Woman Cultural Centre (Rwanda) and Volcano (Canada)
The Book of Life
OCT 1 | MCCULLOUGH THEATRE
MOMIX: Alice
SEP 20 | BASS CONCERT HALL
PRESENTING SPONSORS
8 Beyond the Performance
11 hollywoodbackdrops.org is Now Live
12 Take a Bow! Austin’s own Langston Lee Wins National Jimmy Award
14
The Book of Life
Acclaimed writer and activist Kiki Katese takes to the stage with The Women Drummers of Rwanda in a performance filled with music and hope.
30
MOMIX: Alice
“MOMIX’s Alice fills the stage with a marvelously dizzying flow of physical activities and illusions amid expansive, artful projections.”
— Wall Street Journal
Photo by Dahlia KatzWelcome to Texas Performing Arts!
Thank you for joining us! We’re thrilled to share our all-new 23/24 performing arts season showcasing extraordinary international theatre, dance, and music that you won’t find anywhere else.
A select lineup of 14 curated performances, this season features some of the most exciting new creations from around the world including bold projects from both established and emerging performance-makers. We are delighted to welcome back iconic artists and companies who have not been to Austin in recent years, including world-renowned cellist Yo-Yo Ma and the celebrated Alvin Ailey American Dance Theater. This season also kicks off a new phase of the partnership between TPA and Fusebox to present more adventurous live performance in Austin — six cutting-edge events that you won’t want to miss will make their Texas premieres this fall through next spring. You can explore the complete lineup and see all that we have to offer at texasperformingarts.org.
The 23/24 TPA season complements our always-popular Broadway in Austin series and our Texas Welcomes lineup of concerts and comedy. We invite you to get inspired and join us at TPA this season to experience the very best in new performance.
Let’s start the show!
Bob Bursey Executive & Artistic DirectorMAKE TPA YOUR PLACE !
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Beyond the Performance
At Texas Performing Arts we make sure engagement with the arts extends beyond the stage, both here on campus and in the community. Through workshops, discussions, youth performances, and more, we strive for everyone to be able to feed their artistic spirit.
Our 23/24 Season is in full swing with a diverse lineup of extraordinary international theatre, music, and dance — and myriad new opportunities to connect with our performances. We invite you to get inspired and join us at TPA, the place for art in Austin. Here are a few highlights of our campus and community activities from this year. 1
UT students, area high school students, and community participants learned the moves to Hairspray's iconic number You Can't Stop the Beat, led by a touring company member.
2
A group of summer campers from the Carver Museum toured Bass Concert Hall in June and learned about the work that goes on behind the scenes.
2 3 4
Members of Latin Grammy-winning Flor de Toloache gathered with UT Mariachi Paredes students to play music and talk about how they got their start.
Local elementary students enjoyed Chicago-based Manual Cinema's Leonardo! A Wonderful Show About a Terrible Monster — a unique performance that used hundreds of illustrated paper puppets, costumes, and a live soundtrack to bring Mo Willems' acclaimed books to life.
4 5
This spring more than 1500 students (41 busloads!) were dazzled at a youth performance by Dance Theatre of Harlem in Bass Concert Hall. During this special presentation, company members took a moment to pose for a quick selfie.
hollywoodbackdrops.org is Now Live
Texas Performing Arts is home to the most extensive educational collection of Hollywood motion picture backdrops in the world. Comprised of 68 backings, the Hollywood Backdrop Collection includes original works from iconic and celebrated films such as The Sound of Music (20th Century Fox 1965), Ben Hur (MGM 1959), and North by Northwest (MGM 1958). Generously donated to Texas Performing Arts by J.C. Backings and the Art Directors Guild Archives’ Backdrop Recovery Project, the collection is a living legacy of Hollywood's Golden Age.
Thanks to TPA supporters Susan and Robert Morse this unique collection is now available worldwide in an easy-touse, mobile friendly website. Both visual gallery and teaching archive, this all-new online resource will amplify the legacy of largely forgotten visual artists and engage educators, researchers and cinephiles in new and exciting ways.
To support the Hollywood Backdrop Collection, please contact support@texasperformingarts.org or call 512.471.1195.
Take a Bow! Austin’s own Langston Lee Wins National Jimmy Award
In June the most talented teenagers from across the country took the stage at the Minskoff Theatre in New York City for the 14th National High School Musical Theatre Awards®, better known as the Jimmys. Among them, two Austinarea students, Langston Lee and Kyra Carr had the opportunity to compete on the Broadway stage with 94 other nominees.
This annual awards event is a coast-tocoast celebration of outstanding student achievement recognizing individual artistry in vocal, dance, and acting performance. Both Langston and Kyra are winners of the 2023 Heller Awards for Young Artists for leading roles in their high school musicals. This was the first year that Heller winners could compete at the national level, thanks to a partnership with Texas Performing Arts, a member of the Broadway League. At the end of an unforgettable evening of show-stopping performances, the top honor of Best Performance by an Actor was awarded to Langston.
But the Jimmys is not only an awards event, it’s a once-in-lifetime opportunity for the students to learn what it takes to build a performing arts career through coaching sessions, training, and rehearsals led by some of Broadway’s most accomplished professionals.
Nurturing homegrown talent and guiding and supporting the next generation of artists is central to TPA's mission and we could not be happier for Langston, Kyra, and all of the nominees. Bravo!
Want to learn how you can support the Jimmy Awards® through TPA? Contact support@texasperformingarts.org or call 512.471.1195.
Oct 1, 2023
McCullough Theatre
Woman Cultural Centre (Rwanda) and Volcano (Canada) The Book of Life
Playwright / Performer / Co-creator: Gakire Katese Odile “Kiki”
Director / Co-creator: Ross Manson
The Women Drummers of Rwanda:
Kamariza Mediatrice
Mukeshimana Alphonsine
Mukamugema Chantal
Mukanyandwi Claudine
Musabyemariya Christine
Nyinawimbabazi Claudine
Uwamriya Clementine
Uwintije Clementine
A Note from the Producers: Because the global arts world is asymmetrical with respect to funding access, there is often a basic inequity in North/South partnerships. Volcano (Canada), and the Woman Cultural Centre (Rwanda), are pioneering an Asymmetric Co-production agreement based on transparency and shared agency. We would like to make this available to other producers. If you’re interested, reach us at info@volcano.ca.
Visual Animation Designer / Operator: Kristine White
Animation Designer: Sean Frey
Composer: Mutangana Moise
Producers / Production / Design: Kaitlin Hickey & Patrick Lavender
Translator and Visuals Assistant: Katese Aurore
Tour Company Manager: Kafi Pierre
Assistant Director: Abigail Whitney
Set Construction: Tuyizere Ernest, Kigali Rwanda
General Manager: Ray Bramble
Supported, in part, by the Topfer Endowment for Performing Arts Production and the Z. T. Scott Family Endowment for the Performing Arts.
Media Sponsor: KAZI
DIRECTOR’S NOTE
Merriam Webster defines Serendipity as: “The faculty or phenomenon of finding valuable or agreeable things not sought for.”
When I first travelled to Rwanda in 2008, I was keenly aware of Canada’s complicity in a global and wilful blindness to an unfolding genocide that had happened just over a decade earlier. Like many Canadians, I had learned of my own country’s failure to act through UN peacekeeping General Romeo Dallaire’s insistence on speaking out. He was our witness to the perils of ignorance and inaction. Western complicity, and a colonial eugenics program that ran for most of the 20th century in Rwanda before independence, had generated the most horrific imaginable consequences. Groups that had been more sociopolitical than racial, had been pitted by Europeans against one another over decades of toxic misinformation, forced labour, the introduction of identity cards, and racial favouritism based entirely on fiction. All of this was foremost in my mind.
It was in Kigali, at a coffee shop in the centre of the city, that Serendipity, like an agent of fate, put another theatre artist, Kiki Katese, in front of me. Kiki and I have had a long and productive artistic relationship ever since. We have invited each other to our respective countries to teach, to perform and to create. We have been doing this now for well over a decade. The Book of Life spans this entire time. It is a project that has taken many forms for her: short films, a book, a national letter-writing campaign, and now a play. The wisdom of it, of Kiki, of the women drummers who have been so integral to the construction of this project – this wisdom is a light, a beacon for the rest of the world, as we all peer ahead into an uncertain future. Kiki’s artmaking is, in fact, a valuable and agreeable thing.
In The Book of Life there’s an opportunity to re-invent things, to dream, to try to undo, and to propose, for a moment, another point of view, another way of revisiting the past… it’s like a ceremonial way to just rehabilitate life.
– Odile Gakire Katese
COMPANY BIOS
Gakire Katese Odile “Kiki”, as she herself describes it, is a professional dreamer and a woman of firsts. She is a Rwandan playwright, director and cultural entrepreneur. Among her many accomplishments in Rwanda are the first women’s drumming company (Ingoma Nshya, Women Initiatives), the first professional contemporary dance company (Amizero Dance Kompagnie), the first international festival (Festival Arts Azimuts), the first national festival in Rwanda (Rwanda Drum Festival), the first co-op ice cream store (Inzozi Nziza – Sweet Dreams) and the first recipient of the League of Professional Theatre Women’s Rosamond Gilder/Martha Coigney International Award. Kiki is a grand person with a warm, generous, insightful outlook on life. She has a vision that is a long one, of how art will heal and inspire her country.
Kiki is the founding director of Rwanda Professional Dreamers and is currently working on Mumataha, Remember Me and The Book of Life. More than projects related to the commemoration of the 1994 genocide, they are a dressing of wounds and come to lessen the sounds of tears and sorrow and to accompany the dead and the living on their respective journeys.
Women Drummers of Rwanda (Ingoma Nshya)
For centuries in Rwanda, drumming was an activity reserved exclusively for men. Women were not permitted to touch the drums or even approach the drummers.
In 2004, Gakire Katese Odile, “Kiki”, created the first-ever Rwandan female drumming ensemble, Ingoma Nshya – which is Kinyarwanda for ‘New Drum’ or ‘New Power’. After the near collapse of Rwanda in the wake of the 1994 Genocide against the Tutsis, a group of women decided it was time for a change, for the sake of the country, and, in particular, for the sake of its girls and women.
Ingoma Nshya is a visionary grass roots project with multiple goals – healing, reconciliation, women’s social and financial empowerment, and artistic excellence. For the women, the group has been a place to begin to live again, to build new relationships, to heal the wounds of the past.
For these women, culture is a driving force that allows them to emerge from the devastation of genocide, and to create a new future.
Ingoma Nshya is now a company of 20 professional drummers –together, they are a potent symbol of a society’s ability to heal, move forward, and create hope.
Find out more at ingomanshya.org or womanculturalcentre.com
Volcano, Canada
Volcano is a Toronto-based live performance creation company. It works adventurously, collaboratively, and with an eye to making art that transcends borders, boundaries and orthodoxies. A push for equity, racial justice and human well-being is critically important to Volcano. It is specifically mandated to be inclusive, and to diversify its sector through mentoring, training and representation. In its nearly
28-year history it has explored a wide-range of ethical terrains using opera, theatre, and crossdisciplinary performance, and toured productions to three continents. It has received over 70 awards or nominations at local, national and international levels. Its shows include Scott Joplin’s Treemonisha, Century Song, White Rabbit Red Rabbit, Goodness, and many others.
Volcano’s goal is to make the world a more resilient, just and caring place through imagination, action, respect for one another and through the art it supports.
Find out more at volcano.ca
Ross Manson, Director
Ross Manson is an award-winning director, and the founding artistic director of Volcano, an internationally acclaimed theatre company based in Toronto. Volcano is an independent, concept-driven company characterized by multidisciplinarity and collaboration across intersectional identities. Ross’s shows for Volcano have toured to three continents, and won or been nominated for over seventy local, national and international awards. He has directed for theatres across Canada and around the world, including: the Canadian Stage Company; the Tarragon theatre; Luminato Festival; the Traverse Theatre Scotland; LiteraturFest Berlin; PS122 New York; the National Svenska Theatre, Helsinki, and the Edinburgh International Festival, among many others. Award recognition includes Toronto Theatre Dora awards as a director, a writer, and a producer; the KM Hunter award in Theatre; and short lists for the Siminovitch
National Directing award (twice); the Ontario Premiere’s Award for Excellence in the Arts, and the Toronto Arts Foundation Cultural Leadership Award.
Kristine White, Visual Animation Designer
Kristine White is a multidisciplinary artist who works with visual and performance arts practices in collaboration with theatremakers, musicians, dancers and communities. Shadow puppetry and projection are a focus of her current practise. Her work has been supported by grants from the Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, and Kingston Arts Council. Kristine has worked for national and international theatre companies designing puppets, props, and costumes, led mask and puppet-making workshops, and facilitated communitybased creative activities.
Kaitlin Hickey, Producer / Designer
Her design work has been seen on stages across Canada and Internationally. Working with Volcano Theatre since 2014, she has been a part of the Book of Life team since 2019. Recent selected credits include: Set & Lighting Design, Wildfire (Factory Theatre), Set & Lighting Design, Miss Caledonia (Regina Globe Theatre), Set & Lighting Design, Supper Club (Resource Centre for the Arts, NL); Lighting Design, Is
My Microphone On? (Canadian Stage); Lighting Design: Controlled Damage (Neptune Theatre), Set Design: Kiinalik: These Sharp Tools (Buddies in Bad Times,
Edinburgh International Festival); Production Design: Empire
Trilogy: Four Sisters (Paradigm Productions); Set Design: Noor, (Generous Friend, Aga Khan Museum); Lighting & Set Design: Knives in Hens (Coal Mine Theatre), Lighting Design: The Children’s Republic (Belfry Theatre). Nominated for multiple Dora Mavor Moore awards and the recipient of the Robert Merritt Award for outstanding lighting design.
Patrick Lavender, Producer / Designer Patrick began working with Volcano Theatre in 2014. Since then, working with volcano on over 5 productions, he has been given the opportunity to travel as a theatre ambassador and learn from artist in many remote and fascinating communities. These experiences will last a lifetime, and he is forever grateful. For Volcano Theatre: co-design and production for The Book of Life; production manager and associate lighting designer for Century Song (2014 - 2018); production manager and assistant video design for The Four Horsemen Project; production manager and lighting design for Waiting for Godot. Patrick has received 4 Dora Mavor Moore awards for his design work in Canadian Theatre. His work has been seen internationally some career highlights include: The Edinburgh International Festival, World Stage Design in Taipei, Nova Scena in Prague, Jaffa Fest in Tel Aviv, Spoleto Festival USA, Luminato Festival in Toronto.
Kafi Pierre, Tour Company Manager
Kafi Pierre has been involved in
the Arts professionally for over 20 years. She has held roles as a Producer, Artistic Director, Creative Director, Company Manager, Artistic Consultant, and Production Coordinator with toptier international organizations. She has a graduate certificate in arts administration and cultural management and has performed and taught in over 100 cities across five continents. As you can see from her resume, Kafi has worked with industry legends like Franco Dragone and Ron Kellum, in all aspects of performing arts, including arts administration, production management, strategic brand management, writing, directing, choreography, acting, coaching, set design, costuming and backstage management. After 12 years of dancing on Broadway and Cirque du Soleil stages, Kafi joined Cirque Du Soleil as an Associate Artistic Director, touring North America for 2 years. As a company manager, she has worked for Fall for Dance North and as a producer, Ms. Pierre has worked for Danceworks, Luminato Festival, Reelworld Film Festival and is currently the Creative Producer for Season 2 of Canada’s Got Talent.
Abigail Whitney, Assistant Director
Abigail Whitney is an actor, film and theatre director, and an international fashion model. Her first tv credit includes playing Moonshadow, a superhero on Amazon’s The Boys. She won Best Stage Director for her theatre directorial debut at UofT’s Drama Coalition Awards and Audience Choice Award for her second work
as a theatre director at UofT’s Drama Festival. She’s modeled across Canada and abroad in national and international magazines. She’s featured in Covergirl, Sephora, Sirens, Lululemon campaigns and more. Her debut short film Seule that she independently wrote, produced and directed is airing on CBC Gem. She is independently writing and directing her next short film.
Katese Aurore, Translator & Visuals Assistant Katese Aurore has been working with Ingoma Nshya and the Woman Cultural Centre since 2019 when she collaborated in the production of a day event celebrating the fifteenth anniversary of Ingoma Nshya in Kigali. She has been assisting with administrative and financial work, with logistics and communication. In 2022, she joined the team of “The Book of Life” as a producer and a translator as they performed in Rwanda and in Scotland at the Edinburgh International Festival and at Clifton Street Festival. In 2023, she will also be working as the project manager of “Gira Ingoma – One Drum per Girl”, a program ensuring artistic education for girls in ten primary and secondary schools in Huye district. She is the next generation of Ingoma Nshya as she is taking over the legacy.
MOMIX: Alice
Founder & Artistic Director: Moses Pendleton
Associate Director: Cynthia Quinn with Orla Baxendale, Heather Conn, Nathaniel Davis, Derek Elliott Jr., Hailey Green, Seah Hagan, Aurelie Garcia, and Adam Ross
Assisted By: Anthony Bocconi, Beau Campbell, Jennifer Chicheportiche, Samantha Chiesa, Heather Conn, Gregory De Armond, Jonathan Eden, Matt Giordano, Seah Hagan, Hannah Klinkman, Sean Langford, Heather Magee, Sarah Nachbauer, Jade Primicias, Rebecca Rasmussen, Colton Wall, and Jason Williams
Production Manager & Lighting Supervisor: Woodrow F. Dick III
Technical Crew: Alexa Denney, Lily Fontes
Lighting Design: Michael Korsch
Music Collage: Moses Pendleton
Music Editing: Andrew Hanson
Video Design: Woodrow F. Dick, III
Spider Puppet Design: Michael Curry
Costume Design: Phoebe Katzin
Costume Construction: Phoebe Katzin & Beryl Taylor
Ballet Mistress: Victoria Mazzarelli
Research Consultant: Philip Holland
Communications Manager: Quinn Pendleton
Company Manager: Paula Budetti Burns
Supported, in part, by the Topfer Endowment for Performing Arts Production and the Z. T. Scott Family Endowment for the Performing Arts.
This production of Alice has been funded, in part, by a contribution from Next Move Dance.
Media Sponsor: Austin PBS | KUT-FM | Do512 Family
ALICE PROGRAM NOTE
Travel down the rabbit hole MOMIXstyle with Moses Pendleton’s newest creation, Alice, inspired by Alice in Wonderland. As Alice’s body grows and shrinks and grows again, MOMIX dancers extend themselves by means of props, ropes, and other dancers. “We don’t intend to retell the whole Alice story,” he says, “but to use it as a taking off point for invention. I’m curious to see what will emerge, and I’m getting curiouser and curiouser the more I learn about Lewis Carroll. I share his passion for photography and his proclivity for puns.” The Alice story is full of imagery and absurd logic—before there was Surrealism, there was Alice. Alice is an invitation to invent, to let the imagination run wild. “Go Ask Alice”, sang Grace Slick in White Rabbit—she also said, “feed your head.” Pendleton continues, “You can see why I think Alice is a natural fit for MOMIX and an opportunity for us to extend our reach. We want to take this show into places we haven’t been before in terms of the fusion of dance, lighting, music, costumes, and projected imagery. Our puns are visual, not verbal. It’s not modern dance, it’s MOMIX—under the spell of Lewis Carroll, who was under the spell of Alice—who was still learning to spell.” As with every MOMIX production, you never quite know what you are going to get. Hopefully, audiences will be taken on a journey that is both magical, mysterious, fun, eccentric, and much more. As Alice falls down the rabbit hole and experiences every kind of transformation, we invite you to follow her. We see
Alice as an invitation to invent, to dream, to alter the way we perceive the world, to open it to new possibilities. The stage is our rabbit hole, we welcome you to drop in!”
-Moses Pendleton, Artistic Director‘Would you tell me, please. which way I ought to go from here?” “That depends a good deal on where you want to get to.”
“I don’t much care where -” “Then it doesn’t matter which way you go.”
– Lewis Carroll
ACT ONE: DOWN THE RABBIT HOLE
A Summer Day
Alice Down the Rabbit Hole
Pool of Tears
A Trip of Rabbits
The Tweedles
The Cheshire Cat
Advice from a Blue Caterpillar
The Lobster Quadrille
Mad Hatters
The Queen of Diamonds
The Queen of Clubs Versus The Queen of Spades
The Mad Queen of Hearts
Cracked Mirrors
- Intermission -
ACT TWO: THROUGH THE LOOKING GLASS
There is Another Shore Into the Woods
The Wolf-Spied-Her
Looking Through Stained Glass
Garden of Molar Bears & Other Creatures
The Mock Turtle Deflated
Trial of the Fallen Cards
Bed of Roses
Go Ask Alice
ALICE SOUNDTRACK
Des Chapeaux dans les Lapins by Odezenne: Alix Calliet, Jacques Cormary, and Matthia Lucchini, SDRM
Cracked Mirrors and Stopped Clocks, Womb Duvet by Origamibiro: Tom Hill, Andy Tytherleigh, and The Joy of Box, Two Thousand and Eleven Ribbon Music
Faster and Faster by Tony Kinsey, KMP LTD
Fortress of Doors, Fungiferous Flora, Skool Daze, Falling Down the Rabbit Hole by Chris Vrenna & Mark Blasquez, Almo/Pink Lava
Taal Se Taal by Alka Yagnik & Udit Narayan: A.R. Rahman & Anand Bakshi, Tips Industry Music Publishing
The Cheshire Cat by Danny Elfman, Wonderland Music Company
Restless by Sounds from the Ground: Nick Woolfson & Eliot Jones, Sherlock Holmes Music LTD
The Lobster Quadrille by Franz Ferdinand: Alexander Huntley, Nick McCarthy, Paul Thompson, and Robert Hardy, Universal Polygram Intl.
Mexicali, Jacquadi by Polo and Pan: Paul Armand-Delille & Alexandre Grynszpan, EOS
1977 by Ana Tijoux, BMG
Don’t Worry, We’ll Be Watching You, Smoke and Mirrors by Gotye: Wouter De Backer, Songs of Kobalt Music
Prologue/Cherry Ripe by Richard Hartley, He Pro Tunes, Inc.
The Sea by Joey Pecoraro, Rough Trade Songs
Divine Moments of Truth by Shpongle: Simon James Posford & Raja Ram, Twisted Music LTD
Requiem by House Made of Dawn, Arcane Creative Publishing
2 Songar (Two Songs) II Vogguvis (Lullaby) by Jon Leifs, Iceland Music
Information Center
Indifferent Universe, Liminalidad, Espera by Lucrecia Dalt, RVNG Intl.
White Rabbit words and music by Grace Wing Slick, Irving Music, Inc. (on behalf of Copperpenny Music)
Perpetuum Mobile by Simon Jeffes, Daniel Myer, Barbara Thompson, and Dejan Samardzic, Editions Penguin Cafe LTD.
ABOUT THE COMPANY
MOMIX, a company of dancerillusionists founded and directed by Moses Pendleton, has been presenting work of exceptional inventiveness and physical beauty for more than 40 years. From its base in Washington, Connecticut, the company has developed a devoted worldwide following. In addition to stage performances, MOMIX has also worked in film and television, as well as corporate advertising, with national commercials for Hanes and Target, and presentations for Mercedes-Benz, Fiat, and Pirelli. With performances on PBS’s “Dance in America” series, France’s Antenne II, and Italian RAI television, the company’s repertory has been beamed to 55 countries. The Rhombus Media film of Mussorgsky’s Pictures at an Exhibition with MOMIX and the Montreal Symphony was the winner of an International Emmy for Best Performing Arts Special. MOMIX was also featured in IMAGINE, one of the first 3-D IMAX films released in IMAX theaters worldwide.
MOMIX dancers Cynthia Quinn and Karl Baumann, under Moses Pendleton’s direction, played the role of “Bluey” in the feature film F/X2, and White Widow, co-choreographed by Pendleton and Quinn, was featured in Robert Altman’s movie The Company. With nothing more than light, shadow, fabric, props, and the human body, MOMIX continues to astonish and delight audiences on five continents.
WHO’S WHO IN THE COMPANY
Moses Pendleton (Artistic Director) has been one of America’s most innovative and widely performed choreographers and directors for almost 50 years. A cofounder of the groundbreaking Pilobolus Dance Theater in 1971, he formed his own company, MOMIX, with Alison Chase in 1980. Mr. Pendleton has also worked extensively in film, TV, and opera and as a choreographer for ballet companies and special events.
Mr. Pendleton was born and raised on a dairy farm in Northern Vermont. His earliest experiences as a showman came from exhibiting his family’s dairy cows at the Caledonian County Fair. He received his BA in English Literature from Dartmouth College in 1971. Pilobolus began touring immediately, and the group shot to fame in the 1970s, performing on Broadway under the sponsorship of Pierre Cardin, touring internationally, and appearing in PBS’s Dance in America and Great Performances series. By the end of the decade, Mr. Pendleton had begun to work
outside of Pilobolus, performing in and serving as principal choreographer for the Paris Opera’s Intégrale Erik Satie in 1979 and choreographing the Closing Ceremony of the Winter Olympics at Lake Placid in 1980. In that same year, he created MOMIX, which rapidly established an international reputation for inventive and often illusionistic choreography. The troupe has now been creating new work under his direction and touring worldwide for four decades.
Mr. Pendleton has also been active as a performer and choreographer for other companies. He staged Picabia’s Dadaist ballet Relâche for the Paris Opera Ballet and the Joffrey Ballet, and Tutuguri, based on the writings of Artaud, for the Deutsche Oper Berlin. He created the role of the Fool for Yuri Lyubimov’s production of Mussorgsky’s Khovanschina at La Scala, choreographed Rameau’s Platée for the U.S. Spoleto Festival, and contributed choreography to Lina Wertmuller’s production of Carmen at the Munich State Opera. Mr. Pendleton has created new works for the Arizona Ballet and the Aspen Santa Fe Ballet, and he teamed up with Danny Ezralow and David Parsons, both former MOMIX dancers, to choreograph
AEROS with the Romanian National Gymnastics Team. Most recently, Mr. Pendleton choreographed
The Doves of Peace, featuring Diana Vishneva and 50 ballerinas, for the Opening Ceremony of the 2014 Winter Olympics.
Mr. Pendleton’s film and television work include the feature film F/X2 with Cynthia Quinn, Moses Pendleton Presents Moses Pendleton for ABC ARTS
cable (winner of a CINE Golden Eagle award), and Pictures at an Exhibition with Charles Dutoit and the Montreal Symphony, which received an International Emmy for Best Performing Arts Special in 1991. Mr. Pendleton has also made music videos with Prince, Julian Lennon, and Cathy Dennis, among others.
Mr. Pendleton is an avid photographer whose work has been presented in Rome, Milan, Florence, and Aspen. Images of the sunflower plantings at his home in northwestern Connecticut have been featured in numerous books and articles on gardening. He is the subject of Salto di Gravita by Lisavetta Scarbi (1999), and his photographs accompany the sixteen cantos of Phil Holland’s The Dance Must Follow (2015), which takes Mr. Pendleton’s own creative process as its subject.
Mr. Pendleton was a Guggenheim Fellow in 1977. He was a recipient of the Connecticut Commission on the Arts Governor’s Award in 1998. He received the Positano Choreographic Award in 1999 and the 2002 American Choreography Award for his contributions to choreography for film and television. In 2010, Mr. Pendleton received an Honorary Doctorate of Fine Arts (HDFA) from the University of the Arts in Philadelphia, where he delivered the commencement address. In 2021, Mr. Pendleton received an Honorary Doctor of Arts from his alma mater, Dartmouth College for his lifetime contribution to the arts.
Cynthia Quinn (Associate Director) grew up in Southern California. She graduated Phi Beta Kappa from the University of California at Riverside and continued there as an Associate in Dance for five years. As a member of Pilobolus in the 1980s, she performed on Broadway and throughout the United States, Europe, Canada, Israel, and Japan, and she collaborated on the choreography of Day Two, Elegy for the Moment, Mirage, What Grows in Huygens Window and Stabat Mater. Ms. Quinn began performing with MOMIX in 1983 and has toured worldwide with the company. She has appeared in numerous television programs and music videos, and has assisted Moses Pendleton in the choreography of Pulcinella for the Ballet Nancy in France, Tutuguri for the Deutsche Oper Berlin, Platée for the Spoleto Festival USA, Les Mariés de la Tour Eiffel in New York, AccorDION for the Zurich-Volksbuhne Theatre, Carmen for the Munich State Opera, as well as Opus Cactus for the Arizona Ballet and Noir Blanc for the Aspen Santa Fe Ballet. She has also appeared as a guest artist with the Ballet Théâtre Française de Nancy, the Deutsche Oper Berlin Ballet,
and the Munich State Opera, as well as international galas in Italy, France, and Japan. Ms. Quinn made her film debut as “Bluey” (a role she shared with Karl Baumann) in F/X2. She was a featured performer in the Emmy Award-winning Pictures at an Exhibition with the Montreal Symphony and has also appeared in the 3D IMAX film IMAGINE. Ms. Quinn is a board member of the Nutmeg Conservatory in Torrington, Conn., and is on the advisory board of Torrington’s Susan B. Anthony Project. She was featured with Ru Paul and k.d. lang for M.A.C. Cosmetics’ “Fashion Cares” benefit in Toronto and Vancouver. Ms. Quinn is co-choreographer of “White Widow,” which is featured prominently in Robert Altman’s The Company. Ms. Quinn was also featured in the film “First Born,” with Elisabeth Shue. Most recently, she co-choreographed The Doves of Peace, featuring Diana Vishneva, for the Opening Ceremony of the 2014 Winter Olympics. Her most rewarding and challenging role, however, has been as a mother to her daughter, Quinn Elisabeth.
Órla Baxendale (Dancer) is originally from Lancashire, UK where she trained and competed in Irish Dancing from a very early age. Her love of dance led her to train at Northern Ballet Academy and Elmhurst Ballet School. In 2018 she moved to New York to train as a scholarship student at The Ailey School. Since graduating, Órla has performed professionally across the UK and United States in various styles including Contemporary Dance, Classical Ballet and Musical Theatre as well as Film/TV and Live Stage Productions. She has worked for NYFW, H&M, Coach and Commodity Fragrances, and danced at The Choreographers Carnival. She was cast in the World Premiere production of Romeo and Juliet for Sir Matthew Bourne’s New Adventures Company, and also performed as Juliet for Women In Dance’s Romeo and Juliet - The Choice. Most recently, Órla performed in the show English with an Accent at Lincoln Center in New York City. She is a soon to be certified Pilates Teacher, and works as a Performance Entertainer across the Tri-State Area. Órla joined MOMIX in June 2023!
Heather Conn (Dancer) is originally from New York. She attended the Long Island High School for the Arts as a dance major and holds a BFA in dance from the Tisch School of the Arts at New York University. Additionally, she has trained with the Joffrey Ballet School, the Bolshoi Ballet, and the Boston Conservatory, among others. Heather has performed professionally across the United States and beyond, in contemporary dance, musical theater, film, and live production art. She has performed in such notable venues as Radio City Music Hall, the Kennedy Center, the Apollo Theater, Jacob’s Pillow, and the Folies Bergere in Paris, France. Heather has danced for Nickerson-Rossi Dance, Schoen Movement Company, and The Orsano Project as assistant to Phil Orsano. She was given a leading role in Busch Gardens Christmastown production of their show Miracles. She performs for TEN31 Productions as a “living art” performer at events, as well as the live arts company Moving On. Heather is featured in the published photography book Dance Across the USA by Jonathan Givens, as a dancer representing the state of New York. She is a certified Yoga teacher, a certified Animal Flow® instructor, and an Essential Oil Specialist.
Heather has a passion for healing and is an advocate for social justice, wildlife, and the Earth. Heather joined MOMIX in 2018.
Nathaniel Davis (Dance Captain) was born in Toronto, Canada, and started his training at the age of seventeen. He attended the New World School of the Arts college graduating cum laude in 2015 with a BFA in dance. He has previously worked with the Peter London Dance Company in Miami, Florida, and Artichoke Dance Company in Brooklyn, New York. He has performed works by Robert Battle, Daniel Ulbricht, George Balanchine, Jose Limon, Kyle Abraham, Bill T. Jones, and Darshan Bueller. Nathaniel joined MOMIX in 2017.
to train with Trinette Singleton, Julia A. Mayo, TImothy Cowart, and Angela Sigley Grossman, and had the opportunity to perform excerpts from Paul Taylor’s Cloven Kingdom restaged by Annmaria Mazzini. More recently, Derek worked with Luis Villabon as an Offstage Cover and Swing in A Chorus Line at the Pennsylvania Shakespeare Festival. Apart from dancing and acting, Derek holds a Black Belt in Traditional Karate, Jeet Kune Do, and Lee Jun Fan Gung Fu, and has an International Certification in Parkour. Derek loves and thanks his family for their undying support. Derek joined MOMIX in August 2022.
Derek Elliott, Jr. (Dancer) is a recent graduate of DeSales University where he graduated with a BA in both Musical Theatre Performance and Dance. He has had the privilege
Hailey Green (Dancer) grew up in the outskirts of Chicago where she began dancing at a young age. In 2021, she graduated Summa Cum Laude from the Boston Conservatory at Berklee with a BFA in Contemporary Dance Performance. Shortly after, she moved to NYC and trained at Broadway Dance Center. Hailey has performed at sea with Step One Dance Company, cruising on the Holland America Line. She currently works as a model when she is not dancing. Hailey is very excited to begin her first season
with MOMIX, having joined the company in June 2023.
of the creation and premiere of their newest show, Alice. Seah joined MOMIX in 2017.
Seah Hagan (Dance Captain) Born and raised in Tallahassee Florida, Seah is a third-generation dancer. She began her training at the Southern Academy of Ballet Arts under the tutelage of Natalia Botha and Charles Hagan. At age fourteen she became an Advanced Company member with the Pas de Vie Ballet where she performed many classical and contemporary soloist and principal roles. Along with her ballet and modern training, Seah is also an experienced ballroom dancer, having competed in multiple world championships. At age 16, she graduated Summa Cum Laude from the Florida State University Schools. Seah also held a part-time position with the State of Florida at the Florida Fish and Wildlife Conservation Commission. On her 18th birthday, Seah began her professional dance career with the world-renowned company MOMIX. She has since toured across the United States, Canada, and Europe performing in three original shows, VIVA MOMIX Forever, Opus Cactus, and Alice where she has performed featured solos in all three. Seah was also a member
Aurelie Garcia (Dancer) is a dancer, dance teacher, and choreographer. She grew up in the South of France, where she first started dancing at a local dance school. At eighteen, she moved to New York City to attend The Ailey School, graduating from their scholarship program in 2018. She has performed works by Ray Mercer, Elizabeth Roxas, Tracy Inman, Jacqulyn Buglisi, Talley Beatty, Anabelle Lopez Ochoa, Eduardo Vilaro, Michelle Manzanalez, Jacqulyn Buglisi, Pedro Ruiz, and Alvin Ailey. Since moving to New York to pursue her dance career, Aurelie has performed with companies such as the Alvin Ailey American Dance Theater, Ballet Hispanico, Ntrinsik Movement, Bloodline Dance Theater, Ann Nuo Spiritual Dance Art, VLDC, OCA Dance, and ACBD. Aurelie joined MOMIX in 2019.
Adam Ross (Dancer) began training at a young age in Chesapeake, VA. He went on to compete in regional and national dance competitions throughout the East Coast. As a teen, he attended the Governor’s School for the Arts in Norfolk, VA, where he focused on Ballet and Modern technique. Currently a senior at the Boston Conservatory at Berklee, Adam is working towards his BFA in Contemporary Dance Performance. Adam has performed works from Paul Taylor, Erick Hawkins, Martha Graham, Murray Louis, and Gabrielle Lamb, as well as multiple creations from faculty, students, and alumni from the Conservatory. Dance Intensives and workshops include Point Park University, Milwaukee Ballet, RUBBERBANDance Group, and CoMotion. Adam is excited to begin his professional career with MOMIX, while simultaneously completing his degree this spring. Adam joined MOMIX in August 2022.
Phoebe Katzin (Costume Designer) After graduating from Endicott College’s fashion design program, Phoebe worked for Kitty Daly, building dance costumes and
dressmaking. For several years she lived in New York making costumes for Kitty Leach, Greg Barnes, and Allison Conner, among others. Phoebe has been instrumental in designing and constructing costumes for MOMIX and Pilobolus for more than 20 years.
Michael Korsch (Lighting Designer) is a lighting and scenic designer based in Philadelphia. He has worked with numerous directors and choreographers, creating visual designs for dance and theatre throughout North and South America, Europe, Australia, and Asia. Michael has been the resident lighting/ scenic designer and technical director for Complexions Contemporary Ballet since 1998, and the resident lighting designer for Ballet Arizona since 2001. In addition, he has created original designs for companies including Alvin Ailey American Dance Theater, Aspen/ Santa Fe Ballet, BalletMet, BalletX, Carolina Ballet, Cleveland Play House, DanceBrazil, Dance Theatre of Harlem, Daytona Contemporary Dance Company, Disney Creative Entertainment, English National Ballet, Hubbard Street Dance Chicago, North Carolina Dance Theatre, Oakland Ballet, Pennsylvania Ballet, Pittsburgh Ballet Theatre, Sacramento Ballet, Staatsballett Berlin and Washington Ballet, and has worked with MOMIX on several shows.
WOODROW F. DICK III (Production
Manager & Lighting Supervisor) is MOMIX’s go-to guy for anything and everything production-related. He has worked on numerous productions both big and small. Woody joined MOMIX in 2005.
Victoria Mazzarelli (Ballet Mistress). Following an impressive and extensive professional international ballet career, Mazzarelli returned to her roots at the Nutmeg Ballet Conservatory in Torrington, Conn., where she serves as Artistic Director, training the next generation of dancers.
Instagram @MomixOfficial
Facebook @OfficialMomix
Twitter @Momix #MOMIXALICE
Photo by Sharen BradfordTexas Performing Arts Staff
Bob Bursey
Executive and Artistic Director
Bianca Hooi
Assistant to the Executive and Artistic Director
B USINESS OFFICE
Robert Cross
General Manager
Kamille Deysel
Senior Human Resources Coordinator
Kristi Lampi
Associate Director, Business Operations
Leigh Remeny Business Operations Manager
DEVELOPMENT
Anna Langdell
Director of Development
Amy Burgar
Associate Director, Development
Chelsea Casner
Development Associate
Miguel Robles
Development Associate
EDUCATION & ENGAGEMENT
Tim Rogers
Director of Education and Engagement
Brenda Simms
Program Coordinator, Education & Curriculum Development
Aubrey Felty
Emerging Arts Professional, Education and Engagement
FABRICATION & ACADEMIC PRODUCTION
Jeff Grapko
Director of Fabrication and Academic Production
Scott Bussey
Facility Manager and Senior Technical Director
Carolyn Hardin
Properties Manager
Jason Huerta
Operations Manager, Fabrication
J. E. Johnson
Associate Director of Fabrication
Karen Maness
Associate Director of Fabrication
Ashton Bennett Murphy
Project Specialist, Fabrication
Hank Schwemmer
Lead Fabricator
David Tolin
Project Manager, Fabrication
MARKETING & COMMUNICATIONS
Phil Rosenthal
Director of Marketing and Communications
Lizzie Choffel Cantu
Senior Graphic Designer
Erica De Leon
Marketing Specialist, Digital Media
Brady Dyer
Associate Director, Communications
Romina Jara
Marketing Manager
PRODUCTION
Jim Larkin
Director of Production
Sarah Cantu
Lighting Supervisor
Michael Shanks
Assistant Lighting Supervisor
Travis Perrin
Staging and Rigging Supervisor
Ruben Vasquez
Assistant Staging and Rigging Supervisor
Blake Addyson
Production Supervisor
Kat Carson
Production Supervisor
Drew Millay
Audio Video Supervisor
PROGRAMS & EVENTS
Brendan Burke
Programming Manager
Ellie Holm
Event Manager
Mika O’Dwyer
Emerging Arts Professional, Event Management
TICKETING & GUEST EXPERIENCE
Blake McDonald
Director of Guest Experience
Amanda Adams
Associate Director, Guest Services
Meredith Delay
Patron Services Manager
Tess Todora
Director of Ticketing
Shade Oyegbola
Associate Director, Ticketing
Dianne Whitehair
Ticketing Systems Manager
Basil Montemayor
Ticketing Manager
Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.
House Managers
Dina Black
Virginia Bosman
Margaret Byron
Nancy Carrales
Sheri Dildy
Janine Dos Remedios
Tony C Garcia
Sam Hallam
Leslie Hawkins
Carlos Hernandez-Heine
Olga Kasma-Carnes
Charlotte Klein
Tamara Klindt
Sharon Kojzarek
Eric Lee
Lara Miller
Mad Poarch
Kimberly Reaves
Jessica Reed
Lee Rodgers
Mary Ruiz
Simon Salinas
Student Employees
Alina Almaraz
Samia Arni
Leah Austin
Elizabeth Banda
Nahla Beltran
Zoe Bihan
Hayley Carbajal
Mathaly Carranza
Demian Chavez
Kathyrn Clark
Audrey Clay
Bridgette Clifford
Maria Dalton
Kaila Delafance
Christina Dove
Laine Farber
Carla Garcia
Indigo Giles
Gabriel Gomez-Reyes
Drake Griffin
Joshua Hale
Samuel Hallam
Catherine Heeman
Faith Hilchey
Joe Jaxson
Victoria Jefferson
Bindi Kaplan
Abigail Lantis
Austin Livingston
Austin Luchak
Gilbert Martinez
Jonah Maughan
Krista Mcleod
Samantha Moles
Genevieve Monterroso Syevens
Hannah Nelson
Braden Newlun
Lanna Nguyen
Katelyn Nguyen
Micah Sall
Gracie Sanders
Hasina Shah
Andrea R Stanfill Castro
Debra Thomas
Kristine Tydlacka
Leah Waheed
Marty Watson
Tonya Woods
Sally Zukonik
Benjamin Nunn
Alayna Parlevliet
Sereniti Patterson
Leila Rabah
Zackary Reed
Bryce Riggle
Natalia Rodenzo
Hayley “Lee” Rodgers
Hasina Shah
Matthew Smith
Nguyen Tang
Michelle Upham
Isabel Velasquez
Rylee Vines
Cassidy Wen
Julia Yelvington
Jacob Zamarripa
Leadership Board
The Texas Performing Arts Leadership Board is a group of volunteer leaders in the arts, business, and philanthropy. The Board is dedicated to expanding Texas Performing Arts’ world-class programming, positioning the organization as an international leader in the performing arts, and strengthening the bond between the performing arts and the communities we serve.
Donors
Board Members
Brian Haley, Chair
Carly Christopher
Jaime Davila
Tamara Dorrance
Dennis Eakin
Deborah Green
Mike Herman
Steve Houston
Steve Kahng
Nancy & Angus
Littlejohn
Chris Mattsson
Lauren Reid
Marc Seriff
Lisa B. Thompson
Natasa & Michael Valocchi
Texas Performing Arts is a nonprofit supported by generous patrons and donors. We extend a special thank you to the following major supporters:*
$100,000+ Anonymous
Carly & Clayton Christopher
William & Anita Cochran
Jaime Davila
Kandace & Dennis Eakin
Deborah Green
Caroline & Brian Haley
Abbey & Mike Herman
Mimi & Steve Houston
Maria & Steve Kahng
Nancy & Angus
Littlejohn
Julia Marsden
Chris Mattsson
Susan & Robert Morse
Carolyn & Marc Seriff
The Tocker Foundation
Natasa & Michael Valocchi
$50,000–99,999
Carolyn Rice Bartlett Charitable Foundation
Isabella Cunningham
$10,000–49,999
Mary Ann & Andrew Heller
Marcia & Gary Nelson
Bettye Nowlin
Laura & David Starks
Special gratitude to donors who have established endowments at Texas Performing Arts to provide long-term funding for mission-driven projects and programs:
Alex and Dee Massad Endowment Fund
Arts Education Endowment
Joann and Gaylord Jentz Endowment for Student Engagement
Kathy Panoff Texas Performing Arts Student Engagement Endowment
Nancy Lee and Perry R. Bass Concert Hall Endowment
William & Anita Cochran Endowment for Performing Arts Access & Education
Phillip Auth Endowed Dance Fund for Texas Performing Arts
PAC Fund for the Creation of New American Art
Performing Arts Center Endowment for Performing Excellence
Robert L. Tocker Endowed Excellence Fund for Student Volunteerism
Topfer Endowment for Performing Arts Production
Z. T. Scott Family Endowment for the Performing Arts
*Gifts pledged or received as of August 17, 2023
Texas Inner Circle Members
Texas Performing Arts gratefully acknowledges the financial support of our members. Each year, members help fund robust education and engagement initiatives, affordable student tickets, and critical student employment opportunities that make Texas Performing Arts so much more than what you see on our stages.
BENEFACTOR’S CIRCLE
$10,000+
Kristin and Joshua Alexander
Heather Crenshaw Petkovsek
Lynne Dobson and Greg Woodridge
PRODUCER’S CIRCLE
$3,000–9,999
Anonymous
Joanne Guariglia
Drs. Lynn Azuma and Brian Hall
Christie Barany
Deepika and Somdipta Basu Roy
Debra Bawcom
Kelli and John Carlton
Lee Carnes
Edwina P. Carrington
ChemCentric*
Suzanne and Bill Childs
Colleen Clark
Sue and Kevin Cloud
John Coers
Elizabeth Curtis
Barbara Ellis and Alex McAlmon
Soriya Estes and Kelli House
Jim Ferguson and Art Sansone
Jane Flieller
Frost Bank*
Phil and Lisa Gilbert
Shawn Smith Gleason and Brian Gleason
Radena and Brian Hampton
Lisa Harris
Gladys M. Heavilin
Mary Ann and Andrew Heller
Mellie and Tom Hogan
Janis and Joe Pinnelli
Gary C. Johnson
Melissa and Chris Knox
Cathy and James Kratz
Gretchen and Lance Kroesch
Dr. and Mrs. Thomas Loftus
Peggy Manning
Julia Marsden
Glenn, Jennifer, Waylon, and Wyatt Muniz
Jacqueline and Shawn O’Farrell
Wayne Orchid
Javier Prado and Family
Debbie and Jim Ramsey
Gina and Don Reese
Donations made as of
Aug
15, 2023
We regret that limited space does not allow us to list every member. For information on ways to give, please visit texasperformingarts.org/ membership, call the membership office at 512.232.8567, or email us at support@texasperformingarts.org.
*Corporate Circle members
Linda and Robert Rosenbusch
Sanchez Law*
Niki and Praha Shah
Syd Sharples
Dan and Sylvia Sharplin
Robyn and Bret Siers
Jaime Silver
Barry and Laura Smith
Carole Tower and Matthew St. Louis
Shari and Eric Stein
Renee Butler and Kay Stowell
Louann and Larry Temple
Bill and Claudia Wilson
Carol Walsh-Knutson and Kelley Knutson
Dr. Mary G. Yancy
Annie Zucker and Michael Regester
DIRECTOR’S CIRCLE
$1,500–2,999
Mandy and Heather Andress
Bonnie L. Bain
Carolyn R. Bartlett
Cynthia and Jim Bast
Becky Beaver
Dr. Steven A. Beebe
Kyndel Bennett
Grizelda and Tim Black
Tahra and Michael Boatright
Andrew Bowman
Joann and Scot Brew
Michelle Brocklesby
Kara and Shelby Brown
Kim and Thomas Reed Brown
Danielle Bundy
Sam Caire
Shellie and Martin Campos
Carol and Shannon Casey
Raquel and TJ Chandler
Anita and William Cochran
Tracy Coffin
Beth and Walter Compton
Cathy and Rick Coneway
Karen and Bill Cox
Monica and Carl De Leon
Niccolo and Natasha De Masi
Joan Dentler
Kathleen Dignan
Dana and Ken Dockser
Jared Ellis
K Susan Farias
Ken Fess
Nanci L. Fisher
Jennifer Floyd
Pamela and David Frager
Sandra Freed
Alicia Furst
Robert Gardner
Nancy Gary and Ruth Cude
Eva Garza-nyer
Cheryl and R. James George, Jr.
Dr. Lisa Go and Dr. Lucas Wong
Susan and Barry Goodman
Mohit Goyal
Sven Griffin
Cheri Gross
Juan M. Guerrero, M.D.
Jeremy Harrell
Sarah Harris
Jennifer and Randall Harris
Gunnar Hellekson
Sheri Henriksen
Anne and Thomas Hilbert
Melissa and Rick Gorskie
David Honeycutt
Jody Hooten
Michael Hostick
Amy and Jeffrey Hubert
Jeanine Hudson
Rob Ignatowski and Daniel Pacheco
Linda and James Jarvis
Victoria Johnson
Helen Johnston
Dr. Peniel Joseph
Maxx Judd and Donn Gauger
K Friese & Associates*
Elizabeth Kalamaha-Wynn and Michael Wynn
Lynn Katz and Scott Hinz
William Kellogg
Heather King
Betsy and Matt Kirksey
Margaret Denena and Cliff Knowles
Sheila Kothmann
Loree and Burney LaChance
Matthew Lara
Donna, Calvin and Callie Lee
Ellen and Richard Leyh
Dracos Locario
Jennifer and Christian Loew
Katherine Maddox
Casey Blass and Lee Manford
Salman Manzur
Art Markman
Leslie and Charles Martinez
Richard McCathron
Molly McDonald
Alexandra and Tom McKeone
Ford McTee
Christine Messina
Melissa Moloney and Chris Walk
John and Brenda Mosher
Meri Nelson
Scott Neuendorf
Jeff Neumann
Milam Newby
Linda Nguyen and Jorge Garcia
Cathy Oliver
OroSolutions*
Vicki Osherow
Terri Pascoe
Connie and Samuel Pate
Michele and Roy Peck
Robert Perez
Shari Pflueger
Machelle Pharr
Liz and Jon Phelan
Suzanne Pickens and Douglas Hoitenga
Luis Ramirez
Sara and Dick Rathgeber
Richie & Gueringer P.C.*
Bob Roberts
Susan and Cesar Rodriguez
Chuck Ross and Brian Hencey
Jaime Rubenstein
Steve Schaffer
Susan Schaffer
Teresa Schaffer
Nina and Frank Seely
Vijay Sitaram
Lorri Stevenson
Bruce Stuckman
Joan and Peter Swartz
Caroline Tang
Caroline, Olivia, and John Taylor
Heather and Jeffrey Tramonte
Erin Vander Leest and Tom Pyle
Daniel and Sara-Jane Watson
Angie Watson
Leslie and Bryan Weston
Susan and Chris Wilson with Bonita Grumme
Jacqueline Wittmuss
Melinda Young
Micka and Richard Ziehr
CENTER STAGE
$600–1,499
Anonymous (5)
Austin Seal Co.
Margaret Abbott
Cynthia Abel
Amy Adame
Dwain Aidala
Mark Aitala
Sujata Ajmera
Lauren Aldredge
Jake Aleman
Emily Allen and Ron Altizer
Terry Amacher
Page and Neal Amador
Brian Amato
Libby Amato
Joe Annis
Laura Arabie
Cecelia Arvallo
Evan Atkinson
Tony Aventa
Donna and Manuel Ayala
Catherine Bachik
The Ballon Family
Jana and Barry Bandera
Elisa and Scott Barnes
Armando Basualdo
Anne Bawden
Travis and George Baxter-Holder
Joshua Becker
April Berman
Carolyn and Jon Bible
Nawaf Bitar
Kevin Black and William Basinger
Denis Blake
Stephanie and Michael Blanck
Robert Bracewell
Brook and Gerald Broesche
Christy and William K. Browning
Esther Ray Burns
Annie Burridge
Robert Bush
Robert Butchofsky
Kelly Canavan
Geri Candow
Ms. Susie Capozza
Carolyn Stone Productions, LLC*
Cheryl Carswell
Kristen and Luis Casaubon
Shane Chambers
Farrah Chelstrom
Beth Chelton
Amy Clemmons and Mark Clarke
Sharon Cohan
Sarah Compton
Sherri Cook-rousey
Jeanette Cortinas
Jessica Cullen
Elaine Daigle
Gail and Mark Dankis
Wilma Dankovich
Lorraine and John Davis
Lisa and Paul Delacruz
Lucy Ditmore
Kristin Doles
Susan and David Donaldson
Christa Dove
Kevin Dowling
Bethany Dudley
Glenn and Britta Dukes
Maria Dwyer
Jeffrey Dwyer
Brian Dziuk
Susan and David Eckelkamp
Michael L. Edwards
Kelsey Elliott
Tim Elliott
Sheila Ellwood
Julia Evans
Rebecca D. Ewing
Whitney Falcon
Travis Farris
Jane W. Fountain
Drs. April and Donald Fox
Christopher Frampton
Vivian and James Froncek
Rob Fuller
Sara J. Gaetjens
Katina and Matthew Gase
Maragaret Gessner and Andrew Alpar
Breanna and James Giannoules
Sharon and Richard Gibbons
Sean Gibbons
Nancy and Glenn Gilkey
Laura and John Gill
Don Gladden
Becky and Craig Griffin
Jana and John Grimes
Dr. Suchitra Gururaj and Joe Carey
Maria Gutierrez and Peter Nutson
Elizabeth Gutierrez
Jane Hall
Cindy and John Hanly
Amy and Peter Hannan
Jane Hatter
Lynda Haynes
Denise Hemphill
John Hernandez
James Hester
Brad Heyse
Chris Holden
Marjorie and David Hunter
John C. Jackson
Kathleen and Jim Jardine
Kristin Jarrett
Christina Johnsen
Kathleen Johnson
Anita and Ralph Jones
Suzannah Jones
Jonathan Joshua
Katie Kauachi
Kristen Khazzoun
Susanna and Michael Khazhinsky
Hugh King
Mrs. Jan Houston Knox
Gail and Jeff Kodosky
Stacey Kotson
Aileen Krassner Kiehl and Michael Kiehl
Carrie Kroll
John Kump
Kathy Kuras
Ferne Kyba
Dr. Jeffrey Lazar
Kristin Lemons
Jeanette and Donn LeVie
Stacy Libby
Jenny and Luis Lidsky
Cindy Lo
Brian MacKinlay
Gayle and Scott Madole
Richard Maier
Lenée and Dick Marshall
Drs. Victor Martinez and Christopher Rose
Michelle Mason
Dr. and Mrs. Lawrence Masullo
Elizabeth and Donald Maynard
Chris McClung
Katharine McCormick
Denise McCullough
JodyAnn McIntosh
Jen Meigs
Robert Messing
Frances Ellen and Paul Metzger
Lynn Meyer and Rick Clemens
Pauline and Alfred Meyerson
Janet Mitchell
Annabel and Tony Mize
Paul Montague
James W. Moritz
Sarah Morris
Motal Family
Denise Margo Moy
Barbara Muntz
Michelle and Eric Natinsky
Rachel Naugle
Philip Neff
Brian Neidig
Diane and John Newberry
Laura, Bryan & Sophie Newell
Ms. Margaret Ann Massey Nilson and Brian Nilson
Forrest Novy
Lori Nunan Shaw
Debbie Olander
Eric and Allison Olson
Dan and Deborah O’Neil
Tanya Ortega and William
O’Donnell
Augustine Park
Linda Parker
Kelly Payne
Robert Pender
Karen and Wes Peoples
Rich Perrone
Adele and Brian Peterman
RJ and Terra Peters
Tami Pharr
Samantha Porter
Carla and Steve Portnoy
John Potthoff
Kate and Scott Powers
Anant Praba
Liza, Ed and Hannah Prendergast
Eric Rabbanian
Gary Rae
Meghan Railey
Lisa and Curtis Randa
Tracy Rawl
Marquette Maresh Reddam
Elinor and Edwin Reese
Dawn and Thomas Rich
Martin Ritchey
Jeanine and Dan Roadhouse
Tracy Romano
Alyssa Russell
Corey Ryan
Summer Rydel
Susan E. Salch
Julie and Richard Schechter
Christine and Anthony Sementelli
Rashid Shamsie
Bradley Sheldon
Robert Shimanek III
Erin Silvertooth
Linda Simonson
Christen Simpson
Allen Small
Steven Smith
Raymond Smith
Hank Smith
Kimberly and David Soloman
Toni and Ted Spalding
Randy Sparks
Logan Spence
Nancy Spong
Lisa and Rick Stipe
Stephanie and Paul Stone
Pamela Stryker
Scott Studer
Katherine and Matthew Sturich
Geeta and David Suggs
Anna and Suresh Sundarababu
Dona and Ali Tabrizi
Karen Taheri
Dwight Tejano
Bri Thatcher and Andy Modrovich
Mackenzie and Burwell Thompson
Letty Tomlinson
Stacy and Michael Toomey
Alice Toungate
Gregory Tran
Claudia and Luis Trejo
Lee A. Warbinton
Kenneth R. Webb
Chrissie Welty
Marie and Phil Wendell
J’Lynn Wheeler
Kathleen White
Caro Wilbanks
Michael Wilen
Mr. and Mrs. Mark J. Williams
James Williams
Ann and Eric Wilson
Thomas Wilson
Cecilia Wood
Kevin Wood
Jeannette and Mitch Young
Lena Yoo and Gerry Cardinal III
Helping Texans is at the heart of H-E-B.
Over 115 years ago, we opened our doors to help make the lives of hard-working Texans better. We were a family business back then. We remain a family business today with a passion for - and a helping hand in - every community we serve.
From fighting hunger and providing disaster relief to honoring Texas educators and our Nation’s military, we’re firm believers in Texans helping Texans. We do this for one simple reason. We are from here, so we are helping here.
OFFICIAL SPONSOR OF THE TEXAS LONGHORNS
PRESENTING SPONSORS
An Encore for Generations
Supporters like you believe Texas Performing Arts has the power to create joy, transcend differences and change lives.
Thank you for helping us become one of the nation’s highest-impact live arts organizations.
Did you know there are money-wise ways to plan for your future and support your passions? By making a gift to Texas Performing Arts through your will, trust or estate plan, you can ensure vibrant performing arts programming continues for generations — all while meeting your financial and family goals.
Call 800-687-4602 or email giftplan@austin.utexas.edu for more information.
learn more about gift and estate planning at utexas.planmygift.org/tpa-encore
Photo by Robert Silver“All the world’s a stage.”
William Shakespeare We talk about being the best. And about changing the world. It’s not just talk. It’s our legacies.