TRIBAL REALITIES MAGAZINE- November 2012 by Marco Spada

tribal realities

< V I S I O N S * V I B E S * T R A N S F O R M AT I O N S >

NATURAL MYSTIKZ Postcards from the Garden of Light

VISION SAGRADA

A Sacred Vision for a Day-Dream Nation...

PRINCE B CHARLES Re[g]al HipHop from Brooklyn

HUMANS OF VANUATU Authentic Portraits from the South Pacific Ocean

FAYE WONDER Welcome to the Wonder-Land of Vocal Poetry

LAYEDSOUL The South African Route to Deep London

SOUND OF THE UNDERGROUND Soldaat Ived (Groove Cutz Radio) presents JAYDEEFUNK

TRIBAL CHARTS

Soundar Ananda | Kilograms Ived | Pablo Fierro

[NOVEMBER 2012]

Interior

by Marco Spada

AUTUMN IS HERE. IT IS TIME TO GO INSIDE. ENJOY HOME. IT IS TIME TO GO INSIDE. IN THE INNERSIDE. EN-

JOY YOUR INNER SELF. MEDITATE. ELEVATE. SHARE YOUR LOVE WITH THE WORLD. LOVE THIS PLANET. EVERYDAY. THIS IS tr 2

[TRBL RLTS]

Below: Behind the Japanese Matsuri flag, La Maison Dieu Studio at TribalRealities HQ Collelungo - San Venanzo (TR), Umbria - Italy

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tribal realities < V I S I O N S * V I B E S * T R A N S F O R M AT I O N S >

06 Natural Mystikz 12 Vision Sagrada 16 Prince B Charles 24 Humans of Vanuatu 46 Sound of The Underground: JaydeEfunk Postcards from the Garden of Light

A Sacred Vision for a Day-Dream Nation...

Re[g]al Hip Hop from Brooklyn

Authentic Portraits from the South Pacific Ocean

A selection of underground dj/producers compiled by Soldaat Ived (Groove Cutz Radio)

48 Faye Wonder 52 LayedSoul 42 Cutz Radio 55Groove Tribal Realities Charts

Welcome to the Wonder-Land of Vocal Poetry The South African Route to Deep London A Selection of Good Vibes by Trusted Human Beings

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Natural Mystikz

Flowa Powa from Tribal Realities HeadQuarters in Collelungo - Umbria, Italy

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Natural Mystikz

Peace Powa from Tribal Realities HeadQuarters in Collelungo - Umbria, Italy

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DING DING D O N G . FLOWERS TALK. AS THE WINDBLOWS MY RHYMES F L O W . THE MAGIC TWIN LIGHT OF THE TWILIGHT INNA QUIET NOVEMBER DAY. THIS IS [ T R B L R L T S ] tr 10

Natural Mystikz

Peace Powa from Tribal Realities HeadQuarters in Collelungo - Umbria, Italy

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A SACRED VISION FOR A DAY-DREAM NATION OF

CHANGE-AGENTS

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VISION SAGRADA La Madre Tierra elevo su deseo de crear hasta el punto de la vida Generosa de su vientre broto verde vida Como una madre que no dstingue entre sus hijos No habia distinción de existencias Todo era sagrado y todo era bello Todo tenia un sentido. El ave que vuela, la piedra que descanza al fondo del río, La estrella, el tronco o la flor obras perfectas de una misma creación parte de una misma danza. Entonces no habia que pensar mucho, solo había que sentir Habia que vivir eso era todo y bastaba Acaso no vez la energía que mora en todas las cosas? No vez la sabiduría que nos une a todos con el todo Pero el hombre creyendose grande Renego de su madre, de origen, su naturaleza Olvido al animal, la tierra, los frutos, el misterio y el instinto Dejo de ser parte de todo para convertirse en dueño de nada Vacio sus ojos y levanto la mano Renegó de la Diosa para autoproclamarse Dios Su mente lo exilio del paraiso. LYRICS AND VOCALS: KYNIS MUSIC AND PRODUCTION: TRIBAL REALITIES

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PABLO FIERRO - FEATURED RELEASES

www.forgottenbirdofparadise.net WATCH ON-LINE, BUY THE DVD

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EASES VIDA RECORDS

VIDA RECORDS

PABLO FIERRO'S MUSIC LABEL

PABLO FIERRO - FEATURED RELEASES

Vida Records is established in 2012 with the concept of offering quality Vidamusic Records is established in 2012 with the concept of offering quality mus promoted by Pablo Fierro. promoted by Pablo Fierro.

Taking a long journey in music and having collaborations with greatTaking artistsaof long journey in music and having collaborations with great artists different genres, Pablo wants to make a step forward by creating this different new projgenres, Pablo wants to make a step forward by creating this new p ect where he will put all his enthusiasm and feeling. ”Vida Records”ect where he will FACEBOOK put all his enthusiasm and feeling. ”Vida Records” SOUNDCLOUD

PABLO FIERRO - VIDA EP

http://soundcloud.com/vidarecords PABLO FIERRO - AGUA EP PABLO FIERRO - AMARTE ASÍ

http://soundcloud.com/vidarecords http://www.facebook.com/vidarecordsmusic VIDA RECORDS RELEASE DATE LABEL CATÁLOG #

9-05-2012 Vida Records VR001

http://www.beatport.com/release/vida-ep/910446

VIDA RECORDS

http://www.facebook.com/vidarecordsmusic NULU MUSIC

RELEASE DATE 15-05-2012 LABEL Vida Records CATÁLOG # VR001.1WEB PABLO FIERRO OFFICIAL

PAGE

http://www.beatport.com/release/agua-ep/913846

http://www.pablofierro.com

RELEASE DATE LABEL Nulu CATÁLOG #

2012-04-30 NULU028

PABLO FIERRO OFFICIAL

https://www.beatport.com/release/pablo-fierro-amartehttp://www.pablofierro.com asi/903778

LINK

OFFICIAL FACEBOOK

http://www.facebook.com/pablofierromusic http://www.facebook.com/pablofierrofanpage

http://www.facebook.com/pablofie http://www.facebook.com/pablofie

LINK

SOUNDCLOUD

http://soundcloud.com/pablofierro http://soundcloud.com/pablo-fierro-bso

http://soundcloud.com/pablofierro http://soundcloud.com/pablo-fierro

Equam reped mod exerspe rferia volupta vel Equam reped mod exerspe rferia volupta vel Price $ 96 Price $ 96 ea aut lanistis as eos nobis nimpos susam, ea aut lanistis as eos nobis nimpos susam, Hardcover: 203 pages Hardcover: 203 pages PABLO FIERRO - EL CARINOSO PABLO FIERRO - CHECK THE BOOGIE BSO FUEL FANDANGO - REMIXED MUSIC officia il modi imus. officia il modi imus. Publisher: Scribner Publisher: Scribner (SOUL MINORITY REMIX) (PABLO FIERRO REMIXES) (GREGOR SALTO REMIX) Doloritiurit initium, quidita tiosame niLanguage: English Language: EnglishWARNER MUSIC Doloritiurit initium, quidita tiosame niDEFECTED DEFECTED magnim culloris eum quo iligentiumDesigner: quunt Erick Ragas magnim culloris eum quo iligentium quunt Designer: Erick Ragas RELEASE DATE 2011-07-11 expelec aectiur? Quis aperepe lignim estiur? expelec aectiur? Quis aperepe lignim estiur? E-book: Amazon.info E-book: Amazon.info RELEASE DATE 2012-02-03 RELEASEberat. DATE 2012-01-30 LABEL ITH (Defected In The House) Rum duscia quo temqui Rum duscia quo temqui berat. Year: 2012 Year: 2012 LABEL WARNER MUSICVIMEO VIMEO LABEL Defected DEMO purchase CATÁLOG # BLOOM02D2 Et vent aliquundam la conse lab iumquiae. Et vent aliquundam la conse lab iumquiae. ISBN-13: 978-0062060563 ISBN-13: 978-0062060563 http://itunes.apple.com/es/album/remixed/id505869046 http://vimeo.com/pablofierro http://vimeo.com/pablofierro CATÁLOG # ITH43D3 http://www.beatport.com/track/el-carinosogregor-salto-remix/2009378

http://www.beatport.com/track/check-the-boogie-soulminority-remix/3246262

LINK

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[TR] Who is Prince B Charles?

a full-fledged emcee?

[PBC] I am a very authentic and regal minded emcee. I am very accomplished and ambitious, and I am the CEO of my own future Gold Mine, my indie recording label ... Imperial Goose Music!

[PBC] I’ve been rapping and free-styling since the age of 12; but I can say I became a full-fledged emcee in high school which was when I around the age of 14. My friends and I would skip class and go to the cafeteria. One of my friends would do drum beats on the lunchroom table while we’d all take turn freestyling for hours. Over time crowds of kids would start gathering around while to get into our Cyphers. Then soon enough other rappers would come and try to test my team and we would always thoroughly represent. I really started to master my freestyle around that time and utilized it in times of battle. Till this day, I can proudly say I am undefeated in rap battles.

[TR] What does hip-hop mean to you? What do you love about hip-hop? [PBC] These two questions coincide with each other so I would answer both with this... HipHop is and has always been the perfect way to communicate my creativity and the culture represents my ideal self, given my upbringing in Brooklyn, NY. Along with the pureness of expression it allows me to deliver, I get a high from it that I cannot explain. So the answer would be in short... It’s my truest expression.

[TR] Where do you find the determi[TR] When did you first become aware nation, will-power and authenticity of hip-hop? to stay relevant? [PBC] One of my earliest Hip Hop related memories is from when I was an early teen. We used to rush home from school every day to record to VCR, Hip Hop music videos that came on Uncle Ralph McDaniel’s “Video Music Box”, and we stayed up super late to watch Bobby Simmons’ “Flava Videos” show.

[PBC] My determination and will-power to do this is innate. I believe this is what I am suppose to be doing, and to stay relative I just keep my senses geared towards what’s going on all over mainstream Hip Hop and international Hip Hop. I also stay up-to-date with current affairs.

[PBC] I knew that I wanted to be a hip hop artist from young because I was always in some type of elite crew that was making major moves. (S/O My DeadEnd Block Fam & Every other rap crew or group I was in). But officially, by the age of 16 when I had my first official recording studio session, I was introduced to a Track Masters affiliate, Kurt Gowdy, I knew then that this was what I wanted to do with my life.

ing and performing music to pursue a career in video/film production back in 2002 - 2007. I chose that path because at the time in the early 2000’s I felt that music was becoming very dry and uninspiring. I took courses in college and worked in the TV station (S/O to LIU-TV). I also have a brother-in-law that was in the industry shooting music videos, films, and commercials. I threw myself in the field and learned the craft paid my dues by

[TR] Tell us about your career in me[TR] When did you know that you dia production, your experiences in wanted to be an Emcee/Rapper/Hip- the film/tv industry... hop artist? [PBC] I did take time from writing, record-

[TR] Whend did you actually become

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When you put a â&#x20AC;&#x2DC;Gâ&#x20AC;&#x2122; in Real you get Regal: An interview with the Brooklyn-based Hip-Hop Artist Prince B Charles...

Re[g]al

Brooklyn Interview by Marco Spada

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working my way up from Production Assistant to Producer. I met a lot of the industry’s elites and got to work on visual productions w/ Fantasia (“Free Yourself” music video), Jermaine Dupri (Documentary and tour footage of his artists Dem Franchise Boys and Da Brat), Rapper Maino, DJ Scratch, legendary Kango Crew member Dana Dane, Big Daddy Kane, Uncle Murda, and the list goes on.

Kool! You betta tell us some funny/ tasty/nasty story about the industry! [PBC] The craziest story I have from my vid/film production days was when I was shooting behind the scenes footage of Dem Franchize boys at BET with my brother-in-law. I was asked by their manager to stop shooting and put on the So So Def mascott costume and join the guys on stage with Da Brat while they performed the “They Like Me” remix. I got on that stage w/ that costume on and started doing the snap dance! They all loved it and the crowd loved it.

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You seem to have a unique connection with Brooklyn and its community. What is unique about Brooklyn? How does this connection is reflected in your rhymes? Brooklyn to me is like the Mecca of Stardom. I mean in a sense of Brooklyn birthed so many of the “World’s Greatest”, so it seems like if you are a talented individual and you are from Brooklyn, you could be destined for Mega Stardom. People from Brooklyn have a certain type of moxie in the way we carry ourselves. The era I came up in, was literally like “Do or Die!” in Brooklyn, just like the late great Notorious said. It was like a concrete jungle and only the strongest survived. There were robberies, murders, crooked cops, block wars, etc. every day. It seemed like if you were to survived all of that, it meant you were born to win, not only on a local, or domestic level, but on an international, world-wide level! That’s where I believe that Regal Essence stems from. The fact that you overcame

those many obstacles meant you were ready and fit for a crown. Plus, Let’s not forget Brooklyn is also known as “KINGS COUNTY”! (California also has a Kings County but we know who had the name 1st! Lol) In my music you will hear these things. It illustrates my points-of-view and stories about my come-up in Brooklyn and the mentality I’ve gained from my experiences. It is a mindset that is directed toward staying Regal and Extravagant, gaining Wisdom & remaining Confident, and expressing oneself through art, primarily through lyrics and music, in a true and authentic New York fashion.

What is your opinion on foreign hiphop? I mean, Outside-Brooklyn-HipHop LOL ... And what is your opinion on the international hiphop scene? (I mean, Outside- US-Hip-Hop :) In my “HipHop Studies” I definitely have taken the time to check out other cultures and countries that have took to Hip Hop. I can see why there is an attraction

and that there are more raw and underground rap artists. Seems like when a new region explodes with Hip Hop culture it always finds a way to generally root itself in urban areas where more lower class and lower income people are, and where there is a struggle. I’ve heard artists from Germany, France, Somalia, Brazil, Puerto Rico and they all came across real raw in their presentation. At first when I listened to International Hip Hop they all for the most part seemed real hardcore, but I’ve noticed that once the Hip Hop became recognized as a mainstream American genre, and artists being internationally known became the mainstream norm. This is when I started hearing more pop-like international artists. So I guess I can say they also followed the trend which is part of the natural evolution of Hip Hop so far. There are some phenomenal international artists I like listening to: MIA, Tego Calderon, K’naan, Booba, Bushido & my Dude P-Noise from Montreal QC.

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[TR] How was moving to sisted him with building it. artist and CEO of your It only took a few months. own label requires more Montreal, Quebec?

than just talent. It requires patience,information/research, the ability to communicate and delegate orders well and MOST IMPORTANTLY having good judgment of character in order to select a winning team. I would say it is my teammates that carry my balance and help me bring my music, brand and dreams to fruition. (S/O [TR] Back to Planet MELANIE HILL-CANTEY aka PEACE OMEGA AND TEAM Brooklyn, you estabAs soon as I arrived I was IMPERIAL,TEAM GOOSE). lished your own indeintroduced to the city’s Hip Hop scene and some of its pendent music label [TR] Your favourite clasmajor architects. My clos- (2011) Imperial Goose sic OldSkool album(s)? est to kin was a dude that Music. How is to be an [PBC] I don’t think it’s fair owned a clothing store Hip-hop Artist and si- to name just one album as and he had a vision to turn my favorite. I have studmultaneously, CEO of it into the HipHop mecca ied, listened to and vibedthe record label? of MTL. We connected alout to so much “True most immediately and I as- [PBC] Being a recording Skool” music. It could be, [PBC] Moving to Montreal was definitely a interesting experience. There was different types of people, different ways of living and a different national language in use. What surprised me most was, as different as it was, it still reminded me of back home in NYC: The hoods, the metro, the city and shopping areas, the ladies’ attitudes ;) etc.

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He named it Steelo-Classico. It turned out to be a Hip Hop clothing store with its own clothing line, it had a mega professional recording studio, and a Hip Hop Lounge. I eventually started hosting Hip Hop Open Mic events there twice a week. It was at these Open Mics I met other major producers and artists that I am still associated with today.

Biggie’s “Ready to Die”, Fugees’ “The Score”, Onyx’s “Backdafucup”, WuTang’s “36 Chambers” or “Wu-Tang Forever”, Snoop Dog’s “Doggystyle”, A Tribe Called Quest’s “Midnight Marauders”, or ODB’s “Return to the 36 Chambers”... I DON’T KNOW... there’s so much more I didn’t even name. To choose one is insane.

features of a modernday classic Hip-hop album?In other words tell us about your forthcoming album “I’m It: Goose Season Vol.1” (GSV1)

Thank you for your reference to my latest album “I’M IT”: GOOSE SEASON VOL.1 (GSVOL1: I’M IT) concerning modern day [TR] What are the main classics!

To me a classic album is an album that can literally possess you and take you on a journey through song to places that other less substantial artists cannot. A classic album possesses: character, innovative ideas, amusing stories and the ability to deeply connect you to it whenever you listen to it. These are all qualities my latest album has, (which can be

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purchased via iTunes, Amazon and CD Baby and other major retailers right now!) that is why it is referred to as a “Modern Day Classic” album.

[TR] Do you think hiphop can be an agent for social change? In other words, what do you think about socially and politically conscious hiphop? (e.g. Public Enemy) [PBC] I believe Hip Hop has always been used for social change. The architects like Grandmaster Flash and the Furious Five, KRS-One, Public Enemy, NWA, and even Biggie Smalls and Diddy dealt with social issues and the things that affected our communities. They told us about ideals that we as a people in a struggle should hold on to in order to rise out of our conditions. They even provided us with real life depictions of what it is to be young, black and successful in America. Because of how these notions were handled by these artists, I can proudly say the crime rates and murder rates in particular in my birthplace have gone down. Since

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their True-Skool reigns, there are many more successful black people in America not looking for work, but hiring people to assist them in building their own small enterprises. At its core, Hip Hop is the post-civil rights movement voice of the new black America, and it has taken the world by storm. And because of that voice, we now have an even more prominent position in the new globalized world, and so does other people from disadvantaged communities all over. Now that’s social change for that ass! Lol

[TR] Nas said that hiphop is dead. Comment this provocative statement...

[PBC] I believe the Internet has become a good filter for all the “extra bs” you get from the regular mainstream media. Artists not fortunate enough to get a “deal” can gain access to fans globally and make their own moves. This is the essence of the Independent Artist and the new and revamped music industry. Once you’ve hit your peak you’ll gain the option of possibly becoming a “Mainstream Commodity”. The internet just gives us the “choice” now to play the game our own way and on our own terms. I Choose To Play It ReGal.

[PBC] Nas was right when he said Hip Hop is dead. As it once was, it has died, but it is resurrected through me and all other new artists like myself that thrive off of innovation, inspiration [TR] Thank You for Your and dedication and the Time, Prince B Charles... true spirit of Hip Hop, which Good Luck and Always is by the way likely the first international CULTURE, which has been spread so far from its roots in the hood to the cultured in the palaces and museums.

Keep It Re[g]al!

[TR] Do you think the Internet is providing new opportunities or is it hurting the game?

Prince B Charles Official Facebook Page

www.princebcharles.com Twitter : princebroyalty soundcloud.com/princebcharles “I’m It”: Goose Season Vol. 1 Album on iTunes

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Interview by Marco Spada

HUMANS

OF VANUATU AN INTERVIEW WITH PHOTOGRAPHER GRAHAM CRUMB: <<I’VE LEARNED THAT SIMPLICITY IS THE GREATEST GOAL. THAT’S WHY MOST OF MY SHOTS ARE CRUDELY SIMPLE, STRAIGHT-ON CLOSEUPS OF A SINGLE INDIVIDUAL WITH NOTHING BUT A GLINT IN THE EYE OR THE HINT OF A SMILE AS THE MESSAGE. I PREFER TO SHOOT WITH EITHER A 50MM OR A 105MM PRIME LENS. >>

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[tr] You know, I was fascinated by the genuine vibes of your portraits. Please, tell us more about your Humans of Vanuatu (HOV) project... [gc] The project itself is the brainchild of Facebook user Fleur DeLys, a Ni Vanuatu woman currently based in Fiji. The first I heard of it was when I received a notification saying that I’d been made admin for the page. My first reaction was: WTF is Humans of Vanuatu? At the time, the page had nothing on it but a cryptic reference to Brandon Stanton’s Humans of New York. I didn’t know anything about his work, but a quick visit to his site and the HoNY Facebook page really resonated with what I’ve been doing since I arrived in Vanuatu in 2003. I’m not crazy about the lazier, more voyeuristic aspects of what’s become known as Street Photography, but what Stanton does is unique and engaging. It goes straight to the heart of what makes photography interesting for me - those moments of interaction between strangers, and the (often unspoken) agreement of the subjects to expose some integral part of themselves, to share something essential about themselves with the world at large. [tr] You said the HOV project “brings you closer to the human lives of Vanuatu”, can you elaborate more on the subject? [gc] I’m Canadian. I first came to Vanuatu as a volunteer back in 2003. I

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never left. To do so now would break my heart. As with most of the world, my first reaction to being told about Vanuatu was, ‘Vanuatu? Where is that? Africa?’ I did a little searching online, but the amount of information of any value was tiny. My day job is in IT, so bringing the people of Vanuatu online is an abiding concern. And the key to that is to share those unique aspects of Vanuatu society and lifestyle that make it such a beautiful, peaceful place. There are tons of problems and challenges, and many people live in poverty, but life here is rich and mostly rewarding. And that’s most of what I want the rest of the world to see. HoV is a tiny thing still, and honestly, I can’t see it ever growing beyond a drop in the torrent of beautiful images on the web today. Just try following the ‘Fresh’ stream on 500px.com. It’ll overwhelm you. HoV is quiet and unassuming, just like the people it portrays, and though it might not ever matter much to those outside the Pacific, we don’t really care. It’s Us, and we love it. [tr] Please, tell us more about Vanuatu... [gc] Wow. How to bundle up 3000 years of living culture into a paragaph or two? Vanuatu is one of the few places remaining in the world where true community still exists. It’s small enough that people still know each other, and big enough to embrace really wide cultural diversity.

<<VANUATU IS ONE OF THE FEW PLACES REMAINING IN THE WORLD WHERE TRUE COMMUNITY STILL EXISTS. >>

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There are over 100 languages spoken here in addition to French, English and Bislama, the local pidgin. Life on a small island requires that you accommodate people and behaviour that you wouldnâ&#x20AC;&#x2122;t necessarily choose if you lived in a big

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city. Itâ&#x20AC;&#x2122;s a little weird, having to smile and shake hands with the asshole who badmouthed you behind your back yesterday, or to continue living cheek-by-jowl with someone you genuinely dislike. But the result, after 3000 years of

<<PEACE REQUIRES THAT EVERYONE GET ALONG. JUSTICE, ON THE OTHER HAND, HAS WINNERS AND LOSERS. >> (GRAHAM CRUMB)

existence, is that Vanuatu culture is mostly polite, respectful and full of stress-relieving laughter. The key to living in Vanuatu is understanding the difference between Peace and Justice. Peace requires that everyone get along. Justice, on the

other hand, has winners and losers. So sometimes, you acceptresolutions to conflict are really unjust, but which allow people to continue living together. For instance, itâ&#x20AC;&#x2122;s not uncommon for both sides of a dispute to be fined by the village

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chief: One for causing the problem in the first place, and the other for turning the situation into a fight that requires his intervention. Take a look at the photo I took of Chief Roy Yasur on the HoV page. He explains the issue really well. And when you’re done reading his explanation for how Kastom works, take another look at that smile of his. He’s a very, very canny, subtle-minded man who understands his people remarkably well. He manages their affairs with deftness, cunning and tact but then, that’s the hallmark of a good chief in Vanuatu. [tr] How do you choose the subject of your portraits? [gc] They choose me, for the most part. There are a few portraits on the page that were posed, but they’re a really tiny minority. My standard procedure is simply to choose a neighbourhood I haven’t visited in a while, and to wander around. People spot me way before I spot them (it’s still pretty unusual to see a white guy with an expensive camera in Port Vila’s residential neighbourhoods, let alone in the villages). They’re always curious and sometimes a trifle

suspicious, but I speak Bislama pretty well and know a few words in about a dozen other island languages, so I just explain what I’m up to and where I’m going. (This is de rigeur in Vanuatu. Here, ‘where are you going?’ is how people say ‘hi’ when they meet.) Most people are really eager to have their photo taken. Quite often I have to take a few token shots that I have no intention of using, just to placate the demand and to get them to relax a little. [tr] What is happening around you, while you are taking pictures? How do people react and behave? Wow, that varies as much as the subjects themselves. My goal is ultimately to capture as many aspects of day to day life in Vanuatu as possible, so I guess I could say, everything is happening around me, all the time. I never leave the house without my camera, lenses, a full battery and an empty memory card. And I’ll pull out the camera at the drop of a hat. Most of the time, there’s a ton of laughter and enjoyment. People outside the frame often make cheeky comments to the subject, just to

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shake them up and make them laugh. About half of the time, I’ve got 3-6 children around my knees, trying to see what’s on the LCD on the back. The other half of the time, they’re jumping into the frame.

(http://imagicity. com/). Humans of Vanusite

atu has only been around for a short while, so I think the number of people pictured there still numbers in the dozens.

[tr] Do you keep in touch with the people you por[tr] Do you ask for permis- trayed? sion to take pictures? [gc] Sometimes. In some [gc] Always. Either im- cases, if I’ve taken a shot plicitly or explicitly. Hav- that I think is genuinely ing lived here nearly a memorable, I’ll go back decade, I’ve got used to and deliver an 8 x 10 print knowing whether my to the subject. I’ve wanpresence is welcome or dered through enough not. If there’s any doubt neighbourhoods of Port whatsoever, I back off. On Vila (my home, the capione or two occasions, I’ve tal, population roughly had people accuse me of 40,000) that a lot of peowanting to profit from ple recognise me or even the photos. That usually know me by name.You’ve results in a conversation got to remember that in which I explain that this is a very tightly-knit not only do I not charge place. An example: A few for any of them, but that years ago, a close friend their purpose is to im- of mine passed away unprove understanding and der unforeseen and tragrespect for Vanuatu cul- ic circumstances in Tokyo. ture and kastom. I got the news from a man [tr] How many people from the remote Maskehave you photographed... lyne islands, which had till now? no mobile or internet ser[gc] I honestly couldn’t vice at the time, before say. Hundreds, maybe I got it from Facebook! over a thousand. As of last We call this phenomweek, I just uploaded my enon the Coconut Wire4000th photo to my web- less. It’s a little unnerving

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at first, but it’s not at all unusual to meet someone for the first time in months, only to have them ask you about something you did just yesterday. Once you get used to living in the middle of a very curious - and surprisingly well-informed - community, you realise that it’s really quite liberating to share your life with everyone else. So even when I’m walking down a road I’ve never traveled before, there are still likely people who will know who I am. [tr] From your pictures I see you meet inspiring people. Tell us some anecdotes... [gc] I think the biggest gift I can share with people is reminding them that they matter. It’s easy to feel forgotten by the world when you live in a tiny speck in the ocean. But when I show people the numbers who’ve been exposed to my website and to HoV, they’re genuinely gratified. There’s an immense well of dignity and pride in Vanuatu culture, and this is just one tiny moment of affirmation for it. But in Vanuatu, the little things matter.

hired a driver for the day to take me around the Lenakel area of Tanna island to do some research. We picked up Chief Ieru as he was walking from a kastom ceremony in Lenakel, back to his village about 8km away. We dropped him where the road led into the bush. Before he left, he sang one of his famous songs, an almost jazzlike improvisation thatmade sly observations about every neighbourhood in Port Vila, ending with my own Freswota. Judging by the glint in his eye, I think he knew where I lived, though for the life of me, I don’t know how. Chief Ieru is known throughout the island for his wisdom and his wit. He teaches young people kastomdancing now, keeping the fascinating Tannese culture alive.

[tr] Where can we experience your portraits?

[gc]Everything - the good, the bad and the ugly - goes up on my website:

http://imagicity.com/

I recently registered humansofvanuatu.com, and hope to have a website in place soon. If and when that happens, we’ll see Chief Ieru from more input from other great VanTanna was one of the most re- uatu photographers.. markable people I’ve ever met. He’s also the very first portrait I posted to HoV. I’d been shortlisted to write for Lonely Planet, so I’d

Anecdote:

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[tr] Future plans? [gc] Well, the HoV website is the first thing. The domain is registered, but this is a labour of love, so I can only move things along in my less-thancopious spare time. I want to publish work by a few other long-time photogs working in and around Vanuatu. There’s just so much more to see! After that: Humans of Melanesia. I want to expand the scope to include Fiji, Solomon Islands, Papua New Guinea, New Caledonia and West Papua. There’s just so much great photography happening in this truly unique region. If you want a taste of it, check out my mate Ben Bohane’s remarkable photojournalism at wakaphotos.com. (Every time someone compliments my photography, I tell them, ‘No, I’m not a photographer - THAT’S a photographer!’)

Stones and Clash for their anger and energy and their willingness to offend. Desmond Decker and Jimmy Cliff for their songs of liberation and joy. [tr] Your Favorite Photographers? Capa (natch) and Don McKellen probably affected me the most. My mate Ben Bohane. [tr] Photographers Names to Watch? Watch out for more great shooters once the HoV website gets going, and even more when we embark onHumans of Melanesia. [tr] Favorite Festivals/Events?

These days? Nothing comes close to Vanuatu’s own Fest Napuan. It’s raw, sometimes downright unprofessional, but it’s one of the greatest expressions of Pacific culture you’ll ever find: from the high-polish of our international acts to the Monkey Boys, a gang from the Banks islands [tr]Forthcoming exhibition(s)? [gc] Exhibitions? Nyet. Nothing who do hilarious, uproariously raunplanned right now. Humans of Van- chy sketch humour. uatu is completely online and free. [tr] Preferred Food? Everyone who knows me at all knows [tr] Favorite artists? Hemingway and (all of) Graham they can always find me down at Greene, Marquez, Shakespeare and Port Vila’s Cafe au Peche Mignon. It’s a great little french patisserie, countless others. with fine coffee, great desserts and [tr] Musical Heroes? a clientele that cuts across all social Elvis Costello for his love of the boundaries. bon mot and the particularities of [tr] Preferred Drink? life. Bowie for his art. And the great voices of jazz (Holiday, Fitzger- Kava. It’s a Vanuatu institution. Conald, Vaughan, Cassandra Wilson) cocted from the roots of a local bush, for their sheer lyrical beauty. Early Try it some time!

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CULTURAL CANNIBALS PRESENT:

OS MUTANTES SUNDAY, DECEMBER 2ND DOORS OPEN AT 8PM THE WHITE RABBIT CABARET 1116 PROSPECT STREET INDIANAPOLIS, IN 46203 ADVANCE TICKETS $20 $25 AT THE DOOR THIS WILL SELL OUT, MAKE SURE YOU SECURE YOUR TICKET! WHEN THE MEMBERS OF THE LEGENDARY "TROPICALIA" BAND OS MUTANTES TOOK THE STAGE BEFORE AN AUDIENCE OF THOUSANDS AT THE HOLLYWOOD BOWL A FEW YEARS BACK, IT SEEMED ONE OF THE GREATEST SECRETS IN MODERN MUSIC WAS FINALLY OUT. THE SEMINAL BAND WHOSE ETHEREAL ABSURDIST POP MUSIC HAD INSPIRED SO MANY PROMINENT MUSICIANS SINCE THEIR BREAKUP DECADES BEFORE, WERE BACK. THIS TIME THE WORLD SEEMED READY. NOW THIS INFLUENTIAL BAND HAS REEMERGED WITH A BRAND NEW ALBUM ENTITLED HAIH OR AMORTECEDOR ON ANTI-RECORDS.

<<HEARING OS MUTANTES FOR THE FIRST TIME WAS ONE OF THOSE REVELATORY MOMENTS YOU LIVE FOR AS A MUSICIAN. WHEN YOU FIND SOMETHING THAT YOU HAVE BEEN WANTING TO HEAR FOR YEARS BUT NEVER THOUGHT EXISTED. >> BECK

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SOLDAAT IVED

SOUND OF THE UNDERGROUND presents

JaydeEfunk tr 46

music producer club owner

a selection of underground dj/producers compiled by Groove Cutz Radioâ&#x20AC;&#x2122;s Soldaat Ived for [TR] magazine [FREE] Listen & Download The Radio Show: soundcloud.com/soldaatived

Artist: JaydeEfunk (SouthAfrica) Position: House Music Producer & Club Owner Specialty: Tribal, Afrotech & Deep Label (Est.2008): JayceEd Records Listen: www.soundcloud.com/jayceed Buy: www.afrodesiamp3.com & search soldaat Contact: facebook.com/jaydeefunk Current Projects: JaydeEfunk & CeEductor-My soul is clean JaydeEfunk & CeEductor-Triple Touch. Trax Released: Soldaat Ived & JaydeEfunk ft Nthabiseng Mangojane | Maru A Pula (SV Rec & DLR) Remixed: Soldaat Ived ft LAW-Baphi (Jayceed Afrotech)

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faye wonder aka Welcome to the wonder-Land of Vocal Poetry IT COMES DURNG DAYLYT/ SUMTYMS AT NYT/ COMES IN 2Z ND 3Z SUMTYMS IN BIGGER GROUPS/ U FIND A GENTLEMEN AT DA DOOR SAYNG “GOOD EVENING LADIES ND GENTLMN WELCME 2 LOVE” THE PEOPLE DANCE IN THS PLACE/THEY GVE HUGS IN THS PLACE/ THEY SHOW KINDES IN THS PLACE/ IN LOVE THEY SMILE IN DIS PLACE/ THEY GIVE IN THIS PLACE...OH HOW I LOVE THIS PLACE/ WHE SHIELDS ND ARMOURZ R DROPD DWN ND DA HEARTS READY 2 B ATAKD/ ND DA FEELNG IS READY 2 B PASD ON ND ON WE NO LNGER LUKN BK/ WEN CHILDRN SMILE ND SURVIVE DA HUNGER/ WEN WE NO LONGER KIL 1 ANADA/ WEN WE R LIVNG LIKE BRADAZ/ DA GENTLMAN SAID “LADIES ND GENTLMEN WELCOME TO LOVE”IT IS NT JUS A FEELNG BETWN 2 ITS A FEELNG BETWN U ND U ND U/ ITS OF A NATION A REVALATION OF REJUVINATN LOV/ WHE WE HAV HUMANITY ND PAINS NT WAT WE THNKNG OF/ LOVE...WELCME 2 LOVE WIT UR HEARTS OPENLY. WELCME 2 LOVE

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Welcum to

Love

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so sometimes

its so sad that it only happens sometimes

that we only forget sometimes that we forgive sometimes that we believe in God his books and his messengers sometimes that we love sometimes and that we even hate sometimes that we even sleep sometimes, nt at the same time that we give sometimes that we learn sometimes that we even listen sometimes that we cry,laf and smile sometimes ITS SO SAD THAT WE ARE ONLY HUMAN BEINGS SOMETIMES that we treat one anada with love, generosity sometimes that we care for others just sometimes its so sad that others we see sometimes dont even eat sometimes that people we see sometimes dont even sleep sometimes coz sometimes they wish to die sometimes its not all the time its just sometimes that they have endless problems that only vanish sometimes

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o sometimes

that they sometimes cry, coz of the stress sometimes

SOMETIMES ITS NOT ALWAYS ABOUT THE STRESS its coz they dont have love, they only get it sometimes i cry sometimes i even wonder sometimes i ask god sometimes and he answers sometimes sometimes i feel hurt, anger worry all the time coz god loves us all bt sometimes we just believe it sometimes we cry only sometimes cozwe not meant to fl pain all the time we laf sometimes coz we only love sometimes our excuse is sometimes i sometimes wish things were different at times not sometimes but all the time this piece is not about sometimes bt its about wht happens all the time

[FAYE WONDER]

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te u o R ican

fr A h t ou S e .. . n Th o d n o L p e to De

stories of africa Interview by Marco Spada [TR] How and When did it all start? [LS] It started back in 2006 u know high school years, GlenBrack highSchool to be exact. When tha music u got to hear was house music day and night so slowly i fell for house music.

think to myself i’d like to make music like this and put S.A House music on tha map. All in as i have mentioned i started Producing in 2006 with so much little knowledge but persistance pays off.

[TR] Why/when did you start pro- [TR] Who are your partners in crime? ducing/deejaying? [LS] My Main partner in crime pro[LS] Why did i start producing? well duction side i’d have to say is Burenx simply because i loved house music a others to watchout for well Agent Mo, lot and i was infected with tha house Native Len, Eye Cue and Shovedeep. bug !! I’d hear music from legends But il say again Burenx is tha main such as Osunlade, Ame and so on and guy good producer killer !!!!

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[TR] Tell us more about your Deeper Route Family...

we have noticed how S.A has put its self on tha map and our Presence has [LS] Well its a group made up of DJ’s grown internationally even Quality and Producers. but u must under- of S.A music has improved all i can stand i am LayedSoul a.k.a Deeper- say is Well done S.A !!! Route on tha side DeeperRoute Fam- [TR] What are the essential ingrediily doesnt make music I LayedSoul ents of a legendary dancefloor hit? make music nd remix my own music A well planned song, well mastered using the name DeeperRoute its al- not rushed with good vibes. For me most like a side Project !!!!! a legendary hit is a song that will [TR] Define #Deepness

still rock tha Dancefloor even after [LS] Lol where do i start ? I really 5years on so on not just a song of the cannot define Deep but i can Say moment . Deep is a unique Sound and more [TR] How would you describe your relaxed compared to other sounds. signature style?

[TR] What are your favourite flavors [LS] Tha only thing ul recognise bout of House Music? me is probably my Rolling Hi-Hats [LS] Has to be Fusion of Tribal and but other than that i dnt have a SigDeep, Deep House, Deep Minimal nature style i do what ever i feel like House, Afro House ... these are all doing. Genres i do !!!!

[TR] How many “layers” are there, inside a Layed Soul?lol [LS] lol hahahaha i dnt know what to say But many layers inside LayedSoul... im all bout being different so lol i guess u need to have many layers to be special.

[TR] Do you think music softwares are magic? Do you think music softwares are useless without a magic person behind them? :D

[LS] Music software is great magic thnx to it many great producers of today where born from Music Software. Yes music software is useless without a creative Mind behind to [TR] How much the electronic music make pumpin jams !!!!!! you produce is African music? [TR] how do you know when a tune [LS] I dont know , i dnt measure but i is done? do blend most of my Music with african sounds got to keep it real always. [LS] When i start

shaking my

[TR] Comment the South African to it i jus know its done lol growing presence on the Internacoz i wont stop dancing lmao even tional music scene. thou im a bad dancer. [LS] I dnt really need to comment as

head

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[TR] Fill-in-the-blanks: when I’ve completed one of my tunes, I am filled with a sense of ... [LS] ...with a sense of jOY, the feeling of i can do better and jus thnx to God for helping me finish wat i started. [TR] Tell us about your relationship with the UK label Deep London Records... [LS] I am an artist on this Label since 2011 , this like home to me. 1 love for good music. cLOSE RELATIONSHIP WITH THE lABEL.

<<Yes, music software is useless without a creative Mind behind to make pumpin jams !!!!!! >> (LayedSoul)

[TR] How would you describe your debut album Stories of Africa? [LS] An album that is Deep Relaxed with a mixture of African Elements drums !!! It was my 1st attempt at an E.P and it got DLR’s attention and ended up being released on Traxsource. [TR] Where can we listen to your music? [LS] on my soundcloud profile http://soundcloud.com/layedsoul [TR] What are your forthcoming projects? [LS] Spiritual E.P COMIN SOON Shadows E.P out for free on Soundcloud (http://soundcloud.com/layedsoul/ sets/shadows-e-p-1/)

layedsoul tr 54

[TR] Tasty! Thank You LayedSoul. Lotta Luv n Lite from Your Friendly Neighborhood Tribal Realities...

tribalrealities charts a selection of good vibes by trusted human beings

kilograms ived 1. Ralf Gum ft Monique Bingham- Take me to my love_ GOGO MUSIC 2. Soldaat Ived & Stanley London- Love Me or Leave Me_DEEP LONDON RECORDS 3. Fred Buddah- Underwater Train_ROOTS GO DEEP RECORDS 4. Ofuren- Kalengo_ROOTS GO DEEP RECORDS 5. Soldaat Ived ft LAW-Baphi-(Jayceed Mix)_SV RECORDZ/DEEP LONDON 6. Dilouya ft Omar- +Over the Sun-(Soldaat Ived ILL EDIT)_GROOVE CUTZ RADIO/DEEP LONDON 7.JaydeEfunk ft CeEductor- Triple Touch-JAYCEED RECORDS 8. Soldaat Ived & Kilograms Ived- Non Mathematical Fam_SV RECORDZ 9. Louis Scott-Better Days-(Jason Wolfe & Pablo Alejandro ft Arthur Pfund Dub)_HOUSE CALL RECORDS 10. Evan Dâ&#x20AC;&#x2122; Rougs - Melocentric Class (Original Mix)-ANSWEGG RECORDS

This playlist compiled by

Kilograms

kilograms ived & Soldaat

(Bethlehem Free State, SouthAfrica) for Tribal Realities Magazine. Trax listed are available at soundcloud and traxsource. Further info: www.soundcloud.com/soldaatived

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tribalrealities charts a selection of good vibes by trusted human beings

journey at the east 1. Kali Yuga - Engine Earz 2. Sufi Dub - Celt Islam 3. Communique - Dr Das 4. Dravidian Spirit - Dj Soundar & Jklur 5. Bombay HQ - Juttla 6. Shakti’s Theme - Visionary Underground 7. Folklore - Dhamal Sound System 8. Snake Charmer - State of Mind 9. Journey - Asian Dub Foundation 10. Gypsie - Universal Taal Project dj soundar ananda

This playlist compiled by

Soundar Ananda for Tribal Realities Magazine. (Paris, France)

DJ / Activist / Producer / Remixer / Performer • Asian Underground Gig Promoter • Founder & Member of the “Dravidian Crew” (Fr) and CoFounder of “Asian Electronica” (Fr)• Label: Asian Electronica. Distribution: Musicast • Further info: www.myspace.com/dravidiancrew www.myspace.com/asianeclectronica www.soundcloud.com/djsoundar

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tribalrealities charts a selection of good vibes by trusted human beings

pablo fierro 1. Flashmob - Need In Me (Original Mix) 2.Pablo Fierro - Solos Tu y Yo (Pascal Morais Remix) 3.Pammin - Need Someone (Andre Crom Remix) 4.Mirror Dance-Yass bootleg 5.Mat_Joe - Heart To Find (Original Mix) 6.Flashmob - Need In Me (Original Mix) 7.Juan Fierro - Atlantica (Original Mix) 8.French Fries - Yo Vogue (Claude VonStroke Remix) 9.Betoko - Raining Again (Original Mix) 10.Justin Martin - Donâ&#x20AC;&#x2122;t Go (Dusky Remix) This playlist compiled by

Pablo Fierro

(Santa Cruz de Tenerife, Canary Islands) for Tribal Realities Magazine. Producer, creative, musician, singer, remixer & dj. Further info: http://www.pablofierro.com facebook.com/pablofierromusic http://soundcloud.com/pablofierro http://soundcloud.com/vidarecords

pablofierro vidarecords

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| Shamanism | Visuals | Magazine | Vibes

face2face and on-line sessions

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SHAMANISM Vision Quest Dreamwork Channelling Meditation Divination Sound Healing Reiki Master Level Past-Life Regression Mantra, Yantra, Tantra Crystals

LIFE-COACHING Leadership Personal Growth Work-Life Balance Self-Entrepreneurship Career Development Mind-Maps & Mental Programming

visuals & vibes On-line Publishing Music Production Digital Media Fine Arts

tribal realities

is a supra-mental state of consciousness...

awake!

www.facebook.com/tribalrealities

tribalrealities@gmail.com

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OUT NOW! ON AFRODESIA

DENNY D & MR BOOGIE FEATURING LADY SOUL IS THE LATEST RELEASE FROM JUS NATIV CALLED ‘DEEP WATERS’, AN AFRO DEEP PACKAGE WITH THE FEEL OF ITS OWN. ENJOY!!

Click here for digital download

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on-line store: show & prove your tribal attitude!

www.zazzle.co.uk/tribalrealities

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Offering... THIS MAGAZINE IS OFFERED ON A “PAY-WHAT-YOU-WANT” BASIS. TRIBAL REALITIES MADE THE FULL MAGAZINE AVAILABLE ON-LINE AS A GIFT. ENJOY! IF YOU WANT TO SEND A RETURN GIFT TO TRIBAL REALITIES, YOU MAY DO SO: JUMP TO THE TR BLOG AND CHOOSE THE GIFT AMOUNT HERE Gift Amount | Importo Regalo (Euros)

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Much Love To Those who have spread the word, contributed to, and simply enjoyed Tribal Realities Magazine.

Blessings!

SHOUT OUTS: Franz Borja, Mr Boogieman Davids, Faye Wonder, Kgothatso Kilogram & Soldaat Ived, Kyle Long & Artur Silva from Cultural Cannibals, Pablo Fierro at Vida Records, Cathy Battistessa, Dj Mtshepang, Dr. Cat at Green Queen Music, Melanie Hill-Cantey & Prince B Charles at Imperial Goose Music, Dub Terminator & Ras Stone, Dj Phoenix, Soundar Ananda at Dravidan Crew/ Asian Electronica, Jah Bless mi Brethren Sennid Simon & Sista Mona Lisa & Takilmafm.com, Anita Laura, Stefano Lucarelli, Dj Furic, Abdellah Dj Jarod, Stan-ley at DeepLondon Records, Deeper-Route Layed Soul, Giovanni Santucci, Francesco Chiocci, DJ Calvin & 3â&#x20AC;&#x2122;s & Maf-t from Basemental Level, Miguel Rosa, Janca Ep, Sbu OneZn, Ak Rockefeller, Benny & Koteka Wenda,Ninakaye Taanetinorau, Jeffrey & Keisha Lewis, Handa Richterova, Wahida Salma, Diane McWilliams, Josephine Borrillo, Simone Perone & Leandro Pisano, Jason X Ilori, Dj Tyler Shwana, Jayanta Roy, Antonio Deckademix Vilas, Eleanor Perry, Leonard Calabash Tsehlo, Thabang Reddsâ&#x20AC;&#x2122; Makhubedu, Lisa Knowlton, Rameez Hasan, Joel Vibes, Aluku Rebels, Kassette Blog, Wez Champion, Gruv Shack Records, Kasono Music, Underground Movement Family, Radio Indigena, Felabration, Generation Bass, Indigenous Resistance

Above: La Maison Dieu studio at TribalRealities HQ Collelungo - San Venanzo (TR), Umbria - Italy

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Tribal Realities Magazine Contributors: Soldaat Ived (SouthAfrica): Composer, Producer, Deejay at Deep London Records (UK). Resident dj at The Calabash Club in Bethlehem, Free State. Radio host for Groove Cutz Radio. Loves House. Deep. Faye Wonder (SouthAfrica): Welcome to the Wonderland: Poet, Singer/Songwriter, Event co-ordinator. Vocalist at Play It Loud SA, C-Major SA, Black People Records and many more. Lives in the life of Star-Treks and Wonders...

Paty Ortega (Mexico): Photographer, Poet and Pre-Hispanic Chef on her way to Shamanism. Forthcoming music and publishing projects under the nom de plume Kynis.

Marco Spada(Italy): Shaman, Music Producer, Visionary Artist, Creative Writer. Loves green tea, good vibes and living beings. Publisher, Editor, Art Director of this magazine.

TRIBAL REALITES Magazine is published by Marco Spada under a Creative Commons (CC) license: Attribution, Non- Commercial, No Derivatives 3.0 Unported (by-nc-nd) You are free: to Share — to copy, distribute and transmit the work, under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No Derivative Works — You may not alter, transform, or build upon this work. More info at http://creativecommons.org/licenses/by-nc-nd/3.0/ The magazine maybe downloaded in electronic form (freely) at: http://issuu.com/tribalrealities

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| Shamanism | Visuals | Magazine | Vibes tribal realities is a supra-mental state of consciousness.

awake!

TRIBAL REALITES, raising consciousness since January 2008, is an underground visual magazine, creatively blending Ancestral Knowledge with 21st Century Culture.

Back Issues: http://issuu.com/tribalrealities

Submit As the Editor, I am inna Perpetual Beta State, always open to original, pristine and visionary contributions. Would like to be featured/contribute to TRIBAL REALITIES magazine? Want an Ad inserted in TR magazine?

Contact me... tribalrealities@gmail.com www.facebook.com/tribalrealities Everything written/designed/painted/edited/produced/post-produced by Marco Spada unless otherwise indicated. COPYRIGHT ÂŠ MARCO SPADA 2008-2012 All trademarks used are properties of their respective owners

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