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by
photo
Shervin Lainez
is the official program of the
Tulsa Performing Arts Center
110 E. Second St., Tulsa, OK 74103
918-596-7122 • TulsaPAC.com
PUBLISHER Tulsa Performing Arts Center
WRITER/EDITOR Amanda Nichols
CREATIVE DIRECTOR Andrea Maduro
ADVERTISING SALES Kaley Jobe
CHIEF EXECUTIVE OFFICER
Mark Frie
CHIEF FINANCIAL OFFICER
Jen Alden
VP OF OPERATIONS
Bryan Clemons
VP OF DEVELOPMENT AND ENGAGEMENT
Sara Phoenix
DIRECTOR OF PROGRAMMING
Terri McGilbra
DIRECTOR OF COMMUNICATION
Amanda Nichols
TECHNICAL DIRECTOR
Scott McLarty
DIRECTOR OF TICKETING SERVICES
Jeff Newsome
DIRECTOR OF PATRON SERVICES
Tosha Faith
DIRECTOR OF DEVELOPMENT
Blake Rowden
DIRECTOR OF FACILITIES MAINTENANCE
James Stewart
TULSA PERFORMING ARTS CENTER TRUST
CEO Mark Frie
CHAIR Wendy Garrett
VICE CHAIR Jay Krottinger
TREASURER Jen Alden
SECRETARY Brian K. Shore
TRUSTEES Billie Barnett, Ken Busby, Mayor G.T. Bynum, Laura Creekmur, Linda Frazier, Kirk Hays, Carlye Jimerson, Felix Jones II, Martin Newman, Tina Peña, Julie Smith, Hayley Stephens
EMERITUS TRUSTEE Robert J. LaFortune
TPAC update
Art Is a Gift
Giving the gift of art is the best way to celebrate joy this season! One of the ways to do this is to purchase tickets for your loved ones to one of the many local productions going on this holiday season, such as the Tulsa Ballet’s “The Nutcracker” or American Theatre Company’s “A Christmas Carol.” This year, with the new ticketing system, it is even easier to transfer your already purchased tickets as gifts to friends and family.
Another way you can give is through our annual giving program, Art is a Gift, which allows us to give free access to quality arts experiences through our many community engagement programs. This year, for the first time, we’re extending the focus of our Any Given Child program to target not only the Tulsa Public Schools’ kindergarten class but also the seventh graders, which is currently unfunded and needs your support.
Yet, another way to give the gift of art is to donate through our website or become a Luminary Circle member. One hundred percent of your donation goes directly back to our partners to help them create art on our stages. Our partners include American Theatre Company, Chamber Music Tulsa, Theatre North, Theatre Tulsa, Tulsa Ballet, Tulsa Opera, Tulsa Symphony Orchestra, Tulsa Town Hall, and World Stage Theatre Company.
TPAC’s Luminary Circle is your family’s chance to be patrons of the arts while getting some great perks!
By helping us fund our community engagement programs, you help us inspire, lead and give the gift of performance to so many. Instead of giving material items this year, consider giving the gift of performance! It is the kind of joy that lasts past the holiday season.
Intermission is published monthly by the Tulsa Performing Arts Center Trust For advertising information, contact Kaley Jobe at kjobe@tulsapac.com
No part of this publication may be reproduced without the written permission of the Tulsa Performing Arts Center: 918-596-2368, anichols@tulsapac.com.
photo by Nathan Harmon
Jen Alden
december events
American Theatre Company A Christmas Carol
Banish those Bah Humbugs with American Theatre Company’s musical adaptation of A Christmas Carol. Written by Robert Odle and Richard Averill, this show is a real Tulsa tradition — created, designed and acted entirely by Tulsans for nearly 50 years! Don’t miss this holiday classic when it returns to Tulsa for another year of Christmas magic.
JOHN H. WILLIAMS THEATRE
December 6 at 7:30 p.m.
December 7 at 7:30 p.m.
December 8 at 2 p.m.
December 12 at 7:30 p.m.
December 13 at 7:30 p.m.
December 14 at 7:30 p.m.
December 15 at 2 p.m.
December 19 at 7:30 p.m.
December 20 at 7:30 p.m.
December 21 at 7:30 p.m.
December 22 at 2 p.m.
december events
Tulsa Ballet
The Nutcracker Tulsa’s holiday tradition returns!
Tulsa Ballet’s The Nutcracker, which premiered in 2021, features exciting choreography, colorful costumes, larger-than-life moving sets, and live accompaniment by the Tulsa Symphony Orchestra! The exciting choreography by Val Caniparoli and Ma Cong includes nods to the original story, with a setting in 19th century Germany, and special elements designed specifically for Tulsa, including the beloved Golden Driller!
CHAPMAN MUSIC HALL
December 8 at 2 p.m.
December 13 at 7 p.m.
December 14 at 2 p.m.
December 14 at 7 p.m.
December 15 at 2 p.m.
December 20 at 2 p.m.
December 20 at 7 p.m.
December 21 at 2 p.m.
December 21 at 7 p.m.
December 22 at 12 p.m.
December 22 at 5 p.m.
december events
TPAC: Brown Bag It
Tulsa Festival Ringers
Tulsa Festival Ringers Inc., Tulsa’s only auditioned community handbell ensemble, is more than a musical novelty; it is an ensemble of musicians who specialize in handbell ringing. Their annual Christmas Brown Bag It show at the Tulsa PAC has become a seasonal favorite! This holiday classic is free to all! Just reserve your seat and join us for Christmas magic!
JOHN H. WILLIAMS THEATRE
December 11 at 11 a.m.
December 11 at 12:15 p.m.
American Parking is now offering online parking reservations at 281 S Cincinnati Ave for all Tulsa Performing Arts Center events! Secure your parking spot ahead of time, and make a great night out even better.
https://www.americanparking.com/events/ Book a parking reservation
january spotlight
Theatre Tulsa Oliver!
Experience the timeless tale of Oliver! as a young orphan navigates the gritty streets of Victorian London, encountering colorful characters and unexpected twists on his quest for belonging and survival.
JOHN H. WILLIAMS THEATRE
January 10 at 8 p.m.
January 11 at 2 p.m.
January 11 at 8 p.m.
January 12 at 2 p.m.
January 17 at 8 p.m.
January 18 at 2 p.m.
January 18 at 8 p.m.
January 19 at 2 p.m.
January 24 at 8 p.m.
January 25 at 2 p.m.
January 25 at 8 p.m.
January 26 at 2 p.m.
Bailey James & Everett LeViness
Click: A Date Night
Double Feature
Click is a night of two original one-act romantic comedies! In Future Projections by Bailey James, two friends who work together share a spontaneous kiss — then have to figure out what they mean to each other. In Interlinked by Everett LeViness, Ryan has a rough first date. When he goes to leave, he finds himself reliving the date over and over.
LIDDY DOENGES THEATRE
January 10 at 8 p.m.
January 11 at 8 p.m.
January 12 at 2 p.m.
january spotlight
Tulsa Symphony Orchestra
Wagner’s Tristan and Isolde Immerse yourself in the majestic flow of Smetana's The Moldau, feel the intensity and passion of Wagner's “Prelude and Liebestod” from Tristan und Isolde, and experience the powerful dynamism of Nielsen's Symphony No. 4, all performed live by your Tulsa Symphony Orchestra with guest conductor James Bagwell.
CHAPMAN MUSIC HALL
January 11 at 7:30 p.m.
Celebrity Attractions
Les Misérables
Set against the backdrop of 19th century France, LES MISÉRABLES tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption — a timeless testament to the survival of the human spirit. This epic and uplifting story has become one of the most celebrated musicals in theatrical history.
CHAPMAN MUSIC HALL
January 21 at 7:30 p.m.
January 22 at 7:30 p.m.
January 23 at 7:30 p.m.
January 24 at 8 p.m.
January 25 at 2 p.m.
January 25 at 8 p.m.
January 26 at 1 p.m.
January 26 at 6:30 p.m.
january spotlight
TPAC
Time for Three
Grammy- and Emmy-winning ensemble Time For Three (TF3) defies conventions with their genre-bending excellence. Comprised of Charles Yang (violin, vocals), Nicolas Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals), the uniqueness of the trio’s instrumentation well matches their sound, which blends eras, styles, and traditions from classical to Americana to singer-songwriter.
JOHN H. WILLIAMS THEATRE
January 27 at 7 p.m.
Tulsa Town Hall
Cheech Marin
Multi-generational icon Cheech Marin is an actor, director, writer, musician, and humanitarian. His passion for Chicano culture is reflected in his art and comedy. Cheech has developed a renowned Chicano art collection that celebrates the richness and diversity of this cultural identity.
CHAPMAN MUSIC HALL
January 31 at 10:30 a.m.
Picture yourself at UTulsa!
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9:1 student/faculty ratio
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REDESIGNING
REDISCOVERING VICTOR HUGO — THE ARTIST
BY MATT KINLEY
Ihad already worked on several original productions of Les Misérables for John Napier when I was asked by Cameron Mackintosh to start looking at other ideas for a tour of Les Misérables. Having been involved in the successful adaptations of My Fair Lady and Mary Poppins for touring, I thought the task would be simple; in my mind it wouldn’t be too hard to scale down the behemoth that I perceived Les Mis to be — I was wrong.
John’s original set is undoubtedly one of the masterpieces of 20th-century theatre design, and despite its physical size it is impregnable in its ingenious simplicity. This sparseness meant that every time I started coming up with ideas, they would invariably just make the show more complicated. In the end, I had to take it on the chin and admit that nothing could ever be as simple, and just enjoy the journey in taking it in a new direction.
The angle I wanted to explore was releasing the design from the black box it had been in with colour and light, as the one thing the original show doesn’t quite communicate to me is any sense of time or place.
“I had been vaguely aware that Victor Hugo was a painter as well as a writer, but nothing quite prepared me for the images that I came across when researching the show. Hugo was obviously a visionary...”
As there were so many scenes in this epic piece, I knew I wanted to work with projection in order to locate the action, but to be used very simply, almost more like old-fashioned slides or rostrum work as this was a show whose story was so complex it didn’t justify constant animation apart from some key scenes; the question was: what to project?
I had been vaguely aware that Victor Hugo was a painter as well as a writer, but nothing quite prepared me for the images that I came across when researching the show. Hugo was obviously a visionary; the drawings I found were at once both abstract, fantastical, and free but underlined with a backbone of draftsmanship. Hugo,
Paris Rooftops
as an artist, was well ahead of his time. There are many examples in amongst the 4,000 or so works that demonstrate his experiments with different media and processes; from charcoal, sepia, pen, ink and soot to lace prints, folded paper with ink (similar to Rorschach tests) as well as straight responses to either landscape, figure, or the subconscious.
The one unifying feature throughout his whole body of work is the sombre, yet beautiful, mainly sepia color palette, and especially his use of chiaroscuro — using the contrast of dark and light to add both
body and form as well as atmosphere to the work. This brooding blackness and light also seemed the perfect embodiment of so many characters and storylines within the show.
It was for this reason that I started to employ the use of these paintings in the projections as they were so dark and rich I thought they would live well within the original aesthetic of the show. Many of the projections were produced using a blend of his paintings and drawings, sometimes combined with 19th-century French photography to ground and
The Sewer Exit
locate them, combined with painted cloths which are more directly based on his abstract and landscape work.
Hugo kept his paintings and drawings away from public exhibit for fear they might detract from his writing. Delacroix expressed the opinion that, if Hugo had decided to become a painter instead of a writer, he would have outshone the artists of their century. Indeed, there are many paintings that would not have looked out of place within the works of the credited abstract expressionists and surrealists in the following century. I hope that this production can go some way to reconciling these two aspects of this artist with each other, as to me they seem to have a perfect symmetry.
CELEBRITY ATTRACTIONS
LES MISÉRABLES
January 21 at 7:30 p.m.
January 22 at 7:30 p.m.
January 23 at 7:30 p.m.
January 24 at 8 p.m.
January 25 at 2 p.m.
January 25 at 8 p.m.
January 26 at 1 p.m.
January 26 at 6:30 p.m.
Chapman Music Hall
“Dog Eat Dog” — Matt Crowle as Thénardier and Gregory Lee Rodriguez as Marius in Les Misérables
Photo: Matthew Murphy & Evan Zimmerman for MurphyMade
Cheech Marin is known for many things. His acting career has been long and illustrious. His work with fellow actor and comedian Tommy Chong took over the airwaves in the ‘70s and ‘80s, and his voice has been heard as characters in many beloved movies. Most everyone knows his name. But when he comes to Tulsa next month, it is his other work that will take center stage — his work as an avid art collector.
From an early age, Marin has been a collector of “something” all his life. He says, “Whether it was baseball cards or stamps or buttons, I used to collect stuff.” He calls it his collecting gene. He also learned about art from an early age, when at nine years old, he took on a school assignment to teach himself and his classmates about art. He went to the library every day to learn and unknowingly created a lifelong love for art.
As Marin aged, his love for art and collecting collided with his growing appreciation for Chicano art, and he started collecting Chicano works. His career in movies and television bolstered his ability to expand his collection more than he’d ever thought possible. Out of the blue, an offer came to Marin for a permanent home in which to house his collection. This home became the Cheech Marin Center for Chicano Art, Culture and Industry in the Riverside Art Museum in Riverside, California.
The decision to house the collection was a difficult one for Marin, as he had to give the collection to the museum in exchange for permanent housing. In the end, Marin gave his collection, which he had spent 50 long years to collect, over to the museum and couldn’t be happier about his decision. “The effect it has caused on not just the Chicano community but all communities,”
“Now we’re getting travelers from all over the world, because it is a very specific and very unique museum. You can find no other place in the world like it.”
he states, is immeasurable. He adds, “Now we’re getting travelers from all over the world, because it is a very specific and very unique museum. You can find no other place in the world like it.”
The collection is a vast show of the history of Chicano art and history. It brings incredible pride to the community, and whole families often visit the collection to see their culture come alive.
Marin mentions that Chicano art is now four generations old and has evolved into new forms and migrated to new cities across the country. “Every generation has its own distinct interpretation of what Chicano is and isn’t,” he says. But he adds, “It is all part of the same continuum.” According to Marin, the art represents the many neighborhoods and communities of the artists.
Excited to visit Oklahoma once again, Marin mentions he has lots of Okie friends and can’t wait to be here yet again. Tulsa, he says, is like “the Emerald City got laid down in the middle of the plains. All the sudden there is all this art deco.”
Join the beloved American icon as he brings us laughs, his love for art and collecting, and more to the Chapman stage when he visits on January 31.
TULSA TOWN HALL
CHEECH MARIN
January 31 at 10:30 a.m. Chapman Music Hall
our supporters
Community support from these sponsors help us provide more art than ever before. For more information on how to become a sponsor, visit tulsapac.com/corporate-sponsorships.
Brad & Amy Absher
Ina Agnew
Anonymous
Martha Asher
Eric & Adry Auerbach
Lynda Barksdale
Barnett Family Foundation
Bruce & Kami Barton
Pete & Aesha Beattle
Phillip & Linda Berrey
Jana Bingman
Bruce & Nancy Bolzle
Samuel Briggs & Robert Young
Shannon & Darren Burgess
Ken Busby
Cristi Carnahan
Liz Carr
Scott & Lindsey Caswell
Erika Coates
Thank you to our Luminaries for helping us fund our community engagement programs, helping us inspire, lead and give light to others!
C. H. Colpitt Drilling
Laura Creekmur
Daniel & Hillary Cupps
Teresa Dillon
Sharon L. D'Souza
Jennifer Dubois
Janna & John Edwards
Mariah & Chris Evans
DeLynn & Marcus Fairless
Aimee & Joseph Faust
Ronald & Lindsay Fick
Weydan & Angela Flax
Matt, Lauren, & Anson Fleenor
Linda Frazier
Emily Fuller
Albert & Susie Gallegos
Wendy & Chuck Garrett
Garry & Meghan Gaskins
Eric & Stacie Gentry
Rocky Goins & Lynn Flinn
Kerri Green
Emily Grewe-Nelson & Matthew Nelson
Mark & Natalie Haggard
John & Quin Halpin
Kenneth Hess & Matthew Manuel
Michael & Lee Anna Higgenbottom
Charlotte & Ron Hildebrant
Larry Hill
Teri & Bryan Holmes
Kyle & Holly Hubbell
Jordan Humes
Carlye Jimerson
Dewan & Marcia Keesee
Kokomo Charitable Fund
CHARLES & MARION WEBER FOUNDATION
Craig & Carol Kovin
Wayne & Tracey Larkin
Shawn & Caron Lawhorn
Ryan & Morgan Lawrence
Janet Lenox
Jenny Lizama
Michelle Lowry
Patrick & Karen Lueker
Mr. Raymond Luth & Dr. Maryhelen Hagge
Kerry Malone
Cynthia Maloy
Marla Mansfield & Larry Hill
Richard & Susan Marple
Olivia Martin & Madeleine Phillips
William & Sarah Matthews
Sydney May & Aaron Alexander
Bryce & Katie Eller Murray
Beverly Muzzy
Amy Nance
Louie Napoleone & Cody Davis
Dennis Neill & John Southard
Thom & Laurie Neylon
Joshua Ogden-Davis
Carl Mark & Kris Osborn
Sharon Parker
Tina Peña and Bill Loyd
Jackie Peters
Kay & Tim Phoenix
Betty Pirnat
Doug Plunk
Ron & Peggy Predl
Renetta Reeves
Patricia Love-Renton
Jamie & Katy Rich
Brian & Dustin Shore
Glenda Silvey
Ken & Julie Smith
Nicole & Sharon Southern
Spurrier Family
Adelaide Steed
Hayley Stephens & Ryan Schleif
Dwight & Jessica Strayer
Elizabeth Sublett
Richard Sudduth & Robin Selleck
Tanninger Philanthropies
Robert & Jill Thomas
Kevin & Carolyn Tillman
Charitable Foundation
Carmen Toegel & Larry Paden
An-Nam Tran
Keith & Linda Van Dyke
William Vaughn
Amanda Vavra
Kari Wall
Jeffrey Wayland & Brenna Peterson
Jeffery & Jessica West
Paul & Stephanie Wheeler
Stephen & Jennifer Wierzchowski
Mr. & Mrs. Thurber Woods
Steve D. Wright
Conor Yob
Rev. Richard & Peggy Ziglar
calendar
FEBRUARY–MARCH EVENTS
FEBRUARY
Tulsa Symphony Orchestra Tchaikovsky’s Romeo and Juliet
CHAPMAN MUSIC HALL
February 1 at 7:30 p.m.
American Song Archives
Jesse Ed Davis
Tribute Concert
CHAPMAN MUSIC HALL
February 6 at 7 p.m.
Chamber Music Tulsa
Escher String Quartet
WESTBY PAVILION
February 8 at 7 p.m.
JOHN H. WILLIAMS THEATRE
February 9 at 2 p.m.
Celebrity Attractions Clue
CHAPMAN MUSIC HALL
February 11 at 7:30 pm.
February 12 at 7:30 p.m.
February 13 at 7:30 p.m.
February 14 at 8 p.m.
February 15 at 2 p.m.
February 15 at 8 p.m.
February 16 at 1 p.m.
February 16 at 6:30 p.m.
Theatre North Trouble in Mind
LIDDY DOENGES THEATRE
February 15 at 8 p.m.
February 16 at 3 p.m.
February 22 at 8 p.m.
February 23 at 3 p.m.
Tulsa Opera
The Tragedy of Carmen
JOHN H. WILLIAMS THEATRE
February 21 at 7:30 p.m.
February 23 at 2:30 p.m.
Tulsa Ballet
Alice in Wonderland
CHAPMAN MUSIC HALL
February 27 at 7 p.m.
February 28 at 7:30 p.m.
March 1 at 7:30 p.m.
March 2 at 2:30 p.m.
TPAC Imagination Series Underneath a Magical Moon
JOHN H. WILLIAMS THEATRE
February 27 at 9:30 a.m.
February 27 at 11:30 a.m.
MARCH
TPAC Imagination Series Ada Twist, Scientist and Friends
JOHN H. WILLIAMS THEATRE
March 4 at 9:30 a.m.
March 4 at 11:30 a.m.
Celebrity Attractions Dear Evan Hansen
CHAPMAN MUSIC HALL
March 4 at 8 p.m.
March 5 at 8 p.m.
Chamber Music Tulsa presents Escher String Quartet
Chamber Music Tulsa Notos Quartet
LAFORTUNE STUDIO
March 7 at 7:30 p.m.
WESTBY PAVILION
March 8 at 7 p.m.
JOHN H. WILLIAMS THEATRE
March 9 at 3p.m.
TPAC Brown Bag It Cairde na Gael
WESTBY PAVILION
March 12 at 12:10 p.m.
Innovation Arts and Entertainment
Harry Potter and the Chamber of Secrets™ in Concert
CHAPMAN MUSIC HALL
March 15 at 7 p.m.
Theatre Tulsa The Play That Goes Wrong
JOHN H. WILLIAMS THEATRE
March 20 at 8 p.m.
March 21 at 2 p.m.
March 21 at 8 p.m.
March 22 at 2 p.m.
March 22 at 8 p.m.
March 23 at 2 p.m.
Tulsa Town Hall Cristina Mittermeier
CHAPMAN MUSIC HALL
March 21 at 10:30 a.m.
Oklahoma Movement Tethered
LIDDY DOENGES THEATRE
March 21 at 7:30 p.m.
March 23 at 2 p.m.
Tulsa Symphony Orchestra
Elgar’s Enigma Variations
CHAPMAN MUSIC HALL
March 22 at 7:30 p.m.
HELPFUL INFO
TPAC ADMINISTRATIVE OFFICES are located at 110 E. Second Street, Tulsa, OK., 74103-3212. Office hours: Mon.–Fri. 9 a.m. to 5 p.m. Telephone 918-596-7122. Fax 918-596-7144. Please subscribe to our monthly TPAC email newsletter online at TulsaPAC.com.
PARKING Convenient underground parking is located west of the building, accessed from Second Street. Event parking also is available in several lots across the street to the east and south of the TPAC. Prepay available at https://www.americanparking.com/events ADMISSION AND LATE SEATING Lobby doors open two hours prior to an event. Chapman Music Hall doors normally open 30 minutes prior to curtain. The remaining theaters open 30 minutes before curtain. Late seating is at the discretion of each sponsoring organization. Latecomers may be temporarily held out of the theater or asked to take seats at the back if available.
TICKET OFFICE HOURS are Monday through Friday 10:30 a.m. to 5:30 p.m. In addition to regular hours, it opens two hours prior to curtain for events scheduled in Chapman Music Hall. The Second Street ticket office, 110 E. Second Street on the north side of the building, opens two hours prior to each curtain for tickets to events scheduled that day in John H. Williams Theatre, Liddy Doenges Theatre or Charles E. Norman Theatre.
PHONE ORDERS Call the TPAC ticket office at 918-596-7111. Outside Tulsa call 1-800-364-7111. Nominal service charges are added to all phone and Internet orders. The TPAC ticket office accepts DISCOVER, MasterCard and VISA. Subscriber hotline: 918-596-7109.
BUYING TICKETS ONLINE Buy tickets at tulsapac.com using VISA, DISCOVER, MasterCard, or American Express. Print your tickets at home or pull them up on your mobile device using the print at home option. Tickets will be scanned by ushers at the door.
EXCHANGES The ticket office gladly exchanges tickets to events with more than one performance, subject to certain guidelines. Otherwise, all sales are final.
GROUP SALES AND BUILDING TOURS Group discounts are available. Please call 918-596-7109 for group sales assistance. Tours of the TPAC are offered free of charge and last approximately 45–60 minutes. Arrangements may be made by calling 918-596-7122.
SERVICES FOR PERSONS WITH DISABILITIES All Performing Arts Center facilities are accessible to persons with disabilities. Please ask about wheelchair-accessible seating when purchasing your ticket. Parking is located on the street level of the parking garage near the TPAC elevators. Use the south elevator to reach Chapman Music Hall. Restroom facilities are located in the Third Street Lobby for Chapman Music Hall events, and adjacent to the John H. Williams Theatre Lobby for events in the TPAC’s other theaters. The TPAC has a Listen Technologies RF system to assist the deaf and hard of hearing. It is available at coat check for Chapman Music Hall events. Ask the house manager on duty for equipment for the Williams, Doenges and Norman Theatres. Devices are provided at no cost.
PLEASE NOTE: The TPAC is a tobacco-free facility. Smoking and vaping are not allowed, nor is the use of chewing tobacco. Also, as a courtesy to the performers and audience, please turn off all audible message systems and cellular phones.
For more visitor information, please visit us at TulsaPAC.com.
As the only children’s hospital in eastern Oklahoma, Saint Francis Children’s Hospital provides state-of-the-art technology and a dedicated staff to meet the medical needs of children.
On behalf of all of us at Saint Francis, we wish you and your family a happy, healthy holiday season.
