Return of the Real Presentation

Page 1

Tory Talayi


 America emerging as the superpower of the world after the cold war  China & India became economic superpowers  Consumer culture booming  Postmodernism was attributed to pessimism and society losing its faith in the workings of government and society  Technological advancements promoted ease of information-sharing  Contact with the “real” becomes mediated and filtered

The Truman Show, 1998


In the Art World…  Art also becomes commercialized  Technology allows for better 3D animation and graphic design  Video artists create complex works

“..society’s excessive consumerism and focus on individual needs and wants, as well as its frenzied hunger for the real, have produced a counter-reaction.”


In Israel…

NOVEMBER 4, 1995



Moshe Kupferman In Memory of Yitzhak Rabin, 1996 Oil in Canvas, 139 x 194.5cm Estate of the Artist


David Tartakover Happy New Fear, New Years Poster, 1995 Offset Print, 70 x 100cm Collection of the Artist, Tel Aviv


Meir Gal Nine Out of Four Hundred (The West and the Rest), 1987 Chromogenic Print 48.3 x 35.5cm Tel Aviv Museum of Art


Hila Lulu Lin, No More Tears, 1994 Video, 2:41 mins. Collection of the Artist

Hila Lulu Lin is considered one of the most interesting contemporary artists in Israel. She focuses on the human body and often uses herself as subject and object. Lin explored how the body can be manipulated, and what happens when the body comes into contact with objects.

Hila Lulu Lin

YouTube YouTube II


Hila Lulu Lin, No More Tears, 1994 Video, 2:41 mins. Collection of the Artist

YouTube YouTube II


Tampopo Egg Orgasm STILL (1985) Movie 1h 54min

YouTube II


Hila Lulu Lin, No More Tears, 1994 Video STILL, 2:41 mins. Collection of the Artist

Tampopo Egg Orgasm STILL (1985) Movie 1h 54min

Lin’s performance determines that in order to have control, one must pay the price of eternal repetition without catharsis (aka masturbation without climax).


The Art of Nir Hod

Nir Hod, Women Soldiers, 1993 Triptych; digital print and oil on canvas, 136 x 100 cm (each), Private Collection


Adi Nes is the son of Mizrahi Jewish immigrants from Iran. His exhibits have been shown from Tel Aviv to San Diego. He is probably most known for his series entitled Soldiers which was criticized for its

homoeroticism

Adi Nes Hagar, 2006 40 x 40in

and usage of dark-skinned Israeli models who are often subject to discrimination for looking "Arab."

Adi Nes


Adi Nes is the son of Mizrahi Jewish immigrants from Iran. His exhibits have been shown from Tel Aviv to San Diego. He is probably most known for his series entitled Soldiers which was criticized for its

homoeroticism

Adi Nes Untitled, 1998 Chromogenic Print, 90 x 90cm Collection of the Artist

and usage of dark-skinned Israeli models who are often subject to discrimination for looking "Arab."

Adi Nes


Israel Hershberg Cows Tongue, 1987-88 Oil on Canvas, 152.8 x 105cm The Israel Museum, Jerusalem


Israel Hershberg Cows Tongue, 1987-88 Oil on Canvas, 152.8 x 105cm The Israel Museum, Jerusalem


Uri Katzenstein Home, 2001 Painted Bronze, Fabric, Height 75cm Collection of the Artist



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