Contents Issue 7| April 2012
FEATURES 9
ZJ Chrome: The Untouchable
11
Meet Reggae/Pop Rockstar, Nefatari!
20
Five Must Haves for Spring / Summer
20
Tribeca Film Festival
25
Third World in Africa
28
Tony Kelly: A Flash of Musical Brilliance
31
On the Reggae Front: Music That Keeps Us on Our Feet
33
The Future of Music: The Moombathon Experience
32
Get Out of The Graveyard
15
Diana King
“Realizing that after all this time, writing and recording songs, I didn’t own any of my work, I got it in my head that the next album I did, the next song I sang, I would own it.”
COVER PHOTO CREDIT PHOTOGRAPHER: Eric Schmid
Issue 7 | April 2012 3
Editor’s Note IT’S SPRING AND THE SPIRIT LIVES ON!
I am naturally inquisitive or like Jamaicans would say “fass.” If I want to know, I never hesitate to ask. I love getting information straight from the horse’s mouth and so I guess this is the perfect platform for me to do so. However, for some reason it is still unclear to me what I’ll be when I grow up! Juggling my PR firm and this magazine affords me a miniscule amount of sleep every night – I average about 4 hours per night. But no matter how sleep deprived I am I still find time to drum up other things I would like to accomplish. Of course, it’s never anything simple. It’s always something that requires more time than I have. But I believe I can do it all and God says “Faith can move mountains.” So here goes! Choosing our cover, while not rocket science, is no easy feat. There is genuinely no rhyme or reason to the process other than one very important factor, “someone who is doing amazing things.” And Diana King fits that bill. She is the essence of a monolithic and insurmountable talent. In one word, she is “amazing!” In the fight of her life, she has Multiple Sclerosis, she remains focused on the things that are of great importance to her. Beyond talent, she is intelligent, relatable, humble, funny and brave. Though I have never met her in person, from our interview, I know nothing and everything about her. She is a true “renaissance woman.” In the spirit of giving you variety, we have a thought provoking and inspirational article titled “Get Out of the Graveyard” by Dr. Manning-Fontaine. This month we got up close and personal with ZJ Chrome, reggae artist Nefatari and Grammy Award winning producer, Tony Kelly. Additionally, we were in tow with Third World in Cape Town, South Africa where they performed at the 13th Annual Cape Town International Jazz Festival... and we have pictures to prove it! All that and so much more! Phew, it’s a lot but you have an entire month to sift through the magazine before we bring you another amazing issue. Until then, stay focused!
Stacey Bethel
Your Editor-in-Chief Editor@TripleTheFocus.com
STACEY BETHEL Editor in Chief Creative Director: VICTOR E. LEWIS Art & Content Director: MIKELAH ROSE Public Relations: MICHELLE GAYLE Business Relations: NATASHA P. DUNN Photographers: CHAMPION HAMILTON | AJAMU MYRIE Graphic Designer: RUPTION DESIGN STUDIOS Beauty: RENEE BAPTISTE | KRYSTLE KAREE MAKE-UP Contributing Writers Shantell “Shanz” Hill Jody-Ann Williams Stephen “Cat” Coore Rev. Dr. M. Frances Manning-Fontaine Jason Fisher
ABOUT TRIPLE THE FOCUS Triple the Focus is a Music, Entertainment and Lifestyle E-Magazine published monthly. Released October 5, 2011, the goal of the E-zine is to provide a platform for industry insiders that will assist in connecting them with their fans on a more personal level. With behind the scenes photos, exclusive interviews, fashion and lifestyle tidbits, Triple the Focus is the brainchild of Triple 7 Entertainment LLC’s, a PR firm, CEO Stacey Bethel (nee Williams), who serves as Editor in Chief of the Magazine. Creative Director, Victor E. Lewis is the CEO of VicRae, Inc. whose clients include Actor, Leon, Third World Band, Jadine – Soca Diva and more. Art & Content Director, Mikelah Rose has worked for JAMROCK Magazine, VP Records, TEMPO Networks and has her own blog, Style & Vibes. For more information, email info@triplethefocus.com.
CONTACT
Email: Info@triplethefocus.com Phone: 201-981-6960 (US) | 876-475-5841 (JA)
Art & Content Director’s Note SPRING FLING I have a certain love affair with Spring! It’s the time when flowers bloom and the sun shines a little longer. It’s that subtle change in the weather that makes everything seem brighter and add a little “pep in my step.” Spring is the catalyst that physically drives me to feel better. Similar to that of the Triple the Focus team, we’re passionately feeling the desire to continue giving readers great pleasure in the publication. Covering the April issue is reggae crooner Diana King, who sexy and sultry voice has warmed us since here emergence on the scene. Both Diana King and Tony Kelly, also featured, are probably most known for their work in the 90’s, but their work ethic and ability to stay true to the music has allowed them to successfully continue re-inventing themselves to new audiences. ZJ Chrome and Nefatari are both making strides in their own right, gaining fans across the globe. Of course we could not put out the April issue without featuring some of Spring/Summer must haves. As a woman who is into all things fashion related, this is a fun and fresh feature that I am sure will appeal to most if not all our female readers. We will of course continue that trend with features by Arlene Martin from her Drenna Luna collection beginning with the May issue, a little somethingto look forward to. From a cultural perspective, photos from Third World in Africa, highlights from the Tribeca Film Festival, an inspirational piece about self-emerging from the “Graveyard” and much more Spring is a great time to reignite your own passions, so stay focused!
Mikelah Rose
Your Art & Content Director
ArtDirector@TripleTheFocus.com
Issue 7 | April 2012 7
ZJ Chrome 'The Untouchable' By Shantell “Shanz” Hill CHROME known as “Team No Sleep” because he is always working even at odd hours, is a DJ who is impeccable on the wheels of steel and is equally as easy on the eyes and ears. Creative, humble, original, musical and enthusiastic are words used to describe him. Born Shaun Chablal in Clarendon, Jamaica, he attended the prominent institution of Glenmuir High School and later furthered his studies at Northern Caribbean University, where he pursued his Bachelor’s degree in Mass Communication. He has been a member of the Zip FM family for years before deciding to go into producing. A CHROMED BEGINNING Chrome, the name he acquired at the start of his tenure at Zip, has been a disc jock from the age of 13. His early beginnings took shape with one high school party and a domino effect ensued where by one event turned into a few, and a few became a career. The transition moved from high school parties and events, to becoming a member of a sound crew Likkle Wiked. This family like association progressed from one sound to several overs the years, then onto Clubs and then to Radio. Now a ZJ on one of Jamaica’s hottest radio stations, Zip 103 FM, he is one of Jamaica’s most listened to DJ. Not one to rest on his laurels, he is also a sound engineer and producer. In 2007 he produced “Chromium riddim” which featured hits like Munga’s “Shake It Up” and Mavado’s “Twice A Day.” He continued to make waves with CR203 Records and then followed with “Sombre Recession.” A dancehall banger, it gave way to the creation and production of the award winning “Triple Bounce Riddim” which featured “Hope and Pray” by Mavado and “Mr Officer” by Vybz Kartel. Through the success of “Triple Bounce Riddim” he earned a nomination from the Excellence in Music and Entertainment (EME) Award for Producer of the Year. In keeping with the momentum, Chrome released “Madd Collab riddim” and produced Vybz Kartel’s globally recognized single “Clarks.” Additionally, the young producer released “Cardiac Bass riddim” and “Cardiac Strings,” which featured Chris Martin and Cecile. Both artists received International Award Recognition two (2) years consecutive in the Caribbean and Africa, specifically Kenya. “Smokin” and “Dancehall EFX” were just as successful and featured top billing artists such as Kartel, Konshens, Assasin, Munga, Bugle and Serani. “Smokin,” which has songs such as “Stulla” by Mavado, “Dumpa Truck” by Vybz Kartel and “Whine” by Stephen McGregor, cemented his place as one of Jamaica’s most sought
after producers. CHROMED INFLUENCE While he doesn’t build the riddims himself, Chrome says he’s always present to put his own influence in the music, directing patterns and ideas. He has an ear for hits and good productions. He remarks, “Anything that has creativity and vibes to it, I love it. People do say other people “make for me,” while it is truth, I’m fine with it. I’m not a musician but it’s my creative idea that is being heard on the record. I just don’t sit and watch someone make me a riddim and claim it’s mine.” His advice to aspiring disc jocks “Practice makes perfect and being too different doesn’t always cut it.” Also ZJ Chrome does not believe it is hard to distinguish between his public and personal personas. “I know the difference. Being a disc jockey and producer is my job and I am a unique individual; I always keep that focus.” A CHROMED CONNECTION Tell us how me twitter zipfm.net. gmail.com
to reach you? My fans can always find @zjchrome or via email at Zjchrome@ For bookings contact DatzMyDjent@ or 876-505-7182.
Issue 7 | April 2012 9
FROM THE PAGES OF VOGUE AND GLAMOUR MAGAZINE TO THE AIRWAVES MEET REGGAE/POP ROCKSTAR, NEFATARI!
By Jody-Ann Williams She has been dubbed a Pop/Reggae rockstar and rightfully so. She possesses style, intelligence, beauty, sex appeal and oh yeah, she can carry a note too. Nefatari has been in the entertainment industry for eight years. She made her entry as a model and has graced the pages of VOGUE MAGAZINE, WWD, JAMAICA OBSERVER and GLAMOUR MAGAZINE. She has appeared in various Ads for Dell Computers, Sisters in Style magazine, Hype Hair and on the runway for Tommy Hilfiger. On the music front, she has sung backup for teen idol Lindsay Lohan and former Spice Girl, Emma (Baby Spice) Bunton. As for her songwriting talents, she has written and vocalized songs shopped for Jennifer Lopez. Carib News says Nefatari “proved to have the necessary wherewithal to hang with the big guns.” Her Jamaican descent has been a big influence on her
sound. A reggae/dancehall undertone can be heard in songs like “They Don’t Know,” “All The Boys” and “Talk Yuh Talk,” just to name a few. Her songs have been spun on both local and international radios such as New York’s Hot 97, as well as Jamaica’s Hot 102 and Zip 103FM. 2011 was filled with performances. She has opened for Munga Honorable, I-Octane, Mavado and others. And while we can go on and on about her various accomplishments, we figured we would let you hear what she’s been up to straight for the source. What made you chose the stage name Nefatari? Nefatari is my real name given to me by my parents. It’s a very unique name so I decided to keep it as my stage name. It is derived from Nefertiti, the Egyptian Queen and in Greek Mythology it means Goddess of Beauty. Issue 7 | April 2012 11
Has music always been a part of your life? Yes music has always been in my life. Being an artist has been a dream of mine since I was a little girl. I can remember singing Whitney Houston’s “I Will Always Love You” in my living room at the top of my lungs when I was little. In elementary school and high school I was a part of the choir and took singing and guitar lessons.
Before I became a solo artist, I was a background singer for Lindsay Lohan and Emma Bunton (Baby Spice) from the Spice Girls. It was great preparation for me to step out on my own. I am also a songwriter and have written records with top producers like The Heavyweights, Austin “PayDay” Green, and Jason “J-Vibe” Farmer. Why did you decide to pursue a career in music? I started in the entertainment business modeling for designers like Tommy Hilfiger and Ads for Dell Computers, however music was my first love and passion. I’m a firm believer in following your dreams, so I decided to pursue the music full time. I would go to concerts and watch other artists perform and hear them on the radio, and think to myself if they can do, I can too! Who are your musical influences and why? Growing up my parents played Dennis Brown, Sanchez, and Bob Marley in my house so those artists have definitely influenced me. I’m also inspired by artists such as Lauryn Hill and M.I.A because of their creativity and unique style as an artist. They both have an image as a strong woman with a message. Are you involved in any other aspect of music? Before I became a solo artist, I was a background singer for Lindsay Lohan and Emma Bunton (Baby Spice) from the Spice Girls. It was great preparation for me to step out on my own. I am also a songwriter and have written records with top producers like The Heavyweights, Austin “PayDay” Green, and Jason “JVibe” Farmer. You recently traveled to Hong Kong, what was that experience like? Traveling to Hong Kong was an amazing experience. I did a promo tour there and did some meet and greets with DJ’s. Some of the DJ’s I met with already had my music and knew which riddims I was on. It was definitely an eye opener to see how music can travel so far, from Jamaica all the way to Hong Kong! Where else have you traveled to? I’ve been to Morocco and to Cancun, Mexico. I was pretty young when I went to Morocco, so I don’t remember a lot, but one thing that stood out for me was that it looked so much like Jamaica.
Do you have a favorite destination? I don’t think I could pick a favorite destination. I LOVE to travel, so my wish list of places to travel includes any country that I haven’t been to yet. I hate the cold, so a destination with warm weather is icing on the cake! What projects are you currently working on? I just released my brand new single “Day U Mess Up” produced by Echo One. The steaming hot music video for it has just been released as well! It was directed by Icey Jace in New York. I really love this record because it’s a ladies anthem and the riddim is sick! What’s your favorite thing to do outside of music? Besides music, I love fashion! My mom, Constance White, is a veteran in the fashion world so I grew up around the fashion industry most of my life. I love looking up fashion trends, taking in other people’s styles and what they are wearing. I also just enjoy spending time with my family and friends, who I don’t get to see too often. What three must have items do you have to have when you travel? I MUST, MUST, MUST have my laptop, my lip-gloss, and my blackberry! I never leave home without these three things!! What can’t you live without on a day to day basis? I can’t live without my Blackberry aka Crackberry. I’m definitely addicted! So that means you’re definitely on team Blackberry? Indeed. I have way too many BBM contacts to give it up! LOL Ipad or Kindle? Ipad! Mac or PC? Mac all the way! I think 9 out of 10 music people would agree. My MacBook is my portable office and studio. Which mainstream/underground artist are you currently listening to? I tend to listen to more underground artists, than mainstream. In the last couple months the songs that I have had on replay are Stylo G “Call Me A Yardie” and Delus “What Tomorrow May Bring”. What Genre of music other than reggae is your favorite? I like pop and R&B, which is reflected in the music that I make. My records are usually a mix of dancehall/reggae with a pop or R&B touch to it. Some people call me The Pop, Reggae, Rockstar! What Genre of music would you like to get more into? When I went to Hong Kong for the promo tour, I was introduced to Electro music and I liked it. I would like to experiment with it one day. Some producers such as Diplo/Major Lazer have already been fusing Dancehall and Electro music, so I’m always open to something new!
THE PLACE TO STAY
S PA N I S H CO U R T H OT E L 926.0000 1 St. Lucia Avenue, Kingston 5, Jamaica www.spanishcourthotel.com
Issue 7 | April
A Girl Named
DIANA KING FOLLOWED HER DREAMS AND WENT ON TO BECOME AN INTERNATIONAL POWERHOUSE! by Stacey Bethel
The World’s introduction to Diana King was through her chart topping single “Shy Guy.” The ginormous success of the single scored a position on the soundtrack for blockbuster movie Bad Boys, which starred Will Smith and Martin Lawrence. Whipsmart, determined and business savvy, the singer/ songwriter has sang her way to the top of the charts and comfortably sat there for most of her career. Showing her range and consistency, she has given fans feel-good singles such as “Say A Little Prayer” another single featured on a movie soundtrack –My Best Friend’s Wedding starring Julia Roberts – “Love Triangle,” “Summer Breezin,” “L-lies,” “Spanish Town Blues,” “Treat her Like A Lady,” among others. Diana’s debut album, Tougher Than Love, which featured “Shy Guy,” was released on Sony Music Label and grossed over 5 million in sales worldwide. She followed up with her sophomore album Think Like a Girl, which featured both original and remix versions of hit single “Say A Little Prayer.” Her eclectic sound and style has afforded her the opportunity to work with acclaimed musicians and artists such as, Brian McKnight, Kyle Eastwood, The Notorious BIG, P-Diddy, Jimmy Jam & Terry Lewis and German Reggae Star, Gentleman. I could go on and on, but more so than her many accolades and achievements, she is what many deem to be an extraordinary human being. Her vision for her career is very clear. Whether to others, herself or both, she continues to prove that she has an unbeatable spirit which is evident when she received her ProTools® certification and oversaw the creation of her in home recording studio all while penning, voicing and producing a catalogue of her own music. Recently, Diana formed her label ThinkLikeAgirL Music Inc., a US based independent record label. ThinkLikeAgirL Music Publishing, a subsidiary of
the company, handles all publishing royalties associated with recordings from King’s catalogue. Additionally, she has signed a licensing deal with Warner Music Japan for the release of her latest, self-produced album, Warrior Gurl. Her latest offering, AgirLnaMeKING, which features some of the songs from Warrior Gurl was released on November 8, 2011. In her most in-depth, revealing and intimate interview, Diana talks about her 2006 Multiple Sclerosis diagnosis, her new music label and what it was like to be signed to Sony Music Label. How are you? I’m Grateful. Thank you for doing this interview. [You are very welcome] In 1994, you collaborated with The Notorious BIG on the single “Respect” from his album “Ready to Die.” How was it working with him? Regretfully, I actually never met him in person. At the time, I thought two people had to be in the same studio to do a duet or collaboration. This was my very 1st experience doing it this way where he did his part, left, then I came in and did my part. P Diddy “Puffy” was the Producer so he was there. You signed a recording contract with Sony Music in the early 90s. How did that come about? It was mere coincidence. I was singing background vocals at the time for international Jamaican star ‘Shabba Ranks’ and we did a big show in Madison Square Gardens. The A&R for Colombia at the time Maxine Stowe was there and she fell in love with my voice and style and sought after me. She called me up at home in Jamaica and I actually hung up on her twice because I thought it was a prank. She kept calling back and eventually I answered. The next thing
I knew I was in New York discussing a record deal. [Wow talk about fate] What was your experience like working with such a major label? It was great to be honest. I do not have a story like many other artists do, who felt like they couldn’t be themselves or was told or even forced to be someone else. I was always allowed to write and sing whatever I wanted. I was free and I appreciated that. Every song I wrote, they loved. Your first single “Shy Guy” was an instant hit. During the writing and recording process, did you have any inkling that it was going to resonate so well with fans? I had no idea. It was the first song I wrote with my Producer at the time Andy Marvel. I didn’t want it to be the 1st single but I went with it because everybody else thought so and I trusted them. It was one of my best decisions because it is my biggest hit and loved by many. The success of “Shy Guy” resulted in a spot on the soundtrack for the 1995 film, “Bad Boys.” Recount the moment you found out and what that did for your career? Oh man, it was unreal and still is at times. It’s something I never dreamt of. The whole thing just unfolded like magic. Thinking back on where I came from, my beginnings singing in clubs along the North coast of Jamaica. I just wanted to sing I never put a precise dream to it like, “Oh I wanted a record deal or I want to be famous.” I just wanted to sing. So when all this success came it actually humbled me and encouraged me to always follow my heart and be myself. In 1997, you scored again with cover version of single “I Say A Little Prayer.” What was your thought process doing that single? Was there some pressure to do it better or on the same level as the original? I’ve never put that pressure on myself. I just did it the way I felt, especially because I had the confidence I mentioned before, from being given the freedom to just ‘be me’ by the label. “I Say A Little Prayer” was also featured on the soundtrack for film “My Best Friend’s Wedding.” Do you think that solidified your place in mainstream music? I don’t know. It may sound strange but I don’t think about things like that. I appreciate and go wherever my music leads. What the success of each song did do though was build my confidence and belief that I was born to sing. What was it like performing with Brian McKnight, Celine Dion and Brownstone? Yet another accomplishment I never dreamt. I have much respect for these artists so I have always felt grateful to be appreciated and also respected in this way by them. Being on stage with them and just the thought of them doing songs I have written is beyond anything I imagined. What other artists have you worked with? I haven’t worked with many artists in my career, I need to get out more lol …only those you mentioned, plus Jamaican female singer, Tessanne Chin, we wrote a
“The whole thing just unfolded like magic. Thinking back on where I came from, my beginnings singing in clubs along the North coast of Jamaica. I just wanted to sing I never put a precise dream to it like, “Oh I wanted a record deal or I want to be famous.” I just wanted to sing. So when all this success came it actually humbled me and encouraged me to always follow my heart and be myself.” song together called “Half of U.” I did a cover of “Why Can’t We Live Together” with Kyle Eastwood, a gifted bass player (Clint Eastwood’s son), and I also did a collab with German Reggae star “Gentleman.” The song is called “Light Within.” [I recently saw Gentleman perform in NYC, his first time, and he was magnetic. Truly an amazing artist] Wikipedia cites that you were in negotiations with Madonna’s Maverick Records label in 2000. Is there any truth to that? And if so, what was the outcome? That is true. I feel particularly proud of this fact because I went out to California and shopped this deal myself and actually got signed in 2002. It was another confidence boost because I never thought I had it in me to be that presumptuous. I had no active manager at the time and no big budget but I recorded 5 demos on my own and went for it. In late 2011 you released album “AgirLnaMeKING.” Talk briefly about the making of that album. This is definitely a dream come true. My deal with Maverick didn’t work out as I had hoped. I was pretty much ‘shelved’ and only one song ‘Summer Breezing’ was released from the album ‘Respect.’ This single actually did well so it was a shame. So after realizing this outcome and also realizing that after all this time, writing and recording songs, I didn’t own any of my work, I got it in my head that the next album I did, the next song I sang, I would own it. It took many years for all this to come to light but it did with ‘AgirLnaMeKING,” my new album. You recently developed your own label, ThinkLikeAgirl Music. Why your own label? And are you looking to sign other artists to that label? I have my own label because I want to own my intellectual properties. This is the only way to do that. When Myspace came about years ago, I decided to sign up as this was the thing to do as an artist. But when I tried to upload my songs, I couldn’t. I was told I was infringing and my account was disabled. That Issue 7 | April 2012 17
You seem to be very busy, but on the few occasions that you do get to relax, what do you like to do? When I’m not working I am a lounge lizard. I love to ‘Spin’ and I do it religiously but I really love to just hang out at home by myself or with the ones I love and watch movies and do nothing. What are some of the things you cannot live without when you are on the road? Antibacterial lotion, I’m a Germaphobe. A copy of “The Power” & various inspirational audio books on my iPod and my band and crew family, I just love and can’t do without them. What is a typical day like for you? Apart from lounging, it’s gotten busier for me now as I am not just an artist anymore but also a label head, booking agent and manager for myself. It’s a lot of work but it’s my decision for now. Trust is a big issue for me so I am currently trying to find people who are great at what they do and who I can trust with my career. angered me deeply because I was an artist who had recouped a thousand times over. It felt a lot like paying for a house but still not owning it. That was crazy to me. But I understand the deals I signed. So now I have my own label. For now it’s just me but I hope to in the future work with other female artists like myself who don’t see a “box” when it comes to music. Female artist because I can relate to the struggles we face. I understand that you have Multiple Sclerosis. Talk about your daily fight, how it impacts your schedule, travel and performance. I do. I have just recently admitted to it to myself lol. I was diagnosed in 2006 but have denied it till now. It was how I coped and ironically, I believe my denial helped me to overcome how I was feeling physically and mentally at the time. Imagine being told you may never walk again. After months of feeling sorry for myself I decided that, “I don’t have this! And I don’t want any drugs for it either. I’m going to walk and I’m going to learn how to use this Pro-tools, play this piano that’s catching dust and produce the music that’s inside my head.” This is how I wrote “AgirLnaMeKING” all by myself in my home studio. And I got better with each song I wrote. This is why this album is my most special album. It’s a daily battle of mind over matter, which I am learning to master. I have gone on stage without feeling my legs or arms, just numb but as soon as the music hits me I feel nothing but perfect. That’s mind power and the power of believing.
What’s currently playing on your iPod? I’m old school so I listen to a lot of the artists who inspired me like Anita, Whitney and Chaka. I really dig Damian Marley, all the Marleys actually from Bob to all his kids. I also keep myself up-to-date on all that’s new on the Jamaican scene. Which reggae artist(s)’s music are you digging right now? Damian Marley. On the Dancehall side I dig Movado and Konshens. What’s next? What other projects do you have in the pipelines? Right now and what next is I’m doing me. ‘AgirLnaMeKING’ just came out a few months ago so I’m doing a lot of promotions for that all over the world. I recently directed 3 videos of 3 tracks from the album, so I’m editing now. It’s not easy doing it on my own and it takes up all my time but it’s worth it and it excites me. It has been a while since I released something new so it sometimes feels like starting over but I have many and very loyal fans so it’s been great so far. I’m up for the challenge and I’m feeling fulfilled which is all that really matters in the end.
FIVE MUST HAVES FOR THIS SPRING/SUMMER! By Stacey Bethel Sure, like everyone, I am happy that Spring is finally here. But more so than the change in weather, I am happy to do away with the sea of black, blues and browns that have plagued my closet since September in exchange for whites, yellows, tangerine and aqua. While my wardrobe will change with the addition of new pieces, I am always excited to pull the dress, top or sandal that I loved so much last year. The reason I am able to recycle pieces from year(s) passed is because my wardrobe is very timeless. While I dabble in few of the season’s trends, I don’t go overboard. GIRLS JUST WANNA HAVE FUN!
DINNER ANYONE?
After a long week, unwind with your best girlfriends and catch up on the latest gossip over a drinks and dinner. The perfect accompaniment, this Va Va Voom ensemble that will have the girls complimenting you all night long.
This look is perfect for dinner out on a Friday or Saturday night. It is sexy, chic and comfortable.
Kayleen Silk Top and Simone Textured Power Skirt
Like every girl, I have a laundry list of stores that have become my haunts and one of my absolute favorite is BCBG. No matter the occasion, I can always find just the right outfit that will turn heads. Yes I said turn heads! I shop always with that goal or else what’s the point really. . .LOL! And with the return of warmer weather, I am making a mad dash to the store to pick-up a few must have looks that will take me from dinner to the movies, date night, girls night out and shopping. Here are my top 5 favorite looks from BCBG for this Spring/Summer.
SHOPPING IN STYLE!
A great pair of shorts is a must have for the Spring/ Summer. Coupled with a light billowy blouse, wedges and an oversize tote and you Malia Ruffled Strapless Cock- will be the talk of the Mall! tail Dress Maryna Striped Top and Harris Cargo Short
DATE NIGHT APPEAL!
A STATEMENT WORTH MAKING
A printed romper is just the way to go to get your honey’s heart racing! This silk piece is ideal for date night and can easily transition into a little dancing after dinner. With this number, I guarantee the party will continue long after you get home *wink*
Every girl can appreciate a sophisticated gown. This printed halter is perfect for a Spring/Summer wedding or a formal event. With your hair pulled back, chandelier earrings, cuffs and a killer clutch, this is the statement you have been waiting to make all year!
Snake-Print Romper
Arlenis Evening Gown All pieces available at BCBG.COM
TRIBECA FILM WILL PREMIERE FOUR TITLES FROM 2012 TRIBECA FILM FESTIVAL VIA VIDEOON-DEMAND, BRINGING FESTIVAL EXPERIENCE TO AUDIENCES NATIONWIDE Tribeca Film is a comprehensive distribution label dedicated to acquiring and marketing independent films across multiple platforms, including theatrical, video-on-demand, digital, home video and television. It is an initiative from Tribeca Enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. American Express continues its support of Tribeca and the independent film community by serving as the Founding Partner of Tribeca Film. Tribeca Film announced that it will release THE GIANT MECHANICAL MAN, DEATH OF A SUPERHERO, and SLEEPLESS NIGHT nationwide via video-on-demand during the Tribeca Film Festival, which runs April 18–29. The films are each an official selection of the Festival and feature notable actors such as Jenna Fischer, Topher Grace, Malin Akerman, Tomer Sisley, Andy Serkis and Thomas Brodie-Sangster From April 17 through June 19, THE GIANT MECHANICAL MAN, DEATH OF A SUPERHERO and SLEEPLESS NIGHT will be available in more than 40 million homes via cable, telco and satellite systems. BOOKER’S PLACE will begin its VOD run on April 26. Additionally, these films will be available online via digital VOD services such as iTunes, Amazon Watch Instantly, Vudu and Samsung Media Hub, a new distribution partner of Tribeca Film. Tribeca Film will also begin to roll out these films theatrically, starting with BOOKER’S PLACE on April 25 and THE GIANT MECHANICAL MAN on April 27. “Tribeca Film was founded as a distribution platform to help filmmakers find audiences and, equally important, audiences find films utilizing new connections and strategies,” said Geoff Gilmore. “To that end, we are pleased to support these four features. They embody the exceptional artistry and personal resonance that filmmaking at its finest can provide, and we are proud to be able to share these films with audiences across the country.” Giant Mechanical Man Thirtysomethings Janice (Jenna Fischer) and Tim (Chris Messina) haven’t learned how to navigate adulthood. Tim is a street performer whose talents as a “living statue” don’t exactly pay the bills. Janice is out of work and under pressure by her sister (Malin Akerman) to date an egotistical self-help guru (Topher Grace). In this charming comedic romance, two strangers help each other to realize it only takes one person to make you feel important. Photo credit: Courtesy of Tribeca Film Production Information Release Date: VOD: April 17, 2012 Theatrical: April 17, 2012-NY,NY May 4, 2012-Detroit, MI Director: Lee Kirk Screenwriter: Lee Kirk Cast: Jenna Fischer, Chris Messina, Topher Grace, Malin Akerman, Rich Sommer, Lucy Punch, Bob Odenkirk
Death of a super Hero Donald is a teenager with extraordinary talents, wild daydreams, and a bright future as an artist of fantastical graphic novels. But when Donald discovers that a very real enemy is trying to kill him, an unorthodox psychologist tries to help him find the light in an otherwise dark world. Thomas Brodie-Sangster and Andy Serkis star in this exceptionally honest drama about discovering life, love, and death. Photo credit: Allen Keily Production Information Release Date: VOD: April 17, 2012 Theatrical: May 4, 2012-Seattle Director: Ian FitzGibbon Screenwriter: Anthony McCarten Cast: Andy Serkis, Thomas Brodie-Sangster, Jessica Schwarz, Aisling Loftus Runtime: 93 mins
Booker’s Place: A Mississippi Story While filming a documentary on racism in Mississippi in 1965, Frank De Felitta forever changed the life of an African-American waiter and his family. Forty years later, Frank’s son Raymond (director of City Island) returns to the site of his father’s film to examine the repercussions of their fateful encounter. This intensely personal film about the struggle to understand one’s parents is also a heartbreaking portrait of the legacy of intolerance. Photo credit: Danielle Anderson Production Information Release Date: VOD: April 26, 2012 Theatrical: April 25, 2012-LA April 27, 2012-NY Director: Raymond De Felitta
Sleepless Night
Courtesy of Tribeca Film Festival
Vincent is a dedicated police officer, or so it seems. After he steals a massive bag of cocaine, his young son winds up being held for ransom by the mob boss it belongs to. When Vincent travels to the outskirts of Paris to trade the drugs for his son, he gets caught in an intense cat-and-mouse game that quickly spirals out of control. This night might not only be the longest of his life—it could be the last. Photo credit: Ricardo Vaz Palma Production Information Release Date: VOD: April 17, 2012 Theatrical: Selet Theatrical Release Director: Frederic Jardin Screenwriter: Frederic Jardin, Nicolas Saada, Oliver Douyere Cast: Tomer Sisley, Serge Riaboukine, Julien Boisselier, Joey Starr, Laurent Stocker, Birol Unel, Lizzie Brochere, Sammy Seghir, Dominique Bettenfield, Adel Bencherif Runtime: 102 mins Issue 7 | April 2012 23
presents
spring 2012
THIRD WORLD DELIVERED AN EPIC PERFORMANCE AT THE 13TH ANNUAL CAPE TOWN INTERNATIONAL JAZZ FESTIVAL One year shy of celebrating four decades together, a milestone very few have achieved, Third World traveled to the continent of Africa to perform at the 13th Annual Cape Town International Jazz Festival. The longest running reggae band, Third World joined the line-up of more than 40 international and local artists over two days on five stages and with an attendance of over 34,000 patrons. The festival has earned the title “Africa’s Grandest Gathering” and ranked by Melodytrip as “Number 4 in the world, outshining events such as Switzerland’s Montreaux Festival and the North Sea Jazz Festival in Holland.” The only reggae band/act on the line-up, many might be wondering how does a reggae band make the line-up for a Jazz Festival? Well here are a few reasons, 40 years in the biz, music that covers all genres - Jazz, R&B, Pop, Reggae, Latin, African influence, a laundry list of accolades including 10 Grammy nominations, over 20 hit singles, 23 albums and most importantly a medal of peace from the United Nations for their contribution to African causes.
“Try Jah Love,” washed over the venue, Patrons began to do the electric slide when the band performed “Now That We Found Love.” To see over 16,000 people danced in a crowded venue sent the band into overdrive when they returned to the stage to perform “Riddim Haffi Rule” and “Hooked on Love.” Words cannot adequately account for that epic performance, so Triple The Focus got up close and personal to bring you the readers photos from the band’s overall trip.
“Performing in South Africa for the first time at such a huge event was an honor,” stated Richard Daley. “Our music has gotten so much support from Africa and we have had such a cultural connection to the continent in the sense that we were invited guests in 1990 at a tribute to Nelson Mandela in Atlanta, GA. Additionally, when Mr. Mandela visited Jamaica soon after his release from prison, Third World hosted the event at the National Stadium where a number of artists performed. So this was like a home coming for us and we were treated as such. South Africans received us with such a warmth that we hope to be back hopefully next year.” Both Jazz and Reggae enthusiast alike got a treat when the reggae ambassadors took the stage at midnight on Saturday, March 31, 2012. Performing on one of the festival’s grandest stage, patrons gathered to see the band’s debut performance. Dimmed lights, patrons stood in silence with great anticipation. The bass drops and Richard “Bassie” Daley graces the stage, the deafening silence became screams echoed throughout the venue. Cat Coore appears playing his signature black guitar and the melodic voice of Bunny Rugs signaled the beginning of the set. Opening with “Spirits Lives” from their latest album Patriots, fans and media snapped pictures and watched in amazement. As the band’s singles “Reggae Ambassadors,” “Committed,” “African Woman,” “Jah Glory,” “96 Degrees,” Issue 7 | April 2012 25
A FLASH OF MUSICAL BRILLIANCE!
GRAMMY AWARD WINNING PRODUCER TONY “CD” KELLY TALKS CANDIDLY WITH TRIPLE THE FOCUS
By Stacey Bethel Need a chart-topping hit, a dancehall/reggae smash riddim, or maybe you are looking to revamp your music career, then the person you need to contact is Tony “CD” Kelly. Don’t know who he is? Chances are you do, not by name, but by his body of work. One cannot be an ardent reggae lover without having danced or sang along to tunes produced by the four time Grammy Award winning producer and writer. Other than those who have him on speed dial, he is one on Jamaica’s most sought after producers by veteran and upcoming artists and rightfully so. He has worked with the likes of Super Cat, Beenie Man, Shaggy, Wayne Wonder, Sasha, TOK, Sean Paul and Baby Cham, just to name a select few. This super-producer has been credited with Shaggy’s diamond selling “Hotshot” album, several of Beenie Man’s recordings to include “Back to Basic,” “The Doctor,” “Art and Life” and “Tropical Storm.” Still lost? He produced Sean Paul’s mega hit “Like Glue” for which he won a BMI Award as writer and publisher. His talents have far exceeded reggae wherein he has worked with Hip Hop chart toppers Kanye West, Flo Rida, Pitbull, Rick Ross, Akon, Run DMC and gospel artists Bebe and Cece Winans. Additionally he has worked on the musical scores/soundtracks for movies Belly, Dancehall Queen, 2 Fast 2 Furious, 50 First Dates and Illegal Tender.
From music to movies to video games he has covered it all. If anyone in the business should walk around with a supersized ego it should be him. However he remains humble as he embarks on new ventures, charting new territory. What new ventures? Allow Mr. Kelly to tell you in our personal one and one interview with this musical prodigy. You are known as one of Jamaica’s most noteworthy producers, how did it all start? I started back in 1985 at Tuff Gong Studios as an engineer, under the guidance of Scientist and Errol Brown. Errol was Bob Marley’s engineer. I worked with The Wailers, I Threes, Yellowman, Alpha Blonde etc. I mixed some of the most popular tracks at the time as well, like Yellowman’s “Blueberry Hill,” Tristan Palmer’s “Trash & Ready,” Freddie McGregor’s “Push Come To Shove” and more. After Tuff Gong, I moved on to Penthouse Studios, run by Donovan Germain. It was then I got into production. The rest is pretty much history. What is it like working with some of Jamaica’s top-billing artists? It’s no different from working with a brand new artist. They put in the same amount of effort into each project. At the end of the day, it’s my name that will be all over the record so I have to keep the quality up. How did you manage to score the most crossover hits of any dancehall/reggae producer? Quality, hard work and determination. Constantly researching & improving. My music have visas, they can go further than the airports of Jamaica :) [Laughs]
You were nominated for a Grammy for Def Jamaica Compilation album for which you are listed as a co-executive producer. Recall the moment you heard about the nomination. What ran through your mind? How did you feel? I’m a nonchalant type of person. Not much move me. I was in the studio in Jamaica when I heard. The nomination showed me I was on the right path and needed to work even harder. In addition to working with Reggae, Hip Hop and R&B artists, you also did some work with Gospel artists BeBe and CeCe Winans on their album “Still.” How did that come about? My manager Janet got that link and I met with BeBe on South Beach in Miami. I was working on some gospel tracks, we vibed, he liked what he was hearing and gave me a ruff recording of the song he wanted me to produce. “He Can Handle It” was born. It is my understanding that you have been on hiatus for quite some time. Why the leave of absence? I wasn’t on hiatus. I was kicking back watching everything. Actually I was still producing. I produced Beenie Man’s “Hmm Hmm,” Shaggy and Akon’s “What’s Love,” Shaggy’s “Church Heathen,” “Street Bullies” riddim, which has Vybz Kartel’s “Slow Motion” on it and a lot more. Basically I was just behind the scenes quietly doing what I do. You have been around for quite a while. What are your thoughts about the music that is out now? The genre is going through a growing phase. It goes through it every couple of years. We went through the same thing as well. Just give it time and the cream will rise to the top. For those who want to pursue a career producing music, what advise can you give? You have to know about what you’re trying to get into. Learn the history of the music. Who did it before you, how they did it. Learn how you can enhance and stand out. Do it for the love! The fame, if that’s what you desire, will come.
What are some of the pitfalls that producers face? We face the same blockage at times that writers face. Also, trying to stay current, they end up over saturating the airwaves- which more than likely, if you take that route will end up producing mediocre products. How do you remain grounded? GOD, my Mom, my Children and my Team. What is a typical work day like for you? Well, rise up, give thanks, clean up and feed my face. Play with my kids. Studio! That order! :) How do you relax? I’m always relaxed. Even while working. When you do what you love, there is very little stress. If stressful situations do arise, they’re easily handled. A video game every now and then is always fun :) Outside of music, would you or have you dabbled in anything else production wise? In the future I plan on getting into movie production. Outside of music, I owned a trucking company in Florida. We transported goods across the United States. Early this year you launched K. Licious Music Group. Talk about the focus of K. Licious. K..Licious Music Group has actually been around since the 90’s. The “Bookshelf,” “Kiki,” “Hype,” “Undawata,” “Buy Out,” and the “Doctor” riddims were all released on that label. We recently signed four artists to the label. Italis, Dre Zee, Malica & Atiba. This is something new for K..Licious. We’re working to develop each artist individually, making their brand attractive to mainstream. What projects do you currently have in the pipelines? Currently we have the “1st Quarter” and “Blaze Up” riddims scheduled to be released shortly. “Happy Life,” “Latch On,” “Car Wash” and “Godly” riddims are also in the works.
Explain the process of producing a track/album. There is no particular process. There is no one way of doing things. Music has no rules. After the track has been mixed and mastered, what’s the next vital step to releasing the track? Getting the artwork ready and setting up press and promotions. You then have to send the master to your distributors, whether for digital or physical (CD) release. How important is it for a producer and an artist to have chemistry? It’s very important. The better the chemistry, the better the quality of music. You can play on the artist emotions whether it’s a permanent or instantaneous one. What do you think the reggae music industry is lacking right now? My music (lol). I think it lacks structure. The professionals (managers, lawyers etc) need to step up their game so they can guide their clients. Issue 7 | April 2012 29
ON THE REGGAE FRONT
MUSIC THAT KEEPS US ON OUR FEET! In the words of Bob Marley “One good thing about music, when it hits you feel no pain.” The Triple the Focus Team can identify with the feel good vibe of Bob’s single “Trenchtown Rock.” In our everyday quest to be transported to another place musically, we share with you the reader the singles, albums and music videos that has us grooving.
MIKELAH
JODY-ANN
JASON
GROOVY REGGAE SINGLE: “Affairs of the Heart” by Damian Marley REGGAE ALBUM THAT ROCKS: “Sweet Jamaica” by Mr. Vegas MUSIC VIDEO YOU ARE DIGGING: “Settle Down” by Mavado REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Popcaan
GROOVY REGGAE SINGLE: “What Tomorrow May Bring” by Delus REGGAE ALBUM THAT ROCKS: “Summer in Kingston” by Shaggy MUSIC VIDEO YOU ARE DIGGING: “Affairs of the Heart” by Damian Marley REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Jah Cure
GROOVY REGGAE SINGLE: “What Tomorrow May Bring” by Delus REGGAE ALBUM THAT ROCKS: “Mental Maintenance” by Konshens MUSIC VIDEO YOU ARE DIGGING: “Brighter Day” by Future Fambo REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Delus
STACEY
VICTOR
SHANZ
MICHELLE
GROOVY REGGAE SINGLE: “What Tomorrow May Bring” by Delus REGGAE ALBUM THAT ROCKS: “Patriots” by Third World Band MUSIC VIDEO YOU ARE DIGGING: “L.O.V.E Y.O.U” by I-Octane REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Jah Cure
GROOVY REGGAE SINGLE: “What Tomorrow May Bring” by Delus REGGAE ALBUM THAT ROCKS: “Diversity” by Gentleman & The Evolutions MUSIC VIDEO YOU ARE DIGGING: “Bubble Gal a Bubble” by Konshens REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Protoje
GROOVY REGGAE SINGLE: “What Tomorrow May Bring” by Delus REGGAE ALBUM THAT ROCKS: “Jamaicanization” by Cecile MUSIC VIDEO YOU ARE DIGGING: “Affairs of the Heart” by Damian Marley REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Chris Martin
GROOVY REGGAE SINGLE: “What Tomorrow May Bring” by Delus REGGAE ALBUM THAT ROCKS: “Crying to the Nation” by I-Octane MUSIC VIDEO YOU ARE DIGGING: “L.O.V.E Y.O.U” by I-Octane REGGAE ARTIST THAT’S SIZZLING (MUSIC WISE): Popcaan
Issue 7 | April 2012 31
THE FUTURE OF MUSIC!
THE MOOMBAHTON EXPERIENCE By Shantell “Shanz” Hill The Ultra Music Festival is considered “the most premiere dance music event and the crown jewel” of the Winter Music Conference. Founded in 1999 by partners Russell Faibisch and Alex Omes, the festival boasts attendees of over 150,000 from about 70 countries with more than 400 events, parties, seminars and workshops. Prior to my visit at Ultra, I was not fully aware of the Winter Music Conference however the event name was introduced to me in 2011 as a result of projects I worked on with DJ Toddla, Diplo and Dre Skull. While at my first event, I recognized a seemingly new sound that I immediately associated with the now popular Dubstep and formed the opinion that it was just a variation of the genre. I quickly learned that I was wrong. Industry executive, Dominic Smith explained that it was a new subgenre called Moombahton. This opened up a lengthy discussion about the emerging genre and the creators of this new movement.
According to Wikipedia, Moombahton is a sub-genre of electronic dance music and Reggaeton that was created by American DJ and producer Dave Sarnet Nada, also known as Dave Villegas. Moombahton is essentially Dutch House or Electro House at a slower BPM (typically 110BPM) with heavy Reggaeton influences most notably new drums and percussion elements. Other features of Moombahton are extended and enhanced build-ups. Based on a lack of dancing by patrons at events where Dave Villegas played, he decided to remedy the situation by slowing down the Afrojack remix of the Silvio Ecomo & DJ Chuckie song “Moombah” from 128BPM to 108BPM. The name of the sub-genre itself comes from the portmanteau of “Moombah” and “Reggaeton.” Moombahton is also heavily influenced by the dubstep movement. The Electro world has been in transition from electronic, UK Bass, Garage, Dubstep and Moombahton. The list is long and accreditations are extensive and to be applauded, but here are a few of the new names of this musical evolution.
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SKREAM Skream, born Oliver Dene Jones in West Wickham, Bromley, London is a Dubstep producer based in Croydon. One of Dubstep’s first and most prominent producers, he has played an important role in the genre’s development. His debut album, Skream, was released in 2006 and was followed up by Outside the Box in 2010. Skream is also a member of the Dubstep supergroup Magnetic Man, along with fellow producers Benga and Artwork. DROP THE LIME Drop the Lime, born Luca Venezia in New York City, is an electronic producer, DJ and founder of dance label Trouble & Bass. Drop the Lime’s new material and DJ sets also feature live vocals on original compositions. Though his roots are in breakcore music, in 2008 he changed his focus to more mainstream dance music, remixing tracks for Armand Van Helden, Little Boots, Robyn, Moby, Rex the Dog, Dan le Sac vs Scroobius Pip and Buraka Som Sistema as well as indie acts such as Surfer Blood, Creep and O. Children. Over the years, Venezia has created his own distinct twist on the Trouble & Bass sound and now combines his love of Rockabilly with his own take on bass-driven music. SKRILLEX Sonny John Moore, stage name Skrillex, is an American electronic music producer and former singer– songwriter. Raised in Northeast Los Angeles and in Northern California, Moore joined the American posthardcore band From First to Last as the lead singer in 2004 and recorded two studio albums with the band (Dear Diary, My Teen Angst Has a Body Count, 2004, and Heroine, 2006) before leaving to pursue a solo career in 2007. He began his first tour as a solo artist in late 2007. After releasing the Gypsyhook EP in 2009, Moore was scheduled to record his debut studio album, Bells, with producer Noah Shain. However, he ceased production of the album and began performing under the name Skrillex. After releasing the My Name is Skrillex EP for free download on his official MySpace page, he released the Scary Monsters and Nice Sprites EP in late 2010 and More Monsters and Sprites EP in
2011. Both have since become a moderate commercial success. On November 30, 2011, he was nominated for a total of five Grammy Awards including Best New Artist and won three for Best Dance/Electronica Album,” “Best Dance Recording,” and “Best Remixed Recording, Non-Classical.” On December 5, 2011, the BBC announced that he had been nominated for their Sound of 2012 poll. On December 12, 2011, he was also named MTV’s EDM Artist of the Year, ranking in front of successful acts such as David Guetta and deadmau5. DIPLO Thomas Wesley Pentz, better known by his stage name Diplo, is a Philadelphia-based American DJ, producer and songwriter. Together with DJ Low Budget, he runs Hooked on Hollerphonix, a club and music collective. He also found and manages record company Mad Decent, as well as the not for profit organization Heaps Decent. Among other jobs, he has worked as a school teacher in Philadelphia. During his rise to notability, Diplo worked with British musician M.I.A., an artist who is credited with helping expose him in his early career. Later, he and fellow M.I.A. producer Switch created a Jamaican dancehall project titled Major Lazer. Since then, Diplo has worked on production and mixtape projects with many other notable pop artists, such as Beyoncé and Usher. His alias, short for Diplodocus, derives from his childhood fascination with dinosaurs. SWITCH Switch is a UK-based DJ, songwriter, sound engineer and record producer. He is best known for his work with M.I.A. In the fidget house genre, Switch runs his own music label Dubsided, as well as the label Counterfeet, established in 2006 with fellow producer Sinden. He has released various singles under his own name and is also well-known for remixing and producing many major artists. Switch has worked extensively with UK artist M.I.A. co-producing tracks on her albums Arular and Kala. For the latter, he traveled to work with M.I.A. in A.R. Rahman’s Panchathan Record Inn and AM Studios and other locations such as Kodambakkam, Chen-
nai and Trinidad and Tobago. He says “When you go somewhere like India and especially Jamaica, it puts you in a different train of thought outside of your usual working conditions. They use music as their voice; they use it for politics, for religion. So, I think for people that are struggling, they can use it to vent frustrations or to celebrate.” He has also produced tracks for artists like Beyoncé, Santigold, Amanda Blank, Nicola Roberts and Christina Aguilera. In 2009 Switch collaborated with fellow producer Diplo (whom he met through artist M.I.A.) to create the album Guns Don’t Kill People... Lazers Do under the name Major Lazer. FLYING LOTUS Flying Lotus, born Steven Ellison, is an experimental multi-genre music producer from Winnetka, California. His debut album, 1983, was released on Plug Research Records in 2006. He produced much of the bumper music on Cartoon Network’s Adult Swim programming block, for which he is not credited. He contributed remixes for fellow Plug Research artists including Mia Doi Todd. He is often referred to as “FlyLo” by fans and critics. His grandmother is songwriter Marilyn McLeod, the great-nephew of the late Alice Coltrane, whose husband was John Coltrane and cousin of musician Ravi Coltrane. With all these names and sounds among others arising from the electro world, I am looking forward to 2013. The journey has peaked my interest and I am excited to see how the influences of Caribbean (Reggae and Dancehall) music, how the use of our music has evolved and impacted the world, not only in its truest and purest forms but also the manifestation of its diversity via these additional subgenres.
Issue 7 | April 2012 35
GET OUT OF THE GRAVEYARD By Rev. Dr. M. Frances Manning-Fontaine This season that we call Easter comes at a very special time of year that our Hispanic friends call Primavera or SPRING. SPRING when barren soil once entombed in slush and snow declares the newness of life and the earth begins to smile. SPRING when the earth begins to laugh and daffodils dressed in awesome shades of yellow announce their arrival, SPRING as tulips sprouting green tops longing to turn red, purple and pink push through the broad green leaves that preceded them. SPRING when purple and white hyacinths greet us with their awesome fragrance from where they were planted last winter and we capture them with our cameras as though we could harness the fragrance as well. SPRING when spindly tree limbs having survived a long cold winter begin to flex their muscles sending forth tiny green leaves anxious to clap their hands in the morning breeze. SPRING when humans yearn to remove cumbersome garments and those Uggs that podiatrists say are causing foot problems because there is zero support in the arch area. SPRING when birds begin to flutter around the old nests from which they sprang ready to start new bird families, when greedy sparrows eat the tops off the cherry blossoms scattering the seeds all over the ground robbing the miniature cherry trees of their fleeting beauty and when swallows return from Capistrano. Mid-terms are just about over, it’s graduation time and we either pass or fail. These are called by some the HARBINGERS of SPRING, but there is another indicator of SPRING, when we celebrate the empty tomb. We look inside the empty tomb and see grave clothes lying neatly folded indicating that their former occupant no longer has use for them because He’s alive. SPRING signaling that it’s ok to cut with a dead past, to let it go and move on - He’s not here, He’s risen as He said! SPRING time for a transition to new life, new beginnings, a new day, approaching life in a new way, letting go of the old which was so familiar and moving out into the new with the tasks and risks that await. That’s really what the Resurrection is really all about. There is a powerful question that begs to be answered. Why would you hang out somewhere you know has a reputation for being a depository for the dead when it’s life you need? I won’t attempt to answer that for you dear reader; but will ask you to search your own soul. Why are you looking for the living among the dead? Why are you insisting on clinging to that which drains you and robs you of life…Why are you crying? Who are you looking for? Get out of the graveyard, you won’t find what you seek there. I’m amazed at how even though springtime is emerging we are still trying to hold on to the Winter of the way we were in so many ways. Let it go - things are different now. Some of us are still holding on to the old for all we’re worth, refusing to live again even though Resurrection power is all around us. There were once two fishermen who were on their way to the dock where their boat was tied. They wanted to return home so they got into the boat and began to row. They rowed hard all night, but didn’t reach the other side of the bay. When dawn broke they were in
exactly the same spot from which they started. Reason they hadn’t moved? They had neglected to loose the mooring line and raise the anchor. The moral of this story is that many people are tied to that which is holding them back. If you want to move you’ve got to cut the cord and loose the anchor. Get rid of that old ball and chain. To everything there is a season… There is a time for everything, and a season for every activity under heaven: 2 a time to be born and a time to die, a time to plant and a time to uproot, 3 a time to kill and a time to heal, a time to tear down and a time to build, 4 a time to weep and a time to laugh, a time to mourn and a time to dance, 5 a time to scatter stones and a time to gather them, a time to embrace and a time to refrain, 6 a time to search and a time to give up, a time to keep and a time to throw away, 7 a time to tear and a time to mend, a time to be silent and a time to speak, 8 a time to love and a time to hate, a time for war and a time for peace. 1
Anna Pavlova a ballet dancer of the early 1900s has been acclaimed as the greatest ballerina of all time. Her most memorable performance took place after her death. Anna was to play the role she made famous, the dying swan, at the Apollo Theater in London. Tragically, she came down with pneumonia and died two days before the event. Still on the appointed night a crowd of her fans packed the theater. The orchestra began playing, the curtain rose. The spotlight flashed through the dark. The entire audience rose to its feet. They all stood gazing at a pool of light wandering around the stage, accompanied by the orchestral theme. As the light danced and the orchestra played, they remembered Anna Pavlova. In their hearts they could see her on stage dressed in white with dashing dark eyes. And when the music stopped at last, they gave the vanished Anna a thunderous ovation that echoed on and on into the night. There was an empty stage with only a spotlight dancing, but in their hearts she was still alive. Slowly the theatre lights began to flicker signaling that they must leave the theater and go out in to the world carrying the memory of their beloved Anna. Heaven’s spotlight is shining on an empty tomb. Its former occupant is no longer there but unlike Anna is alive in reality not only in memory. Get out of the graveyard of your life and go tell somebody that new life, new things are possible. It’s a new day. It’s a new season, it’s your season - come out. Come out wherever you are, new life awaits! Get out of the graveyard!
Creative Director’s Note SPRING HAS SPRUNG Spring is here and it is a welcomed breath of fresh air! While we continue to celebrate and enjoy the wonderful blessing of our creator, we find ourselves in the midst of challenging times as we co-exist, thriving for the goals we initially set and adding new ones. We are happy we can continue to present the stories that we hope has inspired you thus far. We are very excited to report that the interest and subscribers continue to increase monthly. This month’s issue depicts a variety of the stories and images that we are very proud to represent. From an in-depth feature on Diana King to the exclusive DJ feature and special feature on re-known producer Tony Kelly, these are all part of the effort of Triple The Focus staff to satisfy our readers. Thanks also to our contributing staff for the features and images that adds to the unique prospective of the magazine. Now we hope you will do your part and assist us in spreading the word. Now on working on issue #8 (May), Triple The Focus is happy to report our advertising interest has doubled. To our current and potential advertisers, we look forward our growth together. We intend to establish more possibilities to engage larger audiences and even stronger stories. As our artist and clients embark on their international performance crusades, Triple The Focus will be there to capture and share the exclusive experiences. Advertisers will have the opportunity to be a part of this journey. Premiering shortly, readers will be able to get a sneak peek of Caribbean Dreamers ‘the series’ in an upcoming issue of the magazine. The online Web-Series will bring monthly insights on our artist and clients, similar to what the magazine is doing now only in a visual format. Please take the time to sign-up and subscribe to Triple The Focus for opportunities to join us on the road or be part of the cast on the series. We remain committed to creating new platforms for engaging, entertaining and keeping our loyal readers satisfied. We are looking forward to your continued support and feedback. Please continue to write and share your thoughts creativedirector@triplethefocus.com Until next month “T-Focus and think creative.”
Vic Rae
Your Creative Director
CreativeDirector@TripleTheFocus.com Issue 7 | April 2012 37