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CONTENTS 26 Design News 17 pages of the latest from 60 64
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the world of interior design Sensational Stripes Inspiration for those wanting to add stripes to their interiors English Homes In this timeless and beautiful book, renowned architectural and interior designer, writer, shop-keeper and blogger, Ben Pentreath, presents a fresh and insightful overview of the classic English Style Designer Profile: Tom Raffield Tom Raffield creates designs inspired by Cornwall’s natural resources and beauty Craft Shows Roots At Decorex Jim Evans takes a walk through this year’s must see interiors show, Decorex International Fabrics & Wallpaper New collections from Arley House, Carole Fabrics, Thibaut Design, William Clark, Linwood Fabric and more Dreamy Bedrooms Could these bedrooms be those of your dreams?
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Chesneys, Esse, Robeys, Platonic Fireplaces, Haddonstone, Smart Fire (UK) and more Hogarth House A refined contemporary farmhouse vibe by Studio Duggan luxurious and supremely relaxing Notting Hill The approach to the design was to create a family home which was peaceful and elegant Ebury Square The client enlisted Maurizio Pellizzoni to create a sophisticated but masculine look for this pied-à-terre Rugs & Flooring New designs from Atlantico Rugs, Bazaar Velvet, Felt, The Rug Studio, Roger Oates, Loomah, Domus and more What’s Old is New Again ‘You have to look to the past to embrace the future’ Tricks of the Light Design tricks which help to draw light deep into a building are essential says Mike Fisher
DORYA INTERIORS EXCLUSIVELY AVAILABLE FROM INTERIO UK WWW.INTERIO.CO.UK INTERIO SHOWROOM, 555 KINGS ROAD, LONDON SW6 2EB, +44 1202 717017, SALES@INTERIO.CO.UK
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CONTENTS 122 The Gold Standard Gold is back this
136 Bathrooms New designs from William
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season and this time, it’s anything but standard says Lynne McArdle The Line of Beauty The trend for all things minimal and geometric is nothing new Naturally Beautiful Organic shapes bring warmth, comfort and depth to any interior Kitchens Latest designs from Stone Age, Martin Moore and Extreme Designs The Man Cave A jaw-dropping solution to house two or three sports cars in a plush environment designed by The Design Practice by UBER Starting from Scratch Each room of this Knightsbridge home is different and has a unique tone of its own Tsing Ma Bridge This bachelor pad in Hong Kong, designed by Pal Pang, has the sort of views to stop you in your tracks
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Holland, Catchpole & Rye, Perrin & Rowe, Hurlingham Baths, Aestus and more Lighting New designs from Christopher Hyde, A Place In The Garden, Wendy Cushing, Mr Light, Andrew Kornat, Brand Van Egmond and more Mediterranean Dream The clients wanted a property that had a chic European feel with a classic twist Inspired by Donna Hall The Chicago-based designer channels the dark glamour of the 1920s in her latest interior design project Inspired by Arthur McLaughlin The San Franciscan designer sets the stage in his Beaux Arts villa Anything But Ordinary ‘My clients love the idea of totally new design concepts, things that have never existed in the world before’
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CONTENTS 186 Bella Italia Achille Salvagni transformed the
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top floor of a storied palazzo in Rome into the ideal setting for a family’s treasured antiques and contemporary Italian designs Williamstrip A harmonious synthesis of colours, textiles and understated style enhances the restored interior making it one of the most impressive country house resuscitations of recent years Living Large Nanette Lepore and her husband infuse a Victorian Townhouse in Manhattan’s West Village with the appreciation for the past Kettler House Designer Tineke Triggs blends daring design with traditional elements in this striking Victorian remodel in San Francisco The Uplands Project The brief was to provide real purpose to each of the spaces of the open plan design by Martin Smith, Holloways of Ludlow
Cover story: This sophisticated and masculine living space is dominated by an enormous piece of art by Farin Urlan which picks up on the red accents that are used throughout this two bedroom pied-Ă -terre. Read more on page 108
Email us your latest design projects at tammi.b@bridgefordesign.com for possible inclusion in Spring 2017 20
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OUR DESIGNERS TOM RAFFIELD
ARTHUR MCLAUGHLIN
MAURIZIO PELLIZZONI
TIFFANY DUGGAN
BINKIE MOORHEAD
PAL PANG
DONNA HALL
TINEKE TRIGGS
BONNIE LANCASTER
Tom grew up surrounded by the extreme wilderness, tranquility and natural beauty of Exmoor, England - an environment that stimulated his imagination and inspired freedom to be adventurous in his designs. Handcrafted in his studios in Cornwall, England, his contemporary lighting and furniture is based on beauty and integrity. www.tomraffield.com
Tiffany Duggan’s (studio founder) background in set design and interiors formed the perfect foundation from which to establish Studio Duggan. West London serves as the Studio’s base, where Tiffany leads a passionate and creative team. With an emphasis on form, colour, texture and scale. www.studioduggan.com
Donna’s approach to interiors is to mix Classicism with Modernity, while always adding an element of surprise. Her style is always influenced by a long love affair with European architecture and furniture design along with 20th century American style from Hollywood Regency to Mid-century modern. www.dmondiinteriordesign.com 22
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Arthur McLaughlin has spent the past three decades designing interiors for some of San Francisco’s most significant homes. ‘It’s really personalised. We interview clients and ask what they like. Hearing what people are saying, really listening to them, that determines what they need and what we design for them’ www.arthurmclaughlin.com
BM Design was founded in 2014 by Binkie following 10 years of experience in the luxury interiors market, having previously commanded roles overseeing a wealth of projects throughout London and the Middle East. BM Design’s extensive portfolio includes London properties, a family home in Surrey and a villa in the South of France. www.bmdesignlondon.com
Growing up in Woodside, CA with Dutch parents, Tineke’s designs reflect the captivating mix of her Californian roots and European heritage. She finds passion in discovering the elements that make each house a home and has a knack for incorporating imaginative details into her designs to create truly memorable spaces. www.adlsf.com
Since founding his consultancy, Maurizio Pellizzoni Ltd, in 2007, he has applied his Italian appreciation of style and design to a range of residential and commercial projects. Maurizio believes that close, direct contact creates a better project - he will interpret his clients’ tastes and styles to ensure a unique and characterful end-result. www.mauriziopellizzoni.co.uk
Pal Pang is an international award-winning designer with a unique eye for design. Pal’s design approach is sophisticated, creative and forward-thinking. Pal sees and understands the potentials in both western and eastern markets therefore he has successfully blended the two elements creating a unique design style. www.another-design.com
Bonnie Lancaster, owner of Lancaster Interior Design, has captivated the design community with combinations of old-school elegance and classical modernism. With a penchant for colour, delicate pattern and classic antiques, the Sarasota, US, interior designer has refurbished over 500 projects all around the world. www.lancasterinteriordesign.com
PUBLISHER
Martin Trowbridge Martin@bridgefordesign.com
EDITOR
Rob Cork
Rob@bridgefordesign.com EDITOR’S ASSISTANT
Kelly Davies Kelly.D@bridgefordesign.com
EDITORIAL CHIEF SUB-EDITOR COPY-EDITING
Tammi Bell Tammi.B@bridgefordesign.com Katy Briscoe
ADVERTISING ADVERTISEMENT DIRECTOR
UK ADVERTISING
US ADVERTISING
Vivien Brockwell +44 (0)173 246 1090 +44 (0)786 754 7712 Vivien@bridgefordesign.com Simon Hemsley +44 (0)791 937 5159 Simon@bridgefordesign.com Shelba Cornelison 001 336 869 2528 Shelba@bridgefordesign.com
CONTRIBUTORS RYLAND PETERS & SMALL TOM RAFFIELD JIM EVANS TIFFANY DUGGAN BINKIE MOORHEAD MAURIZIO PELLIZZONI WILLIAM YEOWARD MIKE FISHER LYNNE MCARDLE THEO MANCE KEIRA TOWNSEND BRIAN WADE & JAMES HOWWARD PAL PANG BONNIE LANCASTER DONNA HALL ARTHUR MCLAUGHLIN TINEKE TRIGGS MARTIN SMITH
www.rylandpeters.com www.tomraffield.com www.thedesignpractice.com www.studioduggan.com www.bmdesignlondon.com www.mauriziopellizzoni.co.uk www.williamyeoward.com www.studioindigo.co.uk www.aldenparkes.com www.kofc.co.uk www.keirtownsend.com www.timflynnarchitects.com www.another-design.com www.lancasterinteriordesign.net www.dmondiinteriordesign.com www.arthurmclaughlin.com www.adlsf.com www.hollowaysbuild.com
ACCOUNTS FINANCE DIRECTOR ACCOUNTS
Sara Davies sara@bridgefordesign.com Cisca Cowling Cisca@bridgefordesign.com
SUBSCRIPTIONS BRIDGE FOR DESIGN
Subs@bridgefordesign.com +44 (0)189 266 7600
www.bridgefordesign.com 16 Sybron Way, Jarvis Brook, East Sussex, TN6 3DZ, United Kingdom T: +44 (0)1892 667 600 F: +44 (0)1892 667 007 E: enquiries@bridgefordesign.com
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Copyright 2015 BRIDGE FOR DESIGN, TROWBRIDGE Gallery, ISSN 1764-4404. Printed by Pureprint Group, Bellbrook Park,Uckfield, East Sussex TN22 1PL, T: 01825 768811. Published quarterly. All rights reserved. Reproduction in whole or in part without prior written permission is strictly prohibited. The views expressed by contributors are independent and are not necessarily those of BRIDGE FOR DESIGN
DESIGN NEWS
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OKA boasts a collection that includes everything you need for the home from lamps, cushions, rattan, tableware and other home accessories, to sofas, chairs, dining tables, side tables and much larger furniture. Everything you could possibly need to create the perfect space whether it’s a traditional country house, or a contemporary open-plan apartment. T: +44 (0) 123 543 3983| www.oka.com
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AROLA VAN DYKE
Carola Van Dyke Ltd have a range of flamboyant, whimsical textile taxidermy pieces in a variety of sizes and textures. The new African collection features one of a kind pieces that are made using a range of African wax fabrics stitched and fused together to make an entire new fabric design. Bold colours and contrasting prints make these taxidermy pieces into unique, statement artworks that would enhance the walls of any modern living space.
T: +44 (0) 142 442 5920 | www.carolavandyke.com
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OHN RICHARD
The rustic gold fronts on the Ripples cabinet resemble circles of movement on water. Designed by Mark McDowell for John-Richard, this beautiful furniture piece is enhanced by a dramatic meld of texture and pattern. Also, nature inspired, the Selenite Spar Stone bowl and the reverse hand-painted Agate mirror bring unique elements to any interior. US T: 001 662 453 5809 | UK T: +44 (0) 120 271 7017
www.johnrichard.com | www.interio.co.uk 26
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ICKORY WHITE
This delightful and sophisticated bed is from the Odyssey series of designs by Hickory White, a Sherrill furniture company. The transitional styling of Odyssey combines organic modern materials with warm, tactile traditional elements answering the designer demand for clean, inviting style with customisation options. T: 001 828 322 8624 | www.hickorywhite.com
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ICTORIA STAINOW
The architectural glamour of the Console Fer by Victoria Stainow is typical of the 1940’s era that inspired it. The intricate pattern of the base creates different linear shapes and shadows from every angle. Stepping forward whilst looking back, the iron base has a brass patina that is fashionable at the moment, but the traditional marble top ensures it will become a timeless classic.
T: +44 (0)795 611 3779 | www.victoriastainow.com
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ONATHAN CHARLES
Jonathan Charles Fine Furniture has recently launched their JC Modern brand, which includes this contemporary walnut bench with an antique brass back. The brand strives to bring an edge to today’s living spaces with its use of an eclectic mix of natural materials, simple lines and curves, and geometric patterns.
T: +44 (0) 207 351 1922 | www.jonathancharles.com
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AVID HARBER
David Harber’s Dark Planet is made from hundreds of irregular black puddle stones, painstakingly fixed together to form a unified whole. Thus, raw nature is transformed into geometry, creating a play between the tactile and the visual. At dusk, light permeates through the fissures between the stones, illuminating Dark Planet’s core to dramatic effect and making a sculpture that is both practical and beautiful. T: +44 (0) 123 585 9300
www.davidharber.co.uk
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EISURE PLAN
Taking outdoor living comfort to a higher level, Suite by Fisher Mobel is exclusively available from Leisure Plan. A high-spec modular seating collection with highest quality electro polished stainless steel frames and luxurious backs and deep seats, this range also comes with coffee tables and side tables with ceramic tops and double shelving to provide furniture solutions that looks good in both indoor and outdoor locations.
T: +44 (0) 127 981 6001 | www.leisureplan.co.uk
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EIMTEXTIL
Heimtextil 2017 invites you on a journey of discovery, exploration and success. Visitors will discover future oriented designs, trends and innovations for home and contract textiles. Held in Frankfurt am Main from January, 10th to 13th, 2017, this industry leading exhibition is not to be missed as trend forecasters will guide designers into the future, showcasing upcoming design trends in the textile sector. www.heimtextil.messefrankfurt.com
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ATHY AZRIA
Renowned for her spectacular indoor and outdoor fires, artist Cathy Azria has now applied her considerable talents to crafting bespoke pieces of furniture and accessories in her instantly recognisable and unique sculptural style. Working with bronze, steel and other strong metals, Cathy has created a series of coffee and side tables, including the stylish tall loop side table where the loops have been piled sky high to create an ethereal, elevated side table that is the perfect plinth for a statement plant or ornament. T: +44 (0) 208 964 5355 | www.bd-designs.co.uk
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ESLEY BARRELL
The Alexa Curved Sofa is part of the New Generation range from Wesley Barrell, a collection of classic contemporary living furniture carefully handcrafted in the UK to their stringent high standard specifications. Offering style and comfort at an affordable price, this simple and classic sofa will enhance any modern living space.
T: +44 (0) 207 629 2019 | www.wesley-barrell.co.uk
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AVID SEYFRIED
David Seyfried are renowned for their collection of stylish and classic traditionally upholstered furniture made in the UK. This Autumn, they have introduced the Eaton chaise which has a luxurious elongated seat, ideal for reclining and relaxing. This sophisticated piece in muted colours is a perfect fit for any modern and traditional room. T: +44 (0) 207 823 3848 | www.davidseyfried.com
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OBERTO GIOVANNINI
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ARACOLE
Roberto Giovannini’s new stand in the Salone Internazionale del Mobile 2016 features the impressive Impero Master Bedroom, which truly allows you to experience the atmosphere and aesthetically pleasing blend of characteristics of the pieces in situ. All the furniture is produced and decorated by Roberto Giovannini Srl, and this bedroom features a refined Neoclassical bed headboard enhanced by oriental style bonsai fabrics and wondrous antique oriental wall panels inlaid with mother of pearl to contrast against the gold and white furniture. T: +39 057 167 0200 | www.robertogiovannini.com
Caracole’s ‘Signature’ collection features a mélange of elegant materials that have been precision-crafted into unique furniture pieces with regal style. The Rose Cocktail table is a statement piece featuring a highly polished circular base showcasing a Majestic Gold filigree of intertwined roses. Elegantly topped with black glass, this indulgent piece lends itself to international connoisseurs of high design.
T: 001 800 468 8730 | www.caracole.com
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ORYA
Premium high end furniture and accessories company, Dorya, presents this elegant console shown in satin black with matte French gold hardware. Complementary end tables and cocktail are in Expresso mahogany with gold highlights. The highly styled contemporary sofa and chair show off the lovely matte French gold base and fabric exclusive to Dorya. US T: 001 305 373 4446
UK T: +44 (0) 120 271 7017 | www.doryainteriors.com | www.interio.co.uk 34
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YPNOS BEDS
Royal warrant holder and bespoke bed maker, Hypnos, will launch its new Natural Comfort collection in November, which features four seasonal turn mattresses. Each one is packed with generous layers of natural, breathable materials, including wool, silk and Alpaca hair, for a beautifully cushioned mattress and an exquisite, soft surface for sleep. www.hypnosbeds.com
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RANGE
In the tradition of the great decorators of the 18th century, Grange, master cabinetmaker for over 110 years, now offers interior decoration and furnishings for the entire home. The DaphnĂŠ sofa from their new range is perfect for relaxation and quiet contemplation, and has been specifically designed to complement their period furniture. Available in a choice of 500 upholstery fabrics and leathers, there is something to suit every living space.
T: +44 (0) 207 935 7000 | www.grange.fr
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AIN JAMES FURNITURE
With a view for people combining work space within the home without having a desk, this rise and fall coffee table from Iain James is an ideal dual purpose product offering internal storage and a 122 x 71cm workspace top. Available in bespoke sizes and timbers, it has an option to fit any living space, effortlessly combining functionality with stylish design.
T: +44 (0) 115 973 4481 | www.iainjamesfurniture.co.uk
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INE FURNITURE DESIGN
Asian elements and European design influences combine to create the Fusion Collection for Fine Furniture Design. The Panache panel bed shows off the expressive materials and handcrafted contemporary look of this collection, offering a simple and elegant way to escape without ever leaving the home.
T: 001 336 883 9918 | www.biltmorefinefurniture.com
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ATURAL DECORATIONS
A delightful twist on tropical, this blazing orange Pincushion Protea by Natural Decorations is paired with orange Callas and pods in a complementary Patina glass vase. This great permanent botanical is 20� wide and 14� high and will make an impressive addition to any setting. T: 001 800 522 2624 | www.ndi.com
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ESPOKE SOFA LONDON
Bespoke Sofa London brings sumptuous elegance and comfort to homes with its on trend reworking of the most iconic sofa of our time - The Chesterfield. Reinventing the charm of this piece in bright opulent colours and plush comfort, the superb team at Bespoke Sofa London can help with tailoring to make sure that each Chesterfield is as unique and special as the home it is going to. T: +44 (0) 207 736 9900 | www.bespokesofalondon.co.uk
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YAN HUGHES DESIGN
Ryan Hughes Design Build surpassed its peers to win four prestigious industry design awards from The Association of Pool & Spa Professionals (APSP). Hughes ‘Big Time’ project won a gold award for a creatively complex, yet calmly cohesive outdoor design incorporating architectural elements with fanciful fire and water features, custom textures and state of the art audio visual. This expert space planning transformed the home’s swimming pool area into something not only beyond expectations but beyond imagination. T: 001 727 940 2653 | www.ryanhughesdesign.com
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ILENT GLISS
Metropole from Silent Gliss combines all the benefits of a curtain track in a decorative pole. No need for rings, gliders flow easily inside the pole. It is available in four sizes, 13 colours with a wide range of finials and is compatible with the Silent Gliss Wave Curtain Heading System. T: +44 (0) 184 386 3571
www.silentgliss.co.uk
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ARMOREA
Marmorea is introducing a new showroom in Kensington featuring a selection of fine antique and period chimney pieces alongside mid century furniture, lighting and Dutch hardwood flooring. Marmorea’s inventory includes surrounds from the Georgian, Regency and Victorian eras as well as continental pieces in the Rococo and Baroque manners. T: +44 (0) 207 924 2010
www.marmorealondon.com
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OHN SANKEY
Crinoline by John Sankey is a classically shaped wooden framed chair with solid beech turned legs and a fully upholstered seat with hand buttoning. Available in a wide selection of plains, florals, wools and velvets allowing customers to find the perfect match of classic or contemporary prints for their interior space. www.johnsankey.co.uk
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YDE HOUSE
Hyde House have been manufacturing beautiful bespoke furniture for trade clients for over 10 years and now introduce their new Resinate™ brand to their collection. This brand new capsule collection of luxurious furniture launched at Decorex 2016 and offers stunning handcrafted and affordable pieces for all your high end furniture needs.
T: +44 (0) 128 433 0098 | www.hydehouse.co.uk
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LDEN PARKES
The handsome sleek-lined Starward cabinet by Alden Parkes has a nautical feel with its elegant solid brass star-shaped hardware. Two adjustable shelves make this a perfect and practical accent piece. Available in turquoise with champagne brass hardware or in navy blue with gold leaf design. Its legs are a beveled mid-century design. T: 001 904 279 1617 | www.aldenparkes.com
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ATHAN ANTHONY
California upholstery resource, Nathan Anthony, expands its offering with new collections of accent tables and rugs. Designed to complement its awardwinning contemporary seating designs, the addition of tables and rugs is a first step in the brand’s lifestyle-focused expansion. The Tetra and Torino table systems (ten in all) promote flexible arranging of surface space in rooms. Several cocktail-height tables may overlap for a stacking tiered effect, or used independently. T: 001 323 584 1315 | www.nafurniture.com
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ERNHARDT
Bernhardt, a brand long associated with iconic furniture design, is celebrating modern luxury and minimal adornment, clean spaces and the absence of colour with the Malvern buffest and Silvain chair. The rustic woods are turned to soft grey and the use of tarnished nickel and German silver add a layer of patina and refinement to any room. www.bernhardt.com
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ARD & BRAZIER
Bard & Brazier have been met with an overwhelmingly enthusiastic response to their Monroe floating heated rails since their launch at Decorex this year. These sleek and timeless rails come in an array of finishes and flexible sizes making it simple to find a design to fit any bathroom scheme.
T: +44 (0) 121 270 2222 | www.bardbrazier.co.uk 44
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OFA & MORE
Sofa & More have combined comfort with stunning design with their silky and classy Louise Sofa. Framed in a mixture of polished and brushed brass, it is upholstered in luxurious teal velvet with a striking geometric pattern to give it a modern yet classic edge. This sumptuous sofa is opulent and colourful and will instantly brighten any living space.
T: +44 (0) 208 997 1500 | www.sofaandmore.co.uk
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ORRIS BEDDING
Norris Bedding offer a total bespoke service for your perfect sleep experience offering everything from a custom handmade mattress to an upholstered headboard. Combined with perfect dressing using their luxurious bed linens with high thread counts for the ultimate in bedroom opulence, they offer everything to enhance your bedroom and sleep experience. T: +44 (0) 207 639 3399 | www.norrisbedding.co.uk
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ASTELLE
Elegance and luxury live large in the Castelle Vertice Collection. Contemporary at its best, Castelle Vertice includes such great design features as fine linear arm and leg supports for plenty of comfort as well as beauty. The collection includes several dining and lounge pieces, many created for smaller outdoor spaces. Each piece is available with a wide selection of options such as the durable multi-stage powder coat finishing and co-ordinating high-performance textiles.
T: 001 855 615 9800 | www.castelleluxury.com 46
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ROWBRIDGE GALLERY
TROWBRIDGE presents the very best of its vast abstract portfolio and brings together 34 individual images in the Ultimate Collection. The possible hanging options are endless as we present you with this fantastic array of styles and mediums. Each of the images offer a different tone on the monochromatic spectrum whilst the textures are unique and differing throughout. A slight sparkle shines through in the form of small scale bespoke artworks that add a touch of bespoke. The Ultimate Collection is an exciting example of the contemporary portfolio that TROWBRIDGE holds. T: +44 (0) 207 371 8733 | www.trowbridgegallery.com
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IMON HORN
Ever since Simon Horn introduced us to classic French beds in the 1980s, the romantic Reine de France has been one of the company’s best-loved designs. Inspired by the Rococo style of the courts of Louis XV and later, Marie Antoinette, it has an elegantly curved mahogany frame and exquisite hand carved floral detailing and is offered in both caned and upholstered versions to fit both classic and contemporary bedrooms. T: +44 (0) 207 731 3555 | www.simonhorn.com
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BER INTERIORS
As seen at LuxuryMade, the hand blown Crystal Rock pendants in modular units by Arik Levy for Lasvit is an important collection for the company. They can be specified in any combination of 5 colours and drop lengths to suit. See them at UBER Interiors’ showroom. T: +44 (0) 333 222 5550
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VE HOME
A fresh take on a 1950s Italian design, the Carlyle desk by Ave Home features an ebony stained mango wood top and brass finished iron frame with brass pulls. The hand-crafted and stylish desk has one centre drawer and two sliding trays on each side.
T: 001 504 459 4909 | www.avehome.com
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ÄHRS
Kährs has opened its new Design Studio in Clerkenwell, London’s architectural and interior design district. Located on Albemarle Way, the Design Studio will provide a central hub for Kährs’ award-winning wood flooring range. It will also showcase décor styles, furnishings and heating technology from brand partners -Earthborn, BoConcept and Nu-Heat - with Kährs’ resident interior design team on-hand to provide help and expertise.
T: +44 (0) 239 245 3045 | www.kahrs.com
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NEW YORK SHOWROOM
137 W 25th Street, New York, NY 10001 LONDON SHOWROOM
555 Kings Road, London SW6 2EB
manorandmews.com
design news
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URNSTYLE DESIGNS
The Woven scroll by Turnstyle Designs is available in three different lengths, six different Amalfine colours and eight different metal finishes. Amalfine allows us to offer clients unique pieces that are beautifully robust in design and finish which can cater to an array of interiors. T: +44 (0) 127 132 5325 | www.turnstyledesigns.com
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ARSHALL & STEWART
Marshall and Stewart know that every aspect of your waking life is affected by how you sleep. Their luxury beds allow you to invest in yourself and in a bed that enables you to perform at your best all the time - so the effects of sleep deprivation aren’t stopping you from achieving your full potential. T: +44 (0) 207 099 6131
www.marshallandstewart.com
design news
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ASTENS
For Spring/Summer 2016, Swedish masters of sleep, Hästens unveil the brand new Vividus - the finest handmade bed in the world. More than just a bed, the Vividus is a masterful creation of exceptional quality. Handmade bespoke-to-order by the most skilled and dedicated artisans, the luxurious bed uses only the finest natural materials and takes over 320 man hours of traditional craftsmanship.  www.hastens.com
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TANFORD FURNITURE
The unusual design of the Hanley chair by Stanford Furniture is angular in look, yet soft natured with its exposed base and flaring arms. This chair works beautifully in a contemporary setting. Charming and comfortable, it is available in a wide variety of fabrics and finishes.
T: 001 828 459 1992 | www.stanfordfurniture.com
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ENRY BLAKE HARDWARE
Henry Blake hardware unveils The Flute - a new range of door and cabinet knobs and pull handles in a wide range of finishes. This collection takes its inspiration from the past and reforms it into a re-envisaged design to give a fresh, contemporary feel to a classic and iconic handle shape. T: +44 (0) 138 648 326
www.henryblakehardware.co.uk
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APICIDA
The ongoing ‘Lunar’ collaboration between luxury stone experts, Lapicida, and designer, Lara Bohinc, continues to inspire with its inspiration taken from planets and their orbital movements. The union of brass and marble in the ‘Star Gazer’ candlesticks are inspired by orreries - mechanical models of the solar system used since classical times.
T: +44 (0) 203 012 1000 | www.lapicida.com
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ARBLE HILL
Marble Hill Fireplaces have an extensive range of balanced flue gas fires in a range of high end designs. The Vertical View Bell from Bell Fires does not require a conventional chimney for installation, giving it an unprecedented versatility and opening up a whole range of options for room layouts and installations.
T: +44 (0) 208 892 1488 | www.marblehill.co.uk
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UGHES CHEVALIER
Combining tradition with a modern style, Hughes Chevalier has expanded its range by creating new contemporary furniture and design collections created by talented designers. Whether it’s coffee tables, consoles, elegant desks, bedroom furniture or original side tables, each piece is adapted to suit new functions. The Hughes Chevalier brand’s extensive collections bring together traditional and modern design elements creating an exceptional art de vivre.
www.hugheschevalier.com
SENSATIONAL STRIPES RIGHT: This tower bedroom features a 19th century French daybed contrasting against a monochrome wallpaper with additional gold stripes which has been applied to both the walls and ceiling to dramatic effect. Contrasting smaller stripes on the curtains add texture and really make a feature of the top half of the walls above the plain white wood panelling. Photograph - Simon Upton BOTTOM RIGHT: The panelled entrance hall is beautiful in its simplicity, only furnished with an elegant leather wing-backed armchair and a black and white striped rug. Monochrome stair carpet and plain white panelled walls allow the eye to be immediately drawn to the large artwork above the fireplace which dominates the space. Photograph - Luke White BELOW: A contemporary metal and glass staircase leads up from the open-plan living area to a small gallery and the upper floor of the palazzo apartment. Clever use of stripes on the furnishings echoes the sentiment of the wooden ceiling above while giving the room an interesting addition of colour. Photograph - Simon Upton
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design news | sensational stripes
RIGHT: This chic modern room is dominated by a wide striped monochrome rug. Accents of colour are splashed in the room from the two metal chairs, one upholstered in pink, the other in yellow, placed either side of a white pedestal table. The dining room has two windows with blue painted frames and a bold selection of plants bring a lively green into the space to contrast further. Photograph - Graham Atkins-Hughes BOTTOM RIGHT: Stripes have been used to great effect in this spectacular circular bedroom. The straight lines contrast beautifully with the curved doorways which the four-poster bed sits between, whilst the pattern on the opposite chairs helps to highlight their echoing curves. Photograph - Nicolas Tosi BELOW: This spectacular Lego bedroom is a riot of colour with brightly striped walls in horizontal multicoloured stripes and vertical orange and white stripes, whilst the floor is made up of brightly coloured zigzag patterns. Photograph - Nilu Izadi
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ENGLISH HOUSES In this timeless and beautiful book, renowned architectural and interior designer, writer, shop-keeper and blogger, Ben Pentreath, presents a fresh and insightful overview of the classic English style PUBLISHER RYLAND PETERS & SMALL | PHOTOGRAPHS JAN BALDWIN Bridge for Design Winter 2016
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PREVIOUS PAGE: LEFT: This library is a marvellous Arts and Crafts room created in the 1920s for ‘Montie’ Pease, later Lord Wardington. The oak-framed ceiling came from a building in Theydon Bois, Essex. The panelling is lime waxed. RIGHT: A serenely elegant room in shades of soft pink, mushroom, grey, cream, taupe: here is a fine example of an interior to which nothing can be added and nothing taken away without harming the whole. An Empire chair stands by the fire. The original 1950s Arredoluce lamp was bought at auction in New York. THIS PAGE LEFT: This drawing room has a tall and huge sash windows that face south and east; sunlight streams in. Two huge sofas, upholstered in a shell fabric by Linda Bruce and overflowing with coral cushions, fill the space. The walls are hung with a rich display of engravings and paintings, many by David Vicary. The extraordinary theatrical curtains in striped yellow silk were designed by Edward Bulmer.
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RIGHT: The fireplace is lined with turquoise-blue tiles bought in Morocco and finished with a brass trim. In the cosiest corner of the house, a pair of slipper chairs by the fire are upholstered in Soane’s jewel-toned Damascus Stripe. Above hangs a nineteenth-century painting of a Turkish soldier known as bashi-bazouk.
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en Pentreath is a leading figure in the London design world. An author, commentator and regular columnist for the Financial Times, he combines a busy architectural practice with a growing interior design studio, a popular weekly blog (pentreath-hall.com/inspiration) that boasts an army of followers and his interiors shop, Pentreath & Hall.
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Visiting 12 very different homes, Ben explores and appraises the unique spirit of the English House - at once restrained and simple, yet overflowing with a generosity of touch and a richness of colour and texture. The book is divided into three sections: London, Country, and Country Houses, and the interiors featured range from a pied-à-terre in London’s historic St James’s,
design news | books
ABOVE: Oak cabinets were installed and a copper-wrapped island that has stood the test of time. The walls are lined in turquoise glazed tiles from World’s End Tiles; a copper Owl lantern from Soane Britain hangs above the dining table, with its set of beautiful, battered leather Soane Casino dining chairs - an iconic and timeless design.
to designer Veere Grenney’s pocket sized Palladian Temple folly in Suffolk and Wardington, a 16th century stone manor house in North Oxfordshire. Ben’s own homes, in central London and West Dorset, are also included. These homes vary greatly in architecture, size, shape and age, but they all have in common a peculiarly English style - richly-layered rooms that deftly intertwine colour and pattern and a mix of old and new furniture to create timeless and comfortable places to live. 70
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English Houses is published by
RYLAND PETERS & SMALL
www.rylandpeters.com All photographs taken by Jan Baldwin are copyright of Ryland Peters & Small and were taken from the book
design news | designer profile
DESIGNER PROFILE: TOM RAFFIELD Tom Raffield creates designs inspired by Cornwall’s natural resources and beauty
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om Raffield has become synonymous with the transformation of wood into his trademark unique designs, which are as much a work of art as a functional piece of furniture. In 2008, Tom and his wife, Danielle, founded Tom Raffield with a desire to create designs inspired by Cornwall’s natural resources and beauty, and set up their experimental workshop nestled amongst six acres of ancient woodland in Cornwall. Tom Raffield designs are created as sculptural pieces inspired by the natural environment that surrounds him. In sharing the belief that every piece of furniture and lighting in the range must be beautiful in form and practical in function, Tom utilises the traditional craft of steam-bending wood
to create pieces that will become harmonious in the spaces of their owners for years to come as cherished antiques of the future. The woodland workshop provides the backdrop for a team of skilled craftsman trained by Tom. “Each piece we create has been on an experimental journey - individual, organic and carefully considered. We source everything from sustainable forests, coupled with the low energy steam bending process - it’s very ecological with little wastage,” he explains. “The journey that each product takes is truly inspiring. From its infancy as a sustainably harvested piece of timber, through to the meticulous working of its form, to a finished product. Wonderfully, the narrative of each design
ABOVE FROM LEFT: Designer, Tom Raffield, on the steps of his Cornish studio. Examples of his infamous sculptural lighting created using the steam bending process to make something that is both beautiful in form and practical in function, all inspired by Cornwall’s natural resources and beauty.
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takes on a new meaning when acting in conjunction with our clients’ own individual space.” Tom, who trained at the Falmouth College of Art, has worked with many clients and on a variety of projects, from domestic settings to commercial contracts, but his designs remain in essence based wholly on natural and organic forms allowing the poetry of each product to work with the aesthetics of countless environments. Tom and his wife have long dreamed of being able to live and work amongst the trees and after two years of hard work and creative exploration they finished their biggest project to date - a steam bent house that they built hidden amongst the trees in a beautiful piece of Cornish woodland. Joining them in
their journey from frivolous idea to the realisation of their dream, was Kevin McCloud and his team from Channel 4’s Grand Designs who was there every step of the way to document the process for their show. Tom’s new collection includes bold and contemporary pieces of furniture, lighting and accessories designed to enrich and enhance your space while bringing the elegance of nature into the home. Many of these designs featured in the Grand Designs episode as they are all examples of items specifically designed to sit in their woodland house, including the Amble Hanging Chair, the Kern Light, the Gwelsen Screen and the stunning Treave table. The full stunning collection can be viewed online at www.tomraffield.com
ABOVE: The steam bent house created by Tom Raffield and his wife, Danielle, which featured on the Channel 4 television programme, Grand Designs, sits amongst the trees in a beautiful piece of the Cornish woodland.
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CRAFT SHOWS ROOTS AT DECOREX Jim Evans takes a walk through this year’s must see interiors show
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hat makes an item for the home luxurious? Is it the hard-to-come-by materials? Is it a limited production quantity? Is it great design that is not reproducible en masse? All of the above, or something less tangible? The focus for this year’s leading luxury exhibition in the UK was the Roots of Design. For many British based Interior Designers, September’s Decorex International exhibition on the edge of London’s Syon Park is the mustsee show of the year. The show exhibits the brightest stars of homeware with respected forum and seminar speakers showing us a glimpse of emerging design directions. Yes, everything shiny and new we come to love and delight in each year was here in abundance, but the theme took us on an unexpected inspirational direction of integrity. A torch light on a lesser seen past, with a laser beam to the future. Items once made by master craftsmen and appreciated for style, comfort and practicality, but no longer call to a
modern luxury market, should not be allowed to dwindle into some lost art. Designers should feel responsible for championing these master skill sets and find new twists, collaborations and applications to reinvent and reinterpret, enlightening new generations to appreciate these arts as new luxury items. Before we charge to the main halls with giddy anticipation to devour all the wondrous and luxurious distractions which beckon ahead, this year’s Decorex International exhibition forces us, quite rightly, to reflect on past design achievements of British craftsmen. With an engaging confrontation of select chair designs at this year’s entrance, furniture aficionado, Tim Gosling, sought to evoke British pride and appreciation for the art of chair design in a historical curation. He was aided by choices from eminent names not normally associated with the furniture industry: Sir Paul Smith, Anya Hindmarch, Sir James Dyson to name a few, making for a diverse interest. The exhibition collated four areas for the
CLOCKWISE FROM LEFT: The Author, Jim Evans, Director of The Design Practice by UBER (www.uber-interiors.co.uk). The Pathleaf wall light by Serip (www.serip.com). Heritage of Chairs entrance, designed by Tim Gosling (www.tgosling.com). The Dom Edizioni stand (www.domedizioni.com)
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Crafthouse theme: Eating, Sleeping, Bathing and Working, each given over to a growing network of British makers, The New Craftsmen, to collaborate and collectively redefine the value of craft. In the Working area, basket maker Annemarie O’Sullivan teamed with Gareth Neal transposed a traditional wooden chair design with a contemporary stylised undulating back support. It updated a simple and honest classic to form a very modern silhouette. The Bathing section drew from the masterly glass blower, Jochen Holz. His use of tough Borosilica glass to form imperfect everyday bathroom accessories, like hooks and towel rails, defied their delicate appearance. The simple U-shaped Helium Suspended light again of Borosilica was most impressive. Trying to glean an emerging trend is not an easy task at this end of the market, but a few key points were popping up: Something we haven’t seen cycle around for a while but is now ready for a revival, is the fabric wrapping of
solid furniture. Justin Van Breda is offering a gorgeous open weave texture in a number of colours that is then encased under a deep lacquer so the touch is glass-like. Whilst wood seems to be continuing the extremes of either keeping it raw and untreated as a natural beauty, or the still popular heavy glass-like lacquers are as popular as ever. It was good to see the return of DOM Edizioni furniture who were getting attention from their new light honey tones with sharp slashes of black in their Albin Wood dining table and side cabinets. And in their twelfth year, Michael Northcroft’s glossy dining table is said to be available in any colour. French semi-precious craftsman, Atelier Alain Elouz, made his inaugural appearance at the show and brought delicate creations of tables, bars and lighting manufactured using his wondrous trademark material, alabaster. Heathfield & Co lighting had three advanced prototype table lights (in contrast to their equally stunning colourful glass collections with patterned shade
CLOCKWISE FROM TOP LEFT: The Avalon table by Tom Faulkner (www.tomfaulkner.co.uk). The Santorus stand displayed a range of beautiful fabrics (www.santorus.com). Munna’s concave bookcase (www.munnadesign.com). New pendant by CTO Lighting (www.ctolighting.co.uk). A craftsman at work.
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linings) with carved alabaster columns - soon to be in production, their designer assured me. Complemented with solid, aged brass fittings they’re surely set to be a classic. Rose gold and now copper seem to be popping up as the new metal finish of choice stealing some limelight from aged brass and bronze which was used to creative effect lifting a 70’s style cue as twig stem framework on Munna’s concave bookcase. Our friends at CTO Lighting have entrusted the skills of Larose Guyon to design a copper chain drop Otero light in both large and small, with an almost Art Deco necklace appeal. While Italian statement lighting company, Terzani, were in a more understated mood showing off new rose gold colour ranges of their simple seven metre-long wire form Doodle wall light. It is twisted by an artisan’s hand to a unique loose ball - simple elegance. The coloured light collections and clear balls of newcomer, Giopata & Coombes, had bubble thin elegance. Serip, a firm favourite, showed the versatility of the modular metal leaf design which
can traverse in great groups up walls to ceilings, or scatter playfully as individual wall lights. Bold fabrics, with a hint of humour from Santorus and equally vibrant selections from Casamance, but it was the geometric patterns that were showing through strong, building on last year’s green shoots now in striking monotones too. Whilst over in the Suzy Hoodless designed VIP area, it was an African inspired ‘Designs of our Time’ grabbing headlines with fabrics of a tribal authenticity juxtaposing the De Gournay hand painted wallpaper masterpieces. So as Tim Gosling put it himself in a recent interview, is it that craftsmanship itself is becoming a luxury? Yes, there’s a positive to be said about bringing factory-made good design to the masses, but knowing there has been many hours of hand crafted love to hone a piece by a master craftsperson, surely makes the definition of a luxury item. Here’s to the rekindling of those age-old skills into new directions in the hope new generations get to appreciate masterpieces of a new kind.
CLOCKWISE FROM TOP LEFT: The Christophe Delcourt stand (www.christophedelcourt.com). Heathfield & Co Lamp (www.heathfield.co.uk), The new Bolle lamp from Giopato & Coombes (www.giopatocoombes.com). New mosaic from Sicis (www.sicis.com). The Archer and Smith stand (www.archersmith.co.uk).
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FABRICS WALLPAPER
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IBERTY FABRICS
For a sumptuous interior update that stands the test of time, a rich and opulent velvet is just the thing to add glamour and style to your home this Autumn. From large and small scale florals, to forestry, paisleys and abstract patterns, Liberty Fabrics has an eclectic choice of styles that are sure to delight and inspire as we enter the cosier seasons. www.liberty.co.uk
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ARWICK FABRICS
Natsumi is a stand-alone collection by Warwick Fabrics offering something for everyone. With an underlying oriental influence, the natural and earthen tones of Natsumi have been merged to make a collection offering classic luxury. Natsumi has a wide range of embroideries, sheers, prints, appliquĂŠs and sequins. With so many designs to choose from, there is no shortage of gorgeous textures - guaranteed to adorn any interior.
T: +44 (0) 145 182 2383 | www.warwick.co.uk
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RLEY HOUSE
Designers and manufacturers of bespoke fabrics, Cheshire based Arley House are passionate about the role of art & history in the modern day design process. Their brand new collaborative collections of fabrics and cushions, in partnership with both the British Museum and the truly iconic V&A, will deliver colour, character and in some cases a contemporary edge to a wide variety of room schemes. T: +44 (0) 161 929 2740 | www.arleyhouse.com 78
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ENNISON FABRICS
Bennison Fabrics specialises in handpainted fabrics based on 18th and 19th century English and French textiles. Designs are printed in small batches in England on linens and silks, woven and dyed exclusively for the company with slight variations between dye lots. All patterns can also be printed as wallpaper, such as Paradise - the English archive print featuring little bluebirds and butterflies playing amongst wisteria vines and blossom.
www.bennisonfabrics.com
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AROLE FABRICS
Ideal for today’s fashionable interiors, Carole Fabrics present this collection of fabrics and trims including 19 books with on-trend designs, textures and colours. The company has been creating custom fabrics and trims in cutting edge colours and styles since 1958. Its wide selection of hand-crafted window treatments and decorative hardware and accessories is well known and highly respected by designers. T: 001 800 241 0920 | www.carolefabrics.com
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LLYSON MCDERMOTT
Allyson McDermott is launching her first ever collection of extraordinary handcrafted wallpapers designed for contemporary living. The Portfolio Collection comprises a range of 18 wallpapers including Chinese papers, block printed papers and flocked damasks underlining today’s most significant interiors trend introducing vibrant colour and pattern back into our homes. Devised in a range of colourways for each design, they can also be customcoloured to fit any interior scheme. www.allysonmcdermott.com 80
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HIBAUT DESIGN
Menagerie is a woven resource collection of luxurious, frame-ready fabrics featuring zebra, tiger, cheetah and giraffe skin patterns. For centuries, animal prints have been a popular choice for accessorising because their organic shapes are neutral and mix well with other patterns. The collection contains a range of small to large scale designs paired with striking colours like peacock blue, scarlet red, charcoal grey, sandy linen and native black and brown. All patterns meet demanding performance standards for durability, but there are four patterns in the Menagerie collection engineered with the high-performance, stain-resistant capabilities of Crypton Home - Gazelle, Zamira (shown here), Citra and Masai.
UK T: +44 (0) 207 737 6555 | US T: 001 800 223 0407 | www.thibaut.com
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URALS WALLPAPER
Murals Wallpaper have curated the Rough Luxe collection, a selection of wallpaper murals that allow you to bring industrial elements into your home with no hassle and minimal effort. The murals utilise modern digital printing techniques and capture the textured effects through HD photography Contrast with luxurious faux-fur accents, exposed filaments and bold metals for some seriously on trend dĂŠcor to make a phenomenal impact. T: +44 (0) 151 708 5400
www.muralswallpaper.co.uk
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ULA GREEN
Pioneering new British brand, Lula Green, enters the luxury market with elegant organic bed linens, handmade in Italy by craftsmen. Introducing bed linens in more than just a limited palette of white and greys, Lula Green shows that luxury and sustainability can also be playful and bold - with jacquards in a variety of colours and subtle detailing of the Accent designs which make them a stylish yet understated choice. www.lulagreen.com 82
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ARNEBY GATES
Barneby Gates’ Pheasant wallpaper is a playful design based on this majestic bird, an important symbol synonymous with the traditional British countryside. Available in punchy pink or cool camo, this design is absolutely perfect for a traditional rural retreat or a cool city scape to add a touch of country charm to a room.
T: +44 (0) 167 256 0240 | www.barnebygates.com
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LOTH & CLOVER
Cloth & Clover designs and produces beautifully crafted fabrics and wallpapers, taking inspiration from early printed textiles and traditional arts and crafts. The Abberley collection is a beautiful mid-scale floral pattern based on a French 18th century block print. Combining old with new, mixing styles and genres, it creates a relaxed and comfortable interior with its stylised floral print resembling poppies and chrysanthemums. T: +44 (0) 207 013 0847 | www.clothandclover.com
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ILLIAM CLARK
William Clark’s unique luxury brand, Earthed, marries traditional techniques with modern creativity and digital printing technology to produce a stunning range of interior fabrics. Their first collection, Upperlands, has been inspired by the fluid movement of nature and features seven designs drawing on a different element of the natural world, from water coursing over pebbles to flax blowing in the wind. All the stunning designs are available in five striking colourways.
T: +44 (0) 287 954 7204 | www.earthedbywmclark.co.uk
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INWOOD FABRIC
Linwood’s Fable collections are a beautiful selection of prints, weaves and wallpapers that bring together fantastical worlds by drawing inspiration from the cultural tradition of storytelling around the world. These rich and vibrant colours will add a warmth and extravagance to any room they are used in, giving a dramatic and bold statement. T: +44 (0) 142 546 1176 | www.linwoodfabric.com
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HE DESIGN ARCHIVE
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RIAN YATES
The combination of exquisite craftsmanship and Omexco design makes the Capiz collection from Brian Yates truly precious. Made from Capiz shells, which are often referred to as ‘glass oysters’ because of their translucent appearance. These exclusive wallcoverings will adorn your walls and enhance your interiors with a touch of exotic and sophisticated elegance.
www.brian-yates.co.uk
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Interior textiles company, The Design Archives, presents its new range, ‘Archive I’ including 8 new designs which bring together stunning fabric prints, derived from beautiful archive designs, coloured for today’s interior. An eclectic mix of elegant florals and delicately drawn paisleys; alongside bold, co-ordinating stripes and motifs, on finest quality cottons, linens and sumptuous cotton velvets, to bring a vibrant splash to any interior. T: +44 (0) 771 040 4762
www.thedesignarchives.com
design news | fabrics & wallpaper
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OEME
Boeme Designs presents Saint Martha - a most scenic and spiritual place in Surrey where the twisting Corsican pines have inspired Jo Bound to create this evocative landscape fabric. A bold and colourful print, this fabric will brighten up the most modern and contemporary of homes.
T: +44 (0) 148 321 7716 www.boeme.co.uk
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IMOROUS BEASTIES
Timorous Beasties Fabrics presents the Omni Drips 100% cotton design for light upholstery and drapes. Featuring a stunning red design with the look of running paint, this fabric can bring a modern and contemporary touch to even the most classic and timeless of pieces or rooms. Guaranteed to brighten up any space with a quirky and playful look. T: +44 (0) 207 833 5010 | www.timorousbeasties.com
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OBE FABRICS
Banish chilly climes with the warmth of Coco, a sumptuous velvet from Kobe’s Art Deco inspired Elegance collection. Reflecting the lavish glamour reminiscent of this style period, this upholstery fabric can really make a statement in a room. All Kobe’s upholstery fabrics offer exceptional durability, scoring highly on the Martindale Rub Test, providing a practicality with high end design. T: +44 (0) 134 477 1653 | www.en.kobe.eu
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ONROSE GROUP
The Tonrose Group has been supplying linen to the UK’s hospitality and leisure trade industry for nearly 120 years - making it one of Europe’s longest serving suppliers to the cotton and linen sector. Today, the Group owns a growing portfolio of brands, including Tonrose, Tradelinens, Tielle Love Luxury and Sirona.
T: +44 (0) 125 423 9900 | www.tonrose.com
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HILLIP JEFFRIES
The Beyond collection by Phillip Jeffries takes inspiration from the city and sky colliding to form rolling horizons, where billowing brushstrokes take on abstract shapes as they move across the landscape. With the look of artisanally painted watercolours, the digital printing process allows for millions of hues to be captured in each stroke for hyper-detailing where artistry meets innovation. Available in 7 multi-tonal colourations, Beyond is a sight to behold.
T: 001 973 575 5414 | www.phillipjeffries.com
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ANE CHURCHILL
Imaginative embroideries and painterly effects give the Atmosphere collection from Jane Churchill its artistic mood for 2016. A rich sequence of Art Deco inspired designs leads the collection in its strong sense of expressive modern glamour, with deep jewel tones, dusky pinks and burnished metallics combining to create a luxurious look. These rich fabrics will bring a touch of opulence to any scheme. T: +44 (0) 207 244 7427 | www.janechurchill.com
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OPPOSITE: A beautiful canopied bed in one of the many guest bedrooms stands out against the terracotta wallpaper with its delicate hues of blue and white, adding a more feminine touch to the otherwise masculine bedroom. Photograph - Marc Van Praag RIGHT: A tapestry hangs above the large carved four-poster bed in this impressive bedroom. Dark green walls and ceilings add a dramatic twist of colour, whilst the gold curtains and oversized bedside lamps bring some light and contrast to them. Photograph - Fritz von der Schulenburg BOTTOM RIGHT: Matching twin four poster-beds mirror each other in this monochrome guest bedroom which has pale grey walls and just a hint of colour in its curtains, artwork and accessories - proving that simple does not have to remain boring or unimaginative. Photograph - Simon Upton BELOW: In this opulent guest bedroom, velvet curtains enclose a Russian sleigh bed and the back wall is covered with an Aubusson tapestry giving an enclosed feeling of warmth and snugness. Leopard print bedding lends a playful touch and adds to the overall rich feel of the room. Photograph - William Waldron
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RIGHT: In the bedroom, a mid century bed by Swedish designer, Carl Malmsten, is flanked by a pair of pen-shell cabinets and dominated by a magnificent Jansen screen with gold detail. The rich red walls offer a luxurious feel against the dark wood and the use of textures on the bed with a fur throw gives a tactile and welcoming look to the sleeping area. Photograph - Simon Upton BOTTOM RIGHT: Situated beneath a work by Francesco Clemente, the bed in the master bedroom was designed by David Gill. With plain walls and floor, this room really allows the artwork to sing out whilst the under-lit bed frame brings a modern touch. Photograph - Simon Upton BELOW: Underneath the stunning 1960s Lightolier chandelier, the bed has a mirror wall sculpture designed by Naeem Khan and Tom Scheerer acting as a headboard; and the adjacent wall sits “Mating Crows� by Ilse Getz. A monochrome colour scheme has an accent of orange from the scatter cushions but does not distract from the artwork. Photograph - Simon Upton
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FIREPLACES
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HESNEYS
The new collaboration from Chesneys and Tim Gosling combines rare marbles, expert craftsmanship and historical inspiration to make something exquisitely theatrical. The Rome fireplace uses carved Italian statuary marble set against panels of gold Portoro marble and brass register grates which have been cast from antique brass by a small craft foundry in Scotland. T: +44 (0) 207 627 1410 | www.chesneys.co.uk
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SSE
ESSE unveils its new colour options on its ‘small but mighty’ ESSE 1 range of entry level stoves including Gold, Ruby, Ash White and of course, Classic Black. Hot on the heels of the latest Bronze finish, these colourful small stoves are perfect for small to medium sized rooms, and the new hues mean you can add a touch of uniqueness to your fireplace. T: +44 (0) 128 281 3235 | www.esse.com
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OBEYS
The Oslo is part of the unique Panoramic designer fireplace collection by Italian stovemaker, Piazzetta. Taking the fireplace out of its usual position in the wall and bringing it into the centre of the room offers an unobstructed 360 degree view of the fire, making it the ideal focal point for a ‘grand design’. Its simple and beautiful hand-finished majolica cladding will perfectly complement any modern open plan living space.
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LATONIC FIREPLACES
Platonic Fireplaces are a high end cutting edge fireplace company who are blazing a trail in this run up to the festive season. Offering a solution to every fireplace concept, their ultra modern contemporary fireplaces will create stunning focal points in any luxury space. T: +44 (0) 208 891 5904 | www.platonicfireplaces.co.uk
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MART FIRE
The Firebox 1100CV from Smart Fire UK features a unique curved design and high quality steel construction allowing it to complement a wide range of building materials and finishes. This ultra sleek, modern fireplace would look perfect in any contemporary home setting.
T: +44 (0)207 384 1677 | www.smartfireuk.com
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ADDONSTONE
Although best known for garden ornaments and architectural stonework, Haddonstone has an impressive range of fireplaces in its collection too. The new Manor fireplace features a simple gothic arch with bold moulding to the legs which gives a strong yet classic focal point to a room. Available in six variations, this versatile fireplace is suitable for many interior design schemes.
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ALAZZETTI
Palazzetti presents the comforting and spectacular heat produced by its range of Sunny Fire fireboxes, inspired by the warmth of the sun. Featuring a range of single-fronted, double-fronted and corner 3D fireboxes, these aesthetically dynamic fireplaces are capable of enhancing the most varied of architectural interiors. With a strong visual impact from the spellbinding view of the fire itself, these fireboxes are both functional and beautiful.
www.palazzetti.it
design news | fireplaces
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FANTASTIC FIREPLACES 1. The focus of this small sitting room is a shell encrusted fireplace and mirror by Sue Jones. Photograph - Tim Beddow 2. The ornately decorated red and gold walls of this library are covered in hand-painted wallpaper and the furniture in rich tapestry and textiles. Photograph - Fritz von der Schulenburg 3. View through the doorway into the drawing room which has a marble fireplace surmounted by a gilt-framed mirror and a pedestal table piled with antique books. Photograph - Christopher Simon Sykes 4. This Victorian drawing room has an exotic style with its use of bold textiles and Indian inlaid furniture. Photograph - Tim Beddow
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HOGARTH HOUSE A refined contemporary farmhouse vibe - luxuruious and supremely relaxing Tiffany Duggan, Studio Duggan Design Director T: + 44 (0) 203 642 3120 www.studioduggan.com
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nterior designers, Studio Duggan, have completed the refurbishment of Hogarth House, a three bedroom, double fronted Georgian façade house located in Hampstead Heath, North London. The brief was to create a warm, social and contemporary space, not only suitable for the client and her two dogs but also for large family gatherings, full of grandchildren. A neutral colour palette running through the house pulls everything together and has allowed Studio Duggan to emphasise a plethora of different textures, finishes and unexpected touches. These include horse hair lampshades, Julian Chichester gesso floor lamps, stunning hand painted silk botanical wallpaper by Tatiana Tafur in the master bedroom and gold, metallic finish kitchen units, leathered stone and a poured beton cire concrete floor resulting in an overall eclectic interior style. Design features are all in the detail at Hogarth House. The mixed material kitchen depicts a leathered granite breakfast bar, corian worktops, metallic painted wall units and smoked mirror splash back. A set of antique rusting tools, which were found in an underground staircase during the refurbishment have been salvaged and framed in acrylic boxes dressing the staircase walls. Christopher Farr wallpaper and blinds mixed with Pierre Frey fabric bed cushions with playful fringing create a fun and colourful children’s guest room for the grandchildren. An heirloom artwork along with a contemporary glass balustrade with a bronze handrail and a feature lantern with traditional ‘linen’ sock creates a striking landing. ‘I would say the eclectic style of the house has a refined contemporary farmhouse vibe - luxurious, feminine and supremely relaxing,’ says Tiffany Duggan. LEFT: A stylish sitting room decorated in pale greys and black leather furniture accents still retains a predominantly feminine feel thanks to patterned blinds, a stunning white based lamp and textured cushions of contrasting patterns on the large sofa. Bridge for Design Winter 2016 105
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NOTTING HILL The approach to the design was to create a family home which was peaceful and elegant Binkie Moorhead, BM Design Director T: + 44 (0) 203 016 9593 www.bmdesignlondon.com
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M Design commenced work on a large design and build development featuring a challenging double basement dig at the beginning of 2014. They worked from inception with the architects including planning and listed building consent through to completion to renovate this impressive 5,000 sq ft private residence. The project brief was to create a bespoke family home located in Notting Hill, London, with a touch of Mayfair glamour, designed for the client’s day to day living requirements; for their children to grow and play, to showcase their ever expanding art collection and to entertain guests. The approach to the design was to create a family home, which was peaceful and elegant yet homely. Through a neutral palette using tones of grey, pale yellow and light and airy window treatments we were able to transform the previously dark spaces, capitalising on the natural daylight in key rooms and embracing, opposed to fighting against, the darker less formal rooms. Textures and luxurious finishes were crucial to add interest to the scheme, complementing plush grey velvets and taupe silks with stark contrasting high gloss black lacquers, brass inlays and deep graphite shagreen. The clients particularly wanted to restore the Victorian grandeur of the property while being sensitive to detailing and maximising on their budget. The use of panel moulds and mirror inlays throughout the property and in key areas such as the hallways were able to add interest and glamour whilst restricting the use of expensive silk wallpapers to central panels and beveled mirror inlays to reflect light and further enhance the luxurious feel of the room. LEFT: The brief for this property was to enhance the Victorian grandeur of the property so panel moulds and mirror inlays throughout the property were used and neutral colours and grand lighting were used to maximise the effect of the high ceilings and detailed cornicing Bridge for Design Winter 2016 107
design project
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design project
EBURY SQUARE The client enlisted Maurizio Pellizzoni to create a sophisticated but masculine look Maurizio Pellizzoni Interior Designer T: + 44 (0) 207 352 3887 www.mauriziopellizzoni.co.uk
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his deluxe two-bedroom pied-Ă -terre with three bathrooms is situated in the exclusive Ebury Square development, London. It was originally bought off plan in Singapore, by the client - a business professional. To distinguish the interior from a typical show home, the client enlisted Maurizio Pellizzoni to strip away the ostentatious scheme and create a more sophisticated but masculine look that encapsulates subtle luxury. The result was a very organic and neutral colour scheme, combined with a touch of red for continuity throughout, successfully integrated with beauitful signature artwork and gold finishes. The kitchen was converted into an open plan space to create an interior that was comfortable enough to live and entertain in. The ground floor effortlessly brings the outdoors inside with the orchids that Maurizio dressed the living area with. Curved contours and linear shapes feature throughout the apartment and the abundance of reflective glass finishes create an illusion of space that complements this concept beautifully. The main feature in the living area is the striking original piece of art that Maurizio found on a trip to New York by Farin Urland. The upholstery and soft furnishings complemented this palette with beautiful layers of linen and cotton. All rugs have been custom made in grey, brown or green tones. Maurizio saw architectural details as integral to the scheme and personally sourced items such as the living room light and sculptures from Terzani to complete the look. The geometric themed art work that Maurizio sourced also plays an important role here. The master and guest bedrooms both feature strong interior schemes with blissful en suites, continuing the architectural theme with framed artworks. The client wanted the guests to feel just as at home in the guest suite as he did in his master bedroom, so the same feel was maintained in both bedrooms. LEFT: This sophisticated and masculine living space is dominated by an enormous piece of art by Farin Urlan which picks up on the red accents that are used throughout this two bedroomed pied-Ă -terre. Bridge for Design Winter 2016 109
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RUGS
FLOORING
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LTERNATIVE FLOORING
Alternative Flooring with Liberty Fabrics bring more patterns to the distinctive Quirky B carpet collection including Capello Shell - a design created to represent the rhyme ‘Mary Mary quite contrary, how does your garden grow?’ Today, cockleshells evoke symmetry and perfection, along with memories of the sea and the beauty of collecting, and this stunning design beautifully captures the geometry and simplicity of sea shells in a delightfully elegant pattern. T: +44 (0) 126 433 5111 | www.alternativeflooring.com
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TLANTICO RUGS
Enrolado, one of the new exclusive geometric designs from Atlantico Rugs. This year, Atlantico Rugs have produced a series of modern geometric patterns to add to their extensive library of designs that has made them one of the leading rug suppliers. With such a wide range of modern and traditional patterns they can provide a rug for any interior scheme. T: +44 (0) 208 780 5288 | www.atlanticorugs.com
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ASH & ALBERT
Dash & Albert’s fresh and fun woven cotton rugs are full of character and so adaptable, they make themselves at home in any room. Constructed using a hand loomed flat weave in durable 100% cotton, these rugs are lightweight, reversible and affordable in a range of colours and styles so you can find something to fit any design scheme.
www.dashandalbert.annieselke.com 110 Bridge for Design Winter 2016
design news | rugs & flooring
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HE RUG STUDIO
In November 2016, The Rug Studio held an exhibition of antique and quality reproduction ‘future antiques’ decorative carpets. An original Indian Agra circa mid 1800 sat comfortably next to a wonderfully executed reproduction, the weave, knot count, dyes and clarity of design all stand out from the crowd of mass produced Agras. www.therugstudio.co.uk
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AZAAR VELVET
The stunning new Hampton and Blenheim rugs, were designed specifically to accompany the most fashionable and luxurious interiors of the current age. Taking inspiration from the timeless style of classic architecture and design, these rugs have been reinvented using the latest in design technology. Oversized geometric patterns have been created in beautiful Chinese silk and expertly graduated to create a constant flow of changing colour which will add a touch of opulence to any room.
T: +44 (0) 207 736 9693 | www.bazaarvelvet.com
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ELT
Choosing rugs and cushions in bold hues and striking patterns will make a room feel inviting and bring warmth into the home over the cold, dark months. Explore rich colours and layering of textures to create a warm and welcoming space with Felt’s collection of handmade rugs and cushions. Made from 100% wool in vibrant festive shades, the rugs are wonderfully comfortable underfoot whilst the cushions will help to create a cosy sanctuary.
T: +44 (0) 208 772 0358 | www.feltrugs.co.uk
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design news | rugs & flooring
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OGER OATES
Interior designers are often looking to bring something unique and personal to their clients projects. Roger Oates Design now offers all the designs in the existing collection in customised colours, they can even dye yarn to specific colours if required. The process starts with CAD visualisations which are then translated into handwoven swatches for client approval. The perfect way to create a unique look for a bespoke project. T: +44 (0) 207 351 2288 | www.rogeroates.com
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HE RUG COMPANY
The Rug Company have previewed the latest additions to its unique collection of contemporary rugs, handmade by highly skilled weavers in Nepal, by a range of international designers. The Thistle Pewter by Vivienne Westwood is just one design to this stunning collection and features a geometric print in dusky blues and silvery tones which will bring a cool statement to any floor. www.therugcompany.com 114 Bridge for Design Winter 2016
design news | rugs & flooring
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OMUS
Domus has launched Puzzle, its latest designer collaboration between Italian ceramic house, Mutina, and British design duo Edward Barber & Jay Osgerby. With its eight colour families, each named after different European islands, the collection provides designers with endless combinations created by using elements through horizontal or vertical positioning, through floors or walls, and geometric or abstract shapes. T: +44 (0) 207 819 2300 | www.domusgroup.com
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OOMAH
Add a touch of luxe to your interior with Loomah’s META-GEO Collection. Inspired by a love of geometric design and all that glitters, this new collection features a selection of geometric designs ranging from simple interlocking lines to more abstract asymmetrical patterns all incorporating metallic yarns.
T: +44 (0) 207 371 9955 | www.loomah.com
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design news | view point
William Yeoward Founder, & Designer, William Yeoward www.williamyeoward.com
WHAT’S OLD IS NEW AGAIN You have to look to the past to embrace the future says William Yeoward
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or design extraordinaire, William Yeoward, trends are formed organically through inspiration. Sourced from his travels around the globe discovering antiquities, Yeoward’s approach to setting new trends stems from revisiting classics. ‘You have to look to the past to embrace the future which shapes our present,’ he explains. ‘You can’t be so serious about design where you end up creating the same iterations without any originality.’ Yeoward’s design aesthetic can be best described as modern antiquities with a whimsical twist. His playful polka dot designs have become his signature, a motif that he predicts will become a mainstay in design as more design-savvy consumers want to add personality to their décor. ‘Polka dots are a tried and true classic, but can be made fresh and new again just by changing some of the elements,’ Yeoward says. ‘For example, if you vary the size and scale of the circles themselves, they suddenly turn from conventional to extraordinary.’ People are no longer decorating with a monotone look, buying all the furnishings from one source. The days of outfitting one’s home to resemble a showroom are long gone; instead people are embracing a collected lifestyle with cherished pieces that contain meaning and personal connections. This new outlook in decorating reflects Yeoward’s design approach of ‘what’s old is new again’ where antiquities get a modern makeover without forsaking their origins, especially when there are polka dots around. For those who are warming up to the idea of decorating with polka dots, start with the basics via accessories. Trays,
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bowls and accent pillows are the easiest ways to introduce the pattern. Take a step further with accent tables and lighting that showcases the spots in unique styling, whether it’s a distressed finish that lends a vintage effect or a highly lacquered finish for a sleek, contemporary touch. Colours can also impact the look and feel of the polka dots; a classic black and white combination epitomises ladylike charm whereas a monochromatic palette like grey dots against a charcoal background creates an unexpected and alluring result. Metallic touches can also add a different dimension to the pattern. Dare to experiment with double metallic colours like gold dots over a silver backdrop to form a unique take on the yin yang dynamic. For the most part, polka dots are painted onto a surface; for Yeoward, he likes to add his twist to the conventional method by using different applications and techniques, one of which is marquetry. The process of inlaying different woods to create a pattern, marquetry has been primarily preserved for ornate, traditional reliefs. By using marquetry for polka dots, Yeoward infuses a fresh perspective to a time-honoured technique. The result is an eye-catching work of art that is both trending and classic at the same time. Trends are often fleeting or cyclical; for a style to transcend the trending phase and become a mainstay, it has to incorporate traditional elements. ‘That’s why polka dots never feel tired; there are endless ways to update the pattern to make it unique and current again,’ says Yeoward. ‘You have to understand and appreciate historical relevancy before you add your own creative spin.’
design news | view point
Mike Fisher, Studio Indigo Architect, Interior Designer & Creative Director T: +44 (0) 207 349 1290 www.studioindigo.co.uk
TRICKS OF THE LIGHT Design tricks which help to draw light deep into a building are essential
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hen designing any space, particularly a home, daylight is one of the most important considerations - light affects our mood, concentration levels, well-being and enjoyment of a space. The most successful spaces are often those which have more than one source of light, such as a dual aspect room or a kitchen with a skylight as well as windows. Many rooms have only one source of natural light and some have none, so design tricks which help to draw light deep into a building are essential. Despite the constraints of planning, maximising light in a new build home is usually much more achievable than in an existing one, but the layout is always important for both. An open plan design allows larger multi-functional spaces to take advantage of existing windows, but such large areas are not always desirable or practical. So I am a big fan of flexible spaces that can be opened up or closed down, to become more intimate, using large sliding or double doors. Skylights can take many forms and it is worth identifying all the places where they could be introduced. They work particularly well above a central staircase which brings light down through the various floors of a building right into its heart. In a contemporary house, skylights can be extremely large, whilst in a more traditional house they can be designed as domes, delicate roof lanterns or other architectural features. Natural light 120 Bridge for Design Winter 2016
from a skylight can now be augmented with artificial concealed lighting behind a ‘laylight’ - ensuring that there always appears to be a good amount of daylight even on a dull day. Technology can help in other ways too. Electric blinds are now easy to install to overcome any issues with heat buildup with glass roofs. Adaptable smart glass has also improved considerably in terms of the amount of light it lets through which can be particularly useful when installing glazed walls to separate a space used for two different purposes. Where privacy is an issue, there is now a choice between traditional etched glass and new smart glass which can be turned from clear to opaque at the flick of a switch. The way the windows in a house are dressed makes a bigger difference to light levels than many people realise. Most light comes through the top third of a window - so unless your windows are unusually tall, avoid pelmets or heavy drapes. Carefully positioned mirrors integrated into the architecture of a building can be an effective way to reflect and bounce light through a building. Internal windows are another way to introduce light into interior spaces - particularly when used in conjunction with a large skylight. However good a home’s lighting scheme may be, there is still no replacement for natural light and the way it constantly changes.
design news | view point
THE GOLD STANDARD Gold is back this season and this time, it’s anything but standard
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hether gold is providing the dominant note in a room or is playing a supporting role, this season’s gold hits the design sweet spot right between enduringly classic and refreshingly on-trend. One caveat: the designation ‘gold’ covers a lot of ground, from muted leaf to brightly polished. This season’s stand-out gold pieces tend more toward the soft and textural and away from the glittery and glitzy - think gold leaf, brushed finishes and antiqued metals and you can’t go wrong. ‘Gold’ doesn’t have to just mean gold: other warm-toned metals such as brass, bronze and copper are very much in the mix this season. Gold can go formal very fast. If formal isn’t your style, think about playing with the extremes: gold toned metals - especially in a soft finish - are a beautiful counterpoint to rough, natural and organic materials. Think of the sophistication of a gold-framed mirror against an exposed brick wall, gold tableware on a weathered antique dining table, a brushed gold coffee table in front of a sofa upholstered in natural linen, gold balls in a one-of-a-kind handmade ceramic bowl. There’s a quiet self-confidence in that kind of contrast that brings a lot of energy into a room. Designers have broadened their horizons and are literally shopping the world for fresh textiles and textile design inspiration. From the bright wovens of Central America to highly figured designs taken from aboriginal Australian Dreamtime paintings, some of this year’s freshest looks are also some of the world’s most traditional designs. The warmth and sophistication of gold pairs beautifully with global patterns and helps to bridge the gap between the familiar and the new. At the other end of the design scale, gold really stands out against a neutral background. Remember that neutral doesn’t mean wishy-washy: this season’s neutrals are warm, complex
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Lynne McArdle Owner of Alden Parkes T: 001 904 279 1617 www.aldenparkes.com
and sophisticated. The stand-out neutrals this year include soft jade; pink (Pantone’s Rose Quartz); pale blue (Pantone broke with tradition this year and chose two colours of the year - Rose Quartz and Serenity blue); the many shades of grey that have dominated design for the last few seasons and show no sign of quitting; and white-on-white tones. A flash of gold against any one of those colours looks great. There’s a reason the little black dress never goes out of style. Simple, elegant, sexy and easy to work with, the colour black fits into every room in the house and has a place in every decorating style. Add gold and you’ve got a look that is both classic and warmly contemporary. The gold touches don’t need to be big or showy to have an impact: little things like the gold lining of a black lampshade or the gold legs of a side table next to a black leather chair add warmth and livability to a black-accented interior. The rule is this: anything with glass looks better in gold. Think of a glass tabletop supported by a brushed-gold base; a glassshelved étagère with a brass frame; a statement starburst mirror in gold leaf - very much on point for today’s interiors. Taking the gold-and-glass pairing a step further, look for furnishings and accents with a touch of eglomise: gold leaf on the back of the glass. Remember that you don’t have to go big to go gold. Simply swapping out some of that bright chrome that looked so trendy a couple of years ago will help to bring your home up to date. Where to begin: replace your silver-toned hanging lamps with new ones in gold, brass or copper; exchange your kitchen drawer-pulls for brass or gold-toned hardware; shop design stores for candle holders, throw pillows, picture frames and tabletop accents in warm gold, even a dish of gold-foil covered sweets adds a pleasing touch of gold - just don’t blame us if they get eaten! The bottom line on gold? Invest now.
design news | view point
THE LINE OF BEAUTY The trend for all things minimal and geometric is nothing new
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rom the pyramid of Cafu to David Chipperfield, pure geometry and clean lines have been at the heart of design and construction. There is something undoubtedly and intrinsically restful about seeing the pure mathematics at the heart of both interiors and buildings. The ancient Greeks in their architecture, fashion and homes combined philosophy with design to underpin a world in which nature bowed to rationalism and a good life was born out of a man-made framework. The Golden Mean at the heart of Aristotelian doctrine began life as an abstract principle of living a moral and correct existence but was soon incorporated into mathematics and quantified by Euclid with the golden ratio whereby the same correctness is transferable to the world around us. It is surely no accident that the Parthenon in Athens still transfixes us with its beauty, based as it is on these sound principles. Geometry and mathematical repetition in architecture and design is in the Gothic style, all the way through Assyria, Cycladic art, Islam, Renaissance masters such as Brunelleschi and Palladio, to where we are today. Peaceful Georgian interiors and the apparent minimalism of Biedermeier and Gustavian design in the 19th century is just a reboot of ancient principles. Like the ebb and flow of the tide, there are also periods of reaction, such as the Victorian period in the UK and the Romantic movement across Europe where the picturesque meant asymmetry and deliberate ruin and handing keys back to nature herself. Even at this time, the fringes of the discipline threw up eccentric designers such as Boullee, Ledoux and Gilly.
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Theo Mance, Kings of Chelsea Managing Director T: + 44 (0) 207 751 4586 www.kofc.co.uk
Just as the symmetry of a perfect face is subliminally attractive to us, so are the perfect lines and relaxing feel of a well composed and understated hotel reception lobby. In the 1940s, Le Corbusier proposed the Modulor whereby a standard set of measurements could be applied to the building industry to make users feel comfortable in their surroundings. Based on a man with his arm raised, it dragged Euclidian philosophy into the 20th century merely by anthropomorphizing the idea. Corbusier and his Modernist friends - Lloyd Wright, Mallet Stevens and more were heralded as progressive saviours when actually it was an old story come full circle. Even Francis Bacon got in on the act when, before he became a painter, he toyed with interior design in a style inspired by Eileen Grey. Of course not everyone subscribes to this view. Maximalism, where busy forms and colours compete for attention, is an alternative path, but this seems to be a less used option. Some of the most interesting and progressive designers are able to combine a touch of both where the house style uses the background of pure and clean minimalism to showcase extraordinary and eclectic objects, ranging from Baroque sculpture to tree stumps and old circus props. The pure and geometric interior is able to focus the mind and bring about a tremendous sense of well-being and relaxation, a creative designer will always remember the curiosity at the heart of people and use fun or humour to lift the seriousness of the scene. Each to their own, but there is certainly something to be said for a peaceful and harmonious interior to contrast the busy and chaotic world outside.
design news | view point
NATURALLY BEAUTIFUL Organic shapes bring warmth, comfort and depth to any interior
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hen we talk about interior trends it’s often in terms of aesthetics but the influences are much wider. Despite the fact that technology has made massive leaps in the last decade, there is a strong contrasting trend towards all things natural - from materials used to organic shapes, and to a more simplified way of living generally. I believe this is going to continue with ethnic and rustic accents in contrasting sleek, contemporary schemes. There will be more emphasis on environmental awareness in selecting lighting, heating, air conditioning systems, as well as choosing sustainable materials wherever possible. This can be seen in architecture too, as is evidenced in Stefano Boeri’s award-winning vertical forest concept in Milan. The high-density residential tower block is home to thousands of plants and trees with the idea that the vegetation will absorb pollution and create a micro climate that produces its own oxygen. The trees naturally shade the apartments from harsh sunlight and provide a habitat for birds and insects in an urban environment. I think we will see more of these developments. We are all much more aware of the benefits of nature on our well-being. Our clients gravitate towards natural materials, as they want to avoid anything artificial or synthetic that may contain toxins. There’s also something very comforting about organic shapes and textures whether beautiful marbles, rich timbers, natural fabrics or patina’d metals - they bring warmth and depth to an interior scheme. I am often asked for sofas in simple linens, and I have
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Keira Townsend Owner and Interior Designer T: + 44 (0) 207 746 2442 www.keirtownsend.com
found a wonderful company in France that use natural dyes on their natural fabrics. Recycled glass is another ecological material I like to work with as it resembles semi-precious stone. I also use eco paints that absorb pollutants and optimise natural light in our schemes as much as possible. People have embraced the smart-home concept but they want it to enhance their lives, not make it more complicated. Whilst there have been huge advances in technology, it seems there is another stage to go before it works as it is supposed to. When our clients arrive home, they want to be able to switch the lights on, rather than be greeted with a welcome home message on a screen asking multiple questions. Everyone is exposed to so much choice and stimulation, it becomes overwhelming and it feeds this desire for the rudimentary. I took a client to a stone yard recently and she said it was like visiting an art gallery. There was so much beauty within the natural stones; the unusual colours, shapes and patterns created by fossils. She chose a piece of granite that resembled Monet’s Lily Pond in its tones and she had it framed, instead of having a piece of art on the walls. We live in a fast-paced world and our clients lead busy lives, so time is a luxury - they want slick, well-organised homes. I am often invited to see a client’s belongings before we think about the aesthetics. This wasn’t the case ten years ago, but now they want to know where the school bags and wellies will go before we talk about colour palettes. Everything has to have its place, even the remote controls; they don’t want to see busy, cluttered surfaces or to waste time looking for things.
Interior Design | Furniture | Accessories | Fabrics www.anabarretointeriors.com sales@ anabarretointeriors.com 4-6 Poplar Court Parade, Richmond Road, Twickenham TW1 2DT
T: 0208 744 9777
KITCHENS
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TONE AGE
Stone Age Benthal White Marble takes centre stage offering a bespoke modern touch in this kitchen, designed for a new build country house with Artichoke Kitchens. Taking influence from Flemish design, the work surface is hand finished with soft detailing and curvaceous edge moulding whilst the basin is hand carved from a single piece of Benthal White Marble to create a natural flow in the space and ease of cleaning and maintenance. T: +44 (0) 207 384 9090 | www.stone-age.co.uk
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ARTIN MOORE
All Martin Moore kitchens are built entirely to order in their Yorkshire workshops, meaning there are no prescribed designs or sizes to limit either the client’s brief or the designer. This allows a completely bespoke response which respects and enhances the architecture of the room whilst putting every inch of space to its most effective use. Shown here is cabinetry from the ‘Architectural’ collection combining hand painted elements and natural oak with a lacquered finish for a truly magnificent kitchen layout.
T: +44 (0) 845 180 0015 | www.martinmoore.com
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XTREME DESIGN
Extreme specialises in designing and installing one-of-a-kind furniture for all rooms within the home. With an unrivalled flexibility in design and material selection, Extreme creates exquisite furniture that takes inspiration from you and complements your interior. With a personal, holistic approach, Extreme’s new design experience creates spaces which are ultimately incomparable.
T: +44 (0) 208 846 8000 www.extreme-design.co.uk
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design project
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THE MAN CAVE A jaw-dropping solution to house two or three sports cars in a plush environment Simon Evans, The Design Practice by UBER Managing Director T: + 44 (0) 156 562 1620 www.thedesignpractice.com
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fter living for a year or two enjoying the completion of his house in an affluent south Manchester suburb, the client called in The Design Practise by UBER to solve a fundamental design issue with the property that had become apparent. Utilising their specialist creative space planning and experience, they put their heads together to come up with a jaw-dropping solution to house two or three of the client’s best sports cars in a plush subterranean environment. Setting out to create a car ‘trophy cabinet’, a high end finish was paramount in order to mirror the quality finish of the inside of the sports cars themselves. Set in a polished resin floor, which in turn reflects the polished plaster ceiling above, a central turntable was installed to allow cars to be turned around to avoid having to reverse back out up the driveway. An entertainment space was created around this central podium, including a leather floored wine cellar, a fully fitted bar with booth seating, specialised mirror TV and a bespoke pool table. The circular ceiling feature that sits above the turntable was a masterpiece in design and engineering in itself, weighing over a ton in weight and being suspended from a heavily clustered ceiling full of pipe work and cabling. The design intent was to achieve a glow from the amber back lit precious stone together with a smoked mirrored central section to show the car off and reflect its beautiful aero dynamic shapes across the roofline. They worked with specialist AV contractors, Ultamation, to bring the space to life technologically. Clever touches include floor sensors on gate entry to detect which of the client’s vehicles is entering the garage space with settings customised to suit the particular driver as they enter - from the music that greets them, to the lighting and even heating levels. This project truly was a one of a kind, and its impact is best summed up by the ecstatic client who said of the job “When I invited The Design Practice by UBER to create a lifestyle from a bland, open space I knew they would come up with something exciting. But what they actually produced blew my mind!” LEFT: The central car ‘trophy cabinet’ which proudly displays the client’s supercar in a luxurious and high-end setting, but also doubles as a functional turntable to allow the cars to be turned around to avoid having to reverse back up the tight driveway Bridge for Design Winter 2016 131
design project
STARTING FROM SCRATCH Each room of this Knightsbridge home is different and has a unique tone of its own
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eportment is the carriage of the spine and the resulting shape is one of elegance and beauty. Likewise, the backbone of a house can be created by a grand staircase; its sheer form and magnificence radiating through each floor that it supports. And this is probably never truer than in this recently renovated Knightsbridge town house that now avows to have London’s finest new staircase and lift. The eight storey construction (five upper floors, a lower ground and two basements) consists of a cylindrical glass lift with a 167-step circular stairway spiralling around it; the latter made from the beautiful mute-coloured Anglesey stone supplied by Britannicus Stone of Chelsea. The staircase is located towards the rear elevation of the house, ideally situated where the house is at its narrowest and the rooms fan out from it towards the wider frontage. The house has been designed by one of London’s leading 132 Bridge for Design Winter 2016
architectural practices, TFA Ltd and they have produced an astonishing home, combining the practicalities of family life with the desire to create an abode of stunning architectural merit and interiors of distinction. As the owners have no intention of selling the house, the design has not had to compromise to attract potential buyers, so each of the 30 rooms is different and has a unique tone of its own. The architects have also sewn the fabric of the house together by using complementary materials, stone floors from Britannicus are intertwined with beautiful American black walnut wooden floors and even a mock croc leather one in the study. The drawing room is a masterclass in style; it’s a cornucopia of soft furnishings from around the globe and a good proportion of the designers and artisans that worked on this project are represented in this sublime space on the first floor, including the Serpentine sofa by Vladimir Kagan,
design project
OPPOSITE PAGE - CLOCKWISE FROM LEFT: The stunning dining room features a geometric patterned stone floor in Swaledale with Angelsey borders, whilst the ‘Up In The Clouds’ glass light sculpture brings focus to the centre of the room. The Storm Cloud chandelier by Baroncelli lights up the delicate Thai silk wallpaper in the main drawing room. The Magma brass and silver leaf chandelier by COX London brings a touch of opulence to the dressing room. ABOVE - CLOCKWISE FROM TOP LEFT: The Stunning Serpentine Sofa by Vladimir Kagan brings a splash of colour to the rich drawing room. A bespoke mirrored bar area designed and manufactured by John Spencer Joiners is the perfect spot for entertaining. Attention to detail in the bespoke cabinets made by Paul Glover using wild olive veneer from a 400 year old tree from the garden of Versailles.
upholstered in paprika coloured velvet, and the masculine glass chandelier ‘Storm Cloud’ by Baroncelli which looms from the ceiling above. And all this is cocooned within walls covered by raw silk wallpaper supplied by Tatiana Tafur which also covers the jib door which leads into a compact bar area reminiscent of an art deco ocean liner. On the ground floor is the dining room with its stunning floor in Swaledale stone with an Anglesey border. An amazing expanding circular wild olive dining table sits in the centre of the room, together with a pair of cabinets, all commissioned from Paul Glover Furniture in Bristol. Floating above the table is an exquisite glass chandelier/sculpture by Eva Menz called ‘Up In The Clouds’ which combines glass leaves, glass conches and real leaves collected from Hyde Park, dipped in 14 carat black gold, white gold and silver. One of the most spectacular rooms is the master bathroom which uses the very rare Ball Eye Blue stone. Ultimately
it is the attention to detail that elevates this bathroom and, indeed, the whole house to world-class status. The craftsmanship supplied by Stone Interiors, who can cut or water jet stone to fit snuggly, deliver enviable results; while the architects have expertly created a layout that maximises the use of space whilst also bringing a magical aesthetic. The house is simply a stunning example of what an interior and architectural practise with vision and dedication can achieve working together with some of the world’s most creative artisans and specialists, and a client of patience.
Brian Wade and James Howard, Tim Flynn Associates Associate and Design Director T: + 44 (0) 207 593 1950 www.timflynnarchitects.com Bridge for Design Winter 2016 133
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TSING MA BRIDGE This bachelor pad in Hong Kong has the sort of views to stop you in your tracks Pal Pang Another Design T: +852 3156 1290 www.another-design.com
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his stunning three-bedroom bachelor pad looks out onto Hong Kong’s Tsing Ma Bridge and its busy shipping channel below, but you only need to step inside for an instant calming effect. With four-metre ceilings and pure white walls, the space is flooded with natural light and provides a zen-like natural tranquillity. The home, renovated by interior designer Pal Pang, is a serene space that makes the most of its stunning location, with generously sized windows and a large wrap-around deck. Pang came to the new-build project last Summer after the homeowner saw his work in a European magazine. ‘He liked the style of a few of the projects I had completed,’ Pang says. ‘He is very busy and travels a lot, so didn’t have time to manage the project. I handled everything from start to finish.’ After discussions, the client agreed to keep it simple, with a minimal design and well-chosen furniture. Simple low furniture in neutral colours sits on the elegant marble flooring, and the glass doors open out onto the stunning deck with innovative modern covered seating to give a seamless join between the exterior and interior space. With white walls and marble flooring throughout, Pang felt the house needed to be warmed and softened to make it a home. To this end, he used American walnut to clad the ceiling of the open-plan living and dining areas and a wall of storage cupboards. ‘When the space is lit in the evening, it is very warm and inviting,’ he says. Once the six-month renovation was under way, Pang focused on finding furniture pieces in consultation with his client. ‘It’s very important as a designer to select your projects carefully - select the wrong project, the wrong client and you are in trouble. My client understood what I wanted to do, but admitted he couldn’t always visualise it at the design stage. It is not a very decorative design - it’s more about balance in the space and key features,’ Pang says. ‘It’s a simple design that is easy for my busy client to maintain. It’s not a show home.’ LEFT: This Hong Kong bachelor pad features a seamless join from interior to exterior. Elegant marble flooring and neutral furniture allow the stunning view from the wraparound deck to create the ambience for the whole living space Bridge for Design Winter 2016 135
BATHROOMS
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ILLIAM HOLLAND
The William Holland Cuprosa Aequs bath is lovingly crafted by hand using traditional artisan techniques. Meticulously hand finished to order, each pure copper bath weighs little more than 45kg. Amazingly conductive and produced from 78% recycled sources, William Holland copper baths surpass their cast iron and original copper counterparts in renovation versatility, heat economy and material sustainability - creating a product that is a true functional work of art.
T: +44 (0) 130 525 1930 | www.williamholland.com
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ATCHPOLE & RYE
The Balfour basin is a beautiful oval shaped marble washstand by Catchpole & Rye which is offered in a number of marble and stone varieties, as well as the metal frame coming in six different plating finishes; silver nickel, brushed nickel, chrome plate, polished brass, aged brass and aged copper. T: +44 (0) 207 351 0940 | www.catchpoleandrye.com
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ERRIN & ROWE
Satin Brass by Perrin & Rowe has strong shades of yellow ochre which exudes a smooth matte finish. This silky surface texture is seen across a Traditional Three Hole Wall Mounted Bath Filler with Low Profile Spout and Porcelain Lever Handles, designed and hand finished by Perrin & Rowe to reveal this exquisite finish in a style that will remain classically timeless.
T: +44 (0) 170 852 6361 | www.perrinandrowe.co.uk
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design news | bathrooms
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HADDER & CO
Bespoke, mosaic baths from Chadder & Co. are the perfect combination of modern technology and traditional craftsmanship resulting in an iridescent and unique form. These exclusive creations allow customers to personalise their own luxury bath in a variety of mosaic materials and spectacular exterior finishes including Mother of Pearl, Ocean Blue Pearl, Copper and Chrome for a truly original bathing experience.
T: +44 (0) 134 282 3243 | www.chadder.com
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ESTUS
Embracing the trend for curved interior design, leading British Manufacturer of Design Radiators and Towel Rails, Aestus intoduce two new design radiators, Camba and Wave, into its leading Contemporary Collection. These elegant and graceful looking heating solutions with minimalist profiles will command focus in any living space to create a modern design statement with purpose.
T: +44 (0) 190 238 7080 | www.aestus.co.uk
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ERDANELLI
Serdaneli, the French specialist of luxurious bathroom fittings & architectural hardware, is the dedicated partnership of architects and designers all over the world for their prestigious and luxurious project. Semi-precious stones, motherof-pearl, shagreen are among the refined elements that you will find in their collections, tastefully mixed with polished 24 carat gold , chrome or nickel to give an opulent and high end finish that has earned them the reputation as the jeweler of bathrooms. T: +33 (0) 141 701 70 | www.serdaneli.fr
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URLINGHAM BATHS
Hurlingham aim to offer an exquisite product, while creating individual refinement to add something really momentous to your bathroom. Utilising distinctive patinas, living finishes, timeless craftsmanship and classic and authentic material, Hurlingham’s attention to detail produces unsurpassed quality and excellence in unique and beautiful products. This Galleon Bath in Hand Gilded Gold Leaf is just one of many stunning bathroom pieces on offer.
T: +44 (0) 140 026 3310 | www.hurlinghambaths.co.uk
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OGUE (UK)
As Summer starts to evade us and leaves turn to beautiful ombre shades of copper and gold, Vogue (UK) introduce its new Bright Nickel and Brushed Nickel finishes to its existing Metallic Finish Collection to give an opulent lustre that elegantly reflect natural light. Offering an ideal balance between practicality and aesthetical opulence, this luxury floor mounted design is sure to complement both contemporary and traditional decors. T: +44 (0) 190 238 7000| www.vogueuk.co.uk
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OCA
The Art Plus freestanding bath from Roca exudes a sophisticated, clean and crisp aesthetic, bringing Scandi-style to your bathroom. Sitting on a natural oak wood platform, the simplicity of this oval steel bath adds a touch of class to your bathroom, and is available in both a black and white colourway to suit your space. T: +44 (0) 153 083 0080 | www.uk.roca.com 140 Bridge for Design Winter 2016
LIGHTING
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ESSELINK & JONES
This stunningly classic chandelier from Besselink and Jones is made from wrought iron and then painstakingly covered in gold leaf by hand. Its beautiful curved shape and light - reflecting gold surface will enhance any room and add a touch of opulence to the space. T: +44 (0) 207 351 4669 | www.besselink.com
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HRISTOPHER HYDE
Christopher Hyde design beautiful, handmade lights to complement and enhance stylish interiors. Inside the Georgian house, the Carlton 15 light chandelier, first quality full lead bohemian crystal on solid brass frames finished in antique French gold and accompanied by sconces either side. T: +44 (0) 207 351 0863 | www.christopherhyde.com
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PLACE IN THE GARDEN
Introducing the London Wall Lamps by A Place In The Garden, a simple yet stylish lamp that is suitable for indoor and outdoor use. Available in two sizes, these stylish grey rectangular wall lamps have a simple yet classic shape which shows off the natural, beautiful and soft light of the Edison style bulb.
T: +44 (0) 140 386 4866 | www.aplaceinthegarden.co.uk
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OLARZ
The exquisite Ballerina II chandelier, by Kolarz, is created from the finest precious materials and is adorned with chains of the highest quality transparent and coloured Swarovski Austrian crystals. Inspired by the graceful movements of classical ballerinas, the curved arms are enhanced by the chairs of crystals that sweep down from the arms and the top of the chandelier to create its timeless shape. www.kolarz-uk.com
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ENDY CUSHING
The Kubo Wall Sconce by Chelsea Creative Lighting is an unusual yet functional adjustable LED wall sconce in a brushed aluminium finish. Also available in a glass version, this geometric shape is a modern take on wall lighting.
T: +44 (0) 208 885 0304 | www.chelseacreativelighting.co.uk
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R LIGHT
The Mr. Light Ltd. triple suspension is part of a new range of luminaires designed for illuminating kitchen islands, breakfast bars and dining tables. The styling is semi industrial with refined finishing and is available in rich dark bronze or highly polished nickel. It also comes in a single version in two different sizes and complete with glass diffusers to obscure any sight of lamps. Mr. Light Ltd. have a showroom by the river, a short walk from the Design Centre, Chelsea Harbour.
T: +44 (0) 207 736 5855 | www.mrlight.co.uk
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design news | lighting
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OGG
Mogg is the quirky Como based design collective, headed up by architect/designer, Nicola Galbiati, and working with likeminded designers and artists to create something a little out of the ordinary in the world of furniture design. The Crystal Light by Marcantonio Raimondi Malerba is an antique style chandelier with a contemporary twist, featuring a wooden frame reflecting the shapes of pendant crystals, whilst echoing the wooden protective frames in which traditional chandeliers are packed for transportation. T: +44 (0) 207 731 9540 | www.gomodern.co.uk
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ARTIN HUXFORD
A contemporary reinterpretation of Baroque grandeur, Martin Huxford’s Rococo Curve Table lamp mixes architectural lines with luxurious materials. The richness of the multiple elegantly curved brass arms, intersected by the suspended shade, celebrate both the sculptural form and natural beauty of the hand worked metal and bring art and functionality together into one piece. T: +44 (0) 190 374 0134
www.martinhuxford.com
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NDREW KORNAT
Andrew Kornat’s new lamp is a stunning solid wood column with stepped bronze base and ball feet, which has been upholstered in antique python skin with 28 bronze studs running a vertical seam up the back of the lamp. Topped with a simple cream shade with bronze edge, this distinctive table lamp will add a touch of drama to your office.
T: +44 (0) 773 808 0098 www.andrewkornatdesigns.com
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RAND VAN EGMOND
Every year, Brand Van Egmond strives to use all their knowledge and experience in order to create some of the most astounding lighting sculptures. The elegant and curvaceous Eve lighting sculpture (above) draws inspiration from the majestic and tempting power of nature, with homage paid to the apples which lured Eve into the garden of Eden. Whilst the Arthur (below) is a majestic and masculine piece emitting strong light from behind a metallic curtain. T: +31 (0) 35 692 1259 | www.brandvanegmond.com
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AC MASTER
The breaktakingly elegant Cocoon Pendant light by MacMaster is a masterpiece in simple yet classic design. The beautifully delicate shape is made by twisted lengths of wood curving around a single bulb, and is available in Walnut, Oak or bespoke timber options and stained finishes to create a unique piece for your interior that will truly stand out. T: +44 (0) 129 986 1738 | www.macmasterdesign.com
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LSTEAD LIGHTING
The Balance range is new to the Elstead Collection for Autumn 2016, designed and made at their site in Alton, Hampshire, and featuring a 5 light chandelier, pendants, a wall light, table and floor lamp. Available in both brown with polished brass highlights, and white with polished nickel highlights, the fabric hard-backed shades have reflective gold/silver linings to enhance the light diffusion and add a touch of luxury to the look. www.elsteadlighting.com
design news | lighting
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IBRA
Developing a softer alternative to the classic industrial trend, the Chandelier Factory theme from Libra delicately weaves a story of its own. Pairing wrought iron, chunky woods and raw concrete with over 200 show-stopping pendant lights, chandeliers, standard and table lamps, this theme juxtaposes masculine elements with softness, tactility and light. T: +44 (0) 122 389 5800 | www.thelibracompany.co.uk
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HRISTOPHER WRAY
Luxury lighting expert, Christopher Wray, introduces a unique collection of contemporary pendants, wall lights and lamps from Italian design company SLAMP. This innovative selection includes Aria, designed by the late Zaha Hadid, a dramatic suspension light with 50 individual layers that encapsulates the architect’s legacy in design.
T: +44 (0) 207 013 0180 | www.christopherwray.com
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ARTHA STURDY
Martha Sturdy presents a collection of astral illuminations in the form of Lunar sphere lamps and black-lit resin objet which are warm, comforting , and other-worldly. The spherical shape illuminates the resin to create an ethereal glow, resonating soft sunlight. With endless combinations of sizes and colours, these timeless resin pieces reflect Martha’s eye for modern simplicity inspired by the natural world. www.marthasturdy.com
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design news | lighting
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ILLA VERDE
Combining traditional techniques using materials such as Murano, Metal, Leather, Crystal and Wood,Villaverde’s expert craftsmen create an impressive range of customised lighting, beautifully handmade in Italy for interiors worldwide. Their in-house lighting design service enables clients to bespoke various elements whilst the experienced team will skilfully guide you through the process, from technical drawings to production.
T: +44 (0) 207 610 9797 www.villaverdeltd.com
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design project
MEDITERRANEAN DREAM The clients wanted a property that had a chic European feel with a classic twist WORDS KATY BRISCOE | PHOTOGRAPHS JIMMY WHITE
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his magnificent 11,000 sq ft family villa, located just off the west coast of Florida, was built from scratch in a five year project to create the ultimate future retirement space. Lauded as the ‘design project of a lifetime’ by Bonnie Lancaster, this enormous project was a dream not just in terms of the scope of the work, but also because it allowed her the chance to work alongside her daughter, Keffie, on a project of such vast scale. The plot was created by tearing down two Gulf front properties and one Bay front home, to make the grand footprint for the project which incorporates the 11,000 sq ft multi-storey main villa, a 4,500 sq ft guest house, a pool cabana, tennis courts, an outdoor loggia for cooking, and the boat house onto the bay itself. With Italian heritage, and a love of visiting Italy, the clients wished for the property to have a chic European feel, but with a classic twist which is reflected in the grand architecture, the choice of Mediterranean style roof tiles, the cool stone floors throughout and the clever colour palettes in the interior design. LEFT: The Great Room incorporates a wall of palest blue and is softened by furnishings in tones of silver with accents of black. Clever use of mirrors in the alcoves either side of the fireplace add depth to the room and bounce the light around making the space feel very open.
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LEFT: The Dining Room features a completely custom mosaic stone rug made out of hand clipped polished Botticino with concentric circles made from white travertine all outlined in light green marble. The beautiful glass table allows diners to appreciate its beauty whilst they are eating and its shape is echoed in the curve of the ceiling above giving a beautiful symmetry to the room ABOVE: The stunning Entrance Hall sets the scene for the tone of the whole property with its French limestone floor with black marble clipped inserts and a symmetrical display of furniture including antique Swedish console tables below antique mirrors, from the John Richard Collection, and two beautifully delicate Chelsea House Bugs & Butterfly Urns
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RIGHT: The upstairs entertainment room features a stunningly created bar area with bespoke cabinetry and white leather barstools and a large L-shaped seating area for entertaining many guests focused around a Custom Century Tufted Ottoman with Lucite Legs. Soft pastel shades are picked out in scatter cushions to add colour and texture to this neutral room.
Working closely with the architect to get architectural details right gave a basis on which to build the design feel and colour palette upon to achieve the desired look. Bonnie travelled to many venues with the clients to select furniture, antiques and art, and to get ideas and inspiration for everything from landscaping to lighting, making sure no stone was unturned in the quest for perfection. The clients are a young and active philanthropic couple who spend the majority
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of their time currently in their New Jersey home, but while this project was built with a vision to the future and retirement someday, it is currently to be used for family getaways and holidays so it was important that the style worked and had longevity to cover all these needs. From the moment you step inside the door of this beautiful Florida villa, the attention to detail and high end design spec are apparent. In the master foyer, Tile Market collaborated
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RIGHT: The stunning black and white kitchen is dominated by the stunning Chelsea House Calla Tole Lanterns hanging over the impressive breakfast island. Whilst a playful touch has been given to the Doma barstools which have been customised for the clients with embroidered Italian writing on the back.
with mosaic artists in VA to create stone mosaic ‘rugs’ using a combination of waterjet and hand sniped lavender marble. The combination of these two techniques allow the creation of beautiful scrolls in natural stone, giving the floor a unique and decorative look whilst remaining cool in the summer heat. A similar technique was utilised in the dining room where a completely custom mosaic was created out of hand clipped polished Botticino with concentric circles made from white travertine and a border outlined in light green marble. The entire oval mosaic was created in Virginia, disassembled and reassembled during installation in the client’s home. This one of a kind handmade mosaic stone rug is a stunning feature and draws the eye beautifully to 160 Bridge for Design Winter 2016
the centre of the stunning room where the glass table allows diners to appreciate its beauty while they are eating. Above the dining table hangs a stunning crystal chandelier, adding more light to the already dramatic room which is flooded with natural light from the wall of glass doors at the far end which give spectacular sea views. Another room enhanced with spectacular feature lighting is the functional and cool kitchen, which features stunning low hanging black lanterns which tie in with the dark worktops of the breakfast bar and island beneath it. Contrasted with ornate white unit doors and a splashback of geometric black and white print tiles, the whole room has a very crisp and clean modern feel to it.
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The sleek look is softened slightly in the bedrooms, with the master bedroom featuring an oversized ornate brushed silver bed, with matching Art Deco inspired mirrored side tables and huge wall mirrors either side of the bed to bounce around the light from the large window. A grey carpet picks up on the silvery theme of the room, and the bed is dressed with a variety of textures and patterns 162 Bridge for Design Winter 2016
in a range of grey to give depth and warmth to the sleeping area. A soft grey has been chosen for the top half of the walls, giving the whole room a cool yet opulent feel. The outside of the property has been given as much care and attention as the inside, and all the landscaping was done to ensure that the inside space flowed seamlessly into the outdoor entertaining space. A magnificent pool area
ABOVE: The master bedroom is a triumph of understated luxury, dominated as it is by the Habersham Bed in warm silver. Art Deco inspired mirrored side dressers and a beautiful Boudoir Bench in muted greys sit against grey walls, giving the room a muted and calming ambience.
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has been created with a spectacular swimming pool flanked by fountains, whilst an expanse of sofas runs down one side under a long white pergola. On the other side of the pool is a large stone tiled terrace complete with sun loungers, umbrellas and tables and chairs for eating, and the whole area is surrounded with views of palm trees and sea views, making it a perfect spot for both entertaining guests and relaxing alone. “This has been a wonderful project to work on”, says designer Bonnie Lancaster, “we had lovely, gracious clients, and just a dream team to work with”. The end result of this expansive five year project is an incredibly successful home which doesn’t just meet the original brief set out by the owners, but surpasses it. 164 Bridge for Design Winter 2016
ABOVE: The study features a custom Italian imported reclaimed wood desk and Century Leather Swivel chairs atop a geometric rug from Peel and Co. Beautiful sea views are optimised by the large glass doors and framed with neutral curtains.
BONNIE LANCASTER
Lancaster Interior Design T: 001 941 365 2342 www.lancasterinteriordesign.net
INSPIRED BY
DONNA HALL
The Chicago-based designer channels the dark glamour of the 1920s in her latest interior design project PHOTOGRAPHS NICK NOVELLI
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ince 2001, Donna Hall has been successfully creating interiors with a delicate fusion of European Classicism and American Modernism. In her most recent Chicago project, Hall’s inspiration is the sultry charm of Roaring Twenties Chicago, taking advantage of the unique architecture of the space. ‘The overall inspiration came from the era of the 1920’s in Chicago. I always take cues from the architecture of a space and then twist it in a modern way,’ says Hall. Her interiors are composed of bold elements layered with textures and patterns, but with a cohesive feeling that runs throughout the design. One of her noted design signatures is to play 168 Bridge for Design Winter 2016
with the ceiling design or the ‘fifth wall’ as seen in the Dining Room of this project. Hall covered the ceiling in an ethereal Maya Romanoff wallcovering while painting the surrounding walls in a glossy black lacquer to reflect light throughout the oval shaped room. The split Living Room also features a dynamic plaster ceiling, added to complement and downplay the striking portrait that immediately grabs your attention. The Master Bedroom flashes tones of gold and white, as apparent in the lively, vintage-vibe wallpaper. To add some symmetry and balance to this playful space, Hall created matching scenes on either side of the fireplace featuring two custom KOKET Divine Armoires. The iridescent peacock feather armoires were custom
FRONT: The split Living room features a dynamic plaster ceiling, added to complement and downplay the striking portrait that immediately grabs your attention on the far wall between two enormous windows. ABOVE: In the little girl’s quirky bedroom, pops of colour clash in the dramatic rabbit print wallpaper and are mimicked in accessories around the room such as the fuchsia bedding and flowers. A rabbit’s head bust by the window and furry stools at the end of the bed add to the fairytale, Alice in Wonderland, feel of the whole room.
made into chests, then Hall topped them with hung Art Deco mirrors, to adorn either side of the fireplace for luxurious his and hers spaces. ‘I like to infuse interiors with elements from different periods and styles to create timeless, unpredictable surroundings. By merging traditional and contemporary styles, the end result is interiors with layered textures, avant-garde elements, and cutting-edge styling.’ The Divine Armoire is a brand favourite, not just for its exotic and appealing design, but for the message it conveys with its erotic presence. Hall’s favourite design trend of the moment is incorporating bold pops of colour, seen throughout this interior design project specifically in the girl’s bedroom. The colours mingling in the dramatic rabbit print wallpaper are mimicked in accessories around the room such as the fuchsia bedding and flowers. Her unpredictable yet timeless surroundings are something to be desired, as evident in her two Illinois office locations and growing clientele. 170 Bridge for Design Winter 2016
ABOVE: The oval shaped Dining Room is a bold statement, with glossy black lacquer on the walls to reflect the light and an ethereal Maya Romanoff wallcovering on the ceiling creating a contrast of patterns and textures. A stunning chandelier in the centre of the room adds a final touch of drama to this opulent interior.
DONNA HALL
Donna Mondi Interior Design www.dmondiinteriordesign.com
INSPIRED BY
ARTHUR MCLAUGHLIN The San Franciscan designer sets the stage in his Beaux Arts Villa WORDS KENDRA BOUTELL | PHOTOGRAPHS ERIC RORER
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hen staging San Francisco’s most exclusive properties for sale, interior designer, Arthur McLaughlin, edits out his clients individual taste. The native Southern Californian moved to the bay area in 1982. Before opening his company, McLaughlin worked for famed Los Angeles interiors firm James Northcutt Associates. JNA specialised in international, luxury hotel and resort projects. McLaughlin’s high-end hospitality experience along with set design for Paramount Pictures foreshadowed his success as stager and designer. When McLaughlin designs residences, he alters his approach from staging. ‘Permanent interiors are a different animal, it’s really personalised. We interview clients and ask what they like. Hearing what people are saying, really listening to them, that determines what they need, and what we design for them,’ he explained. For his own home, a Beaux Art masterpiece attributed to architect Arthur Brown Jr., McLaughlin infused the interiors with his unique vision. The Russian Hill villa, commissioned by a Canadian silver king in 1913, served as a pied-à-terre on journeys to his Mexican mines. The mansion later housed artist, RIGHT: The front façade of Arthur McLaughlin’s Beaux Arts villa festively decorated with floating red lanterns for a Chinese New Year’s fête
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Irma Engel Grabhorn, wife of master printer Edwin Grabhorn. Grabhorn and his brother Robert operated San Francisco’s esteemed Grabhorn Press. Arthur McLaughlin & Associates honoured the building’s fabled history while updating it to the present. With five levels and nearly 5,000 sq ft, the fanciful concrete steel reinforced structure features a copper mansard roof. A lyrical double wrought iron stairway welcomes visitors. McLaughlin restored the entrance’s original crescent glass and metal canopy along with replacing seventy-five broken windowpanes. On the interior, he renovated the kitchen and five baths introducing modern conveniences.
In the expansive three-storey foyer, walls painted with broad greige horizontal stripes set an eclectic backdrop. McLaughlin juxtaposed a French Napoleon III bureau plat with the pensive portrait, ‘Woman in a Plaid Hat’ by contemporary painter, Joanne Landis. On another wall, a Spanish Golden Age portrait of a man gazes out from the past. An Italian Neoclassical gilt tole and crystal chandelier illuminates the space while a graphic Persian tribal rug grounds it. The light filled living room showcases a massive fireplace flanked by a pair of period Russian mahogany and giltwood armchairs. Chinese window screens with intricate carved fretwork add visual
LEFT: In the grand foyer, McLaughlin selected Benjamin Moore Paint colour Pashima for the wall using a half tone for lighter stripes. An elegant chandelier hangs above the foyer. TOP: Exotic Moroccan silk velvet pillows add vibrancy to the neutrally upholstered slipper chairs in the living room. A grand piano sits proudly next to the sitting area.
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ABOVE: McLaughlin removed the fireplaces later delft tiles restoring it to the original Beaux Arts mantel and column ABOVE: The master bedroom is dominated by the panoramic view of the Golden Gate Bridge and San Francisco Bay, and beautiful wooden occasional seating in the window encourages time to sit and admire it.
texture. Surmounting the mantle, McLaughlin installed an impressionistic waterscape by Gioi Tran, from ArtHaus. An over scaled brass framed mirror backs the opulent green velvet tufted sofa from Coup D’Etat. The designer companioned these with Eames 1950’s elongated Elliptical Table. On the opposite side of the salon, an ebonised grand piano holds court. A pair of brushed metal and hide benches provides occasional seating. Shelves display a treasured collection of antique English tea caddies and leather bound books. While visiting Art Basel Miami, the designer met Florida artist, Abel Guillermo Villarino. An abstract painting by Villarino now centres windows reflecting the vivid foliage colours seen from outside. McLaughlin says of the living room, ‘I love entertaining family and friends here. It is perfect. The architecture is formal yet the furnishings are casual and comfortable.’ From the master bedroom, a panoramic view of the Golden Gate Bridge and San Francisco Bay dominates the space. McLaughlin dressed the bed in fine linens from Matouk. A Regency mahogany and gilt metal bookcase by Liverpool cabinet maker, George Bullock, exhibits the designer’s cherished possessions. 176 Bridge for Design Winter 2016
ARTHUR MCLAUGHLIN
Arthur McLaughlin + Associates T: 001 415 673 6746 www.arthurmclaughlin.com
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ANYTHING BUT ORDINARY
‘My clients love the idea of totally new design concepts, things that have never existed in the world before’ says Ron Mann WORDS MICHAEL PEPPIATT | PHOTOGRAPHS ANDREW TWORT
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here are many ways to get a bird’s-eye view of London. A visit to a soaring skyscraper in the city will do it for most people, while the more intrepid might choose to dangle from a glass cabin on the London Eye. But for those most passionate about London’s extraordinary vistas, only a penthouse on the Thames - with all the views, all the time - could fully suffice. It was not by chance that one couple found this fabulous, fan-shaped perch overlooking London’s historic river. ‘They had been looking for a long time, and they knew they wanted something with exceptional views,’ explains California-based designer, Ron Mann, who was responsible for the project from start to finish. ‘And when they came here, their immediate reaction was: If you could have only one view of London, it would have to be this. And having realised that, they didn’t need to look any further.’ At that point, however, the penthouse was
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no more than a shell, a cavernous hollow without even the basic utilities installed. ‘That was another fantastic thing about this apartment,’ says Mann, who has designed several interiors for the residents over the years. ‘We had a completely fresh, blank canvas to work on. We thought he might maintain the loft-like space as it was, because I was very keen to keep the light that comes from the floor-to-ceiling windows on both sides of the apartment flowing through unimpeded. But then we hit on the idea of having partial walls topped with clear glass so that we could create a series of rooms without losing the sense of open space and luminosity,’ he continues. ‘ My clients have an instinctive grasp of everything, from structural engineering down to the last decorative detail, so they were fully involved in all the decisions, both great and small.’ Once the overall room sequence had been
FRONT: In the main living area is Dragon Knows Dragon, a four-panel lacquered screen by Shiryu Morita. Hand-cast magnesium tables attach to the Sofa he designed for the space. The leather on the sofa is from Edelman. ABOVE: With his clients’ collection of Asian art in mind, California-based designer, Ron Mann, refurbished a modern penthouse in London overlooking the Thames. An early-18thcentury red-lacquered Chinese cabinet provides a bright focal point in the study.
worked out, with the large lounge, the studio area and the terrace being given pride of place overlooking the Thames, Mann began to focus on the details. ‘I like to do things against the rules, against the odds,’ he says. ‘That doesn’t always go down easily. The floor I designed is a case in point. It’s made of cast stone set in a grid of thick Honduras mahogany planks separated by bars of stainless steel, with the curve of the planks reflecting the fan shape of the whole space. One of the local firms we were working with said: ‘It can’t be done. Send that man back to California!’ But my client replied: ‘If Ron can design it, we can get it made.’ And we did!’ This originality is evident throughout the apartment. While one wall in the entrance is made of powder-coated Cor-Ten steel set 182 Bridge for Design Winter 2016
with fibre-optic base lights, for instance, others are painted with layers of chalkwhite paint to give the impression that they are actually carved out of chalk. Similarly, the dining table consists of two separate tops with interlocking aluminium bases that, when clicked together, form a single, asymmetrical oval table. ‘My clients love the idea of totally new design concepts, things that have never existed in the world before. Of course, that’s a marvellous brief for a designer to have.’ The same meticulously innovative attention is paid to everything from the soft furnishings to the drawer pulls in the wardrobe. The freestanding pieces of furniture were designed by Mann, who had them made in California before shipping them to London. Particularly notable is the
ABOVE: In the terrace garden room, Philippe Starck chairs are gathered around a cast-resin-and-eucalyptus table.
vast sofa in the living area. Made in three separate parts with a frame crafted from solid California bay laurel, the result turned out to be so heavy that it had to be craned up section by section and deposited on the terrace before an army of stalwarts could reassemble it. Discreetly sited throughout the main rooms, the collection of paintings, sculptures and objects gives a particular resonance to the space. There are few classic modern works, but the emphasis is on Oriental art. A large four-panel lacquered screen and an ancient salt-glaze jar, both from Japan, subtly set the tone in the living area, but most remarkable is the sheer variety of artworks, which range from a Nepalese bronze Buddha to a Korean paper screen and a Japanese wood carving. Blending effortlessly with their surroundings, they lend an extra dimension of serenity to what is already a secluded haven high above the turmoil of everyday life. 184 Bridge for Design Winter 2016
ABOVE: With his clients’ collection of Asian art in mind, California-based designer, Ron Mann, refurbished a modern penthouse in London overlooking the Thames.
RON MANN
T: 001 707 935 3991 www.ronmanndesign.com
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BELLA ITALIA
Achille Salvagni transformed the top floor of a storied palazzo in Rome into the ideal setting for a family’s treasured antiques and contemporary Italian designs WORDS CRAIG SELIGMAN | PHOTOGRAPHS SIMON UPTON Bridge for Design Winter 2016 187
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or richness of history and for grandeur, no Roman palace surpasses the Palazzo Colonna, at the foot of the Quirinal Hill. Not even the Hall of Mirrors at Versailles outdoes the pomp and splendour of its Sala Grande. The Bronzinos and the Tintorettos lining the walls of its renowned gallery attest to the Colonna family’s enduring wealth and prestige. When the architect and designer, Achille Salvagni, received a commission to create an apartment on the top floor of the palace. ‘The challenge,’ he says, ‘was to honour the history of the building and yet to work in a very light way.’ His clients were a young couple with two small daughters; he didn’t want the past to weigh them down. The large raw space, just under the palace’s roof, had never been lived in. Even the servants’ quarters were on a lower floor. The wife had grown up in a Venetian palazzo and had inherited several historical pieces, including a spectacular 18thcentury mirror ; Salvagni uses them as anchors, surrounding these antiques with furniture of his own design. Among the most striking of his pieces is the seven-foot square brass-base cocktail table in the living room, its surface covered with a butter-yellow mantle of stingray skins. ‘I didn’t want this table to overwhelm the space,’ Salvagni explains. ‘I wanted it to be very calm - a peaceful conservation centre. The stately fireplace in the living room is clad mostly in Noir Saint Laurent, a French marble that was popular during the Baroque era and again in the Deco period. Its interior is peperino, a grey volcanic rock that was already being used by the Etruscans and that’s often found in the hearths of Roman palaces - ‘So it’s evident that we’re not in Paris but in Rome.’ The first thing that catches your eye in the dining room is that ornate Venetian mirror. Salvagni designed the huge oak table, with bronze inlays and a bronze frame, to accompany it; he was thinking of the massive Neapolitan tables that found their way into grand Italian mansions in the 1930s, but he wanted something more contemporary and, as usual, lighter. The dining room doors are made of black-stained oak fitted with panels of glowing Fortuny silk, but what’s most unusual about them are the vertical PREVIOUS PAGE: LEFT: An 18th-century Italian gilt mirror takes center stage in a luxurious dining room; the table is made of oak and bronze, and the chairs are slip - covered in Egyptian linen. RIGHT: The Palazzo Colonna is a palatial block of buildings in central Rome, Italy, at the base of the Quirinal Hill. THIS PAGE LEFT: A luxurious living room is furnished with a mix of antiques and contemporary Italian designs. The sofa, upholstered in a velvet by Dedar, and cocktail table are custom designs, the 18th-century settee is Italian, and the custom made rug is from Tibet. Bridge for Design Winter 2016 189
RIGHT: In a master bathroom, the bathtub fittings are by Lefroy Brooks, and the 1750 Italian stool is a family heirloom; the walls are lined with a wallcovering by Ralph Lauren Home, and the 1930s chandelier is by Venini. The sleek nickel-and-glass doors lead to a steam shower and bath.
bronze belts down the centres, inspired by one of the intricate Roman mosaics in the celebrated gallery downstairs; ‘It’s really insane,’ says Salvagni. Because of the somewhat peculiar way the space is laid out, the bedrooms, which are at one end, had to be connected with the living and dining rooms via a corridor. Salvagni created a long gallery with a rounded vault and installed a breathing space at the centre in the form of a small, square room with walls covered in velvet - the scarlet doors are velvet, too. They’re not the only splash of colour amid the apartment’s predominant ivory and bronze. With a nod to the 20th- century French decorator Jean Royère, he designed egg-shape rose chairs for 190 Bridge for Design Winter 2016
either side of the fireplace. And a mysterious stairway is carpeted in sea-blue silk. It leads from the living room to a curtain and a bookshelf that covers an unused secondary entrance; trying to figure out what to do with this not very functional space. Salvagni thought of The Leopard, Luchino Visconti’s sumptuous 1963 film, and its Sicilian palace with its ‘secret corners that have no function except to attract the eye,’ he says. The designer didn’t want to slice up the high vault of the master bedroom’s ceiling, so he came up with a low wall that’s more like a screen, of black-tinted oak and textured wallpaper, to divide the space into a bedroom and dressing area. He wanted the bathroom to feel more like a powder
RIGHT: A luxurious living room is furnished with a mix of antiques and contemporary Italian designs. The custom-made armchairs are upholstered in a Lelievre velvet, the custom-made chandelier and 1950s sconces are of brass, and the Venetian painting dates from 1795. The stately fireplace is clad mostly in Noir Saint Laurent, a French marble.
room than a wet area, so he installed oak planks on the floor and a dark Ralph Lauren pinstripe fabric on the wall, hung a 1930s Venini chandelier, and placed a Baroque Ventian stool (another family heirloom) underneath it. ‘I really like the sense of calm and beautiful,’ he says, ‘contrasting with the modernity of the tub.’ Equally sleek nickel-and-glass doors lead to a steam shower and bath. Both he and the clients are pleased with the outcome. The projects he’s worked on, Salvagni says, have always involved ‘something that had some history before me.’ When he first looked at the raw space at the top of the palace he saw enormous potential in the freedom it allowed, but he also wanted the apartment he created to pay homage to the splendid building that housed it. ‘I didn’t want to impose a new life on that shell,’ he says. ‘I wanted the shell to transmit the history that the building breathes in every corner.’ 192 Bridge for Design Winter 2016
ACHILLE SALVAGNI
www.achillesalvagni.com
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WILLIAMSTRIP
A harmonious synthesis of colours, textiles and understated style enhances the restored interior making it one of the most impressive country house resuscitations of recent years WORDS JOHN MARTIN ROBINSON | PHOTOGRAPHS SIMON UPTON
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illiamstrip is a beautiful Georgian house, with a splendid landscaped park, in the heart of the Cotswolds. Long the home of the Hicks-Beach family, it has now been acquired by new owners who have carried out a major restoration and redecorated the interior with flair as a setting for collections of English and Irish furniture and paintings, and historic textiles. They chose Mark Gillette, a decorator with considerable experience of historic houses, to do the interior. At the same time, they employed Craig Hamilton, the leading contemporary classical architect, to design a replacement for the kitchen wing - built by John Soane and demolished in 1946 - and a Greek Revival swimming pool pavilion in the garden that’s a small masterpiece in its own right. Williamstrip dates originally from around 1700, but the major architectural interest in the contribution of John Soane, who worked at Williamstrip for Michael HicksBeach in 1791. Soane regularised the exterior, refacing the west front, converting it to nine bays and adding shallow segmental bows. He also refaced the south front and added a new north wing. Inside, he created the library and the top-lit central staircase. David Brandon knocked the main rooms together in 1865-6 to create the large, plain dining and drawing rooms, which are lit by south-facing bay windows. Brandon’s work was tactful and the house retains a solid, elegant Georgian character. Like many country houses, the estate went downhill in the mid twentieth century. The back parts were demolished after the Second World War to make the house easier to run with fewer staff. Soane’s library was also dismantled and a false ceiling put over the staircase to conserve heat. When the current owners took on Williamstrip, their aim was to revive it as a family home, and redecorate and re-furnish it in a way that would enhance the Georgian character but would also be cheerful and comfortable. They appointed Mark Gillette in October 2008, having encountered his work at a house of similar scale in
FRONT: The exterior of Williamstrip was remodelled by John Soane in the late eighteenth century; changes included refacing this, the west front LEFT: The walls of the south-facing main drawing room at Williamstrip are covered in yellow silk French damask to emphasise the room’s sunny aspect; the curtains are of Lelièvre silk
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RIGHT: A Chinese Chippendale cabinet stands in the dining room
County Durham, which won a Georgian Group Architectural Award. Mark worked closely with the owners and there were regular meetings with Craig Hamilton, the architect, and Symm, the building contractors, which ensured that the whole project was harmonious. Mark’s designing depends on the circumstances. In some historic houses with existing contents and old decoration, the touch is light, deferential and conservationist, but in others there is a scope to be more creative, and freer in interpretation. At Williamstrip, the rooms were plain, partstripped and neglected. There was an opportunity to bring back colour, life and character. His aim has been to create a layered look that makes the interior seem as if it has evolved, without taking too purist a line. Modern comforts, including 198 Bridge for Design Winter 2016
spacious bathrooms with the best modern plumbing and a large family kitchen, were added, but with respect for the architecture and the owners’ fine furniture. A key to his approach is the use of historic carpets and antique light fittings, subtle colours and good classic fabrics that create a rich, authentic, but comfortable feel. The main drawing room is large, resulting from the 1860s alterations, and has a classical modillion cornice. The client wanted a yellow room to complement the southern aspect, so Mark covered the walls with battened French silk damask with a light, warm, yellow tone. Great care has been taken to avoid too sharp or new a finish, the damask having some wool content, to ‘dull it down’. The large comfortable sofas and armchairs have an array
RIGHT: An array of paintings from different eras and styles adorn the walls of the entrance hall and staircase
of antique cushions collected by the owners. As this is the principal drawing room, there is a more formal character here than in the smaller family rooms, and this is enhanced by Old Master paintings and superlative furniture. Especially striking is a set of Vardy seat furniture from Spencer House. When acquired, this was smothered with modern gold, but it has been restored and upholstered in magnificent gauffraged French silk velvet. The sitting room has a similar silk wallcovering but is smaller, more relaxed and informal, with a nineteenth-century, patterned Brussels-weave carpet and curtains of embroidered silk. The useful central ottoman was made from one of the owners’ Aubussons and is partnered by a cosy club fender. 200 Bridge for Design Winter 2016
There is a nineteenth-century chandelier from Denton Antiques, and the pictures are nineteenth and early twentieth century. Most striking is the collection of drawings by Laura Knight hung on one wall; these had been in a folio for years but make a perfect symmetrical array here. The dining room has warm wine-coloured curtains and covers but pale walls as it is used in Summer as well as Winter evenings. The reinstatement of architectural features ties with the resuscitation of Soane elsewhere, especially the principal staircase. There, the removal of the false ceiling has opened up the full height to the Soane original with its characteristic glazed oculus, to sensational effect. The staircase itself is a Victorian insertion but was improved by darkening
the treads and repainting the banisters. The yellow walls run through to the entrance hall, where characteristic Irish Georgian mahogany furniture is suitably robust. The new wing designed by Craig complements the historic exterior; it transforms the practical working of the house with a family entrance that leads to a secondary staircase. Meanwhile, Mark decorated the new kitchen to accompany understated Greek Revival fittings designed by Craig and made by Symm. The interior of Williamstrip is a happy combination of architectural restoration and elegant, comfortable decoration. There is a blend of splendour and informality. It is full of personal touches and distinctive taste, as in the collection of paintings and old cushions. The architecture is now impressive, but nothing overwhelms. Mark’s harmonious synthesis of colours, textiles, comfort and understated style enhances the restored interior, making it one of the most impressive country-house resuscitations of recent years. 202 Bridge for Design Winter 2016
ABOVE: A pair of chairs by John Vardy (1718-65) from Spencer house have been re-upholstered in French silk velvet
MARK GILLETTE
Mark Gillette Interior Design www.markgillette.com
LIVING LARGE
Nanette Lepore and her husband infuse a Victorian Townhouse in Manhattan’s West Village with the appreciation for the past WORDS KATHLEEN HACKETT | PHOTOGRAPHS WILLIAM WALDRON
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anette Lepore says ‘I can be Myrna Loy here,’ as she sweeps her arms to indicate the parlour of West Village townhouse she shares with her husband and business partner, Robert Savage, and their daughter, Violet. Indeed there is something cinematic about the fashion designer’s Manhattan digs. Maybe it’s the spiral chandelier that dangles from the parlour ceiling like a giant earring. Or perhaps it is the dressing room, where an overscaled teal velvet pouffe sits amid vintage haute couture. From the bodacious colour combinations to the Eva Peron portrait that hangs over the fireplace, it seems a perfect backdrop for someone who has said she designs for a ‘bold woman who has fun and celebrates life.’ Lepore - whose flirty yet polished clothes have fans in Kerry Washington, Mischa Barton, and Eva Longoria Parker - has always dreamed
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big. Offspring of an artist father and his stylish wife, the Ohio native traces her outsize ideas about romance and adventure to annual family road trips along Route 66 to California. “Those drives made me feel like a gypsy,” recalls the designer, who eventually made her way to New York City. Several fashion jobs later, Lepore struck out on her own, realising the potential she had demonstrated since the age of 9, when she outfitted a neighbour in a floral-bedspread dashiki accessorised with a beaded choker. In 2004, when Lepore and her young family were living in an apartment with not nearly enough sunlight to please her, Savage spotted an attractive 1849 Italianate townhouse while walking Violet to school. It was for sale but pricey so he didn’t mention it to his wife. Six months later, Lepore noticed the same building, which was still on the market, and told a surprised Savage about her find. After
PREVIOUS PAGES: LEFT: Elegant curtains drape the floor-to-ceiling windows in the living room where the coffee table is a Jonathan Adler design and the pair of circular armchairs on the Nanette Lepore rug are by Warren Platner RIGHT: In the wood-panelled living room, a Hans Wegner armchair has been arranged in front of a roaring fire next to a circular pouffe in green leather whilst a portrait of Eva Peron, a flea-market find, gazes down from above the mantelpiece THIS PAGE ABOVE: The secluded courtyard garden was designed by Kate Ewald and Amy Wilson with a Jonathan Adler garden table surrounded by a set of white wrought-iron chairs
a call to a real-estate agent, they learned the price had dropped considerably, and they jumped at the chance to become the new owners - only to discover that the façade hid interiors totally out of sync with their style. The year-long renovation that followed included gutting the bathrooms and transforming the Colonial style kitchen into a Euro-sleek space lined with gleaming scarlet cabinets. Fussy architectural details added by previous owners were carefully excised to create crisper, more modern spaces, though the marble mantels were saved. ‘We were told the project would take six months, but the workers were still there nine months later, around Christmas, so we moved in on top of them,’ the designers says. ‘Nanette insisted we 208 Bridge for Design Winter 2016
choose furniture that was light and movable because they are a family that dances,’ says Jonathan Adler, who was commissioned to do the decorating. A big gesture talent too, he designs interiors, ceramics, rugs, pillows, and furniture that embody an irreverent retro aesthetic that more than matches Lepore’s own. ‘Often my job involves making clients seem a bit more glamorous and eccentric than they might actually be,’ Adler explains with a grin. ‘That was definitely not necessary with Nanette.’ Lepore is an enthusiastic collector of everything from thrift-store paintings and 18th century Italian portraits to glittering sconces and curious light fixtures. ‘Before Jonathan came along, I was in danger of turning my home into a chandelier shop,’ she says, laughing.
ABOVE: Cool tones of turquoise and white in a living room furnished with a pair of inlaid Indian tables and a curved sofa upholstered in cream linen
Adler’s challenge was to create order out of her cheerful chaos, which he achieved by arranging the eclectica into traditional furniture arrangements. The quiet, however, stops right there. Both Adler and Lepore are known for their bold uses of colour, so splashing hues throughout the house with joyful abandon was an essential part of their successful collaboration. On paper, the palette reads like a funky ‘70s tapestry: teal, eggplant, acid-green, plum, cocoa, orange and lipstick-red. There was a mention behind what could have been psychedelic madness, though. The walls were kept mostly 210 Bridge for Design Winter 2016
white, while curtains and upholstery fill the space with the ‘juicy shades,’ Adlers says. Not surprisingly, Lepore’s gypsy spirit is most alive in her dressing room. ‘Every inch is like a cake with amazing embellishments and gorgeous textures,’ her decorator notes. Vintage frocks span one wall, Lepore’s own designs hang on another, and there is a row upon row of shoes. It is the boudoir of a chic magpie, someone with joie de vivre. ‘Nanette should teach lessons in how to eat, how to entertain, how to dance until four in the morning.’ An admiring Adler says, adding, ‘She is like Auntie Mame.’ Make that Myrna Loy.
ABOVE: Fashion designer, Nanette Lepore, in the entrance hall to her Victorian town house in Manhattan
KETTLER HOUSE Designer Tineke Triggs blends daring design with traditional elements in this striking Victorian remodel in San Francisco WORDS KIM GONTHIER | PHOTOGRAPHS DREW KELLY 212 Bridge for Design Winter 2016
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hen designer, Tineke Triggs, was hired to update her client’s San Franciscan Victorian house, they asked her to maintain its traditional design elements wherever possible. ‘The home had exceptionally well preserved period details, and the client really wanted to retain that classic Victorian feel,’ says Triggs. Triggs, whose eclectic interiors span a wide range of styles, had begun selecting traditional materials for the home’s new kitchen and baths when the project took an unexpected turn. ‘A few months into the project, the client came to visit our room 214 Bridge for Design Winter 2016
at the San Francisco Decorator’s Showcase,’ says Triggs. ‘After they saw how well its bold and contemporary design worked within a traditional setting, they called the next day with an admission. ‘Tineke, we think we’ve been holding you back...’’ The rest, as they say, is history. With a new design direction and more freedom to roam, Triggs and her talented team at Artistic Designs For Living began pushing the envelope with more daring designs. ‘The client was ready to take more risks,’ says Triggs, ‘and the dining room was a terrific place to start. We stuck with classic
FRONT: Dramatic lighting takes centre stage in this boldly designed dining room. ‘We upholstered the dining room chairs in a vibrant damask, then added a luxurious buffet with inlaid capiz doors and aged bronze legs for added character.’ says Triggs. ABOVE: ‘We wanted to orient the family’s breakfast table as close to the windows as possible, so I designed a long narrow bistro table to work in this space.’ The kitchen pendants were inspired by vintage French lanterns and feature hand finished glass bobbin columns and a variegated gold finish.
lines and vintage finishes to maintain a timeless feel, but opted for more contemporary lighting, vibrant textiles and dramatic wall colours to add a whole new layer of interest to the space.’ Triggs also opened up the kitchen to create a new light filled room for the family to gather. Classic white cabinetry keeps this room bright and airy while deep blue tiles deliver a striking contrast. Dramatic lighting inspired by turn of the century French lanterns provides a historic nod to the past. For the living room design, Triggs shifted to a more tranquil colour palette to set an overall tone of relaxation. ‘We wanted to carry through the rich textures from the dining room while creating a quiet and luxurious space to unwind at the end of the day.’ The result is an original design that blends the best of old world traditions with new world style. Triggs tells us, ‘the client is absolutely thrilled, and while this truly is a transitional design, the overall feel remains timeless.’ 216 Bridge for Design Winter 2016
ABOVE: ‘The living room tells a story texture more than pattern as we wanted to keep this space quiet and tranquil,’ says Triggs. A gorgeous iron and stone coffee table by Global Views brings rich materials to the space. The subtle design on the rug from Krimsa grounds the room with soft details. Triggs lets the natural light flow through the roman blinds with a delicate Dejeuner Sur L’Herbes fabric by Casamance.
TINEKE TRIGGS
Artistic Designs for Living T: 001 415 567 0602 www.adlsf.com
design project
THE UPLANDS PROJECT The brief was to provide real purpose to each of the spaces of the open-plan brief for this West London family home was to T herefresh the tired interior and modernise the failing
infrastructure and function of a family home, as well as improve the circulation of light and perception of openness in the space. The focus was most specifically on the kitchen/dining/living space and master suite. Also a key factor was to redesign the architectural stair, which was failing structurally and also dated visually. Martin Smith aimed to make sense of the open-plan space and provide a real purpose to each of the living spaces and improve the relationship from the kitchen/ dining/living space on the ground floor and improve the first floor. The new stair bookshelves dramatically improve
Martin Smith, Holloways of Ludlow Architectural Designer T: + 44 (0) 208 487 9440 www.hollowaysbuild.com | www.hollowayskitchens.com
the corridor outside the children’s bedrooms replacing a plain wall with a fire-retardant glass backed bookcase. This modern building already had a great open plan space, especially so with the triple height ceiling at the centre, which the client loved. The kitchen design itself is the perfect example of blurring the lines between furniture and kitchen design, and integrated seamlessly into the open-plan home. After taking references for orientation from existing structural pillars in the space, Martin designed an angled island and cabinetry to improve the flow and light circulation. He designed matt oiled stave oak with exposed ply edges for the cabinetry, which was also mirrored on the near by stairs.
LEFT TO RIGHT: The stunning kitchen was designed around existing structural pillars using an angled island and cabinetry to improve the flow and light circulation. The triple height ceiling in the centre of the building gives perfect flow to this open plan layout, and the large window lets abundant light in reaching all corners of the room.
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