NATIONAL UNIVERSITY OF SINGAPORE
T I M O T HY O U B. A R C H Year 3 TUTORS Imran bin Tajudeen Florain Schaetz Teh Kem Jin Tiah Nan Chyuan Esther Wong Chin Kean Kok 1
PROFESSIONAL EXPERIENCE INTERN, STUDIOMILOU | Involved in the schematic design for a masterplan development in Thailand.
Singapore | Prepared documents for the multiple projects. Some were in the tender stage, May - September 2018 some were at the design development stage.
INTERN, BENOY LIMITED | Involved in the documentation process for the David Jones flagship stall in Singapore Sydney, Australia May - July 2017 | Prepared documents for the interior sectional elevations for the interior design
INTERN, DP ARCHITECTS | Was involved in the tender process for the new MFA building extension
Singapore | Tested out various schemes to cast bricks in situ through model making May - August 2016 | Produced a 3D Sketchup model from a revised set of shop drawings
SECTION COMMANDER, NATIONAL SERVICE | Developed leadership skills to lead a team of seven through missioned based Singapore scenairos in Brunei, Taiwan and Army Training Evaluation Centre (ATEC) May 2013- March 2015 | Point section commander to navigate the Fourth Singapore Infantry
Regiment Battalion of 400 men
INTERN, DP ARCHITECTS | Did model making for Hanoi Hotrin Strip, part of a master-plan competition Singapore | Went site-visiting to Republic Polytechnic January - May 2013 | Rendered sketches of perspectives using Photoshop
education NATIONAL UNIVERSITY OF SINGAPORE | Current year: Year 4
Singapore | Current CAP: 4.44/5 2015-2020 (expected) | Dean’s List: Year 3
| Masters in Architecture (expected)
ST JOSEPH INSTITUTION INTERNATIONAL | IB Score: 39/45
Singapore | Achieved an A on the Art Extended Essay 2011-12 | Extended Essay Topic: To what extent do green buildings incorporate
sustainbility and yet fulfill aesthetic expectations? | O Level Score: 16 points
ANGLO CHINESE SECONDARY | Participated in the Singapore Youth Festival (Gold Award) and the Australian Singapore Music Festival (Gold Award) 2011-12
Awards
DRIA |Won the Architectural Excellence Award for the international competition,
Singapore DRIA (Designing Resilience in Asia) 2017 August 2017
NUS | Presented the Dean’s List award for the first academic semester in 2017/2018 Singapore Feburary 2019
TIMOTHY OU +65 8228 4976 timo_ou@hotmail.com 2 Lantana Avenue
2
SKILLS
3D Modeling 2D Drawing Model Making Drone Piloting Photography Guitar Piano
MODELLING Sketchup Rhino Grasshopper ArchiCAD Revit
LAYOUTING Photoshop Illustrator InDesign
RENDERING 3DS Max - Vray Artlantis
LANGUAGES
English Fluet Chinese Spoken German A1
Individually, I tend to see situations and opportunities through an objective lens. I feel that taking a step back to view a situation allows for the mind calm down and process complex information more readily. I feel that this objectivity allows for me to make decisions with a clear and composed mind, being constantly aware of my actions. My working frame of mind can very technical and rigorous. I like to understand the issue from a wholesome and complete view before taking the next step forward. I believe in collaborating with motivated individuals that share different ideas, working together to challenge each other in the hope to create and innovate. I value opinions and appreciate bouncing off ideas one another to spur each other on during times where it may feel that we have completely exhausted all possibilities. In the second year of architecture school, I realised how the design process can become very draining due to the immense pressure from your tutors, the lack of sleep and food and the limited potential of your own individual capacity. I am very thankful for the invaluable studio mates that I have been surrounded with, making me realise the importance of teamwork in the field of design.
3
CONTENTS Community Themed Competitions
01 02
Designing Resilience In Asia (DRIA) - Architectural Excellence Award Place and Displacement Compeition
Technology Themed Competitions
03
SIA AkinSkin Competition
04
Lafarge Holcim Competition
Speculative Themed Competitions
05
4
Marsception 2018
National University of Singapore Design Projects
06
Teak and Mahogany | Reinforcing the Inbetween
07
A New Market Prototype for Holland Village
08
Community Museum for Beach Road
09
Musician’s Dwelling for John Cage
Internship Experience
10
studioMilou - Schematic Design
11
Benoy Limited - Documentation and Tender
12
DP Architects - Preparation for Tender
5
A NEW VERNACULAR FOR SEMARANG
6
Video link: https://vimeo.com/251270565
01
C O M P E T I T I O N - Designing Resilience In Asia (DRIA) Architectural Excellence Award
This project attempts to address the speculative situation of the present to future effects of the success/failure of the government’s efforts in resolving the floods. It proposes a prototypical implementation which occurs in phases which focuses on the community’s development economically to prepare them for future expansion/response to possible floods. Development will focus on improving the core services on site, such as basic sanitation, sewage, rubbish disposal and community service spaces through the implementation of a community-led intervention called the ‘Pendopo’. The Pendopo will be strategically placed across the site distributed according to different Rukun Wargas (RW) on site. The Pendopo is a community space which addresses 3 main aspects: Exchange, Education and the Community. It creates a metaphysical connection across the whole site which advocates the genus loci and heritage of the site. It acts as the model for how the prototype housing can be constructed. Concurrently, the coastal regions will be populated by Bakau mangrove plantations, which would act as a sustainable construction material for building foundations. Team members: Nijel Hong, Kevin Chandra, Rahmat Khairudin, Timothy Ou, Jason Cheong Secondary team members: Anthea Phua, Emma Lau, Goi Yong Chern Supervisors: Dr. Imran Bin Tajudeen, Dr. Junko Tamura 7
MICRO INTERVENTION
8
-
THE PENDOPO
9
MACRO INTERVENTION
10
-
M A N G R O V E S AS S I G N A L S
11
THE PENDOPO
-
EVOLUTION OF 2 DIFFERENT FOUNDATION SYSTEMS
12
HOUSING CATALOUGE
-
EVOLUTION FROM DIFFERENT FOUNDATIONS
13
GREEN ZONE Growth of Vegetation & Development of Community
14
15
BROWN ZONE Vegetation Disappears & Preparation for Flood
16
17
BLUE ZONE Housing Transitions & Adaptation
18
19
20
02
C O M P E T I T I O N - KAKUMA
REFUGEE CAMP
This was a competition intitated by the IDEATION committee to explore the possbile solutions to the refugee crisis that has impacted many people around the globe. The brief assigned to the competition was to design a marketplace for kakuma camp, located at the northern part of Kenya. The title of the competition is called place and displacement - a marketplace in refugee settlements. Our group adopted a sustainble approach that placed importance on the wider social-economic system at large. Our proposed scheme sees the transition of a fast growing plant - bamboo from a plant into temporary shelter and then into the final architecture through participatory design. The metobolistic transition between each stage is essential in creating a long term, bottom up solution. The final architecture was not the primary focus of the scheme, but rather to tackle the social and economic needs of the refugees.
Team members: Nijel Hong, Kevin Chandra, Rahmat Khairudin, Timothy Ou Supervisors: Ng Sanson, Junko Tamura 21
Credit: Nijel Hong 22
23
24
25
26
03
C O M P E T I T I O N - FACADE
AS FIREWALL
It is understood that architectural skin (commonly known as the façade) acts to protect and shelter us from the harshness of nature. A building’s façade could extend and negotiate with its surroundings and it could amalgamate into the architecture it shields. Here we push the idea of façade as not a physical manifestation, nor a spectacle to be seen but rather a codified entity with no real presence. Yet it has a real effect in that it retards the interchange of information of all else within the ‘protected’ domain and the external environment: the creation of a firewall ultimately aims to create a haven where people may reside in privacy both digitally and physically, where the home, due to being cut off from the digital system, becomes liberated from the system. Our scheme is a response to this lack of privacy, where one is never ‘digitally private’ per se. What we suggest however is not so much a physically built façade, but rather the implementation of a digital firewall as a façade.
Team members: Nijel Hong, Hogen Oswald Salim,Timothy Ou Supervisors: Ng Sanson 27
28
29
30
04
C O M P E T I T I O N - RETROFFITING
A TROPICAL FACADE
This project explores the adaptation of increasingly outdated B2 industrial buildings (heavy manufacturing and warehouses) in Singapore by retroffting the facade. Stemmed from a 3D printing assignment that ensued the exploration of facade design through additive manufacturing, we project the future efficacy of such technology to allow whole facades to be printed on site. Retrofitting improves natural ventilation and day-lighting levels of interior spaces, creating a new course for industrial buildings that have the ability to change according to performative outcomes, ensuring sustainbility. Through the manipulation of hyperbolic arches - strucutrally rigid but flexible we experimented with the form of the facade, ultimately creaing a facade that can reach pre-determined performative index.
Team members: Nijel Hong, Kevin Chandra, Mary Koh, Ong Wen Yiong, Hogen Oswald Salim,Timothy Ou Supervisors: Florian Schaetz 31
32
33
COMPETITION
34
-
3D P R I N T E D M O D E L
COMPE TITION
-
INTERIOR SPACE
35
-
COMPETITION JOINERY SYSTEM
A -
B -
MODULE TO DOORHEAD
Detailing credit: Oswald Hogen Salim 36
MODULE TO SL
1
:
50
LAB
A
B C -
GROUND DETAIL
C 37
COMPETITION
- FUTURE PROJECTION
Construction phase
Projection of how construction is carried out while previous facade is being taken down
Rendering credit: Kevin Chandra 38
The future
Future projection of on site 3D printed/ retrofitted facades
39
40
05
C O M P E T I T I O N - RETROFFITING
A TROPICAL FACADE
The great migration With the abundance of resources , the colony on Mars has exceeded human expectations. The rapid advancment of technology has allowed for additive manufaturing to create living spaces efficiently that reanact the lifestyles back on earth. We have achieved this on Mars through a system of scaffolding structures that create an endless possbility for growth. A system of continous progress through the construction of a city on another planet prove again that the current schema of progress has yet to show its side effects. It works ... or does it? The age of humans continue to reign supreme despite the physical limitation of being grounded to Earth. The strive towards the ‘new’ has remained as the spirit of discovery for the benefit of many generations to come.
Team members: Timothy Ou, Nijel Hong, Kevin Chandra, Christopher Chia,Hogen Oswald Salim 41
42
43
44
0 6 D E S I G N - Teak and Mahogany | Reinforcing the Inbetween Teak and Mahogany It is a brand that converts a design idea into a product under one integrated inhouse team. It specializes in outdoor furniture and is marketed according to different themed collections. In recent years it has ventured into the indoor furniture market scene that partner with the best possible manufacturers either from Denmark or from Indonesia to produce the best quality products that is backed by common-sense, originality, creativity and functionality. Different scales of Inbetweeness The architectural proposal seeks to create a spatial environment for Teak and Mahogany. The architectural element of the roof is investigated that seeks to create different scales of in-between. The element of a suspended roof investigates the potential for this ‘in-betweens’ to occur on 3 scales. In between large massing zones In between smaller volumes In betweenness within the volume Additional role of the retail tyology. Singapore faces the threat of large capitalistic developers seeking acquisition and redevelopment of buildings in the retail sector. Given a new opportunity for a retail space to be built within a residential area, this space could be used as an avenue for local shops i.e. metal framing, textiles and ceramics to be protected by a larger local brand. There can be spaces allocated for these shops and a collaborative space for T&M to share their design expertise through workshops and discussions. The incentive for T&M would be an opportunity to enhance their already diverse portfolio. Design 3102: Individual Project Supervisor: Cheah Kok Ming 45
INTRODUCTION
-
PROCESS MODELS & DIAGRAMS
Architectural Strategies
1. A big roof as served and serviced
3. Staircase as structure 46
2. A big roof as a volume
4. Suspended volumes as landings
INTRODUCTION
-
FINAL PROPOSAL PROCESS
External rendering
4 Zone Massing
Overall cutaway axonometric
Circulation system
Break down massing
Structural System
HVAC system
Landscape spillover
Logistics system
Envelope and drainage system 47
FINAL DRAWINGS
Site Plan
48
-
PLANS
Level 1 Plan
Level 2 Plan 49
FINAL DRAWINGS
-
P E R S PE C T I V E S & S E C T I O N S
Local shops bazar
Frontal section and elevation view
50
Side entrance into Teak and Mahagony
51
FINAL DRAWINGS
-
P E R S PE C T I V E S & S E C T I O N S
Teak and Mahagony intrior retail space
Complete section 52
Teak and Mahagony retail space
Cut away axonometric
Collaboration area
Local shop space 53
FINAL MODEL
Final model - View 1
54
Final model - View 2
55
56
0 7 a D E S I G N - Masterplan A New Market Prototype The proposed masterplan will provide homes for approximately 1500 new residents with enough urban farms to feed all of them and more! The plan here is to bolster Holland Village’s name as a trendsetting culinary hub by providing the resources and infrastructure it needs to do so. It consists of developments for the processing, storing and selling of vegetables as well as institutes of learning for urban farm technology and culinary skills. In all, this expansion will serve as a testbed for new urban farming and gastronomical techniques.
Design 3101: Masterplan project Team members:Filip Karol Zientek, Koh Mun Yen, Mitch Goh Jie Chern, Ou Shi Loon Timothy Supervisors: Chin Kean Kok 57
MASTERPLAN
58
- PHYSICAL MODEL
刀䔀匀䤀䐀䔀一吀䤀䄀䰀 䌀䄀刀 䰀伀吀匀 倀伀吀䔀一吀䤀䄀䰀 唀匀䔀刀匀 倀刀伀倀伀匀䔀䐀 匀䤀吀䔀
59
-
MASTERPLAN CONTINUED
MARKET EXTENSION
FARM INSTITUTE CULINARY INSTITUTE SOHO
FARM LOOP AND MARKET INTERSECTION
ROAD NETWORK CARPARK
FARM LOOP CONNECTS THE RESIDENTIAL AND COMMERICAL EXTENDING THE EXISTING MARKET
MARKET AND PUBLIC SPACE CONNECTION
MARKET AND FARMING CONNECTION
MARKET ACCESSIBILITY
MARKET AND FARM LOOP INTERSECTION
60
61
Chosen site from above masterplan
62
Decreasing food secuirty
0 7 b D E S I G N - A New Market Prototype This project is a proposal for a new kind of market structure in Singapore that addresses the pressing needs of food security. Singapore is a nation that is heavily dependent on food imports from Malaysia, New Zealand and Australia. However, this was not always the situation and we were self-sufficient in the 1950s. Presently, the farming industry is concentrated in the North-Eastern part of Singapore which has created a divide between producers and consumers. The architectural proposal is to establish the importance of both traditional farming and high-tech farming integrated under one market place. This integrated system in Holland Village is a test bed for this prototype to be replicated across URA’s demarcated urban design locations in the masterplan. High-tech farming is the way forward for high-yield production given limited land area. However, traditional farming is also needed to educate Singaporeans, allowing residents to take ownership of their own individual food security. Sky Greens is a farming company that aims to utilise vertical farming to address the needs of food security in Singapore. It utilises 1000 towers, each with 38 tiers of vegetables to produce 800kg of vegetables per day. Using this calculation, I estimated that this architectural scheme will be able to produce about 370kg per day.
Design 3101: Individual Project Supervisors: Chin Kean Kok 63
A NEW MARKET PROTOTYPE
64
-
MODEL
INTRODUCTION
-
PARTI DIAGRAMS
BRINGING PRODUCERS CLOSER TO CONSUMERS
PRODUCERS
CONSUMERS
2017 Bringing Producers closer to Consumers in 2017 DIAGRAM 1
A FARMING NETWORK
PRODUCERS
EDUCATIONAL FARMING NODE
2025 A Farming Network in 2025 DIAGRAM 2
Growing
Harvest Visual Connection
Package & Process
SINGAPORE MARKET
Physical Connection
HOLLAND VILLAGE MARKET
DIAGRAM 3
Production Cycle
Turf Wholesale Market Entrance to Masterplan
Restaurant
Proposed Market
Existing Restaurant
Existing Food Court
DIAGRAM 4
Site Relationships 65
INTRODUCTION
-
P A R T I D I A G R A M S cont.
Market Traditional Farming High-Tech Farming Administrative Support
Building Admin supports farming
Food and Waste Transmission
Packaging & Process
Market Stalls
DIAGRAM 5
Main Systems at Work
HOLE VOLUMES Market Traditional Farming High-Tech Farming Administrative Office Staircase Core INCLINE
DIAGRAM 6
Architectural Strategy and Programmatic Relationships
High-Rise Farming to maximise Yield Production
Market Traditional Farming High-Tech Farming Administrative Office
DIAGRAM 7
High Yield Production
Market Traditional Farming High-Tech Farming Community Farming Accessibility Administrative Office
Event Space
DIAGRAM 8
Structural System vertical supports the incline
66
PROCESS MODELS
1. Architectural strategy
- The incline
2. Vertical massing for Commercial farms
3. Adjusting Massing to site forces
4. Structural tectonic development 67
A NEW MARKET PROTOTYPE
North Elevation
East Elevation
North Sectional Perspective 68
-
SECTIONS
69
-
A NEW MARKET PROTOTYPE SECTIONS
Physical Model
First Floor Market
70
Achitectural Visualisation First Floor Market
71
Level 1 Plan
Second Floor Rendering 72
Level 2 Plan
Close up Model Detail 73
74
08
D E S I G N - COMMUNITY
MUSEUM
The planar form of the architectural intervention aims to integrate with the existing HDB as a circulatory non-space for the community. The gallery spaces are fragmented around the building so as to build movment through the various allocated programs. A large emphasis of the design was placed on the definition of what a community is. This created a spatial guide for the intervention to respect the past and present memories of the site. The exercise of any future developments ought to be sensitive to the particular site. The simplified architecutral vocabulary of simple planes and walls accentuate the materiality and structure in a subtle manner. This planar architecture allows for a structural system that reduces the need for a post-beam construction. This emphasizes the quality of walls and the architectural value that it possess.
Design 2102: Individual project Supervisor: Teh Kem Jin 75
-
D E S I G N D E F I NI N G A C O M M U N I T Y
Shared accustomed space
A
1
B
2
Start point
end point
3
C
4
D
scale 76
1:400
legend Informal foot paths Sheltered walkways Five footways Shared accustomed space 77
-
DESIGN CONCEPTUAL FRAMEWORK
fragmentation
of memory through time
past
infrastructure & ameneties
communal nodes
pathways
present
conversations
architectural interventions
future
78
voice & influence
79
-
DESIGN VIGNETTE
80
81
-
DESIGN PARTI EXPLORATION
Fragmentation Langauge The fragmentation of this pure form occurs on two stages. The first is the systematic division of the square into a 3x3 grid. This draws in contrast to the organic fragments that fall off from the intersection points of the grid.
Fragmentation manipulation The first level of fragmentation starts to oppose the 3x3 grid, developing primary and secondary spaces within the confines of the square. The second form of organic fragmentation continues to fall off from the larger volumes.
Fragmentation and Structure This parti explores the strucutral potential to continue this idea of fragmentation. It takes the central circular nodes as an anchor point for poles to penetrate down to the lower floor. This poles start to create a langauge of fragmentation through tectonics expression.
Sectional sketch 82
-
DESIGN ARCHITECTURAL DEVELOPM ENT
Planes and Structure The final scheme parti is a proposal that integrates the planar langauge of fragmentation with the strucutral qualities of walls. The planar elements create primary and secondary zones areas of compression and release. This creates a sense of movement through the intertwined spaces
Strucutral plan
Architectural parti
Final architectural form 83
-
D E S I G N P R O C E S S of O R G A N I S A T I O N
84
85
-
DESIGN FINAL DRAWINGS Section 3 Unloading bay
Toilet
Toilet
Toilet
Director’s Office
Store room
Artist workshop
Meeting Room
Section 2
Bedroom
Art archive space
Multipurpose hall
Living room
Roof Garden
Outdoor Gallery
Outdoor workshop Museum shop
Gallery
Section 1
Gallery
Toilet
Indoor workshop
Toilet
Outdoor workshop
Roof Garden
Gallery Entrance lobby
First floor plan
Section 1
Section 2
86
Section 3
Cafe
Roof Garden
Second floor plan
Toilet
87
-
DESIGN CONSTUCTION DETAILS OF KEY SPACE
Detail 2 - Suspended ceiling
Scale 1:10
Detail 3 - Green roof with eaves
2
Detail 1 - Foundation to suspended oor
Scale 1:10
1 88
Sectional Perspective
Scale 1:10
Detail 4 - Green roof connection to false ceiling
Scale 1:10
3
4
89
Scale 1:25
-
DESIGN OVERALL MODEL
Plan view
90
Frontal perspective
Western elevation 91
-
DESIGN CONSTRUCTION MODEL
Second floor
First floor
92
Actual model size: 1200mm in length
-
DESIGN CONSTRUCTION DETAILS
93
94
09
D E S I G N - M U S I C I A N’s
DWELLING
Design 2101: Individual project Supervisor: Tiah Nan Chyuan 95
JOHN CAGE - TOTEM ANCESTOR INITIAL READING
Totem Ancestor is a contemporary piece that features sounds coming from a prepared piano. The unique sounds that emerges creates a complex mix of layers that induce a variety of confused feelings towards this piece. My parametric reading of this piece of music allowed me to form a hypothesis between the relationship of the rhythm and the intervals of each note relative to the next. Spatially, I translated this relationship between a sense of disorder within an ordered framework, through the use of a datum. My emotive reading of totem ancestor engaged with feelings of being entrapped, however, with a strong sense of direction. I felt that this feeling of being trapped was closely related to the dissonant intervals, musically referring to minor second intervals. However, I felt a strong direction leading out of this trapped spaces.
Parametric - Dissonant Intervals
Emotive - Entrapment 96
Parametric - Rhythm and Accents
Emotive - Entrapment with direction 97
FINAL DRAWINGS
98
99
SECTIONAL PERSPECTIVE
100
101
102
1 0
I N T E R N S H I P - studioMilou Singapore
The best part of working in studioMilou is the opportunity to work directly with the director. This was a good breather for me especially interning in bigger firms like DP Architects and Benoy before, which at first glance might be seen as being corporate businesses. Therefore, working directly with JF himself was an interesting opportunity that I was ready to take up. Overall, studioMilou is a professional firm that upholds high standards of architectural design by having engaging discussions with the client, engineers and other consultants. The studio embraces design and creates beautiful spaces through details and discussions.
Internship period: (May- July 2017) Director: Terence Seah Team Leader: Ernest Ng Immediate Supervisor: Joel Ho 103
SCHEMATIC DESIGN
104
-
ARCHEOLOGICAL SITE PLAN
SCHEMATIC DESIGN
-
MASTER PLAN
105
106
1 1
I N T E R N S H I P - BENOY
LIMITED
I had the opportunity to be involved in the David Jones Flagship store project spported by a very diverse team. The design theme for the project were to retrofit the existing corner unit with a multi-themed level experience. Each floor was tailored to a specific type of experience for the retail flagship store. I was primarily involved in the documentation aspect, but also helped in resolving some of the designs to meet tender standards. I was in charge of documenting the interior sectional views for all the levels. Below are a selected set of drawings that have been modelled and presented in Revit.
Internship period: (May- July 2017) Director: Terence Seah Team Leader: Ernest Ng Immediate Supervisor: Joel Ho 107
DOCUMENTATION
-
D A V I D J O N E S L E V E L 1 I N T E R I O R PCO R T A L S
D
C
E
D
E
GROUND FLOOR
22.850 m FFL
GROUND FLOOR
22.850 m FFL
GROUND FLOOR EAST - INTERNAL SECTIONAL ELEVATION
2
Scale: 1 : 100
2
GROUND FLOOR EAST - INTERNAL SECTIONAL ELEVATION Scale: 1 : 100
J J
H
G
H
F
G
F
GROUND FLOOR
22.850 m FFL
GROUND FLOOR
22.850 m FFL
GROUND FLOOR WEST - INTERNAL SECTIONAL ELEVATION
3
Scale: 1 : 100
3
GROUND FLOOR WEST - INTERNAL SECTIONAL ELEVATION Scale: 1 : 100
3
5
3
5
GROUND FLOOR
22.850 m FFL
GROUND FLOOR
22.850 m FFL
GROUND FLOOR - SECTION (GENERIC PORTAL)
4
Scale: 1 : 100
4
108
GROUND FLOOR - SECTION (GENERIC PORTAL) Scale: 1 : 100
GROUND FLOOR SOUTH - INTERNAL SECT VUITTON)
1
Scale: 1 : 100
1
GROUND FLOOR SOUTH - INTERNAL SEC VUITTON) Scale: 1 : 100
COP CLIEN
F
G
F
H
G
CLIE
J
H
COLL
J
COL
NOTE
NOT
E E
D
C
D
C
REVIS Rev
Drawings done on Revit
REV
Rev
4
J
4
J
KEY P
KEY 0
SCAL
PROJ 0 6644
QE SCA
TIONAL ELEVATION (LOUIS
CTIONAL ELEVATION (LOUIS
86PRO -1 SYD 664
GROUND FLOOR - SOUTH SECTION (LOUIS VITTON)
5
QE GR 86 SYD ELE
DRAW
Scale: 1 : 100
5
GROUND FLOOR - SOUTH SECTION (LOUIS VITTON)
DRA
Scale: 1 : 100
109
GR EL
SHEET
DOCUMENTATION - DAVID JONES LEVEL 3 INTERIOR PORTALS Drawings done on Revit
1
2
4
3
110
MODULE A PLAN Scale: 1 : 50
MODULE A FRONT ELEVATION Scale: 1 : 50
9
MODULE A SIDE ELEVATION Scale: 1 : 50
MODULE B PLAN Scale: 1 : 50
MODULE B FRONT ELEVATION Scale: 1 : 50
10
MODULE B SIDE ELEVATION Scale: 1 : 50
DESIGN OPTIONS- MATERIAL PALETTE
DESIGN OPTIONS - INTERIOR OF LIFT
111
112
12
I N T E R N S H I P - DP
ARCHITECTS
I was floating around multiple projects during my time at DP studio 1. However, the two main projects that I was actively engaged in was the new MFA extension and the PPCC (Phnom Penh One Park) project. For the New MFA extension, I was invovled in the tender stage of the project where I helped to resolve the final design of the insitu/ pre-fabricated brick facade. This was done by working with physical models and sketchup, to design the most efficient way of creating 1800mm modules. Some modules were difficult to design for due to the limitation of the standard size of the brick. Various possibilities were tested out and were finalised as seen from the photos below. For the PPCC project, I was involved in producing an updated sketchup model that was to be sent to the contractor. I had to counter check the shop drawings with the architectural drawings, so as to ensure the design intention is carried forward correctly by the contractors.
Internship period: (May- August 2016) Director: Angelene Chan Team Leader: Chua Zi Jun Immediate Supervisor: Mark Chng 113
CONSTRUCTION - COUNTER CHECKING SHOP DRAWINGS
114
TENDER- CAST INSITU BRICKS
Prototyping and testing out brick layouts that are cast in situ.
115
116