2018–19 ESSENTIAL SERIES
Reduced Shakespeare Company
The Complete Works of William Shakespeare (abridged) [revised] SEP 13 & 14 | MCCULLOUGH THEATRE
TEXAS PERFORMING ARTS
in this issue
16 Welcome to Texas Performing Arts We are thrilled you could join us this evening. Should you require any assistance, please speak to the nearest usher or visit Guest Services. If you would like to provide feedback about your experience, you can share your thoughts with us in the post-event survey emailed to the ticket purchaser. We look forward to hearing from you!
5 What’s Next 6 Theatre Etiquette 10 What Should I 15 27 46 53 54
See Next? TPA Trivia Venue Fast Facts Share Your Experience 5 Things to Expect from this Essential Series Season Word Search
Reduced Shakespeare Company
The Complete Works of William Shakespeare (abridged) [revised] An irreverent, fast-paced romp through the Bard’s 37 plays in 97 minutes!
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UT alumna Cassie Shankman shares her experiences as Biomedical Music™ composer.
Sophmore Brenda Stanfill discusses the affect of performing arts on Human Development.
Making Tracks
Student Spotlight
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Photo by Jeff Thomas
Family Ties
Alumna Neha Sukumar ’18 shares her family’s historical role in India’s Independence. texasperformingarts.org
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The Essential Series
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C!RCA Humans NOV 13; Photo by Sarah Walker
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2018–19 Season
WHAT’S NEXT SEP
Reduced Shakespeare Company Sep 13 & 14 | MCT
Fred Hersch Trio Sep 21 | MCT
Taylor Mac Sep 27 & 28 | MCT
OCT
Yekwon Sunwoo, piano Oct 5 | BRH
Ragamala Dance Company Written in Water Oct 18 | BCH
The Play That Goes Wrong Oct 23–28 | BCH
NOV
Blackstar An Orchestral Tribute to David Bowie Nov 1 | BCH
Jordi Savall The Routes of Slavery Nov 8 | BCH
Pavel Urkiza & Congrí Ensemble Nov 9 | MCT
C!RCA Humans Nov 13 | BCH
The Merchant of Venice* Nov 14–Dec 2 | OBT
Private Peaceful Nov 16 | MCT
Love Never Dies Nov 27–Dec 2 | BCH
Texas Performing Arts Essential Series MCT McCullough Theatre
BRH Bates Recital Hall
Lexus Broadway in Austin
BCH Bass Concert Hall
OBT Oscar G. Brockett Theatre
*A Texas Theatre and Dance Production. Subscriber discount not available. texasperformingarts.org
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Please silence or turn off all electronic devices upon entering the hall and refrain from using your phone during performances; the glow from your device is distracting.
Take care of personal needs before the performance or at intermission to avoid disturbing your seat neighbors. Please sit in the seat you are assigned to avoid confusion.
Outside food or drink is not allowed in any venue. Food purchased within the venue must be enjoyed in the lobby. Drinks are allowed in the hall. We encourage you to take selfies in our lobbies before the show. Photography of any kind is not permitted inside our venues unless approved by the artist or tour.
If you need assistance during the performance, please go to the nearest usher. We understand the need to shift around, but please try not to do so constantly. You will disturb the view of those behind you. Go easy with perfume and cologne. Many people are highly allergic. Please refrain from talking, humming, or singing along with the performance, except when encouraged to do so by the artist or show. Please wait for an appropriate moment to dig something out of your pocket or bag. If your child becomes restless, frightened, or loud, please take them to the lobby. Remember, our lobby is not soundproof.
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Photo courtesy the Library of Congress
E R T A THE TTE E U Q I ET
The sound system for shows is provided by the touring production. Unfortunately, many variables may occasionally hinder sound quality. Please let an usher know if you are having trouble hearing.
LOEWY LOEWY LAW FIRM LOEWY LOEWYLAW LAW LAWFIRM FIRM FIRM
Making Tracks Former Texas Performing Arts student employee (’13) Cassie Shankman has always been a busy woman with many talents and interests. As a young girl, Cassie loved the arts. She frequented the theater, was an active jazz band member, and loved going to the movies. Simultaneously, she enjoyed learning about science. Her early interest in different sound frequencies resulted in qualifying for the state science fair competition, earning her the attention of multiple universities. Now, as a leading Biomedical Music™ composer, she combines both her passions of music and
Our student employment program is made possible thanks to the support of our generous donors and Texas Inner Circle members. 8
science to help others learn to walk again with the Movement Tracks Project. Together with an amazing team of music therapists, patients, musicians, and engineers, Cassie creates music that integrates with biomedical systems and devices that makes walking possible for patients. Many of these patients include people that have Parkinson’s disease, multiple sclerosis, children with cerebral palsy, and other neurologic conditions. “As a musician, it’s amazing to know that every day I am helping people get better with my music,” said Cassie. “I feel incredibly lucky for this opportunity.” With Executive Producer Hope Young’s vision, the Movement Tracks Project creates pieces for patients with neurologic conditions that are helping people move better through texasperformingarts.org
Patterson at Texas Performing Arts who taught her the skills necessary for working in event and program management, Cassie feels lucky to have had so many great mentors.
“As a musician, it’s amazing to know that every day I am helping people get better with my music.”
Photo by Alexandra Galewsky
Cassie Shankman conducts a small orchestra for a churchhouse recording.
much research and testing. This ground-breaking project has also caught the attention of SXSW, where Cassie recently spoke on the topic and her team became an Official 2018 SXSW Interactive Innovation Awards Finalist. It’s an honor that she credits hard work as well as her education at The University of Texas at Austin. “While at UT, I met a lot of people, learned professional skills, and was consistently inspired! I had access to visiting artists and shows that I still can’t believe, and I went to several performances a week,” she said. “This allowed me to listen, learn, and connect with so much music.” Cassie also attributes much of her success to her professors and mentors outside the classroom. From her first composition mentor Ian Dicke, who opened her mind and ears to the writing process, to Cynthia texasperformingarts.org
“My most-influential mentor was my professor Yevgeniy Sharlat. He inspired me to get a Bridging Disciplines Program (BDP) certificate in film studies and study film, which led me to meet so many people that I still collaborate with today,” said Cassie. She gained confidence with speaking film lingo with film and music professionals through her internship in the BDP program with composer Hanan Townsend, which in turn led her to make connections with other industry professionals. “The best part of my job, whether it be scoring music to the human body or to film, is continuously learning and collaborating with other professionals,” Cassie said. “I love creating a new industry and seeing results with the patients!” When she isn’t working on The Movement Project, Austinites can find her DJ’ing at local events under the stage name DJ CASS&RA. She considers herself fortunate to be able to be a part of multiple projects and stresses new graduates to be flexible with their career journey. “Don’t be afraid to go with what life throws at you,” she said. “I assumed I’d get a job doing film music but it’s been a wild trip to get to this career. I wouldn’t have it any other way.” 9
What Should I See Next?
BEGIN HERE
The music and movement elements were the most memorable.
WHAT DID YOU ENJOY MOST ABOUT THE PERFORMANCE?
WHICH EXPRESSION OF ART IS YOUR FAVORITE?
Dance is amazing!
I loved the storyline! I love music! C!RCA
WHAT KIND OF STORIES DO YOU LIKE TO HEAR?
Ragamala Dance Company
Culturally Diverse
Blackstar
Taylor Mac
Pavel Urkiza
*Join us for these Private Peaceful
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Jordi Savall
upcoming Essential Series performances! texasperformingarts.org
Photos by Pedro Grieg, ioulex, David Arenal, Little Fang Photography, Tom Lawlor, and Bruce Palmer
Yekwon Sunwoo
Historically Rich
Student Spotlight At Texas Performing Arts, we professionally involve students in every aspect of our organization. Having the opportunity to show, connect, and inspire our students to be the next generation of arts leaders is one of the most important things we do.
PROFILE NAME YEAR JOB MAJOR
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MINOR
Brenda Stanfill Class of 2021 Texas Performing Arts Receptionist Human Development & Family Services (HDFS) Sociology
e sat down with Brenda Stanfill to talk about the performing arts, her studies in Human Development, and her time as a valued student employee. HUMAN DEVELOPMENT & FAMILY SERVICES SOUNDS LIKE AN INTERESTING MAJOR. TELL US A LITTLE ABOUT THAT.
We’re a small group with just over 550 students which is about 1% of the total number of undergrad students at the university. We study every form of development across the lifespan such as emotional, social, and relationship development. Some students also study biological and psychological development. 12
Our goal is to improve the lives of individuals, families, and communities from infancy to old age. I’m really enjoying learning about everything so far.
AS A STUDENT OF HUMAN DEVELOPMENT, HOW DO YOU FEEL THE PERFORMING ARTS IMPACTS STUDENTS IN THE AUDIENCE?
As students, we can get caught up in our routines; classes, work, homework, and hang outs with
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friends. And as time goes on, it’s just more of the same—stressing about papers and tests. The performances on campus offer a chance for students to decompress and see something out of the ordinary. It’s almost something personal because the actor, actress, dancer, or comedian is right there on the stage, giving a unique artistic performance each night. It allows us to make a personal connection with something new and lowers our stress level.
WHAT ABOUT THE GENERAL PUBLIC? HOW DO YOU FEEL THE ARTS IMPACT OUR SOCIETY?
I think the arts are important for both the artists and the audience. Art is an expression of what it means to be human and it reflects our lives. The artist expresses important issues or personal experiences. For the audience, it can connect us through emotion and bring us together in times of uncertainty.
WHAT IS YOUR FAVORITE THING ABOUT THE PERFORMING ARTS?
I’m a really big fan of stories—written or heard. I love the stories that performances tell with dialogue, music, and the combination of storytelling through music. Considering my major, I love seeing cause and effect interactions, especially in a production. We watch a story unfold because the actions of one character affected another character in a certain way. Real life is a lot harder, but the idea of chaos from miscommunication is the same. The way we communicate can affect another person’s emotions and how they feel about themselves. texasperformingarts.org
TEXAS INNER CIRCLE Take your Texas Performing Arts experience to the next level by becoming a member of the Texas Inner Circle. Your membership supports our educational engagement programs, the student employment program, and last season, thanks to donors like you, Texas Performing Arts was able to provide 14,000 $10 Student Tickets to the Central Texas community. Memberships start at just $150 for the year and include: • Free Parking • Behind-the-Scenes Tours • Access to our members-only Texas Inner Circle Lounge with pre-ordered drink service and express elevator To Join call 512.232.8567, or email support@texasperformingarts.org
“I’M A REALLY BIG FAN OF STORIES—WRITTEN OR HEARD. I LOVE THE STORIES THAT PERFORMANCES TELL WITH DIALOGUE, MUSIC, AND THE COMBINATION OF STORYTELLING THROUGH MUSIC.” 13
ESSENTIAL SERIES
Fred Hersch Trio
Sep 21
McCullough Theatre
“…a pianist, composer and conceptualist of rare imaginative power.” —The New York Times PRESENTED IN PARTNERSHIP WITH the Butler School of Music and KUTX’s Sunday Morning Jazz with Jay Trachtenberg
Photo by TK
$10 STUDENT TICKETS (K-12 and college) $12 MILITARY TICKETS
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We a proud ho re the me of Bro In Austin a and have dway the Austi n premie presented res King, Wic ked, Jers of The Lion ey and The Phantom Boys, Cats, o f the Which ve nue hosts Opera. these performa nces?
Texas Performing Arts first opened its ce doors with a performan can eri Am ey Ail in Alv by Dance Theater in what year?
ANSWERS: 1. 1981; 2. Bass Concert Hall; 3. Roughly 100 students per academic year; 4. Any student in grade 7-12 may attend the daytime Youth Performances with their academic group; 5.The Essential Series
A I V I R T
nds-on e paid, ha We provid erience x l work e p ents a n io s s fe pro partm ents in de to UT stud anization ranging r org ng. About across ou to marketi xas n o ti c u d oes Te from pro students d how many rts employ each gA Performin year? academic
Each ye ar, thousa we host nds of studen area ts a Youth P t two free da ytim erf studen ormances. W e ts may h attend ich Youth P t h e se erform ances?
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5 Each yea Performin r, Texas several d g Arts curates ive programs rse, world-class as part o f its seas programm on ing. Wha t is the name of th is series?
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Sep 13 & 14, 2018 McCullough Theatre
Reduced Shakespeare Company The Complete Works of William Shakespeare (abridged) [revised]
Presented in partnership with KMFA-FM 16
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Photo by Jeff Thomas
THE CAST Michael Faulkner has been reducing everything but his waistline with the RSC since 2001, during which time he contributed additional material to All The Great Books (abridged), appeared on NPR, and acted out clues on Jeopardy! Un-reduced credits include: graduate of Second City-LA, a BA in theater from UC Santa Cruz (go Slugs), film/TV appearances on East Los High, Angel, The Tonight Show, and oodles of commercials; and performances as Elbow, Hortensio, Launcelot Gobbo, Berowne, Holofernes, Fluellen, Theseus, Demetrius, Feste, Petruchio, Leontes, Malvolio, Roderigo, and most impressively, “Doctor.” Tiger Reel resides within a heavily fortified compound in Los Angeles awaiting the zombie apocalypse. He leaves his fortress occasionally to perform with the RSC or direct such artistically alienating productions as Kurt Vonnegut’s Slaughterhouse-Five, an original adaptation of Karel Capek’s futuristic robo-attack play R.U.R., and the international tour of A Midsummer Night’s Dream. Other Tiger sightings have been documented in late-90s television commercials and Comic-Con surveillance footage. He is glad to have been plucked from obscurity by the RSC. Dan Saski has been helping RSC reduce expectations for years. He’s performed internationally in The Complete Works…(abridged) and regionally in The Ultimate Christmas Show (abridged), The Complete History of Comedy (abridged), 18
The Complete History of America (abridged), and Shakespeare’s Long Lost First Play (abridged), which he also helped workshop. He’s been an actor in and around the SF Bay Area for the past 15 years and also teaches theater so he can pay rent. Dan is a proud alumni of The Meisner Technique Studio. Brenna Farmer (Wardrobe) has secretly stalked the Reduced Shakespeare Company since she first saw them in Davis, CA as an impressionable youth. After a lifetime of wrong turns including a literally tragic Classics/Theatre degree, a figuratively tragic IT career, and a belated return to the Land of Theatre via the magical wardrobe (departments) of Madison Ballet and Madison Opera, she is delighted to be touring with proper comic geniuses at last. When she is not on the road, she spends her time in Wisconsin keeping bees, herding fish, and creating works of dubious artistic merit. Adam Long (Co-Author, Founding Member) began his professional life as an accountant for an anti-nuclear political action committee by day and bassist for an acoustic punk band by night. Then he put on a skirt and wig and became a founding member of the Reduced Shakespeare Company. Adam toured with the RSC, spent five years following The Grateful Dead, performed stand-up comedy in Canada, became a Buddhist, and finally settled in England where he lives in London with wife Alex, son Joe, daughter Tilly, friend John, four guinea pigs, a fish, two tortoises, a cat, and a small grey rabbit called Willard. texasperformingarts.org
“I am truly thankful to everyone who has contributed to the $10 Student Ticket Fund. Thank you all so much!� Ha Bui
Photo by TK
Graduate Student, Economics
With your support, the Texas Performing Arts Student Ticket Fund provides $10 tickets to up to 20,000 Austin area students of all ages each season. Go to texasperformingarts.org/support or call 512.232.8567 to make a gift. texasperformingarts.org
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CONCERTS & COMEDY
FRI, SEP 21
BASS CONCERT HALL Photo by TK
Tim Allen
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Reed Martin (Co-Director; Additional Material) co-created and performed in the original productions of The Bible: The Complete Word of God (abridged), The Complete History of America (abridged), Western Civilization: The Complete Musical (abridged), All The Great Books (abridged), Completely Hollywood (abridged), The Complete World of Sports (abridged), The Ultimate Christmas Show (abridged), The Complete History of Comedy (abridged), and William Shakespeare’s Long Lost First Play (abridged). He has performed in London’s West End, at Lincoln Center, Kennedy Center, Seattle Repertory Theatre, American Repertory Theatre, Pittsburgh Public Theater, ACT San Francisco, McCarter Theatre, Old Globe Theatre, La Jolla Playhouse, The White House and Madison Square Garden, as well as in 11 foreign countries. He toured for two years as a clown/assistant ringmaster with Ringling Brothers/ Barnum & Bailey Circus. Reed has written for the BBC, National Public Radio, TBS, Britain’s Channel Four, RTE Ireland, Public Radio International, Sky TV UK, the Washington Post, and Vogue magazine. Reed’s work has been nominated for an Olivier Award in London, a Helen Hayes Award in Washington, DC, and a San Francisco Bay Area Theater Critic’s Circle Award. He lives in Northern California with his wife and two sons, all three of whom are much funnier than he is. Daniel Singer (Co-Author, RSC Founder) has been a theatrical impresario from the moment he texasperformingarts.org
looked up ‘impresario’ in the dictionary. Upon his return from studying “proper dramatic technique” in London, he became a director at the original Renaissance Pleasure Faire, where he founded the subversive Reduced Shakespeare Company. In 1989 Daniel hung up his doublet-and-hose to design theme park attractions at Walt Disney Imagineering, and became a freelance designer, writer and event producer in Los Angeles. His new hit comedy A Perfect Likeness chronicles Lewis Carroll’s (fictitious) attempt to get his literary hero Charles Dickens to pose for a photograph in 1866 Oxford. Coming soon to a theater near you! Austin Tichenor (Co-Director) is a fifth-generation San Franciscan born on the 54th anniversary of the 1906 Earthquake, which makes him older than he looks but short for his weight. He co-created nine RSC stage shows, the recently published Pop-Up Shakespeare (illustrated by Jennie Maizels), and blogs monthly for the Folger Shakespeare Library. Numerous TV jobs include guest starring roles on 24, Felicity, Gilmore Girls, The X-Files, West Wing (and shows like them) and he recently directed Twelfth Night for the Cincinnati Shakespeare Company. Jess Winfield (Co-Author, Founding Member) performed with the RSC from its ’81 founding until ’92, when he realized he’d played Hamlet more times than Gielgud and Olivier combined and suddenly felt very old. He left to write and produce cartoons for Disney, which made him feel young again—until 21
he’d been there for ten years, at which point he felt old again. He left Disney to write My Name Is Will—A Novel of Sex, Drugs, and Shakespeare, which made Jess feel young again; but then he and Daniel Singer revised the Complete Works for its 20th anniversary and directed it in the West End, which made him feel old again. He now lives in Hollywood with his wife (and original RSC costume goddess) Sa. Elaine Randolph (Stage Manager) Credits include stage management (compulsive) and lighting design (creative) in theater, music, and dance, for the Kennedy Center, Walnut Street Theater, Actors’ Theater of Louisville, among many others. Recent projects include Barbara Cook in Concert, The International Ballet Festival, and The Sondheim Celebration. Favorite projects include: Quilters, A Midsummer Night’s Dream, Noises Off, Pump Boys & Dinettes, Radio Gals, A Tuna Christmas, Forever Plaid, and A Christmas Carol.
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A REDUCED HISTORY Since its pass-the-hat origins in 1981, the Reduced Shakespeare Company has created ten world-renowned stage shows, two television specials, several failed TV pilots, and numerous radio pieces, all of which have been seen, performed, and heard the world over. The company’s stops have included the White House, off-Broadway, the Kennedy Center, Lincoln Center, London’s West End, Seattle Repertory Theatre, American Repertory Theatre and Montreal’s famed Just For Laughs Festival, as well as performances in Israel, Australia, New Zealand, Hong Kong, Japan, Malta, Singapore and Bermuda, plus countless civic and university venues throughout the USA, the UK, and Europe. The RSC’s first three shows The Complete Works of William Shakespeare (abridged), The Complete History of America (abridged), and The Bible: The Complete Word of God (abridged) —ran for nine years at the
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Photo by TK
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THE COMPLETE WORKS OF WILLIAM SHAKESPEARE The Tragedies Titus Andronicus Romeo and Juliet Julius Caesar Troilus and Cressida Othello King Lear Macbeth Antony and Cleopatra Timon of Athens Coriolanus Hamlet The Comedies Love’s Labour’s Lost Comedy of Errors The Two Gentlemen of Verona A Midsummer Night’s Dream The Merchant of Venice The Taming of the Shrew The Merry Wives of Windsor Much Ado About Nothing As You Like It Twelfth Night All’s Well That Ends Well Measure for Measure Pericles* Cymbeline* The Histories King John Richard II Henry IV, Part 1 Henry IV, Part 2 Henry V Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Richard III Henry VIII The Poetry Sonnets A Lover’s Complaint The Phoenix and the Turtle The Rape of Lucrece Venus and Adonis *Sometimes classified separately as ‘Romances’, we have accounted these plays among the Comedies due to their uneven poetic value, unbelievable plot lines, shallow characterizations and juvenile themes. They are among the Bard’s greatest works.
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Criterion Theatre in Piccadilly Circus as London’s longest-running comedies. For years the RSC had more shows running in the West End than Andrew Lloyd Webber. They were also funnier. In 2016, in honor of its 35th anniversary and the 400th anniversary of Shakespeare’s death, the RSC premiered its 10th stage show William Shakespeare’s Long Lost First Play (abridged) at the Folger Shakespeare Theatre in Washington DC. And in 2013, the RSC premiered the subject it was born to reduce—The Complete History of Comedy (abridged)—to critical and commercial acclaim at Cincinnati Playhouse in the Park. The “Bad Boys of Abridgment” have also applied their fast, funny and physical approach to World History in Western Civilization: The Complete Musical (abridged) [original title: The Complete Millennium Musical (abridged)], which toured simultaneously in the US, UK and Australia); Athletics in The Complete World of Sports (abridged), which played in London during the 2012 Olympics; Literature in All the Great Books (abridged); and the Movies in Completely Hollywood (abridged), which skewers the 197 greatest films of all time. RSC shows have received critical acclaim across the US, UK, Belgium, Holland, Hong Kong, and Barbados, and played to packed houses at the Kennedy Center, Pittsburgh Public Theatre, San Diego Repertory Theatre, Cincinnati Playhouse in the Park, Seattle’s ACT Theatre, Alabama Shakespeare Festival, and Sweden (in Swedish!). And in 2011, the world premiere of The Ultimate Christmas Show (abridged) became Merrimack texasperformingarts.org
Repertory Theatre’s best-selling holiday show ever, and the thirdbest-selling show in MRT’s history. For TV, the RSC compressed the first five seasons of Lost into a ten-minute film called Lost Reduced, and was a Jeopardy! category in the 2005 and 2006 Tournaments of Champions. They wrote and starred in The Ring Reduced, a half-hour version of Wagner’s Ring Cycle for Channel 4. For National Public Radio, the RSC has been heard on All Things Considered, Weekend Edition, Talk of the Nation, Day to Day, West Coast Live, and To The Best of Our Knowledge. The BBC World Service commissioned the six-part Reduced Shakespeare Radio Show. The Reduced Shakespeare Company Christmas was heard on Public Radio International. The RSC won the prestigious Shorty Award in New York City and the Delft Audience Award in Holland. They’ve also been nominated for an Olivier Award in London, two Helen Hayes Awards in Washington, DC, and the SF Bay Area Theatre Critics Circle Award. RSC scripts are published in the US and UK, and translated into over a dozen languages. The RSC also creates unique entertainments for corporate events, working with such companies as Sky-TV, Time Magazine, Motorola, and Rotary International. RSC Books include Pop-Up Shakespeare (illustrated by Jennie Maizels), the irreverent reference book Reduced Shakespeare: The Complete Guide for the AttentionImpaired (abridged), and the comic memoir How The Bible Changed Our Lives (Mostly For The Better). texasperformingarts.org
The RSC Podcast, a free 20-minute audio glimpse of life backstage and on the road, is available every week at iTunes and reducedshakespeare.com.
ADDITIONAL CREDITS General Manager Jane Martin Company Manager Alli Bostedt Stage Manager Elaine Randolph Wardrobe Supervisor Brenna Farmer Set Design S. L. Wellen Props & Costumes Susan Brooks, Nicole Donery, Dancing Barefoot Productions, CMC & Design U.S. Tour Direction Baylin Artists Management Legal Counsel Sharon Colchamiro, Esq. Company Founder Daniel Singer For their contributions to the development of the script, the Authors wish to thank: Dan McLaughlin, Mark Sellin, David Springhorn, Jack Tate, Kevin Emery, Sa Thomson and William Shakespeare. Special thanks to Greg Moore. 25
ESSENTIAL SERIES
Taylor Mac
A 24-Decade History of Popular Music (Abridged)
Sep 27 & 28
McCullough Theatre
Mac interprets the social history of the United States through popular songs ranging from murder ballads to disco! PRESENTED IN PARTNERSHIP WITH KLRU-TV
$10 STUDENT TICKETS (K-12 and college) $12 MILITARY TICKETS
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Venue Fast Facts Texas Performing Arts is home to five venues on the campus of the University of Texas at Austin. Each of our venues has features that set the stage for cultural contributions in Central Texas. Read more about our venues at texasperformingarts.org
Bass Concert Hall
• Seats 2,900 guests • Renovated in 2007 with Green initiatives • Home of Broadway in Austin
McCullough Theatre
• Seats 400 guests • 30-foot proscenium stage • Hosts The University of Texas Butler Opera Center
Bates Recital Hall
• Seats 700 guests • Houses the country’s largest tracker organ • Located inside the Butler School of Music Building
Oscar G. Brockett Theatre Photo by Park Street Photography
• Seats 244 guests • Located inside the Winship Drama Building
B. Iden Payne Theatre
• Seats 500 guests • Home to Department of Theatre and Dance student productions
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CONCERTS & COMEDY
#IMOMSOHARD
WED, SEP 26
BASS CONCERT HALL
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Let’s Connect!
FAMILY TIES Alumna’s Ancestry Linked to India’s Nonviolence Movement
Photo by TK
BY SELENA SAN MIGUEL PHOTOS COURTESY OF THE SUKUMAR FAMILY
Photo by Amitiva Sarkar
University of Texas at Austin Theatre and Dance graduate and former Texas Performing Arts employee Neha Sukumar ’18 shares her family’s historical role in India’s Independence with Bass Concert Hall guests. When Neha Sukumar ’18 was a young girl, she loved to watch her sister dance. “I would watch my older sister in her Bharathanatyam class, and I would discretely dance on the side [of the room]—trying out all the steps and poses,” said Neha. “I was always in awe of Bharathanatyam and I knew from a really young age I wanted to pursue it.” Soon after, Neha’s mother signed her up for Indian classical dance lessons. Bharathanatyam, a form of dance dating back more than two thousand years, was originally a Hindu temple dance from the South Indian state of Tamil Nadu. Like many Indian families, the women in Neha’s family passed down this art form from generation to generation. Neha worked for years to prepare for her Arrangetam, a debut Bharathanatyam performance, in India. Through practice and performance of this art form, she built a personal and spiritual connection. “For many years now, it has been my own way of worshipping God and connecting to my heritage despite living so far from India,” said Neha. “I love that I can tell a story and translate emotions through this dance—it’s more than just movement to music and always has a deeper meaning behind it.” texasperformingarts.org
Growing up locally as a first generation American in a large Indian immigrant community, she learned Bharathanatyam as a way celebrate her cultural heritage and share it with others. This traditional dance had been performed by her sister, mother, grandmother and great-grandmother. In the future, Neha looks forward to watching her own daughter’s Arrangetam performance. “One day, I was telling my family story to Judith, the Texas Performing Arts Campus & Community Engagement Assistant Director, when she asked me if I would be willing to share my family history to create this exhibit.”
“THESE STORIES ARE CLOSE TO MY HEART BECAUSE THEY REMIND ME THAT THE FIGHT FOR FREEDOM LED MY FAMILY TO A SUCCESSFUL LIFE IN AMERICA.” Feeling honored, Neha gladly agreed to have a collection of personal photos and items showcased in Bass Concert Hall in support of the Ragamala performance associated with The Power of Protest. Part of the exhibit features Neha’s great-grandfather Vajapeyam Venkatasubbaiya’s
Neha Sukumar at Bharathanatyam performance
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Vajapeyam Venkatasubbaiya (left) and letter from Ghandi
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The Power of Protest: Arts and Civil Disobedience is motivated by the increasingly contentious climate in America as demonstrated by worldwide protests for women’s rights, LGBTQ rights, immigration reform, and other controversial topics. Texas Performing Arts has partnered with The Andrew C. Mellon Foundation to highlight key performances that explore these ideas. View Gandhi and the Nonviolence Movement and Bharatanatyam in Photos Sep 4–Dec 20, on Level 4 of Bass Concert Hall. texasperformingarts.org
Photo by TK
involvement in India’s nonviolent movement and his personal relationship with Mahatma Ghandi. “My father would tell me these family stories to teach me how important the freedom movement was in India—what it meant for the country and our people,” she said. “These stories are close to my heart because they remind me that the fight for freedom led my family to a successful life in America.” Over the past months, the Sukumar family sifted through the family collection of photographs and memorabilia from both the US and India to share in this exhibit. Within the photographs, Neha’s relatives can be seen interacting with important leaders related to India’s struggle for independence. “Everyone that we have featured in this exhibit has protested and fought for their freedom; whether that was freedom from the British Raj, freedom from unfair imprisonment, freedom from being
physically and brutally beaten because of their skin color in their own homeland, or freedom from any type of persecution.” It is the Sukumar family’s goal that through sharing these personal stories, the audience can discuss the civil disobedience philosophy and visualize the connection between art and freedom. “The beauty about this exhibit to me is the interconnectedness of it all,” said Neha. “I feel so blessed that I can honor my family on both my mother and father’s side as well as my cultural heritage and love for performing arts.”
Malpaso Dance Company PrePerformance Talk with Dr. Mariano DiazMiranda, Professor of History at Austin Community College.
Texas Performing Arts in the Community
Each season, Texas Performing Arts offers free community events to connect UT faculty, students of all ages, touring artists, and the greater Central Texas community with our performances. Some of these events include: • Artist-led master classes • Pre and post-performance talks • Lunch-time chats with touring artists • Daytime performances for youth Join us for these fun events!
Visit texasperformingarts.org/getinvolved for more information.
ESSENTIAL SERIES
Yekwon Sunwoo, piano
Oct 5
Bates Recital Hall
2017 Cliburn Gold Medalist hailed for “his total command over the instrument and its expressiveness” —San Francisco Examiner. PRESENTED IN PARTNERSHIP WITH the Piano Studio of Anton Nel at the Butler School of Music and KMFA-FM
$10 STUDENT TICKETS (K-12 and college) $12 MILITARY TICKETS
texasperformingarts.org
Photo by TK
texasperformingarts.org
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Texas Inner Circle Texas Performing Arts gratefully acknowledges the financial support of our donors. Each year, thousands of students throughout the region enjoy the performing arts thanks to your generosity.
Donations made as of Aug 13, 2018 Please note that the donor acknowledgment page is updated each semester. Texas Performing Arts values every gift received. However, we regret that limited space does not allow us to list every donor. For information on ways to give, please call the membership office at 512.232.8567 or email us at support@texasperformingarts.org *Denotes Essential Series Subscriber
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BENEFACTOR’S CIRCLE $6,000+ Anonymous Julie and Steve Avery Jannis and Robert B. Baldwin III Dianne and Robert Brode* Virginia and Gilbert Burciaga* Marianne and Mario Davila* Susan and Geoffrey Gay Joanne Guariglia* Dan Jackson and Jeremy Guiberteau* Julia Marsden* Eric and Angie Mischke Kathleen D. Panoff Stephanie L. Perkins* Gina and Don Reese Sarah and Berny Schiff PRODUCER’S CIRCLE $3,000-5,999 Drs. Lynn Azuma and Brian Hall Dinah and Barry Barksdale Thomas D. Barrett Carolyn R. Bartlett* Joe Batson Lori and Tito Beveridge Edwina P. Carrington Suzanne and Bill Childs* Maria and Jeffrey Dwyer* Matthew B. Ely Debi and Tom Etheredge Jessica and Marc Evans Susan and Lee Gammill* Cynthia S. Glover and Dwight C. Williams Susan and Barry Goodman Lisa Harris Mary Ann and Dr. Andrew Heller Mellie and Tom Hogan* Jessica Jansen and Michael Cicchella Dede Kerr Gretchen and Lance Kroesch* Sue and Gary Lowe Janis and Joe Pinnelli Chuck Ross and Brian Hencey* Tahira Sahibzada Dianne and Eugene Schoch, III Carolyn and Marc Seriff Syd Sharples* Carol Ann Shepherd Barry Smith Kathleen and Gilbert Soto Laura and David Starks Shari and Eric Stein Lorri Stevenson Barbara Tocker Carole Tower and Matthew St. Louis Rebecca and Scott Van Den Berg Chris Yost Annie and Brian Zucker DIRECTOR’S CIRCLE $1,200-2,999 Tiffany Andrews Anonymous Kimberly Attallah
Cathi Backor Bonnie L. Bain Becky Beaver and John Duncan* Casey Blass and Lee Manford Robert Bloemhof Tahra and Michael Boatright Kim Britt Kara and Shelby Brown Kim and Thomas Reed Brown* Kay Brumley Renee Butler Lee Carnes Carol and Shannon Casey Farrah and Nathan Chelstrom Linda and Jim Cintron Sue and Kevin Cloud Thomas Crowson Isabella Cunningham Dr. and Mrs. Exalton Delco* Margaret Denena and Cliff Knowles* Beth Domel Susan and David Donaldson Weslie and Stephen Elliott Barbara Ellis and Alex McAlmon* Kevin Espenlaub and John Hampton* Laura Estes and Joyce Lauck Judy and Bill Estes Mr. and Mrs. John W. Fainter, Jr. Richard and Susan Farias Andrew C. Fear Jim Ferguson and Art Sansone* Nanci L. Fisher Pamela and David Frager Clay Francis and Andrew Haver* Sandra Freed Nancy Gary and Ruth Cade Michael Gibertini and Kari Nations Brian Gleason* Sharon and Bruce Golden* Melissa and Rick Gorskie Carolyn and Lino Graglia Karen and Rowland Greenwade Sven and Robin Griffin Juan M. Guerrero, M.D. Richard Hartgrove and Gary Cooper* Gladys M. Heavilin Raje Heyer Anne and Thomas Hilbert Martha Hilley Damon and Ella Holditch Amy and Jeffrey Hubert Frank Ikard Admiral and Mrs. B. R. Inman Donna and B.R. Israel Ben and Jenn Ivester Jo Ann Ivester John Izzo and Deb Tackett* Gary C. Johnson Jacqueline and Eric Johnson* Dr. Peniel Joseph Donna and Edward King Sheila Kothmann Cathy and James Kratz Terri LeClercq and Jack Getman* Calvin and Donna Lee texasperformingarts.org
Sue and Larry Lewellyn* Ellen and Richard Leyh Suzanne Lima* Mr. and Mrs. George F. Littlejohn Thomas and Ashley Loftus Yadira and Delfino Lorenzo Gayle and Scott Madole Liza and Jack Martin Mr. and Mrs. W.F. McCasland Molly McDonald and Chad Hartmann Sheryl and Daniel McNichol Monica and Robert Meadows Leti Mendoza Jennifer and Jim Misko* Mary and Lynn Moak Amy Wong Mok Melissa Moloney and Chris Walk Miriam and Jim Mulva Jennifer Muniz Carol Nelson Meri and Don Nelson Jeffrey Neumann Alan Nicholson Elizabeth and Dustin Norman Jacqueline and Shawn O’Farrell Julie and Pat Oles, Jr. Cathy Oliver Leora Orent and Art Markman Seema Parekh and Neel Segal Connie and Sam Pate* Michele and Roy Peck Shari and John Pflueger Liz and Jon Phelan Leslie Powell Kate and Scott Powers Debbie and Jim Ramsey Sara and Dick Rathgeber Gina Richardson LTC and Mrs. Gerald Risovi Faith Roberts Kenneth and Libby Sandoval Nancy Scanlan Steve and Susan Schaffer Dylan Scott Nina and Frank Seely Tracey Sharples Trish and Brian Sierer Mark W. Smith* Karin and Robert Stern Austin Stitzer Bruce Stuckman Lisa and Gregory Symons Nancy and L. Brent Talbott Martha Talley Louann and Larry Temple John E. Thompson Keith Uhls* Craig Wagener Zahir Walji Mark Weiss and Janet Bray Suzy and Otto Wheeler* Theresa and K.C. Williams Suzanne and Marc Winkelman Jacqueline Wittmuss Dr. Lucas Wong and Dr. Lisa Go Michele and Jud Wyatt
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CENTER STAGE $600-1,199 Dwain Aidala Mark Aitala Eric and Jackie Anderson Anonymous Donna Ayala* Jana and Barry Bandera April Berman Carolyn and Andrew Birge Denis Blake Stephanie and Michael Blanck Kurtis and Katherine Bowman Robert Bracewell Janice and Charlie Brown Aaron Buckholtz Jeanette Cortinas Wilma Dankovich Lorraine and John Davis Courtney and Adam Debower Dr. and Mrs. Ben Denny Lucy Ditmore Sharon Duboise* Susan and David Eckelkamp Sheila Ellwood* Carol and Clint Fletcher Jane W. Fountain Jon and Terece Geld Cheryl and R. James George, Jr. Sharon and Richard Gibbons Glenn and Nancy Gilkey Gabrielle and Gary Grossenbacher Cindy and John Hanly Jennifer and Randall Harris* Matt Hoggle and Austin Rodenbiker Marjorie and David Hunter Diane M. Hurst Pam and Doug James Mr. and Mrs. Michael Johnston Susan and Richard Klusmann Jan and Orion Knox* Melanie C. Lewis Jenny and Luis Lidsky Robin Lieberman Mary and Don Lorenz Nancy and Dale Lowe Vicki and John Meadows Dawn and Jason Melear Frances Ellen and Paul Metzger Pauline and Alfred Meyerson James W. Moritz R. Kent Morrison Brian Neidig Margaret Nilson Jonathan Ninh Augustine Park Robert Pender Kari and Brian Phenegar Suzanne Pickens and Douglas Hoitenga* Eric Rabbanian Dawn and Thomas Rich Karla Roberson Julie and Richard Schechter Betty Schnell Austin Seal Sean P. Sexton Amy Shipherd
Katherine and Dennis Smith Raymond Smith Steven Smith Nancy Whitworth Spong John Stockton Kay Strand Geeta and David Suggs Judy and Jay Tarwater Stacy and Michael Toomey Saradee and Melvin Waxler Marie and Phil Wendell Leslie and Bryan Weston Brenda and Rex White, Jr. Michael Wilen Micka and Richard Ziehr BACK STAGE $300-599 Lani Abbott John Adams Kathleen and Randy Adams Patricia and Steve Adams Laura Agnew Charlotte Alexander Doug Alexander Terri and Rick Allen Charlene Allmon Joann Anderson Anonymous Sandy and Richard Apperley Joel Artzt Carol E. Barrett Sherri Herschmann Battle June and Jim Baumoel Liby and Carl Beck Vicki and Mike Belcher Judy and Bob Benning Sky Benson and James Martin Robin and Martin Berson Carolyn and Jon Bible Kevin Black and William Basinger Bobbie and Billy Bloch Philip Bowden Mr. and Mrs. Thomas J. Braasch Jeanette H. Bradfield Glenda and Gilbert Bragg Becky and Larry Brenner Linda Broaddus Francesca Brockett and Jim Pedicano* Brook and Gerald Broesche Christopher and Tira Brom Judy and Ronald Brown Kimberly Brown Martha and Louis Brown Peggy and Gary Brown Angela Bryant Kathryn and Christopher Burch Esther Ray Burns Josie and Jim Caballero Cathy and Thomas Campbell Kelly Canavan Mary Jean Cargile Beverly Carr Kristen and Luis Casaubon Sue Chalmers Shane Chambers Rita and William Chapman
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Anne Marie and Roger Chenu* Byron Childs Amrish Chokhavatia Beth and Tom Chronister Salina and Bing-Lun Chu Brenda Clayton Amy Clemmons and Mark Clarke Valerie Cline Fredrick G. Cloud III Joann Cocoros Eric and Sharon Cohan Rebecca and Mike Cole Sarah Compton Mary Crouch James B. Crow Jennifer and James Cuddeback* Mark Cunningham Brian and Amy Cussimanio Elaine Daigle Jo Ellen and William Dale Michael Damal Billy Davis Michelle DeWine* Courtney Dickey Richard and Deborah DiMeo Jim Dodrill and Kym Oltrogge Linda and Jim Dufner Patrick Dumont Jody and Robert Durch Karen and Tim Elliott Marsha and Jack Elrod Marilyn and Martin Englander Susan and Robert Epstein Eunice and Carlton Erickson* Debra and Heath Esterak Rosemary and Craig Estes Mary Etheredge Gaye H. Evert Marcia Fagerberg Carol Fahs Jaelene Fayhee and Jeff Smith Barb and Danny Fennewald Dinah and Bill Flood Paula Fowler Drs. Donald and April Fox Susan Gaddis Sara J. Gaetjens Lucy and Gary Gibbs Danny and Harriet Gleason Michelle and Jason Gooch Joy and Cal Gooden Nicola D. Grady Ann Graham* Susie Grandi Cynthia and Michael Gray Jana and John Grimes Beth and David Grimm Janet Grobowsky Bill and Carrie Grove Betty and Neil Gurwitz Maria Gutierrez and Peter Nutson Elizabeth and George Hainsworth Lawrence Hall Tizzle Bizzle Hallock Barbara and Tom Hamff Brenda and Tommy Harper Susan Harris Fran and Jim Hart
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Sherman Hart Laura Harvey Nicole Heimlich Bryan, Valerie, and Felicity Hesters Ann Heuberger Bette Hines Gabriela and Hector Hinojosa Aline and Alan Hollingsworth Laura and Marcus O. Horton Robbi Hull John Huth Linda Jacoby Linda Jakobeit Kibbie D. Jensen Darlene Jilka Marion and Jim Jirsa* Brian Johnson and Brooke Turner* Katherine P. and Thomas L. Johnson Steven Johnson Anita and Ralph Jones Brenda E. Jones Smruti Joshi Laura and Ronald Kaplan Peggy D. Karstendiek Profs. Kelso and Dart Randy Kemp Kathleen Kennedy Deborah S. and Bill Keyes Kim and Glen Kieschnick Krystal Kincell Mark Kobren Nancy and Henry Kojzarek Bobbi Kommineni and Chakri Gottemukkala Walter Kuenast Paul Lagrone Cyndee Lake Hans Landel* Sheryl and Richard Lane Nadya Laws Rhonda Lawson Jeffrey Lazar Daniel Leeman Gail and Larry Lerche Joan and Moise Levy Dawn and Fred Lewis Phyllis Light Jung Lim Betty Lorch Alaire and Thomas Lowry Maria Luedke Tracey and Steve Luhrs Charles Lupher Russell Lyday Flo and Ren MacNary John Madden and Nikki Le Ramona Magid Richard Maier Jason Mance Pat and John Maniscalco Peggy Manning Michelle and Richard Manson Sarah and Glenn Marcus Joyce Martin Lauren Martin Steve and Roxanne Martin Tonya and Nicco Martinez
Jerry and Cindy Matl Charlotte and Tom Matthews Vicki and W. S. May, Jr. Stephanie Mayes Natalie and John Mazzie Virginia and Donald McAlister Kelli McDonald Suzanne and John McFarlane Ford McTee Bret Meador Hawk Mendenhall Alan Metayer Lynn Meyer and Rick Clemens Mark Miller Tracie Miller Janet Mitchell Janet and Jerry Morford Gwen and Robert Morton Leslie and Ron Munson Radhika Nair Todd Nash Marina Navarrete Catherine and James Nelson Desmond Ng Caleb North Nancy Norvell Mary and David O’Bannon Susan and Robert Oakley Doug Opalka Dr. Susan Orth and Dr. Mark Maunder Betty and Ron Patterson Gene and Karen Payne R. Richard Payne Sally and Doug Pendergras Deborah H. Peterson Barbara and John Pickett Allen and Tonya Place Bonnie and James Pohl Carla and Steve Portnoy Wanda Potts Buck Powers and Greg Sovey Selena and David Procter Sandra and Harry Pruett James Putnam Christina and Steve Quakenbush Sharan Rae and Craig Smith Lisa and Curtis Randa Phil Reeder Elinor and Edwin Reese Colleen and James Reeves Charles Rice Jeanine and Dan Roadhouse Christy and Matthew Robinson Sandra and James Robinson Susan Rodenko Kathleen and Art Rodriguez Duane Rogers Michele Ross Patricia Rotunda Linda and Jerry Roudebush Summer Rydel Terry and Rita Salyer Roberta and Ernest Saulmon Chad Schexnayder Keith Schnell Sandford Matthew Schocket, M.D. Charles Schoepflin texasperformingarts.org
Catherine Scholl David A. Schwendner Suzy and Guss Searcy Jude Sears Kathy and Howard Seitzman Lori Nunan Shaw Ann Silvernail and Judy Tierney Louise Simpson Emily Skeen Carole Smith Debbie and David Smith Rae Smith The Snyder Family Ann and Benard Stafford Barbara and David Staggs Paul Stone Charlie Stover Teri and Alex Suarez Mary and Francis Sullivan Richard Suman Kathy and Daryl Swarts Peter Swartz Kathy and Tom Sweet William Tabbit-Humphrey Johanna Takach Lynn and Gabriel Tellechea Mary Temple Faye Terry Bri Thatcher and Andy Modrovich Carrie Thomas Jodie Thompson Kathy Thompson Carol and Ted Thomson Heather and Jeffrey Tramonte Leslie and Gary Urano Jamie and Thomas Valigura Janet and Jack Van Cleave Stephanie and Stewart Vanderwilt Angela and John Vanston Bruce Vasbinder Ruth Verver Nancy and Michael Voticky Dennis Waley Martha Waller Kate and John Watson Lynmarie Weaver Kenneth R. Webb Steve and Kathy Weiner Chrissie Welty Pamela Werner Tracy Weston Barbara and Daniel Wheat Connie and Scott White Dianne and Leslie White Patricia White* Carolyn Williams Dyanne and Stan Williams Ann and Eric Wilson Susan and Chris Wilson with Bonita Grumme Elise Winchester Jerie Winekauf Nancy and Allen Woelke Christine Wolf Lisa Wyatt Timothy Young Riyam Zreik
texasperformingarts.org
Director’s Council Volunteer Leadership in Action The Texas Performing Arts Director’s Council is a group of dedicated donors, sponsors, and volunteers committed to presenting world-class performances, providing students access to every performance on our stages, and building the next generation of audiences, artists, and presenters. We are grateful for their extraordinary support and dedication.
2018–19 COUNCIL MEMBERS Robert and Jannis Baldwin Becky Beaver and John Duncan Reny Buduan Edwina Carrington Marianne and Mario Davila Laura Estes and Joyce Lauck Joanne Guariglia Rob Hagelberg Dan Jackson and Jeremy Guiberteau Cassie LaMere Julia Marsden Stephanie L. Perkins Rachel Tocker Annie and Brian Zucker
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CONCERTS & COMEDY
FRI, SEP 28
BASS CONCERT HALL Photo by TK
Interpol
texasperformingarts.org 40
texasperformingarts.org
Charity Angel Dawson, Desi Oakley and Lenne Klingaman in the National Tour of Waitress; Photo by Joan Marcus
STUDENT ENGAGEMENT / TEXAS PERFORMING ARTS
UT Students: Do you like Broadway, Concerts, and Comedy? You need a BASS PASS. Get 10 Tickets to every show, all year long at Texas Performing Arts. $
Get yours at basspass.org
BASS PASS
The Team Relationships & Revenue
BUSINESS OFFICE
Kathy Panoff
Business Operations Manager
Director and Associate Dean
Judy Lister-Patrick
Leigh Remeny
Assistant to the Director
Administrative Associate, Business Operations
DEVELOPMENT
Terri Waddle
Ashley Clarke Member Relations Manager
Rachel Schoen Ticket Concierge Manager
Ann Stafford
Senior Departmental Buyer, Business Operations CAMPUS & COMMUNITY ENGAGEMENT
Judith Rhedin
Director of Development
Assistant Director, Campus & Community Engagement
Sarah Weidler Young
Brenda Simms
Associate Director for Development HUMAN RESOURCES
Warren G. Whitaker SPHR, SHRM-SCP, Human Resources Manager
Program Coordinator, Education & Curriculum Development PRODUCTION
Seb Boone Master Electrician
Scott Bussey
MARKETING
Technical Director
Gene Bartholomew
Jeff W. Ellinger
Director of Marketing & Communications
Morgan Bathe Graphic Designer
Laura Bennett Marketing Coordinator, Media Buying & Settlements
Danielle Culp Project Administrator
Erica De Leon
Assistant Stage Supervisor
Dani Pruitt Performance Logistics Coordinator
Hank Schwemmer Master Carpenter
Rebecca Switzer Prop Shop Supervisor PROGRAMMING
Cynthia Patterson Program Manager
Will Shirey Talent Buyer STUDENT ENGAGEMENT
Tim Rogers Student Engagement Coordinator
Patron Experience, Planning & Analytics Associate Director
Performance Logistics Coordinator
Conrad Haden Stage Supervisor
Carolyn Hardin Assistant Prop Shop Supervisor
Jason Huerta Associate Scenic Studio Supervisor
Yvonne Kimmons
Senior Associate Director
Travis Perrin
Tara Vela
Selena San Miguel
Rachel Durkin-Drga
Scenic Art Supervisor
Phoebe Greene
J. E. Johnson
Business Operations, Programming & Production
Karen Maness
Lighting Supervisor
Marketing Specialist, Digital Media Marketing Coordinator, Strategic Content
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Kristi Lampi
Scenic Studio Supervisor Assistant Director, Performance Logistics
Kenny Kuykendall
GUEST SERVICES
Sarah Andrews Guest Services Manager
Alec Pasquarella Special Events & Operations Manager TICKET OFFICE
Susan Griffin Ticketing Services Manager
Shade Oyegbola Assistant Ticketing Services Manager, Broadway & Theatre and Dance
Assistant Audio Supervisor
Dianne Whitehair
Lindsay Long
Ticketing Systems Manager
Performance Logistics Coordinator
Michael Malak Audio Supervisor
texasperformingarts.org
Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.
House Managers Dina Black Virginia Bosman Margaret Byron Jan Collinson Carlos Hernandez Chuck Hesse Paige Horton Olga Kasma-Carnes Charlotte Klein
Eric Lee Laura Kojzarek Lee Michael Lee Ryan Monahan Shana Nichols Elisabeth Poigin Kimberly Hans Reaves Jessica Reed Ron Rizzato
Gracie Sanders Robyn Scott Josh Shandera Julie Spruell Andrea Stanfill Debra Thomas Leah Waheed Kyle Walker Sally Zukonik
Student Employees Hannah Hurst Alexandra Jereb Taylor Jones Jiajing Qi Mikaela Kelarek Rachel Lai Adriana Lara James “Wyatt” Laster Kelsey Linberg Anna Lu Mila Luna Natalie Manning Jenifer Margos Zachary Markizer Diamante Martinez Adam Means Sean Meyers Olivia Naworol Brian Nguyen Claire Norris
April Owusu Malyssa Quiles Alyson Redland Hayley Reese Morgan Riddle Ryan Rosson Jessica Sell Brenda Stanfill Christian Scheller Brisa Shaw Rohit Swaminathan Skyler Taten Taylor Travis George Velasquez Eric Vera Kenneth Wei Henry Wheatley-Ruther Nathan Wilton Claire Wood
Photo by TK
Laura Baggs Mahaly Baptiste Alex Bellon Jacob Brinks Casey Canamar I Gusti Ayu “Tiara” Chikadini Jane Cloninger Madeline Daniell Maddie Dennison Kate Dopkin Carol Endicott Emily Fernandez Wendy Fernandez Benjamin Galvan Lina Garcia Lauryn Hanley Madeleine Hayes Hannah Robbins Hopkins Jared Horn
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Become a Corporate Circle Member Members of the Corporate Circle enjoy VIP benefits while providing jobs for up to 70 students at Texas Performing Arts each year. With your support, students gain real work experience in every field from accounting to stage management, as well as professional mentoring, résumé and job search support, and a paycheck to help cover the cost of a world-class education at The University of Texas at Austin. The Corporate Circle is a great way to enjoy everything that Texas Performing Arts has to offer today, align your brand with the cultural leader in Central Texas, and help our students build a strong foundation for the future!
ENCORE
OVATION
Audre and Bernard Rapoport Regents Chair in Jewish Studies Dell Computer Corporation Dormady Financial Tito’s Handmade Vodka APPLAUSE
Austin Oral Surgery Michael Iupe, PLLC Jean-Marc Fray French Antiques K Friese & Associates Live Oak-Gottesman OroSolutions For information on the Corporate Circle contact Ashley Clarke, Member Relations Manager 512.232.8567 | aclarke@texasperformingarts.org 44
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Share Your Experience!
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Work Smarter Ricoh’s innovative business services are empowering Texas Performing Arts, on and off the stage.
Spotlight on Ricoh's Interactive Whiteboard, which encourages innovative, engaging, hands-on collaboration.
Photo courtesy of ©Park Street Photography
Our experience and cutting-edge technology allows the real-time exchange of information and the ability to collaborate whenever, wherever and however—helping Texas Performing Arts to work smarter.
www.ricoh-usa.com
Proud Workplace Technology Provider of Texas Performing Arts
© 2017 Ricoh USA, Inc. Ricoh® and the Ricoh logo are registered trademarks of Ricoh Company, Ltd. All other trademarks are the property of their respective owners.
MAKE THE MEMORIES LAST ALL SEASON T H E S P E L L B I N D I N G S E Q U E L T O T HE PH A N TOM OF T HE OPER A
NOV 27 - DEC 2 ON SALE NOW!
JAN 22 - 27 ON SALE OCTOBER 26
FEB 12 - 17 ON SALE NOVEMBER 9 ”ENTIRELY FRESH.
A REASON FOR CELEBRATION!” –NEW YORK MAGAZINE
APRIL 2 - 7 ON SALE NOVEMBER 30
JOIN US FOR THE BEST OF BROADWAY BroadwayInAustin.com Groups 10+*: 877.275.3804 WAITRESS contains mature content Presented by Texas Performing Arts. Broadway Across America provides production services for Texas Performing Arts. Sales tax exempt pursuant to Texas Tax Code Section 151.3101 (a)(3).
Seasons change, and so have we.
Introducing...
The newly redesigned restaurant at Four Seasons Hotel Austin Enjoy 15% off and VIP Parking with our Pre-Theatre dinner offer For more information, visit arboristatx.com
Support The 2018–19 Texas Performing Arts Season is made possible by generous support from our corporate and foundation partners. PRESENTING SPONSOR
PLATINUM SPONSORS
GOLD SPONSORS
SILVER SPONSOR
MEDIA SPONSORS
PROGRAM SUPPORT
As an educational institution committed to the free exchange of ideas, Texas Performing Arts is proud to present a rich array of performing arts for the Austin and Central Texas community. Sponsorship of Texas Performing Arts does not imply endorsement of artists or their performance content by sponsors or their representatives.
For Information on Corporate Sponsorship Contact Ann Stafford, Director of Development 512.471.7583 | astafford@texasperformingarts.org 50
texasperformingarts.org
RARE FORM
IN SUPPORT OF GREAT PERFORMERS Lexus of Austin and Lexus of Lakeway are proud sponsors of the Lexus Broadway in Austin series at Texas Performing Arts. Through this dynamic partnership, Lexus is committed to supporting the cultural life in Central Texas by expanding world-class programming and strengthening the bond between performing arts and the community.
LEXUS OF AUSTIN 9910 Stonelake Boulevard (512) 343 -3400
lexus.com | #Lexus
LEXUS OF LAKEWAY 108 RR 620 South (512) 580 - 0600
Options shown. ©2018 Lexus
5 THINGS TO EXPECT FROM THIS ESSENTIAL SERIES SEASON
1
Bellyaches
Comedy troupes and colorful playwrights will leave you with breathless with laughter.
Photos by Jeff Thomas, Mark Niskanen, John Abbott, and Tom Lawlor
Learn more about our Essential Series artists at texasperformingarts.org/season
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Rhythm
Whether it’s the smooth jazz of Fred Hersch or the harmonies of The Sounds of Zamar, you’ll enjoy this season’s melodies.
Strength
From the athleticism of the acrobats to the grace of Ragamala dancers, this season’s dance performances will demonstrate the art of strength.
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Storytelling
Photo by TK
This season’s storytelling will transport you through Shakespeare’s Elizabethan era, the heartbreak of WWI, and the historic events of the 1960s.
texasperformingarts.org
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Culture
You’ll experience a spectrum of cultures that bring perspectives from around the globe to center stage.
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1. The Complete Works of William Shakespeare (abridged) and The Complete History of America (abridged) were the longest running comedies in _ _ _ _ _ _. (6 LETTERS) 2. The Reduced Shakespeare Company won the prestigious _ _ _ _ _ _ Award in New York City. (6 LETTERS) 3. On April 23, 2014, the company set a _ _ _ _ _ _ _ _ World RecordTM for the Highest Theatrical Performance at 37,000 feet aboard an EasyJet flight. (8 LETTERS) 4. Since its pass-the-hat origins in 1981, the Reduced Shakespeare Company has created _ _ _ world-renowned stage shows. (3 LETTERS)
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Word Search
R
5. The _ _ _ World Service commissioned the six-part Reduced Shakespeare Radio Show. (3 LETTERS) 6. Adam _ _ _ _ is a writer, performer, and founding member of The Reduced Shakespeare Company. (4 LETTERS) 7. Reed Martin, Adam Long, and Austin Tichenor are all _ _ _ _ _ _ _ _ partners of The Reduced Shakespeare Company as well as performers and writers for the company. (8 LETTERS) 8. Reed Martin’s voice can be heard in the animated feature film _ _ _ _ _ (1995). (5 LETTERS) 9. Austin Tichenor produces and hosts the weekly Reduced Shakespeare Company _ _ _ _ _ _ _, available on iTunes. (7 LETTERS)
texasperformingarts.org
Answers: 1. LONDON; 2. SHORTY; 3. GUINNESS; 4. TEN; 5. BBC; 6. LONG; 7. MANAGING; 8. BALTO; 9. PODCAST
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Word Search
“The greatest scientists are always artists as well.� Albert Einstein
A proud supporter of the healing power of the arts. The Best Is Here.