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FEATURE Unveil this year’s Masskara Queen’s mask and learn about her journey to the crown. read on page 2
FILIPINO Que Horror! Bago ka pa pangunahan ng kaba, alamin ang mga hakbang para manatiling buhay sa mundo ng katatakutan. read on page 3
LEISURE Treat or treat? Help yourselves to some of the famous Filipino traditional food prepared during Halloween season! read on page 7
NEGROS TOURS: HALLOWEEN SPECIAL Tag along our cemetery-hopping and learn about the spooks that lie among the vine-covered tombstones. read on page 8
PHOTO ESSAY The Masskara Festival is famed for its fun and festive atmosphere. This time, let’s look at those who come for other things—like work. read on pages 4-5 —NICHOL FRANCIS T. ANDUYAN
SMILE FOR SALE. A miniature mask vendor sits behind his stall waiting for a customer in front of the Bacolod City Public Plaza during the Masskara Festival Celebration last October 21.
Full Circle: A Story Of Redemption BY STARLENE JOY B. PORTILLO
Some say that a difference in perspective requires a 180-degree turn. However for some, change comes in the form of a cycle. One can always go back to where they started, and begin the change no longer solely for themselves, but also in the hopes of saving others. This is one man’s story of moving forward through giving back. 90° Being the third son out of the seven children, 25-year old John Benedict “JB” Villanueva of Brgy. 27, Bacolod City often felt neglected when he was young. It did not help that he often had to fight for rations with his older siblings, and struggle with the attention given to his younger sisters by his carpenter father and stay-at-home mother. “As you grow, you begin to realize you have needs. Not just physical, but also emotional and mental,” JB said, who at the tender age of 10 began skipping classes with friends. He claimed to only go to school during exams. “I felt left behind. I craved attention,” JB
PHOTO COURTESY OF BAHAY PAG-ASA BACOLOD
recalled. He found the attention he was looking for in the form of his friends— and more. Things started to escalate during the sixth grade, wherein he would go for months on end without going home. Sometimes, he would sleep over at a friend’s house. Other times, he’d sleep by the roadside, or nowhere at all. He then started his secondary education at the Bacolod City National High School. At 12 years old, he often hung out with 17 and 18-year olds who offered him comfort in
drugs. In June 2006, JB and his peers were convicted in a case of gang robbery and frustrated murder. JB spent four months in the Metro Bacolod District Jail at Brgy. Handumanan, in a cell with 13 other older inmates. Since he was the youngest, he would often be bullied into cleaning toilets and doing the laundry. “I wanted to go home, but I couldn’t,” recalled JB. “What’s worse was I felt like I was nothing, like I was useless. I can take whatever my relatives and
siblings say about me, but it hurt to see the disappointment from one’s own parents.” 180° However, because of the Juvenile Justice and Welfare Act which prevents minors aged 15 and below to be jailed, JB was released from prison two months later, and transferred to Bahay Pag-asa Youth Center—a transformational facility exclusive for Children-in-Conflict with the Law and the Children-atRisk from Negros Occidental and surrounding areas. Former Bahay Pag-asa director Br. Vince Fernandez, FSC arranged for JB’s transfer, and he agreed to finish his secondary studies, all the while serving two years in the youth center. “My time served in jail made me realize that I do not ever want to go back to that life,” JB emphasized. “It feels different to be free to do whatever you want, all the while not being of harm to others.” He finished his remaining two years in high school in three FULL / PAGE 2
THE PEARL AND THE MASK BY CHAD MARTIN Z. NATIVIDAD
You first find it in a shell. A tiny object emitting a natural glow. Having defended a biological body from threats—it’s grown through time, layer by layer. While inside the shell, it symbolizes wisdom and wealth, yet to be discovered. In familiarity, we call their kind: pearls. One pearl, in particular, takes the form of an archipelago in the east. Like a pearl, it, too, had been sought out for centuries, coveted and invaded for its rich resources. Yet it prevails, only to glow in splendour another day when struck by the sun. This is the narrative set
forth by Gintong Alab ng Silangan (Golden Flame of the East), a collaborative production under the Cultural Center of the Philippines' (CCP) cultural exchange program, that was written and directed by Dr. Steven Patrick Fernandez. The performance images the storied past of the “Pearl of the Orient" by capturing the centuries of the Filipino people's history, and encapsulating the spirits of the significant eras that shaped the Filipino and his nation. Never-ending Work Since 1987, the CCP outreach program has been providing support to local artists and performing groups nationwide through its Ugnayan sa Sining and the visiting artists'
PHOTO COURTESY OF THE NEGROS MUSEUM 2017 FACEBOOK PAGE
program by promoting their art forms and culture to other communities in the country. This year, to continue its initiatives, the CCP Cultural Exchange Department brought on a new outreach tour in the form of Gintong Alab sa Silangan. Gintong Alab was toured at
selected provinces across the country from Sept. 19 to Oct. 4. The flame of the orient experience was shone at Agusan del Sur, Iligan, Bacolod, Pampanga, and Marikina. Bacolodnon Crowd The Bacolod tour was held at SMX Convention Center
WELCOME TO BARYO GANHAAN: A GLIMPSE OF BACOLOD'S MUCHANTICIPATED HORROR ROOM
PHOTO COURTESY OF COMMUNICATIONS SOCIETY USLS FACEBOOK PAGE
BY KATHERINE E. CO & ALVIN BRIAN S. LEGARIO
That screeching you hear on your roof in the middle of the night? That’s not the boogeyman who’ll take you away, nor is it a mortified zombie that’s craving for your noggin. It’s a manananggal, and if it’s hungry, you best pray you won’t be its prey. The manananggal is only one of the many mythical creatures in Filipino folklore that lurk in the biggest horror room in the city this year, conjured by the University of St. La Salle’s very own AB Communication students. In cooperation with SM Prime Holdings, Inc., the Communication SocietyUSLS (CSU) came back to the SMX Convention Center again last Oct. 27-31 with a new scare that surely took thrill-seeking Bacolodnons to another world of fear filled with familiar remnants of a superstitious culture— to the haunted realm of Baryo Ganhaan. But underneath the spine-chilling monsters and eerie, finely-detailed sets are young people who worked day and night to breathe life into these supernatural characters. Let’s witness
PEARL / PAGE 2
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Ganhaan’s story through the lens of the minds behind the masterwork. The Sequel Ganhaan director Krishyl Garcia explained that the horror room staged at SMX is the sequel to Lunok, CSU’s horror room exhibit at MM 11 and 12 during the Lasallian week last Sept. 11. In Hiligaynon, ganhaan means "portal or door" while lunok is a Balete tree. According to her, the story of the first horror room is about a lunok on an island filled with mythical creatures, which acts as a portal to another world: a baryo, which is now the main setting of the SMX horror room. CSU Moderator and Communication professor Jade Snow Dionzon believes the choice of concept can serve as a reminder of our cultural roots. “This is also a way of keeping our own literature alive because after awhile, you don’t really get to believe these things anymore, given the technology and the exposure that our young people are having now,” she pointed out. Pre-production stage The Ganhaan experience will make you too scared to ever wonder how much GANHAAN/ PAGE 2