ARCHITECTURE OF THE
VILLAGE’S COMMUNAL HOUSE LECTURE: MA. LE CHIEN THANG GROUP : 4
CLASS: 10KTT STUDENT :
LY T H I H O N G N H U N G NGUYEN KHANH DUY PHAM HUY DUONG DANG THANH TUNG BUI NGOC DIEP TRUONG TRUNG HIEU
CONTENTS
CHAPTER
OVERVIEW
1
CHAPTER
2
CHAPTER
3
What is the village’s communal house? Beginning and development of communal house? the village’s communal house’s function? Architecture of the Village’sCommunal house.
VALUE OF ART AND IDEOLOGY
Value of art (sculpture, relationship between sculpture and architecture..) Value of ideology (Realism, Ethnography, Humanity.)
CONSERVATION ISSUES AND PROMOTING THE VALUE OF RELICS
Actual situation of Village’s communal house Conservation and promoting the value of relics.
CHARTE R1
Cultural activity center of village resident
“DINH BANG”
Organize holiday, festival. “PHAT TICH” PAGODA
HOW DO I DISCRIMINATION BETWEEN “DINH” AND PAGODA ? and WHAT IS “ĐÌNH”- THE COMMUNAL HOUSE? To Adore “Thành hoàng”, Village gods.
ORIGINAL OF “DINH ” CONCEPT. At Tran Thai Tong dynasty, they reported that “ all of hall have to own Buddha statue”. 1156 Lý dynasty- “Đình Thưởng hoa”
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Thus, Most of information beyond also show that “Dinh” was born from the end of Ly dynasty with function like a halt, king’s accommodation, or to hang ordinances of the state. After that, when Buddhism become national religion . Dinh has chance of Buddhist belief. In the other word, “Dinh” don’t perform as cultural institutions of village clearly. All meaning of “Dinh Lang” we know today are not exist at this time. However there are many references that the building has 1231 Trần dynasty- “Đình Trạm”- halt functions like as “Dinh” was created before, but maybe they used a word what is borrowed from China to call it that. And “dinh" is the most common use from the XV century onwards. From the 15th century onwards, the role of community of Vietnamese villages was improved. It had the right to build their common meeting places. Then, the country’s economy developed so “Dinh” were build in main traffic routes where is near rives, near main road. It’s reflects the growing social. Lê Sơ dynasty- “ Đình Quảng Văn”
METABOLISM ABOUT CONCEPT FROM “DINH” TO “DINH LANG”. The transformation from “Dinh" to “Dinh lang" where to adore god of the village began in the end XV century, In 1496 calendar page is written: "... From now to look after the communal worship at home ... before then not be changed ". Then increasingly thriving with new construction or renovation, repair: + XVI century: Tây Đằng Đình (Ha Tay), Lỗ Hạnh Đình (Bac Giang). + XVII century: Thổ Hà Đình (Bac Giang) + XVIII-XIX century: Dinh Bang Đình (Bac Ninh)
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So multifunctional characteristics of the Dinh as the administrative headquarters of village government, and this is a place where organize Dinh festival. Vietnam village’s communal house as a local culture architectural but it's not tied to primitive times immemorial that undergo gradual changes in flow from the history function secular stations to gradually more worship Buddha on the Tran dynasty and then assume the function as a place of worship to tutelary and from there: The village’s communal house became a symbol of cultural, spiritual and religious importance in the Vietnamese village life in the world from XV century till nowadays.
WHAT IS FUNCTION OF “ĐÌNH”- THE COMMUNAL HOUSE?
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Belief function. The God is adored by villagers in the communal house that’s called “Thanh Hoang Lang” - Tutelary deity
WHAT IS Thanh Hoang Lang?
Nature god: mountain god, water god,….
Historical character: generals, kings,… “Thành Hoàng” of the people who have, with country, established village, village or founders built a profession (father of the profession). In summary, the village God of Vietnam is a sign of dualistic. It is a system that is combination of a lot of origin Vietnamese belief (the cult of fecundity, “Đạo mẫu” belief, natural god…) and ancestors adoring, heroes adoring. It is affected by Buddhism and Confucianism.
CHARTE R1 Village’s communal house is a administrative headquarters
WHAT IS FUNCTION OF “ĐÌNH”- THE COMMUNAL HOUSE?
of village where villager can do every work that related to administration. Belief function.
Administrative function.
The moderator of adminostrative work is “Chánh Tổng”, “Lý Trưởng”, “Phó Lý”, “Trưởng Tuần” and the courting of “Hội Đồng Hương Kì”, “Kì Mục”. The moderator use “Village-law” to resolve the problem. Each village has the different law with the specific contents. However, the main points of all “village-law” is:
Regulation of culture belief
Villagelaw.
In an other words, “Hương Ước” is a law of village. Basically, “Hương Ước”Field has a lot of value of Vietnamese culture. We can convention promote the value of these “Huong Uoc” to the present village. The management of moderators in Social village is very helpful with the characteristic organazation Agriculture and of autonomy and development community. Communal responsibility house is a signs of autonomy and connecting people as time go by.
CHARTE The peak of the cultural activities in village communalR 1
WHAT IS FUNCTION OF “ĐÌNH”- THE COMMUNAL HOUSE?
The Village’s communal house is the center of the cultural life of the
Belief function.
house is festival. Festival day also called on the crowd. It is village. “Cây đa, bến nước, sân đình” did come to Vietnamese’s soul. considered the operation andpeople, the most The banyan trees create shadescale for most sippingimpressive one cups of year for the villagers. In the village there are green tea, enjoying the wind blowing in from the fields,Vietnam the wells Pagoda Temple Festival. Butwell most of village’s includingFestival, open wells and deep wells , open is serviced to wash and deep wells is serviced to drink water for thehouse. villagers. And large festival still organize at village’s communal
courtyard is carried out religious functions, administration and organization of cultural activities.
Administrative function.
CEREMONY
FEST
FESTIVAL
The festival takes place on the leisure after harvest. Most of festival are organized in January, or in February, the third of lunar month. That’s two big festival, and in year they pray village’s tutelary.
Community and culture function.
The ritual activities related to beliefs
The secular, art, physical education and sport
CONCLUSION “Dinh lang” – Village’s communal house: where culture activities of Vietnamese people take place, they meet another to discuss village’s affairs, places for worship. It became familiar image to Vietnamese people it have witnessed the change of Vietnamese village for centuries. And from there. the village’s communal house became a symbol of cultural, spiritual and religious importance in the Vietnamese village life in the world from XV century till nowadays.
ARCHITECTURE OF THE VILLAGE’S COMMUNAL HOUSE IN EACH REGION OF VIET NAM. 1. LANDSCAPE
CHARTE R1 Gate of Bảng Dinh
Gate of Tây Đằng Dinh
“Dinh lang" of the North Dalta region faces the hamlets and hides itself in the shade of a luxuriant green banyan tree. The architecture of dinh is based on the principles of traditional feng shui, in front of the dinh stands a pond (well) with the meaning of prosperity for villagers.
Outermost is called Ngo Mon gate, identify campus “Dinh”. Conventional all of gates have not roof. Some time, Middle gate has not roof and two primary gates has roof and column lower with middle column. BÌNH PHONG- SCREEN- in the middle of the front yard strike. On the surface of geomantic usually applique or painting the golden tiger that stood next to jagged rock, a old trees twig. In order to denote harmony of yin and yang. With concept not allow the air flow or visitors go straight into the “Dinh”.
ARCHITECTURE OF THE VILLAGE’S COMMUNAL HOUSE IN EACH REGION OF VIET NAM. 1. LANDSCAPE
Dinh lang" of the central region.
“Đình Đại Nam” Đà Nẵng
“Đình Mai Chánh Xá” Quảng Trị
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“Dinh lang” is placed in order from outside to inside, outermost is the gates to the “bình phong” the main aisle on the main axis. The presence of “bình phong” plate in this position represents the absolute respect of people to the divine world.
Based on the form of distribution paths, can be classified gate of Dinh into two categories as: gate single, which has only one entrance and the gate, which has three entrance and Dinh types vary each local village. The biggest is the gate type build in arches form.
ARCHITECTURE OF THE VILLAGE’S COMMUNAL HOUSE IN EACH REGION OF VIET NAM. 1. LANDSCAPE
Dinh lang" of the South
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Communal house yard had Shennong's altar. Somewhere creates altar together with Shen land. Tiger’s shrine normally lay on two side of altar, council shrines or temples goddess may be one of them : five goddess of Wu Xing, Nguyen Nhung Lord, Linh Son Thanh Mau, Chua tien , Chua Ngoc… Screen - “ Bình Phong “ is put at the center of communal house yard. There surface normally is reliefed or painted the tiger ( tiger prince ) stood rocky, with old trees or scene of heaven horse carry item. It denotes harmony of yin yang.) Village’s gate has pillar with tiled roofs on top, or pair of porcelain enamel unicorn is set up on this one. Today, the Village’s communal house of the South has architecture is quite diverse, because after being damaged by time and war; traditional style not much left.
ARCHITECTURE OF THE VILLAGE’S COMMUNAL HOUSE IN EACH REGION OF VIET NAM.
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2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the North : Passing the pond we reach Tien Te house and Dai Dinh.
Harem
Middle part
Example: Plan of “Dinh Bang”
Main house: an other name is “Đại Bái”. The place to ceremony, meeting, social activity and administrative activity. The main house has 3 parts: The middle part is “Trung Đình”, this place is used to adoring, there is worship place or connected to the harem. At the connected place, there are “Hương Án” and worship item. People can not sit in front of “Hương Án”. The left part and right part can be the place adoring “Phôi Hưởng” people. The height of floor in the left part and right part are higher than the middle part. The gables of the communal house and the porch are higher than the inner floor. People with the highest estate in the village sit in the lower floor than people with the lowest estate. Harem: the place used to adore “Thanh Hoang Lang”
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the North The frame and the pillar of the village’s communal house.
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“porch pillar” “Subordinate pillar” “Beam”
Example: Structure of “Dinh Bang”
“big pillar”
Kẻ Example: Section of “Dinh Bang”
Porch detail.
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the North The frame and the pillar of the village’s communal house.
CHARTE R1 Connect between bottom of column with scape column Connect between top of column with other elements
Structure system- hệ vì kèo.
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the North The frame and the pillar of the village’s communal house.
Vì giả thủ
Vì thế kỉ XVI
Vì- kèo System.
Vì thời Trần Door detail.
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2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the North Roof of Porch detail.
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Correlation between inside and outside
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the North Ratio of “Dinh lang”
Has two types of communal house
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2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the central region.
Back wall.
1st Dragon column
2nd Dragon column
Other type
3rd Dragon column Porch column
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Apse This the place to adore “Thanh Hoang” god , where is the most inaccessible in Village communal house. Architecture of apse he the most common structure is made of brick lime plaster, cement with arches style, create "lau gia With this architecture, the wall is load-bearing parts, so it was built very thick. Nave Structural architecture of the village communal house is the wooden frame with three rooms and two wings or one room and two wings. Wood frame structure made up of columns system and components link column are very complex. rain. According to cross-section from front to back, there are usually have five columns (the two most column, column one, column two the second, and a third in the front roof column),
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the central region.
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Traditional roof of village communal house is overlapping trusses , and maybe double or three segment depending on each village communal house. With this type of roof, two pillars are connected by a wooden stick pierced shaft, ositioned approximately 1/3 from the top. The popular truss in village communal house is "Keo noc " (also known as "Keo nhat"), including two short wooden sticks tailed investigation into the first of two main columns, two top of trusses rising and crossed each other at the top of the roof and catch ridge-beam. "Xuyen" are the straight wooden slats. Rectangular cross section used to connect the vertical columns, two for each pair. Village communal house have architectural elements is " Xa co tru doi", like the civil architecture of Quang. "Tru doi" is a short piece of wood, a circle to catch shipments.
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the South.
“Dinh long thanh- Vinh Long. “Dinh My Phuoc Long Xuyen .
“Dinh Dinh Yen- Dong Thap
“Dinh Man Phuong Man Thai
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The main house is usually three or more folds with 4 pillars ( it implies that the house with four pillar, 3 bays ), with the same size and style, set up in style “constructed by double building”. Roof of village’s communal house is often used lunisolar tile, Chinese pipe tile, fish scales tile ( French, existing after 1920 ). Porcelain enamel color images are usually mounted such as “ Luong Long Tranh Chau “, transforming of fish to dragon, …
2. CHARACTERISTIC OF INTERIOR SPACE AND CONTRUCTION “Dinh lang" of the South. Each house has a bit different interior, but normally have 3 bays: “Vỏ ca” ( front bay), intended as a place to build adoration & opera festival in the “Kỳ yên”. “Vỏ quy” called “vỏ cua” or “nhà chầu” (between bay) The Court hall(chínhđiện) or “chính tẩm” (last bay) In addition, extra porch (take along the main space), there are churchesmore the right altar (tả ban), the left altar (hữu ban), “Tiên sư”, “Tiền hiền”, “Hậu hiền” ... And depending on the area of the home, which can add: o Harem (nhà hậu), to village official (hương chức); villagers gathered to prepare ceremony. o Trù-house (kitchen) and house of Mr Từ who keep communal house. Although each place has a little difference, but the worship’s decoration in the communal house must comply with these principles. According to the scholar Nguyen Van To: o Couplets in communal house carved dragonsacred animals (dragon, unicorn, tortoise, phoenix). o Eight weapons are 8 precious items include: pens, books, fans, swords, flowers, men and flutes, wine gourd, pocket poetry. There is place: tomes, like the pearl, scrolls, flowers, wine gourd, pipa, fan, whisk. Door (of temples) painting in fresco (cửa võng), usually carved double dragon flanking the moon (two dragons flanking the moon), either: “lục long ngự thiên” (six dragons flying in the sky), “ngũ phụng hàm thư” (five phoenix hydrated form letter). Tutelary deity ‘s altar
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CONCLUSION Sometimes, pagoda bear the architecture of some foreign countries like India, but “Dinh” do not and it was the creation of Vietnamese people about arrangement, structural, decoration. Especially, we can see materials used to build are available in location. The structural system may have similarities like the roof has four corners, It is an outstanding featured of traditional Vietnamese architecture. But the arrangement of the temple and entirely different “Dinh”. “Dinh” was arranged spaces what are suitable to traditional living space of Vietnamese people. They have main and secondary compartment and open spaces for communication with the people. Whenever villages have affairs four doors of “Dinh” are all opened which make “Dinh” become spacious. “Dinh lang” – Village’s Communal house: not only contains stories about the history of the feudal Viet Nam dynasties but also is the symbol of Vietnamese architecture and the aspirations of old Vietnamese people through carvings and sculpture.
THE ARTISTIC VALUE OF COMMUNAL HOUSE
1. ARTISTIC VALUE Sculpture in “Dinh lang”- Village ‘s communal house in the north
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It refers to the art of village’s communal house decoration. Sculpture of village’s communal house in the northern Delta region has reached its peak in XVI- XVII centuries.
Before XVI
•• The The triangle triangle roof roof is is not not only only consistent consistent with with the the structural structural system system (vì (vì -kèo -kèo system), system), but but also also aa symbol symbol for for the the sky. sky. •• When When the the village village has has festival festival or or holidays holidays as as well well as as at at offering offering incense incense and and offertory offertory to to the the gods. gods. •• So So in in the the “Vi “Vi –– keo” keo” system, system, column, column, door,…. door,…. are are Usually Usually decorated decorated by by cloudy, cloudy, fairy, fairy, flowers flowers dragon, dragon, phoenix phoenix flying, flying, elephant, elephant, horse horse …. …. with with many many meaning: meaning: original original of of Vietnamese Vietnamese people: people: “con “con rồng, rồng, cháu cháu tiên” tiên” or or scared scared animals animals to to show show the the power power and and majestic majestic of of king king and and lord. lord. Skill Skill carving: carving: “chạm “chạm nổi, nổi, chạm chạm thủng, thủng, chạm chạm lộng, lộng, chạm chạm bong.” bong.”
THE ARTISTIC VALUE OF COMMUNAL HOUSE
1. ARTISTIC VALUE Sculpture in “Dinh lang”- Village’s communal house in the north
XVI- XVIII
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•• Decorative Decorative sculpted sculpted with with bold bold folk folk art art quality: quality: nature, nature, daily daily living, living, holiday,… holiday,… •• The The anonymous anonymous sculptor sculptor came came from from farmers. farmers. So, So, Sculpture Sculpture in in “Dinh “Dinh lang” lang” have have taken taken pictures pictures close close to to real real life, life, or or even even with with their their dreams. dreams. •• With With aa very very unique unique style style and and aa ebullient ebullient spirit spirit Unlike Unlike other other religious religious structures structures
Uống rượu
Đấu vật
THE ARTISTIC VALUE OF COMMUNAL HOUSE
1. ARTISTIC VALUE Sculpture in “Dinh lang”- Village’s communal house in the north
XVIII- XIX
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•• Revolts Revolts of of farmers farmers continuously continuously broke broke out out and and the the most most remarkable remarkable event event was was the the triumph triumph of of the the Tay Tay Son Son movement. movement. When When famers famers had had the the right right to to decide decide their their fates, fates, they they composed composed work work of of art. art. •• The The people people wished wished for for equality equality through through the the images images of of people people wrestling wrestling with with dragon. dragon. •• Dragons Dragons are are not not only only scared scared animal animal and and the the simple simple of of the the power power but but also also symbolize symbolize the the people’s people’s aspirations. aspirations. They They are are close close to to the the people people..
THE ARTISTIC VALUE OF COMMUNAL HOUSE
1. ARTISTIC VALUE Sculpture in “Dinh lang”- Village communal house in the northern
XIX
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•• Almost Almost sculptural sculptural village village communal communal living living is is no no longer longer the the folk folk scenes scenes •• Folk Folk scenes scenes activity activity decrease decrease and and the the subject subject instead instead of of flowers, flowers, leaves leaves and and four four noble noble (dragon, (dragon, unicorn, unicorn, turtle, turtle, phoenix). phoenix). •• Usually Usually ““ bức bức cửa cửa võng” võng” in in front front of of the the temple temple that that is is elaborately elaborately carved. carved.
Sculpture in “Dinh lang”- Village’s communal house in the north Especially, Decoration roof of communal house.
THE ARTISTIC VALUE OF COMMUNAL HOUSE
1. ARTISTIC VALUE Sculpture in “Dinh lang”- Village’s communal house in the central
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Decorative sculpture not as rich as the northern communal houses. In the interior of the wood structure depending aesthetic notion that villagers can sculpt detailed dragon head, dragon tail in the tail Candy, flowers and road touch only at the radial beams and purlins. Carvings the more, the communal house adapt to a moderate texture, delicate . Decoration sculpture is reduced and increased decorative applique by lime mortar fragments and porcelain Often in the roof and the roof moldings, decorative square-one lexibility. At two gables are often decorated with porcelain bat wings spread to pray. This is a popular decoration Nguyen dynasties
THE ARTISTIC VALUE OF COMMUNAL HOUSE
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1. ARTISTIC VALUE Sculpture in “Dinh lang”- Village’s communal house in the southern •
• • •
•
Decorated in relief facade resembles the central communal house, but decorative sculpture on wood there is also a difference Much of this wood has been carved from the mid-nineteenth century. Four columns are usually decorated with a dragon, so-called "dragon head". Besides “dragon column” of Southern communal house often has “bao lam” in front of altar, “cửa võng” in North’s communal house, is very delicate carvings, the subject is often noble, “carp into a dragon”, dragon, tiger. Thus, decorative sculpture, and architecture has made family are distinctions on the length of the country.
THE ARTISTIC VALUE OF COMMUNAL HOUSE
Childhood ews of life
Characteristic of sculptural village’s communal house
Innocent, rustic, lively in reality reflects
Humanity value
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The high level of generality in visual art
Sculpture forming
Co-existing
Exaggeration
Point of view
Combination of myth and reality, realistic and decoration
Symbolized
THE ARTISTIC VALUE OF COMMUNAL HOUSE The harmony between sculpture and architecture:
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•
Sculpture of village temple is the voice of the decorative arts in the village, it was nice that arise from working more structural surplus (more architectural beauty without losing the basic architecture).
•
Most focus on the decoration truss and run under the belly board or picture change in form (hit the hole, touch football, filigree, touching farm ...) positions depending on the architecture
•
Sculpture of village’s communal house is not only the resources to research the history of Fine Arts of Vietnam, but also the resources to research life on weekdays as well as farmers soul of Vietnam. Talking village communal house sculpture also refers to the art of village’s communal house decoration. There is decorative sculpture. The "Dinh" maker is not only proficient in building but also know that adorn "Dinh"and make it more beautiful. That is the reason of Sculpture is so tied to architecture Almost on the architectural components of village communal house are ancient artisans used his skilled hand carved into the model has high artistic value, attracting the attention of people at "Dinh" visit Even the communal house.
• •
THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE REALISM •
•
•
Village’s communal house – Dinh lang is familiar images, stick with the soul of all Vietnamese people, was responsible for the activities, habits and any changes in the social life of the village over the centuries Vietnam .... Especially in village festival occasions, and each time the village. In the premises of the house is usually the tree, shade, courtyard beckons birds to nest. In addition teturlary, depending on the actual village, each village temples can worship the gods, the other by each village church worship, or the worship of the gods according to the ordinance of the king, all relay into a collective super family god, a mysterious force, building trust, hope Vietnam's villages.
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THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE • It can be seen through the Vietnamese communal house engraver of the seventeenth century many aspects of social life: in labor - go hunting scenes, daily life - spouses scratching one another's feet, stone bridges, fighting shields, singing rowing, men and women selflove, drinking ... also pretty much describes the engraver of mandarin class.
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THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE • •
• •
Through the realism of the subject, decoration sculpture seventeenth century Vietnamese village also demonstrates the profound struggle. Under Confucian patriarchy, woman scorned, cheapening “nhất nam viết hữu, thập nữ viết vô”, “phụ nhân nan hoá” .... So women are not coming home village. Yet the village temple sculpture thick woman pictures. They freely express love to her husband, with children, with friends; free fun, singing It can be said, not in a traditional architectural aspirations loving public was strongly expressed as in the Vietnamese village’s communal house. Besides theme celebrates the beauty of women, an art piece of content has become voices denounce contemporary feudalism. That's the name of the paunchy scene sitting on almost collapsed have concubines fan. Landscape with a penalty of village girl pregnant (Phu Lao).
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THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE •
Inside Village’s communal house, you will see the gratitude in measure, ie weight, the referee, "drinking water, remember its source" of Vietnam. But the family of the villagers, but not necessarily the spirit of the village. Moreover, Vietnam inherited many ancient beliefs, original, poetic and very much revered as gods: gods of the hills, the sea god, water god (god Tan Vien) ... in Phu Ninh (Phu Tho) church White Rock god, worship delta fish, snake god ...
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THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE ETHNOGRAPHY •
• •
This orthodox architecture, typical is village’s communal architecture, usually large scale, there is a concentration of talent, intellect artisans, foreman of a region, a country. This orthodox architecture is typical of the traditional architecture of Vietnam It has focused on the strength, the power, wisdom exploited and skillful hands of craftsmen Vietnam.
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THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE •
•
•
The architecture of communal house has the special characteristics such as the humble, simple and balance in architectural shape, but it is inward and harmony with natural scene, based on the viewpoint of "cosmic unity", "yin-yang balance" and "natural integration” Symbolism, metaphor, connotation, sculptural quality of the solution architecture arts organizations , making the works from the contents as containing a form of philosophical, artistic expression, discreetly but profound wisdom. Overview, focuses on the beauty of harmonious proportion, ratio human chain to emphasize the expressive power of a unification of details to make the overall architecture has easily seen through the eyes, just close to the Vietnamese stature.
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CHARTE R2 THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE HUMANITY in Overall, the representation of technology house, the ancient artists were shown directly on the sketch does not work, not elaborate, free of emotional comfort that brings art to a "soul". It is the product of the spirit and nature and stylized, though highly expressive images can sometimes be distorted, stretched funny.
THE IDEOLOGICAL VALUE OF COMMUNAL HOUSE •
You can easily recognize similarities between sculptural Vietnam village home with seventeenth-century Baroque art by the Vietnam folk artists and musicians in the world was reconciling the world to know "dispute torn, popular psychology and strange habits normal vision ".
•
To the seventeenth century, generally visual art, sculpture art home sweet Vietnam in particular has highlighted the rustic feel despite human "habit" of feudal dynasties.
Chạm khắc đình làng với các đề tài “baroque”. Một tổ hợp trang trí bộ vì đình Hoàng Xá, Chương Mỹ, Hà Nội
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CONCLUSION Village’s communal house - a cultural and religious institutions appear at the end of the period of Le, have been scholars who have been studying French since pretty soon, but in the reference frame of the Greco-Roman aesthetic, they have ignored family carving village, without overlooking their true value. Although, the size scale as the square or the national public works but family and village communal house art sculpture forever honor the natural beauty, the beauty of the soul to employees.
CONSERVATION ISSUES
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Nowday, the ancient relics of our country has gone through many renovations, the devastation of natural and human.
“Banyan tree, well, courtyard” of village’s communal house gradually disappear or deformation with modern life
REALITY
The demand of enjoying cultural village also tend to move into the family with the modern media
The cultural value of village’s communal house are disappearing
Village’s communal house currently at risk of losing its role in the community
CONSERVATION ISSUES
CHARTE R3
The rapid growth with the large number of inhabitants and the expansion of land area lead to the village’s communal house is not the center of community activity, replace by: park, culture center, commercial center…
CONSEQUENCE
The village’s communal house is damaged by nature and the structure is degraded because of using rude materials
The village’s communal house is damaged by human (war, use for other purpose: market place, the whereabouts of homeless..) not repaired or repaired so may times and the wooden components also gradually depleted during remodeling. Indiscriminate littering , Ponds was polluted
PROMOTING THE VALUE OF RELICS.
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To preserve and promote the ancient village’s communal house, we need to totally understand the function and value of it.
GENERAL SOLUTION
The village’s communal house has a very important function that is gather and engage members of the village but we don’t discuss to much about that. If we want to preserve and promote the value of village’s communal house, we should place it in the environment of the village
Improvement the quality of the communal house is also a important part
PROMOTING THE VALUE OF RELICS.
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The conservation and promote the relics value of village communal house Promote the role of relic in the society by the general policy. Urban designing should consider to preserving the ancient village’s communal house Assign or establish one or more competent authorities to protect monuments present in its territory Enhance scientific research, engineering, arts and methodology of study to protect the village’s communal house, especially the village house is in danger of fall into oblivion.
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The appropriate solution of legal, technical, administrative and financial: Ensure access to the village’s communal house on the basis of respect the tradition, the manager access to specific aspects of relics - Establishing the training center of relics management. - Establishing the storing center the document of ancient relics. Education, improve the knowledge of people.
CONCLUSION. The village’s communal house is the center of the villager’s belief. Beside, it is the place to meeting of villagers
The function of the village’s communal house is changed, the origin function such as adoring, meeting is fall to oblivion and the recent village’s communal house is just the place to organize the village’s festival
The conservation need to be considered by authorities. It is necessary that there should have research, social study aim to village’s communal house to keep the traditional cultural value.
CHARTE R3
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