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ER L L e A G sid E n DG e i I BR ogu 1 OW atal R T c Bridge for Design July 2015
LONDON|PARIS|NEWYORK|C
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Bridge for Design July 2015
L ON D ON PARIS N EW Y ORK MIL AN L OS AN GEL ES BERL IN VERON A TORON TO MOSCOW MAD RID CH ICAGO H ON G K ON G SY D N EY D UBAI SIN GAP ORE ISTAN BUL SH AN GH AI
C H I C A G O | L O S A N G E L E S | M I L A N | H O N G K O N G | S I N G A P O R EL AS | WVEGAS ORLDWIDE Z URICH WORL D WID E
CHELSEA HARBOUR DESIGN CENTRE THIRD FLOOR - SOUTH DOME LONDON SW10 OXE 020 3397 2410 UK@CHRISTOPHERGUY.COM
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COLECCION 4
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www.coleccionalexandra.co.uk 01904 677 063
Bridge for Design July 2015
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Bridge for Design July 2015
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DEDON collections available at Leisure Plan www.leisureplan.co.uk Bridge for Design July 2015
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www.dedon.de
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Bridge for Design July 2015
A Lifetime’s Dream. Imagine moving into a stunning new home, designed to your every specification and aspiration. And furthermore, in a beautiful setting that’s exactly where you want to live. A lifetime’s dream built for you by a highly reputable and award-winning company with a long established record for building some of the country’s finest homes.
To find out how you can start living your dream, call John Pope on 020 8481 7500 or email him on johnp@octagon.co.uk www.octagonbespoke.co.uk
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modern originals
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Bridge for Design July 2015
VILLIERS villiers.co.uk
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Bridge for Design July 2015
INTRODUCING YOUR NEW LITTLE BLACK BOOK
Access The World’s Finest Products Complimentary Sourcing Exclusive Trade Pricing Bespoke Commissions Effortless Logistics
www.luxdeco.com/trade
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Bridge for Design July 2015
NATURAL
SELECTION
Stone undergoes a natural metamorphosis few can comprehend. No mortal can control it but by understanding its inner beauty, Lapicida can transform stone into surfaces and objects that defy convention. THE FINEST NATURAL STONE SURFACES AND OBJECTS
LONDON . NEW YORK . HARROGATE (HQ) . OSLO LAPICIDA.COM . +44 (0)800 012 2220
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E X C L U S I V E LY D E S I G N E D B Y C H A L O N
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AWARD WINNING HANDCRAFTED KITCHENS
“This is my dream kitchen. The whole process from start to finish was great fun, with the team at Chalon providing their expert advice on design and colour. It works brilliantly as a family kitchen right at the heart of our home, and is the perfect place for me to bake and to work – whether for entertaining, recipe development or baking classes.”
M IRANDA GO R E B ROW NE
Author & Finalist on The Great British Bake Off
CH A LON L ON E S T .
1 9 7 8
www.chalon.com | +44 (0)800 160 1978 Bridge for Design July 2015
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CONTENTS
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26
Design News The latest from the world of interior design
34 36
Books Our selection of great reads
40
Design Trends Saffron Hare tells us how they have fallen in love with colour again
42
Rugs Are an easy way to update a room, look at our selection
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Tendence The international consumer goods fair
46
Outdoors Some great and inspirational ideas for those outside rooms
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Kitchens This month Johnny Grey tells us everything about new sociable kitchens
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Bathrooms The latest design from Keir and Irina Townsend, Crosswater and more
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Inspired by Paula Caravelli A New York City apartment has a distinctly continental flair
66
Inspired by Darryl Carter The designer’s rustic-meets-refined retreat is the perfect place to relax
Fabrics The latest collection from Fameed Khalique, Fermoie and more
The brand new monthly digital issue of BRIDGE FOR DESIGN is online for you to read or download for free Make sure you have BRIDGE FOR DESIGN digital delivered straight to your inbox each month by registering here:
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+44 (0)20 7493 4444
PUBLISHER
Martin Trowbridge Martin@bridgefordesign.com
EDITOR
Rob Cork
Rob@bridgefordesign.com
Wigmore Street W1 · Harrods SW1 · King’s Road SW10
EDITOR’S ASSISTANT
Kelly Davies Kelly.D@bridgefordesign.com
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ADVERTISING ADVERTISEMENT DIRECTOR
UK ADVERTISING US ADVERTISING
Vivien Brockwell +44 (0)173 246 1090 +44 (0)786 754 7712 Vivien@bridgefordesign.com Simon Hemsley +44 (0)791 937 5159 Simon@bridgefordesign.com Shelba Cornelison 001 336 869 2528 Shelba@bridgefordesign.com
From £7,500 to £125,000
CONTRIBUTORS JOHNNY GREY RICHARD McLANE SAFFRON HARE THE INTERIOR ARCHIVE
www.johnnygrey.com www.bisca.co.uk www.james-hare.com www.interiorarchive.com
ACCOUNTS FINANCE DIRECTOR ACCOUNTS
Sara Davies Sara@bridgefordesign.com Cisca Cowling Cisca@bridgefordesign.com
SUBSCRIPTIONS BRIDGE FOR DESIGN
SLEEP BEAUTIFULLY The world’s most comfortable bed, hand made in London
Subs@bridgefordesign.com +44 (0)189 266 7600
www.bridgefordesign.com 16 Sybron Way, Jarvis Brook, East Sussex, TN6 3DZ, United Kingdom T: +44 (0)1892 667 600 F: +44 (0)1892 667 007 E: enquiries@bridgefordesign.com
savoirbeds.co.uk Copyright 2015 BRIDGE FOR DESIGN, TROWBRIDGE Gallery, ISSN 1764-4404. Printed by Pureprint Group, Bellbrook Park,Uckfield, East Sussex TN22 1PL, T: 01825 768811. Published quarterly. All rights reserved. Reproduction in whole or in part without prior written permission is strictly prohibited. The views expressed by contributors are independent and are not necessarily those of BRIDGE FOR DESIGN
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Bridge for Design July 2015
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Bespoke hand embroidered Couture fabrics and cushions
261 Fulham Road, London SW3 6HY 020 7352 5594 sales@beaumontandfletcher.com www.beaumontandfletcher.com
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design
news
ROYAL College of Art graduate Tori Murphy founded her fabric brand 12 to create products for the home with character and integrity, all woven and made in England. Her first capsule collection of throws and cushions were exhibited in London in June 2012 since then the business has grown worldwide. Shown here are fabrics Hamilton Large Spot and Kensal Check. www.torimurphy.com
GLAMOUR and elegance are the keynotes of contemporary British designer Martin Huxford’s new, jet black convex Eclipse Mirror. Hung from a heavy, hand made brass chain, the black mirror is a highly decorative piece of wall jewellery. From the Space Collection. T: +44 (0)190 374 0134 | www.martinhuxford.com
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Bridge for Design July 2015
ANA BARRETO Interiors design luxury furniture tailor-made for their clients’ unique specifications. Each piece is exquisitely built by mastercraftsmen, from consoles and dining tables to sofas and chairs. The showroom in Richmond is the perfect place to see the collection and an exclusive range of accessories. T: +44 (0)208 744 977 | www.anabarretotinteriors.com
DESIGN doyen Mary Fox Linton is a fan of artist Jessica Zoob’s work which she describes as ‘stunningly beautiful and unique’ “A photograph cannot do justice to her paintings. Abstracted and atmospheric, the textures and vitality of her paintings need to be seen to be appreciated,” she says. Jessica’s limited edition and bespoke prints are available on paper, canvas and Diasec. T: +44 (0)796 657 2204 | www.jessicazoob.com
__
THE
HERITAGE
__
WARDROBE COMPANY
Luxury Bespoke Wardrobes & Dressing Rooms To Discuss Your Next Project Call 0203 355 8575 To View More Designs go to www.theheritagewardrobecompany.com Bridge for Design July 2015
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design
news
ROBEYS latest collection of woodburning, pellet and gas stoves includes innovative solutions combined with a style and design that are the hallmarks of Italy’s Piazzetta. With ample opportunities for product customisation you can select from a wide choice of contemporary colours and installation types to suit your home. T: +44 (0)177 382 0940 | www.robeys.co.uk
DEIRDRE DYSON says that her new Illusion collection presented her hand-knotted makers with the most difficult challenge to date. “The geometric designs may look deceptively simple, but the intricacy of workmanship involved is astounding,” she said. T: +44 (0)207 384 4464 www.deirdredyson.com
BOASTING THE ultimate in luxury design and comfort, Hypnos’ Sandringham Supreme mattress, taken from its stunning new Regency Collection, provides total body support for a truly restful night’s sleep. The bed also has a deep divan base and stylish Olivia headboard in Tangerine. www.hypnosbeds.com
STONE AGE is a specialist supplier of stone products for architectural and interior use, ranging from flooring to one-off bespoke elements. As a family company that has grown organically, they have built up a network of trusted suppliers which allows them to be confident of the quality of the stone that they supply and also that they know where to go to get something a little bit special. www.stone-age.co.uk
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“I was so fortunate to have met Jessica earlier this year and to see her paintings, which are stunningly beautiful and unique. A photograph cannot do justice to her paintings. Abstracted and atmospheric, the textures and vitality of her paintings need to be seen to be appreciated.� Mary Fox Linton
Jessica Zoob ltd
www.jessicazoob.com | jessica @ jessicazoob.com 07966 572204 Bridge for Design July 2015
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design
news
THIS WROUGHT iron side table by Andrew Kornat Designs is handmade in Florence using a historical technique. Shown in hand applied gold leaf finish with a Marron Imperial marble top, it is available in many other finishes. www.andrewkornatdesigns.com
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Bridge for Design July 2015
FLOOR SEASONS is one of London’s leading outlets for bespoke hardwood flooring. Their new showroom in Chelsea displays over 250 sample boards and this season sees them increase their range with a new collection of Herringbone and Decorative Panels building on the enduring popularity of traditional floors. T: +44 (0)207 731 4222 | www.floorseasons.co.uk
Evolution Furniture EDINBURGH
Make a bold statement with a unique piece handcrafted by our new Scottish design workshop. A fusion of antique and contemporary, giving beautifully crafted furniture a new lease of life with artistic fabrics and a touch of air. We can create something unique for you. Give us a call or email to discuss your ideas.
www.ev-furniture.com
sales@ev-furniture.com
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design
news
THIS MAGNIFICENT Cuore Chest from the Biltmore Collector’s Room collection by Fine Furniture Design features an inlaid heart design and marble top. It is modeled after an Italian piece in Edith Vanderbilt’s bedroom. This stunning signature piece will become a focal point. T: 001 336 883 9918 www.ffdm.com
SINUOUS lines and whimsical details are enhanced by delicate finishes and refined fabrics which characterise the Roberto Giovannini collection of single beds. Upholstered in silk, buttoned with ruches, the wood finish is Oro Leggero (gold leaf). www.robertogiovannini.com
visit us at
for792312 Design July 2015 32T: Bridge 01564 | F:
23-26 September 2015 Olympia London
01564 792332 | E: sales@henryblakehardware.co.uk | www.henryblakehardware.co.uk
Made in England since 1860
Made in England since 1860
The Beardmore Collection est. 1860 beardmore.co.uk
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om
MARTIN Trowbridge has carefully selected more than 300 black and white images for the latest in his series of Decorating with Photographs books. Images he selected date from the very beginning of photography right up to the present day and were chosen because they are evocative, memorable, light hearted or just rather peculiar. Many celebrate great sporting events, others document fashions of the day while some simply capture a moment of fun or frivolity. “Each photograph, however subtly, will convey a specific mood to the viewer that can, in turn, be used to enhance or create the desired mood within a room,” he says. TROWBRIDGE Black and White Archive by Martin Trowbridge is published by BRIDGE FOR DESIGN. www.trowbridgegallery.com
TROWBRIDGE BLACK AND WHITE PHOTOGRAPHY
ring market D Building C 27260 6 3549 6 3199
design news | books
TROWBRIDGE BLACK AND WHITE ARCHIVE Martin Trowbridge
300 BLACK AND WHITE ARCHIVAL PHOTOGRAPHS TO TRANSFORM ANY ROOM
3/11/2015 11:41:09 AM
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Bridge for Design July 2015
MIXING GLAMOUR with modern practicality, interior designer Windsor Smith’s first book celebrates her elegant, comfortable style. Windsor Smith’s aesthetic was once described as ‘unbuttoned elegance, like a taffeta dress worn with bare feet.’ In her first book, Smith—a traditionalist who likes to realise classic themes in a new way—shares her fresh vision for modern life. Each chapter reflects one dining room or expanding the role of the of her unique philosophies for creating kitchen, Windsor Smith Homefront will beautiful, liveable spaces, expressed guide readers to reclaiming their home’s through the homes she designs. best spaces and remaking them to suit a Themes include how to bring modern life. balance—an essential ingredient to a beautiful, functional home—into rooms and spaces, as well as how to successfully combine new belongings Windsor Smith Homefront: Design for Modern Living with treasures from the past to create Written by Windsor Smith homes that reflect where we have come Published by Rizzoli from, as well as where we wish to go. www.rizzoli.com Whether it is repurposing a neglected
T h e
f i n e s t
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o f
e x c l u s i v e
b r a n d s
f r o m
a r o u n d
t h e
w o r l d
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design news | fabrics
FAMEED KHALIQUE has built an internationally renowned company which specialises in exquisite materials for the interior design industry. He has now taken his love of unique materials and applied it to creating a lifestyle and homeware brand simply known as Khalique which takes the company into the realm of product design for the first time. First to be launched is a collection of beautifully crafted cushions using a variety of materials from metallic woven leathers, peacock feathers, hand-embroidery and tactile suede and hide offering exquisite finishes ‘pret-a-porter’. www.fameedkhalique.com
RUBELLI LONDON launched its new collection of innovative upholstery leathers and leather walls at London’s Design week. Studioart is a collection of on trend geometrics which come in a spectrum of vibrant pastel and natural colours. www.rubelli.com
BRITISH fine fabric maker Fermoie has launched two new designs named after English ranges of hills – Quantock and Chiltern. They are available in 16 colourways on linen.
www.fermoie.com 36
Bridge for Design July 2015
THE BEAUTY and boldness of William Yeoward’s Astasia collection comes from a 19th century artist’s impression of a tropical canopy of vines and foliage, originally hand blocked and now carefully reproduced on a flat bed machine. “For me these forms sit so well on the rough linen cloth on which Astasia is printed and evoke a feeling of the great forests of South America,” he says. www.williamyeoward.com
Bespoke carpets and rugs by Concept Handtufting Ltd. We strive to create the most unique and desirable handtufted carpets, tailoring each piece to our customer’s scheme. The use of the finest materials such as fine silks, hand spun wools and natural bamboo, combined with the highest levels of design and craftsmanship ensure pure luxury for your feet.
www.concepthandtufting.co.uk +44(0)1937 845080
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design news | fabrics
Phoenix
Crewelwork
Geoffrey Bennison: Master Decorator Floral Negative
Paradise
Lorenzo
GEOFFREY BENNISON (1921 - 1984) ranks among England’s most influential designers, very much in the same league as other design greats such as John Fowler. He defied conventional notions of style to conjure up magnificent settings for discerning clients who loved his theatrical and romantic sensibility. He used antique textiles alongside his own fabrics to achieve a complex mix of scale, pattern, and colour that changed the way people on both sides of the Atlantic arranged furniture and did up houses - some examples of which are here. His talent for combining eclectic objects, an unerring eye, and a deep knowledge of antiques earned him a reputation for sophisticated originality. Even today, leading designers turn to him for inspiration. In Geoffrey Bennison: Master Decorator, Gillian Newberry tells his fascinating story from his early days at the Slade School of Art and his work as an antiques dealer in London during the swinging sixties, to his later career as an interior designer. All of Bennison’s interiors are showcased, from magnificent country estates and retreats, to elegantly appointed apartments and townhouses filled with exclusive French and English antiques and curiosities, making this book a must-have for design lovers.
Tapestry 38
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Geoffrey Bennison: Master Decorator by Gillian Newberry, Rizzoli New York, 2015
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design trends | fabric
viewpoint
BIG BOLD NEW LOOKS The secret is out: we have fallen in love with colour again says Saffron Hare
F
or some time now, in both residential and commercial interiors, the starting point has been a refined and restricted palette of neutrals, with texture being used as the key embellishment. Gradually though, richer, stronger and deeper colours have been creeping back. Originally we saw them used as ‘pops’ to create focus points with cushions, blinds or lampshades – perfect counterpoints to all the neutrals. But now the secret’s out – we officially love colour again and we can even handle it in large areas; big and bold on the walls, as paints or wallpapers, and in large expanses of fabric as curtains or upholstery. It’s the next generation of the so-called eclectic look, which has its roots in Britain’s magpie cultural past, when great houses and stately homes were never afraid to mix acquisitions from all over the world, sit new next to old and showcase colour and decorative detailing. Similarly, today’s new multi-layered luxury sees contemporary pieces confidently curated and mixed with anything from industrial design to characterful decorative antiques and colourful velvets and silks with a reflective sheen picking up the wider trend for burnished and light-reflective surfaces. This noticeable shift towards lush, multi-tonal interiors has its genesis (as so often) in the high end of the interiors market, in the chic hotels and premium domestic projects where real individuality is prized and designers create spaces with an authentic personality. Abroad too, developing markets such as Russia and China have never lost their love of colour and decoration and perhaps this too is starting to feed back into the British sensibility. Premium textiles designed specifically for those markets are selling well in the UK too. Also left out in the cold for some years, large-scale designs and grand 40
Bridge for Design July 2015
embellishments are once again being used to bring character and a comforting warmth to interiors. After years of blinds and shutters, lavish curtains are also making a comeback as designers exploit their potential to create memorable features. Bedhangings and bedheads are other keynotes for layering colours and patterns into sophisticated interiors. My family textile company, James Hare, celebrates its 150th Anniversary this year with a collection taking inspiration from our own history which stretches back to the Victorian era. It combines the co-ordinating neutrals which decorators will always need with decorative fabrics featuring strong colours, large scale designs and dense metallic embroidery. These are the types of fabrics for which we are seeing an ever-increasing demand, both in the UK and in international markets, and which our own trend forecasters have been correctly predicting for a couple of years. Other industry forecasters are also underlining the shift to denser, more saturated colours in 2015, with Copper Orange and Marsala definitely moving things along from the neutral palette. Elsewhere in the market, wallpaper specialists also report new interest in decorative designs and just as we are seeing the return to greater expanses of fabrics, they are seeing their papers being used not just for single feature walls but throughout whole rooms: a modern rediscovery of a traditional use of colour and pattern in interiors. It seems that after years of austere architectural interiors being the desired objective, we are learning a new language of opulence – far beyond the 50 shades of grey and beige which have been so dominant for so long.
Saffron Hare is the Sales Director of James Hare Ltd T: + 44 (0)113 243 1204 | www.james-hare.com
306 Eastman | Greenwood, Mississippi 38930, USA | 866.389.6642 | www.johnrichard.com
Interio | 555 Kings Road | Chelsea London SW6 2EB | +44 1202 717017 | Email: sales@interio.co.uk
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design news | rugs
VEEDON FLEECE’S latest reworking of a Mughul Indian design, delicately coloured for a classical but contemorary interior. Made to order in any size up to 20m by 8m in pashmina, silk, veedon or Best Tibetan Wool. www.veedonfleece.com
BESPOKE carpets and area rugs by Concept Handtufting Ltd. They create the most unique desirable hand tufted and handknotted carpets, tailoring each piece to your size and scheme. Using only the finest pure materials such as fine silks, hand spun merino wools and bamboo, combined with the highest levels of design and craftmanship ensure pure luxury for your feet. T: +44 (0)193 784 5080 | www.concepthandtufting.co.uk
A TYPICAL Moroccan Berber Rug Handwoven in Morocco’s rugged Atlas Mountains, historic home of the Berbers.
PEACOCK by Thomas Griem (right) is inspired by the plumage of this most spectacular of birds fanning out in an expanding pattern. The silk ‘feathers’ of the fan create a sequence of perspective lines that immediately catches the eye. T: +44 (0)207 636 3838 | www.tg-studio.co.uk
T: +44 (0)207 376 7008 | www.alton-brooke.co.uk
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C&B PubblicitĂ
simply different robertogiovannini.com
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In conversation: Tendence and its new product ideas for the home and gift sectors. Exhibitors and visitors talk about trends, quality and the product assortment at the fair. They sound positive and give a taster of what to expect at Tendence 2015. www.talk-about-tendence.com
OPENING TIMES August 29th 9 a.m. - 6 p.m. August 30th 9 a.m. - 6 p.m. August 31th 9 a.m. - 6 p.m. September 1st 9 a.m. - 5 p.m. www.tendence.messefrankfurt.com
HOW TO GET TO TENDENCE Messe Frankfurt Exhibition GmbH Ludwig-Erhard-Anlage 1 60327 Frankfurt am Main Telephone +49 69 75 75-0
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Bridge for Design July 2015
TENDENCE is the international consumer-goods fair revolving around the subjects of the home and giving. The ideal order venue for the Christmas business. The trend platform for new products in the coming spring. Tendence is the meeting place in the second half of the year for renowned brands and all important decision makers from the consumer-goods sector. With its focus on the mid to high-end market segment, the profitable Christmas trade and the prospects for the coming spring and summer season, Tendence is an indispensable ordering platform for the trade. The international exhibitors attract top buyers from all segments of the consumer-goods sector, as the latter seek to enhance their product ranges and get a feel for the current trends. In the “Living� section, international exhibitors will be presenting everything from interior design to the latest accessories for the home as well as seasonal decoration ideas. The range of goods includes high-end and traditional furnishing ideas, home textiles and small pieces of furniture as well as lamps, outdoor items and garden accessories.
29. 8 – 1. 9. 2015
Discover international new ideas for the home and gift sectors – at the industry’s most important meeting place in the second half of the year. fresh.new.ideas. info@uk.messefrankfurt.com Tel. +44 (0) 14 83 48 39 83
Come and take a look inside: talk-abouttendence.com
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design news | outdoors
MYBURGH’S sculptural copper pieces bring a new three dimensional element to your space. They allow you to move away from traditional, sometimes harsh structures and offer the alternative of lazy curves that offer functionality with a softer, more calming exterior. Each piece is a bespoke, hand crafted limited item, signed and numbered
THE NEW exclusive Riviera collection by LuxDeco.com features luxury furniture and accessories crafted from the finest materials for outdoor use. From seating and loungers fit for the South of France to handmade cushions, the collection includes all the essentials for an al fresco paradise. T: +44 (0)203 586 1536 | www.luxdeco.com
T: +44 (0)142 874 1768 | www.myburghdesigns.com
WE LOVE the incredibly good value for money Kingston range of aluminium outdoor furniture. It comes in a range of full weatherproof cushion options and also in full white. Register for free at www.uber-interiors.com to get the best deals on brands you love.
T: +44 (0)845 0773 280 | www.uber-interiors.com
LINLEY Lounge Chair shown in a Mahogany stain with lacquered marine finish illustrate the ongoing synergy between the eponymous British design house LINLEY, and Summit. Summit’s manufacturing expertise has yielded impeccable production of LINLEY’s exceptional designs, which will continue with the new pieces. www.summitfurniture.com
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Bridge for Design July 2015
BRAZILIAN designer and ceramisist Lisa Pappon is fascinated by the symbolic representation of the apple and the connotations it has evoked over the centuries. From temptation and power to love and happiness, she perceives the fruit as a universal icon. Beginning with giant oversized bronze apples she has now created a range of ceramic apples and cherries for both indoor and outdoor spaces.
T: +44 (0)207 637 9427 www.urbanlivinginteriors.co.uk
From planters, fountains and statues to balustrades, fireplaces and follies – our stonework designs look fabulous when new and grow ever-more distinguished as they age.
Browse our unrivalled collection online or call to request a catalogue.
haddonstone.com
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design news | on
1
the roof
2 1 On this rooftop terrace which commands views of both the Eiffel and Montparnasse towers, shade is provided by an awning strung between a simple structure of delicate steel girders and climbing plants Photograph: Nicolas Tosi/ Cote Paris 2 A lunch table on a narrow London roof terrace is shaded from the sun by a white parasol Photograph: Tim Beddow/The Interior Archive 3 The second floor terrace of this house in Morocco is furnished with wicker tub chairs and a comfortable banquette and shaded by a simple awning Photograph: Vincent Knapp/The Interior Archive 4 This urban Parisian rooftop jungle was inspired by the owners’ travels and their passion for plants Photograph: Nicolas Tosi/Cote Paris
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Saint-Germain - Photo © THG D. Grieu
4 Pont Street London SW1X 9EL • Telephone: +44 (0)20 7838 7788 www.bathroomsint.com Bridge for Design July 2015
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design news | on
the roof
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5 A chair on a Kenyan castellated roof terrace is momentarily abandoned as a local dhow heads out to sea for a night’s fishing Photograph: Fritz von der Schulenburg/The Interior Archive 6 A startling white Moroccan roof terrace with red fibre-glass table and chair against a bright blue sky Photograph: Luke White/The Interior Archive 7 A hammock hangs in a corner of the whitewashed roof terrace of this Moroccan house Photograph: Luke White/The Interior Archive 8 This roof terrace in Morocco features an outdoor fireplace and is punctuated by painted plant pots with a leather rug and scatter cushions upholstered in Kuba cloth Photograph: Simon Upton/The Interior Archive 50
Bridge for Design July 2015
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design news | kitchens
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4 1 The classic freestanding design and outstanding quality of craftsmanship has a timeless appeal. The use of an extensive mix of colours from their unique palette can bring a more edgy contemporary feel to the kitchen if required T: +44 (0)800 160 1978 | www.chalon.com 2 The contrast of rich walnut set against a palette of soft greys gives this Kensington kitchen a timeless touch of contemporary elegance. T: +44 (0)845 468 0025 | www.davonport.com 3 Artimino Kitchen composition by Officine Gullo Range, oven, dishwasher and sink are contained in a kitchen manufactured from 2mm thick stainless steel. www.officinegullo.com 4 This kitchen, part of the Rio Valencia
range is of uncompromising design with attention drawn to the unique seating area. T: +44 (0)208 492 7531 | www.reevadesign.com 52
Bridge for Design July 2015
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design trends | kitchen
viewpoint
SATISFY YOUR EMOTIONS The new sociable kitchen is a sign we know how to live well says Johnny Grey
O
ver my career my focus as a designer of kitchens has shifted. In the early days, consciously at least, it was all about aesthetics and craftsmanship. Now I am interested in a less tangible quest - understanding the kind of environments that make people feel happiest; a move from the physical to the invisible, as new knowledge gained from behavioural psychology and neuroscience informs space planning and furniture design. The future of the kitchen is about satisfying our brains, bodies and emotions: not just the supply of well made cabinetry and appliances. More efficient cooking spaces? We’ve done that. The test of effective kitchen design should begin with an efficient, compact cooking zone as this will leave enough space to fulfill the kitchen’s expanded social role. It is now a living room in which you cook, a hybrid space which has evolved from taking functions from other rooms. It includes the sitting room now most likely to be used as a media room, the hallway that is a greeting area no longer seen as a defacto requirement and the dining room which has morphed into an occasional celebratory and optional space. Richard Wrangham in his book Catching Fire tells us how our brains became human-sized through the nutritional benefits of cooked food, freeing early humans from spending their time searching for food and digesting it. Cooking promotes sociability as collaborative households are more successful at maximizing food resources. We now know the brain is elastic and develops by acquiring new experience and skills, so our behaviour at home, how we work and use our 54
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leisure time becomes incorporated into our brains synaptic structure. A key social trend in families is both partners working and children often having long school hours which means time together is limited and precious. So every house needs a flexible ‘common’ room where encounters can be turned into effective exchanges and where different activities can be accommodated. Contemporary life is full of anxiety. Domestic space offers us sanctuary and plays a role in our day-to-day well-being. Increasingly as we adapt old homes and build new ones we are moving towards the ‘kitchen-centric’ house but there are still a few hurdles in the way. Developers and house builders could greatly improve what they offer with better educated designers and more knowledge of these trends. The good news is that as homeowners are now more aware of the value of design and of our instinctive needs than previous generations. Open-plan living and central heating has liberated us from the house laid out as a series of private rooms and our experience of round the clock sociability. Shared tasks between genders means all members of the household get stuck into cooking. Awareness of the pleasures and creativity associated with food and the presence of children are both examples of why being in the contemporary kitchen feels so good.
Johnny Grey Design Studio T: +44 (0)173 082 1424 | www.johnnygrey.com
Bridge for Design July 2015
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design news | bathrooms
ORIGINALLY from France, Le Bateau Grand from Catchpole and Rye is a superior bath in every way. Beautifully proportioned, the interior of this double ended bath is much deeper and wider than a standard Bateau. The cast rises gracefully from its moulded plinth to finish with a sophisticated rounded rim. www.catchpoleandrye.com
Drummonds, designer and manufacturer of luxury bathrooms, introduce their new Wye bath. Shown here handpainted in signal blue it is an even deeper and wider version of their bestselling Usk bath and perfect for large bathrooms. Drummonds’ cast iron baths are made using traditional manufacturing techniques and are available in a wide range of bespoke finishes. T: +44 (0)207 376 4499 | www.drummonds-uk.com
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LEADERS IN bathroom design, Crosswater Holdings has been welcomed by the specialist bathroom retailer market since it was established in 1998. Excelling with a vast, exciting and innovative product range has seen them become one of the most pioneering companies in the UK with three distinctive and prevailing brands: Crosswater, Simpsons and Bauhaus. www.crosswater.co.uk
IN THIS bespoke bathroom project by stone experts Lapicida Hanover limestone mosaic clads the curved wall framing an egg bath carved from a solid block of the same limestone, it is also used on the floor. www.lapicida.com
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design news | bathrooms
THE Water Drop shower tray from Flaminia reflects in its texture the pattern made by a falling drop of water. The irregular concentric circles provide a three dimensional focus in this shower tray. T: +44 (0)208 940 755 www.original-bathrooms.co.uk
THIS ILLUMINATED basin from Irina Townsend and Keir Townsend creates drama in a small bathroom. Made from recycled glass and lit from beneath with LEDs to create a stunning effect. T: +44 (0)207 746 2442 | www.keirtownsend.com
THE St Leger from Bard and Brazier is known to most as the ladder rail. A simple yet striking design, it would be a great addition to any bathroom. www.bardbrazier.co.uk
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HEADQUARTERED IN France and with a brand new showroom opening in London on June 18th, THG have over sixty years experience in the industry. Their beautiful range of premium taps and bathroom fittings have graced the most exclusive bathrooms and their countless collaborations with prestigious luxury brands and talented designers have now become an integral part of the French Art de Vivre. www.thg.fr
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Inspired by
PAULA CARAVELLI
This New York City apartment has a distinctly continental flair
WORDS DAVID COLMAN | PHOTOGRAPHS SIMON UPTON / The Interior Archive
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I
t’s hard to mistake Manhattan for any other city. True, some of downtown’s cobblestone lanes have a slight whiff of London, and a few brownstone blocks in the west 20’s could pass for Boston. But it’s the rare street that conjures Paris. Paula Caravelli found one, however, on the sleepy northern reaches of the Upper East Side, a lovely sloping block studded with Beaux Arts buildings. It’s not easy to articulate what, exactly, provokes thoughts of the French capital, but it’s there. A similar Parisian spirit subtly pervades the interior designer’s home. Composed of two elegantly detailed apartments that have been joined, the place seems so intimate that it is almost surprising to hear Caravelli lives there with her husband, James, and 18-year-old son Christian. It is even more of a shock to learn that, until recently, it also housed the couple’s three other, now grown sons Evan, Gregory and Paul. In fact, ambiguity and unexpected are key components of the place, which is less a statement of style – Caravelli is not one for statements – than a delicate balance of disparate elements, and all the more European for that. It’s epitomised by a pair of David Armstrong photographs, dreamily blurred images of New York street scenes, which harmonise with the huge trees just outside the licving room windows and the graceful neoclassical and Regency-style mansions across the street.
LEFT: In the living room the vintage spoon armchairs flanking the brass Gerald Bland coffee table were lucky Salvation Army finds; the drawing is by Joan Mitchell Bridge for Design July 2015
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In this boy’s bedroom the blackboard wall has been decorated in a black-and-white chalk mural based on drawings made by Paula Caravelli’s children
Caravelli, who is half of the design team Paula + Martha (her partner Martha Angus lives in San Francisco) had no interest in doing up her place with some sort of idee fixe. ‘It’s probably a terrible thing for a decorator to say, but I don’t like trends,’ she notes. ‘I don’t work that way. I can’t put something in my house, or a client’s house, for that matter, if I don’t love it.’ Of course, lots of designers fill their homes with things that they love. What sets Caravelli’s apart is a mix of art, furniture, colours and finishes that feel truly personal. Nothing is chosen merely for its look or effect. But then, unlike so many people who come to New York to try to create a place and a history that squares with their dreams, Caravelli’s past needed no retouching. She was born and brought up on Long Island in a family brimming with painters and musicians both professional and amateur, where creative impulses were not 62
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only indulged, they were expected. ‘It’s in the blood,’ she says ‘We’re a family of artists. Growing up we were always making something, playing music, redecorating, painting. That was the atmosphere.’ The apartment provides ample proof of this genetic bent. The foyer holds a sculpture by her sister Janet Buillet. The dining room features a changing array of paintings, including a gorgeous abstract by Caravelli herself, who studied art before turning to design. And scattered everywhere are works by a childhood hero, her uncle Augustus Mino who was an artist and advertising creative director in New York City. As for the piano in the living room, Caravelli grew up playing, as did her four sons. Of her choice of career, she says with a smile: ‘Everyone in my family is a decorator – I’m just the first one to do it for a living.’ Though her talent may be innate, she has honed it over the years, becoming a
In the living room a vintage Karl Springer cocktail table is paired with antique Marquise chairs; on the walls are two photographs by David Armstrong
master at discreetly mixing not only traditional and modern (a vintage secretary with a quirky mid-century French seat; a contemporary dining table and Italian neoclassical chairs) but European and Asian elements as well (a Chinese-style brass cocktail table with Regency-style spoon chairs and a Gustavian settee) Likewise, the apartment’s palette walks a pitch-perfect line between rich tones – an array of blues in the master bedroom, the kitchen’s brandy coloured cabinetry, the cocoabrown dining room and a host of soft neutrals. Even Caravelli’s one concession to cacophony, a complex collage in her home office, is in restrained black and white. ‘It’s so important to be able to come home to a place that has serenity,’ she says ‘That’s what I tried to create.’ But as any mother of four will tell you, no mere combination of colours and textures can handle everything that life, and children, throw your way. So she has happily embraced one modern convenience
notoriously lacking in most Paris apartments. ‘I believe in closets – everywhere,’ she says. ‘You have to have places to put stuff away.’ And she adds with a knowing smile, ‘We have a really great housekeeper.’
Paula Caravelli T: 001 917 267 3405 www.paulamartha.com Bridge for Design July 2015
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Landscape IT ’ S I N DOOR S MEETS O UTDO ORS
LANDSCAPE SHOW, TUESDAY 22 & WEDNESDAY 23 SEPTEMBER 2015 BATTERSEA PARK, LONDON The LANDSCAPE Show returns to Battersea Park in London on Tuesday & Wednesday the 22nd & 23rd of September 2015. Over 200 manufacturers and suppliers, over 3,000 visitors, over 40 CPD accredited seminars. For more details go to: www.landscapeshow.co.uk
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20–23.09.15 SYON PARK LONDON
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Inspired by
DARRYL CARTER
The designer’s rustic-meets-refined retreat is the perfect place to relax WORDS JURA KONCIUS | PHOTOGRAPHS SIMON UPTON / The Interior Archive
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T
wo years ago Darryl Carter yearned to unwind. The Washington DC interior designer’s calendar was jammed with client meetings, plans to launch a furniture collection and book deadlines. The pressure was on, and ‘I needed a place to decompress,’ he says. Darryl knew where he could do just that. He had always loved the Plains, a Virginia hamlet about 50 miles from the nation’s capital, and nearby he found an 1840’s stucco-and-clapboard house with several fireplaces and a 140-foot long wisteria pergola. ‘I was charmed, and I bought it in just two days,’ he says. Darryl’s rustic-meets-refined escape is a textbook example of the neutral palette and strong silhouettes he has made his professional hallmarks since giving up practicing law for interior design a decade ago. Stucco hearths and primitive wood benches contrast with an occasional rarefied English or Italian antique. Weathered barn doors have been repurposed into cabinets, espresso-colour cotton curtains warm up the living and dining rooms, and a narrow 12-foot dining table made of reclaimed wood seats 16 friends for the house speciality: chicken potpie. ‘I like to call the style of this place Modern Barn,’ says Darryl, a tall man with a deep voice whose client roster includes Washington power players and international financiers. And his home offers all the relaxation LEFT: In the living room the antique nail-studded armchair and large comfortable sofa are covered in a matching cream linen TOP: In the breakfast room what looks like an antique refectory table is actually a contemporary design by Darryl Carter Bridge for Design July 2015
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The focal point of the dining room is the large antique barn door with a naive painting of a horse in simple black-and-white
potential one would expect from this rural setting. Here he can sit down and read a biography, refinish a piece of furniture or indulge in another of his favourite country pleasures: listening to the sound of the raindrops on the metal roof. ‘It feels remote, but I am minutes from organic markets and a few very charming restaurants,’ the designer says of the location. Darryl starts to unplug from pressures and duties the moment he zips away for the weekend from his five-storey Embassy Row townhouse, which was once the chancery of the embassy of Oman. The last leg of the journey takes him through the rolling hills and horse farms of bucolic Fauquier County, where the wooded countryside seems straight out of an 18th century landscape painting.
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‘The approach is hypnotic,’ says Darryl, who typically cranks up and opera or hip-hop CD as he makes his way to his second home. ‘It gets me in my right mental place,’ he adds. ‘When I see black cows I know I am almost there.’ Though he’s used to fully focusing on clients and letting personal projects lag behind, this time Darryl put the completion of his rural digs on the fast track, swiftly unearthing antiques and architectural salvage stashed in storage, including a collection of antique taxidermy amassed from eBay and Paris flea markets (two wild boar heads guard the foyer). His vision for his rambling Virginia homestead involved a gentle renovation of some of its unfortunate additions, rooms that had been
A large antique zebra-skin rug covers the floor of the guest bedroom where an antique cupboard serves as a wardrobe
tacked onto the house from the 1920’s through the 90’s. ‘The house seemed too new,’ he says. ‘It didn’t feel right. It wasn’t tactile enough.’ In a determined effort to age the structure, Darryl refaced fireplaces, removed every extraneous moulding and added more beams. Built-in cabinets were fitted with satisfyingly creaky old doors. The designer’s instructions to the renovation crew were simple and straightforward: Be purposefully sloppy and avoid perfection. ‘Please note how poorly all the walls were done,’ he says proudly, quickly adding: ‘You can’t name my contractor though – he doesn’t want any credit!’ The designer scoured salvage stores for the most humble of trappings, such as weathered hinges and hardware. ‘I wanted everything thoughtfully old,’ he explains. Ceilings, walls and floors are
painted in Benjamin Moore whites. ‘Colour is the best way to unify disparate surfaces,’ he says. Floor-to-ceiling niches (Darryl calls them cavities) were built into walls near the fireplace for storage; the stacked logs they contain seem like organic sculpture. In the kitchen, the pine cabinets gave way to open shelves of reclaimed wood. A longtime fan of subtlety, Darryl reversed a smoke-colour toile de Jouy to lessen its impact and used it to upholster two antique English reading chairs. Guests get deeply comfortable beds shelves of interesting books which have been arranged for visual appeal, some stacked, others standing upright and sheltering wing chairs equipped with warm blankets. As Darryl explains: ‘My romantic idea for this house was that people would just relax and read.’
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CLOCKWISE FROM LEFT: In the bathroom the antique oak-rimmed bath is made of galvanised iron with a large framed animal print hanging above never used but simply there as a piece of art. Smothered in a mature wisteria the pergola provides a long covered walkway by the side of the house. The studio is tucked away at the end of a long pergola in the garden. The kitchen island is a large marble-topped antique table and behind it is a large stainless-steel English range and extractor hood
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TOP: Neutral shades of cream, beige and brown in the living room ensure that contemporary pieces, such as the linen-covered sofa, blend with the collection of antique furniture LEFT: Designer Darryl Carter with one of his dogs in the porch of his restored 19th century farmhouse in Virginia
The master bath always intrigues first-time guests, partly for its poetic emptiness but also for its curiosity factor. An oak demilune table has been turned into a sink vanity, and there’s an antique milking stool table and a generous shower. One section of wall has been left artfully unfinished, the underlying lath revealed in all its humble, horizontal glory. But it is the room’s narrow 1890’s galvanized-metal tub which gets the most comments; it looks barely large enough to shampoo Otis, the designers’ German shorthaired pointer. As the six-foot-three Darryl notes, the tub isn’t mean’t to be used: ‘It’s art. I’m never getting in there.’
Darryl Carter T: 001 202 234 5926 www.darrylcarter.com 72
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EMMA LAWRENSON
TROWBRIDGE Emma Lawrenson Catalogue
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
FR
All Em
EMMA LAWRENSON
Emma Lawrenson is an experienced British Printmaker whose studio is in picturesque rural Yorkshire. She has a Bachelor of Arts degree in Fine Art as well as a Masters degree in Printmaking from the Royal College of Art. As her unique collections and personal portfolio have grown, she has exhibited throughout the United Kingdom and several European cities since 1997. Emma feels most comfortable in her home studio, where her new collections are developed. Her own artwork lines the walls of the studio, injecting continuous inspiration, while varying pots of printing inks and colour samples can be found on the tables. The inspiration for her designs comes from outside the studio when the artist is simply out and about. Small details in architecture or maybe a shell on the beach act as essential ingredients when planning shapes or textures, which can be documented through a quick photograph. Back at home, this will lead on to further planning, Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Small: 25” x 22” | 26cm x 64cm | Code H sketching and paint sampling before the laborious task of screen-printing in a35” nearby Jumbo: x 32” | 89cm x 107cm | Code W Large: 33” x 29” | 81cm x 71cm | Code L printing workshop begins.
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
AMES & SIZES
EMMA LAWRENSON
mma Lawrenson Images are available in the following frames and sizes
Jumbo 43” x 51” 109cm x 130cm Price Code: W
Medium Jumbo 35” x 42” 89cm x 107cm Price Code: T
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
Large 28” x 32” 71cm x 81cm Price Code: L
Small 21” x 25” 53cm x 64cm Price Code: H
624L - Contemporary Silver with Linen Slip
612L - Contemporary White with Linen Slip
621L - Contemporary Black with Linen Slip
613L - Contemporary Wood with Linen Slip
623L - Contemporary Gold with Linen Slip
Frame Profile
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com To Order: US: (1) 404 816 8612 UK: +44(0) 207 371 8733 email: sales@trowbridgegallery.com
EMMA LAWRENSON
Emma’s exploration in design sees a series of re-occurring abstract images and an intrinsic exploration of shape, line and friendly form, through a delicate and well chosen layering of colours. Emma is very much aware of her artistic development, remarking: “The process of screenprinting and my considered, precise approach enable me to produce crisp, smooth and clean images. My method is to carefully build up layers of solid, flat colours to explore shape and form.” The use of colour within her artwork is certainly worthy of praise, the evolved final collection is the result of much paring, trimming and subtraction. It moves away from Emma’s guiding ideas of architectural features or found objects, through to a finished product where her inspiration is often concealed, creating in its place a perfectly balanced and coloured image. When speaking of her art, Emma says: “The best starting point for a piece of work is something observed by chance… I love catching the essence of things as they appear momentarily.” Despite her preference for the clean and crisp there is also notable applause required toward the sheer dedication to skill and process across the board. Her unwavering commitment to the art of silkscreen printmaking has resulted in a fine-tuned ability to produce countless artistic successes. As a whole, we can perceive Emma Lawrenson’s artworks as fine minimalist abstracts that are the product of a precise and methodical studio practice, carefully tried and tested within her at-home workspace. What too can be said is that each of her creations are tapping in to an area of calming beauty through a harmony of shape and colour, where the work she has created is Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T x 22” | 26cm xis64cm | Code H Small: 25”and immediate simplicity everything. Large: 33” x 29” | 81cm x 71cm | Code L
Jumbo:
35” x 32” | 89cm x 107cm | Code W
Charlotte Morgan To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM1 - Five Leaves
LWM4 - Black Stem
LWM2 - Yellow Stem
LWM5 - Two Stems
LWM7 - Twenty Eight Green Leaves
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM8 - Grey Stem
LWM3 - Twenty Eight Leaves, Blue
LWM6 - Two Grey Stems
LWM9 - Twenty Eight Yellow Leaves
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM10 - Fourteen Leaves
LWM11 - Six Eggs II
LWM13 - Nest and Eight Eggs
LWM16 - Three Nests
LWM12 - Little Flower
LWM14 - Four Seeds
LWM17 - Six Eggs
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM15 - Nest and Eggs
LWM18 - Stems
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM19 - In The Garden
LWM22 - Split Seeds III
LWM21 - In The Garden II
LWM20 - Seed
LWM23 - Standing Seeds
LWM25 - Three Leaves
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM26 - Split Seeds II
LWM24 - Split Seeds IV
LWM27 - Two White Seeds
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM28 - Study in Ten II
LWM29 - Forest IV
LWM31 - Forest III
LWM34 - Broken Path
LWM32 - Tail
LWM35 - Forest II
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM30 - Study in Eight II
LWM33 - Forest
LWM36 - Purple Square
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM37 - Spots
LWM40 - Layered
LWM38 - Yellow Form
LWM39 - Turn
LWM41 - A Moment Beyond
LWM43 - Yellow Stems
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM44 - Star Flowers
LWM42 - Two Stones
LWM45 - One Hundred and Sixty
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM46 - Void
LWM47 - Eucalyptus Leaves
LWM50 - Grey Striped Form
LWM49 - Repeat
LWM52 - Pips
LWM53 - Ploughed
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM48 - Pink Curve
LWM51 - Repeat II
LWM54 - Orange
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM64 - Green Curve II
LWM65 - Mound
LWM67 - Leaf Shadow II
LWM70 - Yellow Form II
LWM66 - Black Form
LWM69 - Leaf Shadow
LWM68 - Bud
LWM71 - Blue Sculpture
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM72 - Camellia Bud
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM55 - Indigo Green
LWM58 - Camellia Bud
LWM57 - Cut Paper
LWM56 - Blue Leaf
LWM59 - Brown and Blue
LWM61 - Cut Paper VI
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM62 - Purple Curves
LWM60 - Red Leaf
LWM63 - Cut Paper, Pink and Yellow
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM73 - Float
LWM76 - Wide Opening II
LWM75 - Arrangement
LWM74 - Entrance
LWM77 - Two Blue Voids
LWM79 - Dancing Triangles
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM80 - Exit
LWM78 - Wide Opening
LWM81 - Edge
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM82 - Opening IV
LWM83 - Curves
LWM85 - Cut Paper
LWM88 - Walls to Four Sides
LWM84 - Opening II
LWM86 - Surrounding
LWM89 - Happy Shapes
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM87 - Curves II
LWM90 - Study in Eight
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM94 - Garden Gate, Fawn
LWM95 - Enclosure
LWM96 - Garden Gate, Cream
LWM91 - Fence and Pen
LWM92 - Garden Gate
LWM93 - Stone Pen
LWM100 - House II
LWM101 - Blue and Other Colours
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM98 - Gate
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM113 - Three Trees
LWM106 - House III
LWM121 - Three Leaves II
LWM108 - House
LWM119 - Cowslip Seeds With Spots
LWM109 - Eucalyptus I
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM104 - Opening
LWM102 - House III, Orange
LWM111 - Eucalyptus II
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM103 - Folded Forms
LWM112 - In-between II
LWM99 - Folded II
LWM116 - Bud II
LWM97 - Folded III
LWM105 - Folded IV
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM114 - In-between
LWM125 - Two Loops
LWM117 - Trio
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
LWM115 - Spotted Leaves
LWM118 - Linear Drawing, Green
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
LWM122 - Linear Drawing I
LWM120 - Linear Drawing II
LWM123 - Three Leaves
LWM124 - Linear Drawing III
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com
EMMA LAWRENSON
TROWBRIDGE Emma Lawrenson Catalogue
USA Orders: T: (1) 404 816 8612 F: (1) 404 816 7181 E: sales@trowbridgegallery.com
LONDON: 555 Kings Road, London SW6 2EB T: +44 (0) 20 7371 8733 F: +44 (0) 20 7371 8138
CASTLE CARY: 2 Market Place, Castle Cary Somerset, BA7 7AL T: +44 (0) 1963 351 212 F: +44 (0) 1963 351 717
Small: 25” x 22” | 26cm x 64cm | Code H Large: 33” x 29” | 81cm x 71cm | Code L
UK and World Orders: T: +44 (0) 1892 667 600 F: +44 (0) 1892 667 007 E: sales@trowbridge.co.uk
ATLANTA: 240 Peach Street, 14th Floor Suite A-5 Atlanta, Georgia 30303 T: (1) 404 749 5017 F: (1) 404 749 5021
HIGH POINT: Open only during market Suite 2A, C+D Building High Point, NC 27260 T: (1) 336 886 3549 F: (1) 336 886 3199
Medium Jumbo: 43” x 51” | 109cm x 130cm | Code T Jumbo: 35” x 32” | 89cm x 107cm | Code W
www.trowbridgegallery.com To Order: US (1) 404 816 8612 | UK: +44 (0)20 7371 8733 | Email: sales@trowbridgegallery.com