London College of Fashion BA 2011 Graduate Portfolio

From our heads through our hearts to your eyes.

See our love.

London College of Fashion

Welcome to the School of Design & Technology Portfolio Overview 2011 Creative Director | Rob Phillips

School of Design Technology

Editor and Design | Thomas Elliott

BA (Hons) Bespoke Tailoring BA (Hons) Cordwainers Accessories: Product Design & Development BA (Hons) Cordwainers Footwear: Product Design & Development BA (Hons) Fashion Contour BA (Hons) Fashion Design and Development BA (Hons) Fashion Design Technology: Menswear BA (Hons) Fashion Design Technology: Surface Textiles BA (Hons) Fashion Design Technology: Womenswear BA (Hons) Fashion Jewellery BA (Hons) Fashion Sportswear BA (Hons) Fashion: Design & Technology (Accessories / Footwear) BA (Hons) Fashion: Design & Technology (Fashion Specialism) BA (Hons) Fashion: Design & Technology (Knitwear and Surface Textiles) FdA Cordwainers: Accessory Design FdA Cordwainers: Footwear Design FdA Fashion Design Technology: Designer Pattern Cutter FdA Fashion Design Technology: Knitwear FdA Fashion Design Technology: Surface Textiles FdA Tailoring

Fashion Photography | Sean Michael Models | Anna M, Charlie May, Fern, Marin, Rachel and Tess – All at Select Model Management London The contents of this portfolio paper reflects a variety of courses available at London College of Fashion within the School of Design & Technology. The vast array of disciplines are exemplified by a small cross-section of selected students.

If you would like further information on any of the students within this portfolio please contact Rob Phillips – r.phillips@fashion.arts.ac.uk To view more of this years graduating students work please visit www.fashion.arts.ac.uk/2011

Cover Art | David Hardy

As you browse through the highlights from this year’s BA 2011 collections, the overwhelming theme that emerges is one of creative innovation, technical skill and craftsmanship.

Each collection, reflects our mission to produce graduates of the highest calibre, equipped with the skills and abilities demanded by the fashion industry – one of Britain’s most crucial economic powerhouses.

Not only have this year’s graduates produced high quality, creative pieces, but they have also demonstrated advanced technical detailing that have brought their designs to life.

Over the past year, London College of Fashion have been privileged to work on some unique collaborations, perhaps most notably in 2011 with the English National Ballet - a cross course collaboration, giving students the opportunity to work on a brief which gave them extraordinary access into a world not available to the public. It is opportunities such as these, which give our students a unique experience which we believe sets them apart and will help them launch successful careers.

We look forward to working hand in hand with industry over the coming years to ensure we continue to produce the fashion industry professionals of tomorrow.

Head of College | Professor Frances Corner OBE

I am pleased to present this year’s outstanding talent from the School of Design and Technology at London College of Fashion. Our community of design students have worked with energy and enthusiasm to create unique and exciting work that blends traditional craftsmanship with new technology. When you look closely at the work, at the hand drawings, the garments hanging on rails and through holding and feeling the product, each piece is bursting with beautiful detailing and consummate skill; they show a real love for all those areas that make design such an important and creative field.

Sometimes the work is all about an absolute dedication to form, shape, feel and quality, occasionally closer to art than clothing, and sometimes the work is not just about the final outcome but reflects thoughts and feelings about image, identity, dreams and desires.

It is important to remember that these new graduates are demonstrating multiple abilities - they are not only the designer but also the pattern cutter, the manufacturer, the colourist, the fabric specialist, the researcher, the embroiderer, the illustrator, the graphic designer and the production manager. They have much to offer our industry and are constantly finding new ways to challenge what we know and how we do it.

This year there has been an overwhelming trend for experimental work based around fusing traditional techniques with high spec technology. Colour is also a key trend, essential in bringing together multitextured garments with new proportions, executed in both a modern and traditional style. Almost uniformly we are identifying a 3D narrative around the tension between the natural world and the human impact upon it – resulting in work that is inspirational and forward thinking.

One of the most powerful outcomes from creating this portfolio is the stories that emerge – it is hugely rewarding to see each designer discover their design signature and express their identity, thoughts, feelings and personality through their designs.

To see work from all our 2011 graduates please visit www.fashion.arts.ac.uk/2011 and browse by subject or keyword.

For now, enjoy. For later, employ!

Rob Phillips Creative Director | School of Design & Technology

Lien

Bui

Lien Bui The main inspiration behind my collection is the style and quality of Tamara’s Lempicka’s paintings and the frame of streamlined automobiles and bold mixture of texture and colour in Nikolai Howalt’s photographic studies on car crashes. The idea for this collection is to cross the Art Deco style of Tamara Lempicka’s painting with “Streamline” – American art deco design inspired by the machine age. No artist has exemplified the quintessentially French Art Deco style better than Tamara de Lempicka. Her hard-as-nails portraits - the rich and famous painted in violent colors - has captivated my attention and curiosity. In this collection I wanted to grasp her unique, modern and exclusive sensual style of painting and attempt to apply it into clothing. Blending it with Streamline I was aiming to create a current and original style.

Streamline design with it's use of bold, abstract motifs, enables me to create a sleek, seductive look that celebrates the increasingly mechanised tempo of daily life.

I am aiming to create a collection that is contemporary in terms of silhouettes, shapes, details as well as the material choice. The diversity of fabric choice in colour, texture and quality are a strong demonstration of the influence from Nicolai Howalt's car crash studies. The materials and colour palette are bold, strong and contemporary. I hope that the cohesion, movement, simplicity and continuity are visible in this collection.

Skills Creative pattern cutting and draping Hand sewing, beading, embroidery and industrial manufacture Hand drawing Colour, fabric and texture direction and amalgamation Photoshop, Illustrator and InDesign

Chloe

Stanyon

Chloe Stanyon

Skills

I am a self motivated and creative person who enjoys working within a team but also thrives on working on individual projects and tasks. I am conscientious and have strong communication skills and can easily adapt to new environments and social situations. I believe that the boundaries of footwear design can be pushed by creative concepts and artistic techniques, as well as a knowledge of the craft of construction which I have covered in depth throughout my degree. My work reflects my personal style and passion for minimal, wearable design and I relish the process of interpreting hand drawn designs into 3D functioning products.

Strong hand drawing sketches and Visualisation Skills Product Design and Construction Pattern Cutting Researching and Sourcing

Mishaal

Mansoor

Missaah Mansoor

Skills

My work is about challenging the conventional form of clothing. I like to work with preconceptions of generic garments and rework them structurally. I try to work with function in a playful way that is interesting beyond its use without removing its purpose.

I try to cross items and function to create new items and silhouettes. Challenging the form of a product for me informs new design detail and construction styles. My process is to use a variety of techniques. I use a mixture of blocks, generic garments and fixed position stands which are all manipulated in different areas and reconstructed to create one item. I like to work with 3D sculptural and 2D flat patterns. I often use the body as a starting point for experimenting with shape and I always aim to give my clothing a human quality. I want the clothes to mimic poses of the body before they are worn. After graduating from my current course I would like to pursue a masters degree to further my specialism in menswear. Eventually I am interested in working overseas and gaining experience in working with large sportswear companies. I wish to continue to broaden my knowledge through industry in preparation to eventually feel confident about successfully starting wmy own brand.

Innovative and creative pattern cutting Industrial and hand sewing skills Hand and technical drawings Hand rendered directional llustartion Team player Photoshop and Illustrator

chi

chi

Skills

Chi Chi

Skills

My collection is inspired by my trip to Tibet last summer.

The colours are influenced by photographs taken by myself during the trip. They are bright, vivid and energetic, which represent Tibetan people’s geniality, boldness, faith and passion to their religion.

Industrial and hand sewing skills Draping, cutting and shaping skills Hand rendered illustration and technical drawing Colourisation, gradient and dip specialisation Weaving and macrame

grain

lauren

Lauren Grain

Skills

For me, design as the visual medium of expression recognises and embraces the endlessly multi-faced opinions and beliefs of society at any one time. It acts as a reflection of people, of the environments they inhabit and the social affairs they witness.

The opportunities provided by my studies at London College of Fashion and Central Saint Martins have given me a realistic grounding into the design processes and essential techniques within Fashion Knitwear.

As a designer I am constantly referring to relevant and universal themes with an aesthetic and ethical emphasis. Within my designs I aspire to preserve the historic aspects whilst providing a fresh appearance. I intend to provide a feeling of timeless harmony with an enduring quality, working against the obsolescent, short-lived fashion currently so prevalent. Within textiles I aim to pioneer techniques which refine traditional craft and defy conventional knitwear construction. My aesthetic is melancholic with an eclectic and whimsical significance, often conservative mixed with a naive charm. Each garment contains its own identity, promoting individuality. I propose to provide a unique blend of textile technology for fashion combined with innovative design and commercial application. After graduation I intend to seek an opportunity within a fast paced creative design role in an established fashion company.

Strong ability within research, design, textile development and pattern cutting within Womenswear Trained in both Dubied and domestic knitting techniques and construction Textile skills also include Embroidery and Print Short courses obtained in Lingerie Design, Historical and Military Tailoring, Draping on the Stand and Fashion Illustration Adobe Illustrator, Photoshop and Microsoft Office Suite

Maya

Jauslin

Maya Jauslin

Skills

Bespoke tailor and designer in training focused on menswear tailoring. With a devotion to the worth and importance of craftsmanship, attention to detail of the intricate processes of a bespoke suit with a particular taste for sports suits, ergonomic pattern cutting, coat making and exploring utility elements within tailoring. Sees fashion and tailoring as problem solving and challenges, invention and reinvention. Personal tailoring style classic fitted suits with slim lapels and sleeves, modern edge being brought through by referencing sportswear and technology. Embraces living in London for the diverse culture, people, clothes, exhibitions and markets.

Men’s and Women’s Bespoke tailoring skills. (Including jacket, waistcoat, trouser and shirt making, pattern cutting, fitting, altering, hand sewing) Women’s dressmaking skills and knowledge Men’s and Women’s Design Illustrator, Photoshop and InDesign

Natalie

Smith

Natalie Smith

Skills

I always strive to create a product, which is simple, wearable and cleverly constructed. Boxy shapes, utilitarian, fluidity, playful colour and rich leather finishing’s, all describe the collection that I am currently producing. I am very much a product led designer, specialising in leather accessories. I wish to pursue a career as a designer and build on the existing skills and attributes that I have learnt in the industry so far and apply them to my next role in a working context. My manner of working is highly organised and I thoroughly enjoy the development and realisation of a product, from the initial concept to the final stages.

My dream is to gain experience by working within the fashion industry, and to define my skills and knowledge to become a successful and respected designer.

Inspirational and creative research Consumer and market analysis Precise construction skills Hand and machine stitching Surface decoration for leather Leather detailing and printing Photoshop,Illustrator and InDesign

Samuel

Johnson

Samual Johnson

Skills

I believe in the power of the wearer within fashion. One garment can represent contrasting meanings on an assorted society, whether it be age, weight, height or race. Using this ethos I try and design using contrasting elements and references, to create clothes that have different interpretations, for every individual person. I like to keep a sense of fun and quirkiness to fashion, through use of silhouette, details, fabrics and especially colour. Yet I still try and create refinement in my garments.

The research that inspires me often has a social edge, in a variety of medians; photographers, fashion, art, architecture, film, literature, music and other sources, as long as I feel it has a powerful message to myself. I then create drawings, illustrations,collages, samples and toiles to help develop my ideas and points of interest. When creating fashion I endeavour to use an artistic methodology. I aim to gain more experience over the coming years before pursuing a Masters Degree.

llustrations, visualisation and research skills Illustrator and Photoshop Good understanding of pattern cutting and sewing with Industrial and domestic machines Strong Commercial Background, understanding of trends and fashion awareness Business sales training, understanding of customer, price points and production cycle

Min

Song

Min Song

Skills

Through my works at Cordwainers at London College of Fashion, I have attempted to show new approaches in footwear construction and shapes. Therefore, my designs were focused more on lines and unusual materials or unfamiliar combinations. To me, the inspirations come from many different things but with its own aesthetic values. As a result of that, abnormal aesthetics and modernity became the major concept of my final collection. Initial ideas from prosthetic legs to research on minimal fashion and furniture design, the collection will show my true personality as a contemporary shoe designer. After graduation, I would like to gain more practical knowledge in the industry and would like to start my own label with originality.

Hand-illustration Footwear pattern cutting 3D making - sewing, clicking & closing Strong technical drawing Photoshop & Illustrator Business commercial awareness of the footwear market Broad knowledge of global fashion business and industry

dylan

ho lam

leung

Dylan Ho Lam Leung

Skills

I am a proactive and creative womenswear graduate seeking for an entry-level position in fashion design with a positive learning attitude. During my degree course I have shown my clear commercial understanding and technical garment designing and making skills in my on-going projects. The portfolio compiled of all my past projects represents me as a being and reflects my motivation alongside my fashion knowledge and organising skills. I like to put a lot of consideration in details and trims of my garments and I would consider my work to be quite minimalistic and sophisticated as they are simple and practical which often exaggerates and incorporates the wearer’s body shape.

6 years experience on pattern cutting, sewing and hand stitching skills Good experience in sourcing fabrics and trims Able to work in a team, a good listener and organiser Self motivated, experimental and well-organised Fluent in Cantonese, English and Mandarin

Florence

Radford Carter

Florence Radfrod Carter

Skills

In the coming months I hope to get accepted onto the top up year to create a graduate collection. Working on this collection will give me time to develop both personally and professionally; experimenting with ideas and materials within the enriching surroundings of a university. During my summer break I hope to gain valuable work experience to assist with my final collection and career goals. In the future I aim to specialise in designing and encouraging ecological production methods and to source local fabrics.

Industrial and hand sewing skills Dubied machine Hand knitting Garment construction and linking 2D and 3D garment and design construction Pattern cutting and calculating a knit pattern Drawing skills both hand and technical

Stephanie

Wong

Stephanie Wong

Skills

Layering, textiles, and craftwork, these are the elements, which are mainly seen on me, and my work.

I always wear earth tones and muddy colours with multi layering. I am highly interested in creating intricate pattern and delicate design details, inspired by art and graphical elements. I always work with a loose fit and a unisex style as I believe that there are no sexual differentiations between males and females in fashion nowadays. Structure, silhouette and asymmetric cutting are usually seen in my work, I like to explore the character of the material and apply into my design and textiles. What I think, what I like, what I see, what I believe, are all about my love of fashion. In the coming future, I would like to have more hands-on experience in the fashion industry.

Digital and screen printing Industrial and hand sewing skills Draping and flat pattern cutting Hand illustration and technical drawing Visual researcher 3-D Textiles Fluent in English, Cantonese and Mandarin

showtime

www.fashion.arts.

Cover Art | Johanna Pihl

.ac.uk/2o11/live

Yuk

Sungkyun

Yuk Sungkyun

Skills

I design and make garments that I would want to wear. I pursue anatomic shapes and functional details. I would like to say that my style is innovative evolution. I make up a conceptual narrative for my research instead of using other artists as inspiration - which is interesting for my 2D work. This process deepens my design concept, and 3D developments wise I focus on anatomic design.

The concept of my final collection is ‘metamorphosis'. Having seen a bug metamorphosise, i was reminded of my journey to be a fashion designer, but also it was massive design resource I could develop. My final collection shows the progress of changing shapes and details from the first to the last outfit. My future vision is launching my own brand which has unique designs and style.

Therefore I would like to work with some brands as a designer or intern to improve my skills and abilities.

Hand rendered drawing Industrial sewing skills 3-D patterns (anatomic designs) Illustrator and Photoshop Fluent in Korean and English

urangoo

samba

Urangoo Samba

Skills

Colour is the most important aspect of my design work, both on my garments and my prints. I believe colour gives life and excitement to an outfit. My prints are bold and bright, a feast to the eyes with exquisite composition and colour clashes. Screen printing and hand dying give my garments an authentic look that is both unique and desirable, with a one off feel to all of my print designs. Clothes are part of our life, therefore I want the clothes to be part of a person's journey, a working effortless wardrobe that is withstanding. My ethos is to encapsulate an aura of authenticity and reserve timeless quality pieces, rather than just a transient/short lived fashion trend. Simple, clean and modern silhouettes are echoed throughout my designs to bring attention to the print textiles and customisation. Research is vital to my work, I indulge in new ideas and crave exploring the grand potential of something different.

Colour, fabric, texture and textiles Research Digital and silk screen printing Industrial and domestic sewing machines Photoshop and Illustrator Pattern cutting

chiu

nova

Nova Chiu

Skills

An ambitious and goal orientated individual who is capable of working under pressure and able to carry out all tasks to a very high standard.

Friendly, reliable and able to work as an individual or in a group, who is a flexible and experienced student in all areas of fashion design, including textiles, pattern drafting, and sewing. Possesses strong technical skills such as; illustration, Adobe Photoshop, Adobe Illustrator, and Microsoft Office

Research skills in design, fabric, trends and concepts Hand rendered fashion illustration Pattern cutting and engineered textile manipulation Unique fabric and materials usage: fur, plastic, leather, etc Embroidery CAD/CAM and laser cutter; creating digital and screen print Hand embroidery and beading Industrial and domestic sewing

Kensington

Harold

Harold Kingston

Skills

Currently in final year studying Womenswear at London College of Fashion.Throughout education and during work experience I have gained an excellent understanding of luxury fashion design and I have grown core technical skills such as pattern cutting, drawing skills, key computer packages (.i.e. Photoshop, illustrator, indesign,). Currently seeking creative and challenging design assistant role either ongoing or short term.

Design Research Stand and flat pattern cutting Draping/modelling on dress form Sampling Textiles Accessories Illustrator, Photoshop and InDesign

Emily

Hayward

Emily Hayward

Skills

I believe in the power of the wearer within fashion. One garment can represent contrasting meanings on an assorted society, whether it be age, weight, height or race. Using this ethos I try and design using contrasting elements and references, to create clothes that have different interpretations, for every individual person. I like to keep a sense of fun and quirkiness to fashion, through the use of silhouette, details, fabrics and especially colour. Yet I still try and create refinement in my garments. The research that inspires me has a social edge, in a variety of mediums; photographers, fashion, art, architecture, film, literature and music as long as I feel it has a powerful message. I then create drawings, illustrations,collages, samples and toiles to help develop my ideas and points of interest. When creating fashion I endeavour to use an artistic methodology.

Analytical hand drawing and sketching Industrial and domestic sewing machinery Pattern cutting and toiling - experimenting with silhouettes through block, hand drafting and draping Knowledge of Microsoft office InDesign, Photoshop and Illustrator

Johanna

Pihl

Johanna Pihl

Skills

Fashion to me should clash and contrast. Showing an edge, yet chic, feminine with masculine undertones, loose yet fitted.

I believe this contrast is what creates modern and intriguing silhouettes within fashion. My style is minimalistic - using durable fabrics, refined details and neutral tonal colours, I create garments that maintain a stylish, sophisticated edge.

Working within the confines of minimalism can be a challenge, to still form interesting elements and shapes, yet it’s this test that inspires me. Fabric manipulation, details and finishing’s therefore are very important to me, as it is with this high technical finish that creates this sleek look.

Research plays a substantial role when designing my collection. Lines within architecture principally form my main body of research. Primary research, taking my own photos and sketching all inspires me to create a deeper collection. A collection that defines me in all my stylistic beliefs is what I aim to create. With my experiences in the past I believe I’m ready to take on a design role within a high fashion brand, helping me to gain the right experience, so that I can eventually start my own label.

Concept visions Detail Research Garment and textile engineereing Sampling Textiles Hand renedered drawing Flat and stand pattern cutting Industrial sewing Photoshop and Illustrator

Faisal

Shah

Farisal Shah

Skills

A design student with a dedication to fashion jewellery and an appreciation of unique designs, with an excellent knowledge of luxury brands. A proactive team player that is looking for a challenging opportunity within the fast paced fashion industry.

Previous experience in buying, looking to develop key skills in order to embark on an exciting and innovative career in the fashion industry.

Hand rendered and digital drawing Technical specification Illustrator, Photoshop and Rhino Trend and brand awareness Consumer and market awareness Fashion buying Confident and articulate communicator

Kathy

Lam

Kathy Lamb

Skills

I am fascinated by the material world, and surround myself with aesthetic patterns, prints and textiles, which I believe are essential to my designs. I design easy wear clothing, delicate in detail with clean and basic silhouettes, making the garments wearable and decent. I worked individually for each task, taking experience from my daily life. Since I stepped into the fashion industry, I believe fashion is a principle method that can evoke essential personality characteristics from a person.

Hand rendered drawing and illustration Technical drawing Hand rendered textile finish Screen printing Stand and flat pattern cutting Industrial and domestic sewing Research and concept development Photoshop and Illustrator

Simoes

Felipe

Felipe Simons

Skills

My focus is always to end up with a genuinely crafted product. The manner in which it is made is important. The material choices. The colours. The purpose of it all. I want to try to fill spaces with designs that I personally would love to wear and so are different or at least ideas that are applied in a different way than what is normally seen out there. A shoe should be created with care and designed with every detail in mind. In the end, the wearer should feel that the personal energy put into it be passed along. To then give it a new life of it’s own and that life should last forever... or at least a very long time. I feel that is a good way to garner any deserved respect. I mean, there must be a function to any product being made. It must also be created with skill and great attention. Which in turn makes it beautiful. My project was looking at the the incredible way that Japanese designers or designers from Japan or maybe just the attention to detail that is so prevalent in almost everything designed in Japan. The culture interests me greatly and that is one major part of the interest. What I also really like is how they seem to look to the west for inspiration. In the history books of America, Britain and Europe in fashion/design/photography/ film/literature. Absorbing completely foreign ideas and making it ones own is, and executing it successfully, has made for an interesting trade where Western companies assign particular parts of their business to dedicate to a Japanese market. But in the end, my focus is on the care and discipline put into by the craftsmen. It is most impressive.

Footwear design Making, lasting and finishing Pattern cutting Clicking and closing with all the stages of design development Detail design Awareness of market of market and trends Photoshop and Illustrator

Angela

Brandys

Angela Brandys

Skills

I would describe my personal style as distinctive, beauty as a bold type of femininity mixing textures, colours and clashing looks to represent a sophisticated playful statement. I gain inspiration from my surroundings, I want to represent what I find visually exciting and find a way to wear and become this, often creating unusual fusions and being drawn to what excites my senses, mainly colour, composition and texture.

Styling is a major inspiration when I come to thinking of a collection; it is mainly the aura and composition of the visual as a collective that I want to capture as well as a desire to highlight the woman and her attitude wearing the pieces as much as the beauty and craftsmanship of the garments in their own right.

My final collection highly echoes my personal style and the way I like to dress drawing on the theme of assemblage and reinvention of non-conventional fabrics through details.

Stand draping and flat pattern cutting Industrial machine and hand sewing InDesign, Illustrator and Photoshop Visual research Concept development Sampling and styling Hand rendered drawing and illustration skills Fabric, colour and texture Textile and detail design

London College of Fashion

Head of College: Professor Frances Corner OBE

FdA Fashion Design Technology: Designer Pattern Cutter

Acting Dean: School of Design & Technology Sue Thomson PA to Dean: Linda Lencovic Academic Administrator: Lance Tabraham

Course Coordinator: Hazel Bidder

BA (Hons) Cordwainers Footwear: Product Design & Development Course Leader: Sue Saunders

Senior Staff: Vivienne Underwood Lecturer in Footwear: Ian Goff Lecturer in Fashion Design: James Pegg

Creative Director: School of Design & Technology Rob Phillips

Fashion Design Technology Programme Director: Claire Swift BA (Hons) Fashion Design Technology: Womenswear BA (Hons) Fashion Jewellery BA (Hons) Fashion: Design & Technology (Fashion Specialism) FdA Fashion Design Technology: Designer Pattern Cutter Fashion Design Technology Programme Director: Polly Kenny BA (Hons) Fashion Design Technology: Surface Textiles BA (Hons) Fashion Design Technology: Menswear BA (Hons) Fashion: Design & Technology (Knitwear & Surface Textiles) FdA Fashion Design Technology: Surface Textiles FdA Fashion Design Technology: Knitwear

Supporting Staff: Phillip Delamore BA (Hons) Fashion Design & Technology: Surface Textiles BA (Hons) Fashion: Design & Technology (Knitwear & Surface Textiles) FdA Fashion Design Technology: Surface Textiles FdA Fashion Design Technology: Knitwear Acting BA (Hons) Course Leader: Polly Kenny

BA (Hons) Fashion: Design & Technology (Accessories / Footwear) Course Leader: Jane Francis FdA Cordwainers: Footwear Design Course Leader: Elaine Loft

Senior Staff: Ian Simpson, Caterina Radvan Senior Staff: Sharon Blackford Supporting Staff: Andrew Kenny Carolyn Clewer Hazel Bidder Jessica Saunders Tom Adams

Fda Cordwainers: Accessory Design Course Leader: Jane Francis Senior Staff: Sharon Blackford

BA (Hons) Fashion Design Technology: Menswear

BA (Hons) Bespoke Tailoring

Course Leader: Tom Adams

Course Leader: Chris Stevens

Senior Staff: Jackie Sealy

Senior Staff: Jacqueline Sealy

Lecturer in Menswear Fashion Design: Cath Roberts

FdA Tailoring

Supporting Staff: Peter Cox

Course Leader: Jacqueline Sealy

Design & Craft Programme Director: Steven Dell BA (Hons) Cordwainers Accessories: Product Design & Development BA (Hons) Cordwainers Footwear: Product Design & Development BA (Hons) Fashion: Design & Technology (Accessories / Footwear) BA (Hons) Bespoke Tailoring FdA Tailoring FdA Cordwainers: Footwear Design FdA Cordwainers: Accessory Design

BA (Hons) Fashion Jewellery

Senior Staff: Chris Stevens

Senior Site Administrator: Ruth Julius

BA (Hons) Fashion Sportswear BA (Hons) Active Sportswear

Product Programme Director: Paul McNicoll BA (Hons) Fashion Design and Development BA (Hons) Fashion Sportswear BA (Hons) Fashion Contour Diploma in Professional Studies

Site Administrators: Sonia Dhimer Stevie Taylor

Course Leader: Jenny Shellard Supporting Staff: Mattie Juutilainen

Associate Lecturers and Visiting Practitioners:

BA (Hons) Fashion Design and Development

Alex Cooke Alicia Horgan Alina Moat Alison Beadnell Amanda Johnston Anita Hodge Anthony Gouldbourne Bernadette Deddens Caroline Morgan Chau Har Lee Chris Hill-Lilly Clive Hallett Conchita Currie Daniel Poulson Danielle Scutt Darla Jane Gilroy David Tracey Eleanor Warrington Fong Wong Heather Blake Helen Hindley Ian Kettle James Hamilton-Butler Jean Claude Bidi Leonora Eggenton Mark Emmett Martha Zmpounou Mick Duggan Miriam Schultz Oona Ball

Course Leader: Julie Wilson Senior Staff: Judy Fitzgerald Sharon Blackford

Course Leader: Claudine Rousseau Senior Staff: Sharon Blackford BA (Hons) Fashion Contour

BA (Hons) Fashion Design Technology: Womenswear BA (Hons) Fashion: Design & Technology (Fashion Specialism)

Course Leader: Deborah Minshall Senior Staff: Sharon Blackford

Course Leader: Liliana Sanguino Senior Staff: Hazel Bidder Peter Cox Lecturer in Fashion Design: James Pegg Lecturer in 3-D Design Development: Marilyn Rainey

BA (Hons) Cordwainers Accessories: Product Design & Development Course Leader: Jane Schaffer

Paul Thomas Ricardo Matos Riz Smith Ruth Glen Sal Pittman Sarah Day Sophie Speyer Suzi Grund Theresa Hewlett Thomas Elliott Timothy Andrews Tina Fox Tony Vrahimis

Katie Jones Linda Wing Lulu Appler Maija Schultz Maxine Vernon Michela Carraro Nathan Philpott Pui Tsoi Rachel Clowes Sheron Williams Siaw - Lee Priddle Sonia Alvares Sophie Jelinek Tracey Kench

Events, Media & Communications Head of Internal and External Relations: Hannah Clayton Communications Manager: David Revagliatte Communications Co-ordinator: Sarita Saggar

Guest Lectures: Events Manager: Anna Millhouse Amber Thompson - If You Please Angus Cundey & Simon Cundey - Henry Poole Anne Prahl - Speedo Atalanta Weller Bill Amberg Caroline Greenslade Daniel Herman - Triumph International Daniel Sannwald Franceska Luther Jaiden Jeremy James James Boswell Mark Godwin - Lacoste Ineternational Marloes Ten Bhomer Naomi Filmer Nusrat Ceesay - 400m hurdler Roger Parr - Barratts Shoes Roger Smith - Ted Baker Sarah Brennand - Abercrombie & Fitch Stacey Cotter & Timothy Everest - Timothy Everest Stephen Hancox - Kickers Tim Soar Tom Baker - Sir Tom Baker

Head of Technical Support: Gavin Jenkins Technical Site Managers: Georgina Carr Dawn Rowe Steven Honeyball Technical Manager: Abid Qayum Technicians: Alan Leslie Anita Hodge Annette Linard Banetta Sawyers Cath Gunn Claudette Hoo Fong Darren Murphy Debbie Forrest Gee Wee Lai George Mougis George Varvatsis Guy Ibrahim Hilary Thompson Holly Shaw Ian White Jean Claude Bidi John Edwards Julia Crew Karin Sjostedt-Monery Kate Gunn

With thanks to

Events Officer: Gillian Evans

Abercrombie & Fitch Adidas Amaya Anya Hindmarch Badminton England Barnett Lawson Biddle Sawyer Silks Bill Amberg Boudicca BPL British Fashion Council British Millerain British Wool Marekting Company Camper Centre for Sustainable Fashion at LCF CG Retail Chris n Tibor David Dooley Debenhams Ellesse English National Ballet Fashion Business Resource Studio at LCF Guys and St. Thomas Hospital Hand & Lock Henry Poole HMP Send Joel Bough Kickers Lacoste International Lisa Patten Locog Natalie Dembinska Patricia McCarthy Proporta UK Ltd Richard Pattison Rob Goodwin Saga Furs Select Model Management London Sodexo Sony Ericsson Speedo The Cordwainers Advisory Board The Pentland Group The Worshipful Company of Cordwainers The Worshipful Company of Leathersellers Tigi Timothy Everest TRAID Triumph UK Tuomas Laitinen Volcom Denim Whistles Wilcom

Events Admin Assistant: Rosalyn Barbour Media Relations Manager: Rebecca Munro Media Relations Officer: Melissa Langlands Graphic Design: David Hardy Web Co-ordinator: Alastair Mucklow Development Associate: Sarah Byfield-Riches Special Projects: Camilla Howarth Admin Assistant: Dan Bowan

Fashion Business Resource Studio at London College of Fashion Employability Manager: Clare Tristram Graduate Employability Advisor: Adam Watling Placement Team Leader: Gemma Robertson Placement Broker: Cath Dearden Administrator: Clorinda Prina

www.fashion.arts.ac.uk www.fashion.arts.ac.uk/2011 www.fashion.arts.ac.uk/2011/live

We would like to express our sincere gratitude to Sue Thomson, for dedicating 30 years of service to London College of Fashion. From all the staff and students over the years we wish you the very best.

Thank you.