The Pedestal | Fine Interiors Including Joanna Booth: The Discerning Eye

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Fine Interiors Including Joanna Booth: The Discerning Eye 1pm Tuesday 5 July 2022

Enquiries: The Pedestal, The Dairy, Stonor Park, Henley-on-Thames, Oxfordshire, RG9 6HF. Tel: 0207 281 2790

FINE INTERIORS Including Joanna Booth: The Discerning Eye 1pm Tuesday 5 July 2022 The Dairy, Stonor Park, Henley-on-Thames, RG9 6HF

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Fine Interiors Including Joanna Booth: The Discerning Eye: Early Textiles, Sculpture, Furniture and Old Master Drawings

Tuesday 5 July 2022 at 1pm Sale number: 050722 The Dairy, Stonor Park Henley-on-Thames, Oxfordshire, RG9 6HF 020 7281 2790 info@thepedestal.com www.thepedestal.com

Specialists: Early Works of Art Simon Green simon@thepedestal.com Furniture & Works of Art Guy Savill guy@thepedestal.com Sally Stratton sally@thepedestal.com

Client Manager: Jackie Brown info@thepedestal.com accounts@thepedestal.com

Viewing at The Dairy

IMPORTANT INFORMATION

Friday 1 July 10 - 4pm Sunday 3 July 11 - 3pm Monday 4 July 10 - 4pm Tuesday 5 July 10 - 12pm

LIVE BIDDING

Catalogue: £10 Front cover: Inside front cover: Inside back cover: Back cover:

Lot 151 Lot 173 Lot 207 Lot 261

Please go to auctions.thepedestal.com to bid live on our website. You will need to create a new account to use The Pedestal Live. Once created it will give you access to live bidding facilities both from your desktop and through our app. The Pedestal Live is powered by Auction Mobility and is available for both Apple and Andriod mobile devices. To browse catalogues, leave absentee bids and bid live in all auctions from your device download the free app from the App Store (for Apple devices) and Google Play (for Android devices). There is a 3% plus VAT additional live bidding fee applied for this service. Alternatively live bidding for this auction is also available through thesaleroom.com, easyliveauction.com and invaluable.com where additional charges apply. BUYER’S PREMIUM AND CHARGES A successful bidder at this sale will be required to pay The Pedestal Ltd (The Pedestal) a buyer’s premium of 25% of the hammer price plus VAT, unless otherwise stated PLEASE SEE POST SALE COLLECTIONS INFORMATION ON PAGE 2

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Stonor Park M40

No Northend

Cadmore End

Lane End Turville Turvil rvi vi Heath

Turville

B46

Russell Water R

Stonor Park St Stoner ner

B4 60

Maidensgrove

Skirmett

Fawley

Middle Assendon

Hambleden

Lower Assendon

Henley on Thames Location

Post Sale Collections and Storage Information

The Dairy is located between the M4 and the M40 (J6) on the B480 Henley-on-Thames - Watlington Road. On entering the Stonor Park Estate, through the main gates, keep to the right as the driveway divides, once you reach the parking area The Old Dairy is on the left. Stonor is a 10 minute drive North of Henley, only an hour from London, 40 minutes from Oxford and Heathrow and half an hour from Reading. The nearest railway station is Henley-on-Thames and taxis are available from the Station.

All auction purchases should be collected within 14 days of the auction from The Dairy, Stonor, Henley-on-Thames, Oxfordshire, RG9 6HF. We operate collection of lots strictly by appointment. Collection slots are between 10.00am-4.00pm and must be booked in advance.

Symbols ¥ These lots are subject to CITES regulations. ** On certain lots marked ‘**’ there is an additional amount of 5% VAT payable on the hammer price as they are subject to temporary importation. AR On certain Lots marked ‘AR’ in the catalogue an Additional Premium will be payable by the Buyer for royalties relating to the Artists Resale Right Regulations 2006 currently: Hammer Price From €0 to €50,000 Percentage 4% From €50,000.01 to €200,000 Percentage 3% From €200,000.01 to €350,000 Percentage 1% From €350,000.01 to €500,000 Percentage 0.5% Exceeding €500,000 Percentage 0.25%

Please note that access to Stonor Park is weight restricted to vehicles under 7.5 tonnes. Goods not collected within 14 days may be subject to an administration charge on £10 and then storage charged at: £3 per day for pictures and small items £6 per day for furniture, larger pictures and objects. Please make contact with The Pedestal if you need assistance in arranging transport or are unable to make collection within the given time frame. We reserve the right to send lots that are not collected in a timely manner to external storage, any resulting cost will be transferable to the purchaser.

Loss and Damage Full value protection Cover for the value of the hammer price with be charged at 0.6% but will not exceed the total value of all other transfer and storage charges.

Value Added Tax Will be applied at the current rate on any charges levied.

1 An 18th century oak and mahogany inlaid dresser, North Wales probably Anglesey The upper part with rectangular ogee moulded cornice above a two shelves, the lower part with rectangular top above a central bank of four drawers, flanked by quartered pilasters, with a single drawer and cupboard to each side, on shaped bracket feet, 156cm wide, 49cm deep, 92cm high. £800-£1200

2 A William and Mary oak side or centre table With block and spiral-twist legs joined by multiple spiraltwist stretchers, 91cm wide, 57cm deep, 72cm high. £1200-£1500

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3 A matched set of ten oak and ash spindleback chairs, Lancashire Including a pair of open armchairs, with rush seats and turned legs joined by stretchers. (10) £400-£600

4 A Tekke Turkoman saddle bag 101cm x 48cm £60-£80

4a A Turkoman Javal saddle bag 108cm x 69cm £100-£150

5 A pair of 18th century architectural carved oak lion corbels of scrolling form With underlying traces of polychrome paint, each 116cm high. (2) £2000-£3000

6 A 19th century oak refectory dining table in the 17th century style The rectangular top above an incised carved frieze on baluster turned legs and block supports joined by stretchers, 257cm wide, 80cm deep, 75cm high. £800-£1200 4

7 A pair of maiolica chargers, late 19th century In the Renaissance Revival style, depicting classical figures with a border of mythological beasts on a blue ground, with restorations, each 42cm diameter. (2) £300-£500

8 A maiolica charger, late 19th century In Renaissance Revival style, depicting a figure on horseback, within a border of anthemion, medallions and cherubs, 41cm diameter £250-£400

9 A maiolica charger, late 19th century In Renaissance Revival style, depicting the head and shoulders of a Turk and a scroll inscribed UN BEL MORIRE TUTTA LA VITA ONORA (from Petrarch), 41cm diameter £250-£400

10 A pair of carved oak panels, Dutch, early 17th century Depicting kneeling monks, each 40cm high, 22cm wide. (2) £1200-£1500

11 A white painted and parcel gilt charger, Iberian, 18th century 45cm diameter. £500-£700

12 A pair of carved oak figures, Dutch or Flemish, 17th century Representing St John with the eagle at his feet and St Luke with the ox at his feet, each 55cm high. (2) £1000-£1500

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13 An oak “credence” table, circa 1900 With canted top and central drawer above arcaded frieze standing on ringturned legs joined by an undertier, 86cm wide, 40cm deep, 77cm high. £800-£1200

14 A George II oak kneehole desk The rectangular top above three frieze drawers and a recessed panelled door enclosing a shelf, flanked by three drawers to each side on shaped bracket feet, 80cm wide, 47cm deep, 73cm high. £400-£600

15 A small George III oak settle The rectangular double fielded back, open arms and rectangular seat with undulating fascia stretcher, on square legs joined by stretchers, on bun feet, 96cm wide, 56cm deep, 108cm high. £400-£600

16 A James I oak plank chest With moulded lid, gouged-decorated edges to the front and standing on V-cut ends, 100cm wide, 37cm deep, 49cm high. £300-£500

17 A needlework picture, Dutch, late 17th / early 18th century Depicting four figures crossing over a stream, a windmill in the distance, 35cm high, 45cm wide £1000-£1500

18 A polychrome carved head, possibly of Mary, 17th century and another head of a young lady 20cm and 17cm high respectively. (2) £500-£700

19 An oak architectural figure of a bearded soldier holding a spear, Flemish, 17th century Carved in relief, 67cm high, 20cm wide. £500-£700

20 A large 19th century Austrian polychrome figure of St Mark Holding an open book, with one leg resting on a bag of coins, raised on a white painted and parcel gilt support with C-scroll decoration, 135cm high. £1000-£1500 Provenance: Property from a Hampshire country estate

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21 A matched set of eight George IV “Gothic” Windsor chairs, Buckinghamshire Including two armchairs, each with arched open backs, figured elm seats and turned legs joined by crinoline stretchers, one armchair in ash and cherry and with straight cross-stretcher, the other in yew, two chairs in yew, four in ash, each approx. 45cm wide, 39cm deep, 90cm high, seat height 44cm. (8) £3000-£5000

22 A George I oak gate-leg table With oval twin-flap top raised on block and baluster legs joined by baluster stretchers, 165cm extended, 140cm deep, 78cm high. £300-£500

23 A George II oak dresser, North Wales With three frieze drawers and a pair of doors with shaped fielded panels flanking three simulated drawers, standing on stile feet, 153cm wide, 51cm deep, 90cm high. £500-£700

24 A Charles II oak four drawer chest The rectangular moulded edge top above four long geometric moulded drawers, with panelled sides, on later bun feet, 96cm wide, 55cm deep, 97cm high £400-£600

25 A George III oak and mahogany crossbanded longcase clock signed J. F. Wathew, Chester With pierced swan neck cresting, above a glazed door flanked by turned columns, above a shaped door, the later brass dial signed on a shaped plaque below XII, matted centre with date sector, the eight day movement striking on a bell, 54cm wide, 26cm deep, 213cm high. £400-£600

26 A George III elm and oak floor standing corner cupboard The upper part with a pair of double panel doors enclosing shaped shelves, the lower part with panel doors enclosing a single shelf, 96 wide, 52cm deep, 197cm high. £250-£350

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27 A 17th century oak plank chest The hinged rectangular lid enclosing a till, above a floral incised front, on plank ‘V’ cut ends with later carrying handles to the sides, 108cm wide, 39cm deep, 65cm high. £300-£500

28 An unusual oak child’s armchair, 19th century With solid seat, four shaped splats and open side arms extending to arched feet, 42cm wide, 30cm deep, 59cm high. £200-£400

29 A small George II oak and inlaid chest of drawers With original handles, crossbanded in mahogany and with line inlay, with two short and three long graduated drawers, standing on bracket feet, 79cm wide, 47cm deep, 75cm high. £800-£1200

30 A George III oak settle The back with four arched fielded panels flanked by downswept arms above an upholstered seat and a shaped apron, on cabriole front legs, 163cm wide, 65cm deep, 101cm high. £400-£600

31 A late Elizabethan or James I oak plank coffer The rectangular moulded hinged lid above plain sides and stile ends, with triangular front feet, 128cm wide, 43cm deep, 68cm high. £300-£500

32 A William and Mary oak gate-leg table With oval twin-flap top and baluster legs with scroll feet, 138cm extended, 95cm deep, 73cm high. £300-£500

33 A late 18th century oak dresser, possibly Welsh borders The plate rack with rectangular ogee moulded cornice above three shelves with two divisions, the base with five drawers and a central arched apron; with undulating apron on shaped feet, 230cm wide, 54cm deep, 181cm high. £800-£1200 Provenance: Private Collection Derbyshire and thence by descent thepedestal.com

34 A Queen Anne figured oak candle-stand With octagonal top and turned column with cruciform base, 30cm diameter, 64cm high. £500-£800

35 An oak hanging cupboard, Dutch, late 17th century With twin open compartments below an arcaded frieze and flanked by incised uprights, 68cm wide, 20cm deep, 64cm high £500-£800

36 A walnut side cabinet, elements 17th century The gadrooned frieze with ram’s heads at each end, above a pair of cupboard doors flanked by spiral columns, 81cm wide, 42cm deep, 77cm high. £800-£1200

37 A William & Mary burr-oak and oak candle-stand With circular top, baluster column and circular moulded plinth raised on three feet, 29cm diameter, 75cm high. £500-£800

38 A Charles II oak side table With twin-panel frieze drawer and pierced corner brackets, standing on baluster legs joined by square stretchers, 87cm wide, 57cm deep, 68cm high. £800-£1200

39 A late 15th century carved marble female standing figure of the Virgin Wearing a crown and a long draped dress, with flowers in her hair, possibly once holding lilies, weathered (a.f), 102cm high. £1000-£1500 Provenance: By repute from Magdalen College, Oxford purchased by the current vendor about 30 years ago. It is thought that this statue could date from the period soon after the founding of Magdalen College, Oxford, by William Waynflete, Bishop of Winchester, in 1458. The college buildings were set out in 1474 and incorporated some of those from St John’s Hospital which previously occupied the site, the 13th century chapel of the Hospital is still incorporated in the range fronting the street. In 1475 William Orchard, a mason, was contracted to work on the West window of the Chapel, other parts of the Chapel, the Cloister windows and the towers and by 1480 the college was occupied. It is possible that the late sculptor Patrick Conoley created a new statue for Magdalen College to replace the work on offer here, although it is not known where in the college our statue might have originally stood. Over a period of 11 years from 1971 Conoley designed and carved over 150 sculptures for Magdalen, many of these to replace damaged or weathered early pieces. He started carving in stone at the age of 14 and on leaving school took up an apprenticeship with the renowned firm of R L Boulton & Sons in Cheltenham. Over the course of his career Conoley produced hundreds of wooden and stone sculptures for buildings, churches and cathedrals throughout the world, he also worked on the restoration of Blenheim Palace, Woodstock. In 1913 four statues were produced for the niches in the south façade of St Mary Magdalen, Oxford, a Grade I listed building dating from 1194 when St. Hugh, Bishop of Lincoln, replaced a single-aisle chapel erected after a fire in 1074 which had destroyed the original Saxon wooden church. St Mary Magdalen was later restored in 1841-42 - a young, and as yet, unknown architect George Gilbert Scott and his partner W B Moffatt worked on the north aisle of the church, where they created the first Gothic Revival interior in Oxford. The identity of the sculptor responsible for the four early 20th century works is not known, but “Maria” could have been designed whilst our statue was still in situ and on view at Magdalen College. There are subtle resemblances between the two pieces, and both carry stems of flowers in their right hand, likely to be lilies. Arts & Crafts was at its height in 1913, and the dress and overall appearance of Maria and her companions at St Mary Magdalen, as with the movement itself, are clearly influenced by the aesthetics of the Middle Ages.

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Joanna Booth The Discerning Eye Lots 40 - 197 “I always claimed that my future lay in the past, which it has very happily,” says Joanna Booth, the London-based antique dealer who for more than five decades has been sourcing and selling so much of the best that the past has to offer. Inspired by visits to historic buildings while still at school - she remembers being “absolutely entranced” by the “wobbly woodwork and imaginative carving” at Little Moreton Hall in Cheshire - Joanna developed an early love for 16th and 17th century furniture and sculpture. In 1967, Joanna opened her eponymous, characterful shop at 247 Kings Road in Chelsea, the hub of London’s fashionable life during the “Swinging Sixties.” The Joanna Booth “look” gradually evolved. English early oak furniture and carvings were mixed with European tapestries, some medieval art, Old Master drawings and 16th and 17th century sculpture and decorations, like Italian giltwood altar candlesticks that could be converted into elegant lamps. Volumes of leather-bound French classics and velvet cushions embellished with fragments of centuries-old tapestry lent some final touches of opulence to this distinctive taste “Although antiques lacked high fashion, they still held their own in a good mix of trades,” Joanna recalls. “247 was the ideal shop for my mixture of early antiques. I had a wide variety of customers.” Back in the 1980s and ‘90s, Joanna Booth was a regular exhibitor at the then-flourishing Olympia Summer Antiques Fair. Those were the days before minimalism and contemporary art dominated the thinking of interior decorators. Joanna’s stand became an unmissable destination for many American decorators and she would often cover her expenses with sales of tapestry cushions within the first few hours of the fair. Stock was regularly refreshed with unusual and interesting finds from markets and auctions in France and the rest of Europe. Joanna’s preChristmas shows of affordable Old Master drawings at 247 Kings Road became a favourite fixture with her loyal clientele. And in 1981 there was even a flamboyant themed exhibition of drawings and sculptures of angels, opened by the qually flamboyant former Arts Minister, Norman St. John-Stevas. Gilded baroque cherubim and seraphim flew across ceilings and w-alls painted with fluffy Magrittestyle clouds. Joanna closed her shop at 247 Kings Road in 2007. It is now a snack bar. Tastes and buying patterns have changed dramatically since the glory days of the London antiques trade, back in the last decades of the 20th century. Nowadays the better-off decorate their homes in pretty much the same way wherever they are in the world. Bare white walls, a bit of mid-century furniture here, a tastefully cool piece of contemporary art there. But now, gradually, decorators, collectors and home-owners are once again discovering how the character and beauty of older objects and furniture can transform the appearance of a contemporary home. Joanna Booth showed us the way. — Scott Reyburn, New York Times

40 A carved limestone foliate relief, French, circa 1300 64cm wide, 30cm high. £1500-£2000

41 A carved watch stand depicting a rider on horseback, Austria, circa 1700 Parcel-gilt and polychrome, 35cm high £1200-£1500

42 Figure of Virgin and child, Flemish, circa 1620 Carved oak, 33cm high £800-£1200

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43 Two Delft blue and white chargers, 18th century One decorated with flowers and trellis, the other decorated to the centre with a tree, with a paper label ‘From The Hamilton Palace Collection’, some fritting, 35cm and 34cm diameter respectively. (2) £400-£600 Provenance: By repute Hamilton Palace. The Hamilton Palace collections formed by the Dukes of Hamilton are legendary and famous for the 17-day auction dispersal held in 1882 by Christie’s with a further sale in 1919.

44 A bronze lion mask, Italian, circa 1580 14cm wide, 17cm high. £800-£1200

45 A red and gold damask panel, French, silk, circa 1650 325cm x 72cm £700-£1000

46 A blue and yellow silk panel, French, circa 1700 95cm x 53cm £400-£600

47 Figure of a bishop, probably St Martin of Tours, Spanish, Catalonia, circa 1300 Limestone with some original colour, 110 cm high. £7000-£10000 The elongated stance of this sculpture indicates that he was probably a figure on the west façade of a church, possibly within a niche where the upper part would have had some protection from the weather. St. Martin, as Bishop of Tours, raises his hand in blessing to the faithful or possibly he is making the distinctive circular gesture representing the closing movements of the Benedictio Graeca. As the founder of some of the first monasteries he was a popular image in the thirteenth and fourteenth century with many churches dedicated to him. The growth of monasteries throughout Spain resulted in French and particularly Burgundian influences becoming apparent in Iberian sculpture and architecture. This was also compounded by Pilgrim routes and portable items such as manuscripts and small ivories. The sculpture portrays similarities to ecclesiastical column figures in France with his stalwart pose, his drapery folds and the tight curls around the edge of his mitre. His expression is one of detached serenity, his eyes and eye brows well accentuated with the tones of colour similar to frescoes in Catalonian churches. His chasuble falls in soft “trough” folds but descends into a more rigid lines to strengthen his stance whilst his staff is angled to reflect his slight contra posta.

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48 A set of four oak caryatids, 17th century style Probably fireplace figures, each with Ionic capitals, each 21cm wide, 109cm high. (4) £1500-£2000

49 A large oak and iron-bound strongbox, German, Westphalian, circa 1600 The interior with decorative strap hinges and a till, 70cm wide, 50cm deep, 40cm high. £1500-£2000

50 Three carved oak architectural overdoors, 17th and 18th century One centred with a mask, one centred with an open cartouche, the widest 134cm. £300-£500

51 An Opus Anglicanum cope, English, circa 1500 On Italian silk ground, woven with central vegetal motifs surrounded by curved volutes and branches in an unusual colour of darker and lighter tan tones, applied to the hood and in a mandorla below is the Coronation of the Virgin, named apostles line the inner borders of the cope whilst further half-length apostles encircle the outer edge, winged angels with banderoles are distributed throughout the field, mounted on a white linen screen, the screen 285cm wide, 157cm high, the cope 285cm wide, 147cm high. £8000-£12000 ‘Opus Anglicanum’ or ‘English work’ is the term used for very fine Medieval needlework, both for secular and ecclesiastical use, sometimes using gold and silver threads. Most surviving examples are ecclesiastical. Although fragmentary examples can be found in a number of museums, the most important collections of Opus Anglicanum garments are at the Cloisters Museum in New York, the Victoria & Albert Museum in London and in the Treasury of Sens Cathedral.

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52 The Annunciation, circa 1640 Attributed to Francesco Albani (Bologna, 1578-1660) Red chalk on vellum Inscription on verso ‘From the Ottley Collection’ 40cm x 30cm £800-£1200 Provenance: The Ottley Collection The painting is in the Hermitage, acquired from Houghton Hall

54 A female saint, circa 1650 Bolognese School, circa 1650 Red chalk 36cm x 21.5cm £600-£800 Provenance: Charles Henri Marcelli (L.609) and Count E.R LamponiLeopardi (L.1760)

56 Figures at a table, circa 1780 Italian Neoclassical School Pen and brown ink over black chalk 19cm x 23.5cm £200-£400

53 Diana resting with her hound, circa 1680 Florentine School, circa 1680 Pen and brown ink over black chalk and blue wash Inscribed ‘gennaro laudi’ on mount 1684 27cm x 29cm £400-£600 Unidentified collector’s mark, but found on Florentine drawings of 16th-18th centuries. (L.2099)

55 A male figure kneeling in profile, circa 1750 Attributed to Edme Bouchardon (1698-1762) Red chalk over black chalk. 39cm x 27cm £400-£600 Provenance: Alessandro Maggiore with his handwritten note “Alessandro compro in Roma l’anno 1809” (L.30005b)

57 A group of figures, circa 1800 Gilles-Lambert Godecharles (Brussels, 1750-1835) Pen and black ink with grey wash over black chalk 19cm x 22.5cm £200-£400

58 Two seated figures Florentine School, circa 1550 Pen and brown ink Verso: Standing figures 25.5cm x 17cm £600-£800

60 Study of a domed building French School, 18th century Inscribed to reverse 41cm x 30.5cm £250-£350

62 Design for a street fountain French School, circa 1800 Pen and brown ink and watercolour 20.5cm x 7.5cm £150-£250 thepedestal.com

59 Male portrait head English School, circa 1650 Black chalk 20cm x 15cm £600-£800

61 Section of an elaborate wall design Attributed to A. Le Pautre (1614-1691) Pen and ink and grey wash 21cm x 9cm £250-£350

63 Design for a coat of arms, the supporters as beavers English, 18th century Pen and ink and colourwash 21cm x 18cm £200-£300 21

64 A mid 19th century mother of pearl ink pot and sander, circa 1850 Each 7cm high. (2) £400-£600

65 A 19th century French “Prisoner of War” straw-work casket and three small ‘Prisoner of War’ boxes One containing dominoes, the casket 31cm wide, 21.5cm deep, 20cm high, others 24cm, 23cm and 16cm respectively. (4) £400-£600

66 A carved oak panel, Flemish, 17th century Depicting a male and female figure above a cartouche DE BODESS CHORMARNI, 47cm x 33cm. £100-£150

67 A moulded ceramic plaque depicting the coat of arms of Great Yarmouth, Norfolk, circa 1900 With two fishermen as supporters and the motto REX ET NOSTRA JURA, 21cm square. £80-£120

68 A carved oak panel, Dutch,17th century Depicting a man with a walking stick or staff, 37cm x 20cm. £80-£120

69 A Brussels tapestry, woven in wool and silk, circa 1680 Depicting a floral swag below a cartouche, 95cm x 194cm £2000-£3000

70 A Flemish wool floral tapestry border panel, circa 1600 163cm x 55cm £800-£1200

71 A tapestry panel depicting cockerels, Flemish, circa 1680 92cm x 114cm £800-£1200

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72 An altar frontal with applique embroidery, Spanish, 18th century 200cm x 211cm. £400-£600

73 A 17th century Italian red and gold applique pelmet with tassels Of scrolling leaves and flowers, 232cm x 52cm £400-£600

74 An 18th century French green silk woven panel With swagged yellow flowers, 184cm x 188cm £200-£300

75 A 17th century Italian purple velvet panel Backed on silk, with a gilt trim, 147cm x 109cm £200-£300

76 Figure of St Michael, French (Picardy), circa 1600 Polychrome wood, 124cm high. £7000-£10000 St. Michael is depicted as a Roman soldier destroying the Devil, portrayed as a squirming dragon. Evil has been overcome and peace prevails. His billowing drapery is typical of the Baroque period. thepedestal.com

77 No lot

78 Design for a wine cooler French, early 19th century Pen and ink 45cm x 31cm £120-£150

79 Design for a frontispiece French, 18th century Pencil 27cm x 18.5cm £80-£120

80 The Triumph of Pan Dutch School, circa 1780 Pen and ink and grey wash 35cm x 48.5cm £300-£500

81 Study of a man holding a whip Dutch School, 18th century Black chalk on buff paper 29cm x 18.5cm £200-£300 26

82 Design for a doorway Attributed to Jean Berain (1674-1726) Pen and ink and wash and watercolour Inscribed Berain j f 30cm x 21.5cm £500-£700 83 No lot

84 Figures at a table English School, circa 1600 Pen and ink Verso: pencil and ink sketches with a stamp Karel A. Cervenka 9cm x 11cm £600-£800

85 Annunciation in a classical landscape, circa 1640 Circle of François Perrier (1590-1650) Pen and brown ink over black chalk with grey wash 19cm x 28.5cm £600-£800 The style compares with François Burlier, a pupil of Perrier, examples of which can be found in the Album Perrier donated to the Musée du Louvre in 1880.

86 A kneeling child with a lamb French, circa 1750 Red chalk 43cm x 23cm £1000-£1500

87 Saints in adoration of the Host German School, circa 1700 Black ink heightened with white Inscribed no.128 on mount 23cm x 15cm £200-£400 88 No lot

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89 A walnut open armchair, Spanish, late 17th / early 18th century With original embossed leather back and seat, 60cm wide, 38cm deep, 99cm high, seat height 48cm. £600-£800

90 An oak octagonal foldaway table, Dutch, 17th century 84cm diameter, 67cm high. £1200-£1500

91 A Charles I oak plank chest Of unusual proportions, the lid with moulded edge, side iron handles, 149cm wide, 32cm deep, 32cm high. £700-£1000

92 An oak gabled chest, Flemish, circa 1500 With iron strap hinges and V-cut high ends, 70cm wide, 36cm deep, 77cm high. £2000-£3000

93 A carved lime figure of the Pieta, Bohemian, 19th century Traces of polychrome decoration, 33cm wide, 53cm high £200-£400

94 A large carved oak corbel, English, circa 1400 32cm wide, 24cm deep, 60cm high. £1000-£1500

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95 The Ascension of the Virgin South German, circa 1700 Black ink with grey wash on paper 27cm x 18cm £500-£800

97 Reclining figures with putti, perhaps Jupiter and Juno French School, circa 1750 Black chalk on paper 20cm x 21cm £400-£600

99 Two male nudes French school, 18th century Inscribed Desinee par Isabelle 33cm x 38cm £300-£500 30

96 Sculpted herm of the gleaner in the gardens of Versailles French School, circa 1660 Red chalk on paper 40.5cm x 29.5cm £300-£500

98 Trophies of war, circa 1750 Attributed to Jean-Charles de la Fosse (1734-1789) Pen and ink and grey wash 14.5cm x 22.5cm £400-£600

100 Male nude, seated Attributed to Corrado Giaquinto (1690-1765) Red chalk 40.5cm x 27cm £500-£800

101 Three designs for a gate B. Duvaux 1894 Pen and ink and watercolour Signed and dated 28cm x 21cm (3) £300-£500

102 Study of a man leaning on a table French School, 18th century Pencil 28cm x 19cm £150-£250

(part illustrated)

103 Design for a wall with coffered dome French School, 18th century Brown pen and ink and grey wash 25.5cm x 26.5cm £300-£500

105 Design for a canopy Neapolitan School, circa 1700 Pen and ink and wash 34.5cm x 17.5cm £200-£300

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104 Les Chanteurs public Etienne Bericourt (1754-1804) Pen and ink 21cm x 27cm £200-£300

106 Studies for the Holy Family Italian School, circa 1750 Pen and ink 23.5cm x 18.5cm £300-£500

107 A pair of Brussels figural tapestry borders, circa 1600 Depicting cornucopia and initials “P G” in cartouches, 300cm x 20cm. (2) £1200-£1500

108 A Flemish tapestry wool and silk border, circa 1680 Of trailing flowers and leaves, 214cm x 183cm £400-£600

110 A group of textiles including a Flemish tapestry runner, circa 1680 107cm x 32cm, another runner, a small French silk needlework panel of fruit and a pair of 18th century French seat panels (a.f). (5) £120-£180

109 A 16th century framed needlework panel of a group of soldiers 53cm x 49cm. £300-£500

111 A 17th century Italian red velvet panel with a panel of 17th century Florentine flame stitch 112cm x 70cm and 123cm x 56cm respectively. (2) £200-£300

112 Figure of Saint Roch, Flemish, circa 1520 Oak with traces of polychrome, depicted wearing a cloak, shoulder bag and high boots, 59cm high. £1200-£1500 St. Roch, although himself a victim of the Plague, was always a popular Saint who helped to safeguard others from the same fate.

113 A pair of oak panels carved with Imperial eagles, Flemish, circa 1650 Each with pierced opposing eagle heads, 32cm high, 61cm wide. (2) £500-£700

114 A sandstone military trophy, German, circa 1700 Carved on all sides, 50cm wide, 30cm deep, 43cm high. £1000-£1500

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115 The crowning of a Saint Italian School Pen and ink 26.5cm x 20.5cm £300-£500

117 Scenic waterfalls Pencil and watercolour in sepia 29.5cm x 47.5cm £120-£180

118 Design for a Lunette with Juno on her chariot Neapolitan School, 18th century Pen and ink and white wash Inscribed RVF 17.5cm x 29cm £400-£600

119 Design for a cartouche North Italian, 17th century Pen and ink 29cm x 21.5cm £150-£250 34

116 Bust of a young man Siena school Red chalk 33cm x 23.5cm £250-£350

120 Study of a standing figure showing surprise Italian, circa 1700 Red chalk 23.5cm x 17.5cm £250-£350

121 Cherub holding an apple Italian School Red chalk 37cm x 26.5cm £400-£600

123 Figures at a fountain Genoese School, 18th century Pen and ink and pencil and blue wash 18cm x 24cm £400-£600

124 Stage Design as a boat yard Circle of Fabrizio Galliani (1709-1790) Pen and ink 16cm x 22cm £150-£250

125 Angels and putti amongst clouds Italian, circa 1700 Pen and ink 24cm x 18cm £200-£300 thepedestal.com

122 Drawing of the Ponte Santa Trinita, Florence Pen and ink Together with a smaller ground plan 35cm x 46cm (2) £250-£350 The Ponte Santa Trinita is a Renaissance bridge in Florence, Italy, spanning the River Arno. It is the oldest elliptic arch bridge in the world, characterised by three flattened ellipses.

126 Angel with a column North Italian, circa 1680 Pen and ink and grey wash 25.5cm x 19cm £300-£500 35

127 Two salmon on a rock Attributed to A. Roland Knight (British 1879-1921) Oil on canvas 50cm x 104cm £2000-£3000

128 A pair of rectangular cushions of late 19th century Italian gold applique work on black velvet 61cm x 48cm. (2) £200-£300

129 A set of three rectangular cushions of late 19th century Italian gold applique work on black velvet 61cm x 48cm. (3) £300-£500

130 A pair of rectangular cushions of late 19th century Italian gold applique work on black velvet 61cm x 48cm. (2) £200-£300

131 A walnut and inlaid “Prie Dieu” or prayer desk, Italian, circa 1650 With hinged kneeling section and geometrically-moulded door flanked by stiff-leaf carved uprights, having two concealed drawers, 69cm wide, 54cm deep, 93cm high. £2000-£3000

132 A pair of large oak cherubs, Flemish, circa 1650 Each with one arm raised, each 71cm high. (2) £2000-£3000

133 An oak draw-leaf table, Dutch, circa 1650 With bulbous-turned legs and square stretchers, 254cm wide extended, 71cm deep, 76cm high. £2000-£3000

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134 Head of a cherub Bolognese School, 17th century Pencil 35.5cm x 25.5cm £120-£180

136 Female nude French School, 18th century Red chalk 52cm x 29cm £400-£600

138 Banquet of the Gods Italian, circa 1700 Pen and ink and black chalk 16.5cm x 29.5cm £300-£500 38

135 A cherub flanked by angels Italian School, circa 1680 Black chalk 12cm x 29cm £250-£350

137 Adoration scene German School, circa 1700 Pencil and black ink 27cm x 20cm £200-£300

139 Study of a figure with a sword, right arm raised French, 18th century Believed to be a study of a statue in the Basilica St Giovanni in Laterano, Rome Chalk Monogram lower right, framed 23cm x 14cm £500-£700

141 A coat of arms German, dated 1603 Body colour Framed 11cm x 8cm £120-£180 140 Seated male nude French School, 18th century Red chalk 28.5cm x 41cm £250-£350

142 Varaha, The Boar Incarnation of Vishnu Indian miniature, 19th century Watercolour 15cm x 10cm £100-£150

144 Two urns, with classical ruins beyond Bolognese School, 18th century Pen and ink and grey wash 47cm x 24cm £400-£600 thepedestal.com

143 Manuscript Probably Flemish, circa 1500 17.5cm x 10.5cm £400-£600

145 Male nude, reclining Attributed to Francois-Andre Vincent (1746-1816) Red chalk, framed Inscribed in pencil to reverse ‘Homme nu assis, les bras au dessus du visage’ 42cm x 53cm £400-£600 146 A small collection of various drawings Including figural, architectural, topographical and loose sketches. (qty) £200-£300 39

147 Four cushions of 17th century tapestry The largest 54cm square. (4) £200-£300

148 An embroidered coat of arms, English circa 1840 The initials ‘V R’ worked in cord and denoting ‘Victoria Regina’. 45cm x 56cm £600-800 This sumptuous embroidered panel intended for court use would have been produced by the professional Broderers Guild. The raised work is achieved by padding with heavy cords with the gilt and silver threads couched on top which almost gives the effect of carving. The eyes including those of the pair of cherubs above are applied glass beads. The latter with their palms of peace appear to be auxiliary supporters to the crown whilst both lion and unicorn are balancing on the scroll bearing the words ‘Dieu et mon droit’.

149 A pair of 19th century French floral needlework seat covers Of pink roses with green leaves on a red ground, 87cm x 77cm. (2) £200-£300

(a pair) 150 A 17th century Flemish framed tapestry panel of David and Goliath Within a floral border, 56cm x 59cm. £300-£500

151 A Flemish feuilles de choux tapestry, Oudernarde or Enghein, circa 1580 Woven in wool, depicting lions, an elephant and exotic birds, a city in the distance, 240cm x 200cm. £10000-£15000

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152 A carved watch stand depicting a sleeping cherub and a seated cherub, South Germany, circa 1750 Together with another pine example, circa 1750, 34cm and 29cm high respectively. (2) £400-£600

(part illustrated)

153 A carved watch stand depicting Father Time with his hour glass, South Germany, circa 1700 Giltwood, 33cm high. £400-£600

154 An Aubusson ‘entre-fenêtre’ tapestry, circa 1700 Of a flowering tree on rocks, 277cm x 80cm £2500-£3500

155 An Italian red and gold damask panel, circa 1600 190cm x 183cm £300-£500

156 Figure of Madonna and child, Limburg, Meuse Valley, circa 1500 Carved oak, 87cm high. £7000-£10000 The carved detail shares many characteristics with works attributed to the Elsloo group, a number of which can be seen in the V&A Museum, London, notably the symmetrical rolls of hair framing the Virgin’s face which fall over the shoulders. The slightly elongated face with high arching eyebrows and dimple to the chin can also be seen in other works from this region.

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157 A group of textiles including a small 17th century Italian panel with gold applique The small panel, 49cm x 26cm. (qty) £150-£200

159 A quantity of various upholstery braiding, trimming and fringing, together with some velvet and silk (qty) £80-£120

161 A quantity of upholstery braiding, trimming and fringing, mostly red and pink (qty) £80-£120

158 A Flemish framed orphrey panel, circa 1550 The panel, 32cm x 18cm £150-£200

160 A quantity of various and metallic upholstery braiding, trimming and fringing (qty) £80-£120

162 A quantity of upholstery braiding, trimming and fringing, mostly blue and green (qty) £80-£120

163 A quantity of upholstery braiding, trimming and fringing, mostly cream and brown (qty) £80-£120

164 A Nottingham alabaster figure of Saint Simon, circa 1480 40cm high. £6000-£8000 One of the Twelve Disciples, depicted here with a saw, the instrument of his final martyrdom.

165 A carved figure of horse and rider, Flemish, circa 1600 Oak with original polychrome, 96cm high. £2500-£3500 An unusual carving, possibly part of a large-scale Adoration group showing a servant holding the horse of one of the Three Kings. The stylised treatment of the leaves on the tree is very similar to those of Flemish tapestries.

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166 Two Urns Italian, 18th century Pen and brown ink and wash 20cm x 27.5cm £250-£350

168 A study of figures and boats Attributed to Francesco Guardi (1712-1793) Black ink, some foxing 12cm x 17cm £300-£500

167 Manuscript on vellum French, circa 1450 17cm x 12.5cm £300-£500

169 Profile head of a young man, Italian School Red chalk 44cm x 27cm £120-£180

170 Design for a doorway with figures and putti Roman School, circa 1650 Pen and ink and wash 32cm x 18.5cm £150-£250

171 Design for a caryatid Italian school, 18th century Pen and ink 28cm x 19cm £100-£150

172 Design for an architectural cartouche, Italian school Pen and ink Monogram lower right corner 22cm x 16cm £200-£300

173 View up a staircase, through a Colonnade Italian, 18th century Pen and black ink and grey wash 25cm x 16cm £150-£250

175 Figure of a dying saint Attributed to Johan Andreas Wolf (Munich 1652-1716) Inscribed beneath in pencil Pen and ink 27cm x 21cm £500-£800 174 Landscape with rustic buildings Italian, 18th century Red chalk 23cm x 33cm £120-£180

176 Architectural design Roman School, circa 1620 Pen and ink and wash 18cm x 40cm £400-£600

177 Abraham and Isaac By Benjamin West (1738-1820) Pen and ink Signed B.W 1810 lower right corner 18.5cm x 18cm £500-£800 Benjamin West was a BritishAmerican artist who became well-known for painting famous historical scenes.

178 Priest giving alms to the poor Bolognese School, circa 1650 Red chalk 24cm x 18.5cm £400-£600 thepedestal.com

179 Profile of a standing figure French School,18th century Red chalk 27cm x 15cm £400-£600 47

Other Properties 180 A George II walnut, banded and crossbanded chest The rectangular moulded quarter-veneered top above four long graduated drawer on shaped bracket feet, 95cm wide, 51cm deep, 88cm high. £1000-£1500 181 A Bokhara rug 198cm x 120cm £150-£200

182 A late 19th century George II style carved mahogany two seater settee The rectangular padded back and scroll arms upholstered in coloured flame stitch embroidery (cushions lacking), on cabriole acanthus carved cabriole legs and claw and ball feet, 155cm wide, 67cm deep, 98cm high. £1500-£2000 183 Heriz sarb runner, North West Persia 333cm x 103cm £150-£250

184 A George II walnut and satinwood banded chest The rectangular quarter-veneered top above two short and three long graduated drawer on shaped bracket feet, 94cm wide, 55cm deep, 97cm high. £1000-£1500

185 A narrow walnut, crossbanded and featherbanded bureau bookcase The rectangular ogee moulded cornice above an arched bevelled door enclosing three adjustable shelves and three short drawers; the lower part with a sloping fall enclosing a sliding well, seven pigeonholes and six short drawers and a narrow drawers; above three long graduated drawers on shaped bracket feet, parts 18th century, 58cm wide, 50cm deep, 195cm high. £2000-£3000

186 A pair of late 19th / early 20th century George I style figured walnut side chairs The scrolling top-rails above vase shaped splats and drop in seats, upholstered in floral needlework, on acanthus carved cabriole legs and claw and ball feet, 60cm wide, 47cm deep, 104cm high, seat height 47cm. (2) £250-£350

187 A George II walnut, crossbanded and featherbanded chest on chest The rectangular ogee moulded cornice above three short and three long graduated drawers, the lower part with a slide and a further three long graduated drawers on bracket feet, 105cm wide, 52cm deep, 184cm high. £1500-£2000

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188 A 19th century George III style mahogany ‘Gainsborough’ type armchair Upholstered in green figured velvet, the serpentine rectangular padded back, above over scrolled arms and rectangular padded seat on square section legs, joined by stretchers, 82cm wide, 62cm deep, 102cm high. £500-£800 Provenance: Property from a Hampshire country estate

189 A Regency mahogany gentleman’s press cupboard attributed to Gillows The ogee moulded cornice above a pair of a panelled doors and a single door the right, the lower part with a similar arrangement, on a plinth base, converted to hanging rails and shelves, with impressed inventory mark to the reverse EC below a crown, 214cm wide, 54cm deep, 211cm high. £1200-£1800 Provenance: Sotheby’s London, Fine English Furniture, 17 November 1995, lot 868.

190 A George III Channel Islands mahogany wardrobe The rectangular ogee moulded cornice above a pair of triple panelled doors, now enclosing a rail, above a shaped apron on slender outswept bracket feet, 118cm wide, 54cm deep, 204cm high. £600-£800

191 A George II style mahogany wing armchair The rectangular padded back, shaped sides, scroll arms and padded seat on cabriole legs joined by turned stretchers, on pad feet, 67cm wide, 65cm deep, 108cm high. £250-£350

192 A George II walnut and mahogany table-top spice cabinet With an arrangement of fifteen drawers around a central open compartment enclosed by a pair of moulded arch doors, the base with three further drawers and ogee bracket feet, 58.5cm wide, 27cm deep, 78cm high. £1000-£1500

193 A George III mahogany and brass bound wine cooler on later stand With swing brass carrying handles and brass liner, the stand on square legs with castors, 61cm wide, 46cm deep, 58cm high. £800-£1000

194 A George III carved mahogany octagonal tripod table The tilt top with pierced scrolling gallery above a ‘bird-cage’ movement and wreathed shaft on cabriole acanthus and bell flower carved legs and scroll feet, with restorations, 54cm diameter, 73cm high. £3000-£5000

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195 ¥ A George III satinwood and rosewood crossbanded card table by Gillows of Lancaster Inlaid with satinwood and ebonised lines, the rounded rectangular hinged top enclosing a replaced baize, on square tapering legs, stamped GILLOWS.LANCASTER on the rear leg, 92cm wide, 43cm deep, 74cm high. £400-£600

196 A George III mahogany secretaire chest on chest The broken arch Greek key moulded cornice above three short and three long drawers flanked by blind fret carved angles, the lower part with a secretaire drawer enclosing a central mirrored cupboard door, six drawers and eight pigeonholes; above a further two drawers on shaped bracket feet, 107cm wide, 56cm deep, 204cm high. £1200-£1800 197 No lot

(open) 198 A George III mahogany ‘croft’ or gentleman’s travelling writing cabinet The hinged folding rectangular top above a frieze drawer and a slide, above a further drawer and a slide and a pair of cupboard doors, enclosing a divided interior and shelf, on a plinth base, with recessed castors and swing brass carrying handles the side, 51cm wide, 41cm deep, 79cm high. £1000-£1500

199 A late George III mahogany and sycamore marquetry bowfront sideboard Inlaid with boxwood lines, the rectangular top with brass turned rail, above a bowed central drawer inlaid with a conch shell flanked by similar marquetry, with a deep drawer to one end, the other end with a narrow drawer and pot cupboard, on square tapering legs, 184cm wide, 64cm deep, 94cm high. £600-£800

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200 A George III style carved giltwood mirror In the Chippendale style, the shaped plate surmounted by an urn, with trailing bellflowers and riband tied laurel leaves, 103cm high, 45cm wide. £300-£500

201 ¥ A late Victorian Chippendale style rosewood and mahogany carved torchere The shaped lobed top above a tapering reeded and baluster carved stem on double ‘C’ scroll tripod legs and scroll feet, 28cm diameter, 102cm high. £300-£500

202 A George III mahogany stool The rectangular padded and close-nailed seat above a moulded frieze on square tapering legs and pad feet, labelled to the underside ‘Whilson’, 54cm wide, 43cm deep, 43cm high. £300-£500

203 A George III and later mahogany tester bed The carved end posts with lotus leaf and wrythen turned decoration with reeded turned balusters and block supports, the pleated canopy and padded head board above a box base, the end posts 18th century, the remainder of the bed of later date, 184 cm wide, 216 long, 229cm high. £600-£1000 Provenance: Property of an Oxfordshire estate Christie’s London, 20 May 1980, lot 124.

204 A George III mahogany serpentine chest The shaped rectangular top with projecting corners above four long graduated drawers flanked by fluted columns with corinthian capitals on shaped bracket feet, 111cm wide, 56cm deep, 85cm high. £3000-£5000

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205 A set of seven George III mahogany dining chairs including a pair of open armchairs In the manner of Gillows, the panelled top-rails above vertical fluted rail backs, above bowed seats on ring turned tapering legs joined by ‘X’ stretchers, each 50cm wide, 43cm deep, 88cm high, seat height 46cm. (7) £1000-£1500

206 A Regency mahogany and ebony marquetry pedestal sideboard The rectangular inverted breakfront top above a panelled frieze drawer, flanked by two cupboard doors with a simulated drawer and a panelled door with pierced acanthus trussed supports, one enclosing four short drawers, the other a deep drawer and a cupboard, with pot cupboard to the side; on lion paw feet, lacking rail, labelled twice for Miss Norman, Ilfracombe, Devon, 243cm wide, 86cm deep, 97cm high. £1000-£1500

207 Follower of Sir Peter Lely (1618-1690) Charles, 1st Duke of St Albans Oil on canvas Unsigned 128cm x 102cm £2000-£4000 Provenance: According to the label on the reverse Captain George Godfrey Charles Beauclerk, 1st Duke of St Albans (16701726) was an illegitimate son of King Charles II and his mistress Nell Gwyn.

208 Circle of Sir William Beechy RA (1753-1839) Portrait of a Lord Mayor Oil on canvas Unsigned 42cm x 33cm With an old handwritten label to the reverse inscribed ‘Lord Mayor of London by Sir William Beechey, 289’ £1000-£1500 Provenance: Private Collection, London

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209 ¥ A small Regency rosewood canterbury With three divisions above a frieze drawer on square tapering legs with square cappings and castors, 45cm wide, 32cm deep, 47cm high. £300-£400

210 A Regency mahogany stool Upholstered and close-nailed in green leather, on square tapering gaitered legs, 50cm wide, 34cm deep, 46cm high. £250-£350

211 ¥ A Regency mahogany and rosewood crossbanded circular breakfast table The tilt top above a ring turned shaft on downswept quadripartite acanthus carved legs headed by roundels, with leaf cast cappings and castors, 117cm diameter, 72cm high. £600-£800

212 ¥ A Regency rosewood and brass inlaid bonheur du jour attributed to John McLean Applied with gilt metal mounts and in two parts, the rectangular top with pierced thee-quarter gallery above a shelved superstructure and mirrored back with pierced gilt brass ends and supports, the rectangular base above a frieze drawer on ring turned legs with brass capping and castors, 83cm wide, 46cm deep, 124cm high. £1000-£2000 Provenance: Property of an Oxfordshire estate Sotheby’s London, Fine English Furniture, 8th December 1978, lot 239 The above bonheur du jour displays several decorative features that repeat in McLean’s output. A related bonheur du jour with the same leg pattern was offered at Christie’s London, 7 July 1988, lot 25 and is possibly the example also illustrated by S.Redburn in John Mclean & Son, Furniture History Society Journal, 1978, pl.40A. The same grille pattern on the superstructure of the lot offered here is seen on numerous cabinets with superstructures attributed to the firm including a labelled example illustrated by Redburn, ibid., pl.33A. Thomas Sheraton’s, The Cabinet Dictionary of 1803 lists McLean & sons among the foremost English cabinet-makers of the period, and it is some indication of the esteem in which they were held that Sheraton himself made use of one of their designs for a ‘pouch table’, which he illustrated in the Dictionary, (pl.65), remarking that, ‘The design... was taken from one executed by Mr M’Lean in Mary-le-bone street, near Tottenham court road, who finishes small articles in the neatest manner’. McLean and son was established in London around 1770, trading from premises in Little Newport Street, Leicester Square up until 1783. By 1790 the firm had moved to 55 Upper Marylebone Street, expanding to occupy premises in both Pancras Street and Upper Terrace and continuing to trade until 1825.

213 ¥ A Regency rosewood and brass marquetry sofa table The rounded rectangular hinged top above a frieze drawer on double looped end supports joined by a stretcher, on downswept scroll legs with leaf cast cappings and castors, 150cm wide (extended), 67cm deep, 76cm high. £1000-£1500

214 ¥ A Regency rosewood and brass marquetry library table The rounded rectangular top above two frieze drawers on scrolling end supports with leaf cast cappings and castors, 113cm wide, 60cm deep, 72cm high. £1500-£2000

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215 A late Regency maple writing desk The rectangular superstructure with a three-quarter pierced gallery with a central locking panel enclosing six pigeonholes, flanked by three drawers to each side, above a green leather writing surface and two frieze drawers, on shaped standard end supports on bun feet, 102cm wide, 65cm deep, 99cm high. £1000-£1500 Provenance: Property from a Hampshire country estate

216 A George IV mahogany writing table by Holland & Sons The rounded rectangular top with tooled gilt leather writing surface above two frieze drawers on turned tapering legs, with brass cappings and castors, stamped HOLLAND AND SONS, castors stamped COLLINSON PATENT, 92cm wide, 56cm deep, 74cm high. £600-£800

217 A George IV figured mahogany cheval mirror In the manner of Gillows and bearing the stamp of WILLSON GREAT QUEEN STREET, the rectangular plate hung between reeded uprights with gadrooned finials and similar adjusting knobs, the shaped platform base with gadrooned feet, 104cm wide, 57cm deep, 169cm high. £800-£1200

218 A Regency simulated rosewood stool attributed to Gillows The rectangular padded seat on ‘X’ form moulded legs, joined by a gilt brass lateral, on gilt brass lobed feet, 50cm wide, 41cm deep, 45cm high £600-£800

219 ¥ A George IV rosewood jardiniere attributed to Gillows The undulating petal shaped moulded top with removable centre, above a ring turned and triple cluster column shaft, in cabriole legs and pointed pad feet, 37cm diameter, 74cm high. £400-£600 A similar design of ‘flower’ table or stand, appears illustrated in the Gillows Estimate Sketch Books, dated 1826, numbered 344/3481 (City of Westminster Archives).

220 A pair of Regency carved oak shell-back hall chairs attributed to Gillows The backs painted with family crests, above rectangular seats on octagonal tapering legs and ball feet, each 43cm wide, 38cm deep, 86cm high, seat height 45cm. (2) £1200-£1800 Provenance: The Estate of the Late Cherry Barker The shell and C scroll back is particularly associated with the firm of Gillows of London and Lancaster in the 2nd quarter of the 19th century. A pair of Gillows stamped hall chairs with this form of shell back are in the collection of Abbott Hall Art Gallery, Kendal. Gillows also made a set of ‘shell back’ hall chairs (not illustrated in their sketch books) for the Reverend Holland Edwards of Pennant, Conway, North Wales, in 1811. See S.Stuart, Gillows of Lancaster and London 17301840, Suffolk, 2008, pl.177.

221 A George IV gonçalo alves octagonal tripod table attributed to Gillows On a baluster turned shaft and cabriole legs and scroll feet, 40cm diameter, 73cm high £500-£700

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222 A group of five 18th and early 19th century drinking glasses Including a pair of etched glasses on square feet, 13cm high, another 12cm high and three other glasses. (5) £100-£150

223 A George III satinwood and sycamore marquetry tea caddy together with a small early 19th century partridgewood caddy The satinwood example crossbanded in tulipwood with shell inlaid, with rectangular top with canted corners enclosing two lidded compartments, with a bone escutcheon, the other with a domed lid and bone escutcheon, 18cm and 9cm wide respectively. (2) £200-£300

224 A late Victorian mahogany, sycamore and harewood marquetry twin handled oval tray With brass twin handles and inlaid with riband tied swags and paterae, 64cm wide, 44cm deep. £100-£150

225 A patinated bronze armorial cartouche, 19th century Depicting a Bishop’s crozier and tassels, 42cm high. £200-£400

226 A Regency maple and ebony banded sarcophagus shaped tea caddy With a mother of pearl escutcheon, 25cm wide £60-£100

227 ¥ A Regency rosewood, crossbanded and brass marquetry sewing table The rounded rectangular top above a side frieze drawer and a pleated silk deep drawer, with pleated silk sides, on hipped downswept tripod legs, 47cm wide, 37cm deep, 75cm high. £600-£800

228 A Regency mahogany tripod occasional table The circular tilt top on a urn turned shaft with downswept legs and spade feet, 45cm diameter, 70cm high. £200-£400

229 A Regency carved giltwood and composition triple plate overmantel landscape mirror The frieze applied with ‘The Triumph of Mars’, the bevelled plates flanked by corinthian columns, 150cm wide, 90cm high. £400-£600

230 A William IV coramandel side table The rectangular top above a pair of drawers on turned and tapering lotus carved legs, brass cappings and castors, 103cm wide, 50cm deep, 79cm high £800-£1200

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231 A Regency cut glass hurricane bell lantern 22cm diameter. £200-£300

232 A Regency patinated bronze pendant light fitting With star etched glass bowl shade, 33cm diameter, 104cm drop. £250-£350

233 A large Regency cut glass hurricane bell lantern 25cm diameter. £400-£600

234 A Regency mahogany and gilt brass candlestick with glass storm shade The tall cylindrical glass shade etched with Etruscan heads and Greek key decoration, the gilt brass nozzle on an urn turned shaft and circular socle base, 23cm diameter, 59.5 cm high. £400-£600

235 A pair of 19th century polychrome painted wax portraits, of General Wolfe and John Paul Jones On painted backgrounds and in ebonised frames, each 22cm x 19cm. (2) £200-£300

236 A pair of early Victorian cut glass table lustres With petal shaped drip pans, pyramidical pendant drops on spreading stems and petal shaped bases, each 21cm high. (2) £400-£600

237 A pair of George III mahogany and gilt brass candlesticks The leaf cast detachable drip-pans above turned nozzles on fluted turned and wreathed baluster stems, on circular turned bases, each 14cm diameter, 38cm high. (2) £300-£500

238 An Arts and Crafts silver goblet by Omar Ramsden, London, 1912 The bowl on a turned column and spreading foot, with a hammered surface, inscribed to the underside of the foot OMAR RAMSDEN ME FECIT, 13cm high, 12 oz (350 gm). £300-£500

239 A pair of Victorian glass, gilt-metal and cold painted twin-light table candelabra With cut glass bead and drop lustres on turned stems with foliate finials, on square bases and turned feet, each 30cm wide. (2) £500-£700

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240 A mid Victorian mahogany luggage stand With moulded slatted top and turned legs raised on brass castors, 72cm wide, 50cm deep, 45cm high £300-£500

241 An early Victorian mahogany writing table In the manner of Gillows, the rounded rectangular top with tooled green leather inset writing surface, above two frieze drawers on turned fluted tapering legs with brass cappings and castors, 121cm wide, 58cm deep, 74cm high. £300-£500

242 A Regency mahogany bowfront chest Fitted with three long drawers on outswept bracket feet, 97cm wide, 58cm deep, 83cm high. £300-£400 Provenance: Property from a private collection of European Decorative Arts

243 A late Victorian Foot’s Patent oak and leather upholstered metamorphic wing armchair by J Foot and Son Ltd Upholstered in tan leather, the buttoned reclining back and shaped ears above hinged arms panels, one with a small articulated circular table with brass arms also supporting an adjustable book rest, the buttoned seat above a pull-out ratcheted footrest, on short turned oak legs joined by low stretchers, on castors, labelled twice FOOTS PATENT Makers J FOOT & SON LTD, 171 New Bond Street, LONDON W., 79cm, 97cm deep, 117cm high. £500-£800

244 A pair of white painted three-tier open shelves / bookcases With incised carving on shaped scrolling ends, each 149cm wide, 41cm deep, 106cm high. (2) £1200-£1800

245 An early Victorian satinwood games/work table in the manner of Gillows The sliding top with a chequer board to the reverse and concealing a backgammon board flanked by elliptical end sections each enclosing a drawer, one with a pen tray and apertures for inkwells, above two drawers, one with a velvet lined ratcheted writing surface and one with a sliding tray and work basket below, on scrolling end supports joined by shaped stretchers, on short downswept scroll carved feet and castors, 79cm wide, 46cm deep, 74cm high. £400-£600 Provenance: Private family collection, Berkshire

246 A narrow Victorian rococo revival later white and green painted carved console table The rectangular white veined marble top above a pierced ‘C’ scroll, shell and foliate carved frieze on double ‘C’ scroll and cabochon carved cabriole legs, on acanthus feet, 176cm wide, 50cm deep, 85cm high. £2000-£3000

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248 A Bijar Garrus rug, North West Persia, circa 1900 210cm x 119cm £500-£700

247 A Quasgai rug 268cm x 122cm £600-£800

249 A Kazak runner, Caucasus, circa 1900 283cm x 106cm £500-£700

250 A Serapi carpet, North West Persia 315cm x 250cm £4000-£6000

251 A Khamesh carpet, South West Persia 353cm x 180cm £1500-£2000 251a A Kashan carpet, Central Persia 442cm x 326cm £300-£500 Provenance: Christie’s, London 17 January 2006, lot 55.

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252 An early 20th century wicker reclining steamer chair by Dryad The arched ratcheted rectangular back flanked by flattened armrests, one with an aperture for a bottle or glass the other with a large aperture for magazines above a rectangular seat and pull-out angled footrest, with a brass trade badge to the reverse for DRYAD (Regd) Cane Furniture, 85cm wide, 130cm deep extended, 108cm high. £400-£600 Provenance: Private family collection, Berkshire

253 An early 20th century Carolean style walnut, sycamore and beech centre table in the manner of Lenygon and Morant The rectangular top with an acanthus carved border above a frieze and scroll carved shaped apron, on S-scroll legs decorated with husks and bell flowers joined by a shaped foliate carved stretcher, on acanthus bun feet, 137cm wide, 77cm deep, 76cm high. £400-£600 Provenance: Private family collection, Berkshire

254 A Liberty & Co panelled oak hallstand With pedimented cornice, mirror-back and studded floral copper panels, drip pan, with brass coat hooks and winged side sections, 143cm wide, 33cm deep, 210cm high. £1500-£2000

255 An Arts and Crafts sycamore and embroidery three fold screen, English circa 1900 The rectangular glazed frames with shaped inner slips to the top enclosing panels of embroidery depicting twin handled vases issuing long stems of foliage and flora, 204cm wide, 2.4cm deep, 181cm high. £300-£500

256 A late Victorian Arts & Crafts oak side cabinet in the manner of Philip Webb The rectangular top above a pair of quadruple panelled doors and panelled sides within moulded uprights, panelled sides and stile feet, 150cm wide, 42cm deep, 103cm high. £800-£1200

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257 Henry Weeks (British, 1807-1877) Waiting for Master Oil on canvas Signed 29cm x 39cm £1200-£1800

258 English School, 19th century Cottage Interior Oil on board 22cm x 19cm £300-£500 Provenance: Property from a Hampshire country estate

259 A group of seven early 19th century framed coloured engravings of specimens of paintings and sculpture from St. Stephen’s chapel, Westminster by J.T. Smith Of various sizes, the largest 21cm x 18cm. (7) £120-£180

(part illustrated)

260 Angelina Geller (British, 1843-1910) Still life of fruit and flowers Oil on canvas Signed 49.5cm x 60cm £400-£600

261 Circle of John William Godward (1861-1922) Portrait of a girl in Arab dress Oil on canvas Monogrammed with an interlaced J, W and G, labelled to the reverse, ‘Harrods Ltd, Picture Department, Knightsbridge, London’ 74.5cm x 59cm £2000-£4000

262 19th century English school A gentleman in 18th century costume standing by a window Oil on canvas, mounted on board Within a gilt gesso frame and a further outer case 18cm x 11cm, the outer case 34cm x 27cm £150-£200

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263 A 20th century silver pierced basket, Edward Viner, Sheffield 1931 Of shaped rectangular form with pierced scrolling leaf sides and feet, 29cm wide. 16oz (454 gm) £100-£150

264 A Royal Worcester Japonisme tea service and tray Comprising eight cups and saucers, a sugar bowl, a cream jug and stand and a tray, the tray 44cm wide. (20) £100-£200

265 A pair of Victorian cut glass candlesticks With bead and pendant drop lustres, on hob-nail cut stems and circular bases, each 24cm high. (2) £500-£700

266 A Victorian Tunbridge ware box with geometric marquetry enclosing four small glass scent bottles 14cm wide. £120-£180

267 A pair of Victorian Ashford black marble Derbyshire vases inlaid with flowers Of globular form, inlaid with white roses, one with lapis lazuli flowers, the other with pink and white pansies, with green leaves, on turned stems and socle bases, each 27.5cm high. (2) £300-£500

268 A Victorian walnut, brass bound and pietra dura mounted stationery box and a blotter by Edmonds of Baker Street The sloping lid enclosing three divisions, inlaid with a white rose with malachite leaves, the blotter with white flowers and green leaves, 23.5cm wide and 30cm high respectively. (2) £300-£500

269 A Victorian calamander and brass adjustable book slide with pietra dura panels by George Betjemann & Sons, London The sliding ends inset with oval panels of white and blue flowers with green leaves, 34cm wide. £250-£350

270 ¥ A mid 19th century red tortoiseshell and brass inlaid ‘Boulle’ stationery box by Briggs, 27 Piccadilly, together with a similar blotter and a candlestick The stationery box of casket form with hinged domed lid, 21cm wide, the blotter, 29cm high and the candlestick, drilled, 22cm high. (3) £200-£300

271 ¥ A 19th century red tortoiseshell and brass inlaid ‘Boulle’ encrier With two cut glass bottles and carrying handle, on lion paw feet, 24cm wide. £200-£400

272 ¥ A mid 19th century red tortoiseshell and brass inlaid ‘Boulle’ tea caddy The rectangular hinged lid with canted corners enclosing two lidded canisters, with a later cut glass bowl and lid, 30cm wide. £300-£400

273 ¥ A 19th century red tortoiseshell and brass inlaid ‘Boulle’ ink bottle stand together with a similar blotter, both by Asprey, London The stand with a cut glass ink bottle, 14cm wide and 29cm high respectively. (2) £200-£300

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274 Henry Cheadle (1852-after 1931) Above the Conway Valley, near Betws-y-Coed Oil on canvas Signed H Cheadle With a handwritten label to the reverse inscribed ‘Williams 48’ 49.5 x 74.5cm £300-£500 Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

275 A collection of curtains and furnishing fabrics of various sizes Including a roll of pale green watered silk and a pair of early 20th century yellow damask curtains by Gill & Reigate, London. (qty) £80-£120

276 A 19th century copper log bin Of circular tapering form, on gilt cast lion paw feet, 45cm diameter, 36cm high. £150-£200

277 A late 19th century black japanned Chinoiserie quarter chiming mantel clock Heightened with gilt chinoiseries, the pagoda top with three ball finials above an arched glazed door flanked by columns enclosing an arched matted dial with 6 1/2” silvered chapter ring with Roman numerals, the movement quarter chiming on four coiled gongs striking on the hour on a fifth, with deadbeat escapement; on shaped bracket feet, 32cm wide, 25cm deep, 57cm high. £600-£800

278 A Edwardian satinwood and sycamore marquetry circular occasional table Inlaid with ebonised lines, the top inlaid with riband tied husks above a scrolling leaf and urn inlaid frieze, on square tapering legs joined by an undertier, on spade feet, 62cm diameter, 73cm high. £400-£600

279 An Edwardian satinwood and floral painted revolving bookcase In the George III style, the square moulded top painted with a central panel of winged putti, the sides part caned, on square tapering legs joined by an oval undertier, 44cm square, 82cm high. £300-£500

280 An early 20th century satinwood and japanned Chinese Chippendale style armchair with a matching single chair attributed to Hille & Co, The armchair with an arched lattice back centred by a tablet with a Chinoiserie scene, the arms with lattice supports above a caned seat with velvet cushion above a fret carved frieze and legs, joined by a H-stretcher, with a side chair of matching design, the armchair, 66cm wide, 51cm deep, 98cm high. (2) £300-£500 Provenance: Private family collection, Berkshire The firm of Hille was founded in 1906 by Salamon Hille. Their Old Street manufactory aimed at high quality production with an emphasis on materials and craftsmanship. They produced furniture in a number of revivalist tastes supplying makers such as Hamptons, Maples and Waring and Gillows. The Chippendale revival Chinoiserie decorated furniture was introduced around 1914. Salamon’s daughter Ray, who was to become a notable designer in her own right producing the firms acclaimed ‘Art Deco’ and ‘Moderne’ ranges, began her career at Hille painting the chinoiserie designs on these revivalist pieces. thepedestal.com

281 A Tabriz carpet, North West Persia Signed to the border, 364cm x 249cm £600-£800

282 A Ziegler mahal design carpet 200cm x 194cm £400-£600

283 A Ziegler mahal design carpet 364cm x 249cm £600-£900

284 A 19th century kashmiri shawl £150-£250

286 Three various 19th kashmiri shawls One in cane design, all with faults. (3) £150-£200

288 A 19th century silk kashmiri shawl £150-£200

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285 A 19th century kashmiri shawl £150-£250

287 A 19th century silk kashmiri shawl £150-£250

289 A 19th century kashmiri shawl £150-£200

290 A large early 19th century Chinese-Export oval black and gold lacquer tray The base profusely decorated with trellis work and foliate motifs and centred medallion with in the initials P.F, the edges with a zinc cladding and pierced with carrying handles, 82cm wide, 59cm deep, 5cm high. £300-£400 Provenance: Private family collection, Berkshire

291 A large 19th century Chinese silkwork panel Depicting a goddess and phoenix on a red ground, 148cm high, 82cm wide. £1200-£1800 Provenance: Property from a private collection of European Decorative Arts

292 A mid 19th century Chinese hardword davenport Profusely carved and pierced throughout, the three quarter gallery carved with scrolling leaves, fruits and figures above a sloping shaped fall inset with leather enclosing three short drawers; with stationery drawers and four short drawers to each side with pierced dragon supports on shaped plinth bases, 66cm wide, 62cm deep, 105cm high. £2000-£3000

293 A Chinese gilt bronze mounted famille verte porcelain saucer dish, Qing dynasty, Kangxi period, the mounts European, late 19th century/early 20th century The dish decorated with reeds, flowering shrubs and butterflies by a river, with a gilt bronze rim mount and supported on gilt bronze dolphins and a pierced triform base, with underglaze lozenge symbol mark to the reverse, 16cm diameter, 9cm high. £250-£350

294 A 20th century Chinese silver enamelled and jewelled jar and cover Of globular form with domed lid, applied with birds on flowering boughs, 17cm high. £300-£400

295 A pair of Chinese crackle glaze ginger jars Decorated with pink chrysanthemums on a creamy brown ground, (one cover lacking), 18cm diameter, 32cm high. (2) £150-£200

296 A 17th century Chinese Shunzhi vase 20cm high. £300-£500 Provenance: Property from a private collection of European Decorative Arts

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297 A Chinese gold brocade silk embroidered ladies informal robe, late Qing Dynasty 134cm long £300-£500 Provenance: Private family collection, Berkshire

298 Two Chinese silk wall hangings One with silver dragons on a red ground, 182cm x 100cm, the other with gold urns with flowers on a red ground with blue and black side borders, 294cm x 188cm. (2) £100-£200

299 A pair of Chinese silk embroidered panels, late Qing Dynasty One depicting a pair of cockerels and birds by a prunus tree, the other with birds and a heron standing by a lotus plant, both with wide brocade borders, glazed and framed, each 126cm x 50cm. (2) £300-£500

300 A late 19th/early 20th century Chinese silk embroidered shawl All over decorated with flowers on a cream ground with wide a wide fringing, 151cm wide, 151cm deep excluding fringing. £200-£400 Provenance: Private family collection, Berkshire

301 A small Chinese Ming Dynasty carved pale jade twin-handled libation cup 9cm wide. £400-£600

302 An early 20th century Chinese carved agate censer and cover Twin handled, the lid with a dog of Fo, on a hardwood stand, 12cm wide. £200-£300

303 A 18th century Chinese famille rose blue and white double gourd wall vase Decorated with figures, 15cm wide, 30cm high. £600-£800

304 A 19th century Chinese celadon famille rose ginger jar Decorated with pink chrysanthemums, with a green exotic bird, on a turned hardwood base, 20cm diameter, 26cm high. £200-£300

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305 A Varamin carpet, Central Persia 298cm x 199cm £800-£1200

306 A Heriz carpet, North West Persia 305cm x 245cm £700-£1000

307 A Bijar runner, North West Persia, late 19th century 307cm x 110cm £300-£500

308 A Bakhtiara Gabbeh rug, Central Persia, circa 1920 218cm x 152cm £500-£700

309 A Quashgai rug 202cm x 169cm £600-£800

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310 A Gabbeh runner, South West Persia 317cm x 106cm £300-£500

311 A pair of 19th century Italian kingwood and gilt bronze mounted commodes With marble tops, each 63cm wide, 35cm deep, 84cm high. (2) £1200-£1800 Provenance: Property from a private collection of European Decorative Arts

312 A late 19th / early 20th century marquetry commode Of bombe shape, inlaid with hunting scenes, marble top, probably Italian, 89cm wide, 41cm deep, 122cm high. £700-£1000 Provenance: Property from a private collection of European Decorative Arts

313 An 18th century Neapolitan kingwood serpentine petit commode In the Louis XV style and applied with gilt bronze mounts, the moulded edge marble top above three drawers, with stellar design to the sides, with a shaped apron and slightly outswept legs terminating in sabots, some possible remounting, 66cm wide, 40cm deep, 85cm high. £2000-£3000 Provenance: Property from a Hampshire country estate Christie’s London, 2 May 1997, lot 141.

314 Giovanni Maresca (Italian, 19th century) ‘A Matter of Taste’ Oil on canvas Signed 25cm x 38cm £300-£500 Provenance: Property from a Hampshire country estate Christie’s South Kensington, 18 January 2001, lot 21

315 ** After Raffaello Sanzio, called Raphael The Madonna della Sedia Oil on canvas 57cm high, 58cm wide including its deep elaborately carved frame £1200-£1800 Provenance: Property from a private collection of European Decorative Arts

316 Italian School, 17th century Mary Magdalene Oil on canvas 99cm x 69.5cm £2000-£3000 Provenance: Christie’s, South Kensington, 28 October 2015, The Property from the descendants of Don Jaoquin de Vigo (1870-1947), Grandee of Spain, XVII Duke of Infantado, lot 515. Property from a private collection of European Decorative Arts

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317 A Serapi Heriz, North West Persia, second half 19th century 367cm x 294cm £5000-£7000

318 A 20th century Italian style giltwood mirror Of rectangular form and with pierced “C” scroll cresting, 132cm high, 67cm wide. £500-£700 Provenance: Property from a private collection of European Decorative Arts

319 A 19th century Florentine carved giltwood mirror With foliate carved cresting and shell apron, 141cm high, 84cm wide. £500-£800 Provenance: Property from a private collection of European Decorative Arts

320 An early 20th century Venetian carved giltwood etched mirror The pierced frame enclosing foliate-etched glass borders around a bevelled main plate, 114cm high, 132cm wide. £500-£800 Provenance: Christie’s, London, South Kensington, 10 December 2014, lot 556. Property from a private collection of European Decorative Arts

321 ** A late 19th / early 20th century Italian polychrome painted and parcel gilt mirror The rectangular plate, framed with foliate carved frame in high relief, 88cm high, 71cm wide. £800-£1200 Provenance: Property from a private collection of European Decorative Arts

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322 Attributed to François Keiserman (Yverdon 1765-1833 Rome) Views of the Colosseum and the interior of the Pantheon, Rome A pair of watercolours Each 8cm x 14cm (2) £500-£800

323 A pair of 19th century Italian beechwood carved figures of a peasant couple He holding a floral wreath, she next to a wheat sheaf, on naturalistic bases, each 47cm high. (2) £300-£500

324 A pair of 19th century Italian Renaissance style carved walnut wall brackets by Fratelli Morozzi, Florence The shaped bowed tops carved with acanthus leaves above female masks and grotesque male masks, labelled to the reverse, each 37cm high, 26cm wide. (2) £300-£500

325 A late 18th century North Italian walnut, tulipwood banded and sycamore marquetry side table In the manner of Maggiolini, the rectangular quarter veneered top with central paterae and guilloche banding, above a frieze drawer, on square tapering legs and spade feet, 102cm wide, 53cm deep, 77cm high. £1000-£1500

326 An early 19th century Italian walnut and sycamore marquetry rectangular table top With central oval panel of a dancing couple within an outer border and classical medallion busts inlaid to the corners, 84cm wide, 56cm high. £500-£800

327 A late 18th century / early 19th Italian carved giltwood console table In the form of an African native boy, the serpentine breccia marble top supported by the kneeling figure with jewels at his feet, on a shell base with lion paw feet, 83cm wide, 48cm deep, 87cm high. £3000-£5000

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328 Prof. Aristide Petrilli (Italian, 1868-1930) ‘Allegory of Fertility’ A late 19th Italian white marble carved vase Of narrow ovoid form carved with floral chains, nymphs and putti, inscribed to the neck, signed, 27cm diameter, 46cm high. £2000-£3000

329 A late 19th century Italian alabaster bust of a young girl on an associated alabaster column In the Renaissance style, the column with a rotating octagonal top, the bust 47cm high, the column 107cm high. (2) £300-£400

330 A late 19th century Italian alabaster bust of Beatrice In the Renaissance style, wearing a headdress, on a shaped plinth base, 36cm wide, 17cm deep, 37cm high. £500-£700

331 A late 19th century Italian pietra dura table top set within a 20th century carved mahogany Chippendale style stand The rectangular top inlaid with a spray of flowers in various marbles including lapis lazuli, the blind fret carved stand on castors, 76cm wide, 55cm deep, 56cm high. £2000-£3000

332 A pair of early 20th century Italian pietra dura panels depicting Beatrice and a monk by Velga Beatrice numbered 2476 on the reverse, the hooded monk numbered 2394 on the reverse, both signed Velga, both 23.5 x 17.5cm, framed. (2) £400-£600 thepedestal.com

333 A set of mid 19th century pietra dura and brass desk scales With four graduated brass weights, 20cm wide. £100-£150

334 A 19th century Italian pietra dura panel depicting a single rose Within an ebony frame, the panel 16cm x 11.5cm, framed 26cm x 22cm. £120-£180

335 A 19th century brass and floral micro-mosaic panel decorated inkwell The orb shaped hinged ink well with glass interior, on a dished circular base, 17cm diameter. £80-£120

336 A group of five various Italian 20th century pietra dura pictorial panels All of buildings amongst mountainous landscapes, the largest 20.5cm wide. (5) £200-£300

337 An 18th century rectangular leaf carved giltwood frame 46cm high, 55cm wide, internal measurement, 27cm high, 36cm wide. £100-£150

338 A Bursa velvet panel, Turkish, circa 1830 The rectangular panel woven in red and blue on a cream background, in a modern giltwood frame, the panel 56cm x 119cm. £300-£500 Provenance: Private Collection, London

339 A 19th century ebonised and amboyna octagonal mirror In the 17th Flemish century style, the shaped plate within a ripple moulded frame, 90cm high, 76cm wide. £600-£800

340 A facsimile edition of Goya’s engravings of 1816, by Banco Simeon, late 20th century 40 plates numbered from 1 to 33, plus another 7, named from A to G, includes three sheets with explanations of each plate, in a silvered folio, 24cm x 35cm prints, on 32cm x 46.5cm sheets. £100-£150

341 A collection of late 19th / early 20th century century giltwood carvings Comprising a pair of carved masks trailing flowers and fruit, 111cm high and an arched cresting or overdoor abundantly carved with flowers and fruit, 90cm wide. (3) £1000-£1500 Provenance: Property from a private collection of European Decorative Arts

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342 Circle of Thomas Wych (1616-1677) Battle of Blenheim Oil on canvas Unsigned 45cm x 66cm £3000-£5000 Provenance: Arthur Clarke Edwards (18591916) and thence by descent Private family collection, Berkshire

343 18th century Dutch School Landscape with church and a figure on a path Oil on board, inscribed ‘Duff W’ to the paper of the reverse of the board Unsigned 34cm x 45cm £3000-£5000 Provenance: Arthur Clarke Edwards (18591916) and thence by descent Private family collection, Berkshire

344 Richard Brachenburgh (1650-1702) A Hurdy Gurdy Play Oil on canvas Signed 40cm x 47cm £4000-£6000 Provenance: Private family collection, Berkshire

345 Richard Brachenburgh (1650-1702) Tavern scene Oil on canvas Indistinctly inscribed to the stretcher 50cm x 44cm £3000-£5000 Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

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346 Portrait of a gentleman wearing a hat with a badge Oil on canvas Unsigned 40cm x 29cm £1000-£1500

347 19th century Dutch School Tavern drinkers in the 17th century style - a pair Oil on canvas Unsigned Each 30cm high x 24cm wide. (2) £400-£500

348 Marie D’Epinay (1870-1960) Portrait of a young girl and boy Oli on canvas Signed 60cm x 74.5cm £300-£500

349 A late 19th / early 20th century Louis XV style carved giltwood salon suite Comprising a settee, a pair of open armchairs and four side chairs, upholstered in cream floral satin. (7) £1200-£1800 Provenance: Property from a private collection of European Decorative Arts Bonhams, London, 15 December 2011 lot 107.

350 A small Louis XV tulipwood and gilt bronze mounted table à écrire / writing table The rectangular top with tooled gilt leather above a simulated drawer and a frieze drawer with opposing simulated drawer, with drawers to each end on cabriole legs headed by leaf mounts and sabots, 64cm wide, 48cm deep, 74cm high. £500-£700

351 A Louis XV kingwood commode Applied with gilt bronze mounts, with two drawers, 79cm wide, 44cm deep, 83cm high. £600-£800 Provenance: Property from a private collection of European Decorative Arts

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352 A pair of 19th century French gilt bronze candlesticks With three putti on the stems and acanthus leaves on the swirling cast bases, converted to lamps, each 45cm high including fittings and shade, the candlesticks 26cm high. (2) £400-£600

353 A Louis XV tulipwood parquetry and gilt bronze mounted encrier With three lidded hinged pots cast with scrolling leaves and berries and acanthus rocaille mounts, on ‘C’ scroll feet, 29cm wide, 26cm deep, 11cm high. £400-£600

354 A late 19th century French Louis XVI style gilt bronze cartel clock The white enamel dial with Roman and Arabic numerals flanked by oak leaf garlands and surmounted by an urn with pine cone finial, the apron with satyr mask, the mechanism stamped “CH VCN / Paris /38769” and “41”, 49cm high. £400-£600 Provenance: Property from a private collection of European Decorative Arts

355 A pair of late 19th / early 20th century Louis XIV style giltbronze mounted marble urns Each of pink and grey veined marble, of elongated urn form on stepped circular base, with foliate scroll handles and pinecone finial, one stamped “54” under base, each 44cm high. (2) £800-£1200 Provenance: Property from a private collection of European Decorative Arts

100

356 A Louis XV carved walnut bergere Upholstered in green cut velvet, the moulded curved back, scroll arms and serpentine seat, with loose squab cushion, on cabriole moulded legs and scroll feet, 75cm wide, 61cm deep, 98cm high, seat height 52cm. £1000-£1500

357 A pair of mid 19th century French carved walnut bergeres In the manner of Jacob, upholstered and close-nailed in red/pink cut velvet, the rounded rectangular padded and moulded backs, scroll arms and padded sides above bowed seats, on turned tapering legs headed by paterae on turned feet, one with marque au feu, ‘F’, each 65cm wide, 56cm deep, 101cm high, seat height 45cm. (2) £1500-£2000

358 A pair of 20th century Louis XV style giltwood fauteuils The shaped square backs carved with central double shells, on cabriole legs, upholstered in blue fabric, each 73cm wide, 58cm deep, 103cm high. (2) £500-£800 Provenance: Property from a private collection of European Decorative Arts

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359 A pair of Aubusson entre fenêtres, French, 19th century 309cm x 101cm. (2) £2000-£3000

360 A Kashan silk rug, Central Persia 161cm x 109cm £300-£500

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361 After Etienne Maurice Falconet (1716-1791), ‘Two Loves Fighting over a Heart’ A 19th century white marble group of two putti, 47cm high. £800-£1200

362 A Louis XVI style white marble mantel clock with gilt bronze mounts, the dial signed Tiffany & Co. The mechanism stamped “Made in France / 208158 / Medale D’Argent”, 27cm wide, 14cm deep, 34cm high. £600-£800 Provenance: Property from a private collection of European Decorative Arts Bonham’s, London, 15 December 2011, lot 144.

363 A late 18th century French patinated bronze figural group of The Death of Procris The figure of a satyr seated and holding Procris,on a circular base, brown patination, 23cm high. £500-£700

364 A pair of 19th century French gilt bronze lamp bases in the Renaissance Revival style Of triform with female masks and winged lion supports, fitted for electricity, together with shades, each 50cm high. (2) £800-£1200

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365 A Louis XV walnut fauteuil and pair of chaises Upholstered in foliate fabric, the chaises each 62cm wide, 50cm deep, 94cm high, the fauteuil 75cm wide, 58cm deep, 97cm high. (3) £600-£800 Provenance: Property from a private collection of European Decorative Arts Sotheby’s, London, 14 March 2012, The Collection Contessa Iacobacci, Parma.

366 A 19th century French Charles X mahogany and sycamore line inlaid secretaire à àbattant The rounded rectangular St Anne marble top above a cavetto drawer and a fall front enclosing a tooled leather writing surface, one long and five short drawers and an open recess; above a pair of cupboard doors enclosing three drawers; above an apron drawer, on plinth feet, 98cm wide, 45cm deep, 148cm high. £400-£600

367 A late 18th century Dutch mahogany armoire The cornice above a pair of cupboard doors above three drawers, 154cm wide, 56cm deep, 211cm high. £600-£800 Provenance: Property from a private collection of European Decorative Arts

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368 18th century French school Portrait of a lady with her King Charles spaniel Oil on canvas Unsigned 81cm x 61cm £1000-£1500

369 Jan Van Beers (Belgian, 1852-1927) ‘The Wine Taster’ Oil on Canvas Signed 23cm x 28cm £400-£600 Provenance: Property from a Hampshire country estate Christie’s South Kensington, 18 January 2001, lot 176

370 A 20th century Louis XIV style gilt-bronze ten-light chandelier The branches issuing from bearded masks, electrified, 68cm high, 80cm diamete £1000-£1500 Provenance: Property from a private collection of European Decorative Arts

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371 A 19th century Spanish damascened metalwork small casket Of oval form, with hinged domed lid, on ball feet, 8.5cm wide. £120-£180

372 A 19th century French Palais Royale mahogany musical work box in the form of a piano The keys of sycamore and ebony, the hinged shaped lid enclosing a mirror and interior with mother-of pearl fittings (some lacking), 29cm wide, 19cm deep, 17cm high. £500-£700

373 A mid 20th century Italian malachite picture frame 20.5cm x 17cm, internal measurement 13.5cm x 10cm. £150-£200

374 A late 19th century French patinated bronze and gilt bronze stand in the Chinese taste Of circular form, pierced and applied with flowerheads, 26cm diameter, 15cm high. £500-£700

375 ¥ An early 19th century French Empire black marble mantel clock with gilt bronze mounts, the dial signed Bayart Bger à St Omer Of architectural form, the front mounted with terms, the finial formed as a basket of flowers and flanked by gryphons, on rectangular marble base and bun feet, on a marquetry rosewood base and glass dome, 34.5cm wide, 10cm deep, 53cm high. £1200-£1800 Provenance: Property from a private collection of European Decorative Arts 106

376 A Herend Rothschild Botanical Bird porcelain tea set Comprising thirteen cups, fourteen saucers, a teapot, a milk and a cream jug and a sugar bowl and cover. (32) £400-£600

377 A late 19th century French rococo style silver and glass lemonade jug The domed hinged lid with foliate knop and interior stopper, with scroll handle on a swirling base, 29cm high. £400-£600

378 A large 19th century French silver coffee pot by Pierre-Jacques Meurice, Paris, 1st standard mark 1803-1809 with later Provinces inventory mark, cover also with Association of Gold and Silversmiths mark Of baluster form, the hinged cover with a narrow banded rim of anthemion, with a scrolled macassar ebony handle applied with flowerheads, 26.5cm high. total weight 31.1oz. £300-£500

379 ¥ A pair of late 19th tortoiseshell opera glasses and a French silver and enamel aide memoire The oval enamel painted with a young woman, 10.5cm and 10cm high respectively. (2) £120-£180

380 A late 19th/early 20th century Siena marble clock garniture Applied with gilt metal mounts, the clock with a circular enamelled dial with Arabic numerals, together with a pair of matching tazze, on stepped bases, 38cm wide and 16cm diameter respectively. (3) £300-£500 thepedestal.com

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381 A late 19th century Italian baroque style walnut carved display cabinet The scrolling acanthus carved cresting surmounted by a winged putti, above a serpentine glazed door enclosing three shelves flanked by pierced swagged cherub’s heads; on cabriole leaf carved legs and apron on scroll feet, 66cm wide, 37cm deep, 174cm high. £500-£700 Provenance: Property of an Oxfordshire estate Percy A Rodwell 1972.

382 A late 19th century French Louis XVI style gilt wood revolving piano stool The circular top above a foliate decorated frieze on acanthus fluted legs headed by paterae with a shaped stretcher and a central upright, the revolving mechanism not working, 40cm diameter, 50cm high. £120-£180 Provenance: Private family collection, Berkshire

383 A pair of mahogany and parcel gilt Empire style bergere armchairs Upholstered in green closenailed and buttoned leather, the shaped moulded backs with gilt swan carved scrolling arm supports, above loose squab cushions and applied paterae to the seat-rails on outswept legs, each 65cm wide, 58cm deep, 87cm high, seat height 49cm. (2) £400-£600

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384 A Louis XVI tulipwood & purplewood banded biblioteque by P.J Jourdain Applied with ormolu mounts, the rectangular ogee moulded cornice above a pair of shaped glazed doors enclosing four adjustable shelves, with canted angles applied with gilt bronze paterae; above a shaped apron with pierced mount on bracket feet, stamped on the backboard P.J.JOURDAIN, 114cm wide, 42cm deep, 198cm high. £1000-£1500

385 A pair of cream Bokhara rugs 191cm x 129cm £200-£400 386 A Russian Bokhara rug 138cm x 110cm £150-£250

387 A late 19th century French sycamore, kingwood and harewood floral marquetry commode in the Transitional style applied with gilt bronze mounts The breche d’alep marble top of broken outline above two long drawers inlaid with a floral basket and sprays of flowers, flanked by canted angles, the sides with similar floral marquetry, on slightly outswept legs terminating in sabots, 129cm wide, 60.5cm deep, 87.5cm high. £800-£1200 Provenance: Private family collection, Berkshire

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388 A mid-19th century French Louis XV style gilt bronze mantel clock by Le Roy & Fils The enamel dial signed “Le Roy & Fils / Palais Royal / A Paris / Gie Montpensier 13.15 / 296 Regent Street London”, the mechanism stamped “Le Roy & Fils / No. 6106 / A Paris”, 34cm high, 40cm wide. £800-£1200 Provenance: Property from a private collection of European Decorative Arts

389 Two late 19th century agate boxes One with triple hinged lids of red / brown colour, the other of brown, black and white colour, both on ball feet, 11cm and 9cm wide respectively. (2) £300-£500

390 A pair of 20th century Louis XVI style gilt bronze table lamps Each modelled as a garland draped urn issuing ram’s masks and on an incurved tripartite white marble base, with white shades, electrified, each 61cm. high, shades missing. (2) £800-£1200 Provenance: Property from a private collection of European Decorative Arts

391 A late 19th century French white marble and gilt bronze mounted portico clock garniture In the Louis XVI style, with turned finials, the circular enamelled dial with floral swags and Arabic numerals, above a sunburst pendulum, the turned urns on triform legs with grotesque masks, the clock 46cm high, the urns (a.f), 29cm high. (3) £400-£600

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392 A fine early 19th century French straw-work work box The rectangular hinged lid depicting “Fille Repentante”, enclosing a mirrored lid and a fitted interior with four lidded boxes, one inlaid with ships in a harbour and two pin cushions, housed within an Edwardian mahogany bijouterie table, the work box 38cm wide, 27cm deep, 13cm high. £2000-£3000

393 An Empire carved mahogany marquise In the manner of Jacob, the rectangular padded back, side and seat upholstered in yellow patterned satin silk, on lotus leaf carved downswept arms, on ring turned tapering legs, with a loose squab cushion, 86cm wide, 57cm deep, 92cm high. £300-£500

394 A late 19th century gilt bronze three branch wall applique by G. Vian and another similar with two branches Of naturalistic form, 58cm and 50cm high respectively, drilled for electricity. (2) £300-£500

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395 An early 20th century onyx and gilt metal mounted column The square top on four column supports with gilt capitals, on a square ogee moulded base, 28cm square, 103cm high. £300-£500

396 A Louis XV carved giltwood pier mirror with painted plates The divided plates decorated with flora, foliage and putti, within a scallop decorated frame with a moulded division centred by a cartouche, surmounted by a cartouche cresting (partially lacking), 149cm high, 44cm wide. £300-£500

397 A 19th century giltwood centre table Of serpentine outline with rouge marble top, 133cm wide, 104cm deep, 79cm high. £1000-£1500 Provenance: Property from a private collection of European Decorative Arts

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398 A pair of late 19th century French cloisonné enamel vases Of square tapering form, with glass liners, decorated with birds and flowers, with pierced grotesque scroll handles and pierced bases, each 18.5cm high. £250-£350

399 A pair of late 19th century French enamel and onyx vases and another similar The pair of conical and baluster form, the other with a trumpet shaped neck, both on circular socle bases, 21cm and 19cm high respectively. (3) £300-£400

400 A pair of early 20th century Japanese cold-painted bronze candlesticks in the form of monkeys With brown bodies and red faces, each 25cm high. (2) £500-£600

401 A 19th century French patinated bronze bust of the Roman Emperor Aulus Vitellius by Ferdinand Barbedienne With F.BARBEDIENNE FONDEUR and foundry mark on the reverse, 24cm high. £500-£800

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Summer Timed Auction Ending from 7pm Tuesday 6 September 2022 a timed auction on thesaleroom.com www.the-saleroom.com/en-gb/auction-catalogues/pedestal For a free and confidential valuation, consignments or for more information please contact: Guy Savill or Sally Stratton MRICS on 0207 281 2790 or email: info@thepedestal.com | www.thepedestal.com

TERMS AND CONDITIONS FOR AUCTION PURCHASERS 1. These Terms and Conditions apply to all transactions relating to the purchase of items by a bidder (referred to as “you”) at auction or as an auction after-sale by The Pedestal Limited, trading as The Pedestal (referred to as “we”), and may not be varied unless agreed in writing in advance by one of our directors. By registering to bid and/or bidding you accept these terms. 2. We act as agent for the seller whose identity we will not disclose, unless otherwise stated. 3. When we offer items for consignment at auction, we will usually include in the auction listing a description of the lot and an estimate of potential sale value. Upon request we may also supply a condition report, which will be based on a visual inspection of each lot without disassembly or further investigation of physical condition, and on information available to us at the time. All information is provided after due consideration and to the best of our knowledge and experience, but cannot be taken as a statement of fact, a guarantee or statement of value or a guarantee or statement that mechanical or electrical parts are functioning correctly or at all. 4. All measurements provided are approximate. Colours of any image depicted in any printed catalogue, on our website or otherwise may not appear the same as colours perceived on physical inspection. 5. Lots offered for sale will be available for viewing in person at such place and times as are advertised before the auction. We always recommend inspection in person. 6. A registration form will be available on our website, at the auction or upon request and must be completed in advance of the auction by anyone wishing to bid. You may also be required to provide proof of identity and proof of address unless you are already known to us. A separate fee may be levied and separate registration may be required for online bidding, whether on our own or a third party platform. 7. Commission bids may be refused unless they have been entered on our registration form and accepted in advance of the auction. 8. We may at our discretion accept bids from someone acting on behalf of a third party, subject to receiving a letter of authorisation which is satisfactory to us. In the event that such a bid is successful we reserve the right to treat either the bidder or the third party as the successful bidder for all purposes including as regards obtaining payment for the lot. 9. Auctions are conducted according to our discretion and that of our auctioneer. We may refuse to allow access to the auction, refuse or accept any bid, alter the order of lots and/or the bidding in such way as we think best, withdraw any lot, reopen bidding after the hammer has fallen, determine who is the successful bidder, cancel the sale of any lot or otherwise regulate the auction and all associated proceedings as we deem most appropriate. Our decision in relation to any dispute relating to bidding which may arise during or after the auction is final. We may (but are not obliged to) offer bidding in person, by commission bids left with us in advance of the auction, by telephone, or online via our own or a third party platform. We will not in any event be liable for any failure to take a bid whether caused by breakdown of communications technology or otherwise. 10. Both the auction as a whole and calls used for telephone bids may be recorded and such recordings may be retained by us and by participating in the same you consent to such recording and retention. 11. Most lots are offered subject to a reserve below which the lot will not be sold. The level of the reserve is confidential between ourselves and our seller but will not be higher than the lower estimate. 12. We may enter one or more bids consecutively or otherwise on behalf of the seller up to but not beyond the level of the reserve. 13. Subject only to the auctioneer’s discretion set out in clause 9 above, when the auctioneer’s hammer falls no further bids will be accepted and a contract for sale is formed between the successful bidder and ourselves as agent for the seller. 14. We will endeavour to send out invoices promptly by mail or email using the contact details supplied to us by the successful bidder. If you believe that you are the successful bidder for any lot but have not heard from us within three working days of the auction we recommend that you contact us to arrange collection and avoid potential storage charges. 15. We will charge a buyer’s fee of 25% of the hammer price of each lot plus VAT, unless otherwise stated. 16. Payment for each lot which you have purchased including all associated fees, charges and taxes is due no later than 7 calendar days after the auction. Payment can be made only by the registered bidder. Payment instructions will be given on the relevant invoice or invoices. Please note that we do not accept payment by credit card. 17. No lot will be released and legal title will not pass to you until we have received due payment in full of all sums owed to us by you. Risk in any lot for which you are the successful bidder will pass to you on the earlier of collection of the lot by you or on your behalf, or the due date for payment for such lot. 18. If you fail to make due payment for any lot we may, at our discretion and without limitation to other available remedies, charge you interest at the rate of 12% per annum; bring legal proceedings against you for the unpaid sum and all associated fees and costs including professional fees (“Unpaid Sums”); retain and sell ourselves or otherwise any other lots held by us which are your property or any sums otherwise payable by us to you and use such proceeds or sums to defray the Unpaid Sums; cancel the sale, re-offer the lot and claim any shortfall and any associated costs from you; and/or pass your identity and contact details to the seller so that they can pursue legal remedies against you directly. 19. All lots must be collected from our shipper as notified to you in the auction catalogue and otherwise, within 14 days after the auction. Storage and handling fees will be charged in relation to lots left uncollected after that date at the shipper’s standard rates from time to time. Any lots not collected within 90 days after the auction may be sold by us at our discretion, with the proceeds applied to cover all Unpaid Sums including storage and handling charges. In this event any surplus will be paid over to you, and we will claim any shortfall from you as an Unpaid Sum. 20. A lot which has been collected from our warehouse by you or a shipper acting on your behalf is deemed to have been delivered to you by us at the time of such collection. 21. Lots which we believe to be covered by the CITES regulations will be marked with ¥ in our catalogue, but we are not responsible for advising you on any import/export issues including without limitation CITES or the like, and customs and import fees and the like. We recommend that you acquaint yourself with any relevant issues before bidding, as we cannot accept liability for any information which we may provide you with. If you purchase a lot requiring an export license it is your responsibility to obtain it, and we cannot accept rescission of the sale or offer a refund if you are unable to so obtain a permit. 22. Each seller warrants that they are the legal owner of the lot and/or have the unencumbered right to sell the lot at auction and to pass title to the successful bidder. The seller shall not be liable in the event of breach of this warranty for any amount greater than the hammer price of the lot in question. We may be liable only to the successful bidder in the event of fraud or fraudulent misrepresentation by us and exclude all other liability to such bidder and all third parties to the fullest extent permitted by law. Nothing herein shall limit your rights if any under the Consumer Contracts Regulations, or exclude our liability for death or personal injury caused by our negligence. 23. General Terms: a. These terms are made and must be construed under English law and any disputes arising from them or from the Contract will be subject to the exclusive jurisdiction of the courts of England and Wales. b. All charges, fees, premiums and any other sums referred to herein or arising herefrom are stated net of Value Added Tax but are subject to VAT or the like at the rate or rates prevailing at the time of any transaction. VAT is not chargeable on the hammer price unless otherwise stated. c. We will hold and process your personal data according to the conditions, for the reasons and on the bases set out in our Privacy Policy which you may access here, and as envisaged by these terms and conditions. d. We retain copyright in all images and written and other materials prepared by us, which may not be used by you without our prior written consent.

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Sale Title Fine Interiors Including Joanna Booth: The Discerning Eye Date 1pm Tuesday 5 July

Registration and Bidding Form Please note that you may also register for this sale, request a telephone bid and/or leave a commission bid online at www.thepedestal.com First Name

Last Name

Company Name (where applicable) Address

Sale number: 050722 Sale venue: The Dairy, Stonor Park Henley-on-Thames, Oxfordshire, RG9 6HF

Postcode Telephone (Landline including country code) Mobile (including country code) VAT registration number (where applicable) Email

Tel: 020 7281 2790 Bidding, purchasing and all matters relating to this sale will be governed by The Pedestal Limited’s Terms and Conditions for Auction Purchasers, which can be found on our website and in the printed sale catalogue. We recommend that you read them before registering to bid. If you have not previously registered with us, please provide photographic proof of your identity and proof of address such as a utility bill or bank statement. If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. The Pedestal will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. All sales are subject to a buyer’s premium of 25% plus VAT, unless otherwise stated

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Bid in person

Lot no.

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Leave commission bid

Description of Lot

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Telephone/ Commission

Request telephone bid

Maximum Bid (hammer price excluding premium and VAT, in £s)

Bidding Increments (subject always to the auctioneer’s discretion)

Up to £500 – 20/50/80 £500-£1000 – 50 £1000-£2000 – 100 £2000-£5000 – 200/500/800 £5000-£10,000 – 500 £10,000-£20,000 – 1000 £20,000-£50,000 – 2000/5000/8000 £50,000-£100,000 – 5000 £100,000 and above – increments at the discretion of the auctioneer Notes Telephone calls may be recorded. Commission bids will be rounded down to the nearest increment where relevant. This form should be completed, signed and delivered together with proof of identity and address as requested above by email to info@thepedestal.com, by mail to The Dairy, Stonor Park, Henley-onThames, Oxfordshire, RG9 6HF or in person at the sale viewing. It must be received by The Pedestal no later than close of business on the day before the sale date. Telephone bids are subject to availability. In any event The Pedestal will not be liable for any failure to register a bidder or bids, or to accept a telephone bid. By signing this form, you are confirming that you accept these terms. Signature ....................................................................... Date ...........................................................................

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July 2022 covers.qxp_Layout 1 17/06/2022 09:21 Page 2

July 2022 covers.qxp_Layout 1 17/06/2022 09:20 Page 1

Fine Interiors Including Joanna Booth: The Discerning Eye 1pm Tuesday 5 July 2022

Enquiries: The Pedestal, The Dairy, Stonor Park, Henley-on-Thames, Oxfordshire, RG9 6HF. Tel: 0207 281 2790

FINE INTERIORS Including Joanna Booth: The Discerning Eye 1pm Tuesday 5 July 2022 The Dairy, Stonor Park, Henley-on-Thames, RG9 6HF

The Pedestal | Fine Interiors Including Joanna Booth: The Discerning Eye | July 5 2022