The Pedestal | Luxury Design, including Design Silver & Objects

Luxury Design, including Design Silver & Objects 2pm Tuesday October 16 2018 at Kent House Knightsbridge

Luxury Design, including Design Silver & Objects 2pm Tuesday October 16 2018 Sale number: 161018

Specialists:

Kent House Rutland Gardens Knightsbridge London SW7 1BX

Handbags and Luxury Accessories: Charlotte Rogers Email: charlotte@thepedestal.com Design Silver: Michael Prevezer Email: michael@thepedestal.com

www.thepedestal.com 020 7281 2790 info@thepedestal.com Viewing 12pm-5pm Sunday October 14 2018 9am-5pm Monday October 15 2018 9am-12pm Tuesday October 16 2018

Objects and Artbags: Guy Savill Email: guy@thepedestal.com Sally Stratton MRICS Email: sally@thepedestal.com

Catalogue: £10 Front cover: Lot 13 Inside front cover: Lot 63 Inside back cover: Lot 71 Back cover: Lot 159

IMPORTANT INFORMATION REGARDING BUYERS' PREMIUM AND CHARGES A successful bidder at this sale will be required to pay The Pedestal Ltd (The Pedestal) a premium calculated as follows: 25% on the first £50,000 of the hammer price 20% of any portion of such hammer price which is above £50,000 VAT at 20% will be payable on the amount of the premium Additional charges for lots purchased online via third party platforms are The-saleroom & invaluable 3% of the hammer price plus VAT, Live Auctioneers 5% of the hammer price plus VAT

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Location

Public Transport

Kent House Knightsbridge is situated only a five minute walk from Knightsbridge tube station. It is the first building on the left as you pass through the security barrier at the top of Rutland Gardens. It is in a secluded and secure road opposite Knightsbridge Barracks & Hyde Park.

The Piccadilly line stops at Knightsbridge, exit Brompton Road & Harrods. The walk from the tube station is less than 5 minutes. Four bus routes stop outside the venue (No,9, 10, 52 and 452).

Car Parking Metered parking is available on Rutland Gate and within Hyde Park on Carriage Drive.

Symbols ÂĽ

These lots are subject to CITES regulations.

Handbag Condition Grading System A* A B C D E

Perfect condition. Would be considered to be in a brand new condition with no signs of wear. Excellent Condition. Would be considered to be in an almost brand new condition with almost no signs of wear. Very Good Condition. Would be considered to be in a hardly used condition with limited signs of wear. Good Condition. Would be considered to be in a used condition with some signs of wear. Fair Condition. Would be considered to be in a used condition with some heavy signs of wear. Poor Condition. Would be considered to be in a very used condition with some heavy signs of wear and in need of repair.

Watches Due to opening case backs for examination we recommend that watches are re-sealed by an authorised technician to ensure any stated water resistance is retained. We do not give any warranty that any watch or clock is in working order or that any individual component part is authentic.

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1 Chanel Classic Small Double Flap Bag Navy lambskin leather with gold coloured hardware. Age circa 1990. 23 cm. x 6.5 cm. x 14 cm. Grade B £2,200-£2,500

2 Chanel CC Earrings Classic CC clip on gold plate earrings. Age circa 1980. 4 cm. x 3 cm. £200-£250

3 Chanel Diana Mademoiselle Flap Bag Black lambskin leather with gold coloured hardware. Age circa 1995. 22 cm. x 7 cm. x 15 cm. Grade B £2,000-£2,500

4 Chanel Beige Quilted East West Flap Bag Beige square quilted lambskin with matte gold coloured hardware. Age circa 2002. 13 cm. x 26 cm. x 4 cm. Grade C £800-£1,200

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5 Chanel Pink Caviar Jumbo Flap Bag Dark pink caviar leather with silver coloured hardware. Age circa 2008. 32 cm. x 8 cm. x 22 cm. Grade A £2,500-£3,000

6 Chanel Shoulder Bag Black lambskin shoulder bag with silver coloured hardware. Age circa 2004. 33 cm. x 14 cm. x 8 cm. Grade B £450-£550 6

7 Chanel Classic Medium Double Flap Bag Black lambskin leather with gold coloured hardware. Age circa 1990. 25 cm. x 16 cm. x 7 cm. Grade B £2,000-£2,500

8 Chanel Crossbody Phone Bag Patent leather with CC detail. Age 1997. 8 cm. x 16 cm. x 3 cm. Grade A* £250-£350

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9 Chanel Classic Medium Double Flap Bag Black lambskin leather with gold coloured hardware. Age circa 1994. 25 cm. x 16 cm. x 7 cm. Grade C £2,000-£2,500

10 Chanel Blue Caviar Shoulder Bag Blue caviar leather with brushed silver coloured hardware. Age circa 2012. 32 cm. x 14 cm. x 7 cm. Grade B+ £1,700-£2,000 8

11 Chanel Black Timeless Camera Bag Black chevron quilted lambskin vintage timeless fringe shoulder bag in caviar leather with gold coloured hardware. Age circa 1987. 16 cm. x 23 cm. x 5 cm. Grade B £1,600-£1,800

12 Chanel Black Satin Four Leaf Clover Wristlet Clutch Bag Black satin clutch bag with brushed gold coloured hardware. Age circa 2004. 16 cm. x 24 cm. x 7 cm. Grade B £600-£800

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13 Chanel Dubai by Night Gas Can Minaudière Clear plexiglass novelty cross body bag with gold leather strap and gold coloured hardware. Age circa 2015. 17 cm. x 12 cm. x 4.5 cm. Grade A £4,500-£5,000

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14 Chanel Red Tall Camera Bag Red quilted caviar leather vintage tall classic shoulder bag with gold coloured hardware. Age circa 1994. 22.5 cm. x 23.5. cm x 6 cm. Grade B £1,700-£2,000

15 Chanel Beige Quilted East West Flap Bag Beige square quilted lambskin with matte gold coloured hardware. Age circa 2002. 13 cm. x 26 cm. x 4 cm. Grade C £800-£1,200

16 Chanel Classic Medium Double Flap Bag Black lambskin leather with gold coloured hardware. Age circa 2004. 25 cm. x 16 cm. x 7 cm. Grade C £2,000-£2,500

17 Bottega Veneta Tote Bag Intreccato patent and brushed brown leather tote bag. 43 cm. x 30 cm. x 20 cm. Grade B £200-£300

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18 Fendi Blue Ostrich Leather Small Peekaboo Bag Blue ostrich leather small peekaboo bag with brushed gold coloured hardware. Age circa 2000. 25 cm. x 34 cm. x 8 cm. Grade B £4,200-£4,500

19 Yves Saint Laurent Muse 2 Bag Blue calfskin leather and canvas. 30 cm. x 14 cm. x 22 cm. Grade B £400-£500

20 Christian Dior Lady Bag Floral canvas with silver coloured hardware and cream leather details. Age circa 2007. 23 cm. x 11 cm. x 19 cm. Grade B £1,000-£1,200

21 Valentino Garavani Sequin Tote Bag Cream sequin detail with black patent leather. 39 cm. x 18 cm. x 31 cm. Grade B £300-£400

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22 Gucci Mini Black Suede Bamboo Backpack Black suede leather with bamboo handle and leather trim. 20 cm. x 7 cm. x 26 cm. Grade D £250-£350

23 Gucci Monogram Wallet Monogram canvas with cream leather. 19 cm. x 2 cm. x 9 cm. Grade D £100-£150

24 Gucci Mini Red Patent Bamboo Backpack Red patent leather with bamboo handle. 20 cm. x 7 cm. x 26 cm. Grade D £250-£350

25 Gucci Joy Tote Monogram canvas. 33 cm. x 14 cm. x 24 cm. Grade D £250-£350

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26 Gucci Wave Hobo Bag Gucci monogram fabric with cowhide leather trim and gold coloured hardware. 34 cm. x 3 cm. x 30 cm. Grade B £300-£350

27 Cartier Marcello Bag Tan calf leather top handle bag. 49 cm. x 28 cm. x 16 cm. Grade C £150-£250

28 Asprey Leather Race Book with integral Purse Age circa 1950. 17 cm. x 14 cm. Grade C £60-£80

29¥ Prada Python Bag Python skin with brown leather details. 27 cm. x 17 cm. x 23 cm. Grade A £1,000-£1,500

30 A Christian Dior Silk Scarf Dior signature blue and white monogram silk scarf. 76 cm. x 76 cm. Grade B £60-£80

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31 Hermes Crossbody Satchel Bag Tan Courchevel leather with gold coloured hardware. Age circa 1992 20 cm. x 27 cm. x 8 cm. Grade C £800-£1,000

32 Hermes Shoulder Bag Tan Courchevel leather with gold coloured hardware. Age circa 1988. 22 cm. x 30 cm. x 8 cm. Grade D £200-£300

33 A Hermes ‘Contre Courant’ Silk Scarf designed by Isabel Barthel Issue Date: 2005 Original Issue. 90 cm. x 90 cm. Grade A £80-£120

34 Hermes Enamel Brooch Hermes brooch with ceramic fan scarf print detail set into gold plated metal. 4 cm. x 3 cm. £250-£350

35 Hermes Enamel Brooch Hermes brooch with tiger fan scarf print detail set into gold plated metal. 4 cm. x 3 cm. £250-£350

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36 Hermes Birkin 35 Caramel Ardennes leather Birkin 35 bag with gold coloured hardware. Age circa 2001. 35 cm. x 20 cm. x 30 cm. Grade A ÂŁ6,000-ÂŁ7,000 22

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37 Hermes Black Ardennes & Barenia Leather Airport Bag Black Ardennes leather and barenia leather unisex airport travel bag with gold coloured hardware, beige fabric interior and zip closure. Age circa 1994. 43 cm. x 45 cm. x 23 cm. Grade A ÂŁ4,000-ÂŁ4,500 24

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38 Louis Vuitton Mini Montsouris Backpack Monogram canvas with natural cowhide leather trim. Age 2000. 20 cm. x 8 cm. x 22 cm. Grade C £550-£650

39 Louis Vuitton Keepall Bandouliere Monogram canvas with natural cowhide leather trim. Age circa 1999. 50 cm. x 26 cm. x 30 cm. Grade C £500-£600 26

40 Louis Vuitton Neverfull PM Monogram canvas with natural cowhide leather trim. Age 2007. 30 cm. x 22 cm. x 12 cm. Grade B £550-£650

41 Louis Vuitton Ellipse PM Monogram canvas with natural cowhide leather trim. Age 2000. 31 cm. x 12 cm. x 25 cm. Grade D £250-£300

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42 Louis Vuitton Grand Noe Monogram canvas with natural cowhide leather trim. Age circa 1994. 25 cm. x 19 cm. x 34 cm. Grade C+ £400-£500

43 Louis Vuitton Camera Clutch Bag Monogram canvas with natural cowhide leather trim. Age 1996. 26 cm. x 17 cm. x 7 cm. Grade B £100-£150

44 Louis Vuitton Camera Bag Monogram canvas with natural cowhide leather trim. Age 1996. 26 cm. x 17 cm. x 7 cm. Grade B £100-£150

45 Louis Vuitton Neverfull Monogram canvas with natural cowhide leather trim. Age 2008. 40 cm. x 14 cm. x 24 cm. Grade B £700-£800

46 Louis Vuitton Deauville Monogram canvas with natural cowhide leather trim. Age circa 1990. 33 cm. x 13 cm. x 25 cm. Grade C £350-£400

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47 Louis Vuitton Monogram Keepall Bandouliere Monogram canvas with natural cowhide leather trim. Age circa 1995. 45 cm. x 25 cm. x 20 cm. Grade D £350-£450

48 Louis Vuitton Large Pochette Monogram canvas. Age 1997. 25 cm. x 20 cm. x 5 cm. Grade B £60-£80

49 Louis Vuitton Bucket Bag PM with integral Mini Pochette Monogram canvas with natural cowhide leather trim. Age 2000. 23 cm. x 26 cm. x 12 cm. Grade C £300-£350

50 Louis Vuitton Small Pochette Monogram canvas. Age 1997. 19 cm. x 15 cm. x 5 cm. Grade B £40-£60

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51 Louis Vuitton Keepall 50 Monogram canvas with natural cowhide leather trim. Age circa 1990. 50 cm. x 20 cm. x 30 cm. Grade C+ £450-£550

52 Louis Vuitton Speedy 40 Monogram canvas with natural cowhide leather trim. Age 1996. 40 cm. x 24 cm. x 19 cm. Grade B £250-£350 32

53 Louis Vuitton Keepall 50 Monogram canvas with natural cowhide leather trim. Age circa 2000. 50 cm. x 20 cm. x 30 cm. Grade C+ £450-£550

54 Louis Vuitton Samur Monogram canvas with natural cowhide leather trim. Age 1988. 29 cm. x 7 cm. x 21 cm. Grade C £250-£350 thepedestal.com

55 Louis Vuitton Keepall 50 Monogram canvas with natural cowhide leather trim. Age 1996. 50 cm. x 20 cm. x 30 cm. Grade A £500-£600

56 Louis Vuitton Kendall Holdall Louis Vuitton Kendall travel bag in green taiga leather. Age 1995. 47 cm. x 20 cm. x 28 cm. Grade B £450-£550

57 Louis Vuitton Speedy 25 Damier Azure canvas with cowhide leather trim. Age 2010. 25 cm. x 14 cm. x 20 cm. Grade C £300-£400

58 Louis Vuitton Damier Azure Neverfull PM Damier Azure canvas with cowhide leather trim. Age 2009. 30 cm. x 22 cm. x 12 cm. Grade B £600-£700

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59 Louis Vuitton Black Epi Alma PM Black epi leather Alma bag. 32 cm. x 23 cm. x 15 cm. Grade D £450-£500

60 Louis Vuitton Black Epi Petit Noe Black epi leather bucket bag. Age 1992. 25 cm. x 18 cm. x 26 cm. Grade C £300-£400

61 Louis Vuitton Black Epi Speedy City Bag Black epi leather top handle bag. Age 1997. 27 cm. x 20 cm. x 15 cm. Grade C £450-£500

62 Louis Vuitton Marilyn Multicolour monogram canvas with natural cowhide leather trim and gold coloured hardware. Age circa 2008. 24 cm. x 10 cm. x 14 cm. Grade B £600-£800

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63 A limited edition Louis Vuitton Royal Wedding Speedy Bag with full set Limited edition blue monogram canvas with union jack detail, natural cowhide leather trim and gold coloured hardware. 30 cm. x 19 cm. x 23 cm. Grade A* ÂŁ6,000-ÂŁ7,000 One of a collection of only 85 pieces released by Louis Vuitton and sold exclusively in the New Bond Street London store to celebrate the royal wedding of Prince Harry and Ms. Meghan Markle in May 2018.

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Introducing Artbag We are delighted to offer exciting and highly original works from the Artbag series created and made by artist Debra Franses Bean. Debra describes Artbag as a window into her soul and it was whilst studying at Central St Martins School of Art (2002-2005) that the idea for these first materialised. Debra took a beautiful handbag from a top couture house and adapted it into a silicone mould for casting. The first bag was in heavy white plaster, but, her next bag, Catch, was cast in resin, and featured a goldfish inside a tank of water, mounted on a plinth. Her first pieces were highly autobiographical as through these Debra visualised how she was feeling about various areas of her life. Although this focus has shifted over time Debra acknowledges that every bag is a distillation of who she has met, where she has been and what she has seen in the world. As Debra explains, ‘…all interactions leave a trace in me which inspire my work’. Every Artbag has a title and these are equally as intriguing: ranging from a single, punchy word through to smart, thought-provoking statements which brand and define the Artbag. Debra explores ideas centred on consumption and mass production, and recognises the complex relationship we have with material objects as consumable goods. With their kitschy elements these works are a clear nod to pop art, however, they also reference our contemporary digital age, as the contents would be acquired through online shopping and social networking. Objects span the low and high levels of comfort, prestige and style. The process of resin encapsulation results in

64 Debra Franses Bean (b.1967) Divine Revenge Mixed media in solid transparent resin, in the form of a three dimensional handbag encasing various fabricated contents including a golded replica ‘gun’, gold plated chain, gold plated and diamanté ‘Chanel’ charm. 29cm. x 20 cm. x 8 cm., weight 2kg. £1,500-£2,000 DFB: With its contents of gold, this small feminine bag is equally delicate and dangerous, and full of glamour and tension It conjures feelings of a female James Bond.

a visually-heightened presentation of the chosen items, with the anticipation of their consumption forever suspended in time and never to be realised. The creation of an artbag has been likened to mummification in a slick and chic resin coffin. Objects are selected to ensure that they won’t break or melt in the casting process, and occasionally delicate items need their own mould. The silicone mould of the handbag is in two parts and an initial layer of objects is laid out in each half. Liquid resin is poured in, in layers, with a day in between for each layer to cure and with further objects added to build up the layers. The completed handbag is then put into a pressure chamber where any last bits of air are removed. This is the most delicate stage of the process as bubbles can be created in the resin. Once cured the handbag stays in the mould for several days and when removed it is sanded down, polished to a high sheen and lacquered. Debra Franses Bean was born in London in 1967, she studied Politics and Economics and initially pursued a career in advertising. She has lived and worked in New York and London, where she is now based. Her Artbags have been exhibited in galleries around the globe and she also undertakes private commissions. In 2015 she created works for the Coca Cola Museum to celebrate 100 years of the iconic coke bottle design and her works were shown alongside pieces by some of Debra’s own personal art heroes.

65 Debra Franses Bean (b.1967) Ode to Warhol II Mixed media in solid transparent resin, in the form of a three dimensional handbag encasing various fabricated contents including a soup can, a pair of glitter shoes, lipstick, a small golden replica ‘gun’, a dollar bill and ‘Chanel’ bottle of perfume. 56 cm. x 40 cm. x 16 cm., weight 15kg. £5,500-£6,500 DFB: My homage to the iconic father of Pop Art, featuring a plethora of kitsch signs and signifiers from Warhol’s oeuvre. This work personifies 1960s’ Americana and would be a perfect accompaniment to a Pop Art or handbag collection. This is one of two similar artworks, and each is unique. The other example is owned by Tanya Baxter Contemporary, Hong Kong.

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66 Debra Franses Bean (b.1967) The Emoji Bag Coloured painted and solid transparent resin, in the form of a three dimensional handbag encasing numerous fabricated colourful Emoji ideograms and smileys. 56 cm. x 40 cm. x 16 cm., weight 15kg. ÂŁ5,500-ÂŁ6,500. DFB: I was inspired by the visual global phenomenon of the Emoji as a communication to identify with our emotions in a non-verbal, international digital language. These icons of communication, used by both adults and children, add humour to our lives. Hand painted balls of coloured resin sit inside, some reflecting the viewer through small mirrors and so bringing the outside inside and the inside out. This bag makes me so happy every time I look at it, it has been part of my private collection since 2015. 42

67 Debra Franses Bean (b.1967) Elegance Mixed media in solid transparent resin in the form of a three dimensional handbag encasing various fabricated contents including lipsticks, a golden replica ‘gun’, a gaming chip, a ‘Chanel’ compact and perfume bottle and a miniature black bag. 56 cm. x 40 cm. x 16 cm., weight 15kg. £6,500-£7,500 DFB: Created for the woman of quality; she wears vintage Dior, Chanel and Prada and writes with a Mont Blanc pen. Her seductively made up eyes hide tantalisingly behind designer shades. She holds secrets, gambles and her bag teems with £50 notes. Her temper she tames with champagne, elegant, yet wild, sexy and just a little dangerous too.

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68 Debra Franses Bean (b.1967) Butterfly Blues Mixed media in solid transparent resin, in the form of a three dimensional handbag encasing common British butterflies,such as the Duke of Burgundy butterfly and the Pearl Bordered Fritillary butterfly. 29 cm. x 20 cm. x 8 cm., weight 2kg. £1,300-£1,500 DFB: Butterfly Blues presents a dichotomy between the freedom to fly and the brevity of life. It expresses the delicate balance between freedom and captivity. The butterflies were purchased from the Education Department at Butterfly World, Herts which is now closed.

69 Debra Franses Bean (b.1967) Lava Bag Mixed media in solid transparent resin, in the form of a three dimensional handbag encasing bubbles of orange 'lava'. 29 cm. x 20 cm. x 8 cm., weight 2kg.weight 2kg. £1,200-£1,800 DFB: This iconic bag makes reference to the larva lamp from the 60’s. Each molecule has been hand made and replicated to look like the original Edward Craven Walker design which consisted of a special coloured wax mixture inside a glass vessel. The heat warmed wax rises through the surrounding liquid, cools, loses its buoyancy, and falls back to the bottom of the vessel in a cycle that is visually suggestive of pāhoehoe lava, hence the name. This sculpture is an abstract formation that has a playful yet biological aesthetic. I made this one in Orange.

70 Debra Franses Bean (b.1967) ‘Bang!’ Mixed media in solid transparent resin, in the form of a three dimensional handbag encasing a black replica ‘gun’. 29 cm. x 20 cm. x 8 cm., weight 2kg. £1,200-£1,800. DFB: Bang! is colder and more overtly masculine than Divine Revenge, it is simply a single black pistol concealed in a small handbag. The adage ‘never judge a book by its cover’ has never had a more fitting consequence.

71 Debra Franses Bean (b.1967) Madame Hermès Mixed media in solid transparent resin in the form of a three dimensional handbag encasing various fabricated contents including a lipstick, a golden replica ‘gun’, a gaming chips, sunglasses and a bottle of ‘Chanel’ perfume. 56 cm. x 40 cm. x 16 cm., weight 15kg. £5,500-£6,500 DFB: One of a series of unique Artbags inspired by the sophistication of Parisian women. Taking its design credentials from slick grooming, a chic wardrobe and luxury accessories. She loves the high life in the one of the world’s most iconic cities, likewise money. And, from time to time, slightly dangerous men when she kicks off her heels.

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72 Debra Franses Bean (b.1967) The Big Bang (Manbag) Mixed media in solid transparent resin, in the form of a three dimensional bag encasing various fabricated masculine accessories including a ‘champagne’ bottle, a black replica ‘gun’, gambling chips, playing cards, a lighter, a pair of sunglasses and a figure of a golden bull. 45 cm. x 39 cm. x 13 cm., weight 15kg. £6,500-£7,500 DFB: Inspired by the sport of success: for city boys who become men, the golf client, the champagne nights and gambling risk takers. This artwork is a tribute to the hard working ethic and nerves of steel needed to win the game of money and secure financial success. The ‘Manbag’ is my most recent creation: a critique of the celebration and glorification of excess which defined our culture through the closing decades of the 20th century.

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73 Rolex Datejust Wristwatch 18k yellow gold. Ref: 16**. 36mm. 18k yellow gold case with 18k yellow gold fluted bezel. Gold hatched dial with baton hands and baton applied indexes. Second markers around the outer edge of dial. Automatic 3035 movement. Scratch resistant sapphire crystal. Later leather strap with unassociated buckle. 2.5x magnification date window. ÂŁ4,500-ÂŁ5,000

74 Rolex Datejust Wristwatch Stainless steel and 18k yellow gold. Ref: 16013. Serial number: R350835. 36 mm. Stainless steel case with 18k yellow gold bezel. Gold dial with baton hands and baton applied indexes. Second markers around the outer edge of dial. Automatic 3035 movement. Scratch resistant sapphire crystal. Stainless steel and 18k yellow gold jubilee bracelet with fold clasp. 2.5x magnification date window. ÂŁ4,200-ÂŁ4,500

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75 Rolex Oyster Perpetual Air King Wristwatch Stainless steel. Ref: 14010. 34mm. Stainless steel case. Blue dial with baton hands and silvered baton applied indexes. Second markers around the outer edge of dial. Automatic 3000 movement. Scratch resistant sapphire crystal. Stainless steel bracelet with fold clasp. Water resistant to 10 ATM. £3,200-£3,500

76 Rolex Datejust Wristwatch Stainless steel. Ref: 16014. Serial number: 7447930. 36 mm. Stainless steel case with stainless steel fluted bezel. Silver dial with baton hands and baton applied indexes. Luminous dial dots at the hour markers. Second markers around the outer edge of dial. Automatic 3035 movement. Plexiglass crystal. Stainless steel jubilee bracelet with fold clasp. 2.5x magnification date window. £3,200-£3,500

77 Rolex Milgauss Oyster Perpetual Wristwatch Stainless Steel. Ref: 116400. Serial number: M281967. 40 mm. Stainless steel case. White dial with luminous baton hands and luminous baton applied indexes. Minute markers around the outer edge. Luminescent hands and dial markers. Orange lightning bolt second hand. Fixed domed bezel. Automatic 3131 movement. Scratch resistant sapphire crystal. Stainless steel Rolex oyster bracelet with Deployment clasp. Water resistant to 10 ATM. ÂŁ5,500-ÂŁ6,500

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78 Rolex Orchid Wristwatch 18k yellow gold. Ref: 2674. 25mm. 18k yellow gold case. 18jewel Cal.1400 manual wind movement. Gold dial with applied indexes and black baton hands. Brushed and polished oval case. Snap on case back. Mineral crystal. Integral 18K gold bracelet. Signed 18k folding clasp £1,800-£2,000

79 Rolex Cellini Wristwatch 18k yellow gold and diamond. Ref: 2435. 22mm. 18k yellow gold case with diamond set bezel. 18-jewel Cal.1400 manual wind movement. White dial with diamond set hour markers, gilt baton hands Brushed and polished oval case. Snap on case back. Mineral crystal. Integral 18K gold diamond set link bracelet. Signed interlocking clasp. £1,800-£2,000

80 Omega Ladies Seamaster Professional Date Wristwatch 28 mm. Stainless steel case. Ref: 2584.80.00. Serial number: 57485084. Stainless steel case with blue divers bezel. Blue wave dial with arrow hands and luminous hour markers. Sapphire crystal. Stainless steel jubilee bracelet with fold clasp. £700-£800

81 Omega Seamaster Automatic Wristwatch 18k yellow gold. 34mm. 18k yellow gold case. Cal. 352. Silvered dial with Dauphine hands, applied indexes and Arabic numerals. Signed heavy 18k gold case back. Plexiglass crystal. On an associated black leather strap with gold metal Omega buckle. £1,800-£2,200

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82 Omega Geneve Day Date Wristwatch 18k yellow gold. Ref: 41219909. 35mm. 18k yellow gold case. Cal. 1022 movement. Gold dial with applied indexes and pencil hands. Day/Date aperture at 3 o’clock (Spanish language date). Signed threaded case back. Acrylic crystal. On an unassociated brown leather Hodinkee strap with stainless steel. £1,200-£1,500

83 Fred Stainless Steel ‘La Tigresse’ Wristwatch Stainless steel. 32mm. Ref: 8826. Quartz movement. Grey dial with day aperture at 12 o’clock and date aperture at 6 o’clock. Applied dial dot hour markers and pencil hands. Mineral crystal. Stainless steel bracelet with deployment clasp. £700-£800 54

84 Bucherer Gold Cuff Watch 18k yellow gold and diamond. 22mm. Ref: 00958. Serial No: 8057915. Quartz movement. Factory diamonds set on bezel, case, lugs, and bracelet links. Silver opaline roman numeral dial. crown with diamond cabochon. Scratch resistant sapphire crystal. Integral 18K gold and diamond bracelet. Signed 18k double-folding clasp £1,200-£1,800

85 IWC Automatic Yacht Club Wristwatch 18k yellow gold. Ref: 811. Case 36mm. 18k yellow gold case with 18k yellow gold bezel. Cal. 8541. Gold dial with date window and quick set date function. Applied baton indexes and lumed pencil hands. Applied second dial dots around the outer edge of dial. Acrylic crystal. On associated strap and buckle. £3,500-£4,000

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86 Vacheron Constantin Time-Only Wristwatch 18k yellow gold. Ref: 7592. 33mm. 18k yellow gold case. 36jewel Cal. K1120 movement. Gold dial with applied indexes and black baton hands.Signed threaded case back. Acrylic crystal. On an unassociated brown leather strap with gold metal buckle £3,000-£3,500

87 Tudor Rolex Oyster Prince Wristwatch 34mm. Ref: 7965. Serial: 345868. Yellow metal and stainless steel case with Rolex Oyster case back. Gold dial with applied indexes and faceted dauphine hands. Second marked around the outer edges of dial. Plexiglass crystal. On an unassociated leather strap with yellow metal buckle. £400-£600

88 Jaeger leCoultre Memovox Alarm Wristwatch 18k. yellow gold. Case Ref: 1100062. Case 37mm. 18k yellow gold case with 18k yellow gold bezel. cal. 825 automatic bumper movement. silvered matte dial with applied baton indexes. Inner minute track. Central rotating alarm disc. Centre seconds. Date aperture at 3 o’clock. 18k yellow gold, 2-part screw-down case back. On an unassociated brown leather strap with gold metal buckle. £4,000-£4,500

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89 Baume & Mercier Sub-second 18k Wristwatch 34mm. Model: 3502. Ref: 77698. 18k yellow gold case. White dial with applied indexes and dauphine hands, sub-second dial at 6 o’clock. Second marked around the outer edges of dial. Plexiglass crystal. On an unassociated leather strap with yellow metal buckle. £600-£800

90 Mielvacque Geneve Mother of Pearl and Diamond Wristwatch 48mm. Quartz movement. Large stainless steel glazed case with blue back dial and diamond bezel, containing a smaller 25mm free-moving circular watch with mother-of-pearl dial, Arabic numerals for '3', '6' and '12', pavé diamond centre and diamond bezel. Sapphire crystal. Later leather strap with stainless steel buckle. £4,000-£4,500

91 Rare Breitling Datora Triple Date Wristwatch 18k. yellow gold. Ref: 1940. 36mm. 18k yellow gold case with18k yellow gold bezel. Silvered dial with sub-dials at 3 and 9 o’clock. Moon phase at 6 o’clock. Day/Date aperture at 12 o’clock. Original hallmarked case back. Venus 195 calibre manual wind movement. Applied arrowhead indexes and pencil hands. On associated leather strap with Breitling buckle. £5,500-£6,000

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92 Cartier Gold and Set Diamond Tank Wristwatch 18k yellow gold and diamond. 18mm. Serial No:571172042. Mechanical manual wind movement. Factory diamonds set on bezel and applied diamonds on dial. Gold Roman numeral dial. crown with diamond cabochon. Scratch resistant sapphire crystal. Associated Cartier strap with 18K gold signed clasp. £3,500-£4,500

93 Cartier Gold and Set Diamond Panthere Wristwatch 18k yellow gold and diamond. 22mm. Ref: 00958. Serial No: 8057915. Quartz movement. Factory diamonds set on bezel, case, lugs, and bracelet links. Silver opaline Roman numeral dial. crown with diamond cabochon. Scratch resistant sapphire crystal. Integral 18K gold and diamond bracelet. Signed 18k double-folding clasp. £5,000-£8,000

94 A diamond and 14k. gold bracelet, circa 1950’s The four lines of sixty eight old cut brilliants, each in a four claw setting, 17.5 cm. long. £7,000-£10,000

95 An 18k. gold travel or desk clock by Cartier The circular dial with black baton hour markers, Roman numeral quarters and black baton hands, within an articulated square moulded lightly textured case and engine turned outer-frame, the dial signed 'Cartier', the reverse numbered 016688. 4 cm. x 4 cm. £1,500-£2,000 Provenance: Gifted by Loel Guinness (1906-1988) and his third wife, the socialite and fashion editor Gloria Guinness (1912-1980) to Mr and Mrs H S H Guinness on the occasion on the their Golden Wedding Anniversary in 1963. Thence by descent. thepedestal.com

96 A rare original vintage Georg Jensen sterling silver bracelet designed by Arno Mallinowski for Georg Jensen Design No 112. Denmark c.1940. 19.5 cm., (120 gm.). ÂŁ4,500-ÂŁ5,000

97 An original vintage Georg Jensen sterling silver bracelet and necklace set designed by Ibe Dahlquist for Georg Jensen Design No 181. Necklace: Denmark c.1965. 41 cm. Bracelet: Denmark c.1970. (2) ÂŁ6,000-ÂŁ8,000

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98 A rare original vintage Georg Jensen sterling silver bracelet designed by Astrid Fog for Georg Jensen Design No 194. Denmark c.1960. 21 cm. x 4 cm., (104 gm.). ÂŁ3,500-ÂŁ4,500

99 A rare Georg Jensen 18k. white gold and pavé diamond ‘Offspring Bangle’ by Jacqueline Rabun for Georg Jensen The egg shaped bangle and attached asymmetrical charm set with three hundred and nine pavé set diamonds, total estimated diamond weight approx. 4.0 cts., internal measurements 7 cm. x 4.9 cm. at widest point. £12,000-£18,000 Provenance: Purchased Georg Jensen, Caesar’s, Las Vegas, 2010. The Offspring bangle by Jacqueline Rabun celebrates the creation of life and is a symbolic representation of mother and child, Offspring was Rabun’s first collection for Georg Jensen. The white gold and diamond version was produced in only very limited numbers.

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100 A Danish silver bowl by Georg Jensen, circa 1930 The hammered circular body with flared lip, the stylised leaf supports descending to a stepped oval foot. 16.25 cm. diameter, 13.8 cm. high, 12 oz. (372 gm.). £1,000-£1,500

101 A pair of Danish silver sauce boats by Georg Jensen, post 1945 With scrolling blossom loop handles and oval bases with ribbed vertical bands and small beads, each numbered to base ‘177’. 20 cm. long, x 12 cm. high, 24 oz. (744 gm.). £2,500-£3,000

102 A Danish eight place silver table service of Cypress pattern by Georg Jensen All except the table spoons with English import marks for London, 1963, comprising eight each of table spoons, dessert spoons, dessert forks, table forks, fish knives, fish forks, table knives and cheese knives, the table knives and cheese knives all with stainless steel blades inscribed ‘Georg Jensen Denmark’, Weighable silver 70 oz. (2170 gm.). (64) £2,000-£2,500

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103 An extremely heavy cast silver statuette of Prime Minister Winston Churchill during the years of the Second World War, said to be standing on the hills of Dover looking out across the Channel towards occupied Europe, modelled by Richard Price, a prize-winning exhibitor at Goldsmiths Hall, manufactured by Da-mar Silverware, London, 1977 Depicted in Homburg hat, pinstripe three-button, single-breasted suit and bow tie, one hand in pocket, the other holding a cane, on simulated rocky base. 25 cm. high, approx. 152 oz. (approx. 4712 gm.). £2,000-£3,000 Provenance: Bought by the vendor’s father in January, 1978 from G. H. Presley & Sons, Jewellers, of Worthing and stated to be the only one made with the special Queen’s Silver Jubilee hallmark in a letter of February, 1978 to the vendor’s father from David Shaw Silverware Ltd. of Clerkenwell Road, London.

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104¥ A pair of Edwardian silver-mounted tortoiseshell photograph frames, maker’s mark HA sans serif, retailed by Asprey and stamped ‘Asprey London’, London, 1902/03 Rectangular with oval aperture and applied ‘C’ and ‘S’ scroll borders, blue leather backs to apertures, each with silver wirework strut with chain attachment. 20 cm. high x 15 cm. wide. £3,000-£4,000

105 An engine-turned silver playing cards box with applied gold leafy borders, by Asprey & Co. Ltd., London, 1928 Rectangular, on base with sloping sides, the hinged twin covers with silver gilt interiors, with pierced sprung clips to hold cards in place inside each cover, green leather lining, complete with pack of cards advertising Black & White Cigarettes. 17.7 cm. long x 12.7 cm. wide x 6.5 cm. high. £1,200-£1,500

106 A large plain rectangular silver cigar box by Asprey & Co. Ltd., London, 1929 Gilt interior and cedar wood-lined, with two detachable dividers. 30.7 cm. long x 18 cm. wide x 10 cm. high, gross weight 78 oz. (2418 gm.). £2,500-£3,500

107 A modern Italian silver cocktail jug, Milan, pre 1968 Cylindrical with narrow bifurcated scroll handle and angled tapering spout, together with a silver-plated swizzle stick. 25 cm. high, 27 oz. (837 gm.). £800-£1,000

108 A Continental silver lozenge-shaped combination clock, aneroid barometer, centigrade thermometer, fahrenheit thermometer and compass, early 20th century Stamped ‘CH.HOUR FRANCE STERLING’ also stamped on base, side and handle ‘STERLING’, each set to one of the five faces, the compass on top, triangular swing handle, complete with brass watch key. 14 cm. wide x 8cm. high. £3,000-£4,000 thepedestal.com

109 A pretty modern silver pot pourri bowl and cover designed by J.P. Wood and made by K. Tasker for Asprey & Co. Ltd., London, 1964 Circular with flared lip and gilt interior, the foot engraved with continuous band of navette motifs framing initials and date ‘3rd. Aug. 1939’, the cover pierced with five Tudor roses and leafage under a central rope work knop finial. 22.8 cm. diameter, 15 cm. high, 40.8 oz. (1270 gm.). £1,500-£2,000

110¥ An early 20th century silver and tortoiseshell mounted timepiece mantel clock by ?C & Co, Birmingham, 1911 The circular dial with Roman numerals and with a platform escapement within a tortoiseshell inset front panel inlaid with silver marquetry of ribands, swags and scroll work around a central paterae, the silver case of arched form with a moulded plinth base and shaped bracket feet, with a makers mark rubbed. 16.5 cm. wide x 10 cm. deep x 20.5 cm. high. £1,500-£2,000

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111¥ A large late Victorian shaped rectangular tortoiseshell photograph frame, circa 1900 With applied silver laurel borders and inlaid in silver with ribbon-tied swags centred by a basket of flowers and additionally decorated with trophies on upper section, the lower section inlaid with birds perched on foliate scrolls with musical trophies dependent, original plum coloured velvet back and strut, with now illegible remains of gold-printed retailer’s (?) details. 40.5 cm. high x 33.8 cm. wide. £4,000-£6,000

112 A fine American silver and copper mixed metals cigar box by Theodore B. Starr of New York, circa 1900 Base stamped with firm’s logo, name of firm and ‘STERLING AND OTHER METALS’, rectangular with hammered surfaces, cedar wood-lined, cover and sides applied with stylised scrollwork decorated with small rivets, cover centred by engraved initials ‘LES’. 23 cm. long x 13.5 cm. wide x 6.7 cm. high. £1,200-£1,500

113 A stylish Arts & Crafts silver teapot by A.E. Jones, Birmingham, 1918 Squat circular on four stylised hoof supports issuing from solid horseshoe shaped junctions, lightly hammered surface and angular ebonised wood handle. 24 cm. long, 11.5 oz. (357 gm.). £1,500-£1,800

114 A late Victorian silver Arts & Crafts casket designed by Benjamin Acres Wick for Heath & Middleton, London, 1900, base signed ‘Benjamin Creswick Designer’ Rectangular hammered form, cover chased in relief with three fishermen in conversation around a table, a Tree of Life chased to either side, riveted hinge mounts, and feet, gilt interior. 24 cm. long x 11 cm. wide x 9.8 cm. high, 26 oz. (806 gm.). £1,500-£2,000 Benjamin Creswick (1853-1946) took up sculpture under the eye of John Ruskin and later worked at the Birmingham School of Art as Master of Modelling & Modelled Design from 1889. thepedestal.com

115 An Edwardian clock set in openwork silver stand designed to resemble an Oriental square screen On ball feet, with hinged strut and brass winding key, incuse maker’s mark of John Tiley, London, 1905, large white enamel dial with black Roman numerals and seconds markings, bevelled glass and steel arms. 18 cm. high x 17 cm. wide. £800-£1,000

116 A late 19th century German 800 Standard silver and mother of pearl miniature boudoir timepiece in the Louis XV style The circular white enamel dial with Roman numerals, the front pierced and set with mother of pearl panels surmounted by a swing handle, the sides and reverse of the case heavily embossed and decorated with trellis, scroll-work and acanthus, on scroll feet, the French movement with platform escapement, the case stamped 800 DEPOSE. 6.2 cm. wide x 3.6 cm. deep x 10 cm. high. £1,000-£1,500

117 A Victorian silver and enamel cigarette box by John Newton Mappin, London, 1888 The cover finely painted with a scene of 17th century ladies and gentlemen strolling beside a river as a young boy pushes off his boat from the river bank with an oar, cedar wood-lined. 13 cm. long x 8.5 cm. wide x 4.4 cm. high. £600-£800

118 A mid Victorian coromandel and brass bound dressing box with silver fittings, the box retailed by Leuchars of Piccadilly, the silver fittings by Thomas Johnson, London 1859 The rectangular hinged cover centred by a brass tablet with engraved monogram enclosing a concealed compartment to the reverse of the cover with a removable easel mirror, the interior with a removable tray with six lidded pots, scent bottle and a long lidded box (a replacement and marked for William Comyns, London 1893), a further tray with five cut glass silver lidded bottles, the front with an apron drawer, with flush carrying handles to the sides, the lock stamped W.LEUCHARS PATENT, 38 PICCADILLY LONDON, with an engraved retailers plate to the back edge of the interior. 33 cm. wide x 24 cm. deep x 19 cm. high. £1,500-£2,000

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119 A giant silver capstan inkwell by Herbert Bushell & Co. Ltd., Birmingham, 1912 With reeded borders and engine-turned surfaces, engraved with swags, central channel across diameter of hinged cover, detachable clear glass liner and mirror set inside cover, loaded base covered in green baize. 25.6 cm. diameter. £550-£650

120 An Edwardian silver inkstand by Heath & Middleton, Birmingham, 1907 The slender rectangular base with sloping sides and central pen depression, the silver-mounted, hobnail-cut glass twin bottles with circular incurved covers and star-cut bases, weighable silver 14 oz. (434 gm.). £600-£700

121 An unusual Arts & Crafts silver clock by W. H. Haseler, Birmingham, 1913 With white enamel dial, steel hands, black Arabic numerals and smaller red numerals at 15 second intervals, with two naked elfin children picking apples from a tree applied to front and filling a basket with the fruit, the waisted stand descending to a semi-circular base, wood back, complete with small brass winder. 25 cm. high. £3,000-£3,500

122 A German silver Art Deco four-piece tea and coffee set, stamped ‘835S’ and ‘Handarbeit’, crown and crescent and maker’s mark a monogram for G. Bechtle of Pforzheim, circa 1925 Of squat circular form with hammered surfaces, on matching rounded oblong tray, the set with wood handles and finials, 87.5 oz. (2706 gm.). £1,500-£1,800

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123 A late 19th century French faux shagreen, gilt bronze mounted mantel clock The circular enamel dial with Arabic numerals and painted floral swags within a bezel encrusted with brilliants, the twin train bell striking movement with cylinder platform escapement, in a faux shagreen covered case surmounted by an articulated axe handle, and applied with riband tied laurels and paterae, the movement stamped A.D MOUGIN DEUX MEDAILLES. 12.5 cm. wide x 7.5 cm. deep x 24 cm. high. £800-£1,200

124¥ An old Sheffield plate double decanter trolley, first quarter 19th century The circular coasters with beechwood bases centred by silver bosses with gadrooned rims, the handle with an ivory pull, on four wheels centred by floral bosses and with leather treads. 46 cm. wide, 20 cm. deep, 9.5 cm. high. £800-£1,200 This lot contains ivory and because the US Government has banned the import of ivory into the country this cannot be exported to the USA.

125 A large matched pair of Arts & Crafts silver sugar casters, mark of Omar Ramsden, London, 1930/33 Of hexagonal panelled form with hammered surfaces, ribbed border to bases and pointed covers pierced with lozenge motifs, 22.2 cm. high, 32 oz. (992 gm.). £3,000-£3,500

126 An attractive American silver bowl by Tiffany & Co. of New York, Edward C. Moore era, 1873/91 With wavy rim above a chased frieze of ferns and prunus in the Japanese taste, central plain girdle engraved with petalled borders above a fluted lower body, on engraved foot. 20 cm. diameter x 13 cm. high, 27 oz. (837 gm.). £1,800-£2,200

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127 A French silver-gilt minaudière, circa 1900 French control marks in several places and lozenge maker’s mark on top rim, of rectangular form, chased in relief with front and back of a kitten to front and back respectively of case, the kitten gem-set with rubies and emeralds to eyes and bow around neck, chain attachment, sprung trefoil clip to interior of front cover, central ivorine aide-memoire and mirror, two hinged compartments inside back cover, in original red leather fitted case lined with oyster silk and dark blue velvet. 10.6 cm. long x 6.5 cm. wide. £1,800-£2,200

128¥ An Italian parcel-gilt .800 standard silver table ornament realistically modelled as a duck, in the manner of Buccellati, 20th century Marked under one foot, with gilded beak and feet, 19.5 cm. high x 28 cm. long, 12 oz. (372 gm.). £800-£1,200

129 A pair of late Victorian silver mounted and brown tortoiseshell dwarf candlesticks by Gibson and Langman, London, 1897 The square detachable drip-pans engraved with leaves above turned flowerhead punched nozzles and pierced tapered columns, on moulded square section bases. 14.5 cm. high. £1,200-£1,500

130 A late 19th century Viennese gold mounted, diamond set oval agate bowl set with hard stone beads The bowl with a white enamelled peacock with a gold and diamond set crest, the bowl with border of hardstone beads with red enamel clasps, the enamelled foot rim mounted with further enamel beads. 16 cm. wide. £2,000-£3,000

131 A late 19th century French onyx, champlevé enamel and gilt bronze mounted lady’s toilet mirror The oval bevelled plate within a coloured champlevé scrolling leaf and flowerhead border on a light blue ground within a riband tied leaf and berry gilt bronze mount and a quatrefoil onyx outer-frame with an easel support to the reverse and a hanging ring. 45 cm. high x 34 cm. wide. £1,200-£1,800

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132 A pair of 19th century Fluorspar and gilt bronze mounted cassolettes the domed removable covers concealing candle sconces, the ovoid bodies on waisted socles and square plinth bases, slight difference of dimensions in the fluorspar bodies. 16 cm high. (2) £1,500-£2,000

133 A set of eight metalware napkin rings, stamped ‘925 CRAWFORD’, probably American, 20th century Plain circular, the front of each with a rectangular cutout panel centred by a red-enamelled initial ‘C’, in original fitted box, gross weight 9 oz. (279 gm.). 4 cm. diameter. £550-£650

134 A late 19th century French gilt bronze and champlevé enamel timepiece in the form of miniature longcase clock in the Louis XV style The circular enamel dial with Roman and Arabic numerals and decorated with floral swags, with a cylinder platform escapement, the scroll decorated bombé case surmounted by the a figure of a herald, on a rectangular plinth base with cabochon and shell feet, the apron centred by a mask head. 13 cm. wide x 7.5 cm. deep x 34 cm. high. £2,000-£3,000

135 A stylish eleven piece Art Deco silver and enamel dressing table set by Albert Carter, Birmingham, 1934/35 With opaque black enamel handles and pale green guilloche enamel tops and covers painted with stylised black fish and incorporating bead motifs, comprising:- an easel back dressing table mirror with arched top, bevelled glass and green leather back, 28 cm. high x 20 cm. wide; a button hook; a pair of large hair brushes and a smaller pair en suite; a hand mirror; a rectangular silver box with silver-gilt interior, 11.6 cm. long; a circular powder box, 10 cm. diameter; a comb; and a mounted glass scent/cologne bottle, all contained in green leather travelling case, complete with key and initialled 'MLF' to top. 49 cm. wide x 35 cm. deep, 19 cm high. £3,000-£4,000

136 A Victorian cut glass and gilt bronze mounted fruit bowl by Osler The circular hobnail cut bowl with gilt bronze rim and handles in the form of exotic birds, their tails forming handles, on a lion’s paw feet, stamped twice to the mounts on the underside OSLER. 33 cm. wide. £1,000-£1,500

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137 A large pair of German .800 standard silver pheasant table ornaments with detachable heads by Wilhelm Weinranck of Hanau, early 20th century 47.6 cm. and 44.3 cm. long, 54 oz. (1674 gm.). (2) £3,000-£3,500

138 A Continental silver model of a seagull landing on a naturalistic stone base, probably German With English import and sponsor’s marks for Berthold Muller, London, 1910. 35 cm. high. £1,500-£2,000

139 A large pair of Dutch silver cockerel table ornaments maker’s mark DZ+, .835 standard, second half of 20th century 28 cm. high x 35 cm. wide and 34 cm. high x 31.5 cm. wide, 69 oz. (2139 gm.). (2) £2,500-£3,000

140 A pair of silver pheasant table ornaments, Mark of LAG sans serif in triple-lobed punch, London, 1965 One with raised wings, 27 oz. (837gm.). 24.2 cm. and 23.8 cm. long. (2) £1,800-£2,000

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141 An early 20th century French lapis lazuli and silver plated repeating carriage clock in the Fabergé style by Charles Frodsham With a wreath cast articulated handle above lapis lazuli inset panels to the top and all sides, within stiff leaf and anthemion cast mounts, the engine turned Arabic dial with moon hands signed to the centre Chas Frodsham, the platform escapement striking on a gong, the alarm set via a dial on the back plate, on bracket feet, the movement signed Aiguilles. 13 cm. high. £4,000-£6,000

142 An early 20th century lapis lazuli and gilt bronze mounted press paper or paperweight In the form of a Dionysis term decorated with trailing grapes and foliage on a square section shaped socle with classical masks mounted on a lapis block with applied putti mounts. 24 cm. high. £400-£600

143 A modern silver beer jug in the Georgian style, by Garrard & Co. Ltd., London, 1962 Of plain baluster form with scroll handle. 26 cm. high, 41 oz. (1271 gm.). £1,800-£2,200

144 A silver swivel-action double coaster trolley of Regency style, by I. Freeman & Son Ltd., London, 1973 The disc securing wheels to base hallmarked for Sheffield, 1973, the coasters with wood bases centred by silver bosses, shell, gadroon and foliate rims, together with a pair of associated Edwardian silver-mounted, doublelipped, cut-glass decanters by Saunders & Shepherd, Chester, 1905, of inverted thistle shape, hobnail-cut, with fluted bands below, star-cut base and bulbous stoppers, trolley 43 cm. long, decanters 23 cm. high. (3) £800-£1,200

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145 A mid 19th century French gilt bronze and Paris porcelain mounted casket in the Louis XVI style The top and sides inset with porcelain panels decorated with oval reserves of floral sprays within gilded surrounds on a green ground, the hinged rectangular top enclosing a watered green silk lined compartmentalised interior, the corner mounts with winged putti terms, on a shaped plinth base decorated with shells and paterae. 26 cm. wide x 21 cm. deep x 17 cm. high. ÂŁ2,500-ÂŁ3,500

146 A fine 19th century French onyx, gilt bronze mounted and champlevé enamel decorated jardinière attributed to Eugène Cornu for G.Viot & Cie, Paris The removable metal liner within a tableted front centred by a shaped roundel of Alabastro Fiorito and flanked by shaped champlevé enamel panels, the reverse similarly decorated, the corners mounted with winged female monopodiae terminating in lion’s paw feet, the ends applied with large panels of Alabastro Fioritio and centred by gilt bronze roundels issuing scrolling finials. 60.5 cm. wide x 25 cm. deep x 22.5 cm. high. £4,000-£6,000

147 A 19th century French onyx, gilt bronze mounted and champlevé decorated jardinière in the manner of Eugène Cornu The removable rectangular metal liner and tableted front centred by a shaped champlevé enamel panel with champlevé bosses to either side, the reverse similarly decorated, the sides with gilt bronze handles, mounted on circular alabaster bosses, on gilt bronze lion’s paw feet. 43 cm. wide x 25 cm. deep x 15 cm. high. £1,200-£1,800 thepedestal.com

148¥ A George V figured mahogany lady’s folding dressing table with silver-gilt fittings by George Betjemann & Sons Inlaid with boxwood and ebonised lines, the rectangular panelled hinged lid with flame figured inlaid oval and detachable light fittings with gilt bronze arms and opaline glass shades, enclosing a bevelled triptych mirror, with winged sides, above a bevelled glass hinged lid to the front enclosing a removable tray, with compartments to the sides and enclosing a drawer, the rear of the top with mirrored back and fitted with ten hobnail cut glass lidded pots of various sizes with silver-gilt lids, two hobnail cut glass long trays, two circular matching dishes with silver-gilt rims, a nail buffer and tray, two toothbrushes, two pairs of scissors, a pair of tweezers, penknife, and eight further manicure implements all silver-gilt, the winged sides with further silver-gilt fittings including two hair brushes, and a hand mirror on one side, the other side with four brushes, a small hand mirror, a shoe horn, a button hook and a glove stretcher, with further quadrant glazed hinged winged trays to the sides; above a recessed kneehole, flanked by two short drawers, on square tapering legs and brass cappings and castors, the silver marked for George Betjemann & Sons, London 1920, 1921, also marked KB & Co with star below and oval punch, nail file replaced but matching, the table monogrammed GB to the underside, some very small ivory elements. 88 cm. wide x 58 cm. deep x 89 cm. high (closed). £10,000-£15,000

A related form of dressing table by Betjemann but retailed by Maples was sold Bonhams, London 11 March 2015, lot 210 from the estate of another Dior model, Maggy Sarragne (1923-2014), another one in mahogany and retailed by Finnigans Ltd, which once belonged to the Dior model Greta Grimshaw was sold Bonhams 3 June 2015, lot 266. A fine example of this form of dressing table in satinwood with silver-gilt fittings was sold Bonhams, London 24 June 2009, lot 143. Two examples of this stylish dressing table, one in mahogany and one in satinwood, with varying fittings, have appeared at auction as part of the collections of suitably glamorous vendors in the form of Maria Felix and S.A.R La Principessareale Maria Gabriella Di Savoia. See Christie’s London, 27 June 2007, Works of Art from the Collection of S.A.R La Principessereale Maria Gabriella Di Savoia, lot 249 and Christie’s New York, 17-18 July 2007, Maria Felix: La Doña, lot 204. George Betjemann (1798-1886) was the great grandfather of the Poet Laureate Sir John Betjeman (1906-1984). He was apprenticed to the dressing case maker Gilbert Slater in 1810 and established himself as a dressing case manufacturer, initially in Clerkenwell and later in the Pentonville Road, where his firm eventually had over one hundred employees. This lot contains ivory and because the US Government has banned the import of ivory into the country this cannot be exported to the USA.

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149 A set of six silver plated cocktail goblets by Mappin & Webb, 20th century With tapering bowls and stepped circular bases, 12 cm. high, together with a silver plated ‘Bonzer’ cocktail shaker. 20 cm. high. (7) £300-£350

150 A graduated group of three silver plated cocktail shakers by Mappin & Webb, 20th century With angular handles, each with pull-off cover and cap to spout, comprising a 2 pint example, 25 cm. high, another 1.1/2 pints, 23 cm. high and a 1 pint example. 20 cm. high. (3) £600-£800

151 A metalware novelty inkstand modelled as a kangaroo, stamped ‘MIKA STERLING’, 20th century Marked under tail, red glass eyes to hinged head, opening to reveal aperture for inkwell, the animal’s pouch in front acting as a pen holder. 23 cm. high, 34 oz. (1054 gm.). £2,000-£2,500

152 An elegant pair of French silver champagne flutes with applied gold-coloured girdle maker’s Mark As le G for Cartier, 20th century French 1st standard Mark and stamped ‘925’, further stamped ‘Cartier Paris, Made in France’ and numbered 79684 and 79685 respectively, on slender tubular stems descending to flat circular bases, in gold-tooled scarlet leather box lined in white silk and baize, imprinted ‘les must de Cartier Paris’. 21 cm. high, 13 oz. (403 gm.). £750-£850

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153 A composite three-piece silver condiment set by Anthony Elson and retailed by Hennell, London Mustard and pepper 1969, salt 1980, gilt interiors to salt and mustard, surfaces decorated with pineapple diaperwork pepper 8.5 cm. high, salt 6.5 cm. diameter, mustard 5 cm. diameter, mustard with blue glass liner, 13.5 oz. (419 gm.). £750-£850

154 A modern silver mug by Christopher Lawrence, London, 1971 Cylindrical with bark finish frieze to base and broad angular ‘C’ shaped handle. 14 cm. high, 16.5 oz. (512 gm.). £600-£800

155 A modern silver long shallow dish or desk tidy by Leslie Durbin, London, 1971 Curved, hammered form with rounded ends, on collet foot, centre applied with silver-gilt pelican encircled by a presentation inscription in small letters relating to long service at an insurance association. 34.4 cm. long, 18 oz. (558 gm.). £500-£600

156 A pair of very stylish Spanish modernist candlesticks of architectural form, by Damian Garrido Second half of 20th century, signed and stamped ‘925’. 31 cm. high, 62 oz. (1922 gm.). £2,000-£2,500

157 A stylish Italian .800 standard silver vase, 20th century Of slender asymmetrical form with oval cut-out handles, on tapering oval foot. 33 cm. high, 12 oz. (372 gm.). £500-£600

158 A good pair of modern silver wine coasters by Gerald Benney, London, 1974 Of good gauge, circular with bark finish band and wood bases. 15.7 cm. diameter. £2,000-£2,500

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159 An imposing nine-light silver candelabrum centrepiece by Gerald Benney, London, 1976 With six entwined bark-finish branches, each with detachable nozzles, and raised on seven conforming supports upon a wide circular rim forming the base, the central section of spiky openwork form. 57.2 cm. high, approx. 192 oz. (approx. 59,952 gm.). ÂŁ15,000-ÂŁ20,000

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160 A set of twelve modern parcel-gilt silver beakers by Stuart Devlin, London Six 1969 and six 1972, with applied gilt vermicelli decoration and gilt interiors. 11.1 cm. high, 86 oz. (2666 gm.). (12) ÂŁ5,500-ÂŁ6,500

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161 A collected set of twelve modern parcel-gilt silver champagne flutes by Stuart Devlin, London A pair 1977, three 1978, four 1979 and three 1980, with slender gilded palm tree finish stems, 80 oz. (2480 gm.). 22.5 cm. high. (12) ÂŁ6,000-ÂŁ7,000

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162 A group of five silver-gilt or parcel-gilt silver novelty Christmas gifts by Stuart Devlin, London Two 1983 and one each 1984,1985 and 1988, each one from a limited edition of 100, each in the form of a Christmas tree bauble, the pull-off covers opening to reveal various part-enamelled figures on various coloured enamel bases, emblematic of Christmas, vis. a couple seated around a television set; two expectant children beside their bed awaiting Santa; a group of three carol singers, one holding a lantern, accompanied by a dog; the Virgin and Child; and a couple pulling a large wishbone, a Christmas cracker at their feet; also a silver-gilt novelty egg by Stuart Devlin, London, 1985, opening to reveal a partly enamelled flowering bush with three rabbits and a redenamelled bird, on silver base, each item in its original box,largest bauble. 7.7 cm. high, egg 5.5 cm. high. (6) ÂŁ1,600-ÂŁ1,800

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Fine Interiors including Silver at Moor Park Mansion, Herts

20th November 2018

55 Princeâ&#x20AC;&#x2122;s Gate | Exhibition Road | London SW7 2PG For a free and confidential valuation, consignments or for more information please contact: Guy Savill or Sally Stratton MRICS on 0207 281 2790 or email: info@thepedestal.com | www.thepedestal.com

Buyers Collection and Storage – After Sale Information All sold Lots will remain at Kent House, Rutland Gardens, Knightsbridge, London until 3:00pm Wednesday 17th October 2018. All sold lots not collected by this time will be removed to Cadogan Tate and will be available for collection from 12 noon on Thursday 18th October 2018. and then every working day between 9:00am and 4:30pm. Collections are by appointment only and a booking email or telephone call are required in advance to ensure lots are ready at time of collection. Photographic ID will be required at time of collection and, if a third party is collecting, written authorisation from the successful buyer is required in advance. Photographic ID of the third party will be requested at the time of collection. To arrange collection please send a booking email to: collections@cadogantate. com or telephone call to +44 (0)800 988 6100 to ensure lots are ready at time of collection. Storage and Handling Charges on Lots returned to Cadogan Tate Storage Will be Free of Charge for the first 14 calendar days following the date of sale (The Grace Period). Charges will apply from Tuesday 30th October 2018. Handling/Administration After the first 14 calendar days following the sale i.e. from Tuesday 16th October 2018, the following handling and administration charges will apply per Lot: Pictures and small objects - £22.50 + VAT Furniture, large pictures and large objects - £45.00 + VAT After the Grace Period the following storage charges apply: Pictures and small objects - £3.03 per day + VAT Furniture, large pictures and large objects - £6.05 per day + VAT (note: 1. charges apply every day including weekends and Public Holidays 2. Lot categories will be determined by Cadogan Tate at their absolute discretion) Loss or Damage Full Value Protection Cover for the value of the hammer price will be charged at 0.6% but will not exceed the total value of all other transfer and storage charges Value Added Tax Will be applied at the current rate on all above charges

Payment All charges due to Cadogan Tate may be paid to them in advance or at the time of collection from the warehouse. Payment may be made by cash, cheque with banker’s card, credit or debit card (please note: AMEX is not accepted). Information on charges due is available by email at collections@cadogantate. com or telephone on +44 (0)800 988 6100. Cadogan Tate Terms of Business All services provided by Cadogan Tate Ltd (‘Cadogan Tate’) are subject to their standard conditions of business which are available from The Pedestal or Cadogan Tate’s website www.cadogantate.com Please note that in particular Cadogan Tate: 1. Automatically accepts liability, from time of collection at the saleroom until release of the lot to the owner or the owner’s agent, subject to payment of all its charges by the owner, for the Hammer Price of the lot plus Buyer’s Premium or, at its sole option, the cost of repairing or replacing the damaged or missing lot. The charge for liability may be waived only on receipt by Cadogan Tate of advance written notice and proof from the owner that the lot is insured, together with formal waiver of subrogation from the owner’s insurers 2. Reserves a lien and right of ale of all lots for payment of all charges due Contact details for Cadogan Tate Ltd: 241 Acton Lane Park Royal London NW10 7NP +44 (0)800 988 6100 www.cadogantate.com for map and further information

TERMS AND CONDITIONS FOR AUCTION PURCHASERS 1. These Terms and Conditions apply to all transactions relating to the purchase of items by a bidder (referred to as “you”) at auction or as an auction after-sale by The Pedestal Limited, trading as The Pedestal (referred to as “we”), and may not be varied unless agreed in writing in advance by one of our directors. By registering to bid and/or bidding you accept these terms. 2. We act as agent for the seller whose identity we will not disclose, unless otherwise stated. 3. When we offer items for consignment at auction, we will usually include in the auction listing a description of the lot and an estimate of potential sale value. Upon request we may also supply a condition report, which will be based on a visual inspection of each lot without disassembly or further investigation of physical condition, and on information available to us at the time. All information is provided after due consideration and to the best of our knowledge and experience, but cannot be taken as a statement of fact, a guarantee or statement of value or a guarantee or statement that mechanical or electrical parts are functioning correctly or at all. 4. All measurements provided are approximate. Colours of any image depicted in any printed catalogue, on our website or otherwise may not appear the same as colours perceived on physical inspection. 5. Lots offered for sale will be available for viewing in person at such place and times as are advertised before the auction. We always recommend inspection in person. 6. A registration form will be available on our website, at the auction or upon request and must be completed in advance of the auction by anyone wishing to bid. You may also be required to provide proof of identity and proof of address unless you are already known to us. A separate fee may be levied and separate registration may be required for online bidding, whether on our own or a third party platform. 7. Commission bids may be refused unless they have been entered on our registration form and accepted in advance of the auction. 8. We may at our discretion accept bids from someone acting on behalf of a third party, subject to receiving a letter of authorisation which is satisfactory to us. In the event that such a bid is successful we reserve the right to treat either the bidder or the third party as the successful bidder for all purposes including as regards obtaining payment for the lot. 9. Auctions are conducted according to our discretion and that of our auctioneer. We may refuse to allow access to the auction, refuse or accept any bid, alter the order of lots and/or the bidding in such way as we think best, withdraw any lot, reopen bidding after the hammer has fallen, determine who is the successful bidder, cancel the sale of any lot or otherwise regulate the auction and all associated proceedings as we deem most appropriate. Our decision in relation to any dispute relating to bidding which may arise during or after the auction is final. We may (but are not obliged to) offer bidding in person, by commission bids left with us in advance of the auction, by telephone, or online via our own or a third party platform. We will not in any event be liable for any failure to take a bid whether caused by breakdown of communications technology or otherwise. 10. Both the auction as a whole and calls used for telephone bids may be recorded and such recordings may be retained by us and by participating in the same you consent to such recording and retention. 11. Most lots are offered subject to a reserve below which the lot will not be sold. The level of the reserve is confidential between ourselves and our seller but will not be higher than the lower estimate. 12. We may enter one or more bids consecutively or otherwise on behalf of the seller up to but not beyond the level of the reserve. 13. Subject only to the auctioneer’s discretion set out in clause 9 above, when the auctioneer’s hammer falls no further bids will be accepted and a contract for sale is formed between the successful bidder and ourselves as agent for the seller. 14. We will endeavour to send out invoices promptly by mail or email using the contact details supplied to us by the successful bidder. If you believe that you are the successful bidder for any lot but have not heard from us within three working days of the auction we recommend that you contact us to arrange collection and avoid potential storage charges. 15. We will charge a buyer’s fee of 25% on the first £50,000 of the hammer price of each lot, and 20% of any portion of such hammer price which is above £50,000, plus VAT. 16. Payment for each lot which you have purchased including all associated fees, charges and taxes is due no later than 7 calendar days after the auction. Payment can be made only by the registered bidder. Payment instructions will be given on the relevant invoice or invoices. Please note that we do not accept payment by credit card. 17. No lot will be released and legal title will not pass to you until we have received due payment in full of all sums owed to us by you. Risk in any lot for which you are the successful bidder will pass to you on the earlier of collection of the lot by you or on your behalf, or the due date for payment for such lot. 18. If you fail to make due payment for any lot we may, at our discretion and without limitation to other available remedies, charge you interest at the rate of 12% per annum; bring legal proceedings against you for the unpaid sum and all associated fees and costs including professional fees (“Unpaid Sums”); retain and sell ourselves or otherwise any other lots held by us which are your property or any sums otherwise payable by us to you and use such proceeds or sums to defray the Unpaid Sums; cancel the sale, re-offer the lot and claim any shortfall and any associated costs from you; and/or pass your identity and contact details to the seller so that they can pursue legal remedies against you directly. 19. All lots must be collected from our shipper as notified to you in the auction catalogue and otherwise, within 14 days after the auction. Storage and handling fees will be charged in relation to lots left uncollected after that date at the shipper’s standard rates from time to time. Any lots not collected within 90 days after the auction may be sold by us at our discretion, with the proceeds applied to cover all Unpaid Sums including storage and handling charges. In this event any surplus will be paid over to you, and we will claim any shortfall from you as an Unpaid Sum. 20. A lot which has been collected from our warehouse by you or a shipper acting on your behalf is deemed to have been delivered to you by us at the time of such collection. 21. Lots which we believe to be covered by the CITES regulations will be marked with ¥ in our catalogue, but we are not responsible for advising you on any import/export issues including without limitation CITES or the like, and customs and import fees and the like. We recommend that you acquaint yourself with any relevant issues before bidding, as we cannot accept liability for any information which we may provide you with. If you purchase a lot requiring an export license it is your responsibility to obtain it, and we cannot accept rescission of the sale or offer a refund if you are unable to so obtain a permit. 22. Each seller warrants that they are the legal owner of the lot and/or have the unencumbered right to sell the lot at auction and to pass title to the successful bidder. The seller shall not be liable in the event of breach of this warranty for any amount greater than the hammer price of the lot in question. We may be liable only to the successful bidder in the event of fraud or fraudulent misrepresentation by us and exclude all other liability to such bidder and all third parties to the fullest extent permitted by law. Nothing herein shall limit your rights if any under the Consumer Contracts Regulations, or exclude our liability for death or personal injury caused by our negligence. 23. General Terms: a. These terms are made and must be construed under English law and any disputes arising from them or from the Contract will be subject to the exclusive jurisdiction of the courts of England and Wales. b. All charges, fees, premiums and any other sums referred to herein or arising herefrom are stated net of Value Added Tax but are subject to VAT or the like at the rate or rates prevailing at the time of any transaction. VAT is not chargeable on the hammer price unless otherwise stated. c. We will hold and process your personal data according to the conditions, for the reasons and on the bases set out in our Privacy Policy which you may access here, and as envisaged by these terms and conditions. d. We retain copyright in all images and written and other materials prepared by us, which may not be used by you without our prior written consent.

Sale Title Luxury Design, including Design Silver & Objects Date 2pm Tuesday October 16 2018 Sale number: 161018. Sale venue: Kent House Rutland Gardens Knightsbridge, London SW7 1BX Tel: 020 7281 2790 Bidding, purchasing and all matters relating to this sale will be governed by The Pedestal Limited’s Terms and Conditions for Auction Purchasers, which can be found on our website and in the printed sale catalogue. We recommend that you read them before registering to bid. If you have not previously registered with us, please provide photographic proof of your identity and proof of address such as a utility bill or bank statement. If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. The Pedestal will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. All sales are subject to a buyer’s premium of 25% plus VAT on the first £50,000 hammer price of each lot, and 20% of any portion of such hammer price which is above £50,000. Additional charges may apply for bidding online via a third party platform. Bidding Increments (subject always to the auctioneer’s discretion)

Up to £500 – 20/50/80 £500-£1000 – 50 £1000-£2000 – 100 £2000-£5000 – 200/500/800 £5000-£10,000 – 500 £10,000-£20,000 – 1000 £20,000-£50,000 – 2000/5000/8000 £50,000-£100,000 – 5000 £100,000 and above – increments at the discretion of the auctioneer Notes Telephone calls may be recorded. Commission bids will be rounded down to the nearest increment where relevant. This form should be completed, signed and delivered together with proof of identity and address as requested above by email to info@thepedestal.com, by mail to PO Box 61367, London N19 9DU or in person at the sale viewing. It must be received by The Pedestal no later than close of business on the day before the sale date. Telephone bids are subject to availability. In any event The Pedestal will not be liable for any failure to register a bidder or bids, or to accept a telephone bid. By signing this form, you are confirming that you accept these terms. Signature ......................................................................... Date .................................................................................

Registration and Bidding Form Please note that you may also register for this sale, request a telephone bid and/or leave a commission bid online at www.thepedestal.com First Name

Last Name

Company Name (where applicable) Address

Postcode Telephone (Landline including country code) Mobile (including country code) VAT registration number (where applicable) Email

Bid in person

Lot no.

Leave commission bid

Description of Lot

Request telephone bid

Telephone/ Commission

Maximum Bid (hammer price excluding premium and VAT, in £s)

Enquiries: The Pedestal Limited 55 Prince's Gate, Exhibition Road, London, SW7 2PG Tel: 0207 281 2790 Email: info@thepedestal.com