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One of the largest collections in the world
COLECCION
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Bridge for Design London 2016
ALEXANDRA UK
Furniture | Bath | Lighting | Textiles | rugs & accessories
www.coleccionalexandra.co.uk 01904 677 063
01904 677 063
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Introducing your new
Little Black Book Access the world’s finest products Complimentary sourcing Exclusive trade pricing Bespoke commissions Effortless logistics www.luxdeco.com
Architectural Domes TROWBRIDGE GALLERY
Bridge Bridgefor forDesign DesignSummer London 2015 2016
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CONTENTS 22 Design News 14 pages of the latest from 52 58 60 70
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the world of interior design Beautiful Bedrooms Beds that are so beautiful, it’s as if they were from a dream Colourful Bedrooms Chris Ward says that this year is all about exciting and bold design choices Fabrics & Wallpaper New from Linwood Fabrics, The Silk Gallery, Trade Linens, de Le Cuona, Rubelli and more A Taste of the Orient Hand painted decoration and their meanings add exceptional character to interior design says Jemma Page Branded by Luxury The best fashion furniture never completely forgets its origins or why it is there says Theo Mance
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74 Simple Technology Technology is here 76 78 84 88 90
to stay because it makes life easier, more enjoyable and saves time says Matthew Tillman Luxurious Finishes A fresh look is necessary in a world that is driven by a desire to reinvent itself says Simon Orrell Geometrics Geometrics spark interest, it’s simple mathematics Outdoors Latest collections from David Harber, James Latham, Summit Furniture, Leisure Plan and more Kitchens Stunning kitchen designs from Tom Howley, Higham Furniture and Officine Gullo Bathrooms Latest collections from Oasis, Original bathrooms, Catchpole & Rye, Vogue UK and more
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CONTENTS 94 Lighting New from Christopher Wray, 98
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Charles Bateson, Valerie Wade, Andrew Kornat, Curiousa & Curiousa and more The Wonder of Lighting Light sources are one of the most important decorative features in any interior and adds wow factors says Mari Janiq Rugs & Flooring Latest from Bazaar Velvet, Atlantico Rugs and Custom Carpet Company Add Base to your Space Edison Teixeira Abidi loves a punchy interior, something that kicks and makes you think Luxurious Living Rooms Putting the ‘life’ back into living rooms that are truly the heart of the home
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Knightsbridge apartments offer unrivalled luxury 112 Ebury Square Interior design company Katz designed luxury apartments in one of the most prestigious residential projects of London - Belgravia 118 Jane Churchill From the pavement the house looks modest but as you open the front door a view of unexpected drama is revealed 126 A Chelsea Townhouse The brief was to create an open-plan family home that was warm and colourful, and showing artistic expression without looking over styled, in the well-heeled area of Chelsea
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The secret of a memorable night’s sleep
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CONTENTS 132 Hypnos ‘secretly’ knows that it is a supremely comfortable bed that is at the heart of a truly memorable night’s sleep. With over 100 years
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experience of making made-to-measure beds, using the finest natural materials, and with a Royally
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Approved reputation for hand crafting the most comfortable beds in the world, it is no surprise that Hypnos beds and their sublime comfort can be
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John Street Beyond an austere facade this Georgian home zings with colour and energy more Palm Springs than Bloomsbury Anthony Collett This Grade Ⅱ London flat is an exciting space full of colour and texture The Star & Garter Creating a luxurious three bedroom apartment overlooking the lush meadows of Richmond and the meandering river Thames Jeffrey Bilhuber When an American family with young children moved to London, they wanted to bring energy and wit to British tradition Thomas Griem Bringing a New York airy loft living to a London mews house by seamlessly joining functionality with style
found in the finest homes, palaces and hotels.
T: +44 (0) 1844 348200 | E: designer@hypnosbeds.com www.hypnosbeds.com Hypnos proud to CarbonLondon Neutral, complying with BS PAS 2060 Standard. forbeDesign 2016 16 isBridge
Cover story: London Townhouse designed by Studio Indigo featuring Simon Orrell’s Blacklip Two Doored Cabinet photographed by Andreas von Einsiedel Interiors Read Simon Orrell’s viewpoint article on page 76
dorya interiors exclusively available through interio uk www.interio.co.uk Interio Showroom, 555 Kings Road, London SW6 2EB, +44 1202 717017, sales@interio.co.uk
PUBLISHER Martin Trowbridge
+44 (0)20 7493 4444
Martin@bridgefordesign.com
EDITOR
Rob Cork
Rob@bridgefordesign.com EDITOR’S ASSISTANT
EDITORIAL
Wigmore Street W1 · Harrods SW1 · King’s Road SW10
CHIEF SUB-EDITOR COPY-EDITING
Tammi Bell Tammi.B@bridgefordesign.com Katy Briscoe
ADVERTISING ADVERTISEMENT DIRECTOR
Vivien Brockwell +44 (0)173 246 1090 +44 (0)786 754 7712 Vivien@bridgefordesign.com
UK ADVERTISING
Simon Hemsley +44 (0)791 937 5159 Simon@bridgefordesign.com
US ADVERTISING
Shelba Cornelison 001 336 869 2528 Shelba@bridgefordesign.com
CONTRIBUTORS EDISON TEIXEIRA ABIDI
www.deirdredyson.com
JEMMA PAGE
www.orchidfurniture.co.uk
CHRIS WARD
www.hypnosbeds.com
MARI PAULINA C. JANIQ SIMON ORRELL THEO MANCE
From £7,500 to £125,000
Kelly Davies Kelly.D@bridgefordesign.com
MATTHEW TILLMAN JINN KIM-INOUE
www.mariianiq.com www.simonorrelldesigns.com www.kofc.co.uk www.tillmandomotics.com www.finchatton.com
DMITRY HOLOMYOV & STAN KATZ
www.katzhq.com
NILOUFAR BAKHTIAR BAKHTIARI
www.nbbdesigns.com
REBEKAH CAUDWELL ELLEN LEEDHAM THOMAS GRIEM
www.rebekahcaudwelldesign.com www.sunainteriordesign.com www.tg-studio.co.uk
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ACCOUNTS FINANCE DIRECTOR ACCOUNTS
Sara Davies sara@bridgefordesign.com Cisca Cowling Cisca@bridgefordesign.com
SUBSCRIPTIONS BRIDGE FOR DESIGN
SLEEP BEAUTIFULLY
Subs@bridgefordesign.com +44 (0)189 266 7600
www.bridgefordesign.com 16 Sybron Way, Jarvis Brook, East Sussex, TN6 3DZ, United Kingdom T: +44 (0)1892 667 600 F: +44 (0)1892 667 007 E: enquiries@bridgefordesign.com
The world’s most comfortable bed, hand made in London
savoirbeds.co.uk
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Paris
New York
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Hong Kong
Shanghai
Copyright 2015 BRIDGE FOR DESIGN, TROWBRIDGE Gallery, ISSN 1764-4404. Printed by Pureprint Group, Bellbrook Park,Uckfield, East Sussex TN22 1PL, T: 01825 768811. Published quarterly. All rights reserved. Reproduction in whole or in part without prior written permission is strictly prohibited. The views expressed by contributors are independent and are not necessarily those of BRIDGE FOR DESIGN
good Morning ! we believe that day and night are one. sleep well, live better with a Vispring bed.
london - new york - paris - Milan - berlin - Moscow - beijing - Hong kong
Jiin Kim-Inoue
OUR DESIGNERS Rebekah Caudwell
Rebekah Caudwell imbues each project with spirit and soul. She believes in creating something personal, warm and expressive, rather than the cold showroom design so prevalent in today’s interiors. Rebekah has a bold and exciting aesthetic, is unafraid of risks, and is strong with both colour and pattern, unashamedly referring to herself as a maximalist. www.rebekahcaudwelldesign.com
Dmitry Holomyov & Stan Katz
Ellen Leedham
Suna Interior Design is an award-winning boutique interior design consultancy which provide interior services for property developers and the hospitality industry. Ellen Leedham was the designer for the Star & Garter project where she was briefed to create a design that reflects the ultimate in luxury which resulted in an exceptional home. www.sunainteriordesign.com
Katz has a 10-year heritage of delivering exceptional results within the luxury real estate sector and their wealth of experience continues to grow through prime residential projects and select hospitality or retail projects. Born out of a philosophy and experience of its founders Dmitry Holomyov and Stan Katz, the practice has grown into one of the most successful companies in its field. www.katzhq.com
Jeffrey Bilhuber
Jane Churchill
Thomas Griem
Jane is internationally renowned for classically elegant interiors and contemporary flair. Throughout her career, Jane has completed a huge range of projects and her expertise has been called upon to work with everything from London townhouses, country homes, restaurants, a box at Ascot racecourse and even the interior of a Rolls Royce! www.janechurchillinteriors.co.uk
Niloufar Bakhtiar Bakhtiari
Niloufar established her own interior design studio, NBB Design in 1999, specialising in the complete design, specification and implementation of exclusive interior and exterior spaces. With a dedicated team of experienced builders and specialist suppliers, Niloufar has created a unique decorating style and a level of service that is unparalleled. www.nbbdesign.com
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Jiin Kim-Inoue is head of design at Finchatton and creates interiors for private homes and new build developments. Jiin’s winning formula is one of luxurious finishes combined with sophisticated stylings and an inherent understanding of what luxury really means - absolute comfort. www.finchatton.com
Bridge for Design London 2016
Jeffrey Bilhuber has a uniquely American perspective that breathes new life into traditionalism with a confirmed understanding of modern sensibilities. He mixes periods and design ideas with a confidence and instinctive style whose rules are self-evident: practicality and sheer beauty. Bilhuber has been published in more than two hundred design books. www.bilhuber.com
Thomas Griem is the founder and director of TG-Studio, his 20 years’ experience spans from residential, retail and office schemes in international locations from Hong Kong to New York. Thomas studied in Berlin and London, where he won the Hubert Sands Memorial Award, and graduated with a BA and a diploma in Architecture. www.tg-studio.co.uk
Collett-Zarzycki
Collett Zarzycki, owned by Anthony Collett and Andrzej Zarzycki, is best known for working within the historic tradition of classical architecture and have a natural tendency towards the formal approach to design. The practice believes that the design process should be an evolutionary one. www.collett-zarzycki.com
A r c a dia
For more in for m a t i on a n d t o or d e r samp l e s p l e ase vi si t www. l i nBridge wofor o dDesign f ab London r ic . c o2016 m
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DESIGN NEWS
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HESNEY’S
The Pittsburgh fire surround has been designed exclusively for Chesney’s by acclaimed New York designer Eric Cohler. Featuring a Classico limestone frame with riveted brushed steel panels, this fireplace has a deliberately industrial look that brings a new level of urban chic to the most contemporary. T: +44 (0) 207 627 1410 | www.chesneys.co.uk
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INE CELL WORK
is a charity and social enterprise, founded in 1997 with the aim to enable prisoners to develop new skills. With the introduction of sophisticated stitching and applique work to decorative interior furniture, it has sourced original designs from antique textiles to create a line of furniture that looks good and has a strong design element. T: +44 (0) 207 931 9998
www.finecellwork.co.uk
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ULIAN CHICHESTER
Bringing a sense of utilitarian glamour to your room, the Brooklyn Bedside is reminiscent of 1940’s West Coast furniture. This stylish dressing table is wrapped in Zinc sprayed Faux Shagreen and features contrasting Lucite legs with brass detail. Its simple but beautiful design will bring functionality and charm to any bedroom scheme.
T: +44 (0) 207 622 2928 | www.julianchichester.com
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Makers of fine contemporary furniture and interior joinery | Bedrooms | | Dressing Rooms | | Libraries | | Kitchens | | Offices | | Cinemas | | Media Rooms | | Wine Rooms | | Console Tables | | Interior Doors |
01743 464080 enquiries@isis-furniture.co.uk www.isis-furniture.co.uk
design news
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OBEYS
Marvik is part of the unique Panoramic collection of fireplaces by Italian stove makers Piazzetta, offering a 360 degree view of the fire with an up and down glass door mechanism for ease of access. The curved glass and beautiful majolica cladding are designed to bring elegance to today’s modern, open plan living. T: +44 (0) 177 382 6085 | www.robeys.co.uk
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WEETPEA & WILLOW
Sweetpea & Willow offer an extensive collection of French inspired furniture and eclectic accessories. Founded by design duo Jacquie and Matt Dunton and driven by their love of ornate and eclectic interiors, every item has been personally sourced. T: +44 (0) 345 257 2627
www.sweatpeaandwillow.com
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ICTORIA STAINOW
Designed by Claudio Gonzalez for Victoria Stainow, the Miroir De La Mer is inspired by nature. Cast from an extremely rare Ormeau shell found during an archeological dig on the French Island of Molene, the Miroir is finished with customised silver, gold or bronze plating making it ideal for any installation. T: +44 (0) 795 611 3779 | www.victoriastainow.com 24
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Chimneypieces | Lighting | Furniture
T +44 (0) 20 7730 2122 | jamb.co.uk
design news
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LATONIC FIREPLACE COMPANY
Create a spectacular centrepiece with a ‘through’ fireplace from The Platonic Fireplace Company. These social spaces allow the division of a room whilst still allowing the eye to see through to the space beyond. A stunning feature wall that can become the focal point of any home or hotel design project.
T: +44 (0) 208 891 5904 | www.platonicfireplaces.co.uk
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ORT ROYAL
Specialising in wrought iron work, Ferronnerie Betemps employs unparalleled virtuosity to manufacture gates, railings, balustrades, verandas, light fixtures and furniture in classic, 1930s and contemporary styles. Uniquely designed for each project, these ornate structures add a delicate beauty to functional designs making them a work of art in
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RANGE LONDON
Grange uses its traditional and innovative craftsmanship to create statement furniture for refined interiors. The Haussmann sideboard is one of its crowning pieces, showcasing the detailed craftsmanship in its graceful, soft, clean lines and noble, refined materials. Suitable for a hallway, dining or living space, this sideboard is the personification of timeless modernity and understated elegance.
T: +44 (0) 207 935 7000 www.grange.fr
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design news
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IMON HORN
Simon Horn’s Mirrored Obelisk is a brilliant, contemporary four-poster combining the glamour of mirrored glass with the luxury of mahogany. See this statement bed at Simon Horn’s Kings Road flagship showroom.
T: +44 (0) 207 731 3555 | www.simonhorn.com
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ESLEY BARRELL
The Bladon wing chair pictured is upholstered in Chedworth teal and is one of 11 new in-house collections recently introduced or extended by Wesley Barrell. The Chedworth collection is comprised of a practical viscose mix chenille with a chevron weave and is available in 18 sumptuous jewel colours, all selected to provide variety whilst ensuring they each sit harmoniously with one another.
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CHRE
Ochre’s dramatic seed cloud installation features 34 LED lights housed in individual glass drops, which hang in a cluster from a ceiling canopy available in either dark bronze or satin nickel. This dramatic piece is a contemporary take on the classic chandelier, and is a great way to naturally draw the eye to a lower level and focus on a particular area within a room’s scheme. www.ochre.net
CATCHPOLE & RYE KENT ENGLAND
EXCLUSIVE
LUXURY
BATHROOMS
L O N D O N • T U N B R I D G E W ELL S • A S H F O R D
T. 020 7351 0940
www.catchpoleandrye.com
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design news
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THIS ONE
UXDECO
Channelling coastal elegance, LuxDeco’s Spring-Summer collection takes inspiration from the beauty and relaxed pace of bayside life. Tranquil tones - from deep azure to sea foam green - complement sandy backdrops, organic treasures offer inspired counsel for accessorising in a naturally effortless way and country silhouettes achieve a manor-like aesthetic. T: +44 (0) 203 586 1536
www.luxdeco.com
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AHRS
Kährs has introduced Chevron - a new collection of patterned wood floors. Available in four on-trend colour tones and with bevelled edges to enhance the pattern, a classic parquet-look can be achieved with speed and ease. This eco-friendly engineered format is ideal for installation over underfloor heating and guaranteed to give any room the wow factor. www.kahrs.com
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ONATHAN CHARLES
Sophisticated and elegant, this delicate curved Art Deco inspired writing desk from the Opera Collection by Jonathan Charles is made using figured sycamore veneer. Its soft pastel grey toned finish is offset by Dark Chocolate legs and complemented across the drawers by brushed brass hardware.
T: +44 (0) 114 245 2777 | www.jonathancharlesfurniture.com
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VEEDON FLEECE
A custom weaving house specialising in hand woven carpets
Purely bespoke and exclusively to design specification Muga ~ Pashmina ~ Silk ~ Veedon ~ Wool www.veedonfleece.com veedon@veedonfleece.com Telephone: 00 44 (0)1483 575758
design news
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INGS OF CHELSEA
Kings of Chelsea showcase their Vermeer Central Table in half Oak Mat Wengè and half marble black marquina. A stunning and unique geometric piece - it is displayed here with the monochromatic floral Rubens Sofa and the Modular Bookcase Bee with leather and nickel finishing, showing how perfectly it can be fitted into the busiest of design schemes. T: +44 (0) 207 751 4586 | www.kofc.co.uk
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AGO DESIGNS
The new square acrylic finials by Jago Designs are a stunning addition to their existing collections. This range of contemporary designs will bring a touch of class and reflected light to any window dressing and is made to the same high quality and design standard that the company is synonymous with. www.jagodesigns.co.uk
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URIOUSA
Curiousa & Curiousa’s lights use the free glass blowing technique to create luxuriant, glass pendants that add a soft hue of colour to any room. Blackpop’s elegantly distressed wallpapers, fabrics and furniture punk up the rich tapestry of the past to create opulent yet random anarchic patterns for stately homes of the future. Their collaboration on an exciting new London retail venture will prove a popular addition to further fire the imaginations of interior designers. www.curiousa.co.uk | ww.blackpop.co.uk
HIGH FASHION HIGH PERFORMANCE
Represented by
Summit Furniture 3/24 Chelsea Harbour Design Centre London SW10 0XE +44 (0)20.7795.3311
nomiinc.com
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design news | people
What The Dickens Lucy Dickens calls herself “a people watcher, a nosey parker with a vivid imagination”. As a true Dickensian, she observes and records London life, with a gentle satirical take on her subjects. She loves the glitter and the gold of grand hotels, especially the Ritz, Piccadilly, where the waiters, the porters and the barmen quietly attend to the orders of lipsticked, blue-lidded ladies in body-con frocks, blow dries and high heels. Palace hotels and fancy restaurants are “wonderful stages” she says,“full of pomp and circumstance, costumes, uniforms and old traditions enacted daily as the guests come and go.” Her critique, layered with wit, is not savage, though it has unconscious echoes of the more ferocious style of English painter Edward Burra (1905-1976) who captured the dapper dudes of 1920s Harlem, New York, Paris and Marseilles, as well as the genteel tea shops of East Sussex. Lucy thinks of herself as a camera, a painterreporter sitting quietly in the Ritz lounge with her coffee and biscuits, making little sketches of people chatting, or simply promenading, her eyes darting about to capture scenes from any angle. These sketches turn into full scale paintings in her North London studio. 34
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In her own words: “My characters are based on real people, but they become larger than life as the painting progresses. What’s the story with that group of men in the hotel bar? Are they planning a heist? Or just discussing a board meeting? What about that woman in the red dress? Is she a hooker? A trophy wife? Lucy Dickens began her career as a full-time artist in 1990. After a spell as a fashion stylist for Conde Nast, she became a freelance illustrator, working for the Financial Times, The Daily Telegraph, The Daily Mail, Vogue, Brides, Harpers Bazaar and Tatler. She began to paint while writing and illustrating a series of children’s books, which were successfully published in London and New York. Her particular gift is to convey the spontaneity of the scene before her. That edgy Central London glamour that she knows so well from years working in Berkeley Square, informs her work, though the Waldorf Astoria, Manhattan produced a fascinating insight or two during a recent trip to New York . www.lucydickens.com
T R U L Y B E S P O K E D R A P E RY H A R DWA R E
SINCE 1800
www.tillysinteriors.com
design news
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AVOIR BEDS
Luxury bed maker Savoir unveils its latest timeless design, Winston 04. Upholstered in soft, buttery tan leather, this bed has an authentic feel, whilst its modern slim boxspring offers a contemporary edge. Angled brass legs and square stitched panels inspired by Corbusier’s Barcelona chair give this design a current look that will survive the trend-driven world of interiors and remain a style classic. T: +44 (0) 208 838 4838 | www.savoirbeds.co.uk
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RTMAX
This striking new introduction from Artmax brings together some of the best design elements including unusual polished door pulls and a clear mirror top surface - creating a stylish silhouette for any room setting. T: 001 773 376 6266
www.artmaxfurniture.com
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ADDONSTONE
Taking house and garden to new levels of grandeur, Haddonstone has a collection of traditional, classical and contemporary designs to add detailed enhancements to your home. A range of porticos, follies, balustrades, fountains and planters allows an endless possibility of luxury augmentations to the exterior of any design property. T: +44 (0) 160 477 0711 | www.haddonstone.com
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Proudly British
Showrooms: Witney 01993 776682 London W1 020 7629 2019 Guildford 01483 537717 Manchester 0161 834 7466 These showrooms are open on Sundays. Trade & International Email: trade@wesley-barrell.co.uk Enquiries: 020 7629 2019 Web: www.wesley-barrell.co.uk
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OCHE BOBOIS
Roche Bobois’s new Spring Summer collection includes Trocadero, an elegant range of exquisitely crafted walnut, ash and patinated brass furniture designed with luxury residential projects of every scale in mind. Made to order in France, Trocadero is available in a number of different finishes and dimensions. T: +44 (0) 203 696 9620
www.roche-bobois.com
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OOMAH
The Vista Collection from Loomah is influenced by urban and rural landscapes, with inspiration taken from colours and patterns that have been created by our surroundings to create a selection of stunning abstract designs. The Arden uses a combination of cut and loop piles in contrasting materials to emulate the texture of tree bark, making a spectacular statement that will really bring the outside to your interiors. T: +44 (0) 207 371 9955 | www.loomah.com
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Impressively ... … silent … fast … powerful
The new Silent Gliss 5600 curtain track system provides benchmarking technology based on outstanding Swiss innovation which meets the complex demands of modern architecture. Silent Gliss 5600 – the world’s most silent curtain track.
www.silentgliss.co.uk
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design news
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OLECCION ALEXANDRA
The BOWIE sofa is Coleccion Alexandra’s homage to the late David Bowie. Upholstered in a beautifully soft-buttoned velvet, and finished with a deep leather trim, this piece is a wonderful contrast of retro style and extravagant contemporary flourishes. A fitting tribute to the ever-evolving Rock God that was David Bowie. T: +44 (0) 190 467 7063
www.coleccionalexandra.co.uk
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YPNOS BEDS
Leading bed manufacturer Hypnos have created luxury storage solutions with their extensive new range of bespoke divan bases with in-built storage – perfect for creating a functional and clutter free bedroom. The range, including its super storage divan with hydraulic opening system, is an effortless way to create more space in your room without compromising on quality or aesthetics.
www.hypnosbeds.com
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ILLYS
Tillys Interiors create beautiful bespoke drapery hardware. Their recently launched ‘impassioned metals’ collection is a unique product in a class of its own, bringing out the true beauty that lies within the depths of copper and chrome. All designs and finishes can be tailored to specific applications allowing designers to really unleash their imagination.
T: +44 (0) 239 225 2525 www.tillysinteriors.com
ROBERT LANGFORD LONDON
IN STOCK OCCASIONAL FURNITURE AVAILABLE NOW
TRUSTED BY THE WORLD’S BEST DESIGNERS
VISIT OUR KINGS ROAD SHOWROOM TO SEE THE FULL RANGE
WWW.ROBERTLANGFORD.CO.UK
T: 0207 352 1876 533 KINGS ROAD, LONDON SW10 0TZ Bridge for Design London 2016
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design news
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SPRESSO DESIGN
This stunning ‘Timeline’ kitchen in lacquer and wood is on show at Espresso Design’s new Design Centre showroom in Chelsea Harbour. With clean, defined lines and revolutionary hardware, Espresso’s new range brings a fresh new approach to work space in the kitchen, making functionality and practicality into a design statement.
T: +44 (0) 207 078 9912 | www.espressodesign.co.uk
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ARSHALL & STEWART
The Rockingham upholstered Headboard from Marshall and Stewart can be furnished in any fabric and is available in any dimensions to fit your specific requirements. When matched with a divan upholstered in coordinating fabrics and dressed with Italian linen from their range of beautiful high thread count designs, you can be sure to make the bed a focal point in your scheme. T: +44 (0) 207 099 6131
www.marshallandstewart.com
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ITRA
Full of character and period touches, the Elegance collection by Vitra is the perfect choice for traditional and eclectic styled bathrooms. With its refined lines and elegant proportions, Vitra’s sanitaryware instantly gives the bathroom an unforgettable sense of grandeur, turning an ordinary space into something opulent and luxurious. www.vitra.co.uk
Compositions Collection
f i n d yo u r i n n e r p e ac e
MAISON DE DÉCORATION London 594 Kings Road - SW6 2DX 0207 935 7000 / grangelondon@grange-home.com WWW.GRANGE-LONDON.COM
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design news
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RLO & JACOB
Arlo & Jacob’s new leather collection comprises of two natural hides that are exclusively available for their latest designs - including the stylish and contemporary Pembroke sofa. Featuring a Rancher leather tanned with luxurious oils to create a rich deep colour and a family friendly Medal leather which is a naturally grained pigment hide with extra finishes to enhance its durability.
T: +44 (0) 333 222 1941 | www.arloandjacob.com
Inspired by Innovation
Portfolio, a brand new collection which blends superlative craftsmanship and innovative technology, with a gorgeous array of colours, textures and styles. Created around four inspirational themed ranges, each door - whether from Portfolio’s ‘Natural’, ‘Exotic’, ‘Contemporary’ or ‘Classic’ range - offers real personality. With inspiration coming from a host of sources Portfolio’s design team took cues from headline interior and catwalk trends - the range offers designers, specifiers and architects luxurious pieces with no compromise on quality. The Natural range - Scandinavian doors with a luxurious look would suit traditional spas or intimate restaurants. The Exotic range - Wenge and Ebony, offering fiery shades and tempting textures. Both deliver a dramatic, evocative and exciting twist for any space. The Contemporary range, with its clean lines and fresh design, takes its inspiration from all things modern. When added to a slick, city apartment or stylish bar, the doors - there are nine styles in the range - really come into their own. Complementing the design team’s inspiration for classic features, the Classic range comprising of six beautifully-finished doors. From quality materials and rich shades, the collection brings a heritage feel and touch of elegance.
For a copy of our Portfolio brochure, or to request samples, please call 0844 209 0008
Birthwaite Business Park, Huddersfield Rd, Darton, Barnsley, S75 5JS Email: ukmarketing@premdor.com www.premdor.co.uk/portfolio
Real Veneers Consistent Grain Consistent Colour Never Identical
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EDLOH HOUSE
The latest collection from Redloh House Fabrics is the RP Miller Textiles, which pay homage to the designers’ grandparent’s collection of 18th and 19th Century Japanese art and woodblock prints. Abstracting the various themes and details in a new and modern graphic print with a colour palette of muted shades of indigo, dark red and grey, these fabrics are carefully designed to work both individually and together.
T: +44 (0) 207 371 7787 | www.redlohhousefabrics.com Premdor Trend Ad - BridgeForDesign (255x93).indd 1
22/03/2016 11:42
Best&lloyd are lighting up Fromental WE HAVE MOVED INTO THE FROMENTAL SHOWROOM CHELSEA HARBOUR 3.21 THIRD FLOOR, CENTRE DOME
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WWW.BESTANDLLOYD.COM
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design news
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ND SO TO BED
The HÊlène bedstead from And So To Bed is an exclusive piece inspired by the love of antique furniture and the Baroque and Rococo eras synonymous with the Chateau de Versailles. This timelessly elegant bedstead features exquisite detailing with intricately hand carved gold-leaf peacock feathers set against beautifully patterned hydrangeas, bringing a feminine and luxurious focal point to any bedroom. T: +44 (0) 808 144 4343 | www.andsotobed.co.uk
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ILENT GLISS
The Silent Gliss 5600 curtain track system provides benchmarking technology based on outstanding Swiss innovation which meets the complex demands of modern architecture. Impressively silent and fast, the Silent Gliss Move app also allows you to have complete control of your curtains and blinds whether you are at home or on the road, with programmable opening, or preset sunrise and sunset programming.
T: +44 (0) 184 386 3571 | www.silentgliss.co.uk
NEW WEBSITE NOW LIVE
ANDREW KORNAT DESIGNS www.andrewkornatdesigns.com +44 (0) 773 808 0098
Valerie Wade 108 Fulham Road, Chelsea, London SW3 6HS
020 7225 1414 info@valeriewade.com www.valeriewade.com
design news
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NDIAN OCEAN
The Berlin Chair and Table by Indian Ocean bring a strong sculptural element to the dining experience. The Berlin Chair combines a smooth aluminium seat with a cleanly angled teak leg structure, whilst the Berlin Table coordinates perfectly with smoothly contoured edges, giving the collection a modern, clean feel. www.indian-ocean.co.uk
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ARD & BRAZIER
Bard & Brazier’s beautiful towel warmer fitted in a Hertfordshire manor house is one of only 50 made in the last two years. It takes up to a week to fabricate in any size, finish or RAL colour. Lead times are currently 12 weeks and it is well worth the wait for such a unique sleek piece.
T: +44 (0) 121 270 2222 | www.bardbrazier.co.uk
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At Leisure Plan, outdoor living is clinking glasses around the finest dining furniture. It’s long, laidback sun lounging in the afternoon. It’s cosying up with the kids on plush, sumptuous seating. It’s bringing the best of the outside together in our showroom. It’s making an outdoor space that’s uniquely yours. leisureplan.co.uk
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OBERT LANGFORD
Robert Langford offer a wide range of spectacular made-to-measure headboards and beds, including the classic decadence of the hand-built deep buttoned headboard. Upholstered in a soft, chenille-style texture which adds an interesting yet opulent edge, these timeless headboards add a luxurious boutique feel and turn the bed into the statement piece of the room. T: +44 (0) 207 352 1876 | www.robertlangford.co.uk
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EEDON FLEECE
Enjoying a collaboration with students from the Inchbald School of Design, one of this year’s winning designs, ‘Finger Print’ by Daniel Mateus, joins Veedon Fleece’s latest contemporary collection.
T: +44 (0) 148 357 5758 | www.veedonfleece.com
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www.johnrichard.com
interio.co.uk Interio Showroom | 555 Kings Road | Chelsea London SW6 2EB | +44 1202 717017 Email: sales@interio.co.uk Bridge for Design London 2016
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BEAUTIFUL BEDROOMS
BEDS THAT ARE SO BEAUTIFUL,
IT’S AS IF THEY WERE FROM A DREAM
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design news | beautiful bedrooms
OPPOSITE: In the master bedroom of this Adirondack-inspired lodge in Aspen, the bed has been created from fallen branches found on the property, giving the bedroom a whimsical look. With the wooden walls as backdrop, this dramatic bed really gives the impression of allowing you to be sleeping in the treetops. Photograph - Simon Upton RIGHT: A dramatic black and gold mural creates a sumptuous backdrop to the bed in this room and the palette is picked up in the soft furnishings and rugs around the rooms. The use of so much gold gives the room a feeling of opulence and bounces the light around the room bathing it in a serene warm glow. Photograph - Simon Upton BOTTOM RIGHT: This minimalist bedroom features an unusual built-in concrete bed with spectacular views onto the jungle canopy beyond. Furnished simply with an African chair and industrial lighting, this room allows the views to speak for themselves. Photograph - Simon Upton BELOW: The hand-painted and gilded tester bed in this master bedroom was made by C. Robert Huggins and is a dominant feature in this room. Accents of colour are picked up in the end of bed seating, whilst the rest of the room remains neutral to allow the architecture of the bed to create the drama in the room. Photograph - Simon Upton
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design news | beautiful bedrooms
RIGHT: The four-poster bed stands proudly as the main feature in the centre of this exquisite bedroom.Tented with a mosquito net, it draws your eye up to the magnificent high ceiling that gives such a sense of space to this colonial style room. Photograph - Fritz von der Schulenburg BOTTOM RIGHT: This ornate dark wood, Portuguese,18th century bed is a commanding feature of this bedroom. Softened by cushions and pillows in a range of warm tones to throw the light reflecting off the mirrored wall and complimenting the colours from the Alberto Simon print above the headstead. Photograph - Simon Upton BELOW: A Portuguese, 18th century four-poster daybed takes centre stage in this bedroom. Cleverly positioned in front of a wall of glass to reflect the ornate and unusual bed head from every angle, it ensures the strikingly artistic bed is the clear focus of the room. Artwork by Shirin Neshat on the walls and bold geometric prints and fabrics on the bed help bring an artistic flair to this unique room. Photograph - William Waldron
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There is nothing so beautiful as something well made
www.marshallandstewart.com
020 7723 2925 Westend Bed Company, 215 Upper Richmond Road West, Sheen, London SW14 8QT (Opening April 2016). Bridge for Design London 2016
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design news | beautiful bedrooms
TOP: The bold and deep burgundy velvet of this bed’s upholstery makes a stark contrast against the surrounding walls and ornate white plasterwork arch. Bold geometric prints add a sense of symmetry to the room and bedside furnishings make this view of the bedroom a pleasing tableau. Photograph - Mark LuscombWhyte RIGHT: This spectacular tented four poster bed is positioned to maximise the views of the environment through the vast wall of glass, making it feel as if you are sleeping right in the heart of the wilderness. The elegant use of wood and neutral colours lets the view do all the talking in this simple yet breath-taking room. Photograph - Adrian Houston
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Luxury starts with linen
Tradelinens now offer a specific servicetailored to small hotels and private homes.
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design news | viewpoint
COLOURFUL BEDROOMS Spring and Summer are set to showcase a range of brave and daring design choices says Chris Ward
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hen Spring begins, homeowners start looking ahead and planning how to create a fresh, serene bedroom that will provide a relaxing night’s sleep. But what are the big bedroom trends for this season? This year, shoppers are increasingly embracing the idea of bringing luxury into their homes by blending the exciting and the relaxing to create a stylish room that will induce the ultimate restful night’s sleep. The last few years have seen function overtake façade, but this year is all about exciting and bold design choices coupled with bespoke, unique elements that will make the bedroom the sanctuary of the home. While homeowners have traditionally been more reserved in their approach to interior design, with many preferring muted tones, we’re now seeing an explosion of colour particularly in the bedroom. In 2015, it was clear colour and patterns were starting to emerge as the popular choices over duller shades of beige and cream that have historically been so popular, and 2016 shows no signs of this trend abating. Daring design-loving shoppers should opt for a touch of the dramatic this Spring with bold mustard yellow, burnt orange and deep blue shades in the bedroom. Those who prefer a more tranquil look should go for soft blush pink and cool grey paired with warm copper accessories in a bid to revamp their bedroom and make a real style statement. With this year’s pantone colour of the year named as Rose Quartz and Serenity, it’s clear there’s a real appetite for colour and expression rather than playing it safe and remaining neutral in the home. This Spring, it’s all about injecting personality into your interiors and creating a visual feast for the eyes and one of the best ways to do this is to make use of statement furniture. Often, the only way to truly create such a stunning centrepiece is to design an entirely bespoke item, made to exact requirements and tastes. Hypnos is increasingly producing unique bed designs that will create a focal point in the bedroom and give it the wow factor. This can be anything from a round bed through to the finishing touches. Headboards are set to be a big trend as they allow homeowners to create a daring centrepiece for their bed. Bolder, more striking colours are becoming increasingly popular as they can be used to inject a splash of colour to liven up a room. Consumers are also becoming increasingly eco-aware and looking for products that have been ethically sourced. With increased interest in the materials used in beds, responsible shoppers are looking for mattresses made with natural fillings, FSC or PEFC certified timbers and more and more bed and furniture manufacturers are now adjusting the specification of their products to ensure they’re more sustainable. Spring and Summer are set to showcase a range of brave and daring design choices, with the demand for unique, bespoke items continuing to grow as more and more shoppers look to make something special and ethical for their home. There’s no doubt that we can expect to see bedrooms across the UK looking bolder than ever, with a beautiful bed featured at the heart of them. Chris Ward, Hypnos Marketing Director www.hypnosbeds.com 58
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FABRICS WALLPAPER
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INWOOD FABRICS
The new Arcadia Collection from Linwood celebrates the transcendent beauty of the English country garden, featuring seven new fabrics with floral designs. Historic designs from English, French and North American archives have been re-imagined with British flowers and a very English sensibility. Inspired fabrics that will undoubtedly inspire the sense of joy and peace found in a country house garden into the heart of your home. T: +44 (0) 142 546 1176
www.linwoodfabric.com
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HE SILK GALLERY
The Silk Gallery has a full range of stylish and luxurious curtains at its Chelsea Harbour showroom. These Manhattan curtains, embellished with their 10cm wide stainless steel braid to give a really modern feel, add a touch of elegance to any room. Resplendent in brushed silver tones they have a sumptuous feel and their light reflecting fabric will enhance any window dressing. T: +44 (0) 207 351 1790 www.thesilkgallery.com
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ARSEN FABRICS
The new fabric collection from Larsen Fabrics takes bold geometrics in a range of neutrals with a splash of ocean-inspired teal to give a fresh and contemporary feel. Each piece works on its own or can be mixed and matched with others in the range to give an eclectic yet coordinated look to your soft furnishings.
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design news | fabrics & wallpaper
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E LE CUONA
Savage Couture brings raw linens and couture artisan fabrics together to create new territory for interior design. Encapsulating a look that sums up adventurous glamour with twelve innovative designs imbued with sensory textures in a palette of metallic and soft neutrals, each underpinned by artisan techniques and handcrafted details. This classic cloth combines with silk, wool, parchment and metallics to create layers of luxurious textiles distinguished by their unique feel and iconic weight, in all its refined and rugged guises. T: +44 (0) 207 584 7677 | www.delecuona.com
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UBELLI
The Rubelli Design Studio has drawn on its experience, skill and knowledge of weaving coupled with ongoing research into technological innovation to incorporate threads of silk, cotton, metallic yarn, technical fibres in complex weaves to create fabrics that are unmistakable works of art. The ‘Queen Anne’ sofa is a precious lampas of refined lightness taken from a British early 18th century botanical pattern and doubled into two different metallic colours to achieve a new timeless design.
T: +44 (0) 207 349 1590 | www.rubelli.com
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RBANE LIVING
The Nomad Natural wall covering by Urbane Living is made from water lily leaves on a non-woven backing, and is a truly spectacular wallpaper that will instantly add glamour and depth to any interior space. Imparting the luxurious appearance of mosaic tiles, it displays all the subtle ripples and minor imperfections of the water lilies, giving each installation a distinct and unique look.
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MADE IN ENGLAND
HAND SCREEN PRINTERS AND WEAVERS OF FINE FABRICS AND WALLPAPERS 53 Chelsea Manor Street London SW3 5RZ 路 + 44 (0) 20 7352 5745 路 www.bernardthorp.com 路 sales@bernardthorp.com Bridge for Design London 2016
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IRKBY DESIGN
Kirkby Design are delighted to reveal the launch of an exclusive new velvet upholstery collection, “Underground�, an exciting collaboration with Transport for London in celebration of the 150th anniversary of the Underground.
T: +44 (0) 162 372 7691 | www.kirkbydesign.com
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CANDI LIVING
Mizo was brought to Scandinavia courtesy of the Mediterranean preference for tiles and mosaic patterns. The Mediterranean aura of this Scandi Living wallpaper comes originally from the 1960s and its characteristically warm and lively colours remain an appreciated design statement today which would fit with any contemporary installation.
T: +44 (0) 142 860 8050 | www.scandiliving.com
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OMO
A visual and textural delight, the Lomasi Wallcoverings collection by Romo combines exquisite design with alluringly tactile qualities and sophisticated shades. Oxidised metallic tones add a glamorous touch to modern geometrics and a dramatic antiqued floral, while shimmering beads depict ornate branches. Furthermore, a delicate emboss adds dimension and texture pared down designs on luxurious vinyl wallcoverings.
T: +44 (0) 162 375 6699 | www.romo.com
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Spring 2016 ColleCtionS
The Silk Gallery 25 Chelsea Harbour Design Centre London SW10 0XE T: +44 (0)20 7351 1790
F: +44 (0)20 7376 4693
E: info@thesilkgallery.com
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AN MANKIN
Dive into bold stripes and signature ticking by British fabric manufacturer, Ian Mankin. Fresh blue and pretty peony hues, add a coastal dash to classic and contemporary schemes.
www.ianmankin.com
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ORCA FABRICS
For 2016, Lorca has created a collection of sumptuous fabrics which take their inspiration from the decoration and architecture of the Eastern Mediterranean. This decorative collection features floral trails, woven domask, a lattice design, embroidered feathers and leaves, a woven tree of life and colourful stripes. Lorca also presents two upholstery designs in signature colours from the brand’s distinctive palette, such as fuchsia, lavendar, sky, orange, lilac and aqua together with more unusual tones of apple, canary and coral. T: +44 (0)208 812 3151
www.osborneandlittle.com
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RADE LINENS
Now you can get that boutique hotel feeling every night thanks to Tielle Love Luxury, the new retail arm of Trade Linens, luxury linen supplier to leading 5-star hotels for over 30 years. The range includes an extensive selection of 200 to 600 thread count bed and bath products, each offering the perfect balance between luxury and resilience. T: +44 (0) 144 284 3769
www.tradelinens.co.uk
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Console Saint Germain - Oasis Home Collection
www.oasisgroup.it
design news | promotion
KENSA DESIGNS
The exclusive designs from Kensa Designs are masterpieces of stylish sophistication! Each bespoke creation from their repertoire is a one off, exquisitely handcrafted with painstaking effort. The luxurious furniture is a harmonious amalgamation of the bold and rustic, modern and ethnic. The brand brings antique heritage back to life with artistic passion; carefully restoring its lost glory and adorning it with exquisite life-like paintings. The bespoke furniture is truly a connoisseur’s delight! T: +44 (0) 188 371 8910
www.kensa-designs.com
LEPORELLO DESIGN
Leporello Design produce a fantastic range of wardrobes, armoires, linen presses & TV cabinets to complement their Bedroom Furniture Collections. All handmade to order in their Surrey based production facility with the option to have made to bespoke sizes and fitted out to the client’s specifications. If you can’t find the exact piece you are looking for, give their design team a ring on +44 (0) 148 328 4109 who will be very happy to design something for you. www.leporello.co.uk
Gallery Muro
Gallery Muro has just published its Spring-Summer 2016 collection of original and very limited edition contemporary paintings, photography, glass and ceramics. Interior designers and other property professionals can request the digital catalogue and see more than 150 carefully selected artworks to buy, rent or commission. Themes include Colour, Line and Shape, Cities, Coast & Country and People. Prices range from less than £500 up to £10,000+. www.murofineart.com
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design news | viewpoint
Jemma Page, Orchid A member of the Chelsea Design Quarter T: + 44 (0) 207 384 2443 www.orchidfurniture.co.uk
A TASTE OF THE ORIENT Hand painted decoration and their meanings add exceptional character to interior design says Jemma page
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he continuing trend for shades of grey used for the blank canvas has given an important make-over to the use of colour in design projects today. Art galleries have long used grey for walls and backdrops as it is proven to propel colour to the fore - especially in the poor light of the temperate UK climate - whereas the more yellow tones of creams and beige perform slightly better in Mediterranean and tropical lights. As a result, vibrant colour is playing an increasingly important role in designer’s projects, with furniture and fabrics working even harder to appeal to this trend whilst the hunt for the statement, one off designs with the importance of provenance, is definitely rising. Asian design is a fusion of many different styles that range from the Chinese, the Japanese and the exotic Indian themes. But, for most, it is often dominated by the belief in oriental influences that have originated in the Far East several centuries ago. Hand painted decoration and the meanings in Eastern designs have added exceptional character to interior design for many years but, with the trend to have eclectic interiors - mixing the old with the new, there is an increasing amount of pressure to find statement items for both residential and commercial interiors. This is accomplished with Chinese items which definitely have a mystical feel to them. We have seen a rise in interest for pieces of furniture and accessories which have provenance in terms of a previous life. For example, the most common 70
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decoration to be found hand-painted on Chinese furniture includes bats symbolising good fortune, pomegranates whose seeds represent fertility, and pairs of dragons at play in the sky representing good luck. Oriental designs are largely inspired by colour and an Eastern themed interior is truly complete with vibrant accent hues that stand out when placed in a calm, neutral setting. For centuries it is said that every room should have at least one item of red in it; a cushion or an accessory. It is true that once a spot of red is introduced, the dynamics change and change again substantially if this item is removed. Large cabinets and altar tables in the traditional red oxide, a colour which represents extreme good fortune in Chinese culture, present beautiful centre-pieces or schemes. In the developing market, there seems to also be more interest in using cobalt blues, pretty pinks seen in blossom and jade green lacquers adding a texture to the modern scheme. This leaning towards bold, eclectic interiors where loud and clear focal points for on trend shades can cleverly and unexpectedly be introduced to a scheme lends itself to Eastern influences. Decorators will always need to combine neutrals alongside strong colours and the elegant touches of metallics which seems to continue to be a popular element. The exquisite golden tones alongside the black lacquer in Chinese furniture brings a warm, majestic finish to a living room. Now is the time for the versatility of Oriental furniture, with its vivacious colour palette and influences to move into the realm of interior design.
ADV Gruppo Editoriale
design news | viewpoint
Theo Mance, Kings of Chelsea Managing Director T: + 44 (0) 207 751 4586 www.kofc.co.uk
BRANDED BY LUXURY The best fashion furniture never completely forgets its origins or why it is there says Theo Mance
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here was once a time when fashion and interiors lived separate lives – the strutting peacock or bird of paradise happy to be admired in the public arena but perhaps lacking the same conscious excess in their domicile. Certainly the trappings of wealth, success and taste could be displayed at the palace, country house or chic pied a terre, but for the average European, the home would be a different world to the street. Reserved for friends and family, the interior was often functional, understated and above all, private. Surrounded by the trappings of everyday life, furniture’s function was to be robust, reliable and to offer longevity. The comings and goings of the vagaries of fashion did not extend to the shape of chair backs or the slenderness of legs, or at least not in these houses. The evolution of furniture has had more to do with the functional role it has played in the changing needs of the owner than reflecting the style of their dress. Of course furniture makers and designers over time have become fashionable in their own right – Chippendale and Sheraton in England, Molitor and Boulle in France to name just a few. But there is a difference here – these designers and makers were fashionable rather than fashion as we now know it. There was odd occasion that a designer of architecture or furniture would dabble across the arts – for instance Inigo Jones designing costumes for theatrical masques or AWN Pugin designing vestments for the church, but predominantly the worlds were separate. Also in the 18th and 19th centuries, though a serious subject, fashion was perhaps not accorded the personalities and characters of the more serious arts. It would be hard to be precise with a date at which fashion, art and furniture began to intertwine, but Whistler’s Peacock Room created at the height of the Aesthetic Movement around 1876 for Frederick Leyland could be said to bridge this gap. Whistler’s conception of an interior as a reflection of the 72
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lifestyle of the individual and all of their facets, began to understand that the home is also a complete expression of the inhabitant. Fast forward to the beginning of the 20th century and after the rise of the fashion designer as genuine artist (Paul Poiret, Mario Fortuny), fashion becomes disseminated through visionaries like Chanel and Dior - time progresses, and the access to high fashion becomes more attainable. Boundaries become increasingly blurred as fashion becomes not just clothes, but accessories, fragrances, and latterly the fashion houses move into interiors. Pioneers in the field really got to grips with the market as late as the 1990s but since that time it has been a growing market. Luxe brands lead the field especially as the predominant aesthetic is an international contemporary feel which means that the style can be transported to any global interior and still look relevant. Many high street brands have also followed suit, understanding the attraction that a complete immersive lifestyle in a brand can offer the customer. More recently fashion furniture has taken its lead from the avantgarde, affiliating itself, often more closely to the design than the fashion community. The best fashion furniture never completely forgets its origins or why it is there – the core of the appeal stems from the values that the fashion label upholds in the first place. The market for this furniture is increasingly clued up with design trends but also expects the finest quality, as befits a luxury brand. More so, there is a demand for bespoke pieces or couture furniture made with the same care and attention to detail that a fine piece of apparel might display. Increased competition to find something just that little bit different means that such manufacturers now have to be at the top of their game and that the application of a brand name alone isn’t always enough to win over the astute homeowner of 2016.
Inspiring homes for 25 years
artmax headquarters 4748 S. St. Louis Avenue, Chicago, IL 60632 p: 773.376.6266 • f: 773.376.6358 • e: info@artmaxfurniture.com www.artmaxfurniture.com
showrooms High Point: IHFC Design Center #D420 • Las Vegas: WMC Bldg. B, #B-467 Bridge for Design London 2016
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design news | viewpoint
Matthew Tillman, Tillman Domotics T: + 44 (0) 207 078 9302 www.tillmandomotics.com
SIMPLE TECHNOLOGY Technology is here to stay because it makes life easier, more enjoyable and saves time says Matthew Tillman
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here’s no backlash against home technology. Not if the interest in clever solutions for the home continues at its current pace. After all, most homeowners want a property that works efficiently and most people like an easy option. But still you’ll hear folk proclaiming that the design industry has had enough of these high-tech features and that technology is getting too complicated. Neither of these assertions are true. The amount of technology we are using is actually increasing. A smart phone seemed like a luxury in the not-too-distant past, but now it’s difficult to imagine doing everyday tasks without one. With the phenomenal rise in popularity of hand-held devices, it is not surprising that demand exists to use them to control our homes, just as we do other aspects of our lives. If there’s a shift in mood towards home automation, then it’s because this sector of the tech world has changed its focus. AV specialists used to be obsessed with equipment, but amongst the top integration firms it’s no longer about equipment. How the equipment works is more important. You don’t have to buy the very best kit to have a fully-functioning smart home, but try to save nickels and dimes on installation and you’ll end up with a system that doesn’t work. Home technology is thankfully much more customer-led than it used to be and customising and designing a system to suit the lifestyle of your client is what it’s all about. Even the most complicated of homes – with multiple electrical circuits and loads of programming to create pre-set lighting scenes for each room – can be made easy in the hands of a great integrator. Technology has to be simple to use or it fails in its primary function and what should be a fabulous positive soon turns into the exact opposite. A backlash against technology is, therefore, only against tech that doesn’t work, not the tech itself. It’s the installation that’s at fault. A good integrator will take a complete survey of your needs. They’ll provide detailed records of their work as well as making sure that the installation is as future-proof as possible. As long-standing home technology specialists, we’ve been called to many a property to repair a bad 74
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or outdated installation and been utterly dismayed at the lack of drawings and the failure to make provision for upgrades. At first glance, many home technology firms look impressive. They’ll dazzle you with an array of high performance speakers – and perhaps even be accredited in some way – but you really must (just as you would with an electrician or plumber) check out their credentials. What other architects and developers have they worked with? How satisfied are their existing clients? Can they cope with the size and complexity of your project? Tech might have got a bad name in some corners, especially amongst designers with a strong sense of aesthetics, because a lot of it is black – and sometimes big – and this might be at odds with a beautifully decorated interior. For every client who wants to show off his speakers or place a 64” screen above a fireplace, many more clients like to be discreet with their tech. Neither comfort or style needs to be sacrificed in the bid to create an efficient, modern home and we go to a lot of trouble to create bespoke mechanisms that can be hidden in cabinetry or speakers that can be painted in to the plasterwork. A glance at the property pages suggests this is so. There’s many a prestige home – even historic, listed properties – that are proudly featuring technology as a selling point. Very often some of the showier features – such as a fully-functioning home cinema or wine cellar with electric sommelier – may be tucked away in a basement, but the rest of the house will wear its high-tech hat much more subtly. Each room will have a small touchscreen panel where there are four or five pre-set lighting scenes to choose from. Pick up the iPad on a coffee table, select the room you’re in and the blinds can be moved to half-mast at the touch of a button, the music playlist accessed and the flame lit in the fireplace. If you’re about to go out, the whole house can be shut down in an instant. It really can be that simple and that’s why technology is here to stay because it makes life easier, more enjoyable and saves time. It can even save energy – and that has to be good.
THE ART OF FLAME Phoenix Wharf, Eel Pie Island, Twickenham TW1 3DY Tel: 020 8891 5904 Email: gabrielle.platonic@gmail.com www.platonicfireplaces.co.uk
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design news | viewpoint
Simon Orrell, Simon Orrell Designs Founder T: + 44 (0) 207 371 9339 www.simonorrelldesigns.com Photograph: London Townhouse designed by Studio Indigo photographed by Andreas von Einsiedel Interiors
LUXURIOUS FINISHES A fresh look is necessary in a world that is driven by a desire to reinvent itself says Simon Orrell
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hat makes one interior distinct from another is the clever curating by an interior designer of colours, textures, materials and styles to create something that suits the client and their architectural space. Handmade finishes have a huge role to play in that process and can help the design professional achieve a truly original look. Included in the armoury of finishes that a design professional should have at his fingertips are a number of handmade surfaces that can be applied not just to furniture and accessories, but also to wall finishes and other architectural elements. Shell, shagreen, straw marquetry, mica, parchment, gesso and cracked eggshell offer distinctive effects and are expensive enough to avoid becoming too mainstream. At the highest end of interior design, there’s a lot of interest at the moment in different shells – kabebe, black lip, mother of pearl, hammershell, tiger brown lip and cowrie to name just a few. Shell offers lustre that makes it very attractive and opulent, but also offers variety since different shells lend themselves to different treatments. Cowrie, for example, can look spotted like a leopard but sand it flat and the surface metamorphoses into a veiny pink marble. Black lip shell is very exotic and sophisticated. Straw marquetry is going to be more popular as people get to know about it. Straw work is not on a lot of designers’ radar at the moment, but those that are using it are loving its intricate patterns and its sheen nonetheleast because it feeds into the revival of 1930s finishes. As a raw material it may sound humble, but with painstaking work it can be magnificently transformed. Its shimmering surface is remarkable and the pattern moves as it catches the light. A sunburst motif or any design 76
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going in different directions has such dynamism. And straw marquetry is never going to be a mass-market finish because it’s so hard to do, so its inevitable rarity will preserve its originality. Mica is another alluring material sometimes seen as a veneer in ultraexpensive refurbs. It was used by the ancient Egyptians to make mirrors and seen on a luxe desk once belonging to style arbitrators Pierre Berge and Yves St Laurent. A type of mineral composed of aluminium silicate, micas can be split into very thin sheets and are prized for their metallic sheen. Multilayered and resembling filo pastry, the layers come in tones of brown, grey, silver and gold and are ideal for vertical surfaces such as walls, mirrors or cabinet door fronts that aren’t exposed to regular traffic. Shagreen enjoys steady interest and is loved for its texture. Made from the skin of rays, the surface is very grainy because of the spines or papillae and when ground down and polished, the nodules provide contrast. This surface is superb in its natural form and makes any neutral scheme interesting but can also be effectively treated and coloured. Finishes are vital when it comes to offering the design industry a fresh look, which is necessary in a world that is driven by a desire to reinvent itself. Scagliola, a composite of plaster, glue and pigments that successfully imitates marble, is a material we are experimenting a lot with along with Selenite. Selenite, wands of crystal made from gypsum, is another new surface for us that could prove to be exciting. We’ve just made four drum tables for a client in Riyad that have a luxurious milky finish reminiscent of rock crystal. We love it when experiments can be translated into exceptional pieces of furniture. It makes design so much fun!
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GEOMETRICS GEOMETRICS SPARK INTEREST IT’S SIMPLE MATHEMETICS
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design news | geometrics
OPPOSITE: Multi-coloured net pompoms suspended from the ceiling add a dimension of softness to this entrance hall and its subtle riot of geometrics. Patterned rugs, intricate objets d’art and wall hangings all add weight to the geometry created by the basic architecture in the room such as the window panes and panelled walls. Photograph - Marc van Praag RIGHT: This unusually shaped Syrian table stands proudly on a geometric print rug which picks up on the blue palette from the bleach-on-denim painting dominating the end wall. Further prints are subtly introduced on the upholstered dining room chairs, and the antique chandelier gives the room a sense of grandeur. Photograph - William Waldron BOTTOM RIGHT: Two contrasting paintings hang on either side of the tiled, stately entrance hall of this country house, combining early modern swagger with contemporary eccentric bravado. The geometric floor lends a quirky twist to this impressive hall, decorated with period features and statues. Photograph - Marc van Praag BELOW: This beautifully tiled courtyard is a spectacular example of contrasting geometrics. Against the striped walls a pair of Moorish chairs and a table have been placed to enhance the marble fountain and its ornate tiling. Beautiful shutters add a decadence to the tableau and pick up on the rich dark wood of the furniture. Photograph - Tim Beddow
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design news | geometrics
RIGHT: A vaulted brick ceiling arching over the living room is allowed to remain the focal point in the room, thanks to clever monochromatic styling. Banquette sofas are upholstered in black and white fabric with contrasting print cushions keeping in harmony with a collection of photographs displayed along the wall behind. The natural geometrics of the brickwork create an effortless backdrop from which to show them off. Photograph - Michel Arnaud BOTTOM RIGHT: The Blanche Hotel is full of quirky works of art and contemporary classics such as this Charles Rennie Mackintosh chair paired with a large antique desk. Stood on top of a stunning black and white tiled floor, the geometry of the room is also reflected in the oversized chest of drawers at the back of the room. Photograph - Adrian Houston BELOW: This Victorian entrance hall has stained glass surrounding the front door allowing natural light to stream in and dapple the period tiled floor beyond. Its simple but classic geometry is effortless in this space and needs no further enhancement, so furniture is kept simple and timeless. Photograph - Tim Beddow
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T h e P u l l m a n R a d i at o r Va l v e w w w. b a r d b r a z i e r . c o . u k
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design news | geometrics
TOP: This riot of colour in a St Petersburg apartment features a series of double doors and anterooms lead to a living room painted bright ultramarine blue. The space is unified by one tiled floor throughout, allowing the contrasting colours to define the individual spaces. Photograph - Fritz von der Schulenburg RIGHT: The interior of the Villa Medici is a riot of pattern and colour throughout. From painted archways to tiled walls and upholstered furnishings, the dĂŠcor makes wonderful use of the vaulted ceiling and Moroccan shaped windows, and is unified by the repeated use of a star shaped motif. Photograph - Jacques Dirand
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OUTDOORS
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AVID HARBER
Iris Torus is an exciting new development of David Harber’s signature Stainless Steel Torus sculpture. This striking incarnation was inspired by the reflective facets of a cut diamond giving a fragmented, lasercut mirrored surface emulating the iris of an eye. The Iris Torus can be made in many sizes, with the interior of the piece toned with the painted mood colouring of choice. www.davidharber.co.uk
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&D Design
Blurring the distinction between function and art, this wonderful Loop Farandole fire sculpture by B&D Design makes a truly dramatic statement for any garden. The steel elements of the piece are left untreated to develop a beautiful fire-tempered rusty patina with time and will glow red hot from the flames, creating a spectacular effect which will be different every time the fire is lit. T: +44 (0) 208 964 5355 | www.bd-designs.co.uk
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AMES LATHAM
James Latham’s latest range of premium composite decking offers the beauty of a hardwood deck without the high maintenance. UPM ProFi Deck gives outdoor living a fresh and modern feel and designers from around the world have been inspired by the wide colour range and clean look it offers.
T: +44 (0) 116 257 3415 | www.lathamtimber.co.uk 84
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London +44 (0) 208 675 4808 www.indian-ocean.co.uk Bridge for Design London 2016
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design news | outdoors
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OHN CULLEN LIGHTING
Creating a dramatic and unique evening look to outdoor spaces, transforming low level walls, decking or patios with statement illumination. This external LED uplight fitting by John Cullen Lighting can be used as an uplight, or recessed into a wall to provide a scenic wash of light along paths or steps.
www.johncullenlighting.co.uk
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UMMIT FURNITURE
Krios Marine is the latest collection by makers of fine teak furniture, Summit Furniture. With its oversized proportions, extra-deep seats, thick cushions and generous width, Krios exudes all the vibes of the Californian-lifescapes that inspired it; low and loungey, hip yet grown up, effortlessly casual. Outfitted to withstand the rigors of ocean travel, it will be equally well placed on elegant estates and chic city apartment patios. www.summitfurniture.com
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EISURE PLAN
HIVE by Ego Paris is available exclusively from Leisure Plan. A modular seating design by Fabrice Berrux, it is inspired by the honeycomb effect of hexagonal cells found in beehives, and its interconnecting seat ‘cells’ allows for numerous highly sociable configurations. The collection also features matching ottomans and coffee tables.
T: + 44 (0) 127 981 6001 | www.leisureplan.co.uk 86
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Remarkable RAIS wood burning stoves from Robeys
Rais Visio 1 inset fireplace with sliding glass door
The Rais Visio 1 inset wood burning fireplace combines a classically simple design with exceptional heat output. An all glass door, which can be raised and lowered, provides a stunning view of the fire and will become a real focal point in your home - also available as Visio 2 LH or RH Glass and Visio 3 – 3 Glass Sides. The RAIS range of wood burning stoves can be seen at Robeys showrooms in Belper, Derbyshire and their network of retail partners throughout the UK.
A PASSION FOR QUALITY Robeys Ltd, Riverside, Goods Road, Belper, Derbyshire, DE56 1UU. Tel: 01773 820940. info@robeys.co.uk www.robeys.co.uk Bridge for Design London 2016
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KITCHENS
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OM HOWLEY
This Tom Howley bespoke kitchen features dark oak veneer cabinets hand painted in Sorrel, embellished with polished nickel handles. A dark Calypso silestone worktop adds drama and depth to the room and beautifully shows off the huge island unit which incorporates a top of the range Wolf transitional induction 5 burner cooker top. A wonderful play on light and dark, this space has an airy yet functional feel to it.
T: +44 (0) 161 848 1200 | www.tomhowley.co.uk
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IGHAM FURNITURE
This kitchen installation by Higham Furniture has been designed to make the most of the room’s impressive and varying ceiling heights and pitched roofs, by using extended kitchen cabinetry to maximise the additional space. Additional beading was added to the shaker style doors to enhance the traditional feel in keeping with the rest of the house and a large island unit dominates the space. T: +44 (0) 207 381 0488
www.higham.co.uk
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FFICINE GULLO
Officine Gullo presents a prestigious full kitchen project that combines cutting-edge technology with conviviality. Giving a ‘big restaurant’ feel to a domestic setting, the key elements of brushed steel and lacquered oak sit beautifully together in this environment of clean lines and industrial finishes.
www.officinegullo.co.uk
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q ua l it y from s ta rt to f ini sh Bridge for Design London 2016 Visit www.stone-age.co.uk or scan the QR code with your mobile phone for more...
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BATHROOMS
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LTERNATIVE BATHROOMS
Alternative Bathrooms are hitting this season’s biggest bathroom trend with their range of Rose Gold bathroom taps and accessories. An alloy of 24 carat gold and copper, Rose Gold has a pinky gold lustre which looks just right with other on-trend naturals such as Travertine and timber. Luxurious but never flashy, it hits a perfect focus note in today’s contemporary bathrooms. www.alternativebathrooms.com
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RIGINAL BATHROOMS
For the definitive luxury bathrooms of the twentieth century, Original Bathrooms presents the Demi Lune from Lefroy Brooks. Made from the finest Massa Carrara marble to recreate designs from the great town and country houses of England and France, this piece will bring a sense of opulence and occasion to any bathroom. www.original-bathrooms.co.uk
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ASIS
The Academy Collection by Oasis is a luxury bathroom collection inspired by the Art Decò “salle de bain”. It features precious materials with lacquered finishes in 38 colour variations and frames in gold, bronze or chrome. Tops come in marble, in a variety of grains. The line is completed by a series of accessories, storage units, tall units, ottomans and benches, for the ultimate in coordination. T: +44 (0) 207 584 7002
www.oasisgroup.it
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design news | bathrooms
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HG PARIS
Elegantly marrying raw metal materials with real vintage design, the new Beaubourg and St Germain collections from THG Paris are bringing industrial French heritage to modern London living. These collections are full of sophistication and timeless curves, whilst this floating style bath is a striking feature that will be an elegant statement in the most contemporary of bathroom spaces. T: +44 (0) 207 838 7788 | www.bathroomsint.com
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OGUE UK
Flourishing in its 25th year, leading British heating designer and manufacturer Vogue UK, continues to offer a range of luxury heating solutions with mass market appeal. Making a functional feature of bathroom radiators with their comprehensive range of luxury towel warmers, there is something in this range for every bathroom from traditional to contemporary.
T: +44 (0) 190 238 7000 www.vogueuk.co.ukÂ
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design news
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ATCHPOLE & RYE
Catchpole and Rye have brought the eagerly awaited finishes of Aged Copper, Aged Brass and Brushed Nickel to their bathroom fittings. Giving a more modern rustic-luxe feel, these aged patina finishes are available on a variety of brassware, from taps and fittings to showers and heated towel rails. www.catchpoleandrye.com
t: 020 3544 4002 e: sales@ajp-bathrooms.co.uk w: www.ajp-bathrooms.co.uk
LIGHTING
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ORCUPINE ROCKS
Taking artistic lighting to a whole new level, these custom made chandeliers can be ordered by Porcupine Rocks in London. Fusing organic forms with high-tech materials, the small metal ball chains are each suspended from a metal frame to give a dramatic and unique focal point to any room. T: +44 (0) 207 351 2584
www.porcupinerocks.com
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HRISTOPHER WRAY
Luxury lighting specialist Christopher Wray introduces a stunning new collection of hand blown Murano glass lighting from one of the oldest Venetian family businesses in the world, Barovier & Toso. This delicate and unique piece with its pop of accent colour will make a stunning feature to light up any space.
T: +44 (0) 207 013 0180 | www.christopherwray.com
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HARLES BATESON
Forming part of interior designer Charles Bateson’s first lighting collection for RV Astley, this classic table lamp takes its influence from the grand masters of early 20th century design. The sculptural form is offset with a decorative crystal ball within the base, while the simple cylindrical shade has a gold lining to ensure a beautiful warm glow is cast.
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Are proud to present the Lotus Wall Light
Many thanks to Zoffany for the image featuring 'Cracked Earth' wallpaper from their 'SS16 Collection'
Handmade using luxurious materials by Phillips & Wood in their London workshop Requests and orders to: Cocovara Lighting www.cocovara.co.uk/lighting T. +44 (0) 207 245 0203
Bespoke requests to Phillips and Wood www.phillipsandwood.co.uk T. +44 (0) 208 222 8117 Bridge for Design London 2016
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design news | lighting
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ALERIE WADE
Luxury Interiors Showroom Valerie Wade continues to provide an exciting selection of vintage and contemporary furniture and lighting. The signature large brass Lotus Flower wall lights bring a fusion of Hollywood glamour with classic mid-century Modernism to complement any luxury design space. The Simla table light from the Valerie Wade Design range is made of hand-faceted solid crystal. The green gemstone base reflects light from its numerous facades and brings a vintage feel to this carefully constructed stylish table light. T: +44 (0) 207 225 1414 | www.valeriewade.com
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URIOUSA
Esther Patterson’s latest collection for Curiousa & Curiousa encapsulates the bright playfulness and colour of the summer seasons. The Gobstopper lights are an eclectic mix of shapes and colours and take their name from the classic childhood sweet. Every pendant is hand blown to order, available in 21 beautiful colours, to produce a truly unique and fun take on hanging lighting. www.curiousa.co.uk
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NDREW KORNAT DESIGNS
The Leaf Lamp II by Andrew Kornat Designs is made of solid cast brass with a hand glazed ceramic egg in tortoise shell finish at its base. It is the epitome of understated elegance and will bring a touch of luxury to any design space.
T: +44 (0) 773 808 0098 | www.andrewkornatdesigns.com
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MY FAVOURITE ROOM Send us your pictures with a chance to be featured in Bridge for Design at editorial@bridgefordesign.com
Kelly Barker, Just Living Interiors, The Magnificent Stag The brief for this project was to create a classic contemporary living space whilst remaining sympathetic to the Victorian architectural detailing. By juxtaposing key elements of period architecture with simplified, contemporary design, the overall look is sophisticated and timeless. Art is incredibly personal and the more I understand the client, the easier it is to specify for them. The Magnificent Stag, from Trowbridge Gallery, was absolutely perfect for this project. The triptych not only sits perfectly in the setting exuding poise and sophistication but also has personal meaning to the client and their family heritage.
T: (0) 133 249 7474 | www.justlivinginteriors.co.uk
www.trowbridgegallery.com
design news | viewpoint
THE WONDER OF LIGHTING Light sources are one of the most important decorative features in any interior and adds wow factor says Mari Janiq
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owadays, it is difficult to imagine an aspiring interior without well planned and versatile lighting solutions. Good interior designers know how important lighting is in creating the desired mood and bringing out the best in all of the furniture in a space. Modifying the atmosphere and adding a touch of glamour by using sophisticated lamps and light sources is the main trend in today’s luxury interiors. Lighting can work true wonders by changing it dramatically, adding charisma and highlighting particular features in a space. There is no limit to the power of light. For a long time lighting fixtures became leading wow factors in their own right, changing from simple lanterns to sophisticated forms. The general tendency, no matter what the style of the space will be, is to use multipurpose lighting for a range of effects. General lighting is used to give neutral, even light to the whole space, usually to allow work and normal daily activities. It’s not meant to concentrate attention on one selected place or bring too much attention to the lighting fixture itself. The solutions used here are often very technical. The next type of lighting is task lighting – used to brighten up a particular area or surface, like a desk or table top. In this category, we will have all sorts of table and floor lamps as well as pendants. Illuminating themselves in the first place, lamps highlight their truly amazing shapes inspired by nature, architecture, science, futuristic visions or, by Houte Couture and collectable jewellery. One of the hottest tendencies I’ve noticed is that lighting design is using the fashion and jewellery industries as inspiration. Lamps in incredible shapes and forms made of crystal, colourful glass, semi-precious metals, surprising resins, feathers or gemstone beads give a unique feel and add glamour to the space that hosts them. Being passionate about lighting, I have to mention another trend proudly emerging in the recent years - lights that give a decorative result and remain mostly or totally hidden - those can be absolutely smashing. Discrete up-lights smartly hidden, highlight precise elements of an ambiance and by using smart LED strips, a surface can be highlighted from one or two angles resulting in a gorgeous gradient on the lit area. The last and most impressive group of decorative lighting fixtures are grand chandeliers – fixtures made from thousands of separate handmade pieces of some of the most beautiful materials. Reaching enormous sizes, they are true pieces of art – breath taking creations straight from fairy tales or wild visions. Their daring postures are sure to make an impression, hanging proudly in their own magical glow; they rule the space and shine like royal jewels. Well-chosen lighting is one of the keys to an amazing interior that we so much admire and desire to live in. TOP DOWN: Quatrefoill table lamp by MARI IANIQ gives a soft illumination to the room. The exquisite geometric Metropolis wallpaper by MOKTUM is enhanced by the delicate fan of the Spectrum wall light by MARI IANIQ. Mirrored detail of the Tower floor lamp by MARI IANIQ
Mari Paulina C. Janiq, MARI IANIQ Founder of MARI IANIQ www.mariianiq.com 98
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The V-care WC combines the functionality of a WC and the cleansing properties of a bidet to simply provide the optimum cleaning experience. The high-tech WC is available in two variations; the premium Comfort option or the entry level Essential option
The high-tech WC features a special self-cleaning nozzle which offers the user numerous personalised washing options controlled via a remote. The user can adjust the intensity, temperature and direction of the water, and front and rear washing is available
The V-care WC is completely hygienic; the nozzle automatically cleans itself before and after each use. It can also be removed if preferred for manual cleaning. The body of the nozzle is made of stainless steel and the tip is chrome plated for long-lasting durability and hygiene. The WC is also incredibly hygienic with its rimless design. The Rim-Ex™ WC pan has an easy to clean bowl with no rim or channel where dirt and germs can collect. Created by designer studio NOA, V-care also fits perfectly in all types of bathroom styles with its contemporary design
For further information about VitrA, please call +44 (0) 123 575 0990 or visit the website at www.vitra-vcare.co.uk. For any PR related Bridge for Design London 2016 99 enquiries please contact Lorraine Ingram at Publicity Engineers on +44 (0) 199 247 8109 or email lorraine@publicityengineers.com
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RUGS
FLOORING
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AZAAR VELVET
Celebrating the many joys of creativity in the modern age, the Amelia Rug by Bazaar Velvet is an edgy and expressive floor covering. This unique multi-layered artwork is emblazoned with shots of vivid colour that strike through the stylish monochrome base, giving this piece originality and tons of attitude.
T: +44 (0) 207 736 9693 | www.bazaarvelvet.com
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TLANTICO RUGS
Algas Floridas is the wonderful new ‘classic contemporary’ design from Atlantico Rugs. Incorporating a botanical design in a modern pattern, this handmade rug is made from pure wool using natural dyes and can be colour-matched and resized to fit any room scheme. T: +44 (0) 208 780 5288 | www.atlanticorugs.com
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USTOM CARPET COMPANY
Custom Carpet Company specialise in designing and producing one off carpets and rugs for individual interiors. Taking inspiration from colours or fabrics within the room scheme, they can produce a luxury carpet that will complement your interior scheme.
T: +44 (0) 173 783 0301 | www.customcarpetcompany.co.uk
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design news | viewpoint
ADD BASE TO YOUR SPACE Edison Teixeira Abidi loves a punchy interior, something that kicks and makes you think some base into your space can be done by Iworkntroducing adding angular/geometric and asymmetrical forms that against more structured lines.
__With an ever-increasing trend to open up spaces, larger areas can often lack impact and dimension, particularly where large expanses of straight walls and ceilings dominate within the conventions of modern apartment living or the converted, traditional home. I love a punchy interior, something that kicks and makes you think. The introduction of irregular forms can also be used to dissect and zone spaces within smaller areas, making them appear larger. This happens as the eye is drawn to the fragmented areas of a space rather than seeing one small area as a complete whole. The use of an eye-catching asymmetrical kitchen island or counter breaks the monotony and zones areas; adding dimension, interest and depth (right) in the Gamadecor kitchen by Porcelonosa. The kitchen/living space designed by MCK divides the space with visual interest, allowing a balance of movement without becoming awkward. The introduction of the rounded sofa in the background and the rounded backs of the bistro dining chairs soften the overall effect and add warmth to the interior by way of colour. An angular entrance or pathway to a staircase can provide an eye-catching juxtaposition to the rest of the room to stunning effect. If sharp, angled staircases and asymmetrical ceilings are not quite your thing or purely just impossible to achieve, then you can always introduce these elements by use of decorative accessories and furnishings without having to move home or demolish any walls. Choose geometric dining chairs or a table top painted with an angular design to break the ‘square-ness’ of an open plan space and provide a point of difference. Try introducing some decorative wallpaper to make a statement feature wall such as A ‘ ngles’ by Erica Wakerly. On an even smaller scale, think Lights by James Dieter or some geometric inspired vases to add that delicate angle on a shelf or mantelpiece. Simple. Now, who said angles can’t be easy? TOP DOWN: Deirdre Dyson’s ‘Pinnacle’ carpet is a perfect way to add an angular form through flooring. The Gamadecor kitchen by Porcelonosa provides a clever cover for ample, hidden storage. MCK’s kitchen/living space is an example of a well thought out use of the angular and the irregular form
Edison Teixeira Abidi, Deirdre Dyson T: + 44 (0) 207 384 4464 www.deirdredyson.com 102 Bridge for Design London 2016
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LUXURIOUS LIVING ROOMS
PUTTING THE ‘LIFE’ BACK INTO LIVING ROOMS THAT ARE TRULY THE HEART OF THE HOME 104 Bridge for Design London 2016
design news | luxurious living rooms
OPPOSITE: In this beautifully airy, double-height living space, the original beams have been lovingly preserved and made into the main feature of the space. A natural colour palette throughout, included in the matching sofas and Barcelona chairs, allows the woodwork to speak for itself as the statement of the room. Photograph - Mark Luscombe -Whyte RIGHT: The bare wooden floor-boards and ornate white wood panelled walls of the living room create a neutral canvas and almost art gallery feel for this collection of period and modern furniture. Thoughtfully displayed sculptures by Jean Dubuffet, Joseph Beuys, Pierre Soul-ages and Cesar and Jean Arp draw the eye around the space and create pockets of interest within the monochromatic scheme. Photograph - Mark Luscombe -Whyte BOTTOM RIGHT: Another living space which has cleverly used wood as the accent texture. In this scheme is this black and white themed living room. Utilising an arched alcove as a floor-to-ceiling log store makes an eye-catching feature of the space, and brings the simple fireplace to the forefront of the room. Photograph - Edina Van Der Wyck BELOW:The 16th century architecture of the Chateau Coronne Hotel in the Dordogne has been enhanced by a contemporary decorative scheme in pared down tones of beige and grey, all situated on top of a beautifully herringbone wood floor which brings depth and warmth to the space. Photograph - Adrian Houston
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DESIGN PROJECT
KNIGHTS HOUSE
These boutique Knightsbridge apartments offer unrivalled luxury
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WORDS NICOLE SWENGLEY | PHOTOGRAPHS JULIAN ABRAMS
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inchatton, the developer and designer behind some of prime central London and the world’s most exceptional homes, unveils Knights House, its latest development comprising of three elegant apartments spanning a total of 8,317 sq ft in the heart of Knightsbridge Village, London. Each apartment offers something special and they have all been designed to the highest possible standards, reflecting the Finchatton brand and style for which they are renowned. Situated on Cheval Place, a tranquil street which runs parallel to Brompton Road and in the heart of Knightsbridge Village, Knights House represents one of only a handful of new build residential developments to be built in Knightsbridge in a decade. Alex Michelin, Co-Founder of Finchatton, explains what made this development so special: “It is incredibly rare to find a newly built luxury apartment with off-street parking, hotel-level concierge services, outside space and finishes of this quality anywhere in Knightsbridge. This, together with its exceptional location on a quiet street so close to Harrods, sets this scheme apart and explains the strong
demand we have experienced in the lead up to our launch.” The design for Knights House focuses on blending modern, contemporary luxury with the heritage and grandeur of the Knightsbridge area, creating a decadent feel throughout the three apartments. Design Director Jiin Kim-Inoue said “One of my favourite aspects of the scheme is the beautiful bronze metalwork detailing on the front of the building. We commissioned the piece from a local craftsman and worked closely with him to produce the willow design that is unique to Knights House; it adds a level of detail rarely seen on a residential building like this.” “The lower ground floor is also particularly interesting from a design and architectural perspective. We have used a number of innovative solutions to help maximise natural daylight, including lightwells, glass sliding doors that lead on to the outside terraces and beautiful full-height green walls which bring life and energy into the space.” The largest of the three apartments covers 4,451 sq. ft. and is spread over two floors – ground and lower ground. It features expansive living and entertaining spaces, two
LEFT: This exceptional location on a quiet street is characterised by the unique bronze metalwork detailing on the front of the building commissioned by a local craftsman in a beautiful willow design exclusive to Knights House ABOVE: The Penthouse’s reception features a polished Grey Marquina fireplace, and has access to the terrace which provides al fresco dining for 10 with rooftop views over Knightsbridge
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OPPOSITE: The bedroom is a haven of tranquillity in soft neutral tones and opulent soft funishings contrasting against a marble finish. ABOVE: A free-standing stone bath and his and hers vanity units encapsulate the elegance of this opulent bathroom space. RIGHT: Bringing the outside in with large glass doors and views onto terraced areas with walls of green created by natural planting.
outdoor terraces, a wine cellar, cinema room and a private garage. The spacious master bedroom benefits from high ceilings, silk wall coverings and a super king-size bed with a bespoke TV unit. Floor to ceiling windows flood the room with natural light and provide convenient access onto a private terrace, which features a living green wall over two floors. The master bathroom is similarly elegant, featuring full height book-matched statuary marble walls and matching book-matched flooring. The bathroom includes a free-standing stone bath along with his and her vanity units. The walk-in dressing room is fitted with dark timber and features handcrafted bronze detailing and an upholstered leather ottoman. Natural daylight is maximised throughout the lower levels, with innovative design features including lightwells, terraces and green walls bringing a sense of the outdoors inside. 108 Bridge for Design London 2016
The two-bedroom lateral apartment, situated on the first floor, is bright and spacious, spanning 1,601 sq ft. A large south-facing terrace is accessed directly from the master bedroom. A beautiful Noir St Laurant marble fireplace takes centre stage to a wide reception and living room. Dark stained timber floors are complemented by hand-made silk and wool rugs and an antiqued bronze pendant is suspended above the dining table. The Penthouse occupies the top two floors of the building and spans 2,265sq ft. On the second floor are three stylish bedrooms, while the entire third floor is dedicated to the open-plan living, reception area and kitchen. The Penthouse has two large terraces, a 265 sq. ft. south-facing terrace on the second floor, which is accessed from the third bedroom as well as the communal landing, and a 560 sq.ft terrace directly off the kitchen and living space on the third floor, providing al fresco dining space for up to ten with rooftop views over Knightsbridge. All three apartments benefit from an on-site concierge, providing hotel and lifestyle management services to residents. 110 Bridge for Design London 2016
ABOVE: Dark stained timber floors are complemented by hand-made silk and wool rugs. An antiqued bronze pendant is suspended above the dining table to bring drama to the entertaining space.
JIIN KIM-INOUE
Design Director, Finchatton T: +44 (0) 207 349 1130 www.finchatton.com
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DESIGN PROJECT
EBURY SQUARE
Interior design company Katz designed luxury apartments in one of the most prestigious residential projects of London - Belgravia WORDS TATIANA BALVAS | PHOTOGRAPHS KATZ
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atz is a leading luxury interior design and architectural company renowned for creating exceptional properties in some of the world’s most desirable locations. Known for augmenting a classic style with an unexpected modern appearance, they were the ideal choice for this 162 square metre apartment in a prestigious residential complex at Ebury Square. The interior of the apartment is created in a style characteristic of modern London - laconic, reserved, but still vivid and certainly noble. Home to a family with two children, both boys, the client wanted to have a soft, composed, malestyle interior, that at the same time would be respectable and expensive. Katz chose a relatively calm and moderate colour palette to fit the brief for this interior – predominantly brown, beige, grey, silver, black, and white – with a few bright coloured furniture items and flowers to add some vivid accents. A wide living room area is furnished with two big sofas and several armchairs that create a very comfortable lounge for the whole family to gather together in the evenings or to receive guests. Separating this are off from the adjacent dining room required an original solution, so a ceiling-high, custom made mirror cabinet was installed with a fitted fireplace and TV
FRONT PAGE: This luxurious yet cosy family lounge has been zoned off from the adjacent dining room by clever use of a custom-built ceiling high mirror cabinet which also houses TV screens and a fitted fireplace which is visible from both sides OPPOSITE: The dining area is dominated by the spectacular Terzani chandelier which is made of thousands of nickel chains which hang down above the table to create an astonishing, festive, blinking light effect LEFT: An abundance of marble and clever lighting gives the bathroom an air of decadence and luxury BELOW: Using a modern trend of decorating a child’s bedroom without incorporating specific “children’s” things, this beautiful room instead continues the muted palette of the rest of the apartment with pops of colour in the blue bed heads and orange storage boxes
screens on both sides. Allowing a view of the flickering fire from both sides adds a warmth and homely feel to both zones. The splendid dining area was abounded with glass surfaces and cut-glass ware, which was the client’s wish. The main accent in the room is a fantastic chandelier by the Italian brand Terzani which is made of thousands of nickel chains that combine to create an astonishing and festive blinking light effect, and is a real statement piece in the room. Carefully chosen bold artwork hangs on the wall beyond the table adding yet more drama to the room. And, as with much of the apartment, a lighting system has been installed to create different moods using day and night lighting modes, as well as a variety of lamps to cast more soft light and solemnity to the atmosphere. In the grand master bedroom, the wall behind the bed is decorated with an artificially aged mirror surface. An oversized bed head stands proudly against it, furnished in a decorative brown fabric which matches the curtains, and fits perfectly in the calm and moderate colour palette used throughout the interior. Lastly the children’s bedroom was made for two brothers of school age, but in a modern trend it has been decorated without any specific ‘children’s’ elements to the scheme. Instead, the same moderate hues that are used throughout the rest of the apartment are again utilised here, with accent colours coming from two cool blue bed heads, and orange storage boxes at the end of each bed. The whole apartment retains a luxurious and desirable feel, and Katz have once again created a scheme that meets the clients’ requirements and fulfils all their aspirations for the space. 116 Bridge for Design London 2016
ABOVE: A pop of colour in the bedroom is achieved with this vivid orange armchair, placed against a beautiful dark wood panelled wall
DMITRY HOLOMYOV & STAN KATZ
T: +44 (0) 203 608 6183 www.katzhq.com
www.marmehdesign.com | T: +44 (0) 771 533 3353
MARMEH DESIGN once again did not betray its ‘in house’ style, creating this magnificent bedroom with a masculine and Art Deco edge. The large soft frame of the bed dominates the room and corresponds to the velvet paneled walls. Soft colour walnut and nubuck framed bed side furniture, Promemoria night lamps, cashmere fabric curtains and a 14th century handcrafted wood chair perfectly combined to create a restful calming and timelessly elegant double bedroom. The colour scheme is dark but moody. A beautiful double face glass fireplace brings to the room the desired last touch.
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INSPIRED BY
JANE CHURCHILL
From the pavement the house looks modest but as you open the front door a view of unexpected drama is revealed WORDS ROS BYAM SHAW | PHOTOGRAPHS MARK LUSCOMBE-WHYTE
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uests arriving at Jane Churchill’s new house in Belgravia are invariably taken by surprise. From the pavement, the house looks modest, one of a terrace of narrow, flat fronted, early-nineteenth-century London houses. But as Jane Churchill opens the front door she reveals a view of unexpected drama; a long, deep vista through the hall, past the staircase, up a couple of steps across a large dining room - its table set for 16 and twinkling with candles, through another doorway to a kitchen table. Outside, glimpsed through the wide French windows, hangs a pair of pineapple lanterns casting a lattice of dappled light across an enclosed courtyard. The effect is a bit like opening a plain brown envelope to find a gilt-edged wedding invitation inside. “Yes, I must say it is rather nice to have a house that confounds expectations,” Jane Churchill says, with understandable satisfaction. After many years spent transforming rooms and houses as an interior designer, and with three grown-up children all in the property business, you would think that Jane might be immune to metamorphoses that builders and decorators can deliver. But she seems genuinely delighted and even a little amazed by the magic she and architect Johnathan Dinnewell of Christopher Smallwood Architects have worked on this house. “I cannot tell you how disgusting it was,” she grimaces, looking so immaculate in her sharp pinstripe suit that you cannot picture her coexisting with wet mortar and plaster dust. “We moved in while the house was still being done and we lived in a room at the top and a room in the basement, and everything between was filth and chaos. For a few months it was total hell but, rather as with having a baby, you quickly forget the pain once it is over.” Should she need reminding, there are plenty of photographs. Jane continues. “It had called itself a hotel but really it was a kind of ghastly doss
RIGHT: An abstract painting by Bianca Smith hangs on the wall in the drawing room
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LEFT: The pale blue drawing room is furnished with a club fender around the fireplace
house. It was so bad I didn’t even bother to have a survey. Every room had been subdivided. At the back of the house there was a sort of funnel-shaped corridor which led to the ‘salmonella’ city of the kitchen. But I know these houses – they all conform to a pattern. Also, it was good to be buying somewhere so thoroughly grim that I could start from scratch and not feel guilty about changing anything. I trusted and hoped that I would be lucky enough to get the planning permission I wanted.” As it turned out, Jane’s extensions were so extensive that she has ended up with more space than she had in her previous house – “which wasn’t the point at all,” she says, “as I was really looking smaller now that two of my three children have left home.” But she saw the potential and couldn’t resist fulfilling it. On the site of the funnel to ‘Salmonella city’ she has built a beautiful room lit by a bay
TOP: The dining table folds away and is replaced with a George IV circular pedestal table
window that occupies the whole one side of the wall, overlooking the pretty garden next door. “It feels like a ballroom in a house of this size,’ she comments. ‘It is an incredibly flexible space.” The walls are lined with bookshelves and the dining table packs away when not needed, its place taken by a round table piled with books as in the hall of a country house. The handsome modern fireplace is not in use, but helps to make it feel like a room rather an extra large corridor. This dining room is slightly narrower than the full width of the house, but the kitchen leads into stretches from one side of the plot to the other. A high, pitched ceiling and the board, glazed arch of the French windows give the space a grandeur beyond its actual size, while its decoration of red stencilling on a cream background, including a deep entablature copied from a design in the Bridge for Design London 2016 121
Ashmolean, is elegant enough for it to feel as much intimate dining room as kitchen. Even the stainless-steel fridge has been classicized, housed in its own arched alcove and providing a pedestal for a trio of carved busts. The slightly Italianate formality of this second extension is enhanced by its view across the small courtyard garden to a lime-washed façade opposite. This, the final frontier of Jane’s extensions, is a double-fronted lean-to, built against the tall back garden wall and housing a spare bedroom and bathroom. Terracotta pots planted with olive trees and white pelargoniums complete the Mediterraneanstyle scene. If the house holds any more surprises they are down to the unusual charm of its decoration and contents rather than the discovery of unexpected space. The room to the right of the hall is a cosy study and sitting room while the first floor is taken up by the drawing room, which is pretty, light and feminine, its smoky blue walls the perfect foil for gilt-framed pictures, and the sparkle of glass and ormolu. ANTICLOCKWISE FROM TOP: French windows from the dining area in the kitchen open onto an inner courtyard. Blue and white plates on the wall of the guest bathroom perpetuate the blue and white theme. In the sitting room the armchair and sofa are upholstered in red velvet and a series of Hogarth’s engravings surrounding a 19th century equestrian portrait line the wall
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On the floor above is the main bedroom, decorated in a fresh, airy scheme of blue and white, with the walls in the adjoining bathroom hung with blue-and-white plates that previously decorated her last kitchen. The top floor, its ceiling opening up into the roof, houses a further bedroom and bathroom, this time with a more masculine character, as it’s occupied by Jane’s youngest son. The style throughout is evocative of a comfortable country house with dashes of modernity, the look for which Jane’s interiors are best known. That design runs in the blood – she is the great-niece of Nancy Lancaster – is apparent in her taste and a scattering of possessions such as the bold, appliqued cloth on the table in the dining room. “I have copied one of Nancy’s ideas by hanging those Hogarth prints round an oil painting,” she points out. Which only goes to show how good taste endures. 124 Bridge for Design London 2016
ABOVE: The guest bedroom is themed with blue and white from the striped fabric which lines the walls to the Ralph Lauren fabric on the bed
JANE CHURCHILL
T: +44 (0) 207 730 8564 www.janechurchillinteriors.com
UK TOWEL WARMERS & RADIATORS Vogue (UK) Ltd Strawberry Lane, Willenhall, West Midlands, WV13 3RS United Kingdom T: +44(0) 1902 387000 F: +44(0) 1902 387001 E: info@vogueuk.co.uk W: www.vogueuk.co.uk
DESIGN PROJECT
A CHELSEA TOWNHOUSE The brief was to create a space that was warm and colourful, and showing artistic expression without looking over styled WORDS KATY BRISCOE | PHOTOGRAPHS ANDREW BEASLEY
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TOP: The basement in this family home has a host of hidden gems, including this stylish home cinema room featuring a vibrant velvet sofa and a gunmetal grey leather floor ABOVE: By removing white porcelain and replacing with high-glamour hammered basins, the bathroom is evocative of Middle Eastern luxury RIGHT: Upholstered fabric doors gives a Persian influence between rooms, whilst the rich colour palette draws the eye into a space that is warm and colourful
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BB Design was briefed to create a vibrant, open plan family home in the well-heeled area of Chelsea, London. Built in the 1950s, the house had been divided up into two separate flats when it was bought by the client in 2010, so major structural changes were required in order to turn the property back into one welcoming and beautiful home. In order to open up the living room, a large column was removed and replaced with 16 load-bearing beams, and all the electricity and plumbing was re-worked throughout. Once these requested structural changes were completed, the brief required NBB Design to work closely with the client to explore their creative psyche and discover which important cultural influences they wanted to bring to the interior. The brief was given to create a space that was warm and colourful, and showing artistic expression and creativity without looking over-styled or ‘designed’. The home now celebrates the client’s Persian heritage, which was achieved by incorporating a bold colour palette, banishing wooden doors and white basins in favour of upholstered fabric doors and hammered basins that betray high-glamour influences, evocative of the Middle East. Colour is an important thread throughout the design, NBB Design adopted the runway trend for colour-blocking for key furniture pieces and soft furnishings in a number of the rooms. This technique combined with mood lighting, mirrors and poetic references such as butterflies and birdcages provided layers of warmth alongside well-chosen and thoughtfully displayed art and sculpture. NBB Design used mirrors and mirrored finishes throughout the home in decorative and clever ways to increase the feeling of space and create interesting reflections - a great way to show angles of sculptures that may not have otherwise been seen. A number of contemporary frames in aluminium and chrome were also chosen to provide a contrast with subtle frames that were colour-matched to wall paint, leaving the artwork to speak for itself. The client requested that the children were involved as much as possible in the design and thus the client’s own important artwork is seamlessly FRONT PAGE: The beautiful main living space, artistically decorated in rich bold colours to pay homage to the clients’ Persian heritage, opens out onto a private and secluded garden TOP DOWN: Mirrors and mirrored finishes throughout the home are used in decorative and clever ways to increase the feeling of space as shown in this ensuite bathroom. The kitchen is predominantly neutral, but features accents of the bold palette used throughout the home
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interspersed with ‘family creations’. NBB carefully framed pieces of the children’s work and hung these in an eclectic gallery style with other key pieces from the client’s collection. The basement in this family home contains a wealth of hidden gems, as it plays host to an impressive entertainment space, including home cinema room, bar and wine cellar. A large screen is mounted on to the wall opposite the large vibrant velvet sofa. All of the accompanying equipment is concealed in a hidden opening in the wall that is discreet and remains closed for the majority of the time. Shutters and doors are upholstered in a grey horsehair fabric from Abbott & Boyd to shut out daylight entirely. The gunmetal grey leather floor by Element 7 is very smooth, warm under foot and helps a great deal with acoustics. The floor, the upholstered doors and shutters give a very cosy feel without being fussy and over the top. The sofa is bespoke made by NBB Design and was made to be very deep for ultimate comfort and relaxation, perfect for sitting back and enjoying the movies! The main living space opens up onto a beautiful garden that the family use a great deal, which boasts further seating and dining areas. A ‘Petanque’ alley was installed for family fun and entertaining and stone bricks which were removed were re-purposed for the enclosing wall. The planting of crab apple trees helps create a feeling of privacy and seclusion which will only increase over time as this delightful garden matures. 130 Bridge for Design London 2016
ABOVE: The stunning bedroom continues the theme of accents of hot, warm Middle Eastern colours in this very clean and contemporary space whilst an oversized chandelier creates drama at the end of the bed
NILOUFAR BAKHTIAR BAKHTIARI NBB DESIGNS
www.nbbdesigns.com
Unit 3 Poulton Close D ove r Kent CT17 OHL 01304 212121 0800 3282206 5 Hertford Street
mail@ cr ow n -out d oo r.c o . uk w w w.cr ow n -out d oo r. c o .uk
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DESIGN PROJECT
JOHN STREET
Beyond an austere facade this Georgian home zings with colour and energy more Palm Springs than Bloomsbury WORDS REBEKAH CAUDWELL & NICHE PR | PHOTOGRAPHS ALEX JAMES 132 Bridge for Design London 2016
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ou can park any preconceptions at the stone portico and get ready for a home that zings with colour and energy at Rebekah and Nick Caudwell’s Georgian townhouse. “I like to break a few rules,” says Rebekah. “Because sometimes that’s how you have the most fun.” Her vision for this Grade II listed townhouse starts right in the flagstoned entrance hall, where one wall is vivid with crosshatched bolts of magenta, turquoise and yellow, matched by peachy chairs and a console in the glossiest pink. “I want to go for the element of surprise from the moment you open the front door,” she smiles. Beyond an austere façade, the look of this Georgian home is joyous and energetic - more Palm Springs than bookish Bloomsbury. “I put colours together so they sing,” Rebekah adds. “Your home affects your mood, so why not make it a happy place?” “Nick helped drag me out of the 18th century and into colour,” says Rebekah. She points to a favourite corner of their basement-level hangout, where the poise of a Vermeer print mixes with a svelte Italian fifties chair, FRONT PAGE: The neutral backdrop in this eclectic living space allows the chlorine blue, citrus yellows and zingy greens of the furniture to stand out as accent pieces, whilst the tropical fabric at the impossibly tall Georgian windows helps draw the outside into the room OPPOSITE: The exquisite ceiling allows one to feel as though one is waking up in a ballroom whilst the rug adds an oriental note, woven with silk for a luxurious sheen BELOW: The dynamic mix of bold harlequin blocks of colour in the entrance hall sets the tone for the house LEFT: The drawing room does a classic remix, paying tribute to beautiful historic details
while impossibly tall Georgian windows are swathed in a Pierre Frey’s tropical fabric that could be straight out of a Slim Aarons still. “For Nick, mid-century modern is his version of classic,” says Rebekah. “He has images of Californian desert glamour hardwired into his system: that cool, chlorine blue, citrus yellows and zingy greens. So he got me hooked.” In return, Rebekah demonstrated to Nick how balanced classical compositions continue to earn a place in contemporary interiors. “We’re a good team,” says Rebekah. Bold statements work best on a grand scale, so the proportions of this London home seemed an opportune setting to inject some bold US-style colour. This flat-fronted 1790s house, had been used as accountants’ offices during the sixties and seventies, before being turned back into a single home. “Thankfully, it survived the seventies mania for ripping out original features,” says Nick. “We both got that “wow” moment when we walked into the reception room – and then again when we saw the master bedroom,” he adds. “It was the perfect space to start over,” says Rebekah. First off, they threw out the polite greys and taupes, sanded back the floorboards and dipped into a palette of sun-soaked turquoise, teal and greens. She’s not averse to a mix of high-low budgets, too. “I head to Graham And Green, West Elm and CB2 for basic pieces” says Rebekah. “Then I’ll put them with vintage. It’s like wearing a Topshop dress with a Chanel belt – which also works for me.” And if her combos throw up some design surprises, all the better. “I don’t want a look that’s too perfect,” says Rebekah. “I like colours and configurations that jangle enough to wake you up.” So, a wife and husband that work side by side to create dynamic, colourful interiors – could Rebekah and Nick be the next Novogratz duo?
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TOP: The pottery in the dining room pays tribute to Rebekah’s gradmother who used to paint pottery ABOVE: A selection of throws, cushions and a rug add colour to the living room without feeling ‘shouty’
REBEKAH CAUDWELL www.rebekahcaudwelldesign.com
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INSPIRED BY
ANTHONY COLLETT Thanks to the innovative approach taken by the designer this Grade â…Ą Listed London flat is now an exciting space full of colour and texture WORDS NICOLE SWENGLEY | PHOTOGRAPHS ELSA YOUNG
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LEFT: The high ceiling of the living room is covered with elaborate plasterwork, completely different from the array of contemporary furnishings below ABOVE: Colour has been kept to bold semi-circular bands of colour on the rug which swirl across the floor of the dining area Bridge for Design London 2016 139
W
hen Anthony Collett suggested installing two sets of full-height mirror-glass sliding doors in the nineteenth century flat in South-West London, the idea was greeted with enthusiasm by the owners. These sliding panels mark the divisions between the kitchen, dining-room hall and sitting room. The sides of the doors facing into the dining room are dramatically decorated with a gold - and silver-leaf pattern, with a vibrant abstract painting in shades of blue, green and white on the reverse of one of the doors, facing into the sitting room. The owners’ immediate reaction to the suggestion was, “that sounds fantastic,” recalls the designer, who says this upbeat response typified the fearlessness of their attitude to the whole refurbishment project. The first-floor flat is in a Grade II listed terrace built by Thomas Cubitt in 1827. When the owners purchased it in 2010, its seventies make-over was unsurprisingly looking tired and dated. “It was done in a traditional manner with painted walls above the dado-height panelling and carpet throughout,” says Anthony. His proposed alterations – including removing a wall between the former dining room and study to take the space back to its original size and create the new main bedroom.
OPPOSITE: In the living room, the globular shaped ottoman below the chimney breast adds a bold injection of colour into the otherwise neutral colour scheme. LEFT: The sculptural, horn-like forms of a table lamp are an eye-catching feature on display in the living room. BELOW: The spacious bedroom contains both a double bed with bespoke storage around it and a sitting area for watching television.
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The installation of new fumed oak parquet flooring throughout necessitated underfloor soundproofing, while significant new joinery included panelling in the hall and built-in wall units in the main bedroom and sitting room. However, the sitting room’s magnificent ‘wedding cake’ ceiling decoration was retained, as were the original shutters on the French windows in the sitting room and main bedroom. High ceilings create an airy feeling throughout the flat, while clever space planning utilises every inch of the property’s 242 square metres. “We’ve worked on a number of the owners previous homes, so we know how they like to live,” says Anthony. “They don’t entertain a lot and tend to eat out, so we created an entrance hall dining space.” This acts as a central point, with other rooms radiating out. The hall dining area, sitting room and kitchen can each be closed off using the sliding glass panels or the rooms can be opened up to create a sense of single space. A corridor runs around the hall, with a door into a glamorous LEFT: In the entrance hall/dining room, an elaborate gilt-framed mirror hangs on the wall above a turquoise, leather covered sideboard. BELOW: A carefully restricted palette in the kitchen ties the white units to the marble island; the green grain of the marble with the domed ceiling and the dark wood of the stools with the parquet floor.
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marbled cloakroom and the generous main bedroom leading off it. In the main bedroom, French windows open onto a wide south-facing terrace flanking this room and the sitting room. The main bathroom and a capacious wardrobe-lined dressing area, which replaced a former bedroom, is accessed from the main bedroom. A separate passage leads to another dressing room cum-study and a second bathroom in a far corner at the back of the flat. This space can double up as another bedroom when the owner’s daughter stays. Some of Anthony’s ideas required considerable trust. Take, for example, the onyx-clad chimney breast in the sitting room surrounding a new modern chimneypiece, which replaced the reproduction Victorian one the owners of the flat inherited. Vintage chairs bought at a Paris flea market have been reupholstered in canary yellow and magenta, enhancing the room’s modern feel, while contemporary abstract art adds vibrancy. Anthony - along with members of his team from Collett-Zarzycki including Barnaby Chapman and Allison Jordan - was involved in every aspect, even down to designing drawer handles and door fittings. This attention LEFT: A large crystal shard emphasises the grain of the marble island at the centre of the kitchen, while a firey, red installation behind the range contrasts with the cool white interior. BOTTOM LEFT: A metal side table beside the sofa in the living room holds one of a pair of metal lamps and a vase of tulips. BELOW: Painted sliding doors lead from the living room into the entrance hall and dining area.
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to detail, along with the work done to alter and enhance the proportions of the flat, has resulted in a harmonious and orderly space. Inventive touches abound. In the kitchen, the central island is clad in green onyx, the subtle colour of which makes an attractive contrast to the white Corian worktops. In the sitting room, a bespoke waist-high screen featuring artists Margie Britz’s torn-paper decorative panels separates a large desk from the rest of the space. “The desk and computer are hidden as guests enter, yet the owners can enjoy the full space when sitting there,” says Anthony. In the main bedroom, sound-absorbing, fabric-lined, walls add texture while an upholstered, padded wall, inspired by a Ben Nicholson relief, acts as a headboard. It’s a daring space: sophisticated yet welcoming. And while there’s an element of drama, this feels like a lived in home in which colour, texture and personality are the result of inspired choices. 146 Bridge for Design London 2016
ABOVE: A large abstract painting hangs on a wall of the study
COLLETT ZARZYCKI
T: +44 (0) 208 969 6967 www.collett-zarzycki.com
PHOTO ANDREA FERRARI | AD GARCIA CUMINI
espresso live cook sleep
enquiries@espressodesign.co.uk www.espressodesign.co.uk
Design Centre Chelsea Harbour London SW10 0XE 0207 078 9912
149 St Johns Hill London SW11 1TQ 020 7078 9912
120 Church Street Bo Kaap Cape Town + 27 21 422 5283 Bridge for Design London 2016 147
DESIGN PROJECT
THE STAR & GARTER
THE BRIEF: To create a luxurious three bedroom apartment overlooking the lush meadows of Richmond and the meandering river Thames WORDS KATY BRISCOE | PHOTOGRAPHS MATT LIVEY
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S
itting regally atop Richmond Hill, overlooking the lush meadows of Richmond and the meandering river Thames is The Star & Garter - a London Square development and Grade II listed building. Suna Interior Design was briefed by London Square to create the interior design for its luxurious three bedroom apartment show home, to encapsulate the magnificence of both the architecture and the location. The scheme was designed by Ellen Leedham, who took her inspiration from the location and the opulence it evokes, to create an equally elegant show home. “I wanted guests entering the show home to be enveloped by comfort and luxury and to be awed by original features in the apartment. My job was to enhance this already impressive space. To this extent a lot of thought was put into sourcing unique accessories and works of art, and designing bespoke items of furniture.�
The apartment provides a luxurious home that is ideal for entertaining and each of its grand spaces has been designed to accommodate this vibe with each and every item considered carefully before it was chosen to be confident it enhanced this scheme. In the living room is a palette of ivory and grey with nuances of blue, enhanced with metallic finishes and impactful dark wood joinery. This creates a welcoming and luxurious atmosphere which is enriched by the flooding of light through the majestic arched window running the length of one wall. Exquisite attention to detail has been paid to every element of this design; from the metallic stud finishings on the stylish armchairs to the flawless finish on the dark wood wall panelling. The glamorous dining room continues the ivory, metallic and blue colour palette and sets the scene for many an appetising dinner party with bespoke dining chairs sitting
OPPOSITE: The inviting and opulent living room, ideal for entertaining and relaxing. Featuring an elegant combination of bespoke pieces of furniture and design classics such as the Surada coffee table from Andrew Martin ABOVE: The calm and inviting second bedroom
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around an elegant custom-made glass table. Beautiful floral artworks by Elizabeth Ockford from Trowbridge Gallery embellish the walls, and a divine pendant light adds a touch of sparkle from above. The chic kitchen area is ideally situated for all the preparation to take place, with ivory cabinetry and a lacquered stone clad island with bar stools to enhance this generous space, allowing guests to mingle whilst the cooking happens. Each bedroom also boasts an exclusive design. The master bedroom positively oozes glamour with a bespoke panelled wall onto which sits the oversized, ivory and metallic studded headboard. Metallic touches have been added throughout to the indulgent palette in this room. Captivating works of art and feature statement pieces, such as a beautiful chest of drawers with intricate stud detail and an antiqued framed mirror hanging above the sophisticated dressing table, all create the unique and opulent feel in the room, which is carried on into its ensuite bathroom and ample dressing room. OPPOSITE: The glamorous dining room is ideal for entertaining with bespoke dining chairs sitting around the elegant bespoke table LEFT: A striking dark and light palette has been used in the third bedroom suite that also features exquisite feather artworks, hanging either side of the bed BELOW: The luxurious eye-catching design in the master bedroom creates the unique and opulent feel in the room BOTTOM LEFT:The stylish Ravel console table by Julian Chichester and beautifully framed artwork in the entrance hall
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The second bedroom has a soft blue and natural palette, creating a calm and tranquil space. Ellen explained “This room has a classical influence with the French wooden framed bed and whitewashed oak furniture. The design reflects the beauty of the historical design which is sympathetic to the historic building.” An oversized framed mirror and dramatic pendant lighting add a sense of scale to this impressive room. A striking and impactful dark and light palette has been utilised in the third bedroom. Showcasing two beautiful carved feathered artworks flanking the dramatic upholstered panel which forms the backdrop to the elegant headboard and places the bed firmly in the centre of this inviting design. “We were briefed to create a design that reflects the ultimate in luxury” said Ellen “and I truly feel that Suna Interior Design has done this.” This exceptional home is now a triumph of exquisite design and thoughtful styling. 152 Bridge for Design London 2016
ABOVE: Great attention to detail has been paid to every item in this design. The sepia leaves in artdeco inspired mirror frames are from Trowbridge Gallery
ELLEN LEEDHAM
Lead Interior Designer T: +44 (0) 208 544 9350 www.sunainteriordesign.com
A luxurious oceanview apartment in The Bahamas by Finchatton
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A beautiful country estate in Ibiza by TG-Studio
A colourful little Venice apartment Bridgeby for Sera Design Hersham London 2016 153 Loftus
INSPIRED BY
JEFFREY BILHUBER
When an American family with young children moved to London, they wanted to bring energy and wit to British tradition WORDS MELISSA BARRETT RHODES | PHOTOGRAPHS SIMON UPTON RIGHT: A pair of pedestal tables in the lavender-lacquered dining room either side of a central fireplace flanked by 18th century Indian tankas
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or any designer, it would be a seductive opportunity: one gracious Regency Revival townhouse on London’s most spectacular park; one dynamic young American family, relocating from New York; and one delicious client request – a lacquered lavender dining room. And what designer wouldn’t live to do a lacquered lavender dining room? The catch: six short months to whip it into shape, down to his-and-hers umbrella collections. Jeffrey Bilhuber pulled it off with the ease and speed of a turbo engine. “Before the deal was even sealed on my client’s house, she and I jumped on the red-eye to London,” he says. “We got to the place at eleven, walked through it, had lunch, went back to make sure our instincts were on target and caught the four o’clock plane home. The next time I went to London was to install the house, top to bottom.” 154 Bridge for Design London 2016
“It was amazing,” says Bilhuber’s client. “Jeffrey figured it all out in only three hours. He has an incredible ability to make a house appropriate for its location, yet totally reflective of the family who is living in it.” Inspiration hit the designer like a wave. “It was an almost instantaneous response,” says Bilhuber, who had worked with the clients on a previous home. “The question going through my mind was - how you make a period house like this liveable for a modern family with four very active children?” The answer is a decidedly 21st century riff on a traditional design vocablurary; jolts of colour, an unexpected furniture plan, clever pairings of classic and contemporary furnishings, and as much daylight (this is cloudy London, remember) as possible. Fearless tweaking and tinkering with the conventional are evident throughout
the seven-bedroom house. “The previous owners had the expected grand piano parked in front of the bay windows and a pair of sofas flanking the fireplace – an arrangement that had likely been there ever since people arrived off their horses and huddled around the fire,” says Bilhuber. “It was perfectly fine, but it was a snooze,” So out went the piano (an upright was installed in the library), and in went four big café-au-lait upholstered chairs, rounded up like stagecoaches facing the new window seat and an overscale rabbit-fur ottoman. “It’s a very West Coast idea,” he says. A second seating area contrasts ebonized mahogany Klismos chairs with a sofa and slipper chairs upholstered in shades of duck-egg blue, turquoise, tangerine and cantaloupe. Bilhuber’s sensibility is evident in witty dichotomies. A Chinese elm console, bleached to its palest and most primitive wood, is paired with a rococo-style
gilded mirror. Swag curtains lose their stiffness when done up in a turquoise-andwhite line print banded in a crisp vermillion. Drapery panels tied back around the window seat transform it into an alcove, with the feeling of a tailored tent (the giggles of children heard from within were part of the plan). In the dining room, Bilhuber ditched the traditional long table in favour of the two round pedestal tables, one paired with a curved sofa for informal family meals, the other with armchairs for dinner parties. How did he handle the required lavender walls? “Half of the drawing rooms in New York and London are blue and white with Yellow,” says Bilhuber, “so I thought it would be fascinating to pair lavender with white and yellow instead.” Daffodil faux-leather armchairs are backed in a fabric that resembles raffia (“straw against polished mahogany is the perfect foil” he explains), and the clients’ blue welting on the Bridge for Design London 2016 155
OPPOSITE: The spacious drawing room is made up of a number of sitting areas grouped around low coffee tables and ottomans LEFT: The yellow-painted country-style kitchen has pine units and a splashback of multi-coloured tiles around the walls BOTTOM LEFT: The lacquered lavender dining room has a pair of pedestal tables, one paired with a curved sofa in the bay window BELOW: This side view of the master bedroom shows a half-tester bed and curtains of chrysanthemum print
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chairs. “And the best thing about a lavender dining room is a chartreuse library,” he jokes. He turned the idea of an English panelled library on its head. “There is a lot of brown wood in London,” he says. “We’re trying to acknowledge that tradition but also take it to the next level.” So the kitchen and family room are pineapple yellow and the master bedroom has yards of the chrysanthemum print Babe Paley used at her legendary house in Jamaica. What pulls everything together is ebony and ivory – lots of ebonized mahogany and white lacquered pieces which provide a graphic clarity that is a signature Bilhuber. “Within days of moving in, all the traditions we have as a family started happening,” says the client. “We really live in every room – children curl up on the furry ottoman, on the dining room sofa. Jeffrey creates an environment where real life occurs.” That’s what pleases the designer the most. “Every time I walk in,” he says “I hear little girls playing house beneath the entry table, and boys kicking a soccer ball in the garden. If these children have found a home, then we’ve accomplished our job.” 158 Bridge for Design London 2016
ABOVE: Piper and Kona, a pair of wheaten terriers, enjoy the luxury of the rabbit fur ottoman in the drawing room
JEFFERY BILHUBER T: 001 212 308 4888 www.bilhuber.com
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INSPIRED BY
THOMAS GRIEM
The Brief: To bring New York airy loft living to a London mews house by seamlessly joining functionality with style WORDS KATY BRISCOE | PHOTOGRAPHS PHILIP VILE
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nterior architect, Thomas Griem, enjoyed the challenge of completely refurbishing a mews house in London’s Fitzrovia. The house, a former office, was completely stripped down to just its structural walls and all the windows were replaced. New planning laws allowed Griem to design the house without corridors and doors to create the ambience of a New York loft. The client required a stylish and functional ground floor office area that, when not in use, blended seamlessly into the living space. To accomplish this, the windows were enlarged to increase the amount of light giving a sunny and airy feel to the room. Ample storage was then built into the wall which hides office clutter and maintains the room’s clean lines when not working. On the top floor, one wall of the master bedroom features exposed brickwork evocative of retro loft living whilst the remaining walls are lined in grey fabric. The en-suite bathroom is separated from the bedroom only
by a sliding door furthering the feeling of airy spaciousness, synonymous with New York loft apartments. The focal point of the master bedroom is the bespoke bed, designed and made by Thomas Griem on behalf of the client. Next to the bed are matte, brass ‘Hollo’ bedside tables by Petite Friture and above are wall lamps by Orsjo Belysning. An oversized/large scale photograph by the client - a renowned horse photographer - adorns the walls and vintage leather armchairs complete the look. Leading off the master bedroom is a work space where a cult metal ‘Nicolle’ stool from Extravert sits in front of a classic curved glass console table by Ligne Roset. In the master bathroom, it is a juxtaposition of New York retro meeting luxurious Fitzrovia. TG Studio have selected traditional bevelled white tiles and mixed them with a lavish arabascato marble, matt black lacquer and grey basalt stone alongside an exposed brick wall. The bathroom fittings are a traditional English design complimenting the
OPPOSITE PAGE FROM TOP: In the master bedroom, the focal point is the bespoke bed, designed and made by Thomas Griem. The three storey terraced mews house has been transformed from an office building into a home. THIS PAGE BELOW: The master bathroom features a contemporary mix of traditional bevelled white tiles, lavish arabascato marble, matt black lacquer and grey basalt stone alongside an exposed brick wall. Dark recessed alcoves provide dramatic spaces to display objets d’art, whilst the whole bathroom maintains a spacious and luxurious feel.
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freestanding bath and dark recessed shelving with clever lighting gives a focal point to display art. “A few years ago we would have suggested cladding an entire bathroom in the same stone but now I find myself playing with different finishes and achieving an equally luxurious look but allowing for more diversity” explains Griem. The neutral tones and contemporary feel continues into the guest bedroom and its en-suite bathroom. Spotlights and more oversized artwork on the wall above the bed immediately draw your eye to the sleeping area of the room and the calming palette of the whole apartment lends a relaxing feel to the space. With this project, Thomas Griem has more than risen to the challenge of bringing New York airy loft living to a London mews house and has seamlessly joined functionality with style to make it a practical and enjoyable living space. TOP: The ground floor office area was specifically designed so that when not in use it blended seamlessly into the living space. Ample storage was built into the wall to hide office clutter and maintain the room’s clean lines when not working. RIGHT: The guest bedroom with en-suite continues the same calming colour palette as the rest of the home, and the airy contemporary feel is sustained throughout. BOTTOM: Pops of accent colour give a contemporary feel with this classic blue armchair and vivid green side unit in the living room.
THOMAS GRIEM T: +44 (0) 207 636 3838 www.tg-studio.co.uk 162 Bridge for Design London 2016
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