THE WIissueLD HUTS
A SMIRK REFERS TO A SMILE EVOKING INSOLENCE, SCORN, OR OFFENSIVE SMUGNESS.
hii love, i amcabetsa. and i hate waiting
Hi, I’m Bea. I love cats and I hate waiting.
magazine The Smirk Mag is a bi-monthly independent digital sts. We that focuses on the work of different types of arti so you love being able to use our free time to make this to. can all enjoy it and look it up anytime you need n of letThis project began in autum 2010 with the intentio related to ting you know about new prodigies in every field stration, art. like architecture, photography, design, illu writing, music, media...
young ÂżWho are we? Well, we are Patricia and Bea, two ol, artists from Barcelona, friends since primary scho d who have shared infinite moments since our childhoo and creating artistic ideas just for the fun of it, find now, we want to share everything and everyone we cheap inspiring and interesting with you, in a simple, and efficient way. ect We are incredibly happy to have started this proj and to be able to share it with all of you!
Pati I AM PATI. I’m I love cartoons and I hate awkaward silence. I LOVE CARTOONS AND I HATE AWKWARD SILENCE
THE W
WILD HUTS ISSUE
ltheatechid ld,toadvethatanythi rehandmade n g wi l d li k e chi l dhood, nturewes,havehuts,inwood,side us.fore.sts.and
WILD HUTS arti by Patricia PasquĂn
In every real man a child is hidden that w
It is commonly believed that in every one of us there is a child. A child th reasoning, trying to get us to stop worrying so much and play a little bit m we were children? Who didn’t want to have a tree house, in which everyt where the rules of nature, instinct and amusement. We saw the world as excitement. A sweet could transform a miserable afternoon, it could brea day you could look back and see how a sweetie just tipped the balance a Because it wasn’t always a good day, unfortunately children do experienc everything, so naturally they get more upset at small things that to them ability to forgive and forget. And although those feelings might not be as child in all of us, complete with all the joy, imagination, petulance, sadnes
The end of childhood is when things cease to a miliar, when one has got used to existence, on
I have to say I quite miss the times in which I got wildly enthusiastic abo these moments more than anything. I sometimes am accused of being im am still able to feel like it will all be OK if I eat the amazing double choc I still tend to exaggerate and fantasize and embellish things in my mind. B is our misfortune that, for most people, that clear-eyed image, that genu obscured and sometimes forgotten as we attain adulthood.
What a distressing contrast there is betw the child and the feeble mentality of the a
And that is why it might be worth making an effort to remember what it artists that do get in touch with the child they used to be. Amazing artist sculpt, who love nature and capture it, we hope you like it.
icle
wants to play” Friedrich Nietzsche
hat is constantly trying to fight against our adult way of more. Because, wasn’t life much easier and interesting when thing you wanted for it to happen, happened. The only rules s something fresh, new and beautiful, full of wonder and ak the ice at social occasions, and at the end of a difficult and made it into an OK day rather than a truly bad one. ce rather horrible things. They feel more strongly about could seem tragedies. Luckily they also have a much better s strong and powerful in us as they were before there’s still a ss, and pain that that implies.
astonish us. When the world seems fane has become an adult” Eugene Ionesco
out little things. It’s a rare occasion if I do now, and I enjoy mmature; I like to interpret it as being childlike. I like that I colate chip cookie I had as a child, and continue to have now. But it isn’t like it used to be; it can’t be like that anymore. It uine instinct for what is breathtaking and beautiful, is
ween the radiant intelligence of average adult”Sigmund Freud
is like to be a child. In this issue we have interviewed some ts who build forts and tree houses, who paint and draw or
SMIRK MAG SECTIONS We sho w w thro e giv 9 arti ugh e yo sts and u th that see eir w we l the ebs ike a ir w ite nd ork links also com to , plet go Lau ely. ra
LIK
ES
S T S I oran n T R A ron M ma
Kien A n Dola na tzler Jar n G Aden ed And Lab eiman rew -ze r P a Mar ula Schorro Ha y Luc Robins yes ie C on amp
e Aa e Cole d Pep Jo my an dell thyle To na Ar and I a Je gela stero An ca Fu azvan on Eri ria K rays l Ma ber G Voge Am shua oreth Jo rah L reece ning Sa uren T Wen ean La dreas Momp An tiana la Ta an Sa Jo
THE DRAWER In this section we show relevant information that has a close relation with the topic of the issue.
100 abandoned houses Cabanes als arbres Caravanolic Table-turned-playhouse Rolling homes Forsthaus Hotel Igloo Project Wallpaper Nest for relaxation Nendo Moleskine
ARTISTS
www.aaronmoran.tumblr.com www.smokesignalsarts.com
For the past couple years I have been collecting wood that has been discarded and left for waste by demolition sites and suburban construction projects. I transform the newly acquired materials into sculptural assemblages that draw attention to the natural beauty and complexity of the aged and weathered materials.
Growing up in the suburbs, I have seen them transform over the years. As of recently it’s hard for me to even remember what was once in place of the endless sea of condominiums, townhomes and strip malls that now stand. A lot of really amazing homes‌ scratch that, communities, complete with gardens, trees, personal histories and natural quirks have been knocked down in favor of tasteless, monotonous spans of close-quarters housing and dime a dozen shops that offer nothing unique. As I see more and more homes falling victim to this phenomenon, I feel it my duty to remind people what was once there. I use the materials I find from the aforementioned locations to build visually interesting objects in hopes of opening a dialogue about their history. I hate to imagine building such pieces fifty years down the road from the townhomes that are standing now, as they would all look the same. There is nothing unique about them‌ they strive to look the same and fit a specific demographic. Unlike a house, the owner of a condo / townhome cannot paint / alter their living structure due to strict regulations created by strata councils to enforce the image they are trying to convey. Conversely, old homes say something about the people who lived in them; the proof of this comes from the visual range offered by each new series of work I produce. Each piece, or group of pieces is different in its colour scheme, dynamic, and form; I believe this is the essence of the location shining through the materials. At the end of the day, it is the materials that determine the finished piece.
Yes! I had a non-traditional tree house that was located behind a giant evergreen tree in the corner of our backyard. The ‘house’ itself was positioned against the corner of the fence while the bushy tree offered complete coverage on the opposite side. I remember my dad built an amazing wooden plank floor that was elevated from the ground, as well as a custom work bench that sat flush against the fence. We trimmed out a living area from the back of the tree and put chairs and stuff it. It was great because you could hardly see it from the front, but after stepping behind a few decoy branches, you could comfortably spend the afternoon scheming with friends out of site from parents.
My house is well organized. I tend to place each of my interests in separate groups throughout my living area so they can be read as separate collections within the space. Eg: Collectable robot figurines are placed on a shelf with all other collectable robot figurines; records / obscure cassettes / CDs / books about music are placed in same shelving unit; Polaroid, manual Pentax, and 90’s point-and-shoot cameras are all hung next to each other; etc. I suppose I am obsessed with compartmentalizing. The studio is my chance to reject that way of thinking. It’s chaos in there!
I am lucky enough to have a father with a serious interest in wood work. That being said, I have since taken over his workshop (I’m not sure how happy he is about that‌.) and now have access to his rather large collection of tools and equipment. The tools I use most are a 14� electric band saw (old school, built like a tank), and table saw. Aside from power tools I rely heavily on chisels, knives, scrapers, coping saw, files, caulking guns, hot glue, and various other instruments capable of causing bodily harm.
My biggest inspiration is location. The places where I find my materials always trigger an initial emotional response that I attempt to capture in my work. Visually, I am fascinated with patinas, weathering, and age. I am constantly examining surfaces in an attempt to determine the object / surface ‘s history. Aside from the materials themselves, there are a lot of artists that inspire me. Some of my go-to’s when I’m in need of an inspirational kick are Michael Johansson, Les Ramsay, Ted Larsen, Russell Leng, Hiroyuki Hamada‌ the list goes on.
My latest project is a two person show at Catalog Gallery with Russell Leng, who is fast becoming one of my favorite local artists. Aside from that, I am planning to work on the publication of several zines/artist books from some amazing local artists through Smoke Signals Arts, a group co-created by myself as a means to satisfy my love for zines and DIY publishing. It’s early in the year though, so who knows what awaits!
I want people to consider the source of the materials and realize that with enough creativity, anything can be recycled into something of value. Furthermore, I want people to appreciate the beauty of age and consider the implications of development and the effect it has on communities as well as the people that live in them. Embrace the unique!
I would build a sculpture large enough to live in. Really.
How old are you? 23
Tell us a little bit about what you do. Work, travel, work, travel, work, travel, travel.
When and why did you decide to do this? When I finished school. I had never been out of Australia and had a hunger to see the world.
Did you have a tree house when you where a kid? Not my own, but I remember building some at friends houses.
What is your house like? I don’t have one.
Which tools do you use? A bunch of analog cameras, my computer and the internet.
What or who inspires you? Music, wide open spaces, trees, dreams, the ocean, life in general; lots of books, films etc.
Do you have any new projects for this year? Maybe a collaborative art/writing book with friends.
What is your ultimate goal when it comes to your work? Capturing memories and producing photos that come out the way I see them in my head when I press the shutter.
JOE
NIGEL COLEMAN
www.joenigelcoleman.com
NEWCASTLE , AUSTRALIA
SMALL and SWEET
This is Tomy. Hi is 4 years old and he lives in Sitges, Barcelona (Spain). We met Tomy few days ago while we were looking for some inspiration in the park near his school.
We saw that he was building a very nice hut with her brother Pepe, using branches and leaves so we decided to go to talk to him. We spent almost and hour chating with him and we took some pictures of him and his wild hut. He was very kind and friendly, with a lot of experience building huts in all conditions and terrains and that’s the reason why we decided to introduced him to all of you.
How old are you? 4 and 6 years old Tell us a little bit about what you do. We like to build with Lego, Castles, Space Rockets and Cars. When and why did you decide to do this? After the school we see all the wood cut and abandoned and just to have fun. Did you have a tree house when you where a kid? We are kids now, and this one is our first tree house. What is your room like? We have bunk bed and 4 piranhas. Which tools do you use? We use just branches and our hands. What or who inspires you? The nature, the animals and our imagination. Do you have any new projects for this year? Just learn, grow and have fun!! What is your ultimate goal when it comes to your work? Tomy: Learn number 2 and 3 Pepe: Learn to read better If you had no limits (money, resources), what would you create? A submarine and a skyscraper for all the animals we have at home.
JENA ARDELL Los angeles, USA
www.jenaardell.com www.etsy.com/shop/jenaardell www.twitter.com/jenaardell www.facebook.com/jenaardellphotography
How old are you?
26
Tell us a little bit about what you do. I am a retro photographer who specializes in Polaroid photography.
When and why did you decide to do this? I have always been interested in photography, but never seriously pursued it until after I graduated college. I considered a career in writing journalism, but found myself submitting more photographs than written word when applying for jobs.
Did you have a tree house when you where a kid? Of course! My dad & great-grandfather built an amazing “playhouse� for me - com-
plete with electricity, a phone jack and cable hookup. I never asked for it to be built, I think they just wanted a project. I set up a shop inside and sold crafts to family members, haha.
What is your room like? I live un a ine-bedroom apartment tha is furnished and decorated with an electric collection of mostly mismatched vintage wares.
Which tools do you use? Vintage Polaroid cameras + film. I also shoot digital - with a Canon 5D.
What or who inspires you? The 1960s, 1970s, SUMMER, beach, towns, David Hockney, John Rawlings, George Hurrel, Bill Owens, Robert Bechtle and vintage advertisements.
Do you have any new projects for What is your ultimate goal when it this year? comes to your work? MANY! I’m currently putting together a book To transport people back in time. titled Summer Love, that features 80 If you had no limits, what would polaroids froms that collection, including 30 never-before seen works. I will also be posting you create?? NEW prints for sale in my etsy shop. AND I am I would continue to photograph the same subcollaborating with Robert Jawnsend - a pop ject matter and follow the same themes - but realism painter for his gallery show in May. on a LARGER Scale by creating more elaborate sets and scenes.
LOST THINGS
a fi
ilm by Angela and Ithyle from Los Angeles
LOST THINGS How old are you? 31 and 37 Tell us a little bit about what you do. We take pictures and direct little films. When and why did you decide to do this? We’ve always loved making things. We were still shooters first, and realized that making pictures that move is a natural extension of that. Now we love both, and wrestle with each. Did you have a tree house when you where a kid? Neither of us had a tree house but Angela had a house on stilts and Ithyle had a house on a bus, which looking back, seems pretty lucky.
What is your house like? We live in an industrial loft. It’s a great space with a giant white wall where we can project movies, a shooting studio area as well as dark room for our Wet Plate Collodion work. Our disco ball broke last month but the ceiling is too high to reach with our ladder so we just had to leave it’s motionless disco ball carcass up there. Our space is always changing as we build things and paint and collect things from the flea market.
Which tools do you use? Anything we can get our hands on. What or who inspires you? We are inspired by so many little random things we see and the people we meet on a daily basis. There are so many creative and interesting people around, all wanting to make compelling work, it is so lovely to know that everywhere you turn you can stumble upon something or someone unexpected and magical. Do you have any new projects for this year? We have some projects we are scheming about, that we talk about late at night. It’s like a slumber party, us whispering about all the things we want to do, in our room in the dark, lifetimes and lifetimes of things‌ What is your ultimate goal when it comes to your work? Make it relatable, and make it reflect the exquisite uniqueness all around us. If you had no limits (money, resources), what would you create? Understanding.
www.angelaandithyle.com www.angelaandithyle.com/blog www.vimeo.com/14131130
Erica Fustero How old are you? 26 and a half. Tell us a little bit about what you do. I draw, paint and customize dolls and toys. I also work doing marketing, design and administration tasks for a Cinema theatre. When and why did you decide to do this? I’ve been drawing all my life, ever since I can remember. I guess I draw because I can’t “not draw”. Did you have a tree house when you where a kid? No, I didn’t; but I lived in the suburbs and we used to build “secret forts” hidden in the weeds.
What is your room like? It’s very spacious and light filled, walls are green, and the furniture is white-cream and teal. I have lots of stuff, but I like it to be tidy. There are some shelves full of books, DVDs, vinyl records and a big desk where I work. I also have a big cabinet where I display all my dolls and toys.
Which tools do you use? When drawing, I use pencils and black ink. I paint with Photoshop, but also with acrylics and watercolors. When customizing, I use an x-acto knife for carving; and then acrylics, colored pencils and pastels for painting. I seal my dolls with Citadel spray (which is used for War-hammer figures and it’s also great to work with other toys and surfaces).
MOnster girl What or who inspires you? ÄÄÀÈ ÂÊȾ¸ ¶ÇÉ IJÁÂÈ ÅºÄÅÁº Ǻ¶Á Á¾»º ½¾Á¹½ÄĹ ¾È ɽº ÈÊ·¿º¸É ɽ¶É ¾Ã ÈÅ¾ÇºÈ Âº the most: children can be as innocent as evil.
Do you have any new projects for this year? Iím learning how to needle felt and I plan to start making my own softies as soon as I get some more practice. Also, Iím attending to an upcoming Blythe convention in London next October, and Iíll be selling my stuff there.
What is your ultimate goal when it comes to your work? Iíd love to live from my art, but Iím happy just by having the time to do it.
If you had no limits, what would you create? I always have dreamed about having my own scale model city, just like in Beetlejuice. But Iíve never been quite good at constructing, so I guess Iíd design it and pay somebody else to make it for me (you said unlimited money, right? Haha). www.ericafustero.com
MARIA K
21 YEARS OLD FRO
KAZVAN
OM LVIVI, UKRAINE
Tell us a little bit about what you do. Well, I take photos. When and why did you decide to do this? I started shooting two years ago, but I only started portraits about a year and a half ago. It wasn’t so much of a decision but more of a necessity. Years before photography I used to write poetry, but then I started studying journalism and that completely ruined my aspirations towards writing. So I chose another way to express myself. But I still love reading and I hope to one day write a book. I already I have ideas for stories, but I need more time and life experience to write something good.
www.marie-retentir.blogspot.com/ links www.flickr.com/photos/maria_kazvan/
Did you have a tree house when you where a kid? No, I didn’t have a treehouse. But for a long time I lived in my grandmother’s house and around the building there were a lot of apple trees. I really loved sitting there, I had my favorite tree and it was so big for me then! I went back there last year and saw it again, it was so little! I love seeing how things change as we grow up.. What is your room like? It’s all surrounded by the ocean. The walls are turquoise and blue. Which tools do you use? Zenit 11 and usually Kodak color+ film What or who inspires you? First of all, i guess movies, i am a big fan of Coens’ films. I love old English humorous series, like Benny Hill’s and Monty Python’s. I love fantastic films, like Doctor Who. Books are inspiring for me too, I love reading. And music, of course. I think it’s kinda standard collection; I’m not too crazy. Do you have any new projects for this year? Yes, we are preparing an exposition with my friend in my town. What is your ultimate goal when it comes to your work? Have a lot of fun while working. If you had no limits (money, resources), what would you create? I’d like to make a movie, based on Bradbury’s “Death Is a Lonely Business” book. this is crazy thing, i know, but we’re dreaming here!:D
Amber Grays
son. Where are you from? I’m From Bath, UK How old are you? 22
Tell us a little bit about what you do. Currently I’m finishing my final year studying Graphic Communication at the Bath School of Art. I’m still finding out what I “do”, but at the moment I would probably say I’m an illustrator.
When and why did you decide to do this? Ever since I can remember I have wanted to be an artist. My family are all very crafty and creative which I guess has been a big influence, our house was always full of handmade objects. I couldn’t imagine doing anything else.
Did you have a tree house when you where a kid? Almost. One summer day me and my dad got as far a making a floor (with a secret trap door), but the sides and roof never materialised. Maybe one day I’ll finish it even though I am definitely now too big!
What is your room like? Currently very small and cosy. It has been described as feeling like living in a tent. But it has a great view over Bath, good for me as I love to do a bit of people watching. Its crammed full of random finds, images and photos, old books and a bonsai tree.
Which tools do you use? Pen, pencil, acrylic, photoshop, and increasingly collage. Anything I can find!
What or who inspires you? Unusual documentaries, I’m fascinated by how other people live and their weird stories. I’m addicted to spending hours starring enviously at peoples blogs, I follow a few hundred! Currently collage illustrators such as Sara Fanelli and Nazario Graziano are really inspiring my work.
Do you have any new projects for this year? Currently working on a number of different projects towards finishing my degree.
What is your ultimate goal when it comes to your work? To get people thinking. Smiling, laughing or maybe sometimes a bit of anger, any reactions a good one!
If you had no limits, what would you create? An epic handmade book of all my drawings and collected images from a round the world expedition.
JOSHUA
VOGEL KINGSTON, NY. USA
www.blackcreekmt.blogspot.com
tly turned 40
How old are you? Recen t you do. Tell us a little bit about wha
NY where I turn locally e at st up in io ud st l al sm wood turner. I have a ild furniture and have bu d an gn si de I Presently, I work as a . es piec e-of-a-kind sculptural harvested logs into on eaningful products. m l, al sm ng pi l-o ve de recently begun
ecide When and why did you d
to do this?
le I was going through hi W . gs in th r he ot g on things study architecture, am ly my love for building al tu I went to University to en Ev . ey on m rn I have ood shop to ea king and construction. or dw school I worked in a w oo w ue rs pu to and I left school ars. derailed my education nally for the past 17 ye io ss fe opr g in ild bu d been designing an
e when Did you have a tree hous
you where a kid?
as I can remember ng lo as r Fo . up g in grow notable “tree houses” to camp furnitur ts ke an bl d an s w llo Of course – I had two pi e of ts, from fortresses mad en nm ro vi en d I built from salvage ilt an bu or hb ve ig ha I ne y m e, us pe. The first tree ho so high and built so as w It . es built from sticks and ro us ho r ou ttonwood tree behind e house was a much tre nd co se e Th lumber high up in a co it. d ne nts eventually condem phone poles. I ma le te d ol e m so by shoddily that my pare d te ppor up. oser to the ground su y real house grow-ing m in d more solid structure cl di I an th es us in these tree ho have spend more time
What is your room like?
ge. The walls are rou tta co e on st r ou of tic a small room in the at et opposite our b os cl s he ot cl e th r My girlfriend and I have fo s oard ts in I built in a wall of cupb dly opening window le ar w in l rendered plaster, and al sm A t. in pa several layers of The original floor has r. both light and fresh ai
Which tools do you use?
gouges & planes, and s, el is ch as ch su s ol both hand to Woodworking tools… , planer & band saw. aw ns ai ch r, te in jo , w e sa machinery-lathes, tabl
u?
What or who inspires yo
rger environment la e th to g tin ec nn co ly and inspires me. I love st. Music is also huge re Nature, both humbles fo e th , rm to rs de un reco vender, a th ars ago I heard a 1963 ye l ra through my senses…la ve Se . ng ni te lis ved th playing and s that may well have sa le Ar in inspirational to me, bo el ap ch a in r aying gypsy guita of Manitas de Plata pl life. Duende…
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Do you have any new projects for this year? There is always something new going on. I am developing some new furniture this year, of course new sculptural works. I am looking forward to building a new woodshed and working some more in our garden.
What is your ultimate goal when it comes to your work? I want to build a new studio where I live, here in the woods. I want to build it into the earth, and for it to have a sod roof. It is my “retirement” plan. I want to be able to keep working well into my latter years, let my experience guide me. It excites me to think what I might be working on 30 years from now. I just want to be able to keep working.
If you had no limits (money, resources), what would you create? I’ve always been captivated by sailing ships and ocean journeys. If I had unlimited resources, I’d build a 3 or 4 mast galleon from scratch right here in the Hudson River just down from my house. I would outfit it in style and sail the old trade routes around the world.
(
Nashua, New Hampshire
)
SARAH ANN LORETH
Tell us a little bit about what you do. If we are speaking ambiguously, I am trying to create the magic and enthusiam for life I missed out on as a child. I like to explore the idea that there is beauty in dark things. But really, I spend a lot of time alone in the woods with my camera. And a vast majority of my time is spent daydreaming.
http://www.flickr.com/photos/likedaffodils/
When and why did you decide to do this? I started photography about eight months ago. It actually happened accidentally. I had brought my camera to the zoo to take some simple snapshots. I posted the photos online and got such a postive response that I was inspired to go out and create more. Quickly, I went from taking a few pictures a week to hundreds of pictures everyday with elaborate concepts. Something kind of clicked I suppose. Did you have a tree house when you where a kid? ¶Á̶ÎÈ ÈººÂº¹ ÉÄ ½¶Ëº ¶Ã ÊÃIJÃished fort or treehouse growing up. And so many blue prints of future getaways. But mostly, I just climbed trees. What is your house like? I live in a small apartment in New Hampshire with my twin sister. Itís really nothing special. The gigantic built in bookshelf in the living room sold it for me. What is your ultimate goal when it comes to your work? My ulitimate goal, I suppose, is to inspire others to go out and create. I want people to go out in the woods and build forts and believe in magic. I want people to believe that perhaps there is something beautiful and magical and happy worth living for, if only they looked.
Which tools do you use? I recently purchased the Canon 5d Mark ii and I never go anywhere without my 50mm 1.8.
What or who inspires you? I am inspired most by poetry. When I am lacking inspiration I read some Sexton, Plath, or E.E. Cummings and try to create pictures in my head. Rumi and Neruda have never steered me wrong either. Do you have any new projects for this year? The only project I have this year is the 365 self portrait project that I hope not to ̽¾ÂÅ ÄÊÉ Äà ̶ÃÉ ÃÄɽ¾Ã¼ ÂÄǺ ɽ¶Ã ÉÄ IJþȽ If you had no limits (money, resources), what would you create? If I suddenly stumbled upon a money tree, I would love to create elborate setups Á¾Àº Ǻ¼ÄÇΠǺ̹ÈÄà ɽ¾ÃÀ ¾É ÌÄÊÁ¹ ·º ¶Â¶Ï¾Ã¼ ÉÄ ijÄĹ ¶ ½ÄÊȺ ÄÇ ¸ÁÄȺ ¹ÄÌà the main street of a city.
I’m 26 years old and I am from Minneapolis, United States
lau
ren treece I’m currently working as a freelance and gallery artist and have been doing photography for about 3 years now. I work with various Polaroid and mostly outdated 35 mm films. I enjoy the unpredictability of old film and experimenting with different methods of film manipulation during the development process.
www.flickr.com/photos/laurentreece www.achromatics.com
WHEN AND WHY DID YOU DECIDE TO DO THIS? I decided to dedicate more time to photography about 3 years ago. I had been teaching myself basic photography techniques for a couple years prior. Once I started developing my own style, I realized that it was an art form that I could have a great deal of creative freedom with. Having only worked with painying and drawing before, I had no idea how delicate and challengig taking emotive and honest photographs could actually be.
I always want a tree house. I built lots of pine needle forts in the woods behind my house though.
What is your house like? Filled with antiques and alley finds mostly. 80 percent of my furniture consists of old Victorian looking pieces that were just left out on the side of the road or in back alley that I cleaned up and restored. I painted my walls in earthly tones of natural light so I was happy to find and aprtment with a sun room and many large windows all throughout. Lots of plants and flowers and anything that I find or have acquired from my travels. It’s modest but cozy.
Which tools do you use? A Polaroid SX-70. 250 Land Camera, Polaroid Spectra System and an old FED Russian 35mm camera. And any film that I can find.
What inspires you? Being in the wilderness or places not inhabited by many people where I can enjoy nature silence. Driving down country roads at night and exploring abandoned buildings. Surrounding myself with creative people who I can collaborate with. I’m also very inspired by my paintings roots. Old Renaissance paintings and artists like Rogier van der Weyden and Jan van Eyck come to mind.
Do you have any new projects for this year? I have a couple fashion editorial coming up and will be working with Silent Bell Theater building set pieces and elaborated marionette puppets for a touring puppet/medicine show.
What is your ultimate goal when it comes to your work? To always enjoy the process of creating and never let it start to feel like a burden. I want my photographs to tell different story to each individual, while maintaining a certain amount of ambiguity.
If you had no limits (money, resources) what would you create? I think I would stay true to the old Polaroid and 35mm film I’ve grown to love the past few years. I would endlessly travel all over the world looking for new places to photograph - just spend months at a time on the road or backoacking in the wilderness with my camera in tow.
Bremen, Germany
BAUMRAUM Andreas Wenning How
old
are
you?
45
Tell us a little bit about what you do. I am a trained cabinet maker, I studied architecture and worked in companies in Germany and Australia for 6 years together with other professions like pho-tographers, graphic designers and artists. When and why did you decide to do this? First I wanted to build my own treehouse. I liked the idea of being high in the tree in a small space, which is rather modern. I had the opportunity to built my first own treehouse on a very nice spot (treehouse Plendelhof). In this time – 2003 – I wanted to create my own business anyway and found out, that this is a gap in the market which fits to me perfectly. So first I realized my own idea, then the first commission fol-lowed. Did you have a tree house when you where a kid? I didn’t had a treehouse when I was a child, but I like trees and
small
experimental
spaces.
What is your room like? A treehouse has to be a lighter construction than a normal one. Normally we built wooden constructions. The height and weight depends on the tree. If the tree is not able to carry the weight of the treehouse / the treehouse construction is too big or heavy, it is also possible to use stilts as support. Our treehouses have a size of around 10 sm, but a bigger size is possible. All treehouses are fitted with electricity, insulation and heating facility. To have water (shower, toilet, ...) up in the tree is generally possible, but it depends on the possibilities of site of the client.
Which tools do you use? For the designing process we use computers software like Archicad and 3ds Max. For the building process and mounting...carpentry tools!
What is your ultimate goal when it comes to your work? We would like to express the dialogue be-tween natural environment and architecture. New design with strong expression in combination with the wonderful living organism – the tree. If you had no limits (money, resources), what would you create? Creating a beach-project with many Palm-Fictions in Dubai.
What or who inspires you? We can be influenced by almost everything: fashion, graphic-design, art in general and, of course, also other designer. Architects like Morphosis and Richard Neutra are some of my “heroes”. The environment is another of the contributors to design. The structure of tree, the clients wishes and of course my current passion. Do you have any new projects for this year? Hotel-treehouse and treehouse-resorts in Florida, Ar-gentina and Austria. Concepts for fairs and exhibition. And we are working on the renovation of the baumraum-book!!!
www.baum
mraum.de
Helbronn, Germany 2005
PEARTREEHOUSE
BETWEEN ALDER AND OAK BAD ROTHENFELDE,, Osnabr端ck, Germany 2006
Iím Tatiana
MOMPEAN
URBAN
PLANT
Barcelona, Spain
How old are you? 31
Tell us a little bit about what you do. Basically I play around with flowers.
When and why did you decide to do this? I’ve always been helping my mom when she worked as a freelance florist. But Urban Plant had its birth last year when we decided to create our own floral workshop. Based in design without rules, creativity, quality and making every arrangement unique.
Did you have a tree house when you where a kid? I had a huge garden were to play, make tea snacks and battles with my brothers and friends that came along. We called it the wild forest, filled with pine trees, olives to climbe, roses, shrubs and plenty of holes where to hide.
What is your garden like? So urban at the center of Barcelona, with aromatic plants, bougainvillea, papyrus, cycas, agabes, gardenias, esterlicia, ferocactus and pink mesem . Ah! Always illuminated with lots of small lights.
FLORAL
ART Which tools do you use
Camera Nikon, Mac, knife, clippers, raffia, mossi (it’s a sponge), vases,… and flowers.
Do you have any new projects for this year
If you had no limits, what would you create
Fortunately yes. Three weddings by now and also we are working very closely with a PR event agency.
Buf! I would like to make an exhibition at a modern art gallery. Creating floral art.
What or who inspires you
Everything. A movie, a theme, What is your ultimate goal colors, textures… It’s important to when it comes to your work Website or links: be curious with the stuff that Our final goal is a satisfied cus- www.urbanplant.es others are doing. Every day I tomer. spend some time visiting blogs www.urbanplantblog.blogspot.com of florists, cooks, decorators, graphic design-ers, packaging, photography and street style.
N
N www.myspace.com/nightymax www.yallbcn.com
I’ VE ALWAYS LOV WAS CLEAR TO ME TO DEVOTE MY LIF
VED MUSIC AND IT E THAT I WANTED FE TO MAKING IT.
HELLO, I’m Joan Sala from Barcelona, Spain. How old are you? I’m 23 Tell us a little bit about what you do. I’ve been a DJ and a producer for 5 years. Besides Nighty Max, where I make electronic music like house or electro house, I have two other pro-jects. One of them is an electro pop band called Chinese Christmas Cards and the other one is called Yall, where I’m also a DJ. I create all my music in my room and it is for that reason that I create the houses EP. When and why did you decide to do this? I decided to do this when I was very little. I’ve always loved music and it was clear to me that I wanted to devote my life to making it. Did you have a tree house when you where a kid? haha! No, but I would have loved one. What is your house like? Like an Igloo Which tools do you use? I use my PC with cubase 5 What or who inspires you? Listening to the music that my parents used to listen to.
BEACH HOUSE
IGLOU
HOUSES (EP)
TREEHOUSE
FLANNEL TENT
Do you have any new projects for this year? Yes, besides the the new Nighty Max tracks that are coming out, we also have the first Chinese Christmas Cards record with the label Mushroom Pillow and an EP of Y A L L with the Ping Pong label of Berlin. What is your ultimate goal when it comes to your work? For people to enjoy listening to my music If you had no limits. what would you create? A huge recording Studio in a treehouse
LIKES
THE SMIRK MAGAZINE LIKES
ILLUSTRATOR
PHOTOGRAPHER
ILLUSTRATOR
France Laura Kientzler
Sweden Anna AdĂŠn
Pennsylvania Amy Casey
www.micadala.free.fr/kientzlerlaura
www.flickr.com/photos/imable
www.amycaseypainting.com
CONSTRUCTOR
ARCHITECT
paper cuts
Chicago Dolan Geiman
LAB-ZERO team
Montclair, United States Jared Andrew Schorr
www.lab-zero.com
www.jaredandrewschorr.com
www.dolangeiman.com
Terrariums
Photographer
phOtographeR
Massachusetts Paula Hayes
Atlanta, United States Mary Robinson
Lucie Camp
www.paulahayes.com
www.flickr.com/photos/mryrbnsn
www.flickr.com/photos/luciecamp
DRAWER
100 ABANDONED
HOUSES The abandoned houses project was started roughtly ten years ago by kevin Bauman. It consists in a series of photographies of, as the name of the project clearly explains, various abandoned buildings that include large houses and mansions, sat largely abandoned just as stones thrown away from the Fox Theater, and not far from Wayne State University, the Masonic Theater, and even the central business district, just on the oustskirts of Detroit,s entertainment district. The artist portraits an example of the downfall of American cities. www.100abandonedhouses.com
Near Barcelona we encounter this wonderful hotel. The rooms, for no more than 4 people, are protected within the branches of the great trees of Sant Hilari de Sacalm. The most charming thing about it for us is that every morning, breakfast is delivered to the rooms inside a basket, that is pulled up to the terrace of each tree house with a pulley! Also, the tree houses are situated in a forest next to a natural reserve where you can spend your day exploring the wildlife of the region. www.cabanesalsarbres.com
OUR FAVOURITE DECORATED CARAVANS BY
www.caravanolic.com
This table-turned-playhouse by Ingrid Brandth is nothing short of spectacular. What seems like a common-looking kitchen table can be converted into a fun little house in no time by just pulling down hidden panels to form walls and then raising the roof by pushing up the table surface. Once inside, a child can “hide from scary sounds, ghosts, or family members,� like Brandth says.
www.ingridbrandth.com
Rolling Homes is a book abo ut House Buse Trucks. Nearly s and House all of the veh icles featured graphed in or were photonear Eugene, Oregon. The bo use of color ok makes full photography in its 96 pages. ings of select Line drawed homes, alon g with tables figures’ fill of ‘facts and out the profil es of some bus es and trucks. Rolling Homes is a great idea book for colle the constructio cting ideas in n of a craftsman s tyle motor hom are very expre e. The photos ssive and give t h e reader a good f spirit and atm eel for the osphere of a w ell-built Hous e Truck or Bus .
Wouldn’t you just love to sleep between the trees? This is in fact the theme of our favourite room of the Forsthaus Hotel in Ramsen, Germany. This old forester house, in service for 150 years, has been converted into a very chic inn by Naumann Architektur. They came up with the very interesting concept of telling the house’s story through quotes printed on each of the nine guest room doors - giving each room their own little story. Eight of the rooms are located in the main house, and the ninth is in the ormer wash-house for those who want to be a little more reclusive. www.fnp-architekten.de
WELCOME TO THE IGLOO PROJECT
The igloo project is a great music blog that exists with the objective of letting you know all the refreshing new directions that artists take in the music world. We take a look every day, do you? w w w . i g l o o p r o j e c t . p o s t e r o u s . c o m
When you live in the city, it can feel like you are confined and sometimes all you need is to get in touch with nature. This isn’t always an easy thing to do. We find this simple and creative wallpapers to be a very cool way to just give us a change of scene from the hectic lifestyle of the city. You can dream of climbing to the top of the highest mountains or getting lost in the inmensity of the ocean while we are sailing across it. w
w
w . p h o t o w a l l . s e
NEST for RELAXATION www.dedon.de
This is such an amazing relaxation nest. It looks like its a mix between a kangaroo’s pocket and a drop of water that just never reaches the ground. It is beautifully crafted and makes us want to get in there and take a nap one afternoon , read a book or just chill out for a bit, while enjoying the feeling of being suspende d in mid air.
In the Moleskine’s ‘Detour’ exhibition, one design has really caught our eye, It is the contribution of an artist named Nendo, who by cutting the pages of the sketch book has created a three-dimensional landscape. “We wanted to show the way that sketches function in the space between two and three dimensions, and to present the sketchbook itself as a place . We love this landscape and think this sketchbook seems like a great place to go to!
www.nendo.jp
TI S HPUBLIESHEDS BYM PATII ANDR BEAK DIMRECTORSA GBEATRIAZ BOTAYAZ IANDNPATRICEIA PASQUIN PRODUCER BEATRIZ BOTAYA FIGUERAS WRITER PATRICIA PASQUIN MARIEGES DESIGNERS BEA BOTAYA AND PATI ILLUSTRATOR BEATRIZ BOTAYA IDEAS PATRICIA AND BEATRIZ ARTISTS SELECTION PATI AND BEA COVER DRAWING ERICA FUSTERO
BARCELONA, SPAI N M A R C H 2011 the s mi r kmag gmai l . c om www.www.theissmisuu.rkmag.combthelogspsmiort.kmacomg www. f a ce b ook. c om the s mi r kma g www. f l i c kr. c om p h otos the s mi r kma g www.flickr.com groupswww.thevsimimerokmagsubscri p t i o ns .com thesmirkmag @
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AFTER LIFE
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