. The majority of the public believes they are prepared for the arrival of the undead due to the many representations in popular media, but what are University students to do in one of the least favorable situations when the zombie apocalypse occurs: in a major city with a giant population. The plethora of zombie movies all start the same, awakening in a world already ravaged by zombies. In the typical representation such as that in 28 Days Later and The Walking Dead, the protagonist awake not during the initial infection but just in the midst of the world’s destruction after the government and military have failed to contain the outbreak. Try to replicate this action of inaction. When news reports of a strange new disease begin to surface and spread make sure to take a few bike rides without a helmet for the following days. Premium Rush has demonstrated biking in the city is a guaranteed way to be hit by a taxi and with some luck also induce a coma that someone can very easily bounce back from. With the university’s location next to the Down Town Hospital survivors attempting to sleep off the beginning of the zombie infection need not travel far to find an ICU. Always remember no one can get infected in a coma unless of course the hospital is over run. Movies have taught that this never happens even though the sick tend to go to the hospital, but all these facts can be ignored as movies and television are never wrong. Entering Maria’s Tower is on par with crossing the border to North Korea. With check point after check point the university has earned its spot as one of the most secure schools in the country and this also helps in assuring its security during the inevitable outbreak. After regaining consciousness and arming oneself with necessary supplies, a sandwich from the café, be cautious of who the cashier is. Even in the end of days a meal plan matters and some cashiers, even in zombie form will still over charge.
With the supplies, a base of operations is needed before making any major decisions. As mentioned previously Maria’s Tower is North Korea in everything but name, making it a perfect temporary base of operations and a possible heaven for fellow survivors. Sadly, during the zombie invasion the elevators will most likely be out so taking the stairs will be the only way to ascend the tower to begin sweeping every floor for both survivors and supplies. Supplies such as clothing and food with long expiration dates will be prevalent in Maria’s Tower thanks to the many care packages that comprise the diets of the tower inhabitants. A key to survival on top of being well equipped is to be well armed. During the ascension up to the tower, keep eyes open for any blunt object that may be useful for further damaging the of the undead masses and former fellow students of the tower. Fire extinguisher, bats, lacrosse sticks, all will make perfect weapons to stave off the horde. Molotov’s are also good weapons to have at the ready when out in the wild of the city streets. Luckily Maria’s Tower will be a perfect place to find a bottle, or nine of alcohol, rags, and plenty of lighters to create
the perfect mass zombie killing weapon. Upon reaching the uppermost floors of the towers it is time to make a base. Stairwells should be blocked with whatever is at hand, the horrible couches located on every floor should make an ideal barrier in the stair wells. At 18 stories tall Maria’s Tower is not the tallest but it is still offers a good vantage point to view the surrounding area. If there are any form of government or military left the top floor offers a hailing point for any helicopters or planes. The end of days may sound horrifying but with some simple planning, cooperation, and common sense the end of the human race can be a fun time of adventure, and self-discovery in a world with no rules. paranerds.com
Wii U is a big hit with consumers with its portable size DAMIEN MORGAN Creative Director
In this day and age, it is easy to see how artists are incorporating technology into their newest pieces. What some may not consider to be art may surely be mistaken, for when it comes to the gaming world, technology promotes art with a new virtual light. The newest installment to the gaming world has not taken the eyes of the consumer lightly. With the Nintendo Wii U released last specifically in time for the holidays, the console was up against those better known systems, such as the Xbox 360 and PlayStation 3, but did not appear miniscule in comparison, in fact the Wii U over powered the competetion. Being the sequel to the reknowned Wii system that had come out a few years earlier, Nintendo recognized the needs to make their newest system even better. With a sleek new look and a style that only Nintendo can offer, the Wii U has brought many new features to interest anyone looking for a family system or a serious gamer needing the newest system. For starters, the Wii U system is only offered in HD. With the previous systems having the option to be HD applicable, this brand new console can only be purchased with an HDMI cable. This is small but grand gesture makes it possible to play any game they way the creators intended. Just as one would see
small specific details in an movie while watching on an high defition TV the same can be done for the many games. While being able to play in high def., Nintendo gave its gamers the opportunity to play multiple games from different software’s on its new system. With the previous Wii mostly pertaining to the Nintendo owned games such as Mario and Zelda, the manufactures improved the titles available to play. With well-known games such as, Call of Duty Black Ops 2, Assassins Creed 3, and Batman Arkham City, the Wii U has been able to capture the attention of not only the common family, but even the most serious of gamers. When it comes to the consumer that loves the idea of having the latest piece of technology that stands out above the rest, they might really consider the Wii U to be their next addition to their collection. With hand-held tablets being the hot item recently, the Wii U incorporates that technology within their gameplay. While still being able to use the previous Wii motion controllers, the new tablet looking controller is the newest way to interact within the games. About the size of an Amazon Kindle, the new touch screen technology gives the gamers an interesting and revolutionary way of playing games. This breakthrough technology can be seen differently in each game but with unique ways, such as a
sniper scope for shooter games, or as an arrangement of clickable attacks for fighter games. With this new style of technology being merged within a gaming system, other manufacturers have looked into for their own systems that will eventually be released. The anticipated Sony PlayStation 4 has apparently taken a liking to the idea of touch screen technology for their recently leaked photos show a definite use. The newest Sony counsel that is rumored to be released within the year, revealed photos of their new controllers that seem to display the use of a touch pad that can be played with for their games. This is indeed not a coincidence with it being closely related to the previously released Wii U. However with these two systems incorporating the touch pad, it is not unlikely that the rumored Microsoft system, the Xbox 720, will also try to use it towards its advantage. For this ideal new system, one need not worry about it being
unavailable in stores due to the holiday rush. Available in both black and white, a customer is able to choose any one they like. However with the color choice comes a realization that there is a bit of difference between the two. While the white console offers eight gigga-bites of space for 300 dollars, the black one quadruples the amount of space, along with the addition of the new Nintendo game, Nintendo Land, and only for 350 dollars. Another
deciding factor and creative idea, while not being able to play DVDs or blurays, the black Wii U system can use old Wii games. With new technology, a new looking system, and a new game display, the Wii U has certainly proven to be a particular creative and innovative addition to the gaming world. While not seen at first as a piece that would be displayed at the Metropolitan anytime soon, the Wii U is without a doubt a breathtaking piece of art among the gaming community.
nintendolife.com
February 20, 2013
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ARTS
Valentine’s Day concert brings hope to University students AHRC and Carnegie Hall come together for “Songs From the Heart” DAMIEN MORGAN Creative Director LINDSAY VITALE & KATHRYN REA Contributors
This Valentine’s Day “Songs from the Heart”, a program of love and music, was performed by the musicians of Carnegie Hall along with the talented members of the AHRC. Together this collaboration created passionate and beguiling medleys that truly captured the essence of love. The bar was set with the opening song “A Million Ways to Love You”; an arm-raising original piece that had everyone in the audience clapping along. Then a soulful rendition of “True Colors” that could’ve brought tears to even Cindy Lauper’s own eyes was performed. Even such songs as “Candy” were incredibly catchy and a masterpiece of creativity. One of the most memorable moments was the animated choreography in the song “I Love,” A piece written by Carolina with the extraordinary help of technology by use of images to express her feelings and create a meaningful song. Ballad or up-tempo, each piece had its own touch of magic brought by the enthusiastic musicians of AHRC. From singers, to dancers, to pianists, to flute players, to drummers, to songwriters, the display of talent by the AHRC was astounding. A well developed and breath taking concert was created by the AHRC New York City & Carneigie Hall’s Musical Connections Program of the Weil Music Institute. From the very beginning, without missing a beat, the performers were right on cue and getting the crowd’s complete attention. With uplifting songs that anyone could relate to, the crowd was constantly clapping and moving along with the well played songs. Every performer had a unique and identifiable talent that they brought to the stage. There were countless singers, each able to reach multiple notes and a sense of different genres. Many musicians were able to provide the singers with an incredible background tune. The best part of the players was that every one of them didn’t play either a different instrument or different style. There were drummers, a trumpeter, a bass player, ukulele players, and even keyboarders. Then while the singers sang, and players played, the crowd was also provided with the entertainment of dancers in the front ground that smoothly moved with the sound of the beats from the performers behind them. With it being Valentine’s Day the crowd was provided not only with songs about love and friendship, but also those with inspiration from Black History Month and the incident of Hurricane Sandy. Some of these songs were performed so well that the crowd was able to recognize them without hesitation, but others they couldn’t, and that was because a few songs had original content written by the performers. A show with songs written, played, sung, and performed by the same people on stage gave everyone that came to the show a great way to start off their Valentine’s Day. “Songs from the Heart, Stories of Love & Pride” by AHRC New York City & Carnegie Hall’s Musical Connections Program of the Weill Music Institute, was a beautiful concert featuring New York’s finest and fun musicians. The concert featured numerous original compositions pertaining to Valentine’s Day and the importance of Friendship. “Teddy Bear,” was a crowd favorite. Anthony, James, Fabio, and Chris put their heart and soul into entertaining their audience. Many songs had the audience up on their feet and clapping. This concert had an overall hopeful and positive vibe. It sent the message that anything is possible if you put your mind to it. The original compositions were lyrically thoughtful and clever. The composers were careful to use perfect rhymes and catchy melodies. Certain Lyrics stuck out like “Have a Dream,” from their original song, “Keep the Dream Alive.” It celebrated Black History month and Martin Luther King Jr. There was even a Russian song in the lineup. It is impossible not to be proud of the musicians and their courage to perform original music. They also had original choreography, rap sections, and instrumental breaks that were well rehearsed and crowd pleasing.
All photos by class of CIS-102W
Daniel Handler returns with a new love story in “Adverbs” NIVETHA NAGARAJAN Contributor
“Adverbs” is a book that insists on calling itself a novel, when in fact it more closely resembles a collection of interconnected short stories. Its author, Daniel Handler, also usually insists on calling himself something else: Lemony Snicket, the Gothic children’s novelist. This book is his third for adults, and yet certain things about this book are very reminiscent of Snicket. Simply put, “Adverbs” is about love. Each chapter title is an adverb, suggesting how the characters will experience love in that particular story. The first chapter is called ‘Immediately’, and the last, ‘Judgmentally’.
Love is a concept that’s been praised, deplored, and rehashed in all its forms through every artistic medium known to man, and the key to producing another work of art with love as its theme is to represent it uniquely, but still convincingly. Handler’s book is certainly unique. On the other hand, its aim isn’t so much to convince the reader of the reality of the love depicted within its pages, but simply to take them for an enjoyable ride through the author’s prose and wordplay: “Love was in the air, so both of us walked through love on our way to the corner.” Another aspect of the novel that stands out is the symbolism, which can sometimes seem a little contrived and in-your-face. Imagery of things like magpies, potatoes,
and diamonds pepper the various chapters and the book is often self-referential, specifically pointing out metaphors and other literary devices used in it. Moreover, the narratives aren’t sequential and characters waltz in and out of chapters at different ages and in different relationships. One has to decode the personality and actions of each character to figure out which ones are interacting at a certain point. All this can make the novel seem a bit pretentious, but don’t be put off by that. Despite its minor shortcomings, it really is a fantastic representation of love in all its glory, difficulty, and unpredictability. It demands a second and perhaps a third reading to really appreciate every
carefully plotted detail. There’s definitely scope for an in-depth analysis of the people, places, and things in Adverbs. But it seems as though the plot nor the underlying meaning matter as much as the experience, and letting Handler’s smooth prose wash over you. In ‘Truly’, referring to the imagery in the book, he says, “It is not the diamonds or the birds, the people or the potatoes; it is not any of the nouns. The miracle is the adverbs, the way things are done. It is the way love gets done despite every catastrophe.” It is the way Handler’s remarkable novel chooses to express this most complex of all human emotions that will continue to attract readers to it, frequently, magnetically, and eternally.
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February 20, 2013
EDM is all the rage as new festivals and artists emerge FOTINI SACHPATZIDIS Editor-in-Chief
artists such as Rihanna have also EDM influenced tracks that further promote the genre across musical boundaries. At the forefront of the EDM movement are DJs Avicii, Skrillex, and David Guetta. Last summer, it was difficult to enter a party and not hear Avicii’s catchy “Levels” song or David Guetta’s “Titanium.” A new sub-culture that has gained popularity is trap music. The genre is a combination of “1/3 hip-hop, 1/3 dance music, and 1/3 dub,” according to trap music blog runthetrap.com. The “Harlem Shake” videos that have gone viral garnering millions of hits on Youtube, feature
Electronic dance music is no longer an underground genre. Until recently, EDM was only found at raves, nightclubs, and warehouse parties. Although it has been around since the 1970s, the genre, which includes house, techno, trance, dub-step, electronica and trap, did not gain momentum until the 1990s. Now it’s common to hear a David Guetta, Swedish House Mafia or Avicii song played on the radio or featured in a television commercial. The overwhelming emergence of EDM is a direct result of the shift in mainstream musical tastes, specifically, mainstream youth. The introduction of a new genre to mainstream crowds has received positive feedback. Festivals such as Electric Zoo, Ultra Music Festival and Electric Daisy Carnival have continued to sell out at record pace with teenagers and young adults being the main buyers. House music, has also spilled into other genres proving its diversity. A trembling bass and ringing house beats can be heard on Britney Spears’ new track “Scream & Shout,” All star producers in EMD Steve Aoki, Afrojack, and Skrillex featuring Will.i.am. Many
Baauer’s most well know trap song. Flosstradamus and RL Grime combine 808 beats and high pitch synthesizers to their tracks that take down South culture to mainstream ears. With so many sub-groups of music, EDM is one big umbrella for talent. Besides the appealing music, EDM also comes with a vibrant scene. Unlike shows where it’s expected to wear jeans and t-shirt, a EDM concert calls for more fun attire. Many show goers opt to wear fluorescent clothing and matching sunglasses while waiting for the DJ to drop the bass. Multi-colored light shows and glow sticks are in abundance as well as “kandi” bead bracelets that bear a DJs name. The only vice that has shed a negative light on the genre is the rampant drug use that comes with it. Drugs such as molly and ecstasy are not uncommon at festivals and shows, having paramedics and police on guard a necessity to ensure safety. When artist Madonna asked concertgoers at Ultra Music Festival last year, “Has anyone seen Molly?” the popularity of drugs was clear. To help promote advocacy, DJs Steve Aoki, A-Trak and Kaskade teamed up for a video that informs crowds about the dangers of ecstasy. The EDM movement is here to stay. As long as it continues to adapt and provide listeners with hypnotizing beats, tickets will continue to sell and fans will be happy.
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After vivid rape scene, students reassess what’s okay for the stage MICHAEL “TJ” WILLIAMS Arts Assistant One of the main stage performances of the fall semester was Spring Awakening. This musical was originally based on the provocative German play of the same name. This play was banned in Germany for some time due to its blatant controversial topics that include suicide, abortion, child abuse, homosexuality, and ultimately, the discovering of sexuality and everything that ensues from that knowledge. The University put on this musical, and although it was highly successful, many were concerned whether or not the performance was appropriate for an audience. There was nudity, heavy language, and a more-or-less, an ensemble sex scene. Cory Jeacoma, university freshman, portrayed the character Georg Zirschnitz. Jeacoma does not believe the stage should have to censor the art of theatrical productions. Jeacoma explained, “The stage is a place that performers are able to represent all parts of life. As far as I’m concerned, people have sex, curse, and do some real messed up stuff, so as graphic as the topics may be, they are in fact parts of life.” In other words, Jeacoma believes that if this stuff happens in real life, there is no reason there should be a problem with presenting it on a stage. Jeacoma continued, “If a show is very offensive or deals with topics that may not be ‘appropriate’, then people
who go to see the show probably know what they’re in for and have done their research on whether or not the show will sit right with them.” If not, a good tip to prevent any major surprises is to always do a little research on the play or musical one is attending prior to arriving. Another recent show at the university that stirred up some controversy was Skin in Flames written by Guillem Clua and directed by university senior Lisa Klages. Andrew Meyer, University (Sarah knows his year), played the character of Dr. Brown, a delegate of the United Nation that visits a third world country. While there he strives to maintain some peace in a shattered nation. Soon after Dr. Brown begins to interact with a young woman named Ida (played by university freshman Maren Lavelle), he discovers her daughter is in a coma. He promises to provide medicine for Ida’s daughter in return for sexual favors. Finally, Dr. Brown agrees to transport Ida’s daughter to America for a very special treatment, but this time, his demand would lead into a 7-10 minute long rape scene on the stage. Rape was a major part of of the play, the intensity made audience members wonder if this was appropriate for the stage. Meyer stated, “I genuinely think anything is okay for the stage so long as no one is hurt and so long as there is purpose.” Purpose is key. If there is a show that uses ‘fuck’ in every other sentence just because the writer is fond of the word,
that could be leaning on inappropriate. However, when doing a show such as Spring Awakening, using the sometimes crude language of the German teenagers enhances the purpose of the play – to show the teenagers in Germany and all the problems they encounter. On the contrary, some others may think that absolutely nothing should be considered inappropriate for the stage. If aspects of show are not allowed to be presented for the audience, that could be categorized as censorship. Meyer said, “Censorship on stage is dangerous. In fact, I believe censorship in general is dangerous.” Suppression on the stage prevents the expression of society that makes theatre what it is. As an actor in these situations, it must be difficult to portray aspects of a show that may be considered “inappropriate” by audiences. Meyer in “Skin in Flames” stated, “As an actor, it absolutely made me uncomfortable, but not in any way I expected. I had little difficulty with stripping down to almost nothing simulating the rape. What disturbed me was more the emotional connection I had to make with this character; having to place myself in the mindset of someone who could actually justify these actions. It was a strange mental place to reside in. It demanded me to confront some primitive side of myself to create this connection to the character.” Unlike Meyer, Jeacoma felt totally comfortable in his role. The main
difference between the two characters in these situations was love. The character that Meyer was portraying was acting out of desire, unlike the character that Jeacoma was portraying, who was acting in the form of love. Jeacoma explained, “I personally felt extremely comfortable in the environment; ultimately the number was about love and exploring the sexual aspects of it. I don’t think there is anything to hide with love which includes everything about it, even the stuff that happens behind closed doors.” The University students agree with the University actors too . University freshman Judi Que stated, “We are in college and are adults. There should be no limits to what can be presented on the stage if it has purpose. However, there should be limits when it comes to high school performances and such, but college students and higher should be able to accept the risqué behavior on the stage if it serves a purpose in the show.” Kevin Gonzalez, a sophomore at the university, agreed. “If we are in college, we should all be mature adults who can appreciate what’s presented on the stage for what it is: art. Cursing and nudity are fine, and although a rape scene can be uncomfortable, nothing should be filtered.” Ultimately, there is nothing that should be censored from the stage because if so, the theater and the stage lose their integrity as a place to express and display society in an art form within the theatre.
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February 20, 2013
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This year’s summer festivals look to draw biggest crowds ever
continued from PAGE 1
Axl Rose, 3OH!3, Kanye West, the Lumineers, and Kendrick Lamar are all performing at festivals this summer. loudwire.com, ishootshows.com, mtv.com, pastemagazine.com, and fearoffiction.com (from left to right) MICHAEL “TJ” WILLIAMS Arts Assistant
Each summer, the streets of New York City fill with music fanatics as they line up to see some of their favorite artists at of the popular musical festivals featured in New York City. The Governors Ball is a large music festival that takes place from Friday, June 7th to June 9th, 2013 on Randall’s Island in New York City. There are over 50 artists performing including Kanye West, Kings of Leon, Guns N’ Roses, Nas, Kendrick Lamar, Beach House, The Lumineers, Of Monsters and Men and St. Lucia. Tickets are on sale now, but are selling fast. For General Admission 3-Day Tickets, the cost is $220. VIP 3-Day Tickets are $470 and for those who want the Super VIP 3-Day Tickets, the cost is $1,500. Regular VIP as well as Super VIP attendees are privileged with very close viewing areas of the stage, air-conditioned restroom facilities, massage services, comfortable seating areas, shade and an exclusive bar that includes wine. However, those that pay the extra for the Super VIP 3-Day Tickets are granted car service to and from the festival, concierge service, side stage viewing, a backstage bar, three food vendor tokens per day, and of course, a merchandise pack full of Governors Ball goodies. There are activities for everyone though throughout the music festival that include The Silent Disco, free water refill stations, a photo booth, numerous lawn games, and ping-pong tables dispersed all over. What is s a music festival without great food, attendees can expect there to be representatives from Luke’s, Little Muenster, Num Pang Sandwich Shop, Asia Dog and
Wooly’s to name a few. Additionally, there are two main electronic music festivals that take place in New York City: Electric Daisy Carnival and Electric Zoo. The Electric Daisy Carnival takes place on May 17 and 18, 2013. 2-Day General Admission tickets are $215.00 and 2-Day VIP tickets are $320.00, which can be purchased at any time even though the line-up has yet to be released. Electric Zoo is another electronic music festival that takes place from Aug. 30 to Sep. 1. The line-up for this music festival is also yet to be released, and once again, tickets are on sale already. 3-Day General Admission tickets are $329, 3-Day VIP Experience tickets are $649, and 3-Day Platinum Experience tickets are $1,199 until supplies run out. Courtney Baxter, University freshman, stated, “I am very excited for the Electric Daisy Carnival, which is always my number one choice for music festivals because they always have such a great lineup to represent electronic music. I might try to get to the Governors Ball too, whose lineup is insane!” One of New York City’s finest music festivals, Bamboozle, has unfortunately been cancelled for 2013. There was no definite reason as to why, but organizers mentioned on Facebook, “We are sad to announce we will miss all of you in 2013 but keep your eyes peeled for 2014 info. Have a warm and safe holiday season!” This is tragic, last year Bamboozle had an all-star lineup with artists such as Bon Jovi, Foo Fighters, Incubus, My Chemical Romance, Mac Miller and Skrillex to name a few. Hopefully, this music festival returns in 2014 with an even more amazing lineup.
University freshman Evan Jambor stated, “I find it really surprising that this music festival has taken a year off. Even though I’ve never attended, I always hear about this one above all other music festivals. I am excited for the Governors Ball though since I really like Kanye West and the Lumineers and many others of the artists present.” On July 13th, 2013 however, be sure to catch the Warped Tour when it comes to the Nassau Memorial Coliseum in Long Island, New York – not too far from the city. Although this is not technically a musical festival in the tradition sense per se, as it is travels venue to venue throughout the summer, it is definitely worth attending. There will be performances from 3OH!3, Goldfinger, Big D and the Kids Table, Motion City Soundtrack, Reel Big Fish, Bowling for Soup, Allstar Weekend, and several other bands. Tickets are on sale now for $49.55, the price after all fees and taxes have been added to the original price of $39.00. Other music festivals in New York that are not necessarily in the city, but worth attending include Camp Bisco (outside Albany, NY), Identity (in Wantagh, NY), Trespass America (Syracuse, NY), Country Fest (Albany, NY), Freihofer’s Saratoga Jazz Festival (Saratoga Springs, NY) and Mountain Jam (Hunter Mountain). Music festivals are great experiences and entirely enjoyable. For those who never attended one, put it on your summer bucket list. For those who have previously attended a music festival, try to attend a different one this year. There are so many great festivals in New York City and surrounding areas. Spend your summer enjoying music at one, or several of these, music festivals.
Fans demand a return to live music and authentic performances ERICK MANCEBO Features Editor
Stepping up to the podium at a Super Bowl press conference, Beyoncé softly asked the congregated press to please stand before launching into an a capella rendition of the National Anthem. The moment—orchestrated in response to the criticism the singer faced after news broke that she pre-recorded her Inauguration performance—highlights the extremely high expectations today’s artists face. Only a few years ago, music consumers paid anywhere from $50 to over $500 dollars to see acts like Britney Spears or Ke$ha lip-sync their way through a set. While the artists faced a bit of backlash, they generally flew under the radar so long as other aspects of their performance, like
dancing or staging, were still quality. Slowly but surely, however, the status quo changed. Artists who lip-synced and were caught found that they would have to fight very hard to bounce back, or were unable to do so at all. Take for example Ashlee Simpson, who was caught lip-syncing a performance on NBC’s “Saturday Night Live” in 2004 after her band began playing a track that was different from her vocal track. Simpson’s cringe-worthy moment was made even worse by her reaction—she opted for a ho-down style dance while the camera hurriedly panned away, no doubt at the order of an “SNL” producer (Let’s take a second to collectively visualize Tina Fey’s Liz Lemon shouting to a producer, “Cut to commercial! Cut to commercial!”). In the years following Simpson’s and similar incidents, artists have fought to
distance themselves from the practice of lip-syncing. Artists who were able to perform while singing live were able to boast about their talent and gain notoriety. The demand for live singing seems to echo demand for live instruments. After years of synthesizer-heavy Electronic Dance Music ala LMFAO monopolizing American Top 40 radio charts, it seems that consumers have grown tired of EDM and want artists who harken back to the days when artists sang live on stage, with a band or orchestra in the pit. The trend, almost undeniable at this point, seems to also stem from the cultural effect of social media. When an artist was caught lip-syncing in the past, it was possible to contain the incident to only the witnesses. The artist may lose a few fans and be subject to a few rumors for a short time. Today, however, one incorrectly
synced syllable could land the offender an unflattering trending topic on Twitter—a possible public relations calamity. It’s also no coincidence that the Internet seems to be teeming with users who are permanently posed to pounce on any bad press a celebrity may face, stirring the pot and giving the story a signal-boost. It’s possible the trend, which is bad for artists who relied on technological advances to put on a good performance, may end up producing better music for consumers. Already a number of artists have announced plans to get “back to basics” when it comes to their upcoming projects. Beyoncé, for one, is said to be working on an album that will feature less synthesizer and more Soul and R&Binspired tracks.
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February 20, 2013
“Motionhouse Scattered” ultilized awe-inspiring choregraphy continued from PAGE 1 The marriage between the arched floor and the projection technology was perfect. The floor acted as a screen for the constantly evolving images, but served as more than just a background. The bodies of the dancers were used in the most accurate cohesion with the screen, jumping on the surface at the exact times when graphics were moving and changing. The choreography was timed perfectly with the projections, which established a believable imagery. The intensity with which each stunt was performed seemed un-human. However, the dancers were smooth and graceful throughout the show, remaining in control even when they fell to the ground, landing softly always. The use of silk sheets helped create an underwater world onstage. As if the projected moving graphics weren’t enough, the silk brought the images on screen to life in a 3D concept. Another prop that reoccurred onstage were plastic water bottles. The water bottles, filled with water inside, brought the audience into perspective with our everyday use of water as a resource, while constantly zooming into the idea of water itself at a closer level and in its many forms. The choreography was interesting and aesthetically pleasing as it varied between harsh and fast movements in addition to slow liquidlike motions, all of which were contrasted by the music. It takes a tremendous amount of effort and concentration to constantly be counting to ensure that you make each mark on time because there are no words in the music to help guide you. Exploring the reoccurring theme of water as a fundamental force in our lives, the dancers transported the audience through an ocean and
a waterfall, as well as a scorching hot sun and frozen arctic avalanche. If anyone is interested in buying tickets to a classical performance dance company, then this show is surely not for them. This performance is without a doubt “scattered” in all nature and form. The style is completely original contemporary movement in which each dancer is executing something different than the others onstage at the same time. Similarly, each dancer is wearing different clothes, rather than not costumes, which embodies the natural and raw tone of Motionhouse’s style of dance and performance. Freshman Commercial Dancer major Shalynne Armstrong had the opportunity to take a master class with the Motionhouse Dance Company here at the university. “They explore the boundaries of movement. That’s what I learned when I took class with them…to always push to the point where you fall and have to catch yourself. Don’t almost fall- actually fall,” she described. Using aerial silks, props, and harnesses, the dancers flew through the air and moved throughout the distinctively shaped floor. Accompanied by lyric-free music, the dancers movements were accented by the inventive sounds, which, along with their acting, helped to carry the varying ideas and concepts of water throughout the show. “I thought it was amazing,” Shalynne exclaims, “…inventive, creative, artistic, athletic, entertaining, and mesmerizing!” Without having the opportunity to actually view the incredibly abstract entertainment of the Motionhouse Dance Company, one will never fully understand how fascinating and mind-blowing Scattered truly is. “The whole thing was my favorite part!”
All photos by Chris Nash
Toro y Moi wows fans at sold out show in Williamsburg NICOLE MORALES Managing Editor
While this past Valentine’s Day offered a variety of fun options for couples, singles, and friends alike, few were lucky enough to score tickets to the night’s hottest show. Chaz Bundick’s R&B synth project Toro y Moi performed at a sold out Music Hall of Williamsburg while on tour for his third album Say Anything. Bundick opened with the pulsing beat of “Rose Quartz” to which the audience welcomed with excited screams and shouts. As the beat progressed into vocals, Bundick broke a smile that captured his excitement. The set went on to include the band’s most romantic themed songs like crowd favorite “Talamak.” In the middle of his set Bundick called out to the crowd asking if they ever moved somewhere new for the person they love, a reference to his big move to California with his long time girl friend that inspired his latest album. There were a few cheers to which Bundick proceeded to dedicate his next song, the sexy “Grown Up Calls.” The set picked up pace as he performed his hit single “So Many Details” and surprised the crowd with a disco infused song from his Freaking Out titled “I Can Get Love.” Before coming back out with “Low Shoulders” for his encore, Bundick and his band handed out roses to a few lucky ladies in the audience. With a crowd mixed of loyal followers since his debut album and fans of his new material alike, it seems Bundick has no problem translating his music to a broader public.
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Gourmet food on the streets is causing a food truck frenzy CHRISTIAN GOMEZ Arts Assistant New York is known world round for its outstanding cuisine. In recent years, gourmet food trucks have become a more common occurrence that can be found throughout the city. However with the sheer amount of mobile vendors out there, the question of which food trucks deserve the cash of the universities impoverished masses arises. Anyone walking down Water Street weekday mornings will be engulfed by a sea of executives rushing to and from buildings dressed in their suits and poorly done ties, but as it is nearing lunch, the food trucks rush out to meet the starving Wall Street working crowd. A huge variety of food can be found along Water Street. Among the many vendors that call Water Street home between 11 a.m. and 3:30 p.m. every day is Phil’s Steaks, a truck touting the title of “NYC’s 1st Authentic Philly Cheesesteak truck.” They offer all types of cheesesteaks ranging from the typical Shroom steak, cheesesteak with mushrooms and choice of onions, the signature Whiz steak made with cheese whiz opposed to American cheese and pizza steak consisting of a normal cheesesteak with the addition of marinara sauce. There is even a vegetarian option called the Wilson filled with mushrooms, hot and sweet peppers and fried onions. All sandwiches come in 10 inch and 6 inch varieties with varying prices ranging from $5.75 for a 6 inch Wilson to $11.75 for a 10 inch Special steak. The food sold stays true to the simple recipe of Philly’s favorite heart stopper but is nothing to write home about. A nice snack but there are alternatives to spend money on. Another regular of Water Street is the “Tribeca Taco” truck offering fast and cheap tacos, quesada’s, and burritos. Tribeca Taco truck offers a large menu of all the typical Spanish fair, pollo asado (grilled chicken), carnita, chorizo (Mexican sausage) and the signature Tribeca (carne enchilada and chorizo), along with many more all available in a burrito for $8.00 or in a quesadilla for $6.00. One of the staples of the Tribeca food
All photos by newyorkstreetfood.com, Graphics by Olivia Beteta
truck is the taco served on a soft corn or crunchy taco with onions and cilantro with two sauces all for $3.00, offering a quick and plentiful snack while on the run. Among the less publicized but still authentic and crowd-drawing is the Jalapeno NYC truck usually parked on Wall Street right off of Water Street. Jalapeno NYC can be easily spotted because of crowd during the lunch rushes and even during regular hours a line still is ever present around the truck. With a menu of entirely Mexican food, the cash only truck brings with it authentic tacos, burritos, tapas, enchiladas, and even a Mexican type burger called the cemita with choice of meat topped with the normal taco toppings. The authenticity of the truck is proved by the offering of chorizo in many of the tacos, burritos, empanadas. On the cheaper side a majority of the food can be bought for less than eight dollars which will come with enough to satisfy customers hunger. For a quick bite to eat in Midtown Go-Burger offers a fast and high quality burger from a truck. GoBurger’s burgers offers 100% Black Angus beef in two burgers, the 101, a simple hamburger, and the more elaborate GO 2, an average burger topped with the signature Go Burger Sauce. Not only a burger truck, they also provide the Philly (Philly cheesesteak), a BLT with the Go-Burger sauce, even Falafel is available, along with 100% Kobe beef hot dog. Sides, shakes and sodas are on the menu as well. Frequenting Madison Avenue area, the truck offers a good alternative to the more expensive restaurants of the area. Food trucks are a dime a dozen but in the lower Manhattan area a plethora are available for a quick bite at any time of the day.
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February 20, 2013
Newly “30 Rock”-less NBC continues downward spiral Struggling network stumbles further as new shows fail to gain traction with audiences CAITLIN MCNAMARA Contributor After seven seasons of making audiences laugh and sometimes cringe with awkward antics, the “Saturday Night Live” inspired sitcom “30 Rock” wrapped its final episode this Jan. The end of the notoriously commercially under-rated but critically acclaimed program seems to foreshadow the end of NBC’s second socalled golden age of productions—which mirrored the ‘90’s success the network found with “Friends,” “Will and Grace” and “Seinfeld.” “30 Rock” seemed to be the most beloved show on NBC’s line-up, bringing in fan praise and awards, especially for show creator Tina Fey and actor Alec Baldwin, the former of whom’s star rose, and the latter whose role on the program served as the vehicle for a well-executed public relations turnaround following a few shaky years. With such big shoes to fill, a desperate need to draw in audiences, and the premature cancellation of a number of its new programs, it seems that NBC is indeed in dire straits. Competition for viewers is tough these days, especially since more viewers are getting their TV fix through non-traditional outlets such as Netflix, Hulu or illegal streaming/downloading sites. Viewers aren’t always watching programs when they are actually on. In this fast changing world with crazy schedules, and the spoils of the almighty Internet, it’s just more convenient to watch shows online instead of their list time. To quote Sweet Brown, “Ain’t nobody got time for that!” It’s also hard when several shows are all in the same time slot (Why is everything on Sunday?). That aside, when people do actually wait up to watch their favorite shows, audiences seem to flock to cable channels such as AMC, HBO and Showtime, which are serving up commercial and critical hits like “The Walking Dead,” “True Blood” and “Homeland.” Notably, none of these hit programs are on any of the major networks. With the competition from cable networks stiffening, NBC is not doing itself any favors. The three shows that premiered for this season, “1600 Penn,” “Do No Harm” and “Deception,” have not been a hit with viewers. According to tvline. com, “1600 Penn” and “Deception” are in the hot seat, on the verge of being pulled from the network, with “Do No Harm” already yanked from the airwaves. Even last year’s sleeper hit “Smash” could be in trouble with EW.com’s James Hibberd reporting that “the two-hour premiere was down 71 percent from the show’s debut last season and down 47 percent from NBC’s performance average in this time period so far this season.” Hibberd also went on to say that, “Smash ranked as the night’s lowest-rated show on a major broadcast network.” This, after a blitz of a promotional campaign in the weeks leading up to the show’s premiere,
Right, the cast of NBC’s “30 Rock”
was sure to upset NBC bosses. NBC has a saving grace in their talent show “The Voice,” which this past season wrangled in 14.16 million viewers. Viewership for “The Voice” is admittedly down from season two, which premiered with 37.61 million viewers, but the show has managed to keep a steady and strong fan base. The question remains whether these fans will stick around now that Christina Aguilera and Cee Lo Green have parted ways with the program. Although the end of “30 Rock” seems an appropriate scapegoat for NBC’s demise, it’s an unfounded one. Indeed “30 Rock” was a well-written, clever sitcom and the gap in its time slot has not been filled, but the truth is that NBC has been in trouble for quite some time. That said, the network may not be doomed. Josef Adalian from New York Magazine’s culture curator Vulture.com believes “a more focused NBC, one with fewer holes to fill, might ultimately be a more profitable network.” Other networks have been in this position before and have managed their way out of it. Hopefully NBC can get their act together, cut their loses (“Smash”…), and keep up with the changing world and demographics.
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University students hit the road with new travel show Damon Dominique and Joanna Franco star in “Damon and Jo on a Dime”
RIDDHI DOSHI Features Assistant University students Damon Dominique and Joanna Franco are setting out to change travelling for all students. Embarking this month on a web series titled “Damon and Jo on a Dime,” the two students hope to change the way American students perceive traveling. According to Franco, their goal is to establish a lifestyle brand. “The essence of the brand is our lifestyle: positive energy and free-spirit, basically we’re undercover hippies,” said Franco. But YouTube stardom alone is not what these savvy college students are striving for. They claim there are too many “one hit wonders” on the video sharing website, and want to build an audience through other networking sites to build their brand. Both Dominique and Franco aspire to work in some field within the travel industry. “I remember watching MTV, even when I probably shouldn’t have been
Above, Damon Dominique and Joanna Franco
Damon Dominique
watching (ten years old watching ‘The Real World’...no),” quipped Dominique. “And I always wanted to be an MTV VJ or on a show like ‘Road Rules.’ When I studied abroad in Barcelona in high school and Paris in college, I really discovered travel was a huge passion of mine as well. If you combine TV and Travel, you basically get the Travel Channel, which is exactly where I would love to have a TV show with Jo,” said Dominique. Franco took a few more twists and turns before realizing that her true passion was in travel. She described herself as an “internshipobsessed/get ahead at all costs kind of girl” when she first started off at the University. This attitude led her to complete seven corporate internships by her junior year. This all changed when she and Dominique decided to study abroad in Paris together. Here they started taping their everyday activities that showcased their “cheap lifestyle” with Dominique’s SLR camera that his family had given him. As soon as they started editing these videos, “Damon and Jo on a Dime” was born. Since their traveling days in Europe, Damon and Jo have had many new adventures, including trips to Baltimore, MD, Williamsburg, VA and Chicago. Their videos are laid out so that the audience follows the two best friends throughout their entire journey—with price
tags denoting costs along the way. These include the price of almost everything, from travel costs, to food and livings costs. They suggest that students stay in hostels rather than hotels because they are much cheaper and have a lot of information about alternative entertainment options at the front desk. Hostels also usually inhabit other students, so they are a great way to meet new people that are the same age. Both Damon and Jo agreed “The goal is to have a TV [show] on an MTV or Travel Channel where we can uncover the cheap travel wonders of the world. …The longterm goal is to establish a brand to inspire young travelers within the U.S., a brand that encompasses living life off the books, living and not just going through the motions. …We want to challenge our generation to get out of their comfortable American lifestyles and move away to find themselves. There aren’t enough Americans with an understanding of the world, different languages and being drama-free. We want to change all of that.”
VISIT Watch “Damon and Jo on a Dime” on YouTube by visiting youtube.com/damonandjo
February 20, 2013
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Ambitious students claw their way to New York Fashion Week NNEKA OKOLI Contributor
Since the week-long affair that was New York Fashion Week (simply known as #NYFW on social networks such as Twitter, Tumblr, Facebook, etc), fashionistas everywhere have been blogging, tweeting and generally stalking what has been happening right here in this beautiful city. Here at the university many students embraced their resources and were able to be in the midst of it all. Some were lucky enough to have connections in the fashion industry, “My aunt is an editor-in-chief for a fashion magazine so I always get front row tickets,” explained freshman Alex Ernst. Ernst was fortunate enough to attend two shows: Diesel Black Gold and Jeremy Scott. These designers vary drastically in style and choosing an outfit for NYFW can be overwhelming. “Diesel Black Gold is really grungy and rockerish, so I wore a long black lace skirt, chunky platforms and a furry dark jacket since it would fit the style of the designer. For Jeremy Scott, since his designs are really colorful and bright,…I wore golden chunky platform shoes, bright red high wasted shorts and a bright green top. Your outfit should always depend on the show you are going to, if you ask me.” Ernst, being a NYFW veteran, was
very comfortable attending the shows in such bold outfits, other students, however, chose to keep it simple. University freshman Isabelle Dwight attended the Public Assembly show held at Milk Studios. When asked what she wore to NYFW she responded, “I wore all black everything of course. Black pants, black booties, black blouse with a black coat. If you can’t tell I love black.”
Laboratory Institute of Merchandising Professor, Freshman Veronica Campos was able to land a job at NYFW, “Back in high school I took a styling class at LIM College on 45th and 5th. The professor I had saw something in me and decided to forward my information to his colleagues. I received an email one day to work with a Celebrity Stylist Media Personality on his NYFW show fall of 2012. From then
The professor I had saw something in me and decided to forward my information to his colleagues. I received an email one day to work with a Celebrity Stylist Media Personality on his NYFW show fall of 2012. -Veronica Campos, Freshman
Dwight lucked out on tickets to NYFW through a friend. “My friend is a freelance photographer who was hired by Alison Brod Public Relations to photograph many of the shows this Fashion Week.” While Dwight and Ernst were lucky enough to know the right people, other students landed NYFW invitations through selfpromotion. Well-placed connections seem essential, but other students have proven otherwise. Simply by impressing a former
I began to work with his manager who gives me work for his clients.” One of these clients is designer Natalie Chapman. Campos had the privilege to work with the Chapman team throughout their NYFW presentation. Campos’ sucess is a testament to the fact that doing well in school really does pay off. Unlike Dwight and Ernst, Campos was working backstage during NYFW. “The atmosphere throughout the whole day of the presentation for Natalie Chapman
Marc Jacobs’ runway show included an Olafur Eliasson “The Weather Project” inspired “sun.”
was thrilling. I love the rush of running around making sure things are getting done. Whether I’m dressing the models or handling social media, my spirit is lifted. So many things are going around you and you just need to stop for a second and be grateful that you’re doing something you love.” Ernst, Dwight and Campos are all freshmen who are on the right path towards achieving status in the fashion industry. As the years progress they can achieve greatness, just as many university seniors have before them. Through fashion blogging university senior Sarah Mendelsohn was able to land several jobs throughout NYFW, “I have my own blog (ahitofsarah.net), as well as do all the behind the scenes blogging for Kate Ryan Inc., an agency that represents stylists, makeup artists, hair stylists, manicurists and everyone involved in the backstage and editorial aspect of making a model’s look. So I was backstage at a lot of shows, as well as in the pit and seated for my blog and for Futureclaw magazine.” Mendelsohn was able to attend over ten shows including Carolina Herrera and Hemlut Lang. Mendelsohn is an inspiration to students who are not well connected in the fashion industry—she is a living example that through hard work and self-promotion in this great city, one can make a name for themselves.
styleite.com
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February 20, 2013
Obama administration’s drone program under fire Students join members of Senate and Congress in calls for more transparency PATRICK DEHAHN Staff Writer The Obama administration’s use of armed drones in global regions such as South Asia, North Africa and the Middle East has recently been highly contested. “Drone” is another name for an Unmanned Aerial Vehicle, and while there are many purposes for these remotely-controlled UAVs, they are widely known for their armed and surveillance purposes. The subject of drones has come to light recently with investigations into the drone-officiated Sept. 2011 killing of Anwar al-Awlaki, a top al-Qaida operative in Yemen. Al-Awlaki was an American-born Muslim cleric who at the time of his death retained American citizenship. The investigations forced the release of a Department of Justice document stating that it is lawful for the American government to use “lethal force in a foreign country […] against a U.S. citizen [who is] actively engaged in planning operations to kill Americans.” University student Jon Hand is wary of the document, saying, “The government no longer even claims that these drones are exclusively used in overseas warfare. In fact, a recent memo released to NBC by the Department of Justice provides the legal rationale for using drones against American citizens—regardless of whether they are inside or outside of US borders.” The government’s belief is that it is better to use armed drones rather than send in American armed troops or CIA groups into certain countries on the basis of fighting the war on terror. It feels that an unmanned aerial vehicle with missiles can further prevent casualties—U.S. soldiers and innocent civilian lives—on the ground. NBC News reported that three Americans were killed by drone strikes in Yemen in the fall of 2011. “The fact that the U.S. can use a drone to kill another U.S. civilian is nothing new, it’s been happening for years,” said university junior Katie James, before adding, “Congress and the President has the right to issue orders in states of emergencies or terror that can go against citizens’ rights.” With many cases, it’s a matter of trust that the U.S. government correctly coordinates the attack and has the right person taken out. With no right to trial being taken into consideration, many argue they’re unconstitutional. The stakes are higher with drones in a sense.
James continued by saying that she finds it “problematic to continue the use of drones without ensuring that these individuals are actual threats. I don’t think drones are the best measure—there is a lot of uncertainty.” Hand adds, “If you believe in the Bill of Rights, you must believe that the life of every human being is worth something, and that every human being has the right to defend himself, the right to a fair trial, and the right to life. Using drones to assassinate people is the US government’s way of stripping people of their natural, human rights.” There’s also the argument that these drone attacks can be considered acts of war. Although the U.S. government is operating in conjunction with the areas the drones are operating over, the drones are flying over other countries, observing the area and also performing strikes on foreign land, something that many would argue is a breach of international law. The United Nations has also announced that they are currently setting up a committee investigating civilian deaths from U.S.’s drone strikes. If proven true, international law would have been breached in the U.S. drone attacks. “They are using these drones to hunt down and assassinate specific individuals in foreign countries—with or without the permission of those countries. We are using drones to act unilaterally and invade foreign airspace at will,” Hand debates. “The accuracy of these drones is debatable, but this much is certain: With all the bombs we are dropping from these things, we are surely creating more enemies and causing more war.” In a global Pew Research Center survey done last year, 17 of 20 countries said they did not support U.S. drone strikes. In that same survey, 66 percent of Americans supported the drone attacks taking place across the world. Since that survey from last year, The Huffington Post and the YouGov organization held a poll in Jan. with the result of Americans only supporting strikes killing highlevel terrorism suspects that weren’t Americans. The support for killing terrorists who were also Americans dropped dramatically from 59 percent to 44 percent. President Obama announced Jan. 14 in a Google+ Hangout that Americans “deserve to know more” about drone strikes and is moving forward possible changes in the program. However, even with this, the support for such drone strikes by the United States is still on a whim.
An Unmanned Aerial Vehicle similar to ones used in Yemen executes a fly-over vice.com
Amid bleak forecasts for newspapers, a glimmer of hope
Circulation revenues top advertisement revenues for first time at New York Times ERICK MANCEBO Features Editor At this very moment, untold numbers of teenage and 20-something-year-old would-be journalists all over the country are jumping ship—leaving behind degrees in Journalism, Communications and English Language and Literature in favor of degrees that are more conductive to lucrative careers in Marketing, Advertisement and Sales or Public Relations. The jumpers, spooked by years of bad news from the publishing world, reflect a faltering confidence in the print medium, which has been facing a steady decline for years. Although no doubt a part of the larger narrative this generation of entry-level workers face, graduates in these fields have consistently been reporting higher-thanusual unemployment rates, further spooking younger students. And reports from within media institutions don’t do much to change this perception. From daily stories of local newspapers folding, to more sporadic stories of entire publishing houses folding—like the rumors late last week of Time, Inc. selling most of their magazine to Meredith, Inc.—these stories paint a grim picture of the industry. The prognosis for the industry changed slightly this month, however, after The New York Times Company reported that their circulation revenues for the first time exceeded their advertising revenues. As The Boston Herald reported on Feb. 7, “The company’s advertising revenue dropped 3.1 percent, while circulation and other revenue climbed 16.1 percent and 4.8 percent, respectively.” Interestingly, President and Chief Executive Officer Mark Thompson attributed the growth to strong growth in the company’s digital subscriptions. “Our pay model
continued to prove itself, with approximately 668,000 paid digital subscriptions across the company at quarter end, up 13 percent from the end of the third quarter.” Previously, The New York Times Co. was harshly criticized after it’s New York Times became one of the first major newspapers to institute a digital pay wall on their websites and mobile applications, forcing digital customers to pay for a subscription before being allowed to read more than an allotted number of articles. This was a landmark decision which shaped the way readers access information on the Internet— which had before then been very much a free and open medium. The decision to embrace digital media, but on their own terms, at least until now seems to have worked out for the company. Others within the industry say growth in circulation can be attributed in part to the model the Times helped to institute. In a theguardian.co.uk article, Jeremy Leslie, who runs magculture.com says that the Internet has helped save print. “Ironically, I attribute it [larger print circulations] to the internet.” Leslie argues that while print was facing a decline before, the exposure the medium received from an easier-to-access Internet allowed it to catch more eyes. Eventually, for companies who had the foresight to deviate from the “free” status quo, these eyes translated into profits. It seems that the tough decisions the Times made the past decade are paying off, allowing for profits to continue to grow even in the face of dwindling print circulations. The question, of course, then becomes whether other publications have dropped the ball when it comes to instituting pay walls and subscription-only services. And these are questions the industry will have to face, certainly to much more backlash the longer they simmer unanswered.
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February 20, 2013
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Old and new media play nice as Twitter integrates into TV Social media-driven television watching hailed as future while Facebook lags behind THATIANA DIAZ Staff Writer Social television is on the rise. The skyrocketing adoption and use of social media among consumers is transforming TV watching into a more instantaneous and shared experience. As of June 2012, more than 33 percent of Twitter users have actively tweeted about TV content while 44 percent of U.S. tablet owners use their devices daily to access social media while watching TV according to Nielson’s Social Media Report 2012. From global events like the Summer Olympics, to national events like the Presidential debate, consumers around the world now use social media to engage with everyone from close friends to other fans, revolutionizing the TV viewing experience. TV shows, like NBC’s “The Voice,” are using a number of strategies to keep people engaged. Twitter hashtags—the names of contestants, or the name of the program—are posted on TV screens for users to use in their tweets. When the program is on the air and a viewer uses these hashtags, the hashtags trend and social media buzz increases. When the show is off the air, however, the buzz naturally dies down, which is what networks are trying to counter. This means it is important for “The Voice” and other TV shows to continue to engage with their
viewers by providing reminders, including that of available new content. Shows do this through social media, having cast members tweet frequently or using the official TV show account to countdown or remind fans of the next episode. Earlier this month, the Baltimore Ravens beat the San Francisco 49ers to win Super Bowl XLVII in a game that came down to the final seconds. Online, however, the social network showdown belonged to Twitter in a dominating win over Facebook. Twitter was mentioned in 26 of 52 national TV commercials—50 percent of the spots that aired during CBS’ game coverage. Facebook, on the other hand, was mentioned in only four of those commercials—about eight percent. Twitter also generated a record 24.1 million posts. David Berkowitz, vice president of emerging media at the company 360i, said that Twitter has done a good job of tying itself into major TV events. “If you look at Twitter’s trending topics any day especially during prime time or major events, they’re heavily fueled by TV,” said Berkowitz. “So TV is responsible for Twitter’s growth in general.” Berkowitz thinks Twitter has done a better job than other social media sites like Facebook in proving it’s the place to be when it comes to talking about big events online.
Twitter has emerged as the key drive of social TV interaction. Nearly a quarter of people aged 18-34 use social media to comment on what they like/dislike about a story line while watching TV. But again, while Twitter is praised for enriching live TV, Facebook is being criticized for not being real-time enough. With this in mind, it is questionable whether traditional outlets like Nielsen scans are still relevant methods of detecting and measuring how many viewers TV shows can reach. It is entirely possible, if a user follows the right Twitter users, to get a tweet-by-tweet rundown of almost any prime-time TV program. While this counts as a form of the program interacting with a person and being in that person’s consciousness and environment, Nielsen scan technology has not evolved to take that into account. Warming Glow writer Dustin Rowles, for his part, thinks that traditional measurements like Nielsen scans are irrelevant, “There’s a serious disconnect between Nielsen ratings and reality.” Others, like marketing professor Larry Chiagouris, disagree: “Nielsen ratings are still very relevant because they measure the portion of time a viewer is in the room with the television on and its measures have been fairly consistent over time. This is not to say that Twitter or Facebook are not relevant because they may, in fact,
boost viewership and therefore, boost ratings.” Facebook, which recently celebrated its nine year anniversary, has multiple barriers to overcome if it would like to be real-time relevant. Facebook recently added ‘Subscribe’ buttons to give users access to content from those they may not be friends with, but the social networking site is fighting it’s core user experience— Facebook has traditionally been used as a platform for connecting with friends and family members. This means that an interesting thought posted to Facebook by a friend of a friend or someone on the other side of the world has little chance of ever appearing in another user’s news feed. Tweets, on the other hand, by default, are published to the world. Twitter users are encouraged to follow and connect with those that share their interests, while meeting in real life is not a prerequisite. Facebook’s intimate social setting is a massive real-time barrier. In the end, however, Twitter could possibly be Facebook’s biggest real-time roadblock. Users and brands already recognize Twitter’s platform as the current go-to second screen. Even with a Facebookfavoring user gap of 800 million between Facebook and Twitter, the latter is clearly the more convenient medium on any device.
After a long offseason full of firings and hirings, baseball returns DANIEL DEPASQUALE Staff Writer The 2013 offseason has finally come to a conclusion. Pitchers and catchers have reported to camp with their respective teams, all of the notable free agents have been signed and come March, Spring Training will be under way. Baseball is back and the 2013 season is right around the corner. For the Yankees, this was a considerably cheap and quiet offseason. They kicked things off by retaining right-handed pitcher Hiroki Kuroda on a one year deal, and convincing both Andy Pettitte and Mariano Rivera to come back at their old age for one last try. The Yankees kept their winning core of pitching in tact—all on one-year deals—at reasonable prices in an attempt to stay under the $189 million dollar luxury tax imposed by baseballs new collective bargaining agreement rules. Free agents Nick Swisher, Rafael Soriano, Raul Ibanez, and Russell Martin are all gone. To replace them, the Yankees spent frugally yet again by bringing in oftinjured designated hitter Travis Hafner from the Cleveland Indians on a one-year deal. Resigning Ichiro Suzuki impacted Russell Martin. Ichiro received the money Martin wanted from the Yankees because his jersey will make the team more money from the Japanese fan base. Martin instead signed with the Pirates while the Yankees are opting to go with three young defensive catchers in Spring Training for a competition behind home plate. Meanwhile for the Yankees, news about third baseman Alex Rodriguez made headlines all offseason long. First was his hip, which needed reconstructive surgery, and then the player made headlines with more steroid reports and allegations. If Rodriguez misses all of 2013, the Yankees will collect insurance money on his contract. If convicted of steroid usage, they have the option of fighting to void his contract all together. In an attempt to fill in the hole left vacant by the injured Rodriguez, the Yankees signed Kevin Youkilis. This move was the team’s biggest of the offseason. The
“Greek God of Walks” struggled last year in Boston and was subsequently traded to the White Sox as a result. Despite the initial backlash from rival fans in both Boston and New York City, the Yankees know Youkilis wears his emotions on his sleeve and will become a fan favorite in due time. Besides, signing Youkilis will spice up the mostly dormant Yankee/Red Sox rivalry once again. Across the East River, The Mets’ offseason was all about building for the future. The team seems to know that as presently constructed, their players are not good enough to win a tough National League East division. Teams like Philadelphia, Washington and Atlanta are far too good to overcome. This is why the Mets traded fan favorite and 2012 Cy Young Award Winner R.A. Dickey to the Toronto Blue Jays. The trade is a bitter pill to swallow for Mets fans who also had to see Jose Reyes at SS for Toronto, but the trade netted the Mets an amazing young catcher in prospect Travis D’Arnaud. He should be in the big leagues at some point this season and has drawn Mike Piazza comparisons. Notably, the Mets signed Shaun Marcum on a oneyear, $4 million dollar deal, well below his market value. It was a great signing for them and while he won’t be as good as RA was, he is an excellent option to plug into the rotation as a stopgap and bridge to the future of young pitcher Zack Wheeler. Unsurprisingly, the Mets lost bullpen arms like Jon Rauch and Ramon Ramirez, who were poster boys for the team’s terrible bullpen last year (it ranked second worst in the majors). In turn, they brought in 40-year-old Latroy Hawkins, former Met lefty Pedro Feliciano and set up man Brandon Lyons in an attempt to get new faces and better production. The team has had terrible luck assembling a bullpen under Sandy Alderson. The optimistic hope is that these new arms bring experience and life to a young pen core set to include Bobby Parnell, Josh Edgin and Jenrry Mejia. The Mets didn’t do much at all to improve their outfield but they did cut Jason Bay, which is a great move in and of itself. Bay struggled too much in New York
and needed a change of scenary. The Mets will now look to Collin Cowgill and Andrew Brown to be the righty platoon bat they need for lefties like Lucas Duda and Kirk Nieuwenhuis. The Mets also lost the 20-homer power that Scott Hairston once provided. He signed with the Cubs on a two-year deal. Overall, both teams had different off seasons. The Yankees are bringing back virtually the same team that won 95 games last year and—because they lost Swisher and Soriano—collected two draft picks that will add to their total and improve the farm system. The Mets are bringing back a team that lost its Cy Young Award-winner and best pitcher but retooled and stocked itself for the future in a big way with the youth of Catcher Travis D’Arnaud and LHP Noah Syndergaard. That future now includes David Wright for a long time. The Mets extended him this offseason and gave him the contract he deserved. Finally, back in the Bronx, Derek Jeter is set to recover from his ankle injury on time for Opening Day and David Wright has a new contract that will make him a Met for life. With both key faces of the franchises locked up and ready to help the core around them, both New York teams are hopeful and prepared for the new season ahead.
Yankees captain Derek Jeter at spring training in Tampa, Fl. newsday.com
New perspective for hurricane-battered New Yorkers
JULIA YEUNG Staff Writer Posh towers in the Financial District sat vacant for months, tenants displaced as building managers raced to restore storm-thrashed boiler rooms and electrical systems, and residents of Long Beach, LI lined up their old Christmas trees on the beach, in the hopes of slowly restoring washed-away natural dunes. The effects of Hurricane Sandy have without a doubt changed the way New Yorkers perceive storms and the vulnerability of New York City. With such an enormous storm displacing many New Yorkers with damaged homes and no access to power back in Oct., many NY residents are wondering what will happen in the event of another storm similar to Hurricane Sandy, which are forecasted to be a much more common occurrence. As sea levels in the region continue to steadily increase year after year, environmentalists, politicians, and climate experts are working together to see how the man-made infrastructure of NYC can better interact with nature to protect residents in the event of another hurricane or weather event. Klaus H. Jacob, a Columbia University seismologist, believes that these “once in a century” type of storms will become a yearly event by 2100, it may be best to start preparing NYC’s infrastructure against the event of another hurricane. While constructing large-scale infrastructures like underwater gates to try to control the force of tidal waves are expensive and difficult to build, architects, environmentalists and civic engineers propose integrating nature into NYC’s infrastructure as a way to better protect residents from the force and effects of powerful storms like Hurricane Sandy. The proposed plans are designed specifically for the three vulnerable neighborhoods of Lower Manhattan, the Red Hook and Gowanus sections of Brooklyn, and northern Staten Island. Lower Manhattan was where most of the city’s power failures occurred due to its low relation to the sea and artificial landfill interior. A proposed plan by architect Stephen Cassell and his team from Architecture Research Office and partner firm, dlandstudio, envision integrating natural aspects into the area to create a more resilient and durable city in the face of powerful storms
and incoming surges of water. Cassell and his team envisioned covering the edges of Lower Manhattan with a grassy network of land-based parks that include watery patches of wetlands and tidal salt marshes. Although it may not be possible to entirely stop water from entering into the city, these engineered green spaces would be able to reduce the flow of incoming water by absorbing it and therefore, reduce flooding in the area. Storm surges create huge amounts of energy and force in incoming waves—by having wetlands circling around the edges of Lower Manhattan, the amount of energy and impact on the coastline would theoretically be reduced and absorbed by the land itself. Cassell also plans to extend the area of the Lower East Side by adding an additional block or two of landfill to create space for the creation of a new park and a salt marsh. Junior Sharmin Rahman was cautiously open to the proposal. “I think it’s a really good idea to use nature as a way to protect ourselves, but I wonder how effective will the parks and marshes be against very strong storm surges,” said Rahman, before adding, “Since the climate will continuously be changing over the years, I hope the infrastructure will be able to adapt and keep up with those changes.” In complement to the land-based parks and marshes, Cassell also proposed the re-engineering of streets to better handle surging waves. Streets divided into different levels based on location and possibility of water exposure will be replaced with new adaptable roadway material. Level One streets would have their asphalt replaced with absorptive material—like porous concrete—to act as a sponge for excess water and to irrigate excess to plantings in the street bed. Level Two streets would be constructed to handle stronger surges and be designed to send running water to the marshes at the edges of Lower Manhattan, where prepositioned ponds will await, ready to collect the runoff for use during dry periods in the future. Finally, Level Three streets would handle the bulk of the water by being parallel to the shoreline and draining the surging water back into the harbor. These streets would have to be constructed, likely changing the current city grid. But by reintegrating nature back into Manhattan, the city can operate more as an engineered ecology, rather than as a man-made structure that continues to push away at nature—a losing battle.
Kate Orff, another architect and landscape designer, plans to rebuild “nature’s wave attenuators” through the use of oysters for the Red Hook and Gowanus sections of Brooklyn. Red Hook, hit hard by Hurricane Sandy’s surging water, is an area of interest for landscape architects. The low-lying area used to be protected by the Bay Ridge Flats, a small archipelago of islands protecting the Brooklyn coastline, which are no longer present due to dredging. Orff plans to use a system of artificial reefs in the channel and a bay built out of rocks, shells, and fuzzy rope to nurture and grow oysters. These oyster-studded barriers would form an “ecological glue” over time and help lessen the gravity of onrushing tides. The oysters are also natural water filters as a single one can clean up to 50 gallons of water a day. By placing oyster nurseries in the Gowanus Canal, Orff also hopes that they would be able to purify the federal Superfund site. Orff is also calling on New Yorkers to change the way they think about infrastructure—not as something that separates us, but as something that is already embedded in our cities and public spaces. For northern Staten Island, engineer Lawrence J. Murphy from the New York office of global engineering firm CDM Smith proposed the construction of a classic storm-surge barrier with a drawbridge across the Arthur Kill, a navigable waterway that separates Staten Island from the mainland of New Jersey. The barrier is a dam-like structure with suspension towers and tidal gates below the surface that can open and close when needed. The storm-surge barrier aims to protect against a Category Three hurricane as it reaches a height of 22 feet. A complex system of locks and drawbridges will also work to accommodate the large amount of commercial ships that navigate the waterway. The barrier would operate on emergency power in case of an electrical failure and would also produce electricity when equipped with tidal generators. The Arthur Kill Storm Barrier (as it is named) can also be used as an area of public recreation because of a multiuse path that would provide bicycling, walking, fishing, and bird-watching opportunities. Agie Ip, a senior, supports the proposals. “I hope that they act on these proposals and not just only talk about them. I’m from Staten Island and I would like the reassurance that we are going to be better protected next time and not only say that we are.”
theatlantic.com