Mads Rosendahl Thomsen, Mapping World Literature

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Mads Rosendahl Thomsen, Mapping World Literature: International Canonization and Transnational Literatures, London, Continuum, 2008, 170 pages. by Maurizio Ascari

In the early 2000s several scholars have felt the need to develop new interpretive tools to come to terms with the rapidly evolving conditions of production, circulation and reception of books in the age of globalisation. As a result, a large number of studies on world literature – as well as on literature and globalisation – have been recently published, thanks to the critical efforts of authors such as David Damrosch, Pascale Casanova, Christopher Prendergast, Theo D’haen, Franco Moretti, John Pizer, Suman Gupta and others. Mads Rosendahl Thomsen’s Mapping World Literature is part of this lively theoretical debate. Right from the title, the book reveals the author’s intention to systematise a field of study that is still magmatic. Thomsen aims both to trace a history of the concept of world literature, which was famously coined by Goethe in 1827, and to explore the global dimension of our present. Contemporary literature may be deemed transnational in terms of creativity, due to the hybrid identities of migrant and bicultural writers, but also of circulation, since translation plays an increasingly important role in cultural exchanges and new novels by major authors often appear in various languages simultaneously. Assessing this phenomenon, creating an appropriate critical jargon, is by now a ‘must’… Needless to say, the tension between each critic’s cultural position and his/her cosmopolitan effort at crossing borders to ‘comprehend’ otherness is one of the big issues at the core of the world literature enterprise. Being pragmatically aware of the fact that one cannot aim to perceive and understand world literature as a whole, Thomsen starts from his situated perspective with the aim to investigate “how world literature is structured and evolving in the Western world.” (2) This inevitably ‘partial’ investigation proves able to unveil some fundamental aspects of present-day culture, which calls for new critical approaches, since “national canonization has a different logic and different values than international canonization.” (3) The relation between the development of world literature, as a critical concept in the making, and the two pre-existing critical disciplines that aim to cross national borders – comparative and post-colonial studies – is


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