Time & Type

time type and

Designed By

tiffany peng

TI M E and

T Y PE Designed By

TIFFANY PENG

A

SPECIMEN of

M i k l 贸 s

K i s

P u n c h c u t t e r To H i s M a j e s t y Linotype Version By

H e r m a n n

Z a p f

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy&z 01234567890&!?()

1 6 8 5

RRRRRRRRRRRRRRRRRRRRRRRRRRRR PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP XXXXXXXXXXXXXXXXXXXXX

j a n s o n

by miklós kis, punchcutter, in amsterdam

T

he designer of Janson, Miklós Kis, is a very famous scholar, type designer, punchcutter, printer, and publisher. Kis acquired instruction in typography and the art of punchcutting from Dirk Voskens, who is also a well-known Dutch punchcutter and Kis soon became known as one of the best typographic practitioner in Europe. In fact, the name “Janson” is a misnomer, because the type were incorrectly attributed to an early Dutch type founder and printer, Anton Janson, who also worked in Leipzig. It was untill 1970s and early 1980s, the research concluded that the typeface was the work of Miklós Kis. Janson was created during the Baroque period. The popularity of the Baroque style was encouraged by the Catholic Church and they argued that art should communicate its religious themes. The style of baroque period used exaggerated motion to produce drama and grandeur in sculpture, painting, literature, and music. Jason was renewed untill 1952. In 1937, both the Lanston Monotype Company and the Linotype Foundry released their revivals of Janson. Even today, Janson is still extremely popular and widely used. Its spatial economy, excellent legibility, even texture, and strong color contributed greatly to its rise in popularity, and it was continued to be ranked on the best selling type.

Roman & Italic

Dominus illein laro omnium liber rimuos, fuommè in bonus, fummè, & poterins fummè lorem at turpis fapiens, in quemm nullam le cadit mutatiovel conver quollo fion nis obumbratio; à quo per quemu in quemr omnia, in fet pellentesque movemur&sumuis. rncus adfligiia

Dominus illein laro omnium liber rimus, fuommè in bonus, fummè, & poterins fummè lorem at turpis fapiens, in quemm nullam le cadit mutatiovel conver quollo fion nis obumbratio; à quo per quemu in quemr omnia, in fet pellentesque movemur&sumuis. rncus adfligiia

Clarendon is an English typeface designed by Benjamin Fox and Robert Besley in 1845. It is a classic slabserif typeface with heavy bracketed serif, thick stem, horizontal crossbar and bold appearance. Clarendon is considered the one of first registered typeface. Besley

registered it under the British Ornamental Act of 1842.

Clarendon became very famous under protection of the act. After the patent expired, Clarendon was quickly copied by other foundries. Even today, Clarendon is a famous and extremely versatile and popular typeface.

BENJANMIN FOX AND ROBERT BESLET

DESIGN BY

A BOLD DISPLAY TYPE

CLARENDON

FOR

$500 REWARD

WANTED!

BOLD • • • • • • • • • • •

REGULAR

CLARENDON

DEAD OR ALIVE!

$500 REWARD

A B C D E G H J K L N O P Q R S T V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y & z 0 1 2 3 4 5 6 7 8 9 0 & ! ? ( ) ‘ ’ # $ % & " “ ” : ; <

• • • • • • • • • • • • •

Clarendon is also commonly used in wanted poster for criminals of American Old West during the nineteen century.

Clarendon is used extensively by the Government of the German Empire in proclamation during the WWI movement.

LIGHT

WA N T E D P O S T E R

IN PROCLAMATION

WIDELY USED IN ADVERTISING, ANNOUNCEMENTS & DISPLAYS

CLARENDON

Light Light Italic Regular Regular Italic Bold Bold Italic Black Black Italic

p q n o k l m j i h e f g c d a b

Music berg n e d e la. It Vr la Sca yle l r the a o f o r d e at st esign ter Te f old s is d named af joorâ&#x20AC;&#x2122;s seri n ased a b S a as ctly ala M e c w r t S i e n d p F e y F is ing The t lower mplem cala Sans . o d e c r n t a o n t fs Ce ed FF S icple. e seri esign Font. off th e prin g m n was d , FF Scala a i t s t the by cu ce follow typefa ala, simply s e c a f Sc ype on FF rast. Two t t n o the c

90 678 345 2 1 0

() &!?

C

z x y & v w u t r s

b y

n i t r a m r o o j ma

e d n i g s e D

Y Z W X U V R S T Q P N O K L M H I J G F E C D A B

z xy& uvw rst opq mn jkl ghi def abc

A L A S N A 1 9

9 0

featuring three typefaces from three eras

Janson a type from baroque period

Clarendon a type from the industrial revolution

Scala Sans a humanist sans type from the 90s