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Dagway VOL. 60 NO. 3
Features Read on why people are drawn into getting tattoos.
Reminisce the fun that was being a 90’s kid. Read on page 3
Read on page 2
Know the local art scene in Bacolod through House of Frida.
SEPTEMBER 2015
Photo Essay Usual night for graveyard-shift workers. Read on page 4
Events Relive the highlights of this year’s Lasallian Week. See page 8.
Read on page 6
CONTEMPORARY EXPRESSIONISM. With swift bodily movement accompanied by perfectly rehearsed routines, dancers from Garcia-Sanchez School of Dance during their performance on the first day of the event.
A Portrait of the Millennial By Lyle John L. Balana | Photo taken by Jhon Aldrin M. Casinas
Photo by Nicci Bernelle D. Aguilar
Make it BIG on a Thursday Night By Daryl Dane G. Montehermoso Photo courtesy of Roberto Juan Lacson
Millennials. The requisite image that represents the whole, if sentiment allows, splits into two – the negative presenting a smug, self-absorbed individual, lording over past generations the innovations that allow him to supersede. While the positive emphasizes the openminded, liberal do-gooder, overstepping discriminations steeped in territory and cultural egocentrism to deliver the purest quality of human concern. Though each definition could not claim dominance over the other, the interest centers on which archetype would leave its mark, and in turn, the only influence that really matters in the run of human civilization. But being a millennial is not limited to embracing the polarity that taxes every zeitgeist. There are plenty of sides to every contested term, and all of them could give insight as to what makes for a truly quintessential paragon of the discussed age. The term “millennial” was ascribed to the authors William Strauss and Neil Howe at around 1987 to describe the generation whose earliest
birthdate was 1982 and the latest was 2004, with the central theme tied down to the thenmythic year of 2000, seen as a milestone in the field of human progress. Some definitions have moved the genesis of the generation to 1978, while others have preferred the relative lateness of 1985. Also known as Generation Y and Generation We, the millennials were expected to utilize the political, social, economic, and ideological infrastructure that the previous Generation X, also known as the Baby Boomers, to their fullest capacity. Politically, millenials have been shown to be increasingly apathetic and bored with current politics, no doubt aided by the metacognition of the futility of government by years of experience and recursion made personal and available by improved information dissemination. According to the PRRI’s millennial report survey, the millennial generation has become less active in politics and more concerned with participation that required minimal effort, like online activities: signing an online petition (37 percent) or “liking” an issue on Facebook
(28 percent). Activities that involve more resources or effort: donating money to a political campaign or cause (12 percent), contributing to an online discussion or blog advocating for a political position (14 percent), or attending a political rally or demonstration (14 percent) are clearly unsavory from the millennial standpoint. Socially, the millennials are taking full advantage of social media, a communications network generated by the Internet as the commercial byproduct of public access. The trappings lain out by 1979’s UseNet has been fully realized in the form of Facebook, Twitter, Instagram, Reddit, Youtube, and Pinterest – titans of trite reference when a summary of internet social media is requested. And these very devices are the ones that exert the greatest amount of influence as to how people receive their news nowadays – according to the American Press Institude, fully 88 percent of those surveyed get news from Facebook at least occasionally, 83 percent from YouTube, and 50 percent from Instagram. Sizable minorities
of Millennials also report getting news from Pinterest (36 percent), Twitter (33 percent), Reddit (23 percent), and Tumblr (21 percent). And while these numbers are smaller, they represent quite large percentages of those who use these social media platforms at all. For all that, the omnipresence of Facebook stands out. Fully 57 percent of Millennials who get news from Facebook do so at least once a day (including 44 percent who say at least several times a day). That is roughly double the number using YouTube (29 percent) or Instagram (26 percent) on a daily basis to get news and information, the next most popular social networks for doing so. Economically, millennials are mistrustful of the digital economy despite being a generation who had lived out their whole lives living out the Internet Age. The digital identity specialist Intercede, holding a survey of 16-35 year olds in the UK and US with a sample size of 2000, asked about the impact of an increasingly digitallyconnected world. Nearly 70 MILLENNIALS/6
Amongst a familiar place in Bacolod known for the clubs and the bars on a Thursday night you would see a crowd of people teary-eyed from their laughter while they watch this group who are seemingly goofing around. It’s not your typical comedy bar filled with comedians who would make fun of your flaws or check you out in front of a crowd and whatnot, but it’s the Bacolod Improv Group (BIG) bringing you in the art of Improv Acts with their twist of comedy put into it. Something new you should check out at the Art District, Mandalagan. The talented group is composed of six members: Elian Jason Quilisadio, Joseph Motus, Kurt Soberano, Eloise Gonzales, Eero Martinez, and John Arceo. “From being his (John Arceo) students we have formed a family,” Elian Quilisadio says, from his experience from the Negros Summer Workshops where he met his fellow Improv players all of them filled with their deep love for the art of
acting formed a deeper bond to entertain and to perform for Bacolodnons. The group used to go by the name Kinengkoy or known formally as Kinengkoy Express, but later on transitioned into Bacolod Improv Group or BIG on December 25, 2014 and led them to keep on performing consecutively on every other Thursday night. Other times, you could catch the group performing incomplete unless you watch more often and catch the whole gang do their thing which would make a total difference to your Thursdays with BIG experience. “We usually have 9-10 games per show. We could even reach 11 if the audience wants more,” Elian Quilisadio proudly says and states that their show would usually start 8:30 in the evening and would end around 10:30. What makes the whole thing even more fun is the fact that the audience gets to participate with their acts, which I won’t share what exactly it could be leave it as a IMPROV/6