Level 2b 1

Page 1

L

evel 2B

Second draft Tori Searle



Contents Chaper 1 - Introduction Chaper 2 - Photgraphers Chapter 3 - Personal ideas and practical work Chaper 4 - Conclusion Biblography


Chapter 1 You re of

have photography

chosen to focus

on

which for your

The theme that i have chosen to base my essay art’, i chose this theme because i think that ing, and i like the artists that linked in with

You phers

have to

selected research

genessay?

upon is ‘if this is it is very interestthat particular theme.

which two photograinto for your essay?

I have selected Sophie calle and david spero as my two artists that i am going to focus upon in my essay. both of these artists are from the theme ‘if this is art’. i decided to chose sophie calle because i think that there is so much thought being put into her work, because she made sure that she would only eat food of a certain colouring for that entire day. i think that colour in photography looks very interesting and this is another reason as to why i decided to chose her. i decided to chose david spero as by other artist to research because although he is from the same theme as calle, i think that his work is the complete opposite and i thought that it would be effective to compare two artists work that is very different from each-other. i also like his work because of what he has decided to photograph, they are very simple things but he has made them look much more interesting and exciting.

What are you ing in response

interested to what you

in have

photographresearched?

i am interested in doing a photo-shoot that is based around colour, taking inspiration from sophie calle- as Color gives viewers a sense of mood, place, and time of year. i plan on changing it slightly instead of using food and drink, i will use a person and photograph them in different environments. like sophie calle would take a photograph of her food before every meal, and she would only eat that colour for the entire day- i plan on using a model, and dressing them in clothing that is all of the same colour- following them around and photographing them throughout the whole day doing a number of different simple activities.

What plore

ideas or techniques could you exin relation to the genre chosen?

i think that i am able to explore ideas with using a certain colour in my photo-shoot, and basing it all around that. i think that i also will experiment with taking photographs that are no so much set up and posed- and will be able to focus upon the framing and composition. I will decide as the photographer what is going to be in the frame of the picture, and in the background. i think that this will be effective because it will challenge the stereotypical view of photography that it is all about sitting and waiting for that perfect moment to take the photograph. i researched a number of artists to do with the theme of if this is art, and i think that their work will be able to help me with planning for my photo-shoots. i think that i will also be able to explore techniques with the camera and editing my photos such as the exposure, luminosity and brightness.


How can you develop the ideas in a wide variety of ways?

i think that i will be able to develop these ideas in a number of different ways because i will be able to photograph all different things, such as objects people and environments and buildings. this is because you could take pictures of almost anything that you see- which is again challenging the idea that photography is all about sitting and waiting for that perfect momentthis can link in with time and how the essence of photography is the ability to capture a moment, split second in time and history. No other media can be so immediate and historical in its documentation of time and events.

What camera techniques could you apply to the photo shoots?

i think that i will be able to use a number of different techniques during my photo-shoots. this could include the shutter speed that i chose on the camera settings. i think that this would be an effective one to change because if i was to decide to photograph something that is moving then i would need a higher shutter speed so that i was able to capture all of the motion in one shot. in contrast to that i would then have the shutter speed lower if i was photographing something that was still. linking back to the theme of if this is art photographing something that is already there such as a building, and photographing a group of people that are walking past. i will also be able to change the exposure and brightness and experiment with what is best in different environments. for example it would probably be best to have the exposure higher when you are outside if it is a dark day so you are able to capture everything that is there (the same with the brightness). however if you are indoors and it is bright then it would be better to keep the exposure lower so that your photographs would not come out too bright. in my photoshoot i will also be able to experiment with the angle of viewif i am going to take the picture from straight on, above, from the left or the right- and the effect it will have taking the photograph from this certain angle.

What set up techniques could you apply to the photo shoots? the set up techniques that i could use may be the angle that i plan on taking the photograph at. there are a variety of different angles that i could use including front on, from below, birds-eye view, from the left and from the right. i would decide on what angle i am going to chose depending on what i was going to photograph. another set up technique that i could apply to my photo-shoot is the lighting. if i was planning on doing my photo-shoot outside then i would need to make sure that i do it on a day where it is bright, so that i am able to get some good clear pictures- if it is not so bright then i will decide whether or not to use flash on my camera. if i was going to do my photo-shoot inside then i would decide if i need an overhead lamp, or a lamp closer to whatever i decide to photograph. this can be effective because if you have a light source that is closer to the face then you may be able to see some shadows.

What props, vironments do

objects, you

people and enneed to source?

i would need to source a number of different props, objects, people and environments for my photo-shoots. for a particular one that i have in mind based upon the work of sophie calle i will need to make sure that i have one model, and the props that i will need to use will all be of the same colour. the objects that i photograph the model next to or near will need to be simple everyday objects that would be around the house. the environments that i would photograph the model in could be a variety of different places that they decide to go to- as i will be following them around for the day and photographing them. i think that this links well with sophie calles work because i would be basing my photo-shoot around the theme of colour, which is similar to her. but i have decided to change this idea slightly and i will photograph a person instead of food and drink.


What is going to add impact to your photo shoots?

I think what will add impact to my photo-shoots is if I decide to use a model or not, what they look like and what I decide to dress them in. linking to my theme of if this is art, I think that if whoever I am photographing know’s that I am taking a picture of them or not will also add impact to my photo-shoots. I think where I take my photographs will also add impact to my photo-shoots, if I decide to photograph them in an exciting outdoor environment, in a field, inside in a certain room in my house, or in a large building with interesting exciting rooms. i think that it will be effective to do photoshoots in different environments because it will allow me to have the focus on the model in the photograph- the sharpness and clarity that you view them in. this will also be effective because i will be able to adjust the camera to make the edges of the environment blurry and gentle.

Is you idea a one trick pony or can it be developed further without repeating the same thing?

I think that my idea will be able to be developed further than the idea that I have now. This is because I think that I will be able to look at my photographs after I have done a photo-shoot and look at what I think will look better next time for example I may be able to change the environment of where I decide to take my photographs. I may also be able to develop the original idea that my photo-shoot is based around- adding something to it, for example emotion to the models face and different sources of lighting making my photographs look even more effective. i may be able to focus on light quality to improve my photographs, if the light is coming from an overhead lamp, a torch that is close to the face etc. i think that will create an interesting effect if the photographs i decide to take are upclose of the face.

Is your idea too stereotypical (make up running down the face to represent sadness) or have you really thought about your intentions. I don’t think that my idea is too stereotypical because I have decided to base my photo-shoot around a colour theme and take photographs of a model in a certain colour clothing in different environments. I do not normally see a lot of this work because I don’t think that basing photographs on a colour theme is that stereotypical. However after I do the photo-shoot and I think that it looks to basic, and too much like other peoples work then I will be able to suggest changes for myself which I think will make my work look better as a whole.

Are you working on a literal interpretation, technical interpretation, symbolic, interpretation, cultural interpretation? Explain why. I am working on a technical interpretation. This is because I have decided to focus upon the work of sophie calle, she has based her work all upon photographing the same coloured foods when she eats them on different days. Colour is a technical interpretation and I have decided to base my photo-shoot around colour but changing it slightly. when i go onto producing my re-shoots i will focus highly upon these interpretations, and my work will be very personal.

Introduction



Main aim of photo shoot- To create a set of photographs that link in with the theme of ‘I my own way. Linking the photographs that I take with the aritst that I have been researc ideas and changing them slightly to fit my interests and likes. Shutter speed range (secs)

Aperture range(f numbers) 9.0-13.0

Photo shoot ideas My ideas for this photoshoot were to link the photographs that I take to the artists work Sophie Calle. I following her around and photographing her doing everyday activities, and just photograph whatever sh plan and pose some. Sophie calle photographed and ate the same colour food for one whole week- I am and feel like this will fit my theme more. This is because the theme if this is art is all about challening take a photograph- however, with this photoshoot that I plan on doing I will be photographing someone being photographed- linking in well with my theme.

Photo shoot evaluation I think that my photoshoot went well in the aspect that it linked in well with my theme, and I also thin inside and outside, this is because different shades of light were able to be created. On the day that I t are all very bright. Whereas in some of the photographs that I took inside they are slightly duller- I also graphs that were upclose of her face. I also think that it was effective photographing her doing everyda colour wider and using objects and makeup to represent the colour, also by photographing someone in

Main aim of re-shoot To include colour more in my photoshoots, not just the clothes that they wear- but the b environment that they are in. Also experiment more with different lighting and how it w take that are more up close of the face. Shutter speed range (secs)

Re-shoot evaluation

Aperture range(f numbers)


If this is Art’, and interpret the theme in ch sophie calle, but again interpreting her

Date of photo shoot 11/09/2015

ISO

Light source

400

Sunlight and overhead lamp

I plan on using a model and dressing her up in an outfit that is all of the same colour. I then plan on he is doing throughout the day. I will take some photographs that she is not as aware about, and I will m taking inspiration from this but am changing it slightly as I prefer to use people in my photography, the sterotype that photography is all about sitting around and waiting for that perfect moment to e doing everyday activities and in some of the photographs that I take they will not know that they are

nk that it linked in well with the work of Sophie Calle. I think it was effective taking some photographs took my photographs it was very bright and sunny and you can tell in the photographs because they o experimented with use a overhead lamp and shining it on the models face when I was taking photoay activities as that links in well with my theme. However an aspect that I could improve on is taking a different environment that is colourful and bright.

Date of re-shoot

background colour, there makeup, and the will have an effect on photographs that I ISO

Light source


If this i “The photographers in of the most confident tography has become

this chapter collectively make one declarations about how central phowithin contemporary art practise”

All of the photographers work has evolved from one idea and have progressed onwards and the purpose being that an image is created. “Although making an observation framing a moment from an unfolding sequence of events- remains part of the process for many here, the central artistic act is one of directing an event specially for the camera”.

Alot of the work is focused on nature of performance and body art, but the physical act isn’t witnessed directly. “The roots of such an approach lie in the conceptual art of the mid- 1960’s and 1970’s, when photography became central to the wider dissemination and communication of artists’ performances and other temporary works of art”

“The motivations and style of such photography within conceptual art practise was markedly different from the established modes used in fine art photography of the time” “it made an asset of photography’s unshakable and everyday capacity to depict things: it took on a distinctly ‘non- art’, ‘de-skilled’ and ‘unauthorised look and emphasized that it was the act depicted in the photograph that was of artistic importance”

“Conceptual art used photography as a means of conveying ephemeral artistic ideas of actions,standing in for the art object in the gallery or on the pages of artists’ books and magazines” “The precedents for conceptual artists of the 1960s and 1970s were created in the early twentieth century by the French artist Marcel Duchamp 1887-1968, the father of conceptual art- as he is often called- submitted a factory made urinal to the armoury show in new york”. Today only photographs remain of the urinal that he created taken by alfred stieglitz, in his gallery in new york. I think that this piece is very interesting phers would have created and later taken tion- she decided to follow a man through as a chamber made and photographed the

because it is not like something that many other photographotographs of. Sophie calles work is all about documentavenice, and documentation his activities. She later took a job temporary items that she would find in peoples hotel rooms.

What are the key cha theme ‘If this is Art’?


is

Art

Many artists are involved in the theme ‘if this is art’, including rachel harrison. her works observes a strange and obscure form of human gesture. there is a personal link to this work and what she has decided to photograph. “Guests to the house place their hands on either side of the window in an attempt to comprehend the phenomenon through the sensory experience of touch.”

“The inclusion of American photographer Phillip-lorcadicorcia’s work here may be unexpected, as his influence has been strongly felt in the emergence of the staged photographic image that is the subject of the next chapter” - “but his heads series offers an extreme use of a pre-planned artistic strategy” Another artist that is looked at in the theme if this is art, is philip-lorcadiCorcia’s work. i think that his work has a very good link to the theme of if this is art because it is all about challenging the stereotype that photography is all about sitting around and waiting for that perfect momement. For this certain project that was done in the busy streets of new york dicorcia fixed a set of flash-lights to construction scaffolding above peoples heads. when people were to walk by where he had set up this flashing light, the flash would be activated, illuminating walkers in its beam, which then allowed him to photograph them with a long-lens camera. The people that dicorcia has used in his work were unaware that they were being photographed, and this project of his none of the models were posed. i think therefore this has a very good link with the theme if this is art because it challenges the stereotype that photography is all about sitting and waiting for that perfect moment.

Roni Horns ‘you are the weather’- “her facial expression changes subtle, but because of the repeated close framing of her face throughout the series, when we compare the different images, the minute changes become magnified to a range of emotions, and are given an erotic charge by the close and intense physical scrutiny we are able to give her” I think that it is interesting how they are all of the same womens face, but you can see her expressions slightly changing. also the light on her face is changing over time and it looks like some of the images are darker than others, but they are all kept in the same sized frame and look very similar.

aracteristics of the ?


Photgraphers

Chapter 2

Sophie

calle


Light quality

describes the source, amount, and direction of lighting in a photograph. Light can come from natural sources, like the sun. It can be altered or created by humans, by using such things as flash bulbs or lamps. It can also be diffused by clouds or by humans putting a veil of cloth over a lamp. The direction of light is also important when looking at photographs: it can come from above, behind, or from one side. Bright, dim, cloudy, directional, diffused, and flash are some terms used to describe lighting. Determine the source of light (sun, lamp, flash?). What is it? From which direction does the light come? Does the light come from above the subject? Below it? From the side? What kind of light do you think this is? Is the light harsh with strong shadows, or is it diffused with soft, light shadows?

Texture

is how the surface of an object appears to feel or actually feels to the touch. Texture can be described as rough, smooth, soft, etc. Texture is shown in photographs by the way the light falls on an object and through value changes. The paper on which the photograph is made also determines texture. What objects in the photograph show textures? Describe those textures. Is the texture of objects something that you noticed right away or do you notice it after looking for a while? Why?

Focus

is the sharpness or clarity of subjects in the photographic image. Soft focus is created when a photographer manipulates the Camera to achieve blurry, gentle edges. Photographers use the aperture (lens opening) and limitations of the lens to create sharp detail, soft edges, or both; this is called selective focus. What is in sharp focus? Has the photographer kept everything in sharp focus? Has the photographer kept only a few things in focus? Explain Has the photographer made this image in soft focus? What mood or feeling has the photographer created by using soft or sharp focus?

Time

The very essence of photography is the ability to capture a moment, split second in time and history. No other media can be so immediate and historical in its documentation of time and events.


Angle of view

is the position from where the photographer took the picture. A photographer can point the camera from below, above, or straight at an object. In other artistic media, this is often called point of view. When looking for subjects, especially in nature, a photographer often shifts the angle of view to make interesting images. Angle of view can also express emotion or mood. It can give the viewer a sense of being small if looking up, or a sense of being big if looking down. What is the angle of view for this image? Is the camera angle in the photograph at eye level, lower than eye level (ground level) or above eye level (birds eye view)? Is the viewer looking straight on or from one side or another? How does the photographer’s angle of view make you feel about the subject?

Framing

is how a photographer carefully presents a subject. Unlike painters, who usually begin with a blank canvas, photographers begin with everything in front of them. Once a subject is found, a photographer decides what to include in the picture frame. The photographer then composes the image to draw a viewer’s attention to the subject in a way that best expresses the artist’s idea of it. What do you think the photographer chose to include or exclude from this scene in order to draw your attention to the centre of interest? In what ways did the photographer use framing in this image? What in the photograph helps frame the centre of interest?

COLOUR

Artists use colour to achieve many effects. Colour gives viewers a sense of mood, place, and time of year. Colour can also move your eye around a composition and create a sense of space on a flat surface. Some artists achieve very saturated (strong, intense) colour in their images, while others intentionally use subdued or muted colours in their subject matter. Are colour photographs more real looking than black and white photographs? Why or why? What can a photographer achieve with colour that she or he cannot with black and white pictures? How would this scene be different if it were in black and white or in colour? How do you think the photographer has captured wither saturated or muted colour? Time- I think that these photographs would have been set up and taken inside, so i do not think that there would have been a massive effect if the photographer decided to take the photo a minute later. i think that the shutter speed was high when taking these photographs, this is because a lot of light has been able to get through but not too much so you are able to see the whole effect of the colour. I think that the photographer captured the exact right moment in all of her different photos, because she captured the food that she ate for that particular day- and what colour she was focusing on.


Light Quality- i think that the light here would be coming from an overhead lamp as i believe that these photographs would have been taken inside. flash may also have been on, i think this because the background of this piece is bright, and there seems to be a lot of brightness in this photograph. I think that this light is coming from directly above the set up on objects, and i think that is has soft light shadows. this is because you can see some darker areas where shadows are forming, but they do not stand out massively. Texture- The different foods that have been chosen to photograph here show a variety of different textures, one of the foods that has been chosen is cucumber. this would be a soft texture, but because it looks like it has some sort of pattern on it you would think it to mauve have a bumpy or rough surface. you do not notice the textures straight away when looking at this photograph, because the main focus is the colourbut after looking at it for a while you begin to see the textures in the photograph. Focus- I believe that the majority of this photograph is in sharp focus, this is because the whole of the piece is what you focus on. Normally in photography the part that is the main focus will be sharper, but because the focus is on the whole of the photo then everything is in sharp focus. I think that sharp focus would create a harsh mood. Angle of view- the angle of view that the photographer has taken this photo from is birds eye view. i think that this is effective because it has allowed you to be able to see everything that is in the image, including all of the different shades of blue and green and all of the different objects. Framing- I think that the photographer chose to include only objects and a background that was of a similar colour to blue and green for this particular photograph- as this shoot was based all around the theme of colour, this helps frame the focus of interest because if another colour was to be included in the slightest way, then it wouldn’t look as effective. Colour- this whole photo-shoot is based around colour, because Sophie calle decided to use a different colour everyday and only eat that certain colour food and drink for the whole day- she was very dedicated to her work. these photographs would not have any meaning if they were in black and white, and i think that it was very effective using such bright colours and using everything in the same colour.


Sophie CalleThe chromatic Diet


The UK takes over the Presidency of the EC’s Council of Ministers until 30 June. Stamps commemorating Diana, Princess of Wales go on sale across Britain 7 – 22 February – Great Britain and Northern Ireland compete at the Winter Olympics in Nagano, Japan, and win one bronze medal. Mohamed Al Fayed, the father of Dodi Fayed, says that he is “99.9% certain” that his son’s death in the car crash that also claimed the life of Diana, Princess of Wales on 31 August 1997 was a conspiracy to kill rather than an accident. He also claims that his son had purchased an engagement ring just before the crash and had been preparing to propose marriage to Diana. A lawyer in Mr Al Fayed’s native Egypt is planning to sue The Queen and prime minister Tony Blair on the grounds that they had conspired to kill Diana because her love for a Muslim would embarrass the state. Rolls-Royce the German

Motors car

acquired manufacturer

by BMW.

Vauxhall launches its fourth generation Astra small family car range. The initial range consists of hatchbacks and estates, with coupé and saloons due next year and a cabriolet in two years. Kevin Lloyd, who has played Tosh Lines in The Bill since 1988, is dismissed from the role by ITV due to his alcoholism. He died, aged 49, within a week. Nurses Deborah Parry and Lucille McLaughlin, who had been convicted in Saudi Arabia for the murder of Yvonne Gilford the previous year, have their sentences commuted by the order of King Fahd and are returned to the UK. The DVD format is released onto the UK market for the first time. Among the first set of titles released on the new format is Jumanji. Three young children are killed in a loyalist arson attack in Ballymoney, Northern Ireland.


Glos

Hue: Another term for colour. Macro: A lens specially designed to take close up pho JPEG: A digital image format which compresses the siz Exposure: The amount of light that reaches the image Burning in: A form of local control of print density print to make them darker while shading the remainder Filter: A glass, plastic, or gelatine disc or square Shutter speed: The duration of time during which the the lm) during a shot. White Balance : The way in which a camera measures an as all other colours - appear normal to the eye of th Luminosity: The quantity of light rejected by or emit Brightness: Subjective impression of luminosity. HueSophie Calles work includes alot of colour- that was the theme for her photoshoot, including blue, pink and orange.

MacroI believe that these photographs would have been taken up close because they are focusing on the food on the plate so that is what wopuld be important.

jpeg- These photographs would have been taken using a JPEG, you can tell this because it says unused colour data would have been removed, and all the colour in this is authentic.

white balance- all different colours were used in calles work, so i think that she would have used white balance so she was able to keep those colours appearing normal to the eyes of the viewer.

exposure- i think t the exposure for th images is medium, t is because you are a to see just enoughit is not too high, me ing you wouldnt be a to see the full ext of its colour sca

luminosity- i dont thi have been much light em face, but you can tel light coming from direct


ssary

otos. ze by the removal of unused colour data sensor to create an image. by which you increase exposure in some parts of a r of the print from the enlarger light that ts on the front of a lens. shutter is open (thereby allowing light to reach

nd records prevailing light so that whites - as well he viewer tted from a surface

that hese this able but eanable tent ale.

burning inI believe that in some points of these photographs the exposure would have been higher to make some of the prints darker.

ink that there would mitting from the surll that there was a tly above the set up.

Filter- i dont think that anything would have been placed infront of the lens when these photographs would have been taken. this is because everything in this photograph is very clear, and there is no form of anything being blurry. .

shutter speed- i dont think that the shutter speed would have had to be that high when taking these photographs. this is because i think that the surrounding light would have been bright as so light would have been able to get through. .

brightness- i think that there was alot of brightness in these photographs because the colours are standing out so well and you are able to see the actual colour as they havent been faded etc.


Sophie Calle

David Spero


Similarities and differences-

both of these photographs are from the same genre ‘if this is art’ both include a lot of colour in them they both include a variety of different objects they are both focusing on a number of different objects and areas to look at Neither of these photographs are souly based upon people one of these photographs is taken outside, whereas the other is taken inside one has been set up, and the other hasn’t one photograph has everything of the same colour in it, and the other is built up on a variety of different colours the focus of one of these photographs is colour, whereas the focus of the other is landscapes and objects

literalDifferences are the objects that were used in both of these photographs, for example in Sophie calles work food, drink and cutlery was used- whereas in speros work buildings and cars were used. another difference is that the environments that they a set in are completely different to each-other one is outside and the other is inside.

technical-

Differences- one is a much larger format to the other as it is focusing upon taking photographs of big buildings and cars which are of a larger scale, but the photograph has been taken from further away. Whereas the other includes smaller objects but has been taken closer up. similarities are that they are both using a number of different colours in there work, and neither of them have used black and white at-all.

symbolicSimilarities tions, and

are that neither are based upon also neither have human issues

people with of wisdom-

emosou-

ly because they are not based upon people, but are based upon objects.

cultural-

differences are that one has included interaction with people in some way, for example speros work has some interaction with people because there is someone walking down the road, and another is emptying something out of there boot. in calles work human interaction has not been included

atall

because

there

is

not

people

in

her

work

whatsoever.


SOPHIE CALLE



ISO- 400 f/ 3.5


CHAPTER 3 PERSONAL AND PRACTICAL WORK

ISO- 400 f/ 4.0


ISO- 400 F/ 4.0


ISO- 400 F/ 3.8


Re-Shoot Fruit and emotion





RE - SHOOT

C O L O U R ENVIRONMENT



FINAL C O L M O N F R I

SHOOT O U R D A Y D A Y





The theme that I have chosen to study is ‘IF THIS IS ART’ I have been looking at this and basing a number of different photoshoots around this theme. If this is art is all about contradicting the sterotype that photography has to be all about sitting around and waiting for the perfect momeny to take a photograph. I started off in my first photoshoot by using one model and taking inspiration from the artist sophie calle- using one of her photoshoots that is based around colour. I then slowly began to develop my ideas by linking them to other photographs within this theme such as david spero. the second photoshoot i went on to was using two models and instead of using coloured clothes i decided to use coloured fruits and makeup, this still had a link to the artist sophie calle because of the colour link and also the coloured food link. i developed my ideas in this photoshoot because i was thinking more about wyat the colours actually meant linking them to emotions and how somebody would be feeling. i then went on to doing another photoshoot which was based more around the work of david spero because of the environment that i chose to photograph in, but still having a link to sophie calle because of the colour. i developed my idea here because this was all about focusing on the colour of the environment and not the colour of the clothes because they were bland. both of these photoshoots linked in with the theme of if this is art because i wasnt sitting around to take a photograph- i set up these photoshoots and chose the environment

chapter 4 Conclusion that i wanted the photographs to be taken in, i also told the models how to pose and got them to dress in outfits that i had chosen. This links in with the theme because it is contradicting the sterotype of photography. finally i went on to producing my final piece and taking my photographs for my final piece, these were based around the artist sophie calle and had an excellent link to my theme. they linked in with them theme because i was not sitting around and waiting to take a perfect photo i was setting these photoshoots up. Other artists in this theme had personal links that were linking to their work, and that is also what my theme was about. I think that i portrayed this well because for my final piece i wrote a diary over the period of a week, and that was very personal for my work because i had written it myself, and it was all about my emotions and what i had done over that period of time. Central photography has become within contemporary art practise and if this is art is all about conceptual art which emerged in the 1960’s to 1970’s. The artists work from this theme have evolved over the period of time that they were working on their photographs, my work is similar becasuse my developing my ideas and gaining more of an understanding about this theme an image has been created.


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