Architecture Portfolio Draft v1.6

TIMOTHY NIOU 牛承文

建筑设计档案

ARCHITECTURE PORTFOLIO

UNIVERSITY OF OREGON (M. ARCH) GEORGIA TECH (B.S. ARCH)

RESUME EDUCATION Sep 2012 - June 2014 The University of Oregon Portland, OR Master of Architecture Candidate Aug 2009 - May 2012 Georgia Institute of Technology Atlanta, GA Bachelor of Science in Architecture Honors Sep 2007 - June 2009 Shoreline Community College Seattle, WA Engineering Transfer

WORK EXPERIENCE Aug 2013 - Present Quality Bending and Fabrication (QBF) Tualatin, OR Digital Fabrication Specialist: Operated CNC router and laser cutter machines.

Oct 2012 - Present The University of Oregon Portland, OR Communications Assistant: Photographically documented events that occur in and around the University of Oregon’s Portland campus.

June 2008 - Present Freelance

Atlanta, GA | Seattle, WA | Vancouver, WA Photographer and Graphipc Designer: Photographed portraits, sports, events and food. Designed business

cards and logos. Successfully funded a project through Kickstarter.

May 2010 - July 2010 上海论达李林建筑设计有限公司 (R&D Design Group) Shanghai, China Summer Intern: Updated master site plans and involved in SD and DD processes. Prepared presentations and

proposals. Helped translate between English and Chinese.

TRAVEL EXPERIENCE 2001 - 2005 Shanghai, China Winter 2004 Taipei, Taiwan Summer 2005 Beijing, China Summer 2012 London, UK | Paris, France | Holland, Netherlands | Bern, Switzerland Zurich, Switzerland | Munich, Germany

TIMOTHY NIOU | 牛承文 AWARDS / INVOLVEMENT 2013 2012 2011 - 2012 2011 - 2012 2010 - 2012 2009 - 2012 2008 - 2009 2007 2005 2005

Revive Jacmel Health Clinic Competition | Best Interdisciplinary Design Georgia Institute of Technology | Graduated with Honors Alpha Rho Chi Georgia Tech Vitalis Colony | Co-Founder and Treasurer Chinese Student Association | Historian Georgia Institute of Technology | Dean’s List Georgia Tech Photography Club | Equipment Manager Shoreline Community College | Dean’s List Washington State Science Olympiad | Outstanding Senior Scholarship Rock for Charity Concert - Shanghai | Co-Founder and Treasurer American Scholastic Press Association | First Place and Best Front Page

SKILLS Digital Proficient In: AutoCAD SketchUp Rhino V-Ray Grasshopper Arduino Adobe Creative Suite Microsoft Office Familiar With: Revit Ecotect 3ds Max Climate Consultant HTML/CSS Java Python/Jython System Advisor Model Physical

Model Making, Freehand Sketching, Hand Rendering

Rapid Prototyping

3D Printer, Laser Cutter, CNC Router

Photography

Adobe Lightroom, Darkroom, Manual Camera Control, Physical Lighting Set-Up

Language English, Chinese (Mandarin)

REFERENCES Judy Gordon | Former Studio Professor at Georgia Tech | judygordon@k-state.edu | (785) 532 - 5953 Tristan Al-Haddad | Assistant Professor at Georgia Tech | tristan.al-haddad@coa.gatech.edu | (404) 385 - 1830 Suzanne Zuniga | Studio Professor at University of Oregon | suzanne@zuniga-arch.com | (503) 408 - 1405 Hajo Neis | Associate Professor at University of Oregon | hajoneis@uoregon.edu | (503) 412-3731 Sabina Samiee | Communications Coordinator at UO PDX | sabinas@uoregon.edu | (503) 412 - 3729 Donald Genasci | Professor at University of Oregon | dgenasci@uoregon.edu | (503) 412 - 3732 Eddie | Assistant Director of Manufacturing at QBF | eddies@powin.com | (503) 692 - 0430

tniou1@gmail.com (360) 521-0795 11735 NW Winter Park Terrace Unit 303 Portland, OR 97229

Architecture begins where engineering ends.

Walter Gropius

TABLE OF CONTENTS DESIGN STUDIO PROJECTS

1. Library Twentyone 2. VMC Athletic & Wellness Center 3. Solouver, Solar Canopy, Solar Container Unit 4. Oxford Arts Center

DESIGN - BUILD PROJECTS

5. Bridging - Place Branding 6. Thoreau House Solar

COMPETITION PROJECTS

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Jacmel Klinik Medikal

FREELANCE WORKS

8. Core Playing Cards 9. Photography 1

DESIGNSTUDIOPROJECTS

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LIBRARY TWENTYONE PORTLAND, OR | FALL 2013 PUBLIC LIBRARY + SOCIAL SERVICES

Residents of the neighborhood have felt for a number of years that the importance of education and reading have been impaired by the inadequacy of the current library. Similarly, the lack of community meeting space and places for events have reduced the sociability of the neighborhood. An obligation to less advantaged people in the community also led to the realization that the library could be a source for some social services and occasionally to meet homeless needs. The site, which is 150’ x 200’, is at the corner of NW 21st and Lovejoy, a major crossing of two very important streets in the Northwest neighborhood.

This library is a complex building with a number of functions required in the community. In addition to being a repository for a large collection of books, including a reference section and a large reading room for after school study, the library provides services somewhat unusual in community libraries. These include social services offices, a small number of short term homeless accommodations, community offices and meeting rooms, a large community room for general use and a preschool for children ages two to five.

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LIBRARY/BOOKSTORE

TEMPORARY HOUSING

EDUCATION

1/4 MILE RADIUS

PARK SPACE

1/2 MILE RADIUS

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First Floor

Second Floor

Third Floor

Fourth Floor 4’

16’ 8’

6

40’ 24’

PUBLIC EVENT ROOM

MAIN BOOK ROOM

LIBRARY

CAREER DEVELOP CENTER

SOCIAL SERVICE

READING ROOM

TEMPORARY HOUSING LEARNING/ TUTORING CENTER

ENTRY/ LOBBY

NEIGHBORHOOD SERVICW CENTER

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2’

8’ 4’

8

20’ 12’

9

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VMC ATHLETIC & WELLNESS CENTER PORTLAND, OR | SPRING 2013 PUBLIC BATHHOUSE AND ATHLETIC CENTER Recognized as the only glass-walled International Style stadium of its time in the Pacific Northwest, the building was recently added to the National Register of Historic Places." Original plans called for a building made of wood, which is plentiful in the region, but cost and safety factors precluded that. Four large concrete columns carry the building's weight, which allows the walls to be made of glass panels. The lack of interior support gives spectators in a curved bowl a view of the outdoors.

The war memorial consists of two black granite walls below ground level and near the main gate. The names of the dead are inscribed in gold paint, now faded with age. There are no dates given, only the names and an inscription: "To the memory of a supreme sacrifice we honor those who gave their lives for God, principle and love of country".

The primary design concept of this aquatic and wellness center is a box within a box within a box. Each with their own thermal zones and inspired by a selfcontained ecosystem, utilizing natural daylight, water, and vegetation.

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PUBLIC + VISIBLE+ OUTSIDE

Lap pooL therapy pooL wadinG pooL divinG pooL

Locker rooms showers restrooms Gear rentaL/shop

PUBLIC + VISIBLE PRIVATE + VISIBLE

AQUATIC CENTER

PUBLIC + NOT VISIBLE PRIVATE + NOT VISIBLE

BATHHOUSE / SPA

VETERANS MEMORIAL

SERVICES

PLAZA ENTRANCE

FOOD COURT

hot Baths saunas steam rooms FLoat tanks Foot Baths massaGe meditation hot tuBs

RECREATIONAL CENTER

MEMORIAL AMPHITHEATER

PUBLIC BATHS

hard courts cardio machines weiGht machines studio rooms

AIR PLANTS SOIL WATER

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B1 Floor

Ground Floor

Second Floor

10’

40’

20’

12

100’

60’

Pools

Spa

Water Treatment Center Ground Source Heat Pump

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VETERANS’ MEMORIAL Increase the Significance of the Veterans Memorial and feature it as a main piece of the building 360 degree view of the city to help show what the veterans fought for

AQUATIC CENTER

Evolution of the “Light Box”

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SOLOUVER | SOLAR CANOPY | SOLAR CONTAINER UNIT ATLANTA, GA | SPRING 2012 US DEPARTMENT OF ENERGY SUNSHOT INITIATIVE STUDIO As part of the US Department of Energy’s SunShot Initiative, the Spring 2012 studio was able to be a part of a multi-disciplinary studio that was a first for Georgia Tech. This studio worked with mechanical engineering students, the Georgia Tech Research Institute (GTRI) and Georgia Tech’s Center for Biologically Inspired Design (CBID). In addition to Georgia Tech resources, this studio also worked closely with industry partners such as Suniva, and Radiance Solar.

This studio focused on the development of architectural design strategies for the integration of next generation photovoltaic systems through four scales: extra small (playhouse), small (residential), medium (commercial), and large (urban/utility). Each one of these situations presented new and unique challenges with the ultimate goal of eventually making solar energy affordable and appealing to the public.

Michael Fox, Tim Niou, Brittany Porter

Solar Canopy

The intensity and focus of this studio on photovoltaics has allowed for a very deep understanding of the current and future trends of photovoltaic technology.

Fin. 16

TEAM MEMBERS: Michael Fox | Timothy Niou | Brittany Porter

SOL-LOUVER

System Description:

Designing residential systemsThis requires a good amount of custom work--where aesthetics usually outweighs economy and efficiency. The most likely culprits as to residential solar solution, gives the why most homeowners are hesitant when it comes adding solar panels to their homes are either that it is unaffordable up front, too ugly, or both. It also seems opportunity to inhabit spacetounderneath that owners that are able to afford the initial costs are the ones that are more concerned with the aesthetics. a louver system, that integrates also PV solar production into its construction.

Installation Narrative:

It is capable of contributing an architecturOur group attempted to address this issue by integrating PV with “residential accessories” that are typically applied to higher end homes such as decks, patios, ally rich system to a sensitive surrounding. pergolas, gazebos, or even pool houses. Many of these attachments foundwooden to be constructed with isplanks--either wood, metal, or plastic.

Theare major construction very It is a highly considerable system, wherever usual solarpanels are not adequate. site-specific

and needs to be adjusted and

From our various precedent studies, we found that most of them used PV as some sort of shading device. We then began exploring attachments with sun shading constructed on site. The louver cases will louvers and developed the concept forTeam: a patio cover or facade screen.

Invention

be plugged into the constructed wooden o lpanel - L o as u vthe e rlast Tim Niou, Brittany Porter and Michael Fox frame and receive S the Tim Niou Brittany Porter Installation Narrative: action. Which makes PV installation Michaelpure Fox extremely fast. major wooden construction is very S o l - L o u v e r The wooden frame modules as wellThe as the site-specific and needs to be adjusted and Tim Niou cases for the PV modules integrate wiring constructed on site. The louver cases will Brittany Porter Michael Fox Intellectual Property: The wooden case that houses the solarpanel is a unique embodiment.

The Plug n´Play systematic is on all levels very important and should be considered patent-able.

Architectural details like the frameless panel meeting the wood construction are unique as well.

LOUVER SETTINGS The louvers are programmed to track the sun path annually.

They are operated by a simple motor that allows for 180 degrees of rotation.

There are two primary safety modes: one for snow/hail and one for high winds.

be plugged into the constructed wooden Cost Implication and Risk analysis: frame and receive the panel as the last action. Which makes pure PV installation extremely fast.

To make a usefull financial estimationThe one wooden frame modules as well as the cases for the PV modules integrate wiring has to consider theDETAIL surplus on created INSIDE FRAME

Safety Mode | High Winds Unidirectional architectural space, and combine this with Cost Implication and Risk analysis: WIND Tilt down framecover for final electhe cost of a solar -tronic array. connection - Tilt down framecover to maintainance -Tilt down fram to interrupt energy flow

Required Testing and Validation

To make a usefull financial estimation one has to consider the surplus on created architectural space, and combine this with the cost of a solar array.

Safety Mode | High Winds Omnidirectional

Summer Settings | June 21

The next step would be to challenge this Required Testing and Validation design in the windtunnel, and how well the Safety Mode Precipitation all-motorized version would be working.

The next step would be to |challenge this

design in the windtunnel, and how well the / all-motorized version would be working.

Winter Settings | December 21

Areas known for frequent hurricanes and tornados can opt for a two-motor ouver system 17

SOLAR CANOPY This is a system applied to the roof of a commercial building. It maintains the potential for occupying the roof with varying programs. The columns follow the building’s structural grid system. Each panel is structurally connected to adjacent panels either through the arm or the claw and is held together through tension wire. This system is composed of three main parts: the arm, the ‘claw’, and the panels. Each one has potential to be patentable. The combine to also create a patentable wire management system.

The installation process is simple. The existing colum grid will be marked on top of the roof with a non structural tube footing. The structural columns will then be erected on top of those footings and supported by temporary scaffolding. The panels which come preassembled in the claw are placed into the arms on the ground before being lifted up by crane into place on top of the column. Once four columns have been put into place, the tension wire is then installed to stabilize the system.

Brief D

This i a com poten varyin low th Each adjace or the tensio

Inven

Micha Porte

Intelle

This s parts: Each The c wire m

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Solar Canopy Michael Fox, Tim Niou, Brittany Porter

Ponce City Market Solar/Shadow Study Equinox

+10’ Above Rooftop

Michael Fox, Tim Niou, Brittany Porter

Summer Solstice

Winter Solstice

Rooftop Level

Solar Canopy

Month 1 2 3 4 5 6 7 Solarpanel 8 9 10 11 12

Monthly Energy (kWh) 81348.9 96712.4 133045 164969 178227 175123 175005 Frame 166153 screwed 132695 in claw 125610 88654.2 74525.8

Installation Narrative

Arm bolted in column

Solar Canopy

Claw Column

Michael Fox, Tim Niou, Brittany Porter

Fin. Tension cable

Wires

The installation proce Brief Desc existing colum grid w Thiswith is a sy top of the roof a commer tube footing. potential The strf will then be erected varying pro low the bu footings and supporte Each pane pane scaffolding. The adjacent p assembled in or the theclaw claw the arms on the grou tension wi lifted up by crane into Invention the column. Once fo been put intoMichael place,Fot then installedPorter to stab

Intellectua

Cost Implications and Combiner box

Welded Bolted in concrete

Column

ing done in the arms. reduce the time and installation. The pane ezoid panel, but this existing panel techno

Joint

Claw

Arm

Claw sinks into arm

This system parts: the The primary costs wo Each one off-site assembly whe The comb wire mana mounted onto the pa

Required Testing and Column

The primary testing t be done is structural size each of the com

Fin.

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SOLAR CONTAINER UNIT OBJECTIVES Given the task of designing a temporary installation of Photovoltaics (PV) at an urban/utility scale (one megawatt minimum) that can last for a year, a list of general design goals was generated: 1) No ground penetration, 2) Easy deployment and installation, 3) Easy disassembly and repackaging, 4) Transportable, and 5) Maintain usable space.

UPCYCLED SHIPPING CONTAINERS Utilizing upcycled shipping containers will be able to achieve these goals. The containers can package, transport, deploy, and ballast the panels while also protect the electrical components and still have programmable space. Used shipping containers can be acquired at a relatively low cost depending on the condition--often times being at or below the raw price of steel. Their intermodal capabilities allow for convenient transportation globally by freight, trains, boats, and even planes.

SUMMER SOLSTICE

EQUINOX

WINTER SOLSTICE 20

Hinge

Pulley

Container Top

Modified Shipping Container

1

SHIPPING CONTAINER SPECS: Exterior Dimensions: 20' x 8' x 8'6" Interior Dimensions: 19'4" x 7'8" x 7'10" Weight: 4,916 lb Max Cargo: 47,900 lb

Stainless Steel Structural Tube

Pivot

SOLAR PANEL SPECS: Model: Suniva 300W 72-cell Dimensions: 3' x 6' Weight: 50 lb Efficiency: 16%

Cable

Counter Weight

2

Modified Shipping Container

Cable

Counter Weight

Rubber Padding Stainless Steel Plate Compression Springs Shock Absorbing Polymer Rubber Footing

3

SOLAR CONTAINER SPECS: # of PV Panels: 36 Total Energy Output: 10.8 kW Total Panel Weight: 1800 lb Total Racking Weight: 600 lb

Aluminum: 470 lb

Stainless Steel: 130 lb Total Counterweight: 2400 lb Total Container Weight: 9,716 lb Material Weight per Watt: 0.89 lb/W BASIC SYSTEM COST ANALYSIS: Cost of Container: $2000 Cost of Modifications: $2000 Cost of Aluminum at $1/lb: $470 Cost of Stainless Steel at $1.50/lb: $195 Cost of Concrete Counterweight at $100/cu-yd: $61 Cost of Total Actuators: $1600 Total Cost of System: $6326 Cost of System per Watt: $0.59/W MIDTOWN SITE: # of Solar Containers: 328 Total Energy Output: 3.54 MW Potential Uses: Marketplace, Festivals, Conventions, Garden, Construction Site Offices, EV Charging Stations, Climate Controlled Storage OTHER APPLICATIONS: Department of Defense, FEMA/Red Cross

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4

OXFORD COLLEGE MEDIA & ARTS CENTER OXFORD, GA | FALL 2011 UNIVERSITY ANALOG AND DIGITAL ARTS BUILDING The concept that drives the design of the Oxford Arts Center stems from exploring the natural phenomenon of motion. Motion can be visually represented by a shifting or blurring of an object. With the advancement of technology and the foray into digital arts, a blur between analog and digital become more apparent.

Two bar-shaped wings that are offset in both plan and elevation provide the form of the arts center. The wing on the ground houses the analog arts while the wing that is elevated contains the digital arts. The two wings are connected together by a central atrium that incorporates both studios main presentation spaces.

The analog arts wing is a glass box while the digital arts wing is a metal-cladded solid box. The contrast in material between the two wings are then combined in the central atrium space--representing the blur between the wings and the arts.

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Atlanta Oxford

Site Plan

24'

8' 4'

16'

56'

40'

Etymology Motion

Original photograph of pigeon walking.

From Merriam-Webster n.

1. an act, process, or instance of changing place: movement 2. an active or functioning state or condition 3. an impulse or inclination of the mind or will 4. a proposal for action 5. an act or instance of moving the body or its parts

Site Elevation

24'

8' 4'

16'

56'

40'

Synonyms: movement, move, shift, shifting, stirring, stir, change, drift, flow, fluctuation, passage, kinetics, progress, flux

Altered photograph of pigeon walking.

In Physics: a change in position of an object with respect to time; typically described in terms of velocity, acceleration, displacement, and time.

Site Section

24'

8' 4'

16'

56'

40'

23

7

8

6 1 4 5

1. Auditorium Stage 2. Waiting Room 3. Directors Office 4. Staff Office 5. Conference Room 6. Lounge Hall 7. Screening Room 1 8. Screening Room 2

2 3

Second Floor Plan

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10

11

9

13 7 First Floor Plan

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5

6

8 2

Roof Plan

1 3

4

1. Lobby Atrium 2. Main Gallery 3. Rotating/Student Gallery 4. Library 5. Working Courtyard 6. Workshop 7. Analog Studio 8. Mechanical Room 9. Women's Restroom 10. Men's Restroom 11. Cafe 12. Social Courtyard 13. Reflecting Pool (Contemplation Garden)

5

4

2

1 3 1. Balcony 2. Lounge Hall 3. Auditorium 4. Classroom 1 5. Classroom 2 6. Digital Studio

Third Floor Plan

4' 2'

24

12' 8'

28' 20'

South Elevation

East Elevation

Section

Cross Section

12'

4'

2'

8'

28'

20'

25

DESIGNBUILDPROJECTS

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BRIDGING - ADAPTABLE INTERACTIONS PORTLAND, OR | WINTER 2013 PLACE BRANDING OF URBAN SPACES Technology, media and small-scale unitized interventions provide a place for what the 2012 United States Pavilion for the Venice Biennale curators called Spontaneous Interventions. This project will provide a structure via the looseness of adaptive use of the intervention to allow public participation and the needs/wants of their culture to be supported by the built environment. This will be done supporting the various conditions of shelter, sitting, eating, heating, belongings storage, recharging station, wifi, etc but will also support community identity conditions of interaction, namely visible identity and bridging demographics.

The project may consider how to acknowledge the new use of digital media tools including live information (arduino) and provide an interface for this to the public as a way of what Bruno Latour calls ‘attaching’ the architecture to the context of place as a means of architecture becoming alive and not static or as Bjork Ingles calls ‘petrified.’

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TEAM MEMBERS: Srivarshini Balaji | Timothy Niou

http://placebrandingofpublicspace.wordpress.com/

Fabrication Video. http://youtu.be/3aJizVBl4xE?t=3m30s

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TEAM MEMBERS: Grace Aaraj | Jesse Alvarez | Srivarshini Balaji | Haley Blanco | Oliver Brandt Natalie Cregar | Charley Danner | Vijayeta Davda | Hanna Lirman | Timothy Niou | Jenna Pairolero Eli Rosenwasser | Willie Sanchez | Henry Smith | Tina Wong | Sermin Yesilada 9th Avenue

Flanders Street

Everett Street

Davis Street

Couch Street

Burnside Street

Park Avenue

8th Avenue

Broadway Avenue

a

ADAPTABLE CONFIGURATIONS

S E R V I N G Park Ave.

LEANING

E AT I N G

SW 9th Ave

SITTING

SW Stark St

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PARK BLOCKS

SW Park Ave

8th Ave.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

NW Davis St.

SW Washington St

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

DESIGN ELEMEN

POT LUCK IN THE PARK PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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BASIC MODULE

O’BRYANT SQUARE

PRIMARY ROLES: Model Team Leader | Structures Team | Videographer

MODEL PHOTOS

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THOREAU HOUSE SOLAR ATLANTA, GA | SPRING 2012 PLAYHOUSE SOLAR INSTALLATION

The Thoreau House project originally started out as a quick charrette to let the studio get some hands-on experience with designing and installing a solar panel on existing playhouses that were built by another class.

Because of a delay in materials arriving, the charrette was turned into a mini-project for the teams to create working analogs of the more intricate ideas. This project provided an invaluable experience with digital fabrication technology including a 5-axis CNC router, a plasma cutter, drill presses, manual routers, so on and so forth.

This particular design was based off a concept of a book or a briefcase where two panels are hinged along an edge or a spine, allowing for it to have an open setting and a closed setting. One of the primary affordance of this concept was to minimize the amount of roof penetrations necessary. During transportation and installation, the panels are in the closed position.

Once installed into place, the panels are unfolded into the open position, creating a slight awning that.

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TEAM MEMBERS: Michael Fox | Brendan Nichols | Timothy Niou | Brittany Porter | Ronak Vaidya

Installation time-lapse video. http://youtu.be/7jFlB4TVB4I

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COMPETITIONPROJECTS

7

JACMEL KLINIK MEDIKAL

JACMEL, HAITI | COMPETITION SUMMER 2013 GENERAL HEALTH CLINIC Much of this project revolves around building material and cost efficiencies. An effort has been made to reduce cost through using American materials, with reliable construction methods. All of the finishing materials, though, can be locally sourced in Jacmel, including the metal roofing and stucco work, showcasing local talent and giving the community a sense of ownership. Much of the building is so simplistic that it could be constructed with volunteer labor. Window openings may be ornamented with locally-sourced metal work. Close attention has been paid to massing and orientation, as the northern, cooler side opens up more than the hotter, southern side. A locally sourced bamboo screen at the west facade protects from harsh light and becomes a spatial defining element. Light interior finishes throughout brighten spaces, especially in times of potential power outages. The roof captures vast amounts of water, which is gathered in a rainwater catchment tank to the south of the main building, potentially in one of two shipping containers that have been used in transit.

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TEAM MEMBERS: Adam Lawler | Timothy Niou

SOLAR ENERGY PRODUCTION 130 panels 315 watts/panel 40.95 kilowatt system, total EXTERIOR OVERFLOW AREA

59 megawatt hours/year

WAITING UTILITY

HANDICAP BATH

BATH

BATH

average healthcare clinic usage 2 /year 200 kilowatt hours/meters

BREAK ROOM, MULTIPURPOSE

this system 2 187 kilowatt hours/meters /year

PREP, CHECK IN

94% offset of energy usage from grid source: NREL System Advisor Model

STAFF BATH

STERILE PREP

SOLAR ENERGY HARVESTING

NURSE STATION

CHARTS

RECEPTION

LAB

STOR.

EXAM

low pitch, provides an effective backdrop for roof-mounted solar panels that do not require a costly structural racking provide a reliable source of energy, even when the grid is down.

1

2

3

4

5

6

7

8

9

10

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EXAM A

OPERATING

B

RECOVERY

RADIOLOGY

JANITORIAL

EXAM EXAM C

D

E

F

G

OPERATION & EXAMINATION

In this scheme, the west side of the building hold the operating room and supporting functions, while the east side contains exam rooms and supporting rooms, such as lab and radiology.

STRUCTURE

Structure is repetitive, and on a grid system. This reduces cost and enables speedy construction. Six major horizontal members support smaller members and the metal roof above.

Misc. bldg. materials Large framing members Prefabricated walls Solar panels

01

All solar panels, walls, large framing members, miscellaneous building 40’ high cube (40’x9.5’x8’) shipping containers.

SHIPPING METHOD

02

Building materials are emptied from the shipping containers in Haiti, either at the port or on-site.

03

Building materials are shipped to the site via shipping containers, or can be divided up and shipped in smaller vehicles once in Jacmel.

04

Shipping containers can become a permanent part of the clinic. Here, they are lined up in a linear fashion (80’ long, the same length as the building) and they house the water catchment and battery bank, which stores energy harnessed by the rooftop solar panels.

alls will be constructed in Florida (potentially by American volunteer laborers) and shipped to Jacmel in two shipping containers. This approach utilizesything ever that is shipped, including the shipping container, minimizing waste.

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FREELANCEPROJECTS

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CORE PLAYING CARDS A KICKSTARTER PROJECT PLAYING CARDS

CUSTOMIZED PIPS

TUCK BOX DESIGN

PLAYING CARDS

ERLANGER, KY 41018 :: MADE IN USA

FULCRUMSEVEN.COM

DESIGNED BY TIMOTHY NIOU

DESIGN OF BACK

THE U.S. PLAYING CARD COMPANY

FULCRUMSEVEN

REDESIGNED PIP ARRANGEMENT

COURT CARDS

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PHOTOGRAPHY

FREELANCE PORTRAITS | SPORTS | EVENT | LANDSCAPE | FOOD

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TIMOTHY NIOU | 牛承文 tniou1@gmail.com (360) 521-0795 11735 NW Winter Park Terrace Unit 303 Portland, OR 97229

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