Total Lighting March 2012

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What makes artist-cum-lighting designer, Beau McClellan tick?

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THIS ISSUE

TL MAGAZINE MARCH 2012

09 COMMENT

13

Editor, Gill Anderson looks at events affecting the industry

FOCUS ON NEWS 11 FLOODLIGHT News and appointments together with a handy events diary

FOCUS ON PEOPLE 13 Q&A – THE MIDAS TOUCH Designer of note, Beau McClellan steps under the spotlight

16 OPINION – PAINTING WITH COLOUR Fiona Harkin of Stylus discusses projection mapping

82 THE LAST WORD – MEET LENI Regular columnist, Hugh King looks at the changes to Part L of Building Regulations

FOCUS ON ENERGY EFFICIENCY

20

19 NEWS 20 WARM ENOUGH? The challenge of thermal management for LEDs

25 PROJECT – HEAD FOR HEIGHTS Lighting the municipal building with the tallest tower in the Czech Republic

33 SWITCHED ON Lighting control systems can be used to improve efficiency

39 DECO DESIGN The future for our offices is looking brighter by the moment

FOCUS ON COMMERCIAL

39

49

47 NEWS 49 MEDICAL INTERVENTION Mark Hillsdon looks at the patient and staff benefits of mood lighting

54 PROJECT – GLITTERING SUCCESS Retailer, John Lewis switches on to LED light boxes for its concessions

FOCUS ON SPECIALIST 61 NEWS 63 SEE THE LIGHT Balancing the need for conservation with visitor numbers is a tough job for museums and galleries the world over

69 PROJECT – LIVIN’ ON THE EDGE The challenge of lighting Aerosmith’s US tour

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INTRODUCTION DAY UNDER OR A DAY OUT? Only a month ago, I was waxing lyrical about the end of winter, brighter days to come and the possibility of some sun to lessen our dependence on artificial lighting. Today I’m swaddled like something from a Christmas nativity scene against sub zero temperatures, artic snowfall – and most importantly – dark grey skies of February. So much for that theory!

DESIGN JUNCTION

THE TEAM Editor

Gill Anderson gill.anderson@astongreenlake.com Features editor

Emma Morgan emma.morgan@astongreenlake.com Design/production

Heather Rugeley heather.rugeley@astongreenlake.com Production co-ordinator

An Truong artwork@astongreenlake.com Web development manager

Mitchell Finlay mitchell.finlay@astongreenlake.com Advertising manager

Andrew Stratton andrew.stratton@astongreenlake.com Financial director

Stephen Jones stephen@astongreenlake.com Commercial director

Scott English scott.english@astongreenlake.com Managing director

Jay Boisvert jay@astongreenlake.com

I suppose it just proves how dependant we are on good lighting for our homes and places of work. Here at TL, we’ve been looking at the potential healing properties of lighting – it’s a fascinating subject, which deserves research. Let’s face it, if, by introducing patient-friendly forms of lighting to our hospitals and clinics, we can reduce patient recovery times by even 10 per cent, it would make a huge difference to the beleaguered NHS. And it wouldn’t do those same patients any harm either. Have you ever spent time on a hospital ward at night? I remember coming round from an anaesthetic with a migraine. Unfortunately, the rows of overhead lights were located directly above the bed heads and were all controlled with a single wall switch. The only solution the staff had was to switch them all off, leaving the entire ward, including the patients and their visitors, in pitch darkness.I can’t imagine how the nursing staff coped when it came to dishing out the evening medication or filling in patient charts that night, but the lights remained off and the ward collectively enjoyed its only dark night during my stay. The rest of the time it was brighter than a beach in Ibiza both night and day - hardly conducive to a speedy recovery. When was the last time you visited a museum or an art gallery? If you’ve avoided them since school days and your only memories are of dusty halls, hushed voices and strange, musty smells, its high time you paid your local venue a visit. Lighting technology – particularly the advent of the LED – is turning these bastions of antiquity into modern, must-visit venues for the masses. These days, they’re well-lit, bright spaces that positively encourage visitors. The only potential cloud on the horizon is our lack of knowledge of the effects of LEDs on the heritage that’s on display. We have to hope that the research done to date on the effects of this new lighting means that the artwork and artefacts we enjoy today will continue to be protected for many generations to come.

Gill Anderson Editor

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material, but it is sent at owner’s risk. Due to the nature of the printing process, images can be subject to a variation of up to 15 per No part of TL may be reproduced, cent, therefore Aston Greenlake stored in a retrieval system or Limited cannot be held responsible transmitted in any form by any for such variation. means, without the prior written consent of the editor. TL will © Copyright 2012. All rights make every effort to return picture reserved. ISSN 2047-9573

March 2012

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FOCUS ON NEWS

Floodlight

IT’S A DATE... The ARC Show 29 Feb-1 Mar 2012 Business Design Centre, London

Success beckons Harvard Engineering is celebrating a very successful year after increasing turnover by 50%, winning two prestigious innovation awards and expanding into a purpose-built manufacturing facility. Last April, the company won a Queen’s Award for Enterprise, within the Innovation category, and in November, followed it by winning the Orange Innovation Award, at the Orange National Business Awards in Sherry

www.thearcshow.com

Coutu, Investment Committee, NESTA, who sat on this year’s National Business Awards shortlisting panel, commented: ‘Harvard Engineering scored highly for its innovative wireless street-lighting system.’ Moving into new premises in Normanton, Wakefield is the icing on the cake for the company. The space includes a research and development centre, manufacturing facility, showroom and office space, under one roof.

Fire Safety Conference 6 Mar 2012, BSI, London www.bsigroup.com

Emergency Lighting Conference 7 Mar 2012, BSI, London www.bsigroup.com

EcoBuild 20-21 March 2012ExCeL, London www.ecobuild.co.uk

Prolight + Sound 21-24 Mar 2012 Messe Frankfurt, Germany www.pls.messefrankfurt.com

Hong Kong International Lighting Fair 6-9 April 2012, Convention & Exhibition Centre, Hong Kong www.hktdc.com/fair

Light + Building 2012 15-20 April 2012 Messe Frankfurt, Germany www.light-building. messefrankfurt.com

Guangzhou International Lighting Exhibition 9–12 June 2012, Guangzhou, China www.light.messefrankfurt.com

NEWS IN BRIEF Alliance expands ALUK is to represent Martini Illuminazione Group in the UK. Martini’s Bend collection recently won the Lumen Fortronic Award, and as part of its evolving programme, the company has opened a lighting technology centre in Milan, and showrooms in Rome, Moscow and St Petersburg.

Energy solutions

Thorn has launched a turnkey energy consultation service to help reduce carbon emissions within the industry. Starting with an energy audit, the Thorn team can take full ownership of the energy refurbishment

offering full design strategies and return on investment calculations.

Winning future Abacus Lighting joined forces with Zac Goldsmith MP, to launch a sustainability competition. London schools were offered the chance to win a sustainable lighting scheme provided by Abacus. The winning entry came from 12-year-old Elsa Haughton from Tiffin Girls’ School in Kingston, whose drawing captured the judge’s imagination with its clever use of imagery and sustainability ideas for the future.

To find all the latest news and diary dates, visit TL magazine online

EuroLED 13-14 June 2012, NEC, Birmingham

www.tlmagazine.co.uk

The Professional Lighting Summit 3-4 October 2012 The Grand Hotel, Brighton

Closer links Hess AG and Thorn have reached an agreement for future close cooperation. As a result, Thorn now has exclusive rights to market the Hess brand in the UK & Ireland. The UK Hess team will be integrated into Thorn’s business, while the Thorn sales force will be responsible for Hess products after product training at Hess in Germany. Thorn and Hess have successfully cooperated for two years in Germany, where Hess’ subsidiary, Vulkan, markets Thorn’s outdoor lighting range.

www.euroled.org.uk

Plasa 2012 9-12 September 2012 Earls Court, London www.plasashow.com

www.theilp.org.uk/events/ the-professional-lightingsummit-2012/

OBITUARY Reg Payne, founder of Fotolec Technologies, now known as GlassGuard, has died following a short illness. Production manager, Chris Wright paid tribute to him, saying: ‘Reg Payne will be greatly missed, although never forgotten, by all the members of staff at GlassGuard. ‘Not only was Reg, along with wife Beryl, the founder of the company, he was also central to day-to-day working life and always found time to chat to everybody, make jokes and share stories.’

March 2012

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FOCUS ON PEOPLE

THE

MIDAS TOUCH This month, we’ve managed to track down the mercurial Beau McClellan in order to find out what makes the artist-cum-lighting designer tick Text: Gill Anderson

Q&A

Q. Did you have a conventional

childhood? Where did you grow up and go to school?

No I didn’t have a traditional childhood. My father was a civil engineer and was sent to various places. One of those was the Outer Hebrides, so between the ages of four and nine, I spent most of my days in the wilds, by the beach. I would say it was one of the times that most informed my character today. After that, we came back to Edinburgh.

B

eau McClellan is a big name in lighting design, a really, really big name. In just over a decade, he has carved out a new career working with some of the most respected lighting companies in Europe as well as setting up his own studio and production facility. Moving from his artistic roots as a sculptor, to creating fantastical bespoke fittings that are recognized as artworks in their own right is something McClellan seems to shrug off as not being anything other than perfectly usual. His first commercial collection won him no less than four Red Dot design awards – thought by many to be the most prestigious of accolades, so what next for the man with the golden touch?

Q. Were your parents artistic? Well, my father was a civil engineer, so I get the technical side of things from him, and my mother worked in fashion, running a boutique, so that gave me a creative side too!

Q. I understand you trained as a sculptor. Do you still sculpt? Yes, I did train as a sculptor, and I do still sculpt. My preferred material to sculpt in is forged steel.

Q. That could be seen as a far cry from lighting design, although I believe the transition was via a

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FOCUS ON PEOPLE

commission for an artwork that involved illumination. Where did you go to start learning about lighting design? I don’t think it’s such a great departure. I’ve always been fascinated by natural light, and spending so much time in a forge, I always think you can’t get better than a naked flame: it’s a fantastic light source. It was a commission that got me started in lighting design. I had been working with stainless steel and glass. After that first commission, I realised it was something I wanted to get into.

Q. What about the technical aspects? Did you find it necessary to retrain, or do you employ lighting experts to make your designs possible? As an artist I was taking old techniques and producing contemporary pieces of sculpture, so after I decided I wanted to be in lighting, I decided to take a sabbatical to find out more about the industry. It was fantastic. I went to Hong Kong, Milan, Germany and just tried to gain as much information and experience as possible. A real turning point for me was when I visited Euroluce and found German lighting manufacturer, Brumberg’s stand. It was incredible, it was about five or six years ago yet they had this fantastic range of LEDs and fibre optics. I ended up talking to the people from Brumberg and explained how I wanted to be a lighting artist. They sent me a container of just bits and pieces and I spent the next six months playing around with them. Eventually, I built my first ever large-scale chandelier. Brumberg got to hear about it and asked me if I’d do a collection for them and that’s how the Beau McClellan for Brumberg collection came about.

Q. Your first commercial collection won four Red Dot Design Awards. Did that unprecedented level of attention make the job of launching your lighting career easier, or did it add to the weight of expectation? Obviously, it’s great to be recognised for your work. It’s nice to know what I was doing in lighting design was going in the right direction, and yes, it made things easier to an extent. Winning awards is not what drives me though.

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FOCUS ON PEOPLE

Q. Do you work alone, or with a team? No, I don’t work alone any more. I’m travelling so much that I have a team working with me. I have a full team of engineers and an R&D department too. The main design hub is right here in Portugal, as is the assembly hub.

Q. I understand your studio is in Portugal. What area of the country - and why? Surely London, Madrid or New York would be more accessible to the design industry? Maybe, but many people underestimate Portugal as a design destination. There is a lot happening creatively in the Algarve, Lisbon and Oporto - those places would really be among my tips for design cities for 2012. There’s really a lot happening culturally there, from restaurant festivals to music and much, much more. I love it there, it’s so beautiful and inspiring, I wouldn’t be anywhere else. Our design studio is in Loulé, a town in the Algarve. Portugal

Q. I know Loulé well, so can understand why you’d want to be based there. What tends to work for you as inspiration?

I’m inspired by all sorts of things that surround me. For one of my projects – Cardume - it was all about the natural world. Cardume means shoal of fish in

Sometimes inspiration comes very quickly and other times, you have to know when to walk away Portuguese, and here it was about evolving reflections similar to a sun-dappled underwater world. Another time I was flying in to Hong Kong airport. In these high buildings on every floor, there seems to be a different colour of light. Someone will use a daylight tube in their room and then their neighbours down below are using some halogen lights, then the neighbours below them are using LEDs to create an effect in their home. You have these multi coloured blocks of light and I wanted to recreate this by turning the whole cityscape upside down to achieve something very, very special in terms of a light sculpture. That’s how Metropolis, a lighting sculpture for a private residence in Emirates Hill, Dubai came about.

Q. How long, on average does it take you to design a commercial collection? I’ve completed my first product collection, which launched last September at the designjunction event, which was part of London Design Festival. It took around four or five years to develop. We have a base of around nine designs, many of which come as table, wall and task lights to give customers complete flexibility where they can use the products, we can evolve the collection more quickly and we hope to continually add to it. What I’m really coming back to at the moment though is my bespoke work, that’s something I’m looking to develop further.

Q. What are the main problems or stumbling blocks you’ve come up against? One of the main problems I encounter with LED lights is the colours of RGB: the primary red, green and blues. These colours tend to be very harsh, so my team and me have spent a lot of time trying to break them down to make them much more pastel in colour. We take the coloured light and magnify it to make it much stronger, then push it through a hand-ground, optical crystal. Because the optical is frosted on the outside, it dissipates the harsher colours to give us a more pleasing pastel shade.

Q. Have you had any spectacular failures along the way? Yes, of course, but they tend to happen behind closed doors - before I assemble the pieces for a client for instance. We test everything rigorously, and when you are trying to push the boundaries, it’s inevitable some things will not work as you’d hoped. But I believe there isn’t really such a thing as a failure, it’s all experience to make you better as a designer!

Q. What do you think will be the next big development in lighting technology? Everyone’s looking to do their bit for the environment. Specifying products that are more ecologically sound is a massive trend in interiors right now. And that’s where LEDs come in and will develop into a much more mainstream part of the lighting business. It makes sense really; they have so many advantages over halogen bulbs.

Q. What do you believe the future of lighting to be? Flexibility. That’s the key. Customers increasingly want to have something unique when lighting their homes, and LEDs offer a great range of colour options. This is another reason they have really taken off. Nomad, a chandelier concept I first exhibited last year, can be controlled by iPad, so you can have the colour combinations you want. Nomad is also the perfect example of another future lighting trend: democratisation. Nomad is fully modular, you can specify how many elements you want. It’s what we call a ‘plug and play’ approach to lighting. We want people to have fun with it. Just because you don’t have space for the full version, doesn’t mean you can’t buy in to the creative vision.

Q. If you could choose one person to create a piece for, who would it be? Why? That’s easy. It would have to be the late Steve Jobs. For me, he was one of the most inspirational people of our generation and without question, one of the biggest losses to design. He never backed down and made sure every product that went to market was flawless.

____________________________________ Contact: Beau McClellan www.beaumcclellan.com

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FOCUS ON PEOPLE

PAINTING WITH COLOUR Lighting plays a key role in enticing customers into retail outlets. But how can retailers adopt innovative lighting techniques to draw the crowds? Fiona Harkin, managing editor of Culture at Stylus, a B2B intelligence service, highlights some of the latest lighting techniques that are being adopted by retailers

Cutting-edge lighting: Projection mapping and transformative light

M

onumental in scale and spectacular in effect, projection mapping is increasingly popular with brands, creatives and the public alike. It has great potential for use as an entertainment channel, feeding the public’s hunger for more immersive experiences that amuse, delight and inspire. It is often used in urban environments and its experiments in pure colour and abstraction reflect a growing need to energise city streets. It is also a way to transfer the boundless creativity of the Internet – as well as its infinite space – into the real world. Projected light is being used to transform threedimensional objects and architectural structures. Buildings appear to have a moving surface, and geometric objects appear to change shape, due to projection mapping digital graphics onto their surfaces. With endless possibilities and appeal, it is not surprising that projection mapping techniques and displays have been adopted by brands across the world to transform buildings, such as urban retail outlets and museums, into creative and enticing displays. Existing spaces are being reinvented with permanent installations that affect the colour and quality of light in them. Projection mapping promises unbeatable viral content and is popular with brands (most commonly used to suggest creativity, technology and speed) as it is capable of projecting any image and message in numerous different ways. Both mimicking reality and undermining it, projection mapping is essentially subversive, using buildings and objects as a canvas (albeit a canvas that is not necessarily blank). It represents the expansion of the physical through virtual space – a timely topic. Another lighting technique becoming increasingly popular in the commercial world is transformative lighting. The use of coloured light to alter the perception of a physical space is increasingly making us question how we see the world that we live in. Artists, designers and architects are using immersive or projected colour to challenge what we know about our surroundings. Existing spaces are being reinvented with permanent installations

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Artists, designers and architects are using immersive or projected colour to challenge what we know about our surroundings that affect the colour and quality of light in them. Coloured gels that tint light in buildings immerse visitors in colour, while allowing them to view the altered world around them. A grand example of using coloured lighting and projection mapping to promote a brand was for Bombay Sapphire. In June 2011, Drive Productions used a striking mix of pure, branded colour lighting for Bombay Sapphire’s ‘Project Your Imagination’ campaign: the three-minute-long display was projected onto Battersea Power Station.

___________________________________ Contact: For further information on Stylus, or to subscribe, please visit www.stylus.com

March 2012

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ON SP

SO RED

BY

FOCUS ON ENERGY EFFICIENT LIGHTING

news E N E RG Y E F F I C I E N T

Kudos Business Technologies has been acquired by Office Canopy Group

Efficient ballasts Helvar has launched the HID electronic ballast range to satisfy the increasing demand for energy efficient lighting and prevalence of electronic ballasts in modern luminaires. The range comprises EP-h electronic ballasts for 20W, 35W, 70W, 100W and 150W metal halide. The EP-h fulfills the need for high-quality, modern and compact luminaires that operate with an increased efficiency on previous models. It ensures low energy consumption with its A2 energy efficiency classification and the energy savings with EP-h are clear and measurable when compared with traditional magnetic ballasts. ‘With the new ballasts, we have industry-leading efficiency figures that are compatible with the complete power range across three ballast sizes,’ explains Helvar’s Kelvin Lay. The small, lightweight ballasts offer additional advantages in storage and transportation, further reducing the carbon footprint of the product.

JOINT FORCES Pixled has been appointed as the official distributor for Radiant’s Linx products in key European countries. For almost two years, Pixled and Radiant have been i nvolved in an on-going co-development agreement, with Pixled selling Radiant’s L-series Linx products. Pixled general manager, Bart Van der

OCG is focused on business savings driven by technology. We believe LED represents a revolution in lighting solutions that is set to fast become the most efficient, cost effective and practical source of lighting,’ commented OCG chief executive, Doug McLean. The acquisition builds on OCG’s success in the business product commodity sector and significantly strengthens its new specialist lighting division. ‘This is a natural fit for us, and complements our business model for delivering cost savings and efficiencies to our customers,’ McLean added. Building on the success of the acquisition, OCG has announced an exclusive deal as sole UK distributor for LED technology products from Taiwanese manufacturer, NeoPac Optoelectronics.

ANOTHER LED FIRST Beken said: ‘We’re delighted with this official appointment, which recognises that Pixled has the right contacts, resources, infrastructure and mind-set to take the Linx brand forward.’ Sales manager, Roel Peeters has joined the team in anticipation of the increased business that the dealership will generate.

LED Engin demonstrated the first single LED emitter capable of halogen-like dimming at Strategies in Light, California last month. Using a single emitter and constant current source, together with standard 0 -10V dimmers, the colour temperature of the light will get warmer as it dims.

The LED emitter changes from 3200K at maximum output to a warm 2400K glow when fully dimmed. This halogen-like dimming is particularly useful in hotels, restaurants and bars, where the technology can deliver the right ambience for levels of brightness.

March 2012

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EVERLED are the proud sponsors of...

FOCUS ON ENERGY EFFICIENT LIGHTING

news E N E RG Y E F F I C I E N T

Kudos Business Technologies has been acquired by Office Canopy Group

Efficient ballasts Helvar has launched the HID electronic ballast range to satisfy the increasing demand for energy efficient lighting and prevalence of electronic ballasts in modern luminaires. The range comprises EP-h electronic ballasts for 20W, 35W, 70W, 100W and 150W metal halide. The EP-h fulfills the need for high-quality, modern and compact luminaires that operate with an increased efficiency on previous models. It ensures low energy consumption with its A2 energy efficiency classification and the energy savings with EP-h are clear and measurable when compared with traditional magnetic ballasts. ‘With the new ballasts, we have industry-leading efficiency figures that are compatible with the complete power range across three ballast sizes,’ explains Helvar’s Kelvin Lay. The small, lightweight ballasts offer additional advantages in storage and transportation, further reducing the carbon footprint of the product.

JOINT FORCES Pixled has been appointed as the official distributor for Radiant’s Linx products in key European countries. For almost two years, Pixled and Radiant have been i nvolved in an on-going co-development agreement, with Pixled selling Radiant’s L-series Linx products. Pixled general manager, Bart Van der

OCG is focused on business savings driven by technology. We believe LED represents a revolution in lighting solutions that is set to fast become the most efficient, cost effective and practical source of lighting,’ commented OCG chief executive, Doug McLean. The acquisition builds on OCG’s success in the business product commodity sector and significantly strengthens its new specialist lighting division. ‘This is a natural fit for us, and complements our business model for delivering cost savings and efficiencies to our customers,’ McLean added. Building on the success of the acquisition, OCG has announced an exclusive deal as sole UK distributor for LED technology products from Taiwanese manufacturer, NeoPac Optoelectronics.

ANOTHER LED FIRST Beken said: ‘We’re delighted with this official appointment, which recognises that Pixled has the right contacts, resources, infrastructure and mind-set to take the Linx brand forward.’ Sales manager, Roel Peeters has joined the team in anticipation of the increased business that the dealership will generate.

LED Engin demonstrated the first single LED emitter capable of halogen-like dimming at Strategies in Light, California last month. Using a single emitter and constant current source, together with standard 0 -10V dimmers, the colour temperature of the light will get warmer as it dims.

The LED emitter changes from 3200K at maximum output to a warm 2400K glow when fully dimmed. This halogen-like dimming is particularly useful in hotels, restaurants and bars, where the technology can deliver the right ambience for levels of brightness.

March 2012

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FOCUS ON ENERGY EFFICIENT LIGHTING

WARM ENOUGH? It has become the leading light source, and the name on everyone’s lips - the LED. As the technology continues to be at the forefront of major installations, Simon Leggett, managing director at OCG Lighting, discusses the challenge of LED thermal management

2011

was a landmark year for the lighting industry. With the EU-wide ban on incandescent lamps finally coming into force, widespread adoption of LED technology became inevitable. Industry and media alike backed the move, from a Carbon Trust report encouraging businesses to switch to LEDs to save up to 50 per cent on energy bills, to the BBC predicting that LED technology could dominate the lighting market by 2015. The media’s backing of LEDs is down to more than just timing. Behind the headlines there have been rapid technological advances, as manufacturers design more efficient and reliable products than ever before. A key milestone in this development

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for widespread applications has been engineering a solution to the challenge of thermal management.

Thermal junction: a road block to high performance? LEDs are solid-state semiconductor chips formed of substrate materials which, when electrically charged, allow current to flow from the positive side to the negative side of the chip, in one direction. When the charge carrying electrons recombines with electron holes within the substrates, energy is released in the form of photons (light) and heat. The point at which the photon is released is known as the thermal junction and it is desirable to maintain the thermal junction temperature at, or below 60˚C. For every degree increase in thermal junction temperature above this optimum, there is an exponential increase in the degradation of the LED and its components, resulting in reduced useful life. In order to achieve a broad spectrum of white light, blue LEDs are more commonly coated in a phosphor of varying thickness and colour, the quality of which contributes to the quality of light emitted, but also increases the build-up of heat at the thermal junction.

March 2012

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As the luminous efficiency of LEDs increases, the increased heat generated as a by-product needs to be ever more carefully managed Thermal management of the heat generated by LEDs is vital to ensure consistent and stable light output. As the luminous efficiency of LEDs increases (the lumens generated per watt of power consumed), the increased heat generated as a by-product needs to be ever more carefully managed. Several factors develop as heat escalates within the LED. The forward voltage begins to decrease, which can increase the load on the LED driver components. The forward current also increases in resistor driven circuits. Continuous rising temperature will degrade the phosphor coating, which will shift the optical wavelength, resulting in white LEDs losing their colour stability and appearing more bluish. Additionally, high thermal junction temperatures and overall thermal increases in the driver components will reduce the luminous efficiency of the LED, reduce light

output and accelerate lumen depreciation, thereby shortening useful life. It’s therefore vital to efficiently and effectively transfer heat rapidly from the LEDs’ thermal junction and surrounding components. Ultimately, uncontrolled thermal rises will result in total failure of the LED and driver components.

Too hot to handle: understanding the problem Thermal management begins in the LED ‘platform’: the composition of LED chips mounted on a silicon wafer base. The materials used in the construction of this platform (including the adhesive) determine how effectively heat can be initially transferred from the thermal junction. The quality of the chip, and of the platform assembly, is key to the success of the

thermal management process. A high quality platform assembly will allow good heat transfer through to the main thermal management system of the unit, the external heat sink. A high degree of developmental work has been undertaken in the LED industry to maximise the effectiveness of the external heat sink. The heat sink’s primary function is to expand the surface area necessary to quickly and efficiently dissipate the heat conducted from the LED platform. The material composition of the heat sink directly influences the efficiency of this process. Certain materials have a higher thermal conductivity, and a lower thermal resistance than others. For example, copper has high thermal conductivity and would be an optimum material but is costly. Aluminium is the most commonly used material, but its thermal conductivity is nearly half that of the copper. The design of the ‘fins’ of the heat sink is also important to provide maximum surface area and optimum thermal airflow, while maintaining structural integrity and shape within specific dimensions to ensure functionality.

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Heat can be effectively pumped away from LED junctions

It is as important to dissipate heat effectively from the LED platform, as it is to dissipate heat from the driver and its components. The smaller the unit, the greater this challenge becomes.

How to handle the heat Most LED products with a passive heat sink operate at a thermal junction temperature in excess of 80˚C or higher and therefore reduce to 70 per cent of their luminance after 25,000 to 30,000 hours. Liquid cooling technology or active heat pipe technology allows a far greater dissipation of heat, which ensures that the thermal junction temperature is maintained at or below 60˚C. OCG’s NeoBulb uses a patented thermal management system: the NeoPac Universal Platform (NUP). An LED emitter is assembled, which comprises a specified number of LED chips directly mounted onto a silicon substrate with high thermal conductivity. This is then covered with a plastic cover that also serves as a secondary optic. The emitter is mechanically mounted onto the light engine using a highly conductive thermal interface material. This engine is a copper heat pipe, housing a sealed, double-walled capillary system with a single droplet of water encapsulated in it. The heat pipe is then sandwiched within a high quality, aluminium heat sink. Heat is conducted from the LED chips through the silicone substrate and thermal interface material into the head of the heat pipe. The water droplet within the pipe heats up, evaporates, and runs along the length of

Thermal management of the heat generated by LEDs is vital to ensure consistent and stable light output the pipe, drawing heat away from the emitter. The aluminium heat sink surrounding the pipe draws heat from the water and disperses this to ambient through its fin design. The water within the pipe condenses and runs back along the length of the pipe within the capillary tube, re turning to the emitter. The process of rapidly drawing heat from the emitter continues in this fashion, thereby providing an active and highly efficient thermal management system.

A bright future Effective and efficient thermal design is imperative if LEDs are to achieve widespread adoption. Heat pipe technology is an optimum solution, ensuring product longevity and ultimately better user value. This technological breakthrough, combined with increased market interest, means that the future of LED lighting certainly does look bright.

_____________________________ Contacts: www.ocglighting.com www.neobulb.com

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12020Rob ANOLIS - inzerce A4 ArcSource.pdf

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HEAD FOR HEIGHTS

The famous City Hall Tower, a highlight of Ostrava’s Marsaryk Square, has been revamped by Czech lighting designer, Petr Kolmačka as part of an energy saving scheme instigated by the local town council

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n energy saving Anolis LED lighting scheme designed by Petr Kolmačka has been installed to highlight the famous City Hall Tower in Ostrava, the third largest city in the Czech Republic, and the administrative hub of the Moravian-Silesian region. The city has a strong commercial heritage based on the heavy industries that grew up around its high quality black coal deposits, discovered in the late 18th Century. More recently, it has launched a big initiative to clean up the environment and control the many years of accumulated pollution, reinventing itself as the ‘City of Colours’, highlighting its equally rich history as a centre of innovation, creativity and education as a major university city. The city’s first civic lighting scheme – City Hall - is helping to create a new cultural identity for Ostrava. City Hall in Masaryk Square is the largest municipal building in the Czech Republic with a tower reaching 85.6m high, inaugurated in 1930. The tower’s steel frame is clad in copper produced by the Vitkovice Iron and Mining Company, and weighs 155 tonnes. An observation deck at 73m offers commanding views of the city, and there is a clock on each of the four fascias, just below the viewing platform. Kolmačka, Anolis’ brand manager for the Czech and Slovak Republics, who also studied in the city for six years, was approached six months ahead of the actual installation. He proposed that the four fascias of the tower would each be illuminated with a single Anolis RGBCW ArcPad Xtreme, one of the most powerful Anolis LED flood fixtures currently available.

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FOCUS ON ENERGY EFFICIENT LIGHTING

The city’s first civic lighting scheme is helping to create a new cultural identity for Ostrava

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One fitting provided even light distribution across the entire surface area of each elevation – even given the challenging texture of the copper cladding. The faces are washed with a selection of beautiful colours, including the standard day-to-day selection, which is a combination of eight cyan, blue and white scenes, based on the vibrant colours of Ostrava’s logo and other colours stipulated in the client’s specifications. City Hall staff have the flexibility to change the colour of the tower lighting for special occasions, such as festivals and other public events. The Anolis ArcPad Xtreme is a special outdoor fixture with two independent LED modules. The LEDs are densely populated, providing an extremely bright light output, and an IP 67 rating makes it ideal for exterior applications. The combination of RGB and white LEDs delivers a quality of white light, rarely equaled in competitive products. Secured around the top of the observation deck are 20 units of Anolis ArcLine Outdoor Optic 40MC (multi-chip), so the top can either be matched or contrasted in colour to the elevation. Two Anolis ArcPower 360 drivers power the LED units, which are controlled by a Cyber Cue system, pre-programmed with the sequences that change every 30 seconds. The lighting is programmed to switch on at dusk and off at dawn, and runs right through the night.

______________________________ Contacts: Anolis Lighting Solutions www.anolis.eu

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PRODUCTS > ENERGY EFFICIENCY

IGUZZINI

0044 01483 468000 | www.iguzzini.co.uk Crown the new urban lighting system from iGuzzini. The positions of the arms which support the optical assembly distinguish the various versions of the system: central for the symmetrical optic and lateral for the asymmetrical and street optics. The luminaire design is flexible and manageable, perfect for integration into the most diverse of urban architectural contexts. The range comes with a wide range of light sources such as LED, Metal Halide, Cosmo White and High Pressure Sodium, along with a variety of professional optics including street optics that can be remotely managed or with “smart” electronics individually programmed. The symmetrical optic versions have a patented flux recuperater that ensures that the arms do not cause any shadowing on the ground.

EXLED

01453 756361 | www.exled.co.uk/solara/nova

NICK MAILER LIGHTING

01403 713670 | www.nickmailerlighting.co.uk Nick Mailer Lighting has a wide experience of specialist lighting and crystal installations having completed many projects in the uk, europe,and throughout the world. We would be delighted to discuss your project no matter how big or small! Swarovski Crystal lights: Combining imaginative cuts of pure crystal to transform the humble down light into a beautiful sparkling point of light. Crystal starry skies: Let your imagination run wild, create an array of light patterns, imitate a starry sky, or write your name in lights! Fibre Optic: Bespoke systems made to your exact specification upon request.

Office Lighting that doesn’t cost the earth - the Nova LED panel The Nova, Exled’s 39 Watt LED ceiling panel is quick and easy to install, has three independently controlled sections allowing it to be used with a variety of lighting controls creating a truly bespoke solution. The panel is 600x600 and is lightweight with a slim profile that can be recessed or surface mounted. Full illumination is instantaneous and comes in a choice of colour temperatures. Ask us about our full range of Commercial LED lighting designed for offices, corridors, canteens and meeting rooms.

Crystal Star Led: Combining the latest Led technology with cut crystal tips. Crystal Panels: These individually designed works of art in which any motif can be created in crystal. Panels can be illuminated with led or fibre optic. Walkover Led: Stunning and highly water resistant ip67 rated wall or floor mount led’s.

CRESCENT IPHONE APP

01635878888 | www.crescent.co.uk

Now you can quickly find the right LED light fitting by using this free to download app. It shows the complete Crescent Lighting LED product range in a simple and easy to navigate way. Features 1. Easy to use 2. Works with iPhone, iPod and iPad. 3. Works without internet connection 4. Full product catalogue 5. Email data sheets 6. Contact Crescent as well as UK and International distributors 7. Request a full hard copy or PDF catalogue 8. Up-to- date project information 9. Optional data update when online

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I LIGHT

01923 495496 | www.ilight.co.uk Smart apps and Ethernet Gateway deliver new levels of hand held lighting control for iLight Cooper Controls has introduced new Ethernet Gateway devices alongside a range of smart phone applications for use with both wired and wireless network devices. Users can now select and operate lighting scenes, modify and save changes and even password protect areas from unauthorised access using a handheld device. The same access is also available from any PC connected to the EG2 allowing users to make selections and changes via a built in web server. Ethernet Gateway and iLight Remote iPhone® apps bring simple intuitive lighting control to both commercial and residential users alike.

March 2012

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Think YEG Opto for LED Engines Whether bespoke or standard, use our expertise to get it right first time: LED Modules and Engines Design-in Assistance Prototyping Conductive Thermal Solutions Drivers and Control JRC

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Advance is a leading provider of energy efficient lighting. Our innovative Electra LED Light Panel is 50% more energy efficient than the fluorescent alternative. The product fits into a standard ceiling grid and has a range of uses, including hotels, offices, retail stores, schools and hospitals. Advance has fourteen years’ experience providing lighting solutions to a variety of customers in a range of industries, including retail, refrigeration, point of sale and transport. Our experts will work with you from concept to manufacture, developing lighting that meets the requirements of your business. Save energy now: call Advance on 01332 865777 or email us at sales@adv.uk.com www.advancelighting.co.uk Advance Lighting Ltd, 76 Commerce Street, Melbourne, Derbyshire, UK. DE73 8GP

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PRODUCTS > ENERGY EFFICIENCY

B&T LIGHTING

01507 328031 | www.bt-lighting.co.uk B&T Lighting is at the forefront of the LED revolution and is now a proud UK Partner with Digital Lumens. B&T Lighting now offers one of the most energy-efficient high-bay and mid-bay lighting solutions on the market. Only the Digital Lumens’ Intelligent Lighting System integrates next generation LEDs, networking and software to reduce lighting-related energy use by up to 90%. Built for industrial facilities and deployed in rugged environments, the system is designed for lighting retrofits and new construction projects. Facility managers have never had this much control over light delivery and energy use.

TP24

0844 822 8096 | www.tp24.com tp24 are the UK’s leading brand of low energy lighting specifically designed for the domestic market. For 2012 tp24 is offering super low energy LED options across the entire range, with a selection of new replaceable lamp options. All of tp24’s innovative lighting products comply with Building Regulations and sustainable codes, making them the perfect partner for new home builds and soft commercial projects. With its unique, online lamp registration, end user warranty scheme and dedicated UK customer service team specifying tp24 lighting could be easier. See us at ARC V3A, Ecobuild S50, Greenbuild G36 or visit our extensive showroom.

ELSTEAD LIGHTING

Mushroom Lighting Techn 15 Low Farm Place Moulton Park Northampton NN3 6HY 01604790900 07860450093 www.mushroomlighting.c info@mushroomlighting.c

MUSHROOM LIGHTING TECHNOLOGY

01420 82377 | www.elstead-lighting.co.uk

MLT Pre release Panel Light Specification Mushroom LightingPreliminary Technology 01604790900 | www.mushroomlighting.com 15 Low Farm Place

NEW Architectural Range of outdoor lights from Elstead Lighting Elstead will showcase a new comprehensive range of energy efficient architectural products at ARC 2012 under the LUTEC brand. They are modern European designs and all made from high pressure die-cast aluminium construction with UV stable polycarbonate lenses. Paint finishes are guaranteed for 5 years and most products have photometric data available. All models use CREE LED and have super low energy consumption, yet give very high light performance that is cool and safe to touch. Many designs have been created in accordance with the low light pollution level requirements on public buildings. There are many versatile and directional fittings in the range, giving excellent lighting design scheme opportunities. Featured is the SPRILL pillar light. To preview the products visit ARC – stand M44A. Catalogue and Stock available April 2012.

MLT Variable Colour Temperature NN3 6HY 01604790900 Panel Light Specification 07860450093 Model Name, 6060 Panel Light with www.mushroomlighting.com info@mushroomlighting.com DMX Controllable System List Price £999.00 plus vat, net ex works!! Controller required MLT Pre release Preliminary Panel Light Specification Features: Model Name, 6060 Panel Light with DMX Controlling System DMX system controllable Colour temperature adjustable High CRI panel achieving over Features: 5000 Lumen with a CI of 90+ DMX system controllable Colour temperature adjustable High CRI panel a Specifications: 5000 Lumen with a CI of 90+ LED Brand: Lumenmax (Taiwan) Specifications: LED Quantity: 720 PCs  LED Brand: Lumenmax (Taiwan) Power: 83 Watts  LED Quantity: 720 PCs Input Voltage: AC 100-240V

Model Name, 6060 Panel Light with DMX Controlling System Moulton Park Northampton

 Power: 83 Watts Features:

LUCID LIGHTING 01633 877997 | www.lucid-lighting.com Lucid Lighting is pleased to introduce two brand new products, the DS-1 and the NetBox: The DS-1 brings a range of single channel microprocessor dimmers and controllers to its network lighting system. Designed to bring more lighting and building control circuits under the umbrella of the Lucid control system protocol. The compact DS-1 modules can be positioned discretely within wall cavities, ceiling voids, and on/in cupboards. They can control all dimmable lighting loads, e.g. tungsten, low voltage, fluorescent, DALI, DSI, 1-10V, LED RGBW drivers, along with switching for other ancillary devices including assisted living technologies. The NetBox is our Ethernet Network Bridge. Along with a free app downloaded from iTunes, this will turn a smart device into a multi-room, multi-scene controller giving access to adjust all the features and settings of our lighting control system. This includes Zones, Scenes, Timed events, GPS Trip-point events, Home and Away settings and much more.

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 Input Voltage: AC 100-240V

DMX system controllable Colour temperature  adjustable CRI>92 High CRI panel achieving over 5000 Lumen with a CI of 90+  Light Output: 3200 Lumens Specifications:  Color: NW~WW  LED Brand: Lumenmax (Taiwan)  Net weight: 5 KG/PC  LED Quantity: 720 PCs  Power: 83 Watts  Input Voltage: AC 100-240V  CRI>92  Light Output: 3200 Lumens  Color: NW~WW  Net weight: 5 KG/PC

March 2012

06/03/2012 11:22


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Lighting the way with Photo Electronic Control Solutions With over 40 years experience Royce Thompson continues to produce high quality, energy efficient electronic controls for street and amenity lighting. Plus our new manufacturing base in Leeds provides enhanced development procedures to build on our leading product portfolio: l

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Lighting controls you can rely on DANLERS high quality products are ideal for the automatic control of lighting, heating, ventilation or air conditioning loads. All products are easy to install using the existing wiring, so there is no need for a specialist installer - saving time and money. Special versions of products are available, on request, for integrating into BMS applications or for low voltage installations. All DANLERS products are UK manufactured, come with a 5 year warranty and are ideal for: • OFFICES • SCHOOLS & COLLEGES • HOTELS • HOSPITALS • FACTORIES • CORRIDORS • TOILETS • STUDENT ACCOMMODATION • STAIRWELLS • MANY OTHER APPLICATIONS For information or a free catalogue please contact: DANLERS Limited, Vincients Road, Chippenham, Wiltshire, SN14 6NQ. Telephone: 01249 443377. Fax: 01249 443388. E-mail: sales@danlers.co.uk

Or see us on Stand M7 at THE ARC SHOW 2012 Thomas & Betts Ltd, Royce Thompson Bruntcliffe Lane, Leeds, West Yorkshire LS27 9LL Tel 0113 281 0600 • Fax 0113 281 0611 Email roycethompson@tnb.com • Web www.roycethompson.com

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SWITCHED ON Lighting controls for domestic and commercial applications can be used to improve efficiency, says Alice Wright

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raditionally, lighting controls have been used to create moods - and they still play an integral part in producing the desired atmosphere in a home, office or public space. However, today they can also play an important role in creating energy efficient lighting systems by integrating daylight and electric light sources. This not only produces a welcoming and interesting interior environment but also provide flexibility, energy savings and reductions in carbon emissions. Used properly, as well as saving energy, lighting controls will also extend the life of lamps and ballasts. Although lighting efficiency can be improved by changing lamps, control gear and fittings, it is lighting control that can bring really big savings. The most obvious form of lighting control is the switch or manual dimmer, but an arguably better alternative is to switch the lights automatically in response to presence detection. PIR occupancy detectors can be hard-wired into either the luminaires or the marshalling box, and there are solutions for both switch start and high frequency fittings.

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When you talk about efficiency, it doesn’t just mean electrical efficiency. It’s about sustainability and things lasting a long time When combined with daylight linking, even greater savings can be achieved. Again, systems are available for both switch start and high frequency fittings. Simon Tilliard, director of energy at Envido, a provider of energy, low-carbon and sustainability solutions for private and public sector organisations, explains that the advances in lighting controls have made them much simpler to operate, which has increased efficiency: ‘When we’re dealing with a lot of our clients, one of the things that’s quite surprising is how many of them have actually got lighting control systems within their buildings,’ he says. ‘But you still find they’re not operating their buildings efficiently. ‘What I’ve found with a lot of lighting control systems is they tend to be pushed into the corner and they gather dust.’ Where complex lighting control systems have been installed, Tilliard says they have often fallen into disuse because the person who was originally trained to use them has moved on. ‘In many case you might find that they’re on default parameters and you often find that they’ve been set up to be on almost all the time.’ Tilliard says Envido’s approach is to simplify the system. ‘We’re trying to rely more on the intelligence that is starting to be built into the luminaires themselves,’ he says. ‘The fact they have sensing built in, tends to make the system much easier to use.’ He singles out the Smart system by Thorlux Lighting as one that provides consistently good results. Envido turned to Thorlux when carrying out work for Reading Buses - changing all the sodium lighting in its garages to Smart controlled 210W T5 luminares, which created significant savings for the company. ‘They need lighting on for security, but it doesn’t need to be on at full level all the time,’ Tilliard explains. ‘This system brings up the level of illumination as someone is walking to the bus. Once they’re gone, it will turn itself back down again.’ While Envido specialises in commercial applications, lighting control systems can also be used to improve efficiency in homes. Multiload Technology recently supplied a range of innovative lighting control equipment for a domestic barn conversion. Phil Gardner, head of technology at Greyblue Lighting Design, which took on the project, explains that the brief was: ‘to create an atmosphere that would turn a house into a home, to embed well thought out modern ideas to save energy and add value without using complex technology’.

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Left: TL MTBarn Conversion MoodMaker Scene select wall plate. Above: TL Thorlux - Smart pod

What I’ve found with a lot of lighting control systems is they tend to be pushed into the corner and they gather dust Gardner specified Multiload’s range of lighting control systems, including VoltMaster transformers with integrated dimming and the MoodMaker control system. This provides four moods plus full on-and-off for any number of lighting channels. It can control all light sources by providing a 0-10v signal to drive units such as LED drivers, fluorescent ballasts, low voltage transformers, neon and argon transformers. Brian Cuthbertson, managing director of Multiload Technology, explains that using 0-10v drivers in the system results in 100 per cent efficiency, compared to 98 per cent where phase control systems are used. The company believes a major benefit of its MoodMaker technology is that, because it’s analogue rather than digital, there is no software and no complicated programming requirement. And, because the system doesn’t use microprocessors and memory chips, Cuthbertson claims it is not corruptible, so the user will never have to call in a software engineer. ‘When you talk about efficiency it doesn’t just mean electrical efficiency,’ he says. ‘It’s about sustainability and things lasting a long time.’ By developing ‘a new kind of analogue,’ Cuthbertson says they have created a product, which is ‘inherently reliable. A digital system might have 3000 systems but only need 10. What we’re saying is, here’s 10 functions, forget all the rest that may cause corruption,’ he explains. The technology has recently won MoodMaker a place on the shortlist for the 2012 Lighting Design Awards in the Lighting Controls Category. And, while Cuthbertson

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acknowledges that commercial properties, such as offices will tend to opt for a digital control system, MultiLoad Technology is not only for domestic environments. Lighting Designer, AECOM turned to the company while working on the recent refurbishment of St Pancras Renaissance Hotel at London’s Kings Cross. With a focus on preserving the historic atmosphere of the building while adapting its spaces for modern use, AECOM specified MultiLoad Technology’s VoltMaster intelligent transformers and analogue mains dimmers, controlled by its MoodMaker scene setting system. Martin Valentine, who headed AECOM’s lighting design team, said: ‘All the fine area lighting scene controls are via MoodMaker, which is ideal given that it’s a powerful, configurable device which once set will stay 100 per cent stable.’ So, while lighting controls were once clumsy, difficult-to-use systems that often got forgotten, there are now many options for both home and the work place, which can help to achieve the desired lighting effect throughout the day and night, while providing significant savings in energy and money.

______________________________________ Contacts: Envido www.envido.co.uk Thorlux www.thorlux.co.uk Multiload Technology www.multiload.co.uk Greyblue Lighting Design www.greyblue.co.uk AECOM www.aecom.com

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LED BULKHEAD: ZEN Here today, still here tomorrow The Zen has been created to offer an effective solution for utility and amenity lighting. Both asthetically pleasing and hugely effective, the Zen is at home in stairways, corridors and outside building entrances. Designed to be easy to install, with movement and daylight sensors ensuring that the Zen is only illuminated when needed. • Emergency Back up system available • Minimum of 50,000 hours • 3 year warranty • Robust design • IP65 rated

600x600 LED PANEL: NOVA Sharp design, smooth finish The Nova is a recessed and surface mounted 600 x 600 LED panel. It has three light panels that can be independently controlled. A lightweight and slim design using just 39W and producing instant light at 86 lumens per Watt. • Perfect for office lighting • Two colour temperatures available 4500K and 5300K • Minimum of 50,000 hours • Emergency Back up system available • Comes with a 3 year warranty

+44 (0) 1453 756361 sales@exled.co.uk www.exled.co.uk

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DECO DESIGN

Most of us work under typical task lighting. Suspended from the ceiling or directly on the desk, office lighting has hardly been known for its creativity, but, as Emma Morgan finds, the future of the office looks set to change

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he office lighting sector was one of the first to jump on the energy efficiency bandwagon. Usually housed in large commercial buildings, office lighting is generally spread across a large area and left lit for long periods of time. Now it has embraced energy efficient methods, mixing this with decorative design has become top priority. Ulysse Dormoy, managing director of Atrium explained: ‘A lot has to be said about having the right working environment, and as a result we have seen a significant shift in the use of decorative luminaries within commercial and office projects to soften the feel of the space.

‘While standard office and task lighting is still necessary, this can be broken up in a more creative manner using decorative elements.’ In the past, a decorative concept would simply not have been plausible. Faced with challenging maintenance and failure to meet relevant energy regulations, offices have shared static lighting design. Yet, with the development of LED technology, office lighting is finally getting the recognition it deserves – after all, we do tend to spend a majority of the day within the workplace. Dormoy added: ‘We have seen a vast amount of development with LED light sources, and it is not inconceivable to think that the future of office lighting will be LED-based. There are already some

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Above: River Island reception

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FOCUS ON ENERGY EFFICIENT LIGHTING

clients and projects where a high concentration of LEDs have been used. This does not appear to be a trend that is going to be reversed.’ Though we may still be waiting for a change to more decorative lighting elements in the TL offices, many businesses are on their way to a decorative department.

A riveting reception High street fashion retailer, River Island, has revamped the lighting in its London headquarters after approaching Prolight Design to produce a lighting scheme to incorporate triple head gimbal recessed downlighters chosen by the management team. The office complex has recently gone through a re-development with old warehouse areas being made into additional offices, and the refurbishment of existing office space. Megaman’s LED AR111 and Crown Silver lamps were selected for their output, energy saving aspects and appealing design, to provide a warm but modern welcome throughout the reception, corridors, stairwells and office areas. The AR111 LED lamps offer over 50,000 hours of life, and are a direct replacement for halogen spots in terms of both colour temperature and intensity, while providing energy saving of up to 80 per cent. Following the installation of the Megaman lamps, Prolight has calculated an energy saving of 25.584kw, which equals to 13,918kg of CO2.

The future’s bright FUTURE Designs has created an aesthetically pleasing yet modern and energy efficient scheme for Doosan Babcock’s new HQ. The company supplies and constructs advanced steam generation technology for the power industry and is at the forefront of green technologies. It is one of the first in its industry to achieve certification for its Occupational Health Department. Doosan Babcock’s 360-degree approach to the effects of work on health was one reason for

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EVERLED are the proud sponsors of...

While standard office and task lighting is still necessary, this can be broken up in a more creative manner using decorative elements considering the need for a new Group HQ, resulting in relocation to the Crawley Business Quarter. Lighting was an important part of the minimalist design ethos and integral to the overall workplace scheme. In total, FUTURE Designs provided in excess of 1,600 fittings over two floors. A stateof-the-art lighting scheme was required; and its Exempler range provides a modern and vibrant feel. The scheme was designed with energy in mind, incorporating a full smart lighting control system to provide the required light levels at any time of day without the over use of power. David Clement, managing director of FUTURE Designs, commented on energy reductions throughout the working sector: ‘Lighting is the most visible form of energy use within a building, accounting for up to 50 per cent of the total energy bill. While computers and HVAC equipment might also use substantial amounts of energy, nothing is as visible or controversial as a lit lamp. ‘Pictures of empty, lit buildings shining like beacons across urban landscapes are splashed across the front page of newspapers to illustrate wasted energy in cities with little recognition that lighting might be needed for cleaning or security staff and no understanding that in many cases it actually saves energy and money by having lights on at a low level all the time, rather than switching them on and off regularly.’ He concluded: ‘It’s easy to switch the lights on at the start of the day and forget about their impact on the bottom line. But good lighting is a crucial component of both an organisation’s energy policy, an effective workplace and an efficient workforce and should not be neglected. Facilities managers must see the light.’

Above left: TF2 Above: River Island reception

______________________ Contacts: Atrium www.atrium.ltd.uk Megaman www.megamanuk.com Future Designs www.futuredesigns.co.uk

March 2012

06/03/2012 17:06


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PRODUCTS > COMMERCIAL

NICK MAILER LIGHTING

01403 713670 | www.nickmailerlighting.co.uk Nick Mailer Lighting has a wide experience of specialist lighting and crystal installations having completed many projects in the uk, europe,and throughout the world. We would be delighted to discuss your project no matter how big or small! Windfalls: Founded just 5 years ago, Roel Haagmans and Clarissa Dorn have created and overseen the installation of some of the most inspired contemporary chandeliers ever seen. Their experience has been founded with some of the great classical chandelier manufacturers over the last 15 years. The collection is constantly evolving; working in close partnership with our clients creating bespoke designs nothing is ‘set in stone’.

ELP

01403786601 | www.elp.uk.com LD-SM-NM3 Surface Mounted LED emergency lighting downlight The LDE3 range of recessed LED downlights have been very successful for Emergency Lighting Products Limited but customers have asked for a selfcontained unit for surface mounting direct to ceilings. Therefore, ELP has launched the LD-SM range of surface mounted, non-maintained 3Watt LED downlight units with a choice of a wide angle symmetrical lens for open areas or the assymetric ‘Corridor’ lens for escape routes. The LD-SM units utilize a neat white steel box and facia plate fitted with a standard LDE 3Watt downlight and enclosing the LDCK700S emergency driver kit to provide a discrete and attractive self-contained, 3hour duration non-maintained emergency fitting. The 145mm square x 40mm high enclosure has a rear BESA entry and 20mm knock-outs on two sides for surface conduit entry and is very simple and quick to install. With over 100Lumens output and excellent performance the LD-SM units can typically be mounted at approximately 8metre centres for open areas and 11metre centres for escape routes ensuring a cost effective installation.

BEG

0870 8505412 | www.beguk.co.uk Wall Switch Sensors Energy saving can be achieved by simply replacing your existing standard light switches with the B.E.G Luxomat ® 180R wall switches. These units detect movement and switch on the connected lights (if the light level is below the threshold level). These products are available in three wire, or two wire (no neutral) versions. After activation the time delay will be reset by more movement or by SOUND! This combination of motion detection and acoustic sensor in a wall switch product is innovative and unique. This means that fewer products can be used to ensure the required pick up area is completely covered.

MUSHROOM LIGHTING TECHNOLOGY

01604790900 | www.mushroomlighting.com

MLT Pre release Preliminary Alaska

MLT Alaska II 30 Watt Washlight RRP £429.00, ex vat, net ex works Quantity Discounts available Features: Product Name Alaska II 30W Flood Light Suitable for Close Work, Low Energy retail display light Model Number MLT Alaska II Input Voltage 100~277VAC (50~60Hz) Number of LED 30 pcs Colour Temperature 5000~6500K Viewing Angle 120 degrees Luminance Flux (Lm) > 2800 Lm CRI (Ra) > 68 Ra IP Rating IP 65 LED Power Consumption 37W Power Consumption 43W Power Factor > 0.9 Operating Temperature -20 ~ 60 degrees Celsius Storage Temperature -40 ~ 80 degrees Celsius Operating Humidity 20% ~ 85% RH Lifetime 50,000 hrs Weight 4 Kg Dimensions 386 x 140 x130mm

Model Name, MLT Alaska II 30 Watt Wash

RIDI

+44 1279 450882 | www.ridi.co.uk Ridi makes the grade at UCL The refurbishment of the Darwin Lecture Theatre at UCL in London provides the perfect showcase for RIDI’s flagship LED downlight, the EBDTurbo. Providing general lighting in the theatre and adjacent corridors and toilets, the EBDTurbo delivers all the benefits of LED technology – durability, energy efficiency and low maintenance – alongside a high light output level and uniformity of colour to achieve a productive and sustainable environment. EBDTurbo LED incorporates an electromagnetic diaphragm that gently pulses, creating subtle air movement for a convection cooling effect. This ensures that full capacity performance is maintained, even in confined ceiling voids without natural air movement.

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March 2012

Features: Product Name Alaska II 30W Flood Light Model Number KS-FL-P30W01 Input Voltage 100~277VAC (50~60Hz) Number of LED 30 pcs 06/03/2012 Colour Temperature 5000~6500K

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LAMPHOLDER - LIGHTING COMPONENTS PRESSINGS - TURNED PARTS - LED LIGHTING

S Lilley is the leading UK manufacturer of lampholders and lighting components. Our large stocks ensure rapid deliveries of your requirements. We have a full manufacturing capability to produce custom designed components in both pressed and turned formats, which will give your luminaire that individual unique attraction. A friendly family business with a professional approach, where our quality is assured by both LA Code of Practice and BSI Quality accreditation. A copy of our 2011 catalogue can be downloaded from our web-site or a printed copy is available on request

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PRODUCTS > COMMERCIAL

LIGHT SPARK 0845 689 0043 | www.light-spark.co.uk Light Spark are very pleased to announce the introduction of their LED downlight range for 2012. The new UK designed range is IP65 rated so are suitable for zone one bathroom installations as well as standard applications and come with dimmable high power outputs at 9 and 12 watts giving a genuine greater than halogen 50 watt performance. They are professionally finished in chrome, stain nickel or matt white and have extremely positive feedback for build quality. They are priced at £29.99 for the 9 watt unit and £32.99 for the 12 watt unit (before trade discount). www.light-spark.co.uk

HAMILTON

01747 860088 | www.hamilton-litestat.com Fantastic in plastic! Hartland CFX Colours – the addition to Hamilton’s bestselling range Decorative electrical wiring accessories, audio and lighting controls manufacturer Hamilton Litestat has produced a series of new additions to its popular Hartland CFX range – Hartland CFX Colours. The glossy plastic switch plates and sockets replicate every detail of the best-selling metal Hartland CFX collection – even down to Hamilton’s patented concealed fixings system, which gives an even smoother look to the slim, contemporary plates. Available in bright white, jet black and pillar box red, the new Hartland CFX Colours collection has been designed with aesthetics, functionality and value in mind. The sleek finish is attractive and tactile, whilst the practical, robust plastic provides a lower-priced alternative to the metal designs. The availability of the plates in pillar box red is ideal for differentiating particular sockets in commercial and healthcare environments for safety reasons but also provides a fun option for brightly designed residential schemes.

COOPER LIGHTING 01302 303106 | www.cooperindustries.com i-P65 is a weatherproof, high specification, competitively priced emergency LED bulkhead utilising the latest LED and optic technology. i-P65 can be used to provide emergency lighting, as a single sided exit sign or double sided exit sign with a common look and feel where aesthetics are a primary concern. i-P65 has been designed for ease of installation, reduced power consumption, minimal maintenance, reducing the TCO (total cost of ownership). Contact Details: Cooper Lighting and Safety Ltd Wheatley Hall Road, Doncaster, South Yorkshire DN2 4NB Contact: Sales Tel: 01302 303106 E-Mail: james.beresford@cooperindustries.com

LSII EUROPE 01279 874430 | www.lsii-europe.com

EMERGI-LITE

0113 281 0600 | www.emergi-lite.co.uk Space saving EMEX Mini added to range of Central Power Supply Systems Emergi-Lite, a leading life safety solutions provider, introduces the new space saving EMEX Mini to its range of high quality Central Power Supply Systems. The EMEX Mini has been specifically designed for emergency lighting applications where space is limited and includes all the high performance, low maintenance features of the EMEX Power range. With its modular construction EMEX Mini reduces downtime with quick and easy installation and without the need to carry extensive and costly spares. Running costs are also minimised as EMEX Mini operates in a low power mode - so the inverter is not continually running and generating waste heat detrimental to the 10 year VRLA (Valve Regulated Lead Acid) sealed battery life. The EMEX Mini range supports a wide range of Emergi-Lite compatible luminaires including energy saving cold cathode, LED exit signs and downlighters.

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The XHB3 delivers the perfect combination of low energy consumption and high lumen output. Designed for industrial, retail, commercial interiors and engineering workshops, the XHB3 offers you a fixture that can deliver a whiter, brighter light that will increase energy efficiency and reduce monthly energy costs when compared to traditional high bay lighting. Available with 104 and 128 LEDs, the housing has been designed to discourage birds from roosting. The XHB3 includes a 5 year warranty and IP67 optical which virtual eliminates maintenance. For further information please contact Brian Glynn on 01279 874430 or email brian@lsii.co.uk or visit our website www.lsii-europe.com

March 2012

06/03/2012 11:34


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www.lselighting.com Specialists in exceptional lighting configuration, providing creative architectural and decorative explanations for all applications. LSE LIGHTING LTD 6 Great Western Business Park, Mckenzie Way, Worcester WR4 9PT T: 01905 22243 E : sales@lselighting.com

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FOCUS ON COMMERCIAL LIGHTING

news COM M E RCIAL LIGHTING

PART P MADE PUBLIC

Into new territory Abacus has beaten off competition from a Chinese manufacturer to win a prestigious contract awarded by the Hong Kong Highways Department to manufacture and supply nearly 2,500 raising and lowering light columns, as part of a project to light a number of city roads throughout China’s New Territories East Region. Originally designed for the railway industry in the 1960s, the column is now found on almost every station platform across the UK, as well as in sports stadia, airports, ports and construction projects worldwide. Abacus’ vice chairman in Shanghai, Luise Schafer said: ‘By the very nature of the highways environment, maintenance personnel can be at risk when carrying out their duties at height. The raising and lowering system provides safe and controlled lowering of the column via a spring or hydraulic counterbalance, allowing essential maintenance work to be carried out at ground level, thereby improving health and safety conditions.’ Abacus has completed a number of installations throughout China, including Shanghai Pudong International Airport and is currently putting the final touches to an apron lighting scheme at the country’s largest new airport construction project, Kunming New International Airport. Schafer concludes: ‘We’re delighted to have been awarded this contract as it reinforces Abacus’ position in road lighting projects in Hong Kong. ‘The Highways Department has already placed the order for the complete number of columns, and we will manufacture and dispatch quantities as the project progresses. This call off method is very good bread and butter business for the company and we value this relationship very much.’

The Government has launched its public consultation on Part P of the Building Regulations for England, which covers electrical safety in dwellings. ‘We welcome the indication that the Government is inclined to amend Part P, rather than remove it’, says Phil Buckle, director general of the Electrical Safety Council. ‘However, we still have concerns regarding the extent and impact of proposed changes, and we urge people to take part in this consultation.’ The public consultation offers three options for Part P: leaving it unchanged; revoking it: or revising it to reduce the costs and burdens it imposes. Proposed amendments include reducing the amount of smaller-scale work that is notifiable and allowing unregistered installers to employ competent third-party electricians to inspect and test their work. Part P was introduced in 2005 to reduce the number of electrical accidents, deaths and fires in UK homes and improve working standards among domestic contractors. However, it has been criticised for its cost and the bureaucracy it imposes on contractors and building control bodies.

TRIDONIC TAKES CONTROL Tridonic and US manufacturer, Universal Lighting Technologies (ULT), have signed a licence agreement that allows ULT to use patented technologies to manufacture DALI control gear. The agreement has now come into force. In 1991 Tridonic was the first manufacturer to launch digital dimmable electronic ballasts for fluorescent lamps. In doing so, the company laid the foundation for the development of the DALI standard, which is now valid throughout the world. Numerous products and basic patents for this standard, such as digital addressing and digital interface with potential separation, are part of the Tridonic portfolio.

Teaching rivalry Hager has announced a contract with Halesowen College to supply its Sollysta white moulded range of wiring accessories for installation throughout the campus. Halesowen is a high achieving educational institution, with responsibility for providing higher education to 16-19 year olds in the region. Mitchell James, contract manager at IMS Electrical, commented: ‘We have historically used a competitor’s product, but were attracted to Hager. I am pleased with the Sollysta range and especially think that the neutral loop terminal is a good idea’.

March 2012

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TruPort: Always flexible. The new ceiling-mounted supply unit. The UK’s first modular ceiling-mounted supply unit, TruPort simplifies work with its highly flexible modular system and do-it-yourself configuration.

www.trumpf-med.com/en For further details, and to experience the new TruPort in TRUMPF’s world-class medical showroom, please contact 01582 399 201 or sales@uk.trumpf.com


FOCUS ON COMMERCIAL LIGHTING

MEDICAL INTERVENTION

Lighting for medical applications is finally moving away from the harsh and costly glare of the fluorescent tube to something altogether more suited to wellbeing

T

Text: Mark Hillsdon

he days when hospital wards gleamed under the glare of fluorescent tubes are coming to an end. And while it’s LEDs that have, once again, stepped in to offer a more economical option to traditional lighting, there’s much more to the new wave of lighting systems illuminating our hospitals and clinics than just a desire to cut energy bills. Ambient mood lighting, designed to help calm anxious patients, systems that simulate natural daylight, and even fittings that can help fight the spread of infections such as MRSA, are now widely available. Part of the £8m investment programme at BMI Healthcare’s The Park Hospital in Nottinghamshire was spent on a TRUMPF AmbientLine for the hospital’s new critical care unit. This therapeutic lighting system automatically creates individual

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FOCUS ON COMMERCIAL LIGHTING

Below: iLED detail Below right: North Devon District Hospital - ward reception

colour settings to mimic the natural cycle of day and night. The gently changing light helps to keep patients’ body clocks in sync with the normal hours of daylight and night time, and has been shown to speed up recovery time. Oliver Law, managing director of TRUMPF Medical Systems explains: ‘Lighting plays a crucial part in the recovery and wellbeing of the patient. Most clinical areas are flooded by bright, white light and this does little to help patients recover, or optimise staff working conditions. The added benefits of softer, often called mood lighting are the positive effects on patients and those working in the environment, too. ‘When a patient is undergoing surgery, many CT (Computerised Tomography) suites use soft lighting to ensure the patient is completely relaxed during the procedure. An operation is a traumatic experience for most patients, and the right environment and atmosphere is crucial to keeping them calm, which in turn will aid the recovery process.’ Last year, Philips stepped up its research into healing environments by opening a dedicated research facility in Eindhoven. The healing environment concept aims to accelerate and improve treatment outcomes, while simultaneously reducing the stress and anxiety often associated with hospitals. ‘There is an increasing body of evidence to suggest that patient-friendly, comforting environments not only reduce anxiety levels but also promote the healing process itself,’ said Henk van Houten, general manager at Philips Research. One of the concepts being studied uses soothing lighting, and calming video images and sounds to help reduce stress levels of patients who are in the preparation room awaiting a PET-CT scan. This imaging technology is predominantly used to facilitate the diagnosis of cancer and the PET-CT preparation room has been identified as one of the most stressful environments for cancer patients. Philips believes that as people’s access to information continues to increase, a new generation of patients is emerging who know more about their medical conditions and therapy options, and therefore demand greater choice in where and how they are treated. As a result, hospitals are becoming increasingly people-focused, and offering an environment and experience that helps patients cope with a difficult period in their lives is one way in which hospitals can achieve that objective.

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The healing environment concept aims to accelerate and improve treatment outcomes, while simultaneously reducing stress and anxiety

March 2012

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FOCUS ON COMMERCIAL LIGHTING

Back at Park Hill, TRUMPF also equipped the new operating theatres with its adaptable iLED system which, as well as allowing surgeons to change the intensity of the lighting, also allows them to change the colour temperature for different procedures as well as the angle of the unit to minimise shadow. The iLED fittings are mercury-free, only consume between 15-30 per cent of the power of traditional operating theatre fittings and have a life of around 30,000 hours. There is no warm up time either, meaning operations can begin straight away, and because they generate less heat, less ventilation is needed. ‘The use of LEDs also ensures that design can be optimised, and the overall footprint of the lights made smaller,’ explains Law. ‘This is important given the ever increasing need for new types of equipment in clinical environments.’ LED specialist, MHA Lighting has also experimented with coloured and ambient lighting. At the North Devon District Hospital in Barnstaple, part of the North Devon Healthcare Trust (NDHT), traditional 72-watt fluorescents have been replaced with its 4000 Kelvin Tilite 20- and

Above left: Philips PET-CT uptake Above right: BMI The Park Hospital

30-watt LED units in wards, corridors and reception areas. The high colour rendering of 4000 Kelvin is precisely the colour the NHS requires to provide perfect light quality for examining patients, as it depicts skin pallor at its true colour. The company has also developed a bespoke dimming solution for NDHT, which allows fittings to be dimmed down to just five per cent. This has helped the Trust create what it believes to be a better healing environment, in which both patients and staff can control ward lighting levels during sleeping hours. The LED technology is installed as a fully sealed unit to stop dust, bacteria and dead insects from gathering around warm light fittings and contributing to the spread of infection. The LED’s long life span also eradicates the need for routine maintenance and bulb replacement, which again stops harmful bacteria from being distributed into the atmosphere. ‘Medical Trusts are always seeking ways to free up money for clinical care, and the battle against superbugs is continuous,’ explains managing director, Tom Harrison. ‘Not only is the NHS saving money on

March 2012

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Franklite LED solutions:      

Chandeliers Pendant Shades Downlights Standard & Table lamps Ceiling / Wall Fittings Interior & Exterior RGB

The decorative LED luminaire company info@franklite.ltd.uk • www.franklite.net • T: 01908 691818

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FOCUS ON COMMERCIAL LIGHTING

Where we do see benefits of infection reduction is in laminar airflow operating theatres, which manage the downward pressure of air Above: Philips adaptive healing room Right: North Devon District Hospital corridors

operational costs for routine light maintenance, but our LED’s burn 20 per cent of the energy of traditional fluorescents.’ Although light in itself cannot really prevent infection, the design of it can,’ agrees Law. ‘TRUMPF’s AmbientLine, iLED and TruLight operating lights for example, are all designed in a way that ensures contamination is minimal. Flush fittings and smooth surfaces allow for ease of cleaning, while lightweight components make for manoeuvrability to allow cleaning staff to access them fully. ‘Where we do see benefits of infection reduction is in laminar airflow operating theatres, which manage the downward pressure of air. The operating lights have been designed to maximise airflow through their design, and in turn this ensures that ultra-clean canopy systems can work to their maximum effect, and doubtless reduce infection.’ Of course, not all solutions need to be at the cutting edge of technology – some of the most effective ideas can also be among the simplest. Light pull-cords in

toilet areas have long been identified as a potential source of infection, with germs easily transferred to hands. In the past, effective cleaning has been hampered by the multifilament braid design, which enables dirt and germs to become embedded in the cord. Now Actif Hygiene has developed the Biomaster Clean PullCord, with a durable, smooth, wipe-clean coating impregnated with Biomaster anti-microbial technology. The non-PVC polymer coating can be retrofitted and used with standard cleaning products or disinfectants, while the inbuilt protection helps guards against the spread of bugs, such as E.coli and MRSA.

_____________________________________ Contacts: TRUMPF Medical Systems www.trumpf.com Philips www.philips.com MHA Lighting www.mhalighting.co.uk Actif Hygiene www.cleanpullcord.co.uk

March 2012

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T

GLITTERING SUCCESS LED light boxes at John Lewis’ Westfield Stratford City store offer a winning formula for the retailer

he first energy saving LED light boxes to be used in a John Lewis store were fitted around the perfumery department within the new store located right in the heart of Westfield, Stratford City, Europe›s largest urban shopping centre and the gateway to the 2012 Olympic Park. Standard A2 sized Razor LED light boxes were fitted to columns, while bespoke light boxes were fitted to the merchandising units for various brand concessions, including Chanel, Clinique, Dior, Estée Lauder, Lancôme and Yves Saint Laurent. There were also single- and double-sided light boxes fitted to plinths to enable freestanding illuminated displays - which were positioned strategically around the department - to bring the product and promotions closer to the browsing customer. John Lewis approved the use of Razor LED light boxes to supersede the T5 illuminated Katana light boxes in the concessions of its new and refurbished perfumery departments. The sleeker flat profile snap frame, higher brightness and, more importantly, lower energy consumption were winning features for the ultra slim LED light box. The use of low energy LEDs in the fittings will contribute considerably towards the go-ahead retailer’s commitment to sustainability and energy savings. One of John Lewis’ retail designers commented: ‘The new LED light boxes are excellent. W&Co’s exceptional service has helped our success creatively, financially and sustainably by supporting our business case towards a sustainable design approach to branding.’ A number of other John Lewis stores, including Newcastle and Reading, have already been revamped using the LED light boxes, with more stores planned in the near future.

________________________________ Contacts: W & Co www.w-co.co.uk 0845 6 253545 John Lewis www.johnlewis.com

The use of low energy LEDs in the fittings will contribute considerably towards the go-ahead retailer’s commitment to sustainability and energy savings

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info@w-co.co.uk 08456 25 35 45 www.w-co.co.uk

Custom Illuminated Displays | Architectural Lighting | LED Light Walls & Panels | Light Boxes Bespoke Ceiling Light Panels | Illuminated Signs | Large Format Backlit Graphics

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PRODUCTS > COMMERCIAL

HAMILTON

01747 860088 | www.hamilton-litestat.com

Challenge your ‘Perception’ Hamilton Litestat Decorative electrical wiring accessories, audio and lighting control manufacturer Hamilton Litestat’s stylish Perception CFX collection is a crystal clear range of switch plates and sockets. It features completely concealed fixings and has been designed to blend subtly against the wall, allowing the wall covering to be visible through the clear plate. The snap-on front plates allow simple fixing whether on to paint or wallpaper; in the case of wallpaper a template is provided from which a swatch of wallpaper can be cut and inserted behind the front plate for a seamless finish. The switch and socket inserts themselves are available in a range of colours and finishes to complement all types of wall coverings from traditional to contemporary.

GLASS GUARD 01842 763752 www.glassguard.co.uk

LSII EUROPE

01279 874430 | www.lsii-europe.com Built upon our innovative Crossover® LED platform, the XHB delivers the perfect combination of low energy consumption and high lumen output. Suited for a diverse range of applications this luminaire is as happy in a -18oC cold store as it is in an engineering workshop or a sports hall. The XHB3 offers you a luminaire that can deliver a whiter, brighter light that will increase energy efficiency and reduce energy costs when compared to traditional high bay lighting. Available with 104 and 128 LEDs, the XHB has a number of features that cannot be found in any other luminaire of its type: Sensors in the driver and optical unit actively monitor the luminaires running temperature, reducing the drive current in 5% steps allowing the fitting to cool should heat begin to build above its design limit. The optic is sealed to IP67, yet an innovative Teflon® breather valve eliminates pressure build up within the optical unit, preventing damage to the seals and optical array. Our patented integral single air blade heat sink does not trap dirt or debris, ensuring the performance over the life time of the luminaire. The XHB is also available with 0-10v dimming, allowing it to be interfaced to virtually any BMS or lighting control system. We only drive the XHB3 at 450mA, helping keep energy consumption to a minimum and limit the build up of heat. The housing has been designed to discourage birds from roosting. With a full 5 year warranty the XHB3 delivers the perfect combination of low energy consumption and high lumen output without the need for costly maintenance. LSii Europe, the European division of LSi International offer complete design and after sales service. For further information please contact Brian Glynn.

NVC LIGHTING

GlassGuard® Fragment Retention Lamps. GlassGuard® produces Europe’s widest range of fragment retention lamps, providing a solution for all businesses and organisations wishing to eliminate glass contamination and injury from accidental lamp breakage. GlassGuard®’s extensive range of products is designed to provide the highest level of protection for the food production, pharmaceutical, hotel and catering industries as well as public areas such as schools, leisure centres and hospitals. GlassGuard®’s fragment retention coating is applied to a full range of lamp types, including the highly regarded GlassGuard BlackBand® range of fluorescent lamps which are manufactured to IEC 61549 (BS EN 61549) Fragment Retention Lamp Standard.

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0121 457 6340 | www.nvcuk.com NVC, the rapidly expanding supplier of commercial, industrial and exterior lighting to the professional sector, has just released issue 5 of its catalogue. The new catalogue is packed with NVC’s latest products, including a complete new section of LED lighting. New products include a range of LED track lighting, LED panels with DALI dimming and road lanterns with LED or Philips Cosmopolis light sources. Modular wiring has been added for the first time too, featuring a complete range of 3, 4, 5 and 6-pole systems. For your own copy, e-mail NVC on sales@nvcuk.com.

RINGTAIL LIGHTING

01772336335 | www.ringtail.co.uk Ringtail Lighting are a leading manufacturer of emergency lighting products in the UK aiming to create new and exciting emergency. For over 10 years we have been providing standard off the shelf emergency lights and bespoke designed units that fit exactly to your requirements. We understand that sometimes a standard luminaire will just not do and something more decorative is required. At Ringtail Lighting we have extensive expertise in research and development and are committed to bringing you the latest emergency lighting technology. We manufacture: LED Emergency Lighting Standard Emergency Lighting Bespoke/Specialist Emergency Lighting Decorative Emergency Lighting Ringtails Lighting’s new LED Downlights are advanced energy saving luminaires that outperform halogen and CFL. Our TWR range use high-illumination white LED’s in a 50mm diameter housing. It is extremely discreet and is available in round or square formats. Its high output light source together with its low power consumption means we can use a smaller battery pack, giving greater energy efficiency. Specification Available in 3 watt non maintained variants the TWR & TWS luminaires are designed to be used as a stand alone unit that is passed through a 40mm diameter cut out. Consisting of a articulated module and battery pack these and are simply passed through the cut out into the hole above. This unit is the ultimate in concealed emergency lighting and suitable for incorporation into an emergency lighting system complying with BS5266-1:2005. Also available is an intumescent hood to restore the fire rating of the ceiling if required.


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PRODUCTS > SPECIALIST

LEE FILTERS

01264 366245 | www.leefilters.com Building on our experience in film and theatre lighting, LEE Filters offer a wide range of lighting filter products specifically designed for use in the entertainment, leisure and architectural industries. With over 250 colours to choose from, LEE Coloured Fluorescent Sleeves offer you more choice than ever for both interior and exterior lighting projects. You choose the colour and leave the rest to us. Your chosen colour is inserted into a clear polycarbonate sleeves and delivered to you ready to install. Chosen are extensive research among design professionals, the LEE range of Glass Dichroic Filters offers a palette of spectacularly clear, consistent, repeatable colours. The palette includes subtle less saturated tones favoured in architectural use. LEE Specialised Glass Filters include warming filters that give a nice warm tone to cool light sources such as LED’s. Whilst the LEE range of Glass Diffusion Filters offer different densities of diffusion for a wide range of lighting effects. All LEE Glass Filters are available in standard sizes but can also be ordered in custom shapes and sizes. Our popular Honeycomb Louvres reduce the glare from a light fitting. These too are available in custom shapes and sizes enabling them to be used on a number of different light fittings. For full details of our product range please visit our website.

HELVAR

www.helvar.com | 01322 222211

THE LAMP COMPANY

01462 490066 | www.easy-lightbulbs.com Energy saving Casell spiral compact fluorescents Casell brand lamps are exclusively manufactured for The Lamp Company and offer excellent quality at affordable prices. Our Casell 240v 30w compact spiral energy saving lamp is the perfect replacement for a 150w incandescent lamp and could reduce your energy consumption by up to 30%. With a life span of approximately 8,000 hours and an output of 1,700 lumens these lamps combine both efficiency and high quality light output, making them ideal for home and business use. The lamps measure 60x151mm are cool daylight in colour and available as BC or ES.

Lighten up with Helvar at the Arc Show 2012. At the Arc Show 2012, Helvar (stand V3) will be showcasing a series of brand new products that demonstrate its range of expertise in systems product development. Helvar will preview its new 454 dimmer, energy monitoring software, uSee Hub, and an updated range of keypads and an enhanced range of sensors. uSee Hub is a new software package with a range of innovative features for lighting system management. Designed to be used in conjunction with Helvar’s 910 and 920 Routers and compatible with iPad and Android, uSee uses graphical layouts that display real-time energy use and light level settings that can be monitored and adjusted to suit conditions.

MUSHROOM LIGHTING TECHNOLOGY

01604790900 | www.mushroomlighting.com CINEBrick List Price £1999.00/unit plus vat net ex works and includes: • 4-leaf barndoor • 3m long power/DMX multicable • optical DMX isolator In the menu system you can set the dmx address, or change the profiles of rise and fall of light intensity. • 50 degree and 90 degree angle diffusers • two year warranty Specification • This is a splash-proof IP54 lighting unit for movie making, theatrical and TV studio use. • The light output is equal with 500W tungsten lamp at 3200K or 400W HMI at 5700K. • The colour temperature is continuously variable between 3200K to 5700K • As you can see on the pictures 2 or more units are

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March 2012

easily hook together and connectable with a single power and data hybrid cable. • This is the first unit from us with the outstanding Luminus Phlatlight LEDs. • One unit contains 9 pcs. 30W warm-white and Press Pre-release CINEBrick cool-white LEDs. • Maximum power consumption is 180W • Exchangeable Light Shaping Diffusers in 30, 60, 90 degree angles • Absolutely flicker-free due to the very high speed LED driving (12 kHz PWM, and current varying mode) • Manual or DMX remote controlled operation • In DMX master-slave mode there is data transmitting between all connected units for precise parallel operation • Ultra low-noise IP54 protection level, speed controlled fan • Barndoor, cables, several diffusers are included in the price

Mushroom Lig 15 Low Farm Moulton Park Northampton NN3 6HY 01604790900 07860450093 www.mushro info@mushro

Mushroom Lighting Technology

15 Low Farm Place Press Pre-release CINEBrick Moulton Park Northampton NN3 6HY 01604790900 07860450093 www.mushroomlighting.com info@mushroomlighting.com

List Price £1999.00/unit plus vat net ex works and includes: - 4-leaf barndoor - 3m long power/DMX multicable - optical DMX isolator In the menu system you can set the d profiles of rise and fall of light intensity. - 50 degree and 90 degree angle diffusers - two year warranty Specification - This is a splash-proof IP54 lighting unit for movie making, - The light output is equal with 500W tungsten lamp at 3200 List Price £1999.00/unit plus vat net ex works includes: Theand colour temperature is continuously variable between 32 - 4-leaf barndoor - As you can see on the pictures 2 or more units are easily h - 3m long power/DMX multicable connectable with a single power and data hybrid cable. - optical DMX isolator In the menu system you canisset dmx address, change the - This thethe first unit from usorwith the outstanding Luminus profiles of rise and fall of light intensity. - One unit contains 9 pcs. 30W warm-white and cool-white L 06/03/2012 11:39 - 50 degree and 90 degree angle diffusers - Maximum power consumption is 180W - two year warranty


2X26W PL RECESSED DOWNLIGHT EQUIVALENT IN LED!!! 205MM

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CUSTOMER REVIEW Dear Sir,

15th December 2011

E L E C T R I C A L

I am writing to say how pleased we are with the above light fittings. As you know we submitted one of your fittings as a sample to several customers and were immediately awarded orders to install them in various locations with different uses. We have used the emergency version in a shower room as it has an IP65 rating, we have also used them in the dimmable format in the Audio Visual room allowing the client to adjust the light level to suit the particular situation. All the clients have been delighted with the results. They have been particularly pleased with the intial costs of these units and also the potential savings on running and maintenance. We have searched for some time to find an LED light fitting that comes at a sensible price and performs well. In todays difficult market this fitting definately gives us an edge.

WARM WHITE 3000K 1950 LUMENS 75 LPW

NEUTRAL WHITE 4000K 2200 LUMENS 84 LPW

COOL WHITE 6000K 2300 LUMENS 88 LPW THIS PRODUCT SURPASSES PART L COMPLIANCE FOR DOMESTIC DWELLINGS - 45LPW COMMERCIAL APPLICATIONS - 55LPW

3 HOUR MAINTAINED EMERGENCY VERSION AVAILABLE FROM STOCK

Regards, Colin Gowers Director Pelican Electrical Limited

NICEIC Reg No. 018812 PELICAN ELECTRICAL LIMITED | T: 01483 429 580 OR 07850 291 712

T: 01707 663 883 | W: www.orlight.com


Lighting Not to your liking, too bright or do you need to bring some colour into your life?

TRANSFORMATION TUBES Filter sleeves for fluorescent tubes convert standard tubes into a rainbow of colours. The cost effective way to create the ideal environment, be it for decorative, protective and corrective purposes. Colorap filter sleeves are manufactured to fit T4, T5, T8, T12 and now compacts in various lengths. A prompt service is our standard, not our objective.

Tel: 01737 373483 Email: sales:@transformationtubes.co.uk Web: www.transformationtubes.co.uk

Clearly Different The Prism and Prism II (screwless) Clear Acrylic ranges from Focus SB allow your chosen wallpaper to shine through. A high quality, discreet solution with Wandsworth inserts for exceptional reliability.

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FOCUS ON SPECIALIST LIGHTING

news SPECIALIST LIGHTING

KNIFEDGE BACKS SNOW PATROL

Love techno Robe ROBIN 600E Spot and LEDWash moving lights were used to illuminate the Blue Room, one of five arenas at I Love Techno – one of the biggest and most successful rave experiences in Europe staged at the Flanders Expo in Ghent, and attended by an audience of 35,000. The Robes were specified by the event’s lighting video and production designer, Thomas Boets of LD Productions, and supplied by Belgian company, L&L Stage Services. Boets designed visuals for the whole event, using seventy-six 600 spots and twenty-six 600 LEDwashes in the Blue Room, which were rigged onto a series of trusses over the stage/DJ booth and two box trusses – one inside the other – with curved edges that were flown above the audience. The trusses had white fabric stretched between them, providing a projection canvas for the ROBIN 600’s. The LEDWash 600s were used to produce rich, bold and very bright colour mixes all around the room, which complemented a high-energy mix of music. The lighting had to be dynamic and

very flexible, offering enough options for 12-hours of non-stop partying and dancing to the very best of techno – a challenge for any lighting rig, and also for operator Tom van den Burg, who used a Chamsys MQ 100 console for the visual mix. The pace was intense and relentless and utilised all the features that the ROBIN 600 Spots and LEDWashes had to offer – colour and shutter chases, zoom and iris shaping were just a few of the effects explored throughout the evening to the delight of performers, fans and Boets himself, who was very pleased with the results. He comments: ‘I have seen the amount of Robe fixtures continually increasing in the Benelux region, and the new ROBIN series units in particular tick so many boxes – they are small, super-bright, lightweight and very fast – all the attributes you need for the particular demands of dance event lighting.’

Animated graphics by creative agency, Knifedge provided an atmospheric backing to Snow Patrol’s performance of at the Children in Need Rocks concert at the MEN Arena, Manchester. Knifedge’s animations were inspired by the golden eagle, which features prominently on the cover of the band’s album, Fallen Empires. In the four-minute visual sequence, eagle silhouettes fly over stylised fields and cityscapes, offering dramatic bird’s-eye views on abstract landscapes below. The visuals were screened on seven giant LED screens during the two-hour concert organised by ex-Take That star, Gary Barlow. The event was attended by 14,000 people, and watched by a further 4.3 million viewers on television. Jonathan Brigden, managing director at Knifedge, commented: ’We were delighted to support Snow Patrol at what turned out to be a brilliant concert for a great cause. We’re already working with the band on plans for its 2012 Fallen Empire Tour, and look forward to helping create a stunning series of events.’

A forest grew in Barking Square For one week only, a forest of light helped to transform Barking Town Square in East London into a magical wonderland. The Square hosted two amazing lighting installations, aptly entitled Barking Illuminations, which were part of the Molten Festival. The displays transformed the square using exciting and interactive light-art.

An empty shop in the Bath House building ‘grew’ its very own forest, while the Town Square and the Town Hall became unrecognisable. The dazzling Digital Urban Forest was created by cross-genre art studio, Creatmosphere, while Town Squared was produced by technical students from

the Central School of Speech and Drama. Laurent Louyer of Creatmosphere described the site-specific work: ‘The Digital Urban Forest was inspired by the natural reflections and shadows of the tree-lined square into the glass-fronted retail space. We wanted to bring some of the

outside world in, and create a digitally generated forest that responded to the scale, layout and architectural structure of the building. ‘In terms of light sources and controls, the installation used analogue to the latest digital technology, bringing a mix of the best to create this imagined and surprising landscape.’

March 2012

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Seamless Recessed Professional Designed to fit within a ceiling or wall recess using the OSRAM LUMILUX速

SEAMLESS HE or HO Lamps

W E N Manufactured in the UK using only quality materials

www.pjrengineering.co.uk sales@pjrengineering.co.uk

PJR Engineering Ltd. Collingbourne Ducis, Marlborough, Wiltshire SN8 3EH Tel:01264 850763

The Complete Lighting Company

AP Lamps is a specialist independent supplier of branded light bulbs into the electrical trade market, working from our offices and warehouse in Essex we cover the whole country. We carry one of the largest stocks in the UK of compact fluorescent lamps, in excess of 40,000 mixed pieces and along with a high stock holding on T5 high output tubes, a full range of discharge lamps, incandescent lamps, halogen lamps and insect trap lamps, making us one the trades favourite suppliers. For more information please contact us: T. 01245 357772 E. sales@aplamps.co.uk

www.aplamps.co.uk


FOCUS ON SPECIALIST LIGHTING

SEE THE LIGHT Illuminating galleries and museums means balancing the needs of conservation with a drive towards more visitor engagement and environmental protection. Modern lighting technology can deliver all of these requirements, says Dave Howell

T

he UK’s museums and galleries have, for several years embraced the latest technology to show their works to the public. Lighting is a vital component of any exhibition, but designers must also pay close attention to the needs of conservation. Today, galleries and museums have a number of light sources to choose from - starting with natural daylight. With too much focus on conservation, museums with sensitive exhibitions can easily become little more than black boxes. The reality is that with proper management, a balance can be struck between the use of natural and artificial light. With the arrival of several new luminaries, especially in the LED sector, gallery and museum curators now have a diverse range of lighting technologies at their disposal.

Environmental damage

Exhibition space in the Victoria & Albert Museum

The use of innovative lighting technologies, including LEDs not only enables more variety with lighting schemes, they can also offer energy savings as well. The National Gallery is a good example that will vastly reduce its carbon emissions by installing LED lighting throughout the building. In the last three years, the National Gallery has been exploring ways to improve the quality, ease of control and efficiency

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FOCUS ON SPECIALIST LIGHTING

We have already noticed a marked improvement in lighting quality at the museum, and many of our exhibits are now truly revealed in a new light

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of its picture lighting systems. During this period, improvements to LEDs have made them a viable option, both as general light sources and for specialist applications to light works of art in museums and galleries. Trials of the new lighting system have taken place in Room 62 of the Sainsbury Wing and in the Wilkins Building, where the new lighting system has been installed in Rooms 6, 7 and 8. More recently this has been extended to Rooms 5 and 10. As a result of these successful trials, the Gallery has decided to install LEDs in all galleries in the main Wilkins Building and in the Sainsbury Wing. The new lighting will not only improve the public’s enjoyment of the collection, it will also reduce the Gallery’s carbon emissions by 400 tonnes each year. Nicholas Penny, director, The National Gallery comments: ‘Our most ambitious plan is the commitment to install LED lighting in all of our galleries by the spring of 2013. This will represent a saving of 85 per cent on the energy used to illuminate the paintings in the Gallery’s collection. The decision comes after the successful trial of the lights in four of our galleries and their innovative application with a system that automatically adjusts roof light blinds according to the amount and angle of sunlight.’ Another museum that’s embraced LED technology to reduce its costs is the Inatura Nature Museum in Dornbirn, Austria. The lighting solution came from Zumtobel, and used 3-phase LED units, each with three LED spots of 2.6W each. ‘Using this new multifunctional LED lighting system opens up bright new prospects for Inatura,’ explained Peter Schmid, commercial director of Inatura. ‘We have already noticed a marked improvement in lighting quality at the museum, and many of our exhibits are now truly revealed in a new light. On top of which, this new and very energyefficient system will save us some €10,000 [£8,300] a year in energy costs.’

The William & Judith Bollinger Jewellery Gallery shows how LED lighting can be used to great effect when needed to light specific exhibits

Far left: ERCO has worked on a number of lighting installations with some of the world’s leading galleries and museums Left: Exhibition space in the Victoria & Albert Museum

March 2012

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FOCUS ON SPECIALIST LIGHTING

The LED cometh One of the key drivers for specialist applications in galleries and museums is ensuring conservation of the works is paramount. Natural light can of course and should be used, as with the St Mungo Museum of Religious Life and Art, where specially tinted double-glazed glass reduces light levels in the gallery yet still allows it to retain a connection to the local surroundings. Turning to artificial light, the halogen spot has been for several years the lighting source of choice. The use of incandescent lighting has to be balanced, as each type of lighting source will bring out different colour saturations in the art that can make it appear quite different when viewed under different sources. Paul Ruffles, principal, Lighting Design and Technology commented: ‘By careful choice of the lights and their locations, the right lighting level can be achieved on all objects, whilst giving an interesting variation of light in the space and avoiding glare and reflections. Modern white-light LEDs are a great source to use in the museum sector, due to their long-life and lower energy use.’ Another good example where lighting and conservation were vitally important was the illumination of the Asian Gallery in the Victoria & Albert Museum. Designed by Mike Stoane Lighting, spot module luminaires from Xicato were used to producing illumination without compromise in consistent colour appearance, colour rendering, uniformity and reliability. Clearly, there is a move towards LED as a primary light source. However, there are concerns that LEDs will, over time have an impact on the conservation of an exhibit. In addition, the colour rendering of LEDs can lean towards the blue end of the colour spectrum, when compared to halogen lamps. The exhibit being lit generally determines the light source in use. Galleries that are looking for accurate colour rendering will often choose halogens, but high quality LED technology is now offering similar performance. Indeed, Martin Krautter, at ERCO believes that LEDs and halogens are now interchangeable: ‘Due to its continuous spectrum, halogen is the reference for other lighting sources regarding colour rendering.

The LED technology developed by Zumtobel delivers versatility and cost savings to the Inatura Nature Museum, Dornbirn Austria

ERCO has worked on a number of lighting installations with some of the world’s leading galleries and museums

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But in practice, we experienced that even experts are challenged to tell our LED warmwhite spotlights from halogen spotlights when illuminating even difficult-coloured exhibits. The colour rendering index of our warm white sources is Ra>90. And there is one big advantage of LED against halogen: when dimmed individually to defined lux levels on the exhibits, halogen spotlights experience colour shifts towards the reds, depending on dimming levels. The colour temperature of the LED however, stays the same when dimmed.’ Research currently being carried out by the Getty Conservation Institute into how LED light degrades artwork has yet to fully report, but its interim findings seem to indicate that LEDs don’t seem to be doing any more damage to artworks than traditional halogen lamps. With a lack of standard, or even metrics to compare, for museums and galleries a trial and error approach is needed, as lamps from different manufacturers can have diverse colour rendering and life expectancy. The use of varied lighting technologies will continue within the museum and gallery sector, certainly for the foreseeable future. LED is certainly making an impact right across the industry, especially as these luminaires evolve to offer more stable light sources that can be measured and compared. However, what shouldn’t be forgotten is that halogen and incandescent lighting still have their place. The issues of exhibit degredation are well understood for older lighting technologies, but we will have to wait and see the results of the work being carried out by Getty before we know the true impact that LEDs could have on exhibits.

_____________________________ Contacts: The National Gallery www.nationalgallery.org.uk Zumtobel www.zumtobelgroup.com Lighting Design and Technology www.ldandt.co.uk Mike Stoane Lighting www.mikestoanelighting.com Xicato www.xicato.com ERCO www.erco.com Getty Conservation Institute www.getty.edu Philips www.philips.com

March 2012

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FOCUS ON SPECIALIST LIGHTING

Modern white-light LEDs are a great source to use in the museum sector, due to their long life and lower energy use

Lighting an Old Master Late last year, Philips showcased its LED light initiative within the Rijksmuseum, Amsterdam. Rembrandt van Rijn’s Night Watch is now being shown for the first time using new lamps that ensure optimal colour rendering, lending an even greater expressive quality to the objects within the painting. In terms of light quality, the LED solution easily outstrips the

halogen spot lamp offering a warm colour and broad spectrum. A key element in the partnership between Philips and the Rijksmuseum lies in the intensive exchange of knowledge between the two parties with regard to the development of LED solutions for lighting art and architecture. Frans van Houten, CEO of Philips said: ‘I’m proud that we

had the privilege to work closely with the Rijksmuseum in creating a state-of-the-art lighting solution for an age-old and world-famous masterpiece. I look forward to continuing our partnership with the Rijksmuseum, which shares a history and global reputation equal to Philips and – like us – gives high priority to innovation.’

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INTALITE UK

BIG WHITE 2012 MU S T H AVE LI GH TI N G C ATA LOGU E

New 628 page catalogue out now!

020 8542 1471 - sales@intalite.co.uk - www.intalite.co.uk 2012 Cover1Advert.indd 1 p.39.indd

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FOCUS ON SPECIALIST LIGHTING

LIVIN’ ON THE EDGE Lighting designer, Bryan Hartley creates a visual extravagance for the latest Aerosmith tour

B

ryan Hartley has developed an outstanding lighting concept for legendary rock band, Aerosmith’s latest tour. The creative designer was hired by the band after they saw a lighting and video display he designed for the Trans-Siberian Orchestra. After flying to Boston to discuss the design and video content with the band, Hartley reached out to Daddy Van Productions to provide the video content for the tour set up. ‘The lighting concept strives to embody the element of distinguished class with touch visual of extravagance,’ said Chris Galis, PR and production assistant at Daddy Van Productions. Part of the visual LED effects comes from live cameras trained on the band, a standard when working with a huge act. It was important to showcase the visual appeal of the band and not eclipse their performance with a wild LED screen show. Galis added: ‘Sometimes that’s necessary to bring the band’s live show to the next level, like Motley Crue, but Aerosmith looks and feels like a much more grass roots production. Moving LED screens were used above the band to add extra flair, but not to out-spectacle Stephen Tyler and company while they performed.’ All video was cued through the Catalyst lighting board to ensure the perfect timing of lighting, video and music. An LED wall was used to increase the value of the tour. The wall allowed further creativity with

LIGHTING RIG:

Composed of VL 3500’s and VL 3ks Stagebar LEDs Atomics Strobe Lights Molephays DIGITAL VIDEO RIG:

Catalyst Lighting Board Showrig System w/ 1 LED Wall 5 Moveable LED Walls 4 Fixed LED Screens on lighting Grid

images. Galis said: ‘It was a good way to enhance the visual experience for their fans when they played big stadiums or festivals. It allows people who weren’t as close to the stage to still see detail in the performance.’ Equipment was supplied by PRG. Since there was a large LED screen displaying live video feed of the band, colour schemes were used for much of the actual lighting work. A main consideration of the production was to accent the performers. This was created via using imagery suitable to certain songs. A mix of fire and skewed hospital images were used for various songs. Due to a busy schedule, the most challenging aspect of the design, was finding the time to sit down with Aerosmith to discuss the designs with the production crew. Hartley overcome the difficulty of designing a product without much input from the band members themselves, relying on what’s best for the songs. Galis concluded: ‘The lighting design and production was a great success. The band was happy and it was a chance to really challenge ourselves as far as production goes. It’s easy to go big, but with this client there a real challenge to meet the needs of the music perfectly.’

_________________________________ Contacts: Bryan Hartley www.bryanhartley.com Daddy Van Productions www.daddyvan.com

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PRODUCTS > SPECIALIST

CONCILUCE

01372 451791 | www.conciluce.com Solitaire This elegant pendant lamp is a minimal yet striking decorative light. The body of the lamp forms the setting that embraces the beautiful crystal details. The thick network of crystals hides the source of light and as a result the light is diffused outwards from within the crystals. This creates a soft light that is reflected on the curved surface of the structure. The inside of the polyurethane foam structure is hollow enabling all the power cables of the lamp to pass through to the top section, where it is connected to the ceiling, without being visible. Available from Conciluce for more information please visit www.conciluce.com or call +44(0)1372 451791.

Casiopea Stunning suspension light formed of a copper wire structure which creates unusual patterns of light. This fitting emits a rich, vivid light that is beautiful in its imperfections. The contrast of light and shadow creates the impression of a natural light reminiscent of the flickering flames of a fire. The organic form of the structure is centred from the point of suspension which enhances the natural concept of this design. This fitting can be deployed as a central decorative design element in various locations including over a boardroom table or in a bar/restaurant environment. Available from Conciluce for more information please visit www.conciluce.com or call +44(0)1372 451791.

Guggen This unusual suspension light fitting gives the illusion of having been deconstructed. The Guggen uses the traditional lamp form but makes each component a separate design element. The design draws on our traditional associations of a suspension lamp shade but challenges them by taking the structure and altering it so that every aspect of its form can be appreciated. This quirky yet still minimal design is suitable for various interiors and colour schemes, available in black, white, green, orange and red. Available from Conciluce for more information please visit www.conciluce.com or call +44(0)1372 451791.

Zero Zero is a statement oversized suspension lamp made with a PVC shade. This fitting is available with a choice of either inwards or outwards light emission. The light is reflected off the interior shade and conical opening creating a warm glow of light. The combination of the minimal design and oversized scale of the structure of this fitting ensures that it makes an impact within any environment. Available in a choice of colour combinations including black, red, white in any variation of outer and inner shade colour. The choice of colour enables the light to be tailored to suit different interiors. Available from Conciluce for more information please visit www.conciluce.com or call +44(0)1372 451791.

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Rococo This unusual suspension fitting questions normal associations of the traditional lamp shade. The shade for this fitting is plain on the outside whereas the interior is patterned. Rococo is a lamp that not only illuminates, but also covers and fills spaces. Combining classical influences with avant-garde design Rococo is an eye catching design that draws the viewer in. Giving the illusion of creation that has been trapped within. Available from Conciluce for more information please visit www.conciluce.com or call +44(0)1372 451791.

March 2012

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PRODUCTS > ARC

VEXICA

MUSHROOM LIGHTING TECHNOLOGY

+44 (0)113 243 4813 | www.vexica.com

01604790900 | www.mushroomlighting.com

Following on from the recent November launch of the LUMAERA module, UK LED experts, Vexica Technology are announcing the integration of active cooling to its OEM heat-sink. This will provide all LUMAERA products with added benefits for higher lumen level introductions in the near future. More powerful module options will be launched in 2012 and the addition of active cooling will allow Vexica to provide more efficient solutions to OEMs whilst keeping the same form factor in its design architecture. To arrange a product demonstration please contact sales@vexica.com or call +44 (0)113 243 4813

MLT RGB Panel Light Specification Model Name, RGB Panel Light with wireless Control System List Price £180.00 plus vat, net ex works!! Alternatively via DMX, Controller required Features: DMX system controllable RGB Colour changing ceiling, wall or graphics panels Specifications: Dimension 600×600×14mm Voltage AC100-240V Power 34W LED Qty 174pcs Epistar 5050SMD LEDs Lumens 100LM RGB color changing Color Temp. RGB

FRANKLITE

01908 691 818 | www.franklite.net This beautiful prismatic glass flush fitting is part of the new FrankLED range by Franklite. These fittings were installed recently in a prestigious central London property incorporating LEDs which emit the equivalent of 55W CFL. They are controlled by integral microwave sensors incorporating a dimming function to offer a constant low level of illumination in the entrance if required and several were manufactured with integral emergency gear as well.

FOCUS SB

01424 858060 | www.focus-sb.co.uk Focus SB puts the spark back into Scottish market Electrical accessories manufacturer Focus SB has appointed a new agent for Scotland following a significant rise in interest for its products north of the border. Angus Cartwright, Director of Cartwright Lighting Associates, used to run an electrical wholesaler until he sold it six years ago. He made a move into lighting consultancy and then started his own business, as he explains: ‘We operate throughout Scotland and I am regularly speaking to architects and consultant engineers specifying lighting controls and accessories,’ he says. ‘I see accessories and lighting plates as a key element of a lighting solution and Focus SB manufactures some of the best plates on the market.’

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Nick Mailer has a wide experience of specialist lighting and crystal installations having completed many projects in the uk, europe, and throughout the world.

nicholas.mailer@virgin.net

T: 01403 713670

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Low voltage dichroic lamps with the longest life on the market BLV Licht- und Vakuumtechnik, UK-Branch E-Mail: sales@blv.co.uk • Phone: 01 296 399 334 • Fax: 01 296 393 422

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FE3517 - Advertising Suite - 210x143.5_Advert1:FORGE EUROPA

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Whatever your lighting requirements, Forge Europa deliver high quality, value for money, energy saving LED lighting solutions.To find out more, speak to our experts. CUSTOM LUMINAIRE DESIGN AND MANUFACTURE

CUSTOM LED LIGHTING SOLUTIONS

PARAGON - EXCEPTIONAL LED LAMP REPLACEMENTS

O U R E X P E RT I S E , YO U R L I G H T I N G Tel: +44 (0)1229 580000

Glass diffusion filters available in custom shapes and sizes

www.forge-europa.co.uk

Email: info@forge-europa.co.uk

Glass dichroic colour correction filters available in custom shapes and sizes

LEE Filters offer a wide range of products to help control and correct different light sources.

Warming filters for LED lamps

Visit our website for further details. Louvres available in custom shapes and sizes

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LIGHTING TECHNOLOGY

T: +44 (0) 1604 790900 E: info@mushroomlighting.com W: www.mushroomlighting.com

LED Lighting (IESB) Ltd awarded ‘BEST INNOVATIVE’ Category for 2012 by the ‘Lighting Design Association’

The amazing ultra slim DA LED 12 & 18watt A super bright light for all applications

IESB your first call if you are serious about energy reduction, modernisation and increasing profits. Applications that give your company massive savings •LED lighting •Air conditioning •Power optimisation •Office power saving equipment

IESB has probably the widest range available of energy reducing products in Europe. Thanks to The Carbon Trust, we can now offer full modernisation without your company requiring the finance to do so. All funding comes from the massive savings we introduce into your premises.

BAY lights

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The Pi (  ) Range of mains and emergency lighting signs

When your project environment demands creatively stylish emergency or directional signs that are guaranteed to guide to safety, look no further than P4’s new Pi range. The distinctively shaped oval body section, available in different colour finishes, is designed to complement any high specification environment where style and function is a ‘must have’. High intensity LED’s with proven long life, low running costs and consistent illumination combine with an elegance that is quite simply without equal. The range is available in wall mounted or suspended styles with a wide range of fire, safety and information legends in single or double sided formats. The high level of illumination and remarkable uniformity means that, unlike most alternatives, Pi signs fully comply with BSEN 1838:1999. To escape from the mundane make the innovative Pi range your preferred choice. Full details tails of the Pi range and other exclusive P4 products call us on 01328

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Inlico offers the most comprehensive range of lighting components and accessories currently available in the UK. Most of their products are stock items, providing a convenient, one-stop solution for lighting manufacturers, bespoke lighting designers and restoration specialists. Their range includes brass, bakelite and ceramic lampholders and other specialist fittings. Switches and dimmers, plugs and cordsets, plastic and metal manufacturing components are all available from stock. They also offer a comprehensive range of UL-approved components for the North American and Japanese markets and, more recently, a bespoke label-printing service for luminaires.

0121 359 8585 • www.inlico.com • info@inlico.com

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Unrivalled service, knowledge and choice

the LAMP company

We stock over 30,000 different types of lamps, batteries and control gear including our own range of Casell brand products.

The Casell range includes:  LED PARs

 Reflectors

contact

 Energy saving candle, GLS,  Halogens  Fluorescents Spiral and PAR lamps

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Tel: 01462 490066

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05/03/2012 18:15


Professional, quality lighting installations for the retail industry.

Xicato, Philips Fortimo (SLM or DLM), Citizen, Bridgelux ... One of the largest Cold Cathode manufacturers in the UK.

Whichever LED module you choose

Hotels • Airports • Shopping complexes • Retail parks • Night clubs & Bars • Casinos Cinemas • Theatres • Restaurants • Cruise ships • Plus many more applications…

DALI

...one emergency conversion module

can drive them all!

The ELP LD-CO universal conversion equipment provides a constant power Pulse Width Modulated output, allowing LED modules incorporating high voltage strings of LEDs to be operated efficiently at a reduced output for 3 hour emergency lighting duration*. The LD-CO modules are also available with an integral DALI control/reporting interface making them fully inter-operable with any registered DALI system. The DALI versions will provide fully automatic self-test if no DALI signal is connected. *

Normal mains operation provided by standard proprietory driver modules.

We provide a nationwide service and carry out installations in Europe and the Middle East. Emergency Lighting Products Limited Parbrook House, Gilmans Industrial Estate Billingshurst, West Sussex, RH14 9EZ Tel: +44 1403 786601 Fax: +44 1403 786602 e-mail:sales@elp.uk.com

Kemps Architectural Lighting Ltd Unit 2 Matrix Court, Middleton Grove, Leeds LS11 5WB tel +44(0)113 271 5777 fax +44(0)113 271 5666 email sales@kempsarchitecturallighting.com

www.kempsarchitecturallighting.com

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Swimming pool, Sauna and Steam Room Lighting

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DIRECTORIES DECORATIVE LIGHTING

DECORATIVE LIGHTING

Crystal Lighting, Chandeliers of distinction for private homes, offices, shops, bars, restaurants, hotels and places of worship. Consultancy service available.

TEL: 01276 600869 EMAIL: watsonbdb@hotmail.com ADDRESS: 2, Burne-Jones Drive, College Town, Sandhurst, Berkshire GU47 0FS

Elstead Lighting is a manufacturer and distributor of decorative lighting. Interior lights from Elstead, Lui’s Collection and Harlequin Lighting Collection brands. For the outdoors, soft commercial architectural lights from Norlys, LUTEC and Garden Zone. TEL: 01420 82377 EMAIL: enquiries@elstead-lighting.co.uk WEB: www.elstead-lighting.co.uk

LED LIGHTING

Pace Uk, LED Design and LED Manufacture with 10 years experience in designing LED products, we can offer our customers a fast turn around on prototype designs. We also have access to all key manufacturers of high flux LEDs. We specialise in producing cost effective design solutions, believing that price of product is always important. TEL: 01934 733121 EMAIL: les@paceuk.com WEB: www.paceuk.com ADDRESS: The Rising, The Square, Axbridge, Somerset, BS26 2AP

iberian_Layout 1 08/10/2010 11:19 Page 1 LAMP RECYCLING

LED LIGHTING

A dynamic company based in Southern England and conveniently within easy reach of London. We take your bespoke lampshade designs from Iberian lighting Ltd, A dynamic company concept to a carefully designed ready tobased hang in Southern England and conveniently within easy reach of commercial finished product. London. We take your bespoke lampshade designs from concept to a carefully designed ready to hang commercial Iberian lighting Ltd. finished product. Tel. 01424 428 161 Fax. 01424 718 405 web: www.iberianlighting.co.uk TEL: 01424& 428 161 Center Drury Lane St Leonards on Design Innovation WEB: www.iberianlighting.co.uk Sea East Sussex TN38 9XP ADDRESS: Design & Innovation Center Drury Lane St Leonards on Sea East Sussex TN38 9XP

Recolight is a not-for-profit, producer-led compliance scheme. We specialise in the recycling all lamps covered by the Waste Electrical and Electronic Equipment (WEEE) Regulations. Established by the by lighting industry in 2007, we now have over 90 producer members. Recolight offers specialist lamp recycling services, advice and support to help all parties in the supply chain recycle their lamps as simply and efficiently as possible. TEL: 0800 601 7749 EMAIL: ask@recolight.co.uk WEB: www.recolight.co.uk

When it comes to lighting components, lighting management systems and LEDs, it’s not just luminaire manufacturers and lighting designers that rely on Tridonic’s expertise. Growing numbers of end users, designers, electricians and architects are realising that energy efficiency, reliability and quality also pay off when it comes to the individual components of their lighting installations. TEL: +43 5572 395-0 EMAIL: www.tridonic.com ADDRESS: Tridonic GmbH & Co KG, Färbergasse 15 6851 Dornbirn, Austria

EMERGENCY LIGHTING

LAMP SUPPLIES

LED LIGHTING

Cooper Lighting and Safety manufacture a comprehensive range of mains and emergency lighting solutions for commercial and industrial applications. Based in Doncaster, UK, Cooper Lighting and Safety is an operating business of Cooper Safety, a division of Cooper Industries. We are able to provide a wide range of products, services and support to our customers. TEL: 01302 321541 EMAIL: sales@cooper-ls.com WEB: www.cooper-ls.com ADDRESS: Wheatley Hall Road, Doncaster, South Yorkshire, DN2 4NB

For over twenty years, the Lamp Company has provided lighting from the smallest wire terminal to rare specialist lamps, plus batteries and control gear - with over 30,000 different product lines and all major brands, we offer unrivalled service, knowledge and choice.

The world’s leading power supplies for lighting. For 15 years, Lightech has supplied thousands of lighting manufacturers with over 15 million compact, energy-efficient, high quality, dimmable electronic power supplies. Your 1-stop shop • LED Drivers (Constant Voltage & Constant Current) • Transformers (AC & DC)

EMERGENCY LIGHTING

LED LIGHTING

LED LIGHTING

Emergency lighting products limited (elp) is a small and focused UK manufacturing company dedicated to providing superior service and products to all customers requiring Emergency Lighting Equipment and Emergency Lighting Conversion services.

Designers and manufacturers of modular intelligent Lighting & Home Control systems. Create the perfect environment with a touch of a button. Simultaneously control lights, curtains, blinds, projector screens and assisted living facilities.

Light Design was founded in 1974 originally from Rio de Janeiro and now with manufacturing established in Europe, Vista Light are pleased to partner this fantastic architectural lighting company, born from a passion for lighting & Latin flair, Light Design bring cutting edge architectural luminaires & technical expertise to all of their fittings, for a full comprehensive brochure detailing their unique ranges please contact us.

DECORATIVE LIGHTING

bespoke lampshades

TEL: 01403 786601 EMAIL: sales@elp.uk.com WEB: www.elp.uk.com/ ADDRESS: Unit 9 Gillmans Industrial Estate, Natts Lane, Billingshurst, West Sussex, RH14 9EZ

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TEL: 01462 490066 EMAIL: sales@lampco.co.uk WEB: www.easy-lightbulbs.com ADDRESS: Unit 4 Ashville Trading Estate, Royston Road, Baldock, Hertfordshire SG7 6NN

ADDRESS:12 Ty Coch Way, Cwmbran, Gwent, NP44 7HB TEL: 01633 877997 EMAIL: info@ls-design.co.uk WEB: www.lucid-lighting.com

For all your Worldwide requirements

TEL: +44 (0) 20 8202 3357 EMAIL: UK@lightechinc.com WEB: www.lightechinc.com

TEL: 020 3157 4058 EMAIL: info@vistalight.net

March 2012

29/02/2012 14:16


Glass diffusion filters available in custom shapes and sizes

Glass dichroic colour correction filters available in custom shapes and sizes

TO ADVERTISE HERE CONTACT ANDREW STRATTON T. 0203 617 4683 E. ANDREW.STRATTON@ASTONGREENLAKE.COM LEE Filters offer a wide range of products to help control and correct different light sources.

LED LIGHTING

Visit our website for further details. Inlico are established distributors of lighting components and accessories. Our product range includes: lampholders, switches and dimmers, plugs, cable and cordsets, as well as plastic and metal parts and UL-approved components. We also operate a product labelling service for luminaires. TEL: 0121 359 8585 EMAIL: leefilters.dec.indd info@inlico.com 1 WEB: www.inlico.com 5020 LF_Arch_Ad_CC_178x127.indd 1 ADDRESS: 268-270 Hospital Street, Newtown, Birmingham, B19 2YF

LIGHTING CONTROLS

B.E.G.

Warming filters for LED lamps

LIGHTING FILTERS

LUXOMAT ®

Louvres available in custom

BEG Luxomat® is one of Europe’s leading suppliers of ocshapes sizes cupancy sensors, withand the largest range of products available in the UK. The products are easy to install, such as separate mounting plates for the surface products and with our remote control you can set the controls from the ground. With over 30 years in providing sensor solutions for saving energy and providing control, you can be confident that our products will provide the performance that you require.

www.leefilters.com

LEE Filters, Building on our experience in film and television lighting, LEE Filters have introduced a range of lighting filter products specifically designed for use in the entertainment, sales@leefi lters.com leisure and architectural industries.

+44 (0) 1264 366245

TEL: 0870 850 5412, EMAIL: info@beguk.co.uk.

TEL: 01264 366245 22/11/2011 11:00 WEB: www.leefilters.com 17/05/2011 14:16 ADDRESS: Central Way, Walworth Industrial Estate Andover, Hampshire, SP10 5AN

LED LIGHTING

LIGHTING DESIGN

LIGHTING MANAGEMENT

Simpson Springs produce various Light Strip Pressings, Contacts, Cleats, Washers, PCB Component Retaining Clips etc. manufactured in various materials and forms to customer requirements. Material thickness in volume quantities from 0.1625mm to 1.5mm thick; small batches quantities in up to 3.25mm thick material. TEL: +44 (0)118 978 6573 EMAIL: simpson.springs@btconnect.com WEB: www.simpsonsprings.co.uk ADDRESS: Unit 1, Latimer Road Industrial Estate, Latimer Road, Wokingham, Berkshire. RG41 2YD

Display Lighting is a specialist UK manufacturer and supplier of LED, low voltage and mains voltage lighting systems for a wide variety of applications. Display Lighting is established as a key player within the UK display lighting industry, offering innovative, attractive, reliable lighting solutions to an array of discerning clients worldwide.

Delmatic are leading international suppliers of integrated lighting and energy management solutions and have been designing and manufacturing advanced systems since 1959.

TEL: 0161 207 3355 EMAIL: sales@display-lighting.com WEB: www.display-lighting.com ADDRESS: Cedar Technology Centre, Atlantic Street Altrincham, Cheshire WA14 5DZ

TEL: 020 8987 5900 EMAIL: delmatic@delmatic.com WEB: www.delmatic.com ADDRESS: The Powerhouse, Power Road, Chiswick, London, W4 5PY

LED LIGHTING

COMMERCIAL & DOMESTIC LIGHTING

LIGHTING MAINTENANCE

Ark Lighting ‘Delivers Lighting Solutions’. Our extensive range of cost effective, well designed lighting products include LED and HID lighting solutions for road and area, Architectural and Decorative, sports, traffic and Industrial applications. We can also assist with any bespoke lighting product requirements. TEL: 01226 320737 EMAIL: sales@arklighting.co WEB: www.arklighting.co ADDRESS: McGann House, Chesham Rd, Barnsley, South Yorkshire

At Saxby Lighting we pride ourselves on being one of the leading designers and manufacturers of commercial lighting for the trade. Our range focuses on solutions to suit the designer, architect, electrical contractor, as well as the private individual. Call to request your free catalogue or to find out more about opening an account.

Nu-era lighting is an independently owned and directed business, providing a comprehensive range of industrial and commercial luminaires to suit a variety of applications. This is complimented by a full in house emergency conversion facility led by our dedicated ICEL accredited specialists.

TEL: 0845 053 1190 EMAIL: sales@saxbylighting.com WEB: www.saxbylighting.com ADDRESS: 28 Airfield Way, Christchurch, Dorset BH23 3PE

TEL: 01376 515937 FAX: 01376 515926 EMAIL: sales@nueralighting.com ADDRESS: Unit A, Eastways, Witham, Essex, CM8 3YQ

LED LIGHTING

LIGHT MEASUREMENT INSTRUMENTS

SUSPENSION SYSTEM

LED Modules & Power Supplies Energy Saving Lamps Ballasts & Transformers Dimmers Switches & Accessories

UK agents for Hagner lightmeters, our range of luxmeters can measure 0.01 – 199,900 lux. All detectors are Vλ filtered & cosine corrected, and the instrument is delivered fully calibrated. We also supply luminance meters, combination meters and special detectors.

Walter Logan’s Swivel joints manufactured by Meinzer Swivel Joints GmbH are well know to be the best quality swivel joints available to lighting manufacturers who prize quality and regularity above the cheapness of other swivel joint manufacture’s. Types available are raw brass swivel joints, silver swivel joints, chrome swivel joints, black swivel joints plus many more. TEL: 0208 446 0161 EMAIL: info@walterlogan.com WEB: www.walterlogan.com/index.html ADDRESS: 3 Athenaeum Rd, Whetstone, London N20 9AA

TEL: 01933 271472 EMAIL: sales@relcogroupuk.co.uk WEB: www.relco.it ADDRESS: Unit 4, Stanton Close, Finedon Road Industrial Estate, Wellingborough, NN8 4HN

TEL: 07900 571022 EMAIL: enquiries@hagnerlightmeters.com WEB: www.hagnerlightmeters.com ADDRESS: PO Box 210 Havant Hampshire PO9 9BT

March 2012

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FOCUS ON PEOPLE

THE LAST WORD

LENI – AN ACRONYM WORTH LEARNING Freelance wordsmith and regular columnist, Hugh King discusses the changes to Part L of Building Regulations, and introduces us to LENI... Defaults simplify calculations

L

Meet LENI ighters now have a new acronym to learn; well two actually because it was the DCLG (The Department for Communities and Local Government) that has just released its expected consultation document on forthcoming changes to Part L of the Building Regulations, which includes the Lighting Energy Numeric Indicator, or LENI. If, like many, your eyes glaze over when people mention LENI, or you’ve never even heard of the term before, here’s a quick update: In order to implement the Energy Performance of Buildings (EPB) directive, the EU Commission needed to establish an official, and credible, methodology for the calculation of energy performance.It thus turned to the European Standards Organisation (CEN), who prepared EN 15193: 2007, which gives a calculation procedure (LENI) for the estimation of the annual lighting energy requirement for a building per square metre (kWh/m2/year). Sadly, however, the EPB directive is an article 175 document, and thus its implementation procedure can differ across member states. The UK responded, not with LENI, but with Part L of the Building Regulations, prescribing minimum luminaire efficacy parameters (luminaire-lumens per circuit-watt).

Looking to the future Essentially Part L’s role has been to prohibit the use of inefficient luminaires – it doesn’t do much to promote a more

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holistic design process rewarded by further energy savings, which is why the SLL, IALD, PLDA and the LIA (OK, perhaps I lied when I said only two acronyms!) campaigned for additional methods to solve their energy needs. There is a requirement for a systembased measure that can be applied during the lighting design process and used for scheme estimations and comparisons, not one focussed on just products. Taking Part L to the extreme, it allows efficient luminaires to operate in a new building at all hours, being that there is no benefit from using controls. LENI, which measures energy consumed, not installed, is the answer and finally the Government has taken a step in the right direction. The consultation paper relates to specifying lighting for new and existing non-domestic buildings. It suggests LENI as an alternative to the current calculations, based on specifying minimum levels of luminaire performance (which it proposes, from October 2013, to increase from 55 to 60 luminaire-lumens per circuitwatt). Hopefully, LENI will be the sole consideration in future years. The proposals also call for the separate metering of the energy used in a building for lighting purposes, and for lighting controls to follow BRE guidance.

Many commentators have expressed concern regarding the formulas used in calculating LENI, suggesting that they are over-complicated and will confuse non-lighting experts, especially installers and users tackling small projects. However, EN 15193 suggests the use of simple default values, which the DLCG has picked up on as the proposal introduces default values for determining, for example, the energy used by a lighting control system (parasitic energy use) and daylight factors. The omission of additional calculations concerning emergency lighting makes the formula even clearer. Furthermore, lighting energy limits are set out in a handy table according to the required lux level (including provision for display lighting) and hours of operation. That said, however, LENI will only work if the lighting industry helps participants make the change by publishing the easy-to-use defaults and producing user-friendly worksheets and examples. Such education needs to be extended to lighting controls. I recall two ex-colleagues, Peter Thorns and Geoff Williams, surveying office lighting in Newcastle one evening. Aside from highlighting the issue of energy waste (60 per cent of lights were left blazing away at night) they showed that many modern buildings with controls rarely operated to their optimum efficiency, and that there is a continual need to encourage people to switch off lights. The DCLG has done as asked. Now it is up to those in the lighting community to respond.

March 2012

29/02/2012 10:56


Commercial, Industrial, Amenity and Emergency Lighting Solutions

nu-era lighting ltd. Units A and C, Eastways Industrial Estate Eastways, Witham, Essex CM8 3YQ

Tel: 01376 515 937 Fax: 01376 515 926 Email: sales@nueralighting.com Nuera.fp.jan.indd 1

27/01/2012 15:47


100% FLIC K FREEER

Based in the heart of Cambridge, Pulsar develops and manufactures electronic control and LED lighting systems in the UK that provide the core of may hi-tech lighting projects around the world. Pulsar’s philosophy is to create products that can be integrated into as wide a range of design applications as possible, thus making the investment in our products a logical choice when taking into consideration the comparison of their functionality, together with a commitment to quality and customer service that is second to none.

www.pulsarlight.com

For more information please contact us: Pulsar Light Of Cambridge Ltd 3 Coldhams Business Park Norman Way Cambridge CB1 3LH UK tel +44 1223 403 500 • fax +44 1223 403 501 • email sales@pulsarlight.com

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