TPA Program: Kid Koala, Huang Yi

Page 1


Kid Koala

The Storyville Mosquito

Sat, Nov 2

McCullough Theatre

Ink

Thu, Nov 7

Bass Concert Hall

Kid Koala The Storyville Mosquito

Huang Yi Ink

Welcome to Texas Performing Arts!

Thank you for joining us! We’re thrilled you’re here to experience our 24/25 Texas Performing Arts Season. We hope that the artists inspire you through their work.

We are proud to showcase live performances from both iconic artists and emerging talents. This season we’ve put together for you a globehopping lineup of 14 events that push the boundaries of traditional performing arts, offering innovative experiences from creators who are boldly redefining their fields.

We’re also excited to bring you performances in collaboration with other great Austin arts organizations, including Conspirare, Fusebox, ATX Chamber Music & Jazz, and more. As part of our ongoing commitment to fostering new works, we’re proud to introduce our next artist-in-residence project, Postcards from the Border, by Austin songwriter Carrie Rodriguez, novelist Oscar Cásares, and photographer Joel Salcido. Discover the full season lineup and see all that we have to offer at texasperformingarts.org.

The 24/25 TPA season complements the always-popular Broadway in Austin series—this year is our biggest yet with ten shows direct from Broadway—and our Texas Welcomes series of concerts, comedy, and family entertainment. We hope you can join us often to share in the magic of great performances.

Let’s start the show!

by

Photo
Matt Wright-Steel

Proud Sponsor

Beyond the Performance

At Texas Performing Arts, we believe in the unique power of live performance to uplift, connect, and create community and we ensure that our engagement with the arts reaches far beyond the stage. Annually, thousands of students and Central Texas residents participate in TPA’s educational and outreach programs, including pre- and post-show discussions, workshops, masterclasses, and youth performances. By offering an array of transformative experiences, we aim to inspire people of all ages and enhance the role of the performing arts in Austin.

Jazz students from Huston-Tillotson University were invited to participate in the soundcheck with Grammyaward winning jazz vocalist Samara Joy before her Bass Concert Hall debut.

More than 1,600 area students visited Bass Concert Hall for a special school day performance with the celebrated company Alvin Ailey American Dance Theater.

Community members gathered together to learn movements from Alvin Ailey’s iconic and timeless dance work Revelations, led by former Ailey company member Nasha Thomas.

Students from Elgin High School enjoyed a special performance of the smash hit Wicked as part of TPA’s Broadway Experience for Youth program.

TPA’s new 24/25 season is in full swing featuring pioneering performances across multiple genres and a number of ways to interact with and learn from our visiting artists. Here are just a few highlights of our education and engagement activities from this past season. 1 2 3 4 5

Award-winning choreographer Abby Zbikowski led a masterclass with UT dance students ahead of Radioactive Practice, named ‘Best Dance Performance of 2022’ by The New York Times.

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TPA Expands School Day Performances to Include First-ever Broadway Show

At TPA, support from donors like you is instrumental in providing programs that expand access to the performing arts for students of all ages. Your support covers bus transportation and free tickets to educational performances with renowned artists. These daytime performances have ignited inspiration and imagination in hundreds of thousands of students across Central Texas.

TPA transforms lives through the power of creativity, education, and the performing arts. We are committed to ensuring that every student has the opportunity to experience world-class live performances. But we can’t do it without donors like you!

This season, TPA is expanding to reach more than 12,000 K–12 students. For the first time, 3,000

local students will be able to attend a free, daytime performance of the acclaimed Broadway musical Peter Pan. In addition, every 5th grader in Austin Independent School District will attend a special daytime performance of El Otro Oz, a bilingual, Mexican folkinfused musical inspired by The Wizard of Oz. Along with these two presentations, TPA will offer school day performances with Kid Koala, Sweet Honey In The Rock, and Versa-Style Street Dance Company for a total of five this year.

Programs like these can’t exist without the generous support of our members and donors like you. Want to learn more about how you can expand live arts access for students in Central Texas? Contact support@texasperformingarts.org or call 512.471.1195.

by Robert Silver

Photo

Every Seat is the Best Seat in the House

ART BEYOND THE STAGE

Discover works from Landmarks’ collection at Bass Concert Hall

Photo by
Landmarks’ mobile tours are generously provided by Sheri Clark Henriksen.
Koren Der Harootian, Prometheus and Vulture, 1948.
Photo by Paul Bardagjy.

Texas Performing Arts and Fusebox present

Kid Koala The Storyville Mosquito

Support for The Storyville Mosquito is provided by the Carolyn Rice Bartlett Charitable Foundation, Z. T. Scott Family Endowment for the Performing Arts, Moritz Center for Societal Impact Good Neighbors Program, College of Fine Arts O’Donnell Visiting Artist Endowment, and an anonymous donor.

Media Sponsors:

Creative Team

Director / Musical Score

Producer

Production Manager

Art Director

Assistant Set Designer

Puppet Designer

Director of Photography

Musical Director

Co-composers

Music Prep / Copyist

Lighting Designer

Technical Directors

Additional Set Builders

Additional Puppet Builders

Kid Koala / Eric San

Ryhna Thompson

Brian Neuman

Corinne Merrell

Nancy Belzile

Patrick Martel

AJ Korkidakis

Vid Cousins

Vid Cousins and Dave Campbell

Marcus Takizawa

Olivier Gaudet Savard

Brian Neuman / Guillaume Briand

Nancy Belzile, Faustine Berthet, Joseph Gagne, Bruno-Pierre Houle, Alizée Millot

Isabelle Chretien

Sophie Dealauriers

Véronique Poirier

Marie-Pierre Simard

Sandra Turgeon

Colin St-Cyr Duhamel

Touring Team

Musicians

Puppeteers

Cinematographer

Sound Mix Engineer

Video Editor

Tour Manager

Assistant Puppeteers

Management: Represented and

Produced by

Eric San (Kid Koala)

Markus Takizawa (violin)

David Campbell (cello)

Blake Turner (viola)

Patrick Martel, Anne Lalancette, Colin St-Cyr Duhamel, Sandra Turgeon

AJ Korkidakis

Rena Kozak

Phil Creamer

Brian Neuman

Alizee Millot & Maggie Winston

Envision Management & Production

ARTIST STATEMENT

One of my fondest memories from childhood is watching Charlie Chaplin films with my parents and grandparents. It was one of a few moments I remember where all three generations of my family sat together, laughed, cried and were moved by the same piece of art. Since then, it has always been a goal for me to try to create things that joyfully connect people.

It was also the first time I realized there was a “production” behind what I was seeing on the screen. A whole team of people such as set builders, lighting designers, cinematographers and more all working together to make the magic on the screen.

I’m so thankful to be working with this incredible team of artists and performers to create this “live film” for audiences each night on stage. You will get to see the final film (on the screen) and the “making of” (on the stage) simultaneously. That’s twice the value for your hard earned ticket buying money!

At its heart, The Storyville Mosquito is a good old fashioned love story about meeting new people, sharing

your story, finding your voice and searching for that something that connects us all.

This production is a place where my favourite things collide: cinema, live performance, soundtrack music, storytelling, comedy, drama, puppetry and turntables! Enjoy the show!

-Kid Koala

Co-commissioned by Internationales Sommerfestival Kampnagel, Place des Arts and its Foundation and NYU Abu Dhabi The Arts Center. Created with support from the Canada Council for the Arts and the Conseil des Arts et des Lettres du Québec. Developed with support from the National Arts Centre’s National Creation Fund. The performances in Hamburg are supported by the Canada Council for the Arts and the Government of Canada and the Embassy of Canada Berlin and SODEC Quebec.

Photo by Corinne Merrell

ARTIST BIOS

Creator, Director, Musical Score

Eric San, a.k.a. Kid Koala, is a Montreal-based scratch DJ, film composer, theatre producer and visual artist. He has released 6 solo albums, and worked on multiple collaborations and soundtracks. He has toured with Radiohead, Arcade Fire, Beastie Boys and The Preservation Hall Jazz Band. He has collaborated with Gorillaz, Deltron 3030 and produced the Music To Draw To album series featuring vocalists Emilíana Torrini and Trixie Whitley. He has composed music for The National Film Board of Canada, Cartoon Network, Sesame Street, Adult Swim, The Winter Olympic Games, and contributed to musical scores of several films including The Great Gatsby, Baby Driver, Scott Pilgrim vs. The World, and Looper. He has created music for several video games, including the complete soundtrack to the award-winning multi platform video game Floor Kids.

He has written and illustrated the award-winning graphic novels, Nufonia Must Fall and Space Cadet.

Kid Koala’s unforgettable live shows range from touring

turntable carnivals like Vinyl Vaudeville to immersive multimedia shows like Nufonia Must Fall, Satellite Turntable Orchestra and his most recent “live film” production The Storyville Mosquito; each of which expresses his unique form of storytelling with music, live animation, film and interactive entertainment.

Art Director

Corinne Merrell creates work as an art director for film, stop-motion animation and theatre. Her handcrafted sets create environments and spaces for storytelling. She was head stop-motion art director on the award winning animated feature The Little Prince, directed by Mark Osborne. She was also production designer on the National Film Board’s The Fruit Hunters by acclaimed documentary filmmaker Yung Chang. Her collaborations with Kara Blake continue to explore the use of miniatures in film, and ‘Illusions,’ a commission for the Ensemble Contemporain de Montréal and Gryphon Trio brought their work to the stage. Corinne studied architecture at McGill University and also holds a Master of Fine Arts in Design for Stage and Film from NYU Tisch School of the Arts. She is a faculty member in the Department

of Theatre at Concordia University in Montreal, Quebec.

Puppet Designer

Patrick Martel is a puppeteer, puppet designer, set designer and theatre director. He designed many theatre productions and television series, most of them involving different styles of puppetry. He has collaborated with a number of companies, including the Center for Puppetry Arts in Atlanta, Monlove and 4Darts (Lemieux/Pilon). He enjoyed a 25 year long collaboration with Théâtre de l’Avant-Pays, where he designed over a dozen productions, many of which he also performed in. With this company, he recently directed and designed sets and puppets for Mémoire de Lou. In 2004, The Arlyn Award Society awarded him a c ommendation for his puppet design work on À nous deux!, another production from this same company. Recent engagements as both puppet designer and puppet coach include: the opera production of Die Zauberflöte for the Glyndebourne Festival, Nezha the Pirate Child, with Cirque Éloize, and Toruk – The First Flight, with Cirque du Soleil.

Since 2000, he teaches at Université du Québec à Montréal, to BA students and for the post-graduate diploma in contemporary puppet theatre. His first collaboration with Kid Koala was as puppet designer, puppet technical designer and puppeteer for Nufonia Must Fall.

Director of Cinematography

AJ Korkidakis is a maniacally multi-tasking Montréal-based digital media artist. A compulsive creator, his practice blends video, animation, design & photography into unique & bizarre creations. His work spans short films that have screened internationally and have been broadcast on the CBC, music videos with beloved Canadian bands like Stars and The Dears, award winning public service campaigns for organizations such as Global Zero and the CSN labour union, two acclaimed live touring shows created in collaboration with Kid Koala that have wowed audiences around the world, and an ongoing stint as the resident graphic designer for Tableau D’Hôte Theatre, one of Montréal’s most important theatre companies. He is known across social media as AJMAKESTHINGS because of his seemingly

endless output of multimedia experiments. He will befriend your dog.

Musical Director

Since composing his first string quartet at the age of fourteen, Vid Cousins has had a varied career in music as a composer, musician, producer, arranger and engineer both in-studio and live. Beginning his career in London, UK working alongside engineers and producers including Al Fisch (Bjork, The Art of Noise), Charlie Francis (REM, Hi Llamas), Brian Rose (Robbie Williams, Longview), he relocated to Montreal as a musician and Musical Director on Spek’s Don’t Sweat the Small Stuff tour. He has since spearheaded the audio production of numerous international tours such as Amon Tobin’s Foley Room 7.1 surround sound tour, and worked with artists on the road such as Squarepusher, Bell Orchestre and of course Kid Koala with whom he has collaborated on numerous live tours as well as records and scores as producer, engineer and composer and musician. His work has been featured in the scores of a number of National Film Board films and he provided the original score to the Oscar shortlisted animated film Requiem for Romance.

Producer

Over the course of the last 2 and a half decades, Ryhna Thompson has been an artist, manager, entrepreneur, leader and change maker in the cultural and creative industries. Under the banner of Envision Management & Production, Ryhna works with artists to conceive, produce, manage and share musical projects, often in the realm where music intersects with film, animation, theater, literature and interactivity - and all in the context of building authentic, long-term careers. Projects have ranged widely from Richard Reed Parry’s Quiet River of Dust Dome show, to The Pathwaves Digital Literacy Incubator. The Storyville Mosquito is one of her latest works as a multi-disciplinary Producer, working alongside longtime collaborator, Kid Koala. She has produced tours on 5 continents. Always keen to contribute to her communities, Ryhna has sat on numerous non-profit boards and committees to support a healthy, sustainable, positive and innovative creative economy.

Photo by Mikael Theimer

NOV 7, 2024

BASS

Texas Performing Arts Presents

Huang Yi Ink

Support for Huang Yi’s performance is provided by the Phillip Auth Endowed Dance Fund for Texas Performing Arts.

The performance is made possible by the generous support of the Ministry of Culture (Taiwan).

Dancers

Hu Chien, Huang Yi, Hsieh Cheng-Yu, Chen Zhao-Li, Chen

Yi-Chen, Yeh Huan-Chun, Yu Wen-Pin, Tai Yi-Fen, Tsai Yi-Ting, Chung Shun-Wen, Huang Yen-Lin

Creative & Production Team

Artistic Direction, Concept & Choreography

Huang Yi

Calligraphy

Tong Yang-Tze

Audiovisuals

Ryoichi Kurokawa

Technical Director

Lin Chia-Liang

Technical Assistant Chen Yun-Wen

Producer Wu Min-Fang

Representation

Ichun Yeh, Sozo

Media Sponsors:

ARTIST STATEMENT

My collaborator Ms. Tong maintains a distance from technology, refraining from using a mobile phone or the internet, and she always calls me from a landline. It’s been a long time since I got a call from a landline, and it was a bit like a call from another time and space. This aspect added a unique touch to our collaboration, as our approaches to technology were extremely different.

My past works have never used elements of traditional oriental culture, and for me, Ink holds significance in cultural heritage. I asked myself, how should Ms. Tong calligraphy dialogue with the limbs of humans and robots, and Ryoichi Kurokawa’s images?

We share the desire to maintain a contemporary and dynamic feel, and to challenge the preconceptions of calligraphy as “traditional” and “outdated,” through new media arts and the movement of human and robotic performers.

Ink interprets Ms. Tong’s Silent Music series, and the abstract nature allows us to focus on the energy, space, and texture of the brushstrokes. The absence of

specific Chinese characters eliminates the need for translation, making the calligraphic beauty accessible even without knowledge of Chinese.

When calligraphers finish a work, they typically use a stamp to leave their mark. I asked Ms. Tong if I could use her stamp, as it holds importance in our culture. Ms. Tong happily agreed, considering the culmination of Ryoichi’s audiovisual art, her calligraphy, and the human-machine interaction as a signature of our time.

I’m very grateful for this encounter.

ARTIST BIO

HUANG

YI

Taiwanese dancer, choreographer, inventor, and videographer Huang Yi’s pioneering work is steeped in his fascination with the partnership between humans and robots. He interweaves continuous movement with mechanical and multimedia elements to create a form of dance which corresponds with the flow of data, effectively making the performer a dancing instrument. Named by Dance Magazine as one of the “25 to Watch,” Huang was immersed in the arts at a young age, spending much of his childhood in his parents’ studio watching them teach tango and learning to paint alongside his father. Huang has been Artist-in-Residence of the National Theater & Concert Hall, the National Performing Arts Center, Taiwan, and is widely considered one of Asia’s most prolific choreographers.

Huang’s groundbreaking and award-winning work, Huang Yi & Kuka, in which he and his dancers perform alongside an industrial robot he programmed, has opened the Ars Electronica Festival (Austria), TED Conference (Vancouver), and toured globally since 2015 including

in Australia, the Americas, Europe, Asia, and the UAE.

Huang Yi premiered Under the Horizon, a hybrid opera, in collaboration with Berlinbased Ryoichi Kurokawa and the Netherlands Chamber Choir, in Holland and Taiwan in 2018. In February 2019 he premiered A Million Miles Away at Taiwan’s celebrated National Theater. His latest work, Ink, premiered at the National Taichung Theater and the National Theater in Taipei in June 2023.

Special Thanks to:

Multinational Company Long Dedicated to Community Investment CANJUNE

Taiwan Top Performing Arts Group Project, National Culture and Arts Foundation (Taiwan) Hong Foundation

National Center for HighPerformance Computing (Taiwan)

Industrial Technology Research Institute (Taiwan)

ABOUT INK

In their newest collaboration Ink, choreographer Huang Yi and audiovisiual pioneer Ryoichi Kurokawa dismantle and reconstruct the lines from a hundred artworks in renowned calligrapher Tong Yang-Tze’s “Silent Music” series, exploring the various texture between body, sound, visual and space.

Hovering between delicate and frantic dynamics, Huang digs deeper into his cultural roots and reveals a wild movement language, turning dancers’ bodies into brushes that paint and leave marks on stage. With speed and a ferocious vocabulary, dancers churn like a vortex in one moment, only to become flowing liquid in the next. Kurokawa transforms the inkblots into luminous tracks, echoing and merging with the unique brushstrokes of Tong, constructing a continuous flow of paintings via stunning holographic projection.

Combining Huang’s explosive and precise language and Kurokawa’s meticulous and sophisticated artistry, Ink is a work that crosses borders and fuses analog and digital, reflecting the harmonic tension between the realms of ancient practice and future design.

Ink is an original production of Huang Yi Studio +, co-commissioned by the National Taichung Theater and National Theater, Taipei in Taiwan and had its world premiere in June 2023.

Carrie Rodriguez, Oscar Cásares & Joel Salcido Postcards From The Border

Fri, Jan 24 & Sat, Jan 25

Sweet Honey in the Rock

Fri, Feb 14

Honor, An Artist Lecture by Suzanne Bocanegra starring Lili Taylor

Fri, Jan 31 & Sat, Feb 1

Versa-Style Street Dance Company Rooted Rhythms

Fri, Feb 28 & Sat, Mar 1

Helping Texans is at the heart of H-E-B.

Over 115 years ago, we opened our doors to help make the lives of hard-working Texans better. We were a family business back then. We remain a family business today with a passion for - and a helping hand in - every community we serve. From fighting hunger and providing disaster relief to honoring Texas educators and our Nation’s military, we’re firm believers in Texans helping Texans. We do this for one simple reason. We are from here, so we are helping here.

Leadership Board

The Texas Performing Arts Leadership Board is a group of volunteer leaders in the arts, business, and philanthropy. The Board is dedicated to expanding Texas Performing Arts’ world-class programming, positioning the organization as an international leader in the performing arts, and strengthening the bond between the performing arts and the communities we serve.

Major Donors

Board Members

Brian Haley, Chair

Kristin Alexander

Malú Alvarez

Carly Christopher

Jaime Davila

Tamara Dorrance

Lisa Duchon & Dennis

Andrulis

Debbie Dupré

Dennis Eakin

Aubrey & Bobby Epstein

Deborah Green

Sheri Henriksen

Mike Herman

Steve Houston

Nancy & Angus Littlejohn

Chris Mattsson

Eric Natinsky

Lauren Reid

Marc Seriff

Lisa B. Thompson

Natasa & Michael Valocchi

Texas Performing Arts is a nonprofit supported by generous patrons and donors. We extend a special thank you to the following major supporters:

$100,000+ Anonymous

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Malú Alvarez

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William & Anita Cochran

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Chris Mattsson

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Carolyn & Marc Seriff

The Tocker Foundation

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$50,000–99,999

Carolyn Rice Bartlett

Charitable Foundation

Jamie Barshop

$10,000–49,999

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Moritz Center for Societal Impact

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Kendra Scott Foundation

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Laura & David Starks

Special gratitude to donors who have established endowments at Texas Performing Arts to provide long-term funding for mission-driven projects and programs:

Alex and Dee Massad Endowment Fund Arts Education Endowment

Joann and Gaylord Jentz Endowment for Student Engagement

Kathy Panoff Texas Performing Arts Student Engagement Endowment

Nancy Lee and Perry R. Bass Concert Hall Endowment

William & Anita Cochran Endowment for Performing Arts Access & Education

Phillip Auth Endowed Dance Fund for Texas Performing Arts PAC Fund for the Creation of New American Art

Performing Arts Center Endowment for Performing Excellence

Robert L. Tocker Endowed Excellence Fund for Student Volunteerism

Topfer Endowment for Performing Arts Production

Z. T. Scott Family Endowment for the Performing Arts

Texas Performing Arts Staff

Bob Bursey

Executive & Artistic

Director

Bianca Hooi

Executive & Artistic

Project Manager

Priscilla Perales

Assistant to the Executive & Artistic Director

BUSINESS OFFICE

Kristi Lampi Director of Business Operations

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DEVELOPMENT

Anna Langdell

Director of Development

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Amy Burgar

Associate Director, Development

Chelsea Casner

Development Specialist, Major Gifts

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EDUCATION & ENGAGEMENT

Tim Rogers

Director of Education & Engagement

Eric Vera

Education Program Manager

Aubrey Felty

Education & Engagement Program Coordinator

Ava Tran

Emerging Arts Professional, Education & Engagement

FABRICATION & ACADEMIC PRODUCTION

Jeff Grapko

Director of Fabrication and Academic Production

Scott Bussey

Facility Manager and Senior Technical Director

Bridgette Clifford

Emerging Arts Professional, Fabrication

Daniel Geld

Emerging Arts Professional, Fabrication

Carolyn Hardin

Properties Manager

Eliot Haynes

Assistant Audio/Video Supervisor, Academic Production

Jason Huerta

Operations Manager, Fabrication

J. E. Johnson

Associate Director, Fabrication

Karen Maness

Associate Director, Fabrication

Earnest Mazique

Academic Production

Technology Manager

Ashton Bennett Murphy Project Specialist, Fabrication

Hank Schwemmer Lead Fabricator

Michael Shanks

Assistant Lighting Supervisor, Academic Production

David Tolin

Project Manager, Fabrication

MARKETING & TICKETING

Tara Vela

Interim Director of Marketing and Sales

Brady Dyer

Associate Director, Communications

Romina Jara

Associate Director, Marketing

Lizzie Choffel Cantu

Design Manager

Erica De Leon

Digital Marketing Manager

Lindsey Sageser

Marketing Associate

Diana Gembinksi

Director of Ticketing

Dianne Whitehair

Ticketing Systems Manager

Elizabeth Requenez

Ticketing Manager

Meredith Delay

Texas Inner Circle

Ticket Concierge

PRODUCTION

Jim Larkin

Director of Production

Blake Addyson

Production Supervisor

Drew Millay

Audio Video Supervisor

Chris Payeur

Assistant Audio

Video Supervisor

Joey Colao

Lighting Supervisor

Camryn Senioris

Assistant Lighting Supervisor

Travis Perrin

Staging and Rigging Supervisor

Ruben Vasquez

Assistant Staging and Rigging Supervisor

PROGRAMS & EVENTS

Bobby Asher

Director of Programming

Brendan Burke

Programming Manager

Mika O’Dwyer

Event Manager

Alexander Reindl

Event Manager

GUEST EXPERIENCE

Blake McDonald

Director of

Guest Experience

Amanda Adams

Associate Director,

Guest Services

Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.

House Managers

Dina Black

Virginia Bosman

Margaret Byron

Nancy Carrales

Sally Deweber

Sheri Dildy

Janine Dos Remedios

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Tony C Garcia

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Syevens

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Matthew Smith

Karla Solis

Nguyen Tang

Julia Thompson

Madison Tran

Karina Trejo

Rylee Vines

Cassidy Wen

Julia Yelvington

Texas Inner Circle Members

Texas Performing Arts gratefully acknowledges the financial support of our members. Each year, members help fund robust education and engagement initiatives, affordable student tickets, and critical student employment opportunities that make Texas Performing Arts so much more than what you see on our stages.

Benefactor’s Circle

$10,000+

Virginia and Gilbert Burciaga

Lee Carnes

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Wayne Orchid

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$5,000–9,999

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Donations made as of Aug 13, 2024

We regret that limited space does not allow us to list every member. For information on ways to give, please visit texasperformingarts.org/membership, call the membership office at 512.232.8567, or email us at support@texasperformingarts.org.

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$2,500–4,999

Anonymous

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DINNER BEFORE THE SHOW. DRINKS WHEN IT'S DONE.

Acre 41, an upscale contemporary steakhouse with USDA steaks and a vast whiskey collection

Otopia, a rooftop lounge on the 11th floor with light bites, drinks, and stellar views of Austin

Bar Moxy, a trendy bar right in the heart of the Campus District with a courtyard and games

Zombie Taco, a delicious late-night taco counter serving tacos, burritos, nachos, churros, and more

SCAN NOW TO RESERVE

Sharing Joy

A gift from longtime Texas Performing Arts members Bill and Anita Cochran enriches the lives of thousands of Austin-area children.

The William and Anita Cochran Endowment for Performing Arts Access and Education supports performances by nationally recognized artists for students from elementary through high school. With their gift, the Cochrans are helping Texas Performing Arts continue to be one of the nation’s highest-impact live arts organizations.

You can support Texas Performing Arts, like the Cochrans, through your will, trust or estate plan to share the joy of vibrant performing arts programming for generations to come.

Call 800-687-4602 or email giftplan@austin.utexas.edu for more information.

scan the qr code to learn more about gift and estate planning.

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