San Diego CityBeat • Nov 29, 2017

2 · San Diego CityBeat · november 29, 2017

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november 29, 2017 · San Diego CityBeat · 3

UP FRONT | FROM THE EDITOR

Net neutrality for kids

O

ver the holiday weekend, I had to speak with a child I barely knew for an extended period of time. Like most kids these days, this particular one was often glued to his tablet. We pleasantly ignored each other for as long as we could—he tapping vigorously on his screen; me, scrolling through Instagram and Twitter as if to find anything other than turkey pics and #thankful tweets.

Then, disaster struck! The wifi in the house briefly went out, and the kid couldn’t play his games anymore. I wasn’t completely insensitive to his plight and offered to let him use my phone. He politely declined and proceeded to just hover over me to look at my endless scroll of turkey shots on IG. I scrolled past a photo that had been circulating on social media showing a tiered system of internet price options. The photo was made famous by Ro Khanna, who tweeted it as an example of the importance of net neutrality, which the five-member Federal Communications Commission has threatened to scale back.

“What’s that,” asked the boy, likely curious because the picture included app logos he was familiar with.

“Uh, well…” I started.

Shit… how do I explain net neutrality to this kid?

“OK, so back in my day…”

Nope, not gonna start like that.

I backtracked and realigned my approach, desperate to not talk down to this kid. I explained to him that for years, people have paid to have internet but that, once they had it, they were free to go to any website they wanted to and (in hopes of making the gibberish spewing out of my mouth more relatable to him) play whatever games they wanted. This was called net neutrality, meaning that whatever company provided your internet service, they would, for the most part, remain indifferent when it came to customers’ online activities.

Even though the kid was technically behind me, I could sense his eyes glazing over.

Fearing I was losing him and an important life lesson might be lost, I tried to engage.

“What game were you just playing?”

“Dune!” he responded. It should be noted that the exclamation point is not for empha-

sis. The game really is called Dune!.

“OK, so there are some people in the world that think whoever gives you internet should also be free to restrict what games you play or only give you a certain amount of time to play them,” I said, trying to simplify it as best I could. “Some people think that if this happens, people wouldn’t be able to play the games they love or go on Facebook as much as they’d like. They’d have to pay extra.”

Again, eye glaze and silence.

“What if someone told you that you couldn’t play Dune! anymore. Or that you could play it, but it would work slow or crash a lot.”

“You can’t be slow in Dune!,” he replied.

“You have to be fast.”

“I noticed that. You were very fast,” I said, finally turning around to face him. “So let’s say your mom only has a certain amount of money to spend on internet every month.

She might have to choose to have access to the parts of the internet that would only help you with school, because that’s all she could afford.

That would mean some of your games would run slow.

Some might not work at all.”

I knew this wasn’t entirely true, at least not in the short term. The tiered pic that Khanna posted was a bit of a misnomer. It was actually a pic of data plans offered by a mobile carrier in Portugal. That is, it didn’t restrict what sites the customer could go to per se, just that some sites and apps (Snapchat for the €4.99 social plan and Spotify for the €4.99 music plan, for example) would run smoothly because they were part of a data plan package. Other sites and apps that weren’t part of these plans would be subject to data overages. Still, some believe that this kind of system is a slippery slope toward more noticeable and restrictive internet plans.

“So yeah, a day might come where your friends might all be playing a game, and you can’t play it because you don’t have the same internet service as they do.”

“That’s stupid,” he snapped.

“Yeah, kid. You’re telling me,” I said.

“Now go tell your mom.”

—Seth Combs

Write to seth.combs@sdcitybeat.com

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4 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

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UP FRONT | LETTERS

AZTECS AND WAMPUSES I want to thank you for taking the time to write “Swallow your pride” [Nov. 15]. You did an excellent job demonstrating the nonsensical and irrational nature of the “excuses” (a worthy word choice; they do not even rise to the level of “argument”) some offer as “reasons” to not retire SDSU’s mascot and moniker.

However, regarding your second point (We have mascots that are derived from white culture, so why not other cultures?)... I’d like to point out a big difference between Notre Dame’s mascot/moniker and those based on Native Americans, which goes toward explaining why you cannot/should not compare the two: there are no histories of state-organized/sanctioned genocides against leprechauns on this continent.

[Edit note: To be fair, I wasn’t trying to make that point per se. I was trying to refute it, just as this letter attempts to do] To this day, no one has been able to refute the assertion (backed with evidence... you know... “facts”) that SDSU’s so-called “Aztec” has never actually had anything to do with an actual Aztec, and is nothing more than the product of the “white” racialized imagination. It is nothing more than a perpetuation of racist stereotypes rooted in such things as dime store novels, Buffalo Bill’s Wild West Show, and old Hollywood “Westerns” (oh yeah, and Disney’s Peter Pan). That’s why, when you look into the history of this so-called “Aztec,” you’ll find images of people wearing war bonnets, tee-pees and “poca-hottie” costumes. Anyone who tells you it’s about “honoring” actual Aztec culture is either simply ignorant of the facts, or lying... or both.

The original mascot was a polydactyl cat named “Pete,” which would later be dubbed the “Wampus Cat” (because of the association of extra toes with one variant of this storied creature from the Tsalagi [Cherokee] that had six legs). It was Polydactyl Pete who inspired the original “Wampus Cat” moniker that was used by the football team, an appellation that was heavily promoted by the school paper from 1923 to 1924. But there was a problem: Being referred to as “Wampus Kitties” in the newspapers was more than Coach Peterson’s male fragility could bear. Peterson

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conspired with two of his assistants, one of whom happened to be the editor of the school paper, both of whom were contributors to the San Diego Union and Tribune, to use the power of the press to get rid of the perceived emasculating moniker. Submissions were requested, and many received— none of them being “Aztec.” The name “Aztec” was suggested by one of Peterson’s co-conspirators because of the erroneous belief that Aztecs once lived in San Diego.

It was a trend, among Ivy League schools back then, to appropriate Native American names and imagery for their football teams. Coach Peterson, wanting to emulate the Ivies, readily embraced the suggestion, which was based on the derp-worthy reasoning that “Aztecs are the Indians from San Diego because this was once Mexico and Aztecs are the Indians from Mexico.”

The rest, as they say, is history.

In 1931, while the paint was still drying on the newly constructed campus (which is basically a life-sized 4th grade mission project—another long story involving Father Junipero Serra and the Mission System), some students (likely males) climbed to the top of what is now known as Hardy Tower with a curious looking container that had a flimsy parachute attached to it.

Inside the container was Polydactyl Pete (now re-dubbed “Aztec Pete”). Pete was launched from the top of the tower (11 stories tall); judging from the image of Pete’s descent, the parachute wasn’t exactly what one would call “effective,” likely resulting in a rather hard landing. Polydactyl Pete, San Diego State’s “OG Mascot” (who at this point had to have been at least 17 years old) died shortly thereafter.

Ozzie Monge College Area

ABSENT DISSENT The editorial made some good points about holiday discussions with relatives and how to deal [“Holiday character,” Nov. 22]. I’ll add that it’s not just relatives to be concerned with; it’s also friends, acquaintances, whoever. All should be taken seriously because they vote. And as the editorial states, they should be challenged. Absent dissent, they feel validated. The trick is having a

ON THE

COVER

UP FRONT From the Editor . . . . . . . . . . . . . . . . . . . . . . . 4 Letters to the Editor . . . . . . . . . . . . . . . . . . . 5 News / CityWeek . . . . . . . . . . . . . . . . . . . . . 6 Sordid Tales . . . . . . . . . . . . . . . . . . . . . . . . . . 8 There She Goz . . . . . . . . . . . . . . . . . . . . . . . . 9

FOOD & DRINK World Fare . . . . . . . . . . . . . . . . . . . . . . . . . . 10 The Beerdist. . . . . . . . . . . . . . . . . . . . . . . . . 10

THINGS TO DO The Short List. . . . . . . . . . . . . . . . . . . . . . . . 11

We’ve been a huge fan of Laurie Nasica since first seeing her work at the weekly Sketch Party night at Whistle Stop. The French-born Nasica (who also goes by the name Los Freedom Fries) became our go-to artist for our annual Fiction 101 issue last year after sketching three simple, but lovingly rendered illustrations for the top three stories. “When reading stories that I intend to illustrate I try to visually conceptualize every aspect of it,” says Nasica. “Almost every time there will be a certain element that will stand out to me and that is what I chose to focus on. I tend to focus on a detail or a simple action that I find significant rather than depicting the big picture.” Follow Nasica on Instagram at @losfreedomfries. constructive discussion. Some things I try to do: A) Stipulate criteria, particularly sticking to facts; without facts the result is false conclusions. B) Conservatives tend to—consciously or not—use right-wing pundit tactics; e.g. interrupt, overtalk, filibuster, talking points, labeling, bias, double standard, false equivalency, conflation, cherrypicking, change the subject, etc. Pointing out such tactics might eventually get them to see that they are not being objective. C) Don’t bombard them with too many facts, they won’t see the forest for the trees. D) Let them do the talking then dispel the contentions, in a passive way. E) Framing your comments as questions might get them to do more

Calendar of Events . . . . . . . . . . . . . . . . . 11-13

ARTS & CULTURE Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 FEATURE: Fiction 101 . . . . . . . . . . . . . . 18-20 Film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21-22

MUSIC FEATURE: True Widow. . . . . . . . . . . . . . . . 23 Notes from the Smoking Patio . . . . . . . . . 24 Spotlight . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 If I Were U. . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Concerts & Clubs. . . . . . . . . . . . . . . . . . 27-29

LAST WORDS Astrologically Unsound . . . . . . . . . . . . . . 30

thinking rather than just regurgitate talking points; e.g. are you sure about that, what will that do for you, how does that play out, what’s the source for that, did you know that, what do you like about X, if Hillary or Obama did that would you say it was OK, you said you hate X but the question was what do you like about Y, repeat questions if they are not answered. F) If you don’t succeed, remember there is always next time; I have gotten better over the years and can now generally refrain from comments like “you’re a total idiot!!!” Even when true.

Dan Jacobs Mira Mesa

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 5

NEWS | OPINION

By Jamie Ballard and Seth Combs

THE ISSUE: The GOP tax plan, which was recently passed by the U.S. House of Representatives, would eliminate several programs and low-income housing tax credits that have supported the development of affordable housing. In San Diego, there have been 10,500 affordable rental units created or preserved as a result of these low-income housing tax credits.

WHAT PEOPLE ARE SAYING: “There would be over 10,000 families in the City of San Diego that would be without a home today had it not been for this program that’s about to be cut. This is a tragedy, and we need everybody’s help out there today to lift their phone and call your congressperson and demand for them not to support this measure.”

—State Sen. Ben Hueso, at a Nov. 27 press conference

The San Diego Safari Park needs names for those cute tiger cubs and have set up a site to choose between names like Moca and Indra, which both sound like marijuana strains. Tiger McTiger Face sadly not an option.

“It’s devastating to think that all of that political heavy lifting could be for nothing and that we’d be back to square one on how do we inject necessary resources into this issue.”

—Assemblymember Lorena Gonzalez-Fletcher, referring to California’s recent efforts to grow affordable housing, to Voice of San Diego.

“The tax plan approved this week would have made some good steps forward… but I worry that even under the reduced tax rates, many across our state could be forced to pay more, not less, and for me that is simply unacceptable.”

—Rep. Darrell Issa, in a commentary piece for the Orange County Register, explaining why he voted against the GOP plan

OUR TAKE: Between local and state efforts to create affordable housing, it finally felt like we were making some headway and beginning to fix a problem that had plagued the city for years. So, of course, something like this had to happen. But the glimmer of hope that we’re desperately clinging to is that this administration seems to struggle when it comes to actually pushing through major changes (see: healthcare reform). Politico reports that there are several holdouts in the Senate who aren’t happy with the bill, and it’s possible that they will kill it when it comes time to vote. Here’s hoping.

NEWSY BITS 11/22

11/24

BEST DAY EVER!

Despite absurdly high temperatures, over 7,000 people participate in Father Joe’s 5K Turkey Trot to raise money for homeless San Diegans.

County reports that there are more flu deaths this year compared to last year, with four deaths already.

So, get your damn flu shot.

Despite declining MTS ridership and the city’s crappy deal with bike-sharing company DecoBike, County Supervisor Ron Roberts went on KPBS to plug the idea of gondolas (AKA aerial trams) as a possible public transportation solution.

The cost? Only $50 million per mile. No big whoop.

All the seriousness, silliness and stupidity of the past week

11/23

Father Joe’s Villages and Salvation Army offer preThanksgiving lunch and dinner events for needy families.

HAM OF THE WEEK

11/25

The San Diego department of Parks and Recreation tries to push “Green Friday” as an alternative to Black Friday, encouraging people to go on hikes and visit local parks.

Nice idea, but ehhhh... we’d rather sit at home eating leftovers.

Food Not Bombs feeds homeless in El Cajon’s Wells Park in defiance of foodsharing ban.

11/26

Hundreds join #MeToo march through downtown San Diego.

Chargers one game out of first place after Chiefs lose. Entire county wrestles with whether or not to cheer them on.

Temperatures reach 87 degrees, tying the record for the hottest Thanksgiving ever in San Diego.

The FBI reports more than 200,000 background check requests for gun purchases on Black Friday, setting a new single day record.

11/27

San Diego Tenants United holds rally in Point Loma to advocate for affordable rent and protest “slumlords.”

11/28

California Assemblymember Raul Bocanegra resigns after multiple allegations of sexual misconduct.

California Assembly begins public hearings on sexual harassment policies in government.

“Save Our Escondido Library Coalition” sues city of Escondido over decision to privatize city library.

County Board of Supervisors votes to extend local Hepatitis A state of emergency by two weeks.

FML

6 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

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november 29, 2017 · San Diego CityBeat · 7

UP FRONT | OPINION

EDWIN DECKER

SORDID

TALES

The U.S. Oath of Allegiance is shit, so help me God “… I take this obligation freely, without any mental reservation… so help me God.”

S

o says the conclusion of the United States Oath of Allegiance, a required utterance by immigrants seeking U.S. citizenship and the subject of a lawsuit by a French national named Olga Paule Perrier-Bilbo.

The lawsuit by Ms. Perrier-Bilbo (note to self: must resist Hobbit gags) claims that the appearance of the phrase “so help me God” violates the Constitution’s establishment clause. She’s right, of course. At the very most, the text should say, “I take this obligation freely, so help me [ Insert preferred imaginary, omnipotent creature or deity here ].”

However, I’m not sure a non-U.S. citizen has legal ground to contest our oath. Seems to me that every nation has the sovereign right to decide the contents of its citizenship pledge, even if it means having Ms. Baggins Perrier-Bilbo say, “I hereby swear to blast GWAR songs and drink goat’s blood without reservation so help me Oderus Urungus, Lord of Intergalactic Barbarism.”

Anyway, lawsuits involving religious separation always fascinate me and I was all set to write about it until I pulled up the text of the Oath. Imagine my shock to learn that religion is the least of its problems. Turns out the United States Oath of Allegiance is a convoluted, paranoid, overbearing, wildly redundant and just utterly embarrassing piece of shit.

“I hereby declare, on oath, that I absolutely and entirely renounce and abjure all allegiance and fidelity to any foreign prince, potentate, state, or sovereignty of whom or which I have heretofore been a subject or citizen; that I will support and defend the Constitution and laws of the United States of America against all enemies, foreign and domestic; that I will bear true faith and allegiance to the same; that I will bear arms on behalf of the United States when required by the law; that I will perform noncombatant service in the Armed Forces of the United States when required by the law; that I will perform work of national importance under civilian direction when required by the law; and that I take this obligation freely without any mental reservation or purpose of evasion; so help me God.” Huh? What did that even say? The thing is so bogged down with gobbledygook, it’s hard to tell if it’s an oath or the ravings of a crazy law office janitor who believes he’s one of the firm’s partners.

Secondly, why must incoming immigrants renounce allegiance to their former country? May they not fly their former country’s flag over their stoop?

May they not read their former country’s newspapers or hum their former national anthem? And how are they going to open a kickass ethnic restaurant if they have to renounce their country’s cuisine?

And no, I’m not exaggerating. Look at the specificity of the language. We’re not only asking immigrants to “renounce” their former allegiance, but to also “abjure” it (“abjure” means “renounce” by the way). And they must renounce/abjure “all” allegiance to their former country and “all” “fidelity” to it (“fidelity” means “allegiance”). They must do so “absolutely” and “entirely” (yup, those words mean the same thing too).

Clearly this language leaves no wriggle room for former flags or anthems and we have to wonder why.

Are we worried that they’ll switch sides if war breaks out? As if an oath would stop them? The whole section is unnecessary, unsympathetic and, when you think about it, counterproductive. Do we even want citizens who would so readily forego allegiance to their birth countries? I thought loyalty was a good thing.

Then there is the problem with redundancies. We already mentioned a few, such as fidelity/allegiance, renounce/abjure and entirely/absolutely, but there are also lengthy passages that repeat themselves. For instance, after the line about supporting and defending (read: obeying) the law, the immigrant must then cite specific laws: “I will bear arms... when required by law”; “I will perform noncombatant service... when required by law”; “I will work under civilian direction... when required by law”— all of which amounts to saying, “I will comply with the law, when required by law!”

Finally we have the “so help me God” problem, which is something akin to irony given that the Constitution forbids religious establishment, and the Oath is adamant about the Constitution. That’s like saying, “Do you swear to God to heed The Constitution, which won’t make you swear to God, so help you God?” Our Oath is garbage especially when you compare it with other country’s oaths. Wikipedia listed 14, all of which were shorter and less gobbledgooky than ours. Take Germany, whose pledge simply promises to obey the laws and “refrain from activity which might cause [Germany] harm.” India’s oath swears allegiance to the Constitution and to “fulfill my duties as a citizen of India.”

Not one of the 14 oaths said anything about renouncing allegiances and had only a fraction of the redundancies and/or crazy, convoluted janitor legalese. They were mostly concise, inclusive sentences that any new or existing citizen can get behind.

With that in mind, here is my rewrite for the United States Oath of Allegiance: I hereby swear to obey the laws of the republic, the laws of common decency and to open a kickass restaurant using family recipes, ingredients and spices from the old country, so help me Blothar the Berserker God. Amen.

That’s like saying, ‘Do you swear to God to heed The Constitution, which won’t make you swear to God, so help you God?’”

8 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

Sordid Tales appears every other week.

Write to edwin@sdcitybeat.com.

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UP FRONT | VOICES

THERE SHE

ALEX ZARAGOZA

GOZ

Dear dudes. You’re all trash.

M

en are trash. I’ve said it before and I’ll say it every day until my last dying breath. Sure, some men are less trash, but rest assured, all men are at least diet trash. Yes, even you, the “good one.” The message feels that important, especially in the garbage swamp that is 2017.

We’re in the midst of an epic implosion of such proportions it’s creating a necessary shift in our culture. It is mesmerizing, frightening, traumatic and about fucking time. It’s… the trashening.

Since the still mounting allegations of sexual assault, harassment and rape at the hands of Harvey Weinstein broke, followed by, in no particular order because I can’t keep track, Kevin Spacey, Louis C.K., Brett Ratner, Charlie Rose, Ben Affleck, James Toback, George H.W. Bush, Roy Moore and many, many others, it’s been overwhelming and bittersweetly satisfying. ​The brave women coming forward are being heard, and the trash is feeling the repercussions. I’m here for it. Take them all down. Send them all back to the dumpster from where they came. Now if we can repeat this exact same thing with R. Kelly, Chris Brown, half the NFL and the other men who routinely violate Black and non-Black women of color, that would be great.

They, too, deserve their traumas to be vindicated.

While the demise of these men (though I’m skeptical of how permanent that will be for people like Louis C.K.), more often than not, is exhaustingly frustrating, it is especially frustrating to see these men fail to understand the larger issues presented; to see their own complicity in our patriarchal, misogynistic culture.

Yes, even the “good” ones.

Men are trash because society has worked overtime for literally centuries to assure them they’re treasure. Men are taught from a very young age to assert their power. They are taught to behave in reprehensible ways without fear of penalty, to feel entitled to pretty much anything they want and to not view or treat women as their equal. When race and class come into the conversation, it adds a whole other layer to the trash.

It is very hard to unlearn the many ways men are conditioned and rewarded for being trash. No amount of unlearning will free them of their trashiness, but that doesn’t mean it isn’t their responsibility to get as close to zero in the trash scale as possible, especially if they insist they give a fuck. Acknowledgement is the first step. Say it with me fellas: Men are trash. Now do something about it instead of arguing against it.

By acknowledging they’re trash, men take a huge step in de-trashening the world. Pretending they have never said or done anything that’s nasty, stinky, wet garbage towards women is impossible. The world would never allow it. Realizing that, examining behavior and actions and then working to do better won’t fix

the Weinsteins and C.K.s, or reverse the damage done by them, but it’s a hell of a good step in the right direction to ensuring shit gets better.

And to be frank, it’s bullshit when the men in our lives, or out there on the internet, act shocked about what they’re hearing or seeing about trash men. I’ve been asked by more than a few men how this could happen? Why women didn’t say anything? They were genuinely shocked, and assured me that they knew no one who has dealt with assault or harassment. And they definitely hadn’t committed any trash thing in their lives.

Well, first of all, consider these powerful (and paraphrased) words from writer Stacy-Marie Ishmael. If a woman has never come to a man about the violence and harassment they’ve experienced, it’s not a question about why they didn’t say anything to them, or anyone else for that matter.

What these men need to be asking themselves is what they have done to label themselves as unsafe for women to confide in. What have they done to make women not trust them with something as real, and as painful, as their abuse? Passing the buck to women for not coming forward is just another effort in blaming the victim instead of looking inward.

Second of all, for the good ones that insist they would never and have never done anything like this to a woman, they might not be a Harvey Weinstein, but that doesn’t mean they’re not complicit in the violence and aggression against women.

They are complicit when they excuse a friend’s gross behavior.

When they are shocked or show disbelief in someone’s accusation. When they insist on needing to hear all sides when that luxury is rarely afforded to victims who come forward and face severe backlash for doing so. They’re complicit when they remain friends with someone known to be an aggressor, regardless of how “woke’ they believe themselves to be.

It’s easy for these men to presume they’re the exception when they couldn’t possibly know if they actually are, especially if they refuse to accept when they’re trash. I’ve seen some pretty “woke” dudes say and do some completely trash things, and I know I’m not the only one.

Men have been reinforcing trash and guess what?

It’s fucking Thursday at 6:45 a.m., motherfuckers. The trash is going out on the street and taken to the dump where it belongs.

The sooner men accept their own trash, the sooner they can contribute to making this place less of a trash-filled hellscape.

What these men need to be asking themselves is what they have done to label themselves as unsafe for women to confide in.

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There She Goz appears every third week.

Write to alexz@sdcitybeat.com.

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 9

UP FRONT | FOOD

BY MICHAEL A. GARDINER

THE WORLD

FARE I

Something to everyone

t’s a quote someone might find on a poster in the conference room of a small-to-medium size business: “You Can’t Be Everything to Everyone.” It’s a bit of, eh, wisdom variously attributed to Abraham Lincoln (at least by my mother), Bill Cosby and a host of others.

The gist of it is the notion that in order to excel, one must make choices.

Roma Urban Market (555 West Beech St.) aims to prove the aphorism wrong.

It’s one part deli, another part pizza joint.

It’s also a dessert destination, popsicle stand, Italian coffee bar and high-end Italian market, as well as a daily grocery and prepared foods destination. Yes, Roman Market is all of these things. Wine, beer and spirits? Roma’s got those too.

But is Roma actually everything to everyone? Let’s start with the pizza. Can a New Yorker fold it? Would a Neapolitan claim it? Probably not. Roma’s pies are comfortably of the 619er-style, thick and chewy but without the oil slick and cheese bomb of Filippi’s et.al. The sausage and rapini pizza was a definite standout due to the unique topping combo. They’re good pies. They’re not life-changing, but they’re also unlikely to earn a complaint. And San Diego has few better options for pizza-by-the-slice.

The great glory of just about any Italian deli is its cold cuts. Roma is, at least in that sense, no different. The deli includes house-cured bresaola, capicola, coppa, jamon serrano, mortadella, prosciuttos, pancetta, porchetta, various salamis and many more along with numerous cheeses. All are offered by the pound and most in sandwiches as well. The Deli Hoagie—which features mortadella, dry and cotto salamis, provolone and mozzarella—is a good choice, though a bit more seasoning (acid as well as salt and pepper) would have been nice.

Roma also offers hot and cold prepared items. The meat lasagna was a big, warm hug in comfort food form. It’s everything you’d expect (and maybe even want) in lasagna: toothsome pasta, solid marinara, gooey cheese and big meaty flavor. The worst that can be said for it is that it’s a bad choice for lunch seeing as how it comes with an impending nap.

The octopus salad with onion, peppers, vinegar and olives is better: delicious, light and utterly tasty.

MICHAEL GARDINER

Sausage and rapini pizza Roma offers a dizzying array of items to order and eat on-premises, but it’s also a food mart. There are racks upon racks of items: pastas, oils, jarred goods, canned goods, flours, high-end wines and luxury foodie things including more truffled items (pastes, oils, sauces and more) than customers could shake a stick at. And there are frozen foods including pastas, vegetables and more. It must be said, however, that there are better wine shops, better luxury markets and other great options for the items that make up an Italian pantry.

Roma Market, at the end of the day, may not be the best place to get any one category of things—lunch, dinner, groceries, luxuries or frozen dinners—but it is perhaps the best place to get all of them at once. And it’s definitely not a bad place to get any of them.

It’s not everything to everybody but there is something good for everyone.

The World Fare appears weekly.

Write to michaelg@sdcitybeat.com.

10 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

THE

Boomtown

I

BY ANDREW DYER

BEERDIST

t can be difficult to quantify the impact of an industry as sprawling as beer.

Certain aspects are easily measured, such as sales and production, but in San Diego County, there are so many more moving parts.

A report published during San Diego Beer Week attempts to put things in perspective. The report—published by the San Diego Brewers Guild and Cal State University San Marcos—found the beer industry generates a countywide economic impact approaching $1 billion ($869,629,595, to be exact).

Todd Colburn, founder and CEO of Higher Gravity Brand Advocates, is an adjunct professor at CSUSM and sits on the board of directors of the San Diego Brewers Guild. He says the role of the guild in conducting this type of research was an important part of educating local consumers and government decision-makers.

“We want people (who buy beer) to think about it,” he says.

“We want them to choose local San Diego craft beer because it’s creating jobs and benefitting San Diego.”

The report includes data collected from breweries on production, sales and taxes to what it calls the “multiplier effect”—the impact of secondary businesses and the day-to-day spending habits of individual employees.

“The income employees are receiving, they’re going out and spending and driving economic impact,” Colburn says.

“From Premier Stainless that makes the tanks to brewery tour companies, they’re all creating jobs.”

Researchers also asked brewers to predict their hiring, investment and production moves over the next year. The resulting craft brewer business confidence index

showed that brewers are overwhelmingly confident of their growth in 2018.

The survey found: • 95 percent planned to hire more people • 93 percent planned to increase production • 91 percent planned to increase distribution • 77 percent planned to invest back into the business.

A few respondents planned on staying even, and none said they planned on downsizing.

“We still have room to grow,” Colburn says. “There’s opportunity in neighborhoods that are underserved— that don’t have a lot of craft breweries.

It comes down to how well you manage your business.”

Using a Brewers Association multiplier that attributes $4.67 per barrel produced, the report also estimates local craft brewers contributed $4.5 million to charities in 2016.

“If you go to a charity fundraising event and there’s craft beer from San Diego, odds are it was donated,” Colburn says.

“Beer donations are probably the most significant part of that impact.”

Colburn says quantifying these community contributions will be a focus of research for next year’s report.

“There are so many breweries that make giving back a core component of their business model,” he says. “I think it’s very unique in our industry.”

Colburn says that these kinds of reports will be ongoing as CSUSM continues to expand its footprint in the local brewing industry. This spring, the university will begin offering a certificate in the science and business of craft beer.

The Beerdist appears every other week.

Write to andrewd@sdcitybeat.com

@SDCITYBEAT

EVENTS

SHORTlist

ART

the

THREE YOU HAVE TO SEE

COORDINATED BY

SETH COMBS

BALBOA PARK

BREAKING BARRIERS

Many a local art installation has tack- some time now,” says local artist and PANA youth led issues on border politics and what leader Dhaha Nur. “The mission has always been to give platforms to refugees to speak it’s like to cross the U.S.-Mexico COURTESY OF THE ARTIST about issues pertaining to them. border to begin a new life. But Highlighting their stories, their what about those who come from struggles, their lives and their jourother parts of the world? neys, and humanizing what it means Those who caught our feature to be a refugee.” on the City Heights neighborhood Some of the artists include poetry are likely already familiar with the from May Thaw (Burmese refugee), great work of the Partnership for photographer Fahad Mohamed (Sothe Advancement of New Amerimalian refugee) and painter Amaar cans (PANA). The local organizaKawkab (Syrian refugee), but Nur tion isn’t just simply an assistance says that Refugee Renaissance was group for new Americans. They originally planned as more of a diswant to empower them to help their cussion panel and evolved into an art families and themselves via collecand performance event over time. tive action and community organiz“It didn’t start out that way, but ing. And while their neighborhood art, poetry and storytelling are kind of programs and presence at local City universal. It breaks the barrier of lanCouncil sessions is certainly proof of the org’s awesomeness, the Ref- “The Art of Refuge” series guage. It breaks cultural barriers. It’s

by Dhaha Nur so much easier to convey and comugee Renaissance should only add to that reputation. The night explores the refugee municate a lifetime worth of stories through art.”

Other poets include Stephanie Banh (Vietnam), journey through poetry, art, photography, painting and other artistic mediums. The idea behind the Halima Eid (Palestine) and Halima Haji (Somalia). show, according to organizers, is to give a platform The event takes place from 6 to 8 p.m. on Sunday, to the voices rarely heard, so we can better under- Dec. 3 at the Mingei International Museum (1439 El Prado). The event is free to attend but RSVP is stand what it means to be a refugee.

“This event has been in the making for quite recommended at panasd.org/voices.

ESCONDIDO

MIDDLETOWN

EVERYBODY’S TALKING Comedy and music have long been a natural pairing, from The Smothers Brothers on up to Danzig’s appearance on Portlandia. So it was probably only a matter of time before A SHIP IN THE WOODS began to incorporate comedy into its audio-visual performance and art events. The common thread running through Talk Talk is humor, which will be represented through a live, improvisational talk show hosted by Matt Hoyt and featuring the visual talents of artist Jason Sherry. The show will feature musical performances from Pinback’s Rob Crow, Shades McCool, Dr. Brown and Ash Eliza Smith, with satirical installations and other works featured throughout the Escondido property. It all happens from 6 to 10 p.m. on Saturday, Dec. 2 at A SHIP IN THE WOODS (3007 Felicita Road).

Suggested donation is $15, seating is first come first serve. shipinthewoods.com JASON SHERRY

SOUNDS OF LOVE We lost a lot of great weirdo auteurs in music last year (Prince, David Bowie, etc.), but we still have Kate Bush. For those who don’t know, Bush is responsible for some of the strangest, most innovative hits of all time, including “Running up That Hill” and “Hounds of Love.”

Tonight, Baby Bushka, an all-woman band and performance troupe (featuring local all-stars such as Natasha Kozaily, Shelbi Bennet, Dani Bell, Lexi Pulido and more) will pay tribute to the visionary, feminist songwriter by performing her songs at Kate Bush Dance Party. And anyone who’s ever seen a Kate Bush video should know that the dance moves tonight will be on point. This show goes down at 7:30 p.m. on Sunday, Dec. 3 at The Casbah (2501 Kettner Blvd.). Tickets are $10 and can be purchased online or at the door. casbahmusic.com

HSan Diego Mesa College Fall 2017 Student Art Exhibit and Sale at Mesa College Art Gallery, 7250 Mesa College Drive, Clairemont. View over one hundred works of art created by students in their studio art classes including paintings, ceramics and jewelry. Opening from 1 to 7 p.m. Thursday, Nov. 30. Free. 619-3882829, sdmesa.edu/art-gallery HArt by Alexander Salazar Charity Exhibit at Alexander Salazar Fine Art, 225 W Market St., Downtown. Artist and gallery owner Alexander Salazar will be exhibiting and offering 10 of his original paintings to raise money for the AIDS LIFECYCLE Journey in June 2018. From 5:30 to 8:30 p.m. Thursday, Nov. 30. 619-531-8996, alexandersalazarfineart.com Polar Extractions at San Diego Watercolor Society, 2825 Dewey Road, Point Loma. An art exhibition juried by award-winning artist Mary Sievers and featuring over 100 original ready-to-hang paintings for sale. Opening from 5 to 8 p.m. Friday, Dec. 1. sdws.org HTalk Talk at A Ship In The Woods, 3007 Felicita Road, Escondido. A multi-media live outdoor improvisational talk show created by visual artist Jason Sherry and host/personality Matt Hoyt. Also includes visual art from dozens of local artists. From 6 to 10 p.m. Saturday, Dec. 2. $15 suggested donation. 619-535-9253, shipinthewoods.com HSantiago Quesnel at Lux Art Institute, 1550 S. El Camino Real, Encinitas.

The opening reception for the new exhibition from the Argentinian artist, who is known for his layered landscapes of his hometown. Opening from 5:30 to 8 p.m.

Saturday, Dec. 2. $10. 760-436-6611, luxartinstitute.org

BOOKS Book Birthday Celebration at Mysterious Galaxy Book Store, 5943 Balboa Ave., Ste. 100, Clairemont. Young adult authors will sign and discuss their respective new novels, including Livia Blackburne (Rosemarked), Nikki Katz (The Midnight Dance), Demetra Brodsky (Dive Smack) and more.

At 2 p.m. Saturday, Dec. 2. Free. 858268-4747, mystgalaxy.com Dragon Party at Mysterious Galaxy Book Store, 5943 Balboa Ave., Ste. 100, Clairemont. A group of fantasy authors will sign and discuss their new books, including Dee Leone (Dough Knights and Dragons), R.D. Trimble (Scourge of the Red Dragon), J.C. Stevens (Dragon Lad: The Thirteenth Egg) and more. At 4 p.m. Saturday, Dec. 2. Free. 858-268-4747, mystgalaxy.com HDenis Leary at San Diego Central Library, 330 Park Blvd., East Village. The sarcastic actor, comedian and author will be signing and discussing his new book, Why We Don’t Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches. Price includes signed copy. At 7 p.m. Tuesday, Dec. 5. $29. 858-454-0347, warwicks.com HMatt Coyle at Warwick’s Bookstore, 7812 Girard Ave., La Jolla. The San Diego Book Award-winner will sign and discuss his latest Rick Cahill crime novel, Blood Truth. At 7:30 p.m. Tuesday, Dec. 5. Free.

858-454-0347, warwicks.com Romance in Pop Culture at Mysterious Galaxy Book Store, 5943 Balboa Ave., Ste. 100, Clairemont. Alyssa Cole and Alisha Rai stop by to discuss and sign romance novels including their latest releases, A Hope Divided (Cole) and Wrong to Need You: Forbidden Hearts (Rai). At 7:30 p.m.

Tuesday, Dec. 5. Free. 858-268-4747, mystgalaxy.com Holiday “Rep” Session at Warwick’s Bookstore, 7812 Girard Ave., La Jolla.

Talk Talk @SDCITYBEAT

Kate Bush

H = CityBeat picks

Sales representatives from Penguin Random House and HarperCollins will be in the store to recommend new books for customers’ holiday needs. From 4 to 6 p.m. Wednesday, Dec. 6. Free. 858-4540347, warwicks.com

COMEDY Tim Minchin at Balboa Theatre, 868 4th Ave, Gaslamp. The Australian musician, actor, comedian and writer will bring his unique brand of musical comedy to San Diego on his Leaving Los Angeles tour.

At 8 p.m. Wednesday, Nov. 29. $38.50.

619-570-1100, sandiegotheatres.org Stand-up Comedy at Whistle Stop, 2236 Fern St., South Park. Eleanor J. Kerrigan from The Joe Rogan Experience podcast will be headlining with support from Deric Poston, Corbin Recke, Harry Moroz and more. From 8:30 to 10:15 p.m. Wednesday, Nov. 29. $5. 619-284-6784, whistlestopbar.com Tuesday Night Comics at North Coast Repertory Theatre, 987 Lomas Santa Fe Drive, Solana Beach. The monthly show is composed of talent from all over the country and is hosted by local funnyman Mark Christopher Lawrence. At 7:30 p.m.

Tuesday, Dec. 5. $25. 858-481-1055, northcoastrep.org

DANCE HSome of a Thousand Words at Balboa Theatre, 868 Fourth Ave., Downtown. Choreographer Brian Brooks teams up again with New York City Ballet star Wendy Whelan for a performance featuring solos and duets along with live music from string quartet Brooklyn Rider. At 8 p.m. Saturday, Dec. 2. $20. 619-570-1100, sandiegotheatres.org

FILM Living Like Lorde: Film Screening and Open Mic at Digital Gym Cinema, 2921 El Cajon Blvd., North Park. A free screening of A Litany for Survival: The Life and Work of Audre Lorde followed by a discussion of the film and an open mic where people can share their original works or reflect on Lorde’s work. From 7 to 9 p.m. Wednesday, Nov. 29. Free.

858-534-9982, cgs.ucsd.edu HIt’s a Wonderful Life in Concert at Copley Symphony Hall, 750 B St., Downtown. Experience the holiday classic accompanied by the San Diego Symphony and choral group SACRA/PROFANA performing Dimitri Tiomkin’s richly sentimental score. At 2 p.m. Sunday, Dec. 3. $20-$71.

619-235-0804, sandiegosymphony.org

FOOD & DRINK Slow Food’s Holiday Party at The Rose, 2219 30th St., South Park. An annual celebration of sustainable food, with local nibbles, wine and oysters. Participants will also have the chance to meet the board and discuss what they’d like to see in 2018.

From 5:30 to 8:30 p.m. Wednesday, Nov. 29. Free. slowfoodurbansandiego.org Island Food & Beer Festival at Waterfront Park, 1600 Pacific Highway, Downtown. Enjoy cuisine inspired by the Pacific Islands along with unlimited beer pairings, games, music and more. A portion of the proceeds benefit the San Diego Lions Scholarship Foundation. From noon to 4 p.m. Saturday, Dec. 2. $50. facebook. com/CoconutsandCocktailsPromotions HSono Fest and Chili Cook-Off at San Diego Ceramic Connection, 3216 Thorn St., South Park. The chili cooking competition features a craft beer and wine garden,

EVENTS CONTINUED ON PAGE 12

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 11

EVENTS EVENTS CONTINUED FROM PAGE 11 local handmade vendors, live music, and of course, many choices of chili made by competing restaurants. From 11 a.m. to 5 p.m. Sunday, Dec. 3. $15-$20. 619-9167247, sonofestchilicookoff.com

HOLIDAY EVENTS The Lot Holiday Bazaar at The Lot, 7611 Fay Ave., La Jolla. A gift bazaar with locally made, one-of-a-kind items including jewelry, clothing and novelty gifts. Shoppers will also get to enjoy complimentary refreshments while shopping. From 10 a.m. to 7 p.m.

Wednesday, Nov. 29. Free. thelotent.com HHoliday Tree Lighting at NTC Plaza Liberty Station, 2816 Historic Decatur Road, Point Loma. Enjoy a display of thousands of twinkling lights and colorful ornaments, along with live musical performances and a European-style pop-up market featuring local eateries and mini train rides. From 5 to 9 p.m. Wednesday, Nov. 29. Free. libertystation.com HMistletoe Market at parking lot behind Observatory North Park, 2891 University Ave., North Park. Peruse unique gift options from local vendors while enjoying beer, cocktails, a hipster Santa and live music from Shawn Rohlf, Mittens, Sara Petite and more. From 3 to 7 p.m. Thursday, Nov. 30. Free. northparkmainstreet.com HDecember Nights at Balboa Park, Balboa Park. The 40th annual festival features museum exhibitions, international cuisine, concerts and many more holiday traditions. From 3 to 11 p.m. Friday, Dec. 1 and noon to 11 p.m. Saturday, Dec. 2.

Free. sdmart.org HTree of Life Tree Lighting Ceremony at Village Hillcrest, Fifth and University Avenues, Hillcrest. Mama’s Kitchen hosts San Diego’s premiere event to commemorate World AIDS Day. There’ll be a candlelight vigil, songs and the tree lighting. At 6 p.m.

Friday, Dec. 1. Free. mamaskitchen.org Bravo School of Art Member and Faculty Holiday Show and Sale at Bravo School of Art, 2690 Decatur Road, Point Loma. The ninth annual showcase includes original, handmade art like paintings, textiles, jewelry, photography and more. From 5 to 9 p.m. Friday, Dec. 1.

Free. 619-223-0058, bravoschoolofart.com Coronado Christmas Parade & Open House at Coronado, 3rd & Orange Ave., Coronado. The 42nd annual Christmas parade and events include Santa’s arrival by ferry, a snow mountain, downtown open house, a tree lighting ceremony and a concert by the community band. From 2 to 9 p.m. Friday, Dec. 1. Free. coronadovisitorcenter.com Friday Night Liberty: Holiday Extravaganza at NTC at Liberty Station, 2640 Historic Decatur Road, Point Loma. The first Friday event will include open art studios, as well as holiday gifts, live art and performances. From 5 to 9 p.m. Friday, Dec. 1. Free. 619-573-9300, libertystation.com Holiday Marketplace at Luce Court and Legacy Plaza, Liberty Station, 2641 Truxtun Road, Point Loma. Enjoy live music while shopping from Liberty Station vendors and tenants. Takes place Friday through Sunday. From 4 to 10 p.m. Friday, Dec. 1 through Saturday, Dec. 23. $10-$50. libertystation.com December Nights: Winter Bazaar at San Diego Art Institute, 1429 El Prado, Balboa Park. A two-day event held in conjunction with the December Nights holiday festival. SDAI’s indoor main gallery will feature a curated selection of shops as well as artisans selling distinctive products.

From 3 to 11 p.m. Friday, Dec. 1 and noon to 11 p.m. Saturday, Dec. 2. Free.

619-236-0011, sandiego-art.org

HSouth Park Holiday Walkabout at South Park Neighborhood, 30th and Beech St., South Park. A quarterly evening festival that showcases the neighborhood’s independent businesses with complimentary treats, live entertainment, special offers and a tree lighting on this night. From 5 to 10 p.m. Saturday, Dec. 2. Free. 619-233-6679, southparksd.com HNorth Park Toyland Parade & Festival at North Park along 30th St., between 3700 and 3900 block, North Park. The 54th annual event is back! The parade starts at University Avenue and Utah Street at 11 a.m. while the festival happens from noon to 3 p.m. in the heart of North Park. From 11 a.m. to 3 p.m.

Saturday, Dec. 2. toylandparade.com HJingle Paws at Water Conservation Garden, 12122 Cuyamaca College Drive West, El Cajon. Bring the pooches for pictures with Santa, a costume contest, a silent auction and more. Benefits the El Cajon Animal Shelter. From 8 a.m. to noon. Saturday, Dec. 2. $35. acesfoundation.org WSSD Winter Faire at Waldorf School, 3547 Altadena Ave., City Heights. This annual fest offers kid-friendly activities, musical entertainment, earth-friendly vendors and a candlelight story at sunset. From noon to 6 p.m. Saturday, Dec. 2. Free. wssdwinterfaire.org OB Holiday Parade at Ocean Beach, Newport Ave. and Abbott St., Ocean Beach. The 38th annual parade and street fest includes floats, marching bands, community characters and, of course, Santa Claus. At 5 p.m. Saturday, Dec. 2. Free. oceanbeachsandiego.com Encinitas Holiday Parade at Downtown Encinitas, South Coast Hwy 101 and Encinitas Blvd., Encinitas. Help cheer on the floats and bands featured at this annual parade and tree-lighting celebration.

From 5 to 10 p.m. Saturday, Dec. 2.

Free. encinitasca.gov HWinter Wonderland Festival at California Center for the Arts, 340 North Escondido Blvd., Escondido. Frolic in real snow, decorate Christmas cookies, and rendezvous with live reindeer while also shopping at local businesses. From 3 to 8 p.m. Saturday, Dec. 2. Free. 760-839-4190, artcenter.org HGarden of Lights at San Diego Botanic Garden, 230 Quail Gardens Drive, Encinitas. The San Diego Botanic Garden will be a winter wonderland through Dec. 30, with snow, carolers and over 100,000 sparkling lights illuminating the Garden for a unique holiday experience. From 5 to 9 p.m. Saturday, Dec. 2 through Saturday, Dec. 30. $5-$20. 760-436-3036, sdbgarden.org Carlsbad Village Night of Lights at Carlsbad Village, Grand Ave., Carlsbad.

Inaugural holiday season celebration including live jazz and orchestral holiday music, as well as shopping specials and live performances of classic holiday songs. From 5:30 to 8 p.m. Saturday, Dec. 2. Free. carlsbad-village.com HChula Vista Starlight Parade and Children’s Faire at Memorial Park, 351 Park Way, Chula Vista. The Chula Vista tradition features the County’s largest nighttime parade along Fifth Avenue, as well as twinkling lights, holiday decor, and activities for the whole family. From 2 to 8 p.m. Saturday, Dec. 2. Free. starlightparade.com HLittle Italy Christmas Tree Lighting and Christmas Village at Little Italy. The 19th annual event features festive decorations, live entertainment, a visit from Santa, Little Italy Mercado vendors and, of course, the lighting of a 25-foot tree. From 4 to 8 p.m.

Saturday, Dec. 2. Free. littleitalysd.com Point Loma Christmas Home Tour and Marketplace at All Souls’ Episcopal Church, 1475 Catalina Blvd., Point Loma.

Explore unique Point Loma homes and an expanded marketplace with gifts, decorations, handmade items and home-cooked

12 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

BOOKS: THE FLOATING LIBRARY Into the Afrofuture

T

“

he truth is, I hate short story writing. Trying to do it has taught me much more about frustration and despair than I ever wanted to know.”

So writes Octavia E. Butler in the preface to her short story collection, Bloodchild. It is a sentiment expressed by many writers who have taken up the form, especially novelists who struggle with the intricate compression that short stories require. However, few writers have received as many accolades as Butler has for her groundbreaking stories and novels. In fact, she was the first science-fiction writer to be awarded a MacArthur Fellowship, and the title story “Bloodchild” won both a Hugo and a Nebula Award.

Originally published in 1995 by Four Walls, Eight Windows, then again in 2005 by Seven Stories Press, the Kindle edition of Bloodchild features the five stories that originally appeared in the collection, each with its own afterword penned by the author.

“I feel that what people bring to my work is at least as important to them as what I put into it. But I’m still glad to be able to talk a little about what I do put into my work, and what it means to me.”

Butler serves as a guide to the often violent worlds where she takes her readers. “Speech

treats at this 66th annual event. From 10 a.m. to 4 p.m. Saturday, Dec. 2. $30-$35. ptlomahometour.com Winter Nights at Westfield UTC at Westfield UTC, 4545 La Jolla Village Drive, University City. Enjoy music, snow, family photo ops with Santa, and unexpected acts of kindness from Merry Makers. Shoppers can also enjoy a holiday classic matinee at ArcLight Cinemas. Every Saturday. From 5 to 8 p.m. Saturday, Dec. 2 through Saturday, Dec. 16. Free. 858-546-8858, westfield.com HThe Local Holiday Bazaar at Corky McMillin Companies Event Center, 2875 Dewey Road, Point Loma. A curated popup market offering an eclectic mix of local fashion, handmade and vintage gifts from over 150 vendors. From 11 a.m. to 5 p.m.

Sunday, Dec. 3. $5. thelocal-bazaar.com La Jolla Christmas Parade & Holiday Festival at La Jolla. The annual event in downtown La Jolla along Prospect St. and Girard Ave. includes marching bands, floats, equestrian units, vintage automobiles and an appearance by Santa Claus.

Followed by a holiday market at 2 p.m.

From 1:30 to 5 p.m. Sunday, Dec. 3.

Free. ljparade.com Cardiff Kringle Mingle at Cardiff Town Center North Courtyard, 2087 San Elijo Ave., Cardiff-by-the-Sea. Holiday celebration for the entire community with live music, holiday treats, kid’s craft zone, a tree lighting and a free professional photo op with Santa. From 1 to 5 p.m. Sunday, Dec. 3. Free. cardiff101.com HSkating by the Sea at Hotel Del Coronado, 1500 Orange Ave., Coronado. Now in its 13th year, the outdoor ice rink on the Windsor Lawn features views of Coronado beach. Skating sessions will be offered daily and a portion of the proceeds benefit the Make-A-Wish Foundation. Price includes skate rental. From 3:30 to 10 p.m.

Through Monday, January 1. $30. 800468-3533, hoteldel.com

Sounds” imagines a future where the ability to speak and process language has been eradicated, plunging the world into chaos where survivors struggle to find meaning. “Bloodchild” takes place on a distant planet where humans serve as hosts to their alien overlords, a fact that is kept from the humans. The story is told from the point of view of a human who learns the truth of his relationship to a master he loves.

What makes Butler’s success all the more astonishing was how many obstacles she had to overcome to achieve it. She was born in Pasadena, California to parents who cleaned houses and shined shoes. As an African-American woman writing science-fiction in the ‘60s and ‘70s and trying to break into publishing with no connections to New York, the odds at times seemed insurmountable. But she persevered and her work, which critics consider a touchstone of Afrofuturism, continues to break new ground and serve as a source of inspiration for writers of all backgrounds.

The Kindle edition of Bloodchild also offers two additional stories, a pair of essays and a detailed illustrated biography that serves as an outstanding introduction to Butler’s astonishing life and work.

HRady Children’s Ice Rink at Arts District Liberty Station, 2640 Historic Decatur Road, Point Loma. Skate on this outdoor, seasonal ice rink with proceeds benefiting Rady Children’s Hospital’s Peckham Center for Cancer and Blood Disorders. From 10 a.m. to 10 p.m. Through Sunday, Jan. 7. $10-$50. libertystation.com

MUSIC HJACK Quartet at Conrad Prebys Music Center Experimental Theater, UC San Diego, 9500 Gilman Drive, La Jolla. The acclaimed string quartet will perform Pulitzer Prize-winning multimedia artist and composer Roger Reynolds’ “FLiGHT,” which condenses 2,500 years of human flight into an 80-minute performance. At 7 p.m.

Thursday, Nov. 30. $10.50-$15.50. . 858534-8497, musicweb.ucsd.edu Chopin and Dvoŕák at Copley Symphony Hall, 750 B St., Downtown. Pianist George Li performs Antonín Dvoŕák’s Eighth Symphony and Chopin’s Piano Concerto No. 1 in E minor as part of the Jacobs Masterworks Concert series. At 8 p.m. Friday, Dec. 1 and Saturday, Dec. 2. $20-$98.

619-235-0804, sandiegosymphony.org HSteph Johnson Holiday Show at Bread & Salt, 1955 Julian Ave., Logan Heights. The award-winning band will perform original music and traditional holiday songs, as well as feature the Voices of Our City Choir. Preceded by an art exhibit, a live DJ, and interactive performances. At 8 p.m. Saturday, Dec. 2. $10-$55. stephjohnsonband.com

—Jim Ruland 6611 University Ave., Rolando. This musical evening includes performances from Heather Myers and the Salvation Army Divisional Brass Band & Songsters. At 7 p.m. Sunday, Dec. 3. Free. 619-2691550, kroccenter.org A Winter Concert at California Center for the Arts, 340 North Escondido Blvd., Escondido. The Civic Youth Orchestra, which showcases talented young musicians, will perform a variety of popular and classical pieces. At 3 p.m. Sunday, Dec. 3. $10.

760-839-4190, artcenter.org HCamera Lucida: Martinu & Schmidt at Conrad Prebys Concert Hall, UC San Diego, 9500 Gilman Drive, La Jolla. The chamber music collaboration will perform Martinu’s Musique de Chambre Nr. 1 and Franz Schmidt’s Clarinet Quintet in A major. At 7:30 p.m. Monday, Dec. 4. Free$37. 858-534-8497, musicweb.ucsd.edu Jewel at San Diego Civic Theatre, 1100 Third Ave., Downtown. The singer/songwriter (and former local) stops by on her Handmade Holiday Tour to perform holiday classics, originals and classic Jewel songs alongside special guests. At 7:30 p.m. Monday, Dec. 4. $30. 619-570-1100, sandiegotheatres.org Elijah Rock at North Coast Repertory Theatre, 987 Lomas Santa Fe Drive, Solana Beach. The jazz crooner stops by on his “Gershwin for My Soul” tour to lay songs from the Great American Songbook. At 7:30 p.m. Monday, Dec. 4. $25.

858-481-1055, northcoastrep.org

HA Merry-Achi Christmas at Balboa Theatre, 868 Fourth Ave., Downtown.

Enjoy a fusion of Mexican and American Christmas songs and carols with the thrice Grammy-Award nominee Mariachi Sol de México. At 6 p.m. Sunday, Dec. 3. $30.

619-570-1100, sandiegotheatres.org

HIt’s FHcking Christmas Again! at Finest City Improv, 4250 Louisiana St., North Park. FCI’s annual, politically incorrect holiday show features local improv masters performing a show about North Pole

The Salvation Army’s Community Carol Concert at Joan B. Kroc Theatre,

EVENTS CONTINUED ON PAGE 13

PERFORMANCE

@SDCITYBEAT

EVENTS EVENTS CONTINUED FROM PAGE 12 misfits. From 9 to 10:30 p.m. Saturday, Dec. 2 through Saturday, Dec. 23. $15.

619-306-6047, finestcityimprov.com

POETRY & SPOKEN WORD HVAMP: Holler if You Hear Me at the Saville Theatre at City College, 14th St. and C St., East Village. City College students will be sharing stories using the theme of “Holler if You Hear Me” as inspiration. From 7 to 9 p.m. Wednesday, Nov. 29. Free. sosayweallonline.com HVAMP: Ride Overshare at Whistle

@SDCITYBEAT

Stop, 2236 Fern St, South Park. So Say We All’s monthly storytelling showcase will feature tales about those TMI moments that happen in the car. Readers include Derrick Woodford, Betsy Marro, Ryan Hicks and more. From 8:30 to 10 p.m. Thursday, Nov. 30. $5 suggested donation. 619-2846784, sosayweallonline.com HRefugee Renaissance at Mingei International Museum, 1439 El Prado, Balboa Park. Poets such as Stephanie Banh (Vietnam), Halima Eid (Palestine) and Halima Haji (Somalia) will read poems dealing in themes of what it’s like to be a refugee.

The evening also includes storytelling and visual art. From 6 to 8 p.m. Sunday, December 3. Free. panasd.org HNon-Standard Lit: Brown, Barbosa and López at Gym Standard, 2903 El Cajon

Blvd. #2, North Park. The third and final Fall reading in the Non-Standard Lit Reading Series features experimental writing and poetry from F. Douglas Brown, Shauna Barbosa and Manuel Paul López. At 5 p.m. Sunday, Dec. 3. 619-501-4996, gymstandard.com

Doggie Street Festival at NTC Park Liberty Station, 2455 Cushing Road, Point Loma. The ninth annual festival and adoption event gives pet-lovers the opportunity to peruse new pet foods, services, fashion and more. From 9 a.m. to 3 p.m. Sunday, Dec. 3. Free. doggiestreetfestival.org

SPECIAL EVENTS

TALKS & DISCUSSIONS

HSTEAM Maker Festival at Del Mar Fairgrounds, 2260 Jimmy Durante Blvd., Del Mar. STEAM stands for Science, Technology, Engineering, Art and Math. This fest features over 40 STEAM booths featuring kids’ projects, over 40 Maker showcase booths, music, vendors, workshops, community awards, interactive learning areas, and more. From 10 a.m. to 3 p.m.

Saturday, Dec. 2. $6-$8. 858-755-1161, steammaker.org

HBorder Angels & The Birth of Dual Citizenship at Tiger!Tiger!, 3025 El Cajon Blvd., North Park. A live podcast recording for Cura Caos, a show that hosts live conversations with luminaries from both sides of the border. This week’s guest is border advocate Enrique Morones. From 6 to 8 p.m. Tuesday, Dec. 5.

Free. facebook.com/curacaosradio

WORKSHOPS HEmbroidery as a Form Of Resistance at Oceanside Museum of Art, 704 Pier View Way, Oceanside. Local artist Claudia Cano will discuss embroidery as a way to preserve traditions and culture. All materials supplied, including delicious café de olla.

From 1 to 4 p.m. Saturday, Dec. 2. $30$40. 760-435-3720, oma-online.org The Writer’s Coffeehouse at Mysterious Galaxy Book Store, 5943 Balboa Ave., Ste. 100, Clairemont. Author Jonathan Maberry hosts this informal group to discuss all things writing over coffee.

No previous publishing experience necessary. From noon to 3 p.m. Sunday, Dec. 3. Free. 858-268-4747, mystgalaxy. com

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 13

14 · San Diego CityBeat · november 29, 2017

@SDCityBeat

THEATER

KEVIN BERNE

Ariana DeBose (center) in Summer: The Donna Summer Musical

Summer time in December

I

t was known long before the lavish, world-premiere musical now playing at the La Jolla Playhouse that Donna Summer was a remarkable talent. Her association with the title “Queen of Disco” has deprived her from being considered a towering figure in more respected genres, such as R&B or even pop. And while Summer: The Donna Summer Musical rightfully emphasizes the “Queen” title, for the singer herself, the distinction was a doubleedged sword Summer is an expensive-looking and technologically sophisticated docu-musical constructed around the songs that defined Donna Summer.

Many of them were written by Giorgio Moroder or Peter Bellotte (both of whom are portrayed in the show), or by Summer herself, who because of the singularity of her powerfully expressive voice was an underrated songwriter. This musical’s book was written by Colman Domingo, Robert Cary and Playhouse Director Emeritus Des McAnuff, who also directs. Though faithful to the facts of Summer’s turbulent life and career, the production feels overstuffed and relies on many of the “celebrity rise and fall” tropes so familiar in biographical musicals of this kind: the downside of fame, the struggle to find true love, balancing family and career, reliance on pills, et al. But Summer’s all-too-short life (she passed away at 63) had its share of pain and anguish, especially during her childhood church days.

And while this is not glossed over, the storytelling takes a definite back seat to the music.

Three women—Storm Lever (“Duckling Donna”), Ariana DeBose (“Disco Donna”) and LaChanze (“Diva Donna”)—portray Summer during various stages of her life, and impressively deliver her songs throughout. As for those songs, some are truncated or seem out of context, but hearing them again over less than two hours, is frequently a stirring experience. Among them: “Last Dance,” “Hot Stuff,” “On the Radio,” “Bad Girls,” “MacArthur Park” (performed in a spine-tingling sequence), “Dim All the Light,” “She Works Hard for the Money” and, ‘natch, “Love to Love You Baby.” Choreography by Sergio Trujillo and a band conducted by Victoria Theodore

@SDCITYBEAT

add sizzle to the production, but overall, Summer is best appreciated as a nostalgic concert.

Summer: The Donna Summer Musical runs through Dec. 24 at La Jolla Playhouse’s Mandell Weiss Theatre, UCSD. $58 and up; lajollaplayhouse.org

—David L. Coddon

Theater reviews run weekly.

Write to davidc@sdcitybeat.com.

OPENING: A Christmas Carol: Another musical staging of the classic tale of Ebenezer Scrooge, Tiny Tim and all those ghosts. Presented by Cygnet Theatre, it opens Nov. 29 at the Old Town Theatre. cygnettheatre.com Bus Stop: Five weary travelers find love, friendship and meaning when they’re forced to spend the night in a Kansas roadside diner. Presented by Grossmont College Theatre, it opens Nov. 30 at the Stagehouse Theatre in El Cajon. grossmont.edu The Rented Christmas: Tired of being alone during the holidays, a businessman rents a family for Christmas and hijinks ensue. It opens Nov. 30 at the Broadway Vista Theatre in Vista. broadwayvista.biz A Christmas Story: A musical adaptation of the classic movie about a boy who just wants a BB gun despite the fact that he’ll shoot his eye out. Presented by the Pickwick Players, it opens Dec. 1 at Off Broadway Live in Santee. pickwickplayers.net Cinderella: The Tony-winning Rodgers and Hammerstein production of the classic fairy tale includes hits such as “In My Own Little Corner” and “Impossible/It’s Possible.” Presented

by Broadway San Diego, it opens Dec. 1 for five performances at the San Diego Civic Theatre in the Gaslamp. broadwaysd. com Lamb’s Festival of Christmas: This annual production features a new, holiday-themed story titled North of Normal: A Fargo Christmas. Written and directed by Kerry Meads, it opens Dec. 1 at the Lamb’s Players Theatre in Coronado. lambsplayers.org She Kills Monsters: In Qui Nguyen’s comedy, a young woman picks up fantasy role-playing games after the death of her sister. Presented by UC San Diego Theatre, it opens Dec. 6 at the Theodore and Adele Shank Theatre in La Jolla. theatre.ucsd.edu

For full theater listings visit sdcitybeat.com

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 15

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CULTURE | FICTION

The shorter, the better when it comes to our annual fiction challenge Illustrations by Laurie Nasica

Every autumn, we ask our readers to say a lot with a little. To make every word count. To tell us a tale that’s both perfunctory and poignant, short but sweet.

Of the nearly 200 submissions we got this year for our annual Fiction 101 contest (in case there’s any confusion, the stories have to be 101 words or fewer), many took on a much more macabre, morose tone than in years past. Can’t say that’s surprising.

2017 was certainly a bummer year, so we weren’t exactly expecting stories about rainbows and puppies. Still, when words such as “blood” and “kill” and “dead” pop up regularly, it becomes easier to see where our readers’ heads are at.

As always, the decision was difficult and the arguments were heated, but the stories below were the ones that really stood out to us. They may be brief, but they sure are brilliant.

Untitled She didn’t understand those women.

Whining about the way men treated them.

“He touched my breasts.” “He forced himself on me.” “He masturbated in front of me.” As Ginny’s gramma used to say, “Shut your hole and do something about it.” Ginny was proud of her collection. So many that she was getting a volume discount at Ted’s Taxidermy. At first, Ted wasn’t sure he wanted to taxidermize severed penises, but his wife insisted. Once he got into it, his innate talent for creative mounts shined through: hot dog buns, zippers, a lawn statue fronting a house made of playing cards.

18 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

Steve Montgomery North Park

@SDCITYBEAT

CULTURE | FICTION

Bad Man Bad Bad Man

Signs of Things to Come

Share if you want to save albino whales.

Scroll down

It was the last night of operation for the old Clairemont Square movie theater. I wasn’t leaving empty handed. Too much of my youth had been spent there to not take a little something back with me. As soon as Austin Powers International Man of Mystery ended, I jumped up and wrapped both hands around the nearest exit light and yanked. It came loose, but not off. I lifted both feet off the ground and was showered in hot sparks. I ran with my prize, face first into a wall. I had taken the only light showing the way out.

Joel Stinson

El Cajon

My quadraplegic grandmother just wants 1000 birthday wishes Delete friend Type Amen if you believe in Jesus as your personal saviour Ignore user This is a picture of my seven year old niece Hit like but really really like the kid’s hot mom Can anyone recommend a car repair place?

Get mad and Google Top Ten Celebrity Surgeries Gone Wrong Tell your FB friends how glad you are for their achievements Uncross your fingers and hope Jesus is in a good mood

Peter Hepburn La Mesa

“Have a good day, Hon.” “You too.” I continued walking, wondering what that might mean for her.

#Hospital #Psych

Buried Bodies in the Playa My mother said she was fourteen when it happened. The day a storm raptured a whole neighborhood in Playas de Tijuana; buildings and bodies entombed under crystal shards of sand and ocean. Markets, houses, children, paved roads. She insists the waves have yet to retract their violence.

I imagined kids running on the beach to find heads rolling on the shore years later.

Sand castles built on the debris of second stories. Bricks underneath boogie boards.

Not much has changed. The corn hustlers kept on selling, and in the overcast, the surfers and children kept splashing in the waves like always.

On patio with Lena can hear Rachel’s #MarchingBand Ghost peppers ripe #EatOnceSufferTwice All family here #ChildhoodStories #YouDidWhat? #Fired 182 job apps “We’ll get back to you” #NoYouWont #Battle2Sleep #Battle2StayAwake #Battle2GetOffCouch #Sad

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#Foreclosed #Homeless #Lena #Love Can’t go near house #SymbolOfSuccess #NowSymbolOfFailure #ThreeYears Standing in front #CuttingOnions #SadNotSad

Claudia Obata Pacific Beach

Booty Call 101 Chapter Three: Thirsty Texts

#WalkingAway

Exhibit A:

Away from where #EverythingWasShaken

“[insert eggplant emoji]”

Walking toward #AllThatRemains

“So, like, you still owe me an orgasm, just FYI or whatever.”

#AllIEverReallyHad

“Rebounding is chill.”

John Shaw Rancho Bernardo

Andy M. Coronado City Heights

Hashing It Out

#DyingOK #SadSadSad

#Prozac #Valium

“When I drunkenly said that you’re a 9, I really meant at least a 9.5.”

Ray Ray brushes his hair, higher than ever before. His pompadour towers into the stratosphere. An El Capitan of follicles singularly enhanced with “product.”

He is careful, the Santa Anas are blowing. He makes his way across the street tacking like a full-sailed schooner, ducking low to get in the club’s door.

Rose will swoon into his arms leaving Joe bereft, he hopes.

Opening the door, Ray can tell something is different. Joe stands with Rose, his head shaved, shiny, Rose rubs it languidly. The others have the same look.

Again the fad has changed, with Ray the last to know.

Tim Calaway Rolando Park

“[insert squirt emoji]” “Point Loma isn’t so bad.”

Walk On the Wild Side First day of work in NY City, I rose early and headed out at 5 a.m. Walking briskly, I was startled by a deep lilting voice, “Good morning, Sugar.”

I looked up to see a tall black woman on the corner. Her short silver dress hugged broad shoulders and narrow hips, above long muscular legs and high heels. Stunned, I stared at her handsome dark face, straight blond hair, large hoop earrings, red lips, and heavy eyes. She smiled.

“Good morning,” I said, recovering.

“It’s totally fine that you don’t like IPAs.” “Remember when I joked about how your new nose would give your future kids unrealistic expectations about their looks? Yeah, it’s cool to just pretend that never happened.”

“I was definitely lying when I said I liked my ex’s beard.”

“So, what about that orgasm?”

Carolyn Osorio Barrio Logan

The Swap The Freaky Friday body swap experiment was a success! Some notes: Maria’s still mad at you (me?). Too much lab time. Tread lightly.

The dogs are assholes. They look cute, but trust me.

Same with the baby.

If Maria tries to revisit that Maui *thing,* I’d recommend a hard pass.

Mind your diet. Digestive issues. You’re going to be aware of your (my?) gut pretty much constantly. Sorry.

FICTION 101 CONTINUED ON PAGE 20 NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 19

CULTURE | FICTION

FICTION 101 CONTINUED FROM PAGE 19 I know why you volunteered. I know about the affair. I know Simon’s not mine.

One last thing: There’s a body buried in the yard. Prints, DNA, everything. The police are coming. Run.

Scotty Hoopes South Park

Fowl Warning With pupils fluctuating in and out of insanity, she’s delivering a warning.

Alcoholic husband demands a split by fall, but she’s got poultry plans to remind him of. Never forget that this girl’s favorite moment is when she’s slitting the throat of a chicken while crunching claws into asphalt drinking in the spewing blood pouring from fowl life ending.

Crouched on the ledge, heavy aged cleavage exposed, binding her tattered hemline between knocked knees, she’s rigidly rocking through years of trauma; tears well softening an impenetrable glare of psychosis shifting her haunted gaze to meet mine, “You have daddy’s eyes.”

Christina Micklish Neighborhood TK

Mr. Conway’s Lament The night you were born they sent word to Jackie’s Bar. I bought a round of drinks and a couple cheap cigars. I went down to meet you with whiskey on my breath. To hold you in my trembling hands scared me half to death.

Last night at Jackie’s Bar I saw you on TV, telling lies for him like you used to do for me. I could say I raised you better, but I know that that’s not true. I raised you up the way that broken people do.

Any fool could see I’ve failed you. I’m so sorry, Kellyanne.

Steve Denyes Del Mar

Truth or Dare Dare not Truth. That choice is the only reason I now stand in this building’s wreckage. Its lobby, opulent even in decay, contains a carpet of once exceptional quality, the faded color speaking in scarlet flashes of blood against arterial blue.

Its architecture was a time of sirens and intricate plots, razor profiles and stiletto dialogue. Her dare isn’t to scare but to inform; revealing fragments of herself past the pallor and craving for bodily essence.

Immortality must be hard. To watch, alone, everything change in perpetuity. I understand the offer she makes sending

20 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

me here, but I can’t join her.

Trish Rutter North Park

Prisoner The arms of two bodies pressed against each side of her. Squirming to break free but knowing there’s no escape, she remained so still and quiet. Her feet and legs already numb.

The man next to her was lifeless and beginning to stink. She could hear muffled coughs and screams of young coming from rows of victims behind her.

A man above her grunted, chucking a dry, crumbled package of food at her.

Then over the loudspeaker she hears the first sign of relief, “the Captain has turned off the Fasten Seat Belt sign. You may now move around the cabin.”

Paige Nordeen Golden Hill

The Violence of Bullies She struck me again. In the chest; a sternal thump. It is not supposed to hurt and allowed at the AIDS Organization.

Five hits to the chest this time. The pain centered on my chest but the trauma of

mistrust and fear was more powerful.

It took hold of me for the rest of the day. Actually, a lot longer than that day five years ago. That punishment wasn’t enough at that time. After physical trauma, words are just as damaging. “You are stupid, incompetent, no brains to be a nurse.” Thirty years of his AIDS nursing ended with that evaluation.

Steve Wroblewski South Park

Does Bleach Clean Blood?

There he stood, holding my bleeding (still beating) heart casually in his left hand, “You lose something?”

My thoughts jumped to the college student earning minimum wage who would have to scrape and scrub my supplicating streaks of blood off the floor. His day’s work vented into a Twitter rant about the lonely woman whose heart jumped out of her body in a desperate need to be loved. Retweets linking to obituary articles containing my mother’s tears. “She was once a woman of substance,” she’d say.

I plucked my heart from his palm and threw it in the trash.

“Not today.”

Carolyn Osorio Barrio Logan

@SDCITYBEAT

CULTURE | FILM

Mind games

Thelma

Norwegian director Joachim Trier takes a stab at the telekinetic horror genre

by Glenn Heath Jr.

R

aging hormones and passionate mood swings far more life experience and social cachet. The two turn young adults into monsters, sometimes strike up a quick friendship rooted in mutual attracquite literally. They see the world in extreme tion and sexual tension. Romantic undertones are terms, and Norwegian director Joachim Trier finds rooted inside Thelma’s increasingly fragile headsuch volatility fascinating. Instead of sensational- space, which keeps getting rattled and reconstructed izing this perspective, he chooses to make quietly thanks to the narrative ploy of the seizures.

The film slowly divulges more information about tense films about teenagers and college students who bottle up their anxiety through repression and guilt, Thelma’s traumatic backstory as things with Anja get depicting their torturous struggles with surpris- more heated, juxtaposing their queer attraction with ing tenderness. The camera never judges or scolds, the rigid conservative ideologies of her parents. Stress watching as adolescent trials and tribulations fore- between competing influences and emotions leaves Thelma vulnerable to the psychogenetic powers she’s shadow adulthood.

After grappling with the devastating ripples of sui- been suppressing for years, opening the door for Trier cide in his second film, Oslo, August 31st, Trier shifted to go full horror, if only for a few choice moments.

In relation to Trier’s previous work, Thelma lacks focus to good old fashion teenage alienation (among well-drawn subtext for its charother concerns) in his Englishacters. Its politics are spelled out language debut, Louder Than in unrewarding fashion, turning Bombs. With Thelma, he returns THELMA the film into an homage of bethome for a moody genre piece ter work rather than standing that is both more ambitious Directed by Joachim Trier alone as uniquely frightening or and less emotionally resonant Starring Eli Harboe, Kaya Wilkins thought provoking. The ways in than his previous work. Stylisand Henrik Rafaelsen which Thelma chooses to slowly tically, it evokes the omniscient break free from her family’s dread of Philip Kaufman’s InNot Rated puritanical stranglehold offer vasion of the Body Snatchers and some opportunity to explore the incendiary ideological horfemale empowerment outside rors of Brian De Palma’s Carrie.

From Thelma’s opening salvo, Trier gives his six- the norm of classic horror interpretations. One killer year-old heroine (Grethe Eltervåg) an otherworldly, scene involving fire and ice delivers on this promise menacing quality. During a sharp, cold opening se- momentarily, but by that time Trier has already spent quence, she and her doctor father Trond (Henrik Ra- too much time excavating redundant familial and sofaelsen) go hunting in the forest only to come across cial conflicts.

Thelma, opening Friday, Dec. 1, at Angelika Film a deer. Instead of pointing his rifle toward the animal, Trond zeroes in on his daughter’s head. With this jar- Centers in Carmel Mountain, has all the makings of a ring shift, Trier begins to introduce the menacing tone nasty revenge classic. But it’s often inert and repetitive, reveling in formalism rather than expressing the of a story ripe with Sophie’s Choice-like decisions.

Years later, Thelma (now played by Eili Harboe) emotional power of key moments. Trier’s film lacks leaves the rural tundra to attend college in Oslo, the cohesiveness and momentum to make the charmuch to the chagrin of her overly concerned parents. acter’s journey impactful, never solidifying beyond Trier tracks the character like a curious observer, a string of slick ideas. Much like the firing synapses unaffected by her inability to make new friends or in Thelma’s brain, these bursts of genre reinvention properly process the growing sense of confusion start and stop without a clear path forward. These that comes with being alone for the first time. When moments provide a number of intriguing tangents but Thelma experiences debilitating seizures that could no clear guidance on how they inform larger themes strike on a moment’s notice, Trier’s surgically calm about sexual identity and freedom of thought. style hardly flinches.

During one such episode Thelma locks eyes with Film reviews run weekly.

Anja (Kaya Wilkins), a fellow university student with Write to glennh@sdcitybeat.com

@SDCITYBEAT

NOVEMBER 29, 2017· SAN DIEGO CITYBEAT · 21

CULTURE | FILM

Injustice system

I

n Roman J. Israel, Esq., the path toward righteous change does not go through revenge but through protest. Dan Gilroy’s strange and moving Los Angeles-set drama is a character study about internal conflicts rather than external ones, and it bypasses traditional narrative signposts normally associated with legal dramas.

America’s current crisis of conscience gets filtered through the eyes of Denzel Washington’s titular defense attorney, a passionate and stubborn legal savant who has a photographic memory and an activist spirit. For nearly 30 years, Roman has been the workhorse for a firm specializing in civil rights cases, but when his partner suffers a catastrophic heart attack, he’s forced to step out of the shadows and take an active role. This sudden deviation in routine poses a number of challenges for a purist who, for so long, has avoided interaction with the messy real world.

Much of the film deals with his various reactions to extreme life changes. Lacking steady income, Roman must accept an offer to work for a flashy lawyer named George Pierce (Colin Farrell). Here, the taste for wealth and success begins to overwhelm his moral core. The shift in focus drastically surprises local activist Maya Alston (Carmen Ejogo), who has previously found inspiration in Roman’s anti-establishment monologues.

If Gilroy’s previous feature Nightcrawler featured a uniquely indecent human (Jake Gyllenhaal’s salacious news videographer), Roman J. Israel, Esq., currently playing in San Diego theaters, is about a fundamentally good man torn between sacrifice and justification. Washington’s difficult performance runs the gamut of emotions, testing the actor’s range as the complicated process experiences multiple evolutions.

Most nobly, the film respects the life-changing repercussions that come from betraying one’s code.

One person can make a difference inside corrupt justice systems, but they can also do immeasurable harm to themselves and their causes.

—Glenn Heath Jr.

OPENING BPM (Beats Per Minute): In the Cannes’ Grand Prix winner, AIDS activists engage in radical protests in an effort to provide resources for people living with HIV and AIDS-related illnesses.

Opens Friday, Dec. 1, at Digital Gym Cinema in North Park.

22 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

Roman J. Israel, Esq. The Breadwinner: This harrowing animated tale tells the story of Parvana (voice of Saara Chaudry), an 11-year-old girl growing up under the harsh rule of the Taliban in Afghanistan in 2001.

From the creators of The Secrets of Kells. Opens Friday, Dec. 1, at the Landmark Ken Cinema.

Perfect: This comedy dives beyond the sequins and mascara to follow a team of elite athletes that do whatever it takes to make it to the Olympics. Screens at 3 p.m. Saturday, Dec. 2 and Sunday, Dec. 3, at Digital Gym Cinema in North Park.

The Killing of a Sacred Deer: Colin Farrell and Nicole Kidman star as a couple whose family life is turned upside down by a young man harboring resentment over a past transgression.

Opens Friday, Dec. 1, at Digital Gym Cinema in North Park.

Thelma: Joachim Trier’s moody psychological horror film follows a young college student who discovers she has telekinetic powers. Opens Friday, Dec. 1, at Angelika Film Centers—Carmel Mountain.

ONE TIME ONLY Edward Scissorhands: In Tim Burton’s gothic drama, a gentle man who has scissors for hands moves to a suburban community after living in isolation. Screens at 8 p.m. Wednesday, Nov. 29, at The Pearl Hotel in Point Loma.

Logan Lucky: Steven Soderbergh’s southern heist film follows a family of ill-fated misfits who decide to rob the underground vault of a famous racetrack. Screens at 8 p.m. Friday Dec. 1 and Saturday, Dec. 2, at Cinema Under the Stars in Mission Hills.

A Christmas Story: The nostalgic story of a young boy who dreams of getting a famous BB gun for Christmas. Screens at 7:15 p.m. Tuesday, Dec. 5, at Arclight La Jolla Cinemas.

For complete movie listings, visit Film at sdcitybeat.com.

@SDCITYBEAT

ALISON V. SMITH

MUSIC

rue Widow’s music is something of a paradox. The Dallas trio has a well-defined sound and something that’s identifiably their own, but it’s also an incredibly difficult sound to classify by specific or familiar genres. Their songs move slowly, with a heavy dose of thick fuzz effects and a cloak of gothic darkness. It’s mysterious and intoxicating—one can practically smell the ganja smoke when singer/guitarist D.H. Phillips plays his riffs. It’s also not uncommon to see those smoke clouds billowing into the air when the band performs live.

Not coincidentally, the band originally dubbed their sound “stonergaze” (stoner rock plus shoegaze) and since the release of their 2008 self-titled debut album, that singular approach has guided them musically.

Drummer Timothy “Slim TX” Starks says that they originally began playing this way because nobody else was. After four fulllength albums, it’s a sound that True Widow owns.

In fact, if anybody in the band writes something that veers too far off stylistically, they’re likely to scrap it.

“There’s always a bandfirst kind of mentality, in terms of what would become the precedent of the sound or the flow or the record,” he says. “The reason we do that is because it’s something we thought was lacking when we went to the record store and looked for records.

“We’ve taken some hits here and there for not growing as much as other bands grow or changing our sound, but we did this to make music we like, and it still sounds good to us,” he continues. “Maybe there are more bands like this now, but when we started there wasn’t. There’s been tons of stuff that’s been really on the fence and we’ve played with it for months or maybe even a year when we decided that some-

@SDCITYBEAT

thing isn’t right. But just because you come up with a riff doesn’t mean that it’s a True Widow song. It’s not that easy.”

Avvolgere, released in 2016, is as strong a showcase for their singularly spacious and psychedelic rock music as they’ve released.

Much like its predecessor, 2013’s Circumambulation, it’s melodic and accessible, but mired in a strange, effects-laden darkness.

There are no blazing guitar solos, no blast beats, no drum machines or synthesizers— just Phillips, Starks and bassist Nicole Estill further refining their riffs and rhythms.

Avvolgere is, however, their hardest rocking album. Opening track “Back Shredder” finds Phillips letting a bit more loose with his rock ‘n’ roll guitar licks, while “Theurgist” is one of the catchiest songs the band’s ever written, sounding something like Interpol after cranking the overdrive knob to 11. The changes are subtle, but it’s by no means a radical reinvention. That’s by design and Starks says that the band finds a sense of liberation in setting certain limitations on what they can do.

“You see lots of bands that have gone from genre to genre to genre to just expand themselves and not be pigeonholed into any one thing,” he says. “Somehow we’ve managed to keep doing the same thing together and find that freedom and not recreate ourselves with each record. We’ve gotten to play with a lot of cool bands and hold our own with whatever genre of band we’re playing with. When we started out, we didn’t know what kind of music it was, it’s just what we are. As we continue to try new things, the response continued to be positive, so maybe I think we have something that’s going to flow from crowd to crowd.”

One thing that’s been a constant in True Widow’s music is an overwhelming gloom.

That’s in some ways a product of the slow tempos they employ as well as the stark, over-

From left: Nicole Estill, Timothy “Slim TX” Starks and D.H. Phillips driven tone that runs throughout their songs.

And in some ways it’s part of the imagery that creeps into their music or album artwork, like on 2013’s “S:H:S”, which stands for “severed head syndrome.”

As undeniable as True Widow’s sinister aura is, it’s become almost a subconscious element of their music. Starks says that it’s even a little bit at odds with their personalities offstage.

“Everybody’s got that side to ‘em,” he says.

“We are kind of a light-hearted group, believe it or not. There’s a lot of joking around, but a lot more of our dark side comes out in our music. So maybe it’s just an unconscious outlet that we share together. It’s not an uncommon thing for us to hear something similar to that from friends. It’s always kind of something you have to stop and think about: ‘Oh yeah, True Widow is pretty dark.’ Because any of us as individuals is not very dark.”

While a lot about True Widow has re-

mained constant over the years, particularly in terms of their musical approach, their life outside the band has taken up more of their attention. They each have careers outside of music; Phillips is a furniture maker, Estill is a makeup artist and Starks runs a screen printing shop. And Starks says that they don’t socialize as much as they did in the early stages of the band. But while the phone calls might be less frequent or the hangout sessions farther between, True Widow’s members are as tight-knit as they’ve ever been.

“Everybody’s taking on more responsibilities [outside the band] than we had a few years ago. And even though we’re not palling around as we used to, the bond is stronger than ever,” he says. “Everybody’s gone through some heavy ups and downs. The creative stuff just kind of feeds off of that.”

Write to jefft@sdcitybeat.com and follow him on Twitter at @1000TimesJeff

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 23

BY RYAN BRADFORD

MUSIC

NOTES FROM THE SMOKING PATIO

THE SPOTLIGHT SIOBHAN ERIN HUSSEY

LOCALS ONLY

L

orraine Castellanos has announced a special tribute show in which she’ll be performing the music of Elvis Presley. The concert, titled “Lorraine Castellanos Is In the Building,” will take place on Sunday, Dec. 17 at The Casbah. For Castellanos, who is a jazz vocalist, performing the music of a rock ‘n’ roll pioneer is a little bit outside of her typical repertoire. Yet she’s performed the occasional Elvis song at past shows, and she’s wanted to do an entire performance dedicated to his music for about five years.

“It’s been brewing for years,” she says. “I’m a jazz singer, and when I do tributes it’s usually for Sarah Vaughan or Billie Holiday.

But I have a side love for Elvis. My mom would always play the Elvis Christmas album. It was ingrained in my musical inspiration, so I decided it was time to do it.”

Part of the challenge for Castellanos was narrowing down the songs she’d be performing. Elvis had a lot of hits in his lifetime, including holiday songs, some of which will definitely be making the setlist. She also says that, unlike the more traditional jazz shows she does, there will be “fewer long solos.”

“It’s hard to keep it to a one-hour set with all the hits that he did,” she says. “So I’m trying to get a good sampling of his songs, like ‘Suspicious Minds’ and ‘Jailhouse Rock,’ as well as some of the gospel he did. And there’s going to be a few of his Christmas songs as well.”

ALBUM REVIEW The Parker Meridien Fists Like Gotti (Self-released)

T

he hip-hop band isn’t a new phenomenon, but after decades of evolution within the genre, it remains an exotic one. Pioneered early on by Stetsasonic in the ‘80s and adopted to great success by The Roots in the ‘90s, a live band rap sound is often a means to an end rather than an end in itself. Plenty of rappers have performed with a live ensemble here and there, ranging from the sublime (Kendrick Lamar’s “Kunta’s Groove Sessions” tour) to the ridiculous (Lil Wayne’s rock album). But making live musicians into a central part of a hip-hop group isn’t quite as common, so when a group like The Parker Meridien comes along, it’s worth paying attention.

Fronted by Jack King (better known as Parker Edison of Parker and the Numberman), The Parker Meridien also features bassist John Rieder and drummer Nathan Hubbard. The trio’s combination of sounds adds up to something fluid, fun and extremely

24 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

A

Lorraine Castellanos Because she grew up with it, Castellanos has a special fondness for the music of Elvis Presley. There’s a sentimental aspect to the concert, but it also offers her an opportunity to expose a different side of her musical persona to audiences.

“It’s a very personal thing,” she says. “It’s my own personal side project. My biggest inspiration is singers like Sarah Vaughan, but this is just my own fun thing that I need to get out of my system.”

—Jeff Terich

funky. There’s a loose, effortless groove to each of the 10 tracks on their debut album Fists Like Gotti, which sometimes diverts from a conventional hip-hop approach, as on “New River,” which features passages that are more like spoken word.

Fists Like Gotti isn’t a long record, but the trio makes good use of the time they have. Leadoff track “Long Distance Runner” sets the funky stage with an opening chant of “Bounce!” from King, which segues into a singsong lyrical flow. And with “40 Foot Tall,” a catchy sample loop guides the track, showing that The Parker Meridien still employs some of the more traditional tools of hiphop production. It’s just that now they’re just backed by some live musicians who can really bring the funk.

There’s a great deal of diversity in the sounds on Fists Like Gotti, and the trio proves themselves as versatile as they are virtuosic. Everything grooves, certainly, but not always in the same way. For instance, “No Sequels” is more laid-back and soulful than the manic psych-funk of “40 Foot Tall,” and even features a vocal appearance from Rebecca Jade. And the shrieking samples of “Silent” prove the band’s not afraid to make some noise. This 35-minute album is just the beginning, but Parker Meridien are already doing their part to make the local scene a lot funkier.

—Jeff Terich

Mike Ness

t CityBeat, we try to keep an open mind about music. However, there are a handful of awful bands that are so pervasive in San Diego that they’ll remain popular no matter how much ink we dedicate to trashing them. Red Hot Chili Peppers, Sublime and 311 are the usual suspects, but at this point, it’s a Sisyphean act of futility trying to convince a Pepperhead that their favorite band is garbage.

Social Distortion’s (or “Social D”) Southern Californian ubiquity is not as offensive as any of the bands listed above, but still: Why is that band so popular in San Diego? When I turn on the radio and hear their derivative punk-rock and frontman Mike Ness barking about prison or hating 7-11s or some shit, it’s not so much anger I feel—just disappointment.

What’s the appeal? I’m not saying there’s not a place for meat-and-potatoes rock, but Social D are just way too boring to be considered great.

That said, Ness’ penchant for giving props to his influences is endearing (just listen to his solo material to witness his Johnny Cash/Merle Haggard fandom), and this night’s show features him fronting an all-star cast (including Blondie’s Clem Burke, Sex Pistols’ Glen Matlock and original Heartbreaker Walter Lure) performing Johnny Thunders and The Heartbreakers’ classic rock album, L.A.M.F. in its entirety. Ness may not be the most original musician, but as a rock historian, he’s ace.

Mike Ness and guests perform L.A.M.F. on Sunday, December 3 at Belly Up Tavern.

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@SDCityBeat

november 29, 2017 · San Diego CityBeat · 25

MUSIC

JEFF TERICH

IF I WERE U A music insider’s weekly agenda WEDNESDAY, NOV. 29

PLAN A: Chasms, Odonis Odonis, Houses of Heaven @ Soda Bar. Earlier this month I profiled the dark Canadian synth-pop band Odonis Odonis, who are playing this showcase of felte Records bands. Headliners Chasms are also worth checking out, with their haunting, gothic dirges. PLAN B: The Pack A.D., Gloomsday, The Slashes @ The Casbah. The Pack A.D. are a rock ‘n’ roll band with lots of fuzz and swagger to spare. The opening bands, Gloomsday and The Slashes, are a couple of local favorites, so don’t be unfashionably late to this one.

BACKUP PLAN: Trophy Eyes, Free Throw, Greyscale, Head North @ The Irenic.

THURSDAY, NOV. 30

PLAN A: True Widow, SRSQ @ Soda Bar. Read my feature this week on Dallas doombringers True Widow, who don’t easily fit into any specific genre. That’s part of what makes them so interesting— they’re dark and heavy, and somehow dreamy all at once. They’re one of a kind. PLAN B: Creepseed, Dream Burglar, DJ Mike Turi @ The Casbah. For more rock with a twinge of darkness, this showcase of local bands is a good option. Generally speaking, loud guitars are always a pretty good option.

they keep on getting better. Their new album Godless Prophets & The Migrant Flora slays.

BACKUP PLAN: Blitzen Trapper, Lily Hiatt @ The Casbah.

SUNDAY, DEC. 3

PLAN A: Miya Folick, Vox @ SPACE. Miya Folick has two sides to her sound. About half the time she’s a dreamy balladeer that creates a hypnotic ambience. The other half of the time she’s a reverbed-out punk rocker with lots of distortion and attitude. Both sides are awesome. PLAN B: ‘Kate Bush Dance Party’ w/ Natasha Kozaily, Shelbi Bennett, Dani Bell @ The Casbah. As much as I’m exhausted by covers shows, covering Kate Bush is ambitious, to say the least. A bunch of local artists are going for the gusto, so being a fan of Kate, myself, I give this my endorsement. BACKUP PLAN: ‘L.A.M.F.’ w/ Mike Ness, Clem Burke, Walter Lure, Glen Matlock @ Belly Up Tavern.

MAYA FUHR

FRIDAY, DEC. 1

PLAN A: ‘Talk Talk’ w/ Rob Crow, Shades McCool, Dr. Brown, Ash Eliza Smith @ A SHIP IN THE WOODS. A SHIP IN THE WOODS is putting together an unconventional performance of sorts with a fictional talk show called Talk Talk, which includes live sets from some excellent local artists.

Find out more in this week’s Short List.

PLAN B: The Heavy Guilt, Trouble in the Wind, Soft Lions @ Soda Bar. On the subject of excellent local artists, here are three more, including The Heavy Guilt, who just released a politically charged new album.

BACKUP PLAN: Fallujah, Eukaryst, Raise the Guns, Monarch @ Brick by Brick.

SATURDAY, DEC. 2

PLAN A: SYD, Buddy, Malia, DJ Osh Kosh @ Observatory North Park. Syd the Kid launched her career with the Odd Future collective, as well as her band The Internet, but she’s since carved out an impressive solo career. Her new album Fin is a gorgeous, richly produced R&B LP that shouldn’t be overlooked. PLAN B: Darkest Hour, Warbringer, Exmortus, Festering Grave, Malison @ Brick by Brick. Darkest Hour have been hammering out intense, yet melodic hardcore and death metal for 20 years, but somehow

26 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

Miya Folick

MONDAY, DEC. 4

PLAN A: Dag Nasty, Fireburn, Distant Reds @ Soda Bar. Dag Nasty are punk legends. Beyond having some classic oldschool records in their catalog, however, they’re credited with being one of the pioneers of emo. So rage in the pit while getting in touch with your feelings.

TUESDAY, DEC. 5

PLAN A: Naomi Punk, Underpass @ SPACE. Naomi Punk are sort of a hard band to describe. “Punk” is part of their name, so that tells part of the story, but the band’s noisy garage rock songs aren’t constructed with straightforward melodies. They’re weird, mutant jams that rock, even if they don’t always make sense. PLAN B: Murs, Parker Meridien, DJ Artistic @ The Casbah. Murs has been a staple of underground hip-hop for a couple decades and has his share of jams.

Make sure to get there early for Parker Meridien, the new band fronted by local emcee Jack King, AKA Parker Edison.

@SDCITYBEAT

MUSIC

CONCERTS HOT! NEW! FRESH!

‘Exile on Kettner Blvd.’ (Casbah, 12/24), A.J. Croce (BUT, 1/3), Black Sabbitch (Soda Bar, 1/5), Karl Denson’s Tiny Universe (BUT, 1/12), Big Boi (Observatory, 1/18), Fetty Wap (HOB, 2/3), Kathryn Cloward (BUT, 2/6), ‘Awesome Fest 11’ (various venues, 2/16-18), Billy Eilish (Music Box, 3/10).

GET YER TICKETS Prophets of Rage (Observatory, 12/7), Pere Ubu (Soda Bar, 12/8), Pig Destroyer (Brick by Brick, 12/8), Jamila Woods (Soda Bar, 12/9), The Slackers (Casbah, 12/12), Chris Isaak (BUT, 12/1213), METZ (Casbah, 12/13), The Album Leaf (Casbah, 12/15), Julien Baker (Irenic, 12/15), Cake (Observatory, 12/16), Jay-Z (Viejas Arena, 12/19), X (Observatory, 12/22), Ozomatli (Music Box, 12/2223), The English Beat (BUT, 12/22-23), Cracker, Camper Van Beethoven (BUT, 12/27), Cherry Glazerr (Observatory, 12/27), Donavon Frankenreiter (BUT, 12/28), Trombone Shorty & Orleans Avenue (BUT, 12/29-30), Third Eye Blind (Observatory, 1/1), T.S.O.L. (Casbah, 1/4), DJ Quik, Warren G (Observatory, 1/5), Willie Nelson (Harrah’s Resort, 1/6), Milky Chance (HOB, 1/8), K. Flay (Observatory, 1/13), Luna (Casbah, 1/14), Black Rebel Motorcycle Club (HOB, 1/15), Kris Kristofferson (BUT, 1/15), Josh Ritter (BUT, 1/16), Beat Farmers Hootenanny (BUT, 1/20), Wolf Parade (Observatory,

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1/23), Converge (Brick by Brick, 1/27), St. Vincent (Observatory, 1/27), Reverend Horton Heat (Observatory, 1/28), DVSN (Observatory, 1/29), Killswitch Engage, Anthrax (HOB, 2/13), Miranda Lambert (Viejas Arena, 2/15), Mary Timony plays Helium (Casbah, 2/15), Dan Auerbach (Observatory, 2/19), Superchunk (Casbah, 2/21), Demi Lovato, DJ Khaled (Viejas Arena, 2/26), Margo Price (BUT, 3/3), 311 (HOB, 3/5), Orchestral Manoeuvres in the Dark (HOB, 3/31), Los Lonely Boys (BUT, 4/22), Art Garfunkel (Balboa Theatre, 4/27), Baths (BUT, 5/3), Keb’ Mo’ (BUT, 5/6-7), Weird Al Yankovic (Humphreys, 5/12), Franz Ferdinand (Observatory, 5/13), Nada Surf (BUT, 5/14), Madeleine Peyroux (BUT, 5/28), Weezer, The Pixies (Mattress Firm Amphitheatre, 8/11).

NOVEMBER WEDNESDAY, NOV. 29 The Pack A.D. at The Casbah. Trophy Eyes at The Irenic. Chasms at Soda Bar. Tim Minchin at Balboa Theatre. Wish and the Well at Belly Up Tavern.

THURSDAY, NOV. 30 True Widow at Soda Bar. Collie Buddz at Observatory North Park. Creepseed at The Casbah. Mario Aguilar at House of Blues.

DECEMBER FRIDAY, DEC. 1 Fallujah at Brick by Brick. The Heavy Guilt at Soda Bar. XXYYXX at Observatory North Park.

SATURDAY, DEC. 2 Sports at Soda Bar. Syd at Observa-

tory North Park. Darkest Hour at Brick

by Brick. Blitzen Trapper at The Casbah.

SUNDAY, DEC. 3 L.A.M.F. at Belly Up Tavern.

MONDAY, DEC. 4 Wheeler Walker Jr. at Observatory North Park. Dag Nasty at Soda Bar. Jewel at Civic Theatre.

TUESDAY, DEC. 5 Murs at The Casbah. Nicole Atkins at Soda Bar. Angus and Julia Stone at Observatory North Park (sold out). ‘Rob Machado Foundation Benefit’ w/ Nahko, Jon Foreman, Lukas Nelson at Belly Up Tavern. In Hearts Wake at SOMA.

WEDNESDAY, DEC. 6 Jonny Lang at Belly Up Tavern (sold out). Dance Gavin Dance at Observatory North Park. Dru Hill at House of Blues.

Aaron Gillespie at House of Blues.

THURSDAY, DEC. 7 Tim Barry at The Casbah. Prophets of Rage, P.O.D. at Observatory North Park.

AJJ at The Irenic. Whitechapel at Brick

by Brick.

FRIDAY, DEC. 8 Pig Destroyer at Brick by Brick. Pere Ubu at Soda Bar. Slow Magic at Observatory North Park. Chris Robinson Brotherhood at House of Blues. Bob Saget at Harrah’s Resort SoCal.

SATURDAY, DEC. 9 Phoenix at Observatory North Park (sold out). Adolescents at The Casbah.

Slothrust at SPACE. Jamila Woods at Soda Bar. Cut Chemist at Music Box.

SUNDAY, DEC. 10 Death Eyes at The Casbah. Agnostic Front at Soda Bar. Hollywood Undead at House of Blues. The Grouch, Del the Funky Homosapien at Music Box. Run the Jewels at Observatory North Park.

MONDAY, DEC. 11 Pat Travers Band at Belly Up Tavern.

Carol Burnett at Copley Symphony Hall.

TUESDAY, DEC. 12 The Slackers at The Casbah. The Wrecks at House of Blues. Chris Isaak at Belly Up Tavern.

WEDNESDAY, DEC. 13 Chris Isaak at Belly Up Tavern. METZ at The Casbah. Wayne Hancock at Soda Bar. Natalia Jimenez at House of Blues.

Night Drive at SPACE. Vista Kicks at House of Blues.

THURSDAY, DEC. 14 DJ Earl at SPACE. Dave Koz at Balboa Theatre. Rezz at Observatory North Park.

Skating Polly at Soda Bar. Everlast at Music Box.

FRIDAY, DEC. 15 The Album Leaf at The Casbah. Pato Banton at Belly Up Tavern. Cake at Observatory North Park (sold out). Hundredth, Spotlights at Soda Bar. Julien Baker at The Irenic. Johnny Mathis at Copley Symphony Hall. Buckethead at Music Box.

MUSIC CONTINUED ON PAGE 28

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 27

MUSIC MUSIC CONTINUED FROM PAGE 27 SATURDAY, DEC. 16 Moving Units at The Casbah. Cake at Observatory North Park (sold out). Pierce Fulton at Soda Bar.

SUNDAY, DEC. 17 Lorraine Castellanos at The Casbah.

‘Country Christmas’ w/ Sam Outlaw at Belly Up Tavern. Jhene Aiko at Observatory North Park (sold out). Adema at House of Blues. Anuhea at Music Box. The Nervous Wreckords at Soda Bar. Dianne Reeves at Balboa Theatre.

MONDAY, DEC. 18 Jhene Aiko at Observatory North Park.

Martin and the Big Nativity Scene at The Casbah.

TUESDAY, DEC. 19 Jay-Z at Viejas Arena. Kehlani at Observatory North Park (sold out). Ottopilot at Belly Up Tavern. Danielle Alexa at Soda Bar.

WEDNESDAY, DEC. 20 Homeshake at Observatory North Park.

Ziggy Shuffledust and the Spiders from Mars at The Casbah.

THURSDAY, DEC. 21 Supersuckers at The Casbah. Bone Thugs-N-Harmony at Observatory North Park. Fishbone at Belly Up Tavern.

FRIDAY, DEC. 22 L.A. Witch at The Casbah. Green Jelly at Brick by Brick. X at Observatory North

Park. The English Beat at Belly Up Tavern. Ozomatli at Music Box. Vvswiz at SOMA.

SATURDAY, DEC. 23 The Gloomies, Hideout at Soda Bar. The English Beat at Belly Up Tavern. Ozomatli at Music Box. El Vez Merry Mexmas at The Casbah. Lil Pump at SOMA.

SUNDAY, DEC. 24 ‘Exile on Kettner Blvd.’ at The Casbah.

TUESDAY, DEC. 26 Velour at Soda Bar.

WEDNESDAY, DEC. 27 Cracker, Camper Van Beethoven at Belly Up Tavern. Cherry Glazerr at Observatory North Park. A Shattered Hope at Soda Bar.

THURSDAY, DEC. 28 The Dinettes at The Casbah. Donavon Frankenreiter at Belly Up Tavern. Electric Mud at Soda Bar.

FRIDAY, DEC. 29 Zhu at Observatory North Park. The Mattson 2 at The Casbah. Trombone Shorty & Orleans Avenue at Belly Up Tavern (sold out). The Steely Damned at Music Box. Chris D’Elia at House of Blues. Behind the Wagon at Soda Bar.

SATURDAY, DEC. 30 Mac Sabbath, Dwarves at Brick by Brick. Chicano Batman at Observatory North Park. Trombone Shorty & Orleans Avenue at Belly Up Tavern (sold

28 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

out). The Mattson 2 at The Casbah. E-40 at Music Box. Chris D’Elia at House of Blues. Downspell at Soda Bar.

SUNDAY, DEC. 31 The Creepy Creeps at Soda Bar. The Donkeys at The Casbah. Little Hurricane at Music Box. Big Head Todd and the Monsters at Belly Up Tavern. Alkaline Trio, Rocket from the Crypt at Observatory North Park.

JANUARY MONDAY, JAN. 1 Third Eye Blind at Observatory North Park.

WEDNESDAY, JAN. 3 Monarch at The Casbah. A.J. Croce at Belly Up Tavern.

THURSDAY, JAN. 4 T.S.O.L. at The Casbah.

FRIDAY, JAN. 5 DJ Quik, Warren G at Observatory North Park. Alice Unchained at Music Box. Black Sabbitch at Soda Bar.

SATURDAY, JAN. 6 Willie Nelson at Harrah’s Resort. Sweet and Tender Hooligans at Observatory North Park. Petty – A Tribute to Tom Petty at The Casbah. The Winehouse Experience at Music Box. The Stranger at Belly Up Tavern.

SUNDAY, JAN. 7 The Paladins at Belly Up Tavern.

MONDAY, JAN. 8 Milky Chance at House of Blues.

TUESDAY, JAN. 9 Suzanne Santo at The Casbah. David Lindley at Belly Up Tavern. Naivete at Soda Bar.

rCLUBSr

710 Beach Club, 710 Garnet Ave., Pacific Beach. Fri: SoCal Vibes, Strictly Skunk.

Sat: Electric Mud, Lads Holiday, Electric Church. Tue: Aveona.

American Comedy Co., 818 B Sixth Ave., Downtown. Thu: Robert Kelly. Fri: Robert Kelly. Sat: Robert Kelly.

The Bancroft, 9143 Campo Road, Spring Valley. Wed: Disney Karaoke. Thu: Mark ‘Porkchop’ Holder and MPH. Fri: TOSO, Melvus. Sat: Till I Fall.

Bar Pink, 3829 30th St., North Park. Wed: ‘Strangers in a Fire Art Show’ w/ DJs Brandy Bell, Mitch Wilson. Thu: Chihana, Andrew McKeag Band. Sun: ‘Bar Pink Prom’ w/ DJ Ratty.

Bang Bang, 526 Market St., Downtown.

Fri: Tensnake, Boys Don’t Disco. Sat: Maya Jane Coles, Lauren Flax.

Belly Up Tavern, 143 S. Cedros Ave., Solana Beach. Wed: Wish and the Well, Shane Shipley, Coby Lee Brooks. Fri: Queen Nation, The Who Generation. Sat: No Duh, Fooz Fighters, Pearl Jammed.

Sun: ‘L.A.M.F.’ w/ Mike Ness, Walter Lure, Glen Matlock, Clem Burke. Tue: ‘Rob Machado Foundation Benefit’ w/ Nahko, Jon Foreman, Lukas Nelson.

Blonde, 1808 W. Washington St., Mission

Hills. Wed: ‘Dance Klassique’ w/ DJs Joe P, Lil Ryan, Gomez. Thu: ‘The Smiths vs.

The Cure vs. Joy Division: Live Tribute’.

Fri: ‘Dance From Above’. Sat: ‘Stay Bad’.

Sun: ‘70s Disco Dance Party’. Mon: Pipe Dreams, Low Points. Tue: ‘T is 4 Techno’.

Boar Cross’n, 390 Grand Ave., Carlsbad.

Thu: Bad Moon Born. Fri: ‘Club Musae’.

Brick by Brick, 1130 Buenos Ave., Bay Park. Fri: Fallujah, Eukaryst, Raise the Guns, Monarch. Sat: Darkest Hour, Warbringer, Exmortus, Festering Grave, Malison.

The Casbah, 2501 Kettner Blvd., Middletown. Wed: The Pack A.D., Gloomsday, The Slashes. Thu: Creepseed, Dream Burglar, DJ Mike Turi. Fri: The Shelters, The Tracks. Sat: Blitzen Trapper, Lilly Hiatt. Sun: ‘Kate Bush Dance Party’ w/ Baby Bushka. Mon: Jake Clemons, True Stories. Tue: Murs, Parker Meridien, DJ Artistic.

Dirk’s Nightclub, 7662 Broadway, Lemon Grove. Fri: Emergency Exit. Sat: JX3.

Dizzy’s, 4275 Mission Bay Drive, Downtown. Sat: Irving Flores Quintet with Christopher Hollyday.

The Field Irish Pub, 544 Fifth Ave., Downtown. Wed: Gary Flick. Thu: TJ Hooker.

Fri: Clint Westwood. Sat: The Fooks.

Sun: Joseph Carroll. Mon: Clint Westwood. Tue: Chris Del Priore.

Fluxx, 500 Fourth Ave., Downtown. Fri: Deejay Al. Sat: DJ Bad. Henry’s Pub, 618 Fifth Ave., Downtown.

Wed: Ride the Mule. Thu: DJ Yodah. Fri: ‘Good Times’. Sat: ‘Rock Star Saturday’.

Tue: Taco-Billy.

The Holding Company, 5046 Newport Ave., Ocean Beach. Wed: Belt-

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MUSIC TODD WESTPHAL

ing for Nosh, Lord Knows I’m Drinking, Shakedown String Band, Levi Dean & The Americats, Karina Frost and the Bandovoons. Thu: Janelle Phillips, Bum Lucky. Fri: Quel Bordel, Ofier. Sat: Quel Bordel, Ofier, DJ Man Cat. Sun: Ace’s Open Jam.

lanos. Sat: Allison Adams Tucker. Mon: Julio de la Huerta.

Proud Mary’s, 5550 Kearny Mesa Road, Kearny Mesa. Wed: Benji. Thu: Tomcat Courtney.

The Rail, 3796 Fifth Ave., Hillcrest. Fri: ‘Function’. Sat: ‘Sabado En Fuego’. Mon: ‘Manic Monday’ w/ DJ Junior the Disco Punk.

Hooley’s, 5500 Grossmont Center Drive, La Mesa. Fri: Tony Cummins. Sat: The Heart Band.

Rich’s, 1051 University Ave., Hillcrest.

Wed: DJs Kiki, Kinky Loops. Thu: DJ KSwift. Fri: DJs Dirty Kurty, Will Z. Sat: DJs K-Swift, Taj. Sun: DJs Cros, Bryn Taylor.

House of Blues, 1055 Fifth Ave., Downtown. Thu: Mario Aguilar. Fri: Pale Waves, Candescents. Tue: The Used.

Humphreys Backstage, 2241 Shelter Island Drive, Shelter Island. Wed: Tradewinds. Thu: Rosy Dawn. Fri: Funks Most Wanted, Backwater Blues. Sat: Masterpiece, Michele Lundeen. Sun: The Terribles, Jason Brown. Mon: Blue Largo.

Tue: Missy Andersen.

The Irenic, 3090 Polk Ave., North Park.

Wed: Trophy Eyes, Free Throw, Grayscale, Head North.

Kava Lounge, 2812 Kettner Blvd., Middletown. Wed: ‘Chomp Chomp: A Shark’s Tale’. Thu: ‘Always In Our Hearts’. Sat: ‘Ascension’ w/ DJs Robin Roth, AerocAtone, Baron. Sun: ‘Hip Hop Bustin Over Percussion’.

Lestat’s Coffee House, 3343 Adams Ave., Normal Heights. Fri: Kalamity Wayne and the City Slickers, Savannah King. Sat: Natural Disaster, We Are One, Piatt Pund.

Sun: TFDI. Loft @ UCSD, Price Center East, La Jolla.

Fri: Feufollet. Sat: New Kids on the Walk.

Riviera Supper Club, 7777 University Ave., La Mesa. Wed: ‘Boss Jazz’ w/ Jason Hanna. Thu: Brennan Orndorff. Fri: Vinyl Pirates. Sat: Baja Bugs.

Run the Jewels plays Observatory North Park on Dec. 10 Courtney Act. Fri: Janice and Nathan.

Sat: Tori Roze and the Hot Mess. Sun: Ria Carey and Don L. Tue: ‘A Gay in the Manger’ w/ Jackie Beat.

The Merrow, 1271 University Ave., Hillcrest. Wed: Murkocet, A Lost Asylum, Ghost Town Gamblers. Thu: Santa Barbara, THEA, Ned and the Dirty, Heidi and the Almightys. Fri: Weltesser, Body Void, Deep Sea Thunder Beast, Nebula Drag.

Sat: ‘Bear Night’. Sun: ‘The Playground’ w/ DJ Heather Hardcore.

Mc P’s Irish Pub, 1107 Orange Ave., Coronado. Wed: BAT. Thu: BAT.

Mr. Peabody’s, 136 Encinitas Blvd., Encinitas. Thu: Steelhorse Country. Fri: Grey Illusion. Sat: PRI, Los 3 Sapos. Sun: Tony Ortega jazz jam.

Martinis Above Fourth, 3940 Fourth Ave., Hillcrest. Wed: ‘Lump of Coal’ w/ Courtney Act. Thu: ‘Lump of Coal’ w/

Music Box, 1337 India St., Little Italy.

Wed: Rio Roma. Thu: Fuerza de Tijuana, Jesus Mendoza, Angel Mojica. Fri: Colour

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Vision, OREN, DJ Susan.

The Office, 3936 30th St., North Park.

Wed: ‘1,2,3’ w/ DJ EdRoc. Thu: ‘No Limits’ w/ DJ Myson King. Fri: ‘Nite Moves’ w/ DJs Adam Salter, Shadowman. Sat: ‘Strictly Business’ w/ DJs EdRoc, Kanye Asada. Sun: ‘Uptown Top Ranking’. Tue: ‘True Bass’ w/ DJs Ramsey, Byrd.

OMNIA Nightclub, 454 Sixth Ave., Downtown. Thu: Craig Smoove. Fri: Elephante.

Sat: Lima.

Panama 66, 1450 El Prado, Balboa Park.

Wed: Gilbert Castellanos. Thu: Lorraine Castellanos.

Parq, 615 Broadway, Downtown. Fri: Ikon. Sat: Crooked.

Plaza Bar at Westgate Hotel, 1055 Second Ave., Downtown. Fri: Gilbert Castel-

Seven Grand, 3054 University Ave., San Diego. Wed: Miss Erika Davies and the Men. Thu: Jimmy Ruelas. Fri: Cassandra Jenkins. Sat: Jimmy Ruelas. Mon: ‘Makossa Monday’ w/ DJ Tah Rei. Tue: The Gabriel Sundy Jazz Trio.

Soda Bar, 3615 El Cajon Blvd., City Heights. Wed: Chasms, Odonis Odonis, Houses of Heaven. Thu: True Widow, SRSQ. Fri: The Heavy Guilt, Trouble in the Wind, Soft Lions. Sat: Sports, Softglas, Cehryl. Mon: Dag Nasty, Fireburn, Distant Beds, Let Rage. Tue: Nicole Atkins, Lauren Ruth Ward, Thayer Sarrano.

SOMA, 3350 Sports Arena Blvd., Midway.

Fri: Hard to Hit, Nights Like Thieves, Bad Kids, Headstone, Misadventure. Sat: SLNCR, Dead Souls, Refuse, Fredizd3ad, Legions, Jonnie Darko, Occipitalflowz. Tue: In Hearts Wake, Fit for a King, Like Moths to Flames, Phineas, Blackcast.

SPACE, 3519 El Cajon Blvd., City Heights.

Wed: ‘Cemetery Lipstick’. Thu: ‘Abysmal Descent’ w/ DJs Disorder, Deadmatter, Is-

rael. Fri: ‘Hide and Go Freak’ w/ JR Jarris.

Sat: ‘Rituals’. Sun: Miya Folick, Vox. Tue: Naomi Punk, Underpass.

Spin, 2028 Hancock St., Midtown. Fri: ‘R.A.D.’ Sat: Claude VonStroke.

Sycamore Den, 3391 Adams Ave., Normal Heights. Thu: Burlesque Boogie Nights.

Til-Two Club, 4746 El Cajon Blvd., City Heights. Thu: North by North, Melvus, Soul Sweetener. Fri: New Crimes, Se Vende, The Waste Aways, War Fever. Sat: Defecrator, Impure Consecration, Icon of Phobos. Sun: Pants Karaoke.

Tin Roof, 401 G St., Downtown. Wed: Kenny and Deez. Thu: Keep Your Soul.

Fri: Calphonics, Mitch Clark. Sat: Cassie B Band, Mitch Clark. Sun: Evan Diamond Goldberg. Tue: Mitch Clark.

Tio Leo’s, 5302 Napa St., Bay Park. Thu: Rockin’ Aces. Fri: ‘Graceland’ w/ Will Hamburger. Sat: Full Strength Funk Band.

Tue: Sue Palmer.

Tower Bar, 4757 University Ave., City Heights. Thu: Iguanadon, The Fiends.

Sat: Decent Criminal, Squarecrow, Allweather.

U-31, 3112 University Ave., North Park.

Wed: Joey Jimenez. Thu: ‘Boom Boxx Thursday’. Fri: Kid Wonder. Sat: DJ Qenoe. Tue: ’31 Flavors’.

Whistle Stop, 2236 Fern St., South Park.

Wed: Riff City Comedy. Sat: ‘80s vs. 90s’ w/ DJs Gabe Vega, Saul Q. Tue: ‘Videodrome’.

Winstons, 1921 Bacon St., Ocean Beach.

Wed: Irieality, DJ Carlos Culture. Thu: ‘OB Hip-Hop Social’ w/ Atlantis Rizing. Fri: FLOBOTS, Bang Data. Sat: Polyrhythmics, Elise Truow. Mon: Electric Waste Band. Tue: Lucy Morningstar.

NOVEMBER 29, 2017 · SAN DIEGO CITYBEAT · 29

LAST WORDS

CHRISTIN BAILEY

ASTROLOGICALLY

UNSOUND

Semi-weekly forecasts from the so-called universe ARIES (March 21 - April 19): This week, directing your thoughts may be difficult.

To resist getting distrac— FOR THE BEST INSURANCE RATES ONLI—okay, I’m talking here. Practice medita—NE GO TO THE GENE— TAURUS (April 20 - May 20): I don’t know what to say to you Tauri. I give you good advice from the stars every week and you refuse to listen. Fine! Suit yourselves.

You’re on your own.

GEMINI (May 21 - June 20): You have been lying for years about seeing the hidden image in Magic Eye puzzles

and one day it’s gonna catch up to you. This week, however, you’ll get away with it.

CANCER (June 21 - July 22): An “elevator pitch” is defined as a “succinct and persuasive speech” but it can be as long as you want if you hit the red emergency button. (Legal disclaimer: This is kidnapping.)

LEO (July 23 - August 22): Oh great, you’ve done it again, haven’t you? You really made a mess of things this time.

Accidentally dismantled the entire United States government on just some random Wednesday.

30 · SAN DIEGO CITYBEAT · NOVEMBER 29, 2017

VIRGO (August 23 - September 22): Take some time this week to appreciate things you take for granted: life, moments of joy, and that the enchanted urn holding the spirit of the person whose body you’re inhabiting hasn’t cracked.

LIBRA (September 23 - October 22): This week you will be primed to confront the great questions of life: What happens after death? What is love? What would I do if a dog came up to me and asked, “you got the time?”

SCORPIO (October 23 - November 21): It’s important to have a sense of humor about yourself but, more importantly, to demand so much respect at IHOP that no one will laugh at you for getting scared by the clown pancake.

SAGITTARIUS (November 22 - December 21): Did you know if you go in and give a bank teller a note that says, “give me $1,000 because I’m robbing

you” then their policy is just to do it?

Well, in case you get bored…

CAPRICORN (December 22 - January 19): Isn’t it ironic that wearing your ghillie suit camouflages you in the marshlands, but makes everyone go “who’s that guy?” at the drugstore?

I don’t know. What’s irony again?

AQUARIUS (January 20 - February 18): Life is a series of small decisions that each irrevocably alter our paths.

This week, a seemingly inconsequential choice you make will be the difference between life and death— hope you choose the right one!

PISCES (February 19 - March 20): This week, paint your bedroom walls blue and play an underwater bubbling sound effect and pretend you live in an aquarium. Next week, pretend you like painting your walls white again.

Astrologically Unsound appears every other week. Follow Christin Bailey on Twitter at @hexprax.

@SDCITYBEAT

@SDCityBeat

november 29, 2017 · San Diego CityBeat · 31