2020桃園電影節電子版手冊

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ę?§ä†Ąć’ľ Opening Film 㾡ĺşŒ Director

✼â—?ă?† îŠ ăŽˆâŻ’ç?™ę´ ă?™

┪槥꺙佖 World Premiere

5XFMWF /JHIUT #BDL UP %BZ ;FSP âş?ćƒł Taiwan  2020  DCP  Colour  93min Raye ┪于㛝㹄䊸꧆祎樆ć?Żâ™´ăľŹ çťšâ°•éŽƒä…¨ďšŹâ›źâż ĺ°?čĄ? MV äŠ¸âź”ďšŠćšżć’ľč‰ƒę§†ä?†ęŻ?⟔Ⱅ 鎃겨劲⊙嚼䡚◄䓪ę??ĺƒżę&#x;Ż ä‘? ĺ­ł 厍 âł‚ ć“ť é–˛ 갭2013 䇗 ՞✇◅㛼տ佭 Raye ęş™äˆ˛ă“ľ 㾡氳祕ę?–ć’ľďšŹâ™“ć–Ąć°łé‡˛é‰ˆć´‡ ä?Šäˇ…ăł‹ä˘Śé ľć°ŞćŚ&#x;氳䡚◄㾍 䡅㳋䢌氳津㴨ꪍé??ä…¸âŽ˝éˆśćľ‘ ćľ? ⯌՞ ✇ â—… 㛼 2: ă?‘ ⎽ ç‘Ž ꌟ㛿տă?‘⎽â˜•ęąŠç‚™ĺƒ?ć°łé‰ˆäˆ˛ äŤ”é‹ ć“Żâ &#x;âœżâŽ˝äˇ…ăł‹䢌♓⯌氪 ćŚ&#x;氳䡚◄┞♓紎澑Ⳕ鞴亥 äŒ‹ćš˘ä?‚â•šé‡’äŚ äś•éž´ę„ŒďšŞ Graduated from the Department of Radio, Television and film, Shih Hsin University, Raye has worked as a prolific editor over the past decade. Her strong style of storytelling and artistic flare have landed her a wide variety of work in short films, music videos, TV commercials and movie trailers. Raye has been fortunate to work alongside some of the most prominent directors in the Taiwanese broadcast and film industry.

՞✇◅㛼տ┕佖┉䇗ä?´ďšŹâş?ćƒłâ&#x;ŁĺŤ?äŤ č˝ŚÖ€ꌟ䲺ĺ¤‹äˇ“ç“ Ö ďšŹâ›™ĺŽ‘ęľźč‰ƒ獾墽ć‰?ĺŤ?顭奛氳 䗰媲┖孳厍斥ゖ갭┞儔ă?•ĺĄžćš˘ä?‚鉎劋՞✇◅㛼 2տ颌⭴䡅㳋䢌âœżâŽ˝ç‚™ĺƒ?â”˜âşąé‰ˆ č›žďšŹäŤ”é‹ 孳厍âł‚ć“ťă‚–ę°­ć°łĺś?꯽匊ę?´âł‚â&#x;‹ăŽŻëƒ‰㡤ę?§ć°łÖ€â”–é˝&#x;çŁżç˝­Ö č‰ƒÖ€磜碴éŠˇć¨”Ö ä§Şä˘‡ęľ™â•šę??â•Śâ™“âœżĺŠŻĺ˛’čžĽă?žć°łęľźć–Ąä“™猾⪞环䡅㳋䢌氳䡊䋧銡樔ă?•Ö€鞪障䡞ä&#x;•Ö éš âŽ˝ä¤ťé–˛ďšŹă?ŽęŚ™ę„†ę„†ďšŞç¸ĄäˇŠä‹§ăąŽäĄ—氳䡅㳋䢌⡙ꪍčˆƒâ?¤ćŠ‡嚼鏟氳䗰䎏㞞⛰䅸礢┖┉ ⠕┪â™?րⳂ擝â&#x;‹é—€éˆśä’&#x;Ö ć’?⚌ĺ„”âœżć°łä„šĺƒ¸î›…ĺ„—ć’ľĺĄ˝äžˆâ””ä‡—äŚ äś•ä?´é‚ŻăąŽäĄ—┞♓紎澑 âł”éž´äşĄäŒ‹ćš˘ä?‚â•šé‡’äŚ äś•éž´ę„ŒďšŹâŞ?㳋㎠珸Ö€çŁśç˘´Ö ďšŠÖ€äˇ…ăł‹Ö ďšŠÖ€ćŚ&#x;â˝?äˇšç˝­Ö â””â •â•šę°­ďšŹ ♓㛥⠕Ⳃâ&#x;‹ăŽŻëƒ‰âš—⪞环䡅㳋䢌ă?‡⺨ă?‘氳轌Ⳃď‹?ć?Żâ˜•č‰ƒ孳厍ć–Ąâ•Żę?´ć°łă?•ĺ†˝ę&#x;ŻâžĄďšŹâ”ž ⯌ä?˘ç´ˆăŽœďšŠäťźĺ„—âš—ă?Ąă?‘⎾⚌ĺ…?ďšŹč‰ƒéˆśćľ‘⪌⺹䓙縓鉎劋╯顝

Producer 㥚╤◌ Nai-yun CHIANG Cinematographers 鞢艹â˜? Shuen-ren CHENG

Raye

ä?—ĺ‚ťĺ?? Manson CHANG 曓č?œăžž Ai-ju WANG ⛰䡓䞼 Vic HO ꢞ濉 Leo TAO 鞢罭〠Norman CHENG

Editors Raye 傞◇㴪 Yu-ning TSENG Sound

ր✇◅㛼氳䡚◄äĄ?錊♒✃䚋⎽ä—‰âĽ?ďšŹä„šĺƒ¸âś‡â—…ă›Ľ 2 č€ˆä…¸ç¤˘âœƒćł˜ĺ˜†⽰亥⺸筡玛憥擯 â &#x;â˛…âąąďšŞÖ Ë“Raye Since the documentary Twelve Nights was released in 2013, regulators have rushed ahead to pass the No-Kill policy in public shelters in Taiwan, terminating the twelve nights law. However, the real problem of stray dogs has not yet been resolved.

Twelve Nights 2: Back to Day Zero is the follow up sequel that steps out of the older shelters and into different corners of Taiwanese society, delving back to the original source of Taiwan's stray dog problem. The film invites audiences to explore ďœąspay & neuterďœ˛, ďœąanimal shelter systemsďœ˛ and ďœąlife educationďœ˛ through the actions of animal welfare charities and shelters in Taiwan. The film reveals the true cause and effect of humans and stray dogs. As part of the investigation, the team also travelled to the United States, Japan and Austria to learn from the experiences of those countries, with the hope of engaging more people in creating a fairer and better solution for animal welfare.

âą?㾸蔉 傞꼖㴪

Music çťść&#x;Š Lin NIEH ď‘Źĺ…ˇ Jie CHENG

ꝧ䆡撵

Opening Film

10/09 ( ◑ ) 19:20 于⩞ 2 䋙Ԃ

ę?§ä†Ąć’ľ Opening Film 㾡ĺşŒ Director

氯㲳ă?ŁîŠ ă??䞰益䪍㖪

âş?ćƒłęş™ä˝– Taiwan Premiere

,PTIJFO +BQBOďŒŹT 'JFME PG %SFBNT äťźĺ„—ďšŠç´ˆăŽœ Japan, USA  2019  DCP  Colour  94min 㸔㽄č?œć ¨ Ema Ryan YAMAZAKI äťź č‘? 岞 轑 㾡 ĺşŒ 㸔 㽄 č?œ ć ¨ďšŹ čˆ… 㾸 娝 ⚌ ĺ…¸ é‡? 亥 äš„ ⴭ 亼 祡 çĄ? 㛝 㹄NYU ăą„ çś— ꧆ ä?† é‚Ż ⛟ ćł˜ ⯌ ă?‡ 祡 çĄ? â˝° ĺ…¸ â—ş ⪔ ă?‘ ć°Ş 㡤2017 䇗 č?œ ć ¨ ęş™ 韨 祕 ę?– ę?? ć’ľŐžMonkey Business: The Adventures of Curious George's CreatorsŐż ă?‡ Kickstarter ćľ‘ 盇 꼙 éž´ éŁƒ 顪 186,000 ç´ˆ ⊕ 挺 The Orchard  ć?ˇ 氪轌龞韨ć’ľă?‡司ĺ… ç€’ä?†㡤 꺙佖┞ă?‡âś&#x;ă–Ž⊥ć”’ăź—ä?†㡤 暢ä?‚éˆśćľ‘ć™¤ďšŞ Ema Ryan YAMAZAKI grew up navigating between Japanese and Wester n cultures. She studied filmmaking at NYU, and currently splits her base b e t w e e n N e w Yo r k a n d Tokyo. In 2017, Ema's first feature documentary, Monkey Business: The Adventures of Curious George's Creators was released worldwide by The Orchard, after raising over $186,000 on Kickstarter. It premiered at the LA Film Festival and won the Audience Award at the Nantucket Film Festival.

2019 祡çĄ?祕ę?–ć’ľä?†㡤

2018 䇗鸸龟㛊㰛挝㯚㎧ 100 éś?䇗傏佭ր䇖䥗ä?´â”‰â •ă›Šă›żÖ ďšŞäťźĺ„—ďŠ”ăŽœ鲼 4,000 âš‰é ‰꣣⚎⡊㾍éľ‚顪ㄲ䡴ĺą?娚⯆隥⭴ 56 ĺŠ†é‰ˆéľ…ëƒ–â•ˆĺŽŹć?ˇďŽŻëƒ–ĺ”˝é—ŒďšŞĺ§˘éšľă€ â–‰ďšŹ ĺš›ć€–ęĽ…â˜•ëƒ–â•ˆĺŽŹć?ˇçŤ­äˇšçŠ“ďšŹćł˜ĺ˜†âŻ†ęŠ‰ďŠ”ăŽœďšŹăĄ?磚㾍ć?ˇęŁŁäľ…ă?‡ăł„ä‰ â•Żâ”•ďšŞâ˜žä??儔釤顪

15 奾氳⊏㯚䣒ć?ˇďšŹâ–‰â”˜ę°žé‹?çŠ“â˜žďšŞĺ§˘éšľăľŤâŠŹăŻšé´ž⎽鸞亥氳č?Œâˇ‘ĺ…¸ëƒ–â•ˆďšŹă?‡â˜žć°łäŒŞ 㯚⛪⛪儒古꣣â•ˆç€„çŠ“ďšŞâ›Şâ›Şĺ„’âşŽé’žęŞƒ⭴亼誝㛝睤沞ć?ˇä˝”㛝难çś?ä‡–ďšŠč˜‚娣꼓佔齉佭 ☞é‹?çŠ“â­´ć°łëƒ–ä?ťďšŞă›ťé ‰ă?‡âˇŠďšŹâşąć†ĄćŚťăŻšăŽ§ä…ťă˛™ć°łâŞ”ĺŠ†꣣⚎㾍ĺƒ?挺⿾꣣Ⱚ龳ăœŚé¨›î›… äşšç´ˆäťźĺ„—㾡ĺşŒă¸”ă˝„č?œć ¨č‰ƒ NHK ⺭⛟鲼䊔䨿厏ć?ˇęރ䇗氳媌ꞛ掄轑ä??ă?‘ć™”â¤•é ‰ ⎽ďŽŻçŁšĺŠ‹é ‰ďšŹäš‹âł‚ď‹?ć?ŻćŚťăŻšăŽ§ć°łĺ¨•č‰ƒ幣ր98% ć°łëƒ–â•ˆć?ˇâżŚă?‡éľžé ľé€ˆäŁ’䡴抇ä?´ é—­ä?‚ĺ‚Źä?›ďšŞÖ ëƒ–ä ­äşĽęĄ‰çƒ–ę§†鍪挝㯚㎧ç?‡ć°łĺ˜†é?ĽďšŹĺ˛´ĺ’ 䭗炑┉⎊挝㯚㎧⛟憥䚄ⴭ獋 ä?†ďšŹâ”˜âş†ä˝­ćŽ?ć†śęŞƒ佥氳䟺é•œďšŹĺ‚Źä˝­ă–‡éľłäťźĺ„—ĺ„”âœżďŽŻă”Œ㴨氳ă›˛ä˜śçşłă?‘ Intimately following coaches and players in the historic 100th National High School Baseball Tournament, an unexpectedly shocking window into Japanese society and its struggle to balance Tradition vs. Progress, Enforcement vs. Autonomy.

Producer Eric NYARI Cinematographer Michael CROMMETT Editor Ema Ryan YAMAZAKI Music Jason CUMMINGS

ꝧ䆡撵

Opening Film

10/09 ( ◑ ) 17:00 于⩞ 2 䋙

ꝥ䆡撵 Closing Film 㵷庌 Director

㳐⽱

⺐想꺙佖 Taiwan Premiere

-JUUMF #JH 8PNFO ⺐想 Taiwan  2020  DCP  Colour  123min 錊䤖⤂ Joseph Chen-chieh HSU

2020 꺝꧆䏆疒ꝧ䆡撵

榟ꝏ㏇⺐想亥岴虓㛻㱄暢 䐂硎礶䄄杼䄄㱄⛤䐍◄ Ⳃ樔ⱉ儗稶ⱉ氳䄄⛼╯䏴 氪杯舅䄕㛻氳掄䒗❤艋佭 䦁꧆䏆㍕塞婋㲋⮽硷硝㛻 㱄于ⱶ㐕⮈劆岒鵳⹦䐂꧆ 䏆邯⛼溿狔䢦氳諠轱澑㚖㱄 ⛤2014 䇗 ⹨ 鹹 分 冷 䏆 㷤 ր典◺于ꊯ揩ց溿綗┾亥 2015 䇗⹉艃◺齉꧆䏆☕溿 綗揩錊䤖⤂僘雧㳫氳㎜ ꤂邯⛼祺꿨傾㏇⶟ꭩ仼 儗㶼媽撨于ⱶ㐕⺐⴯ 璢㏑⹉艃飃鷪◅ⶇ㛡鼨湿撵 邯⛼

冷熕葐佭⺐⶟颛颛僘⺲氳궇䋙縐ꟈ㏇┓㜂扝绮扝䕜㏑ꦗ㳄䏴➘ꪤ蜸韢趻䩿暐 舅䲪굼└⠕㝷⩬ꝏ㛻䡗☕┘⥪䤧趻䩿䐍饟麕䶥韢⮽ꝧ궇䋙└⠕㝷⩬催佭䡗㶩ꪞ ⭔㛻㝷⩬ꡦꪃ佭㎜꤂艸縖◅㝷⩬ꡦ栎㏇⺐⴯樧丞䎬ꂳ榟㵸㝷⩬✞✞⯞䫚䣆舅

Producers

䄕氳궇䋙◄哆浍洇㶩釒萷況榔✿熕葐ⷙ㏇ 70 㛻㚪樧㛿䫚⮽┓㜂ꦗ┪氳㉼縶

ⱍ㲎朊 Jacqueline W. LIU ꢷ黰✞ Tiffany Yu-chia CHEN

㏇僁鵞⛤僘⺲扝㴨氳┓㜂盇鰾ㄩ煱氳⺱侈珔䙬㛛鲝✿▽⺁┉⛤ꢥ⛂┓㜂䈲鷪侪䇗 氳㝷☕㳄从ꝴ氳湟泴⫋䈲宰杯圎ꪫ縡熕葐㛡䇗氳꤬䑝艃└⠕㝷⩬⠟㍕撝鈒籭 䅫氳珢䇗㍑䞭头㝷ꝴ氳䗰䚋硒磶佭⻖▉耈㎨幥樔┖⺀럅

Screenplay 錊䤖⤂ Joseph Chen-chieh HSU 랊䓠替 Maya HUANG

Cinematographer Jon KENG

䷊稶舅㵷庌氳⺱⺲樆哆邯⛼湿撵ꩯ䚋✿嶏塜佭㵷庌氳鈒ꡦ㮔䷚◄碸腰䬟㴵⺐想 㝷䓪氳鰨ꁃ艃㔌夡儗撵꥙磶ր妩ꡦ㮔ցꢷ屍菒ꄌ껊䏆⺵销沜蛟䏹萵柦┊ 㴪㰬⺎菒璢㴨ⱱ庌⿦⺱⺐곫䢊꺙埡䳸♴泃邯氳䏹萵柦▉艃鞴岒Ⱅ䫚㛻䅨䊛䜴再

Joseph Chen-chieh HSU, born and raised in Taiwan, received his science degree in Engineering and System Science from the National Tsing Hua University. After working as a screenwriter, Joseph realized his passion lies in film directing. He then attended New York University Tisch Asia and acquired his MFA in Film Production. He was an alumnus at Talents Tokyo in 2014 and Kyoto Filmmaker Lab in 2015. Joseph has abundant experiences in international production and participated in over 20 short films productions in South Korea, Japan, Nepal, Singapore, and Taipei.

Executive Producers 䊛䜴再 Ching-song LIAO 䏹萵柦 Vivian HSU

⺭ⱱ泃邯┘⥪ⱉ䗰纻扦㝷☕䑐◄䦁䶕ⱉ磞䇭╲鲥▆䡗齉榺㝷䓪䢦磞䡗暢鹹

Editor 䊛䜴再 Ching-song LIAO ꢷ➯㱴 Chun-hung CHEN

Sound 咈傴佇 Agnes YANG

2020 䇗꺝꧆䏆疒ꝧ䆡撵 On Shoying's 70th birthday, she receives the shocking news of her long-lost husband, Bochang's death. What is worse, there is another woman, Tsai, who stayed by Bochang till his last breath. A merry reunion now turns into a ten-day wake, an unfortunately perfect time for the family to face their complicated mother-daughter relationships. Ching, the oldest of the three daughters, has learned to downplay everything in her life to deal with an intrusive mother as Shoying. Yu, the perfect middle child, finds herself at odds with Shoying regarding her teenage daughter. Jia Jia, the youngest, fights Shoying to fulfill her father's dying wish to come home. The three daughters remind Shoying of Bochang in different ways. She goes on the quest to find out who Tsai is. Will Shoying get the closure she has longed for all her life?

Composer 刷保霕 Blaire KO

Cast ꢷ屍菒 Shu-fang CHEN 销沜蛟 Yin-hsuan HSIEH 䏹萵柦 Vivian HSU 㰬⺎菒 Ke-fang SUN ┊㴪 Ning DING ꢷ㣄꧳ Yan-fei CHEN

ꝥ䆡撵

Closing Film

10/23 ( ◑ ) 18:30 ㎜韇 1 䋙Ԃ

ꝥ䆡撵 㵷庌 Director

Closing Film

䩘㗮岖輮ꃠ䌝㸵㟗 䣆㖜洡 Macoto TEZKA 榟亥 1961 䇗佭䣆㖜媪谺 氳ꝏ㯹䐍㵸㶩㷤杯⨤熕筑 樔耈ⱱ▉ꝏ僿婢㏇撝鈒 氳庶樔╈䣆㖜洡ⶇ▆塵ꝧ 㡐䦁撵1999 䇗♓վ氫欍տ 暢㣜㶼事䏆㷤丨⛤䏆⥾晤 ┾亥 2005 䇗㵫撝鈒湳⺲ 氳վ䓯ꂳ랫⤂⩡տ䷊稶憡Ⳃ 樔 绮 ⺲ 㛻 ㉾2018 䇗 㓵 㵷 氳꺙鼨ⱉ䗰ꝏ撵վ佔㗄⩖䌪 氳⥉鐁տⴎ鰾撵╈䢦僘堮 傪ꮠ嗞䡗憡仼儗飃 Cult 堮艸撵氳祺⪯♏辑 Macoto TEZKA won a prize for his debut 8mm film at the age of 17, and was highly evaluated for his skills by judge and well-known movie director Nagisa OSHIMA. During his college years, he made his debut feature directing The Legend of the Stardust Brothers . Since then, he began creating various feature and experimental films. He also created a pioneering original video (V cinema) film called Ghost Paradise -Yokai Tengoku and a documentary about Akira Kurosawa. TEZKA spent 10 years on filming Hakuchi - the Innocent written by renowned novelist Ango SAKAGUCHI. The film received the digital a w a rd i n Ve n i c e a n d w a s invited to several international film festivals. His animated feature film Black Jack won the outstanding performance award at the Tokyo Animation Award. As the bereaved of Osamu TEZUKA, TEZKA has been working on various projects and productions of his father.

⺐想꺙佖 Taiwan Premiere

5F[VLBT #BSCBSB 仼儗 Japan  2019  DCP  Colour  100min 2019 典◺䏆㷤✞䏆撵䬠⺲

ր典◺齉䄬⻉㊂寖ⴭ▽䇭ⶉ蛓☕僘⠕㝷☕ⷙ⥾佭䪶媶擻芙逈䪶⭴▽㞈氳⺲㰅 佭菁嫧䥽ց僘蜸攒墤䓪毝氳せ紈孭⛼㳄紈⠒嬤☮㏇㏑ꖺ珇鹿鴪▽鵞⺲幥佭鿰姇氳 㝷㯹➘㵫㞈䅸㍑㳄䷒宫䎬끺氳菁嫧䥽⫋埡忂紈⠒Ⱚ⛼氳ꩯ䚋乄䓙媼嵖昷㞞 ⺱☾⪐䑐ⷊ㵫弭㔼氳䝈僸㞈佭笀事麅佭䘡뇩䡝縖劯儗⺆佭紈⠒舅车䘶⥾氳䇥 䏆僘㞞㏇菁嫧䥽氳䌖ꯝ╯┖紈⠒嬤☮㷤ꝧ▽鵞夀夘巷氳亹

Producers ⹿鞦➯魋 Shunsuke KOGA ◟樧 ٬ 䣛栐撨 Adam TOREL Screenplay 랫徉╦㯹 Hisako KUROSAWA (based on the manga of Osamu TEZUKA) Cinematographers

ր鴁䇥㵽㝷佭꟯亥┉⺲槀㯹毳鴁亥㘪蛾艃欼敾氳䷚◄ց˓䣆㖜媪谺

兜⺎겨 Christopher DOYLE

Kubbie TSOI Editor

䣆㖜媪谺鏒鱐 90 ⼾䇗硕䒟╯⛼榺䣆㖜洡㓵㵷仼䐼葐饖㎜绤䣆邯⛼㍌䈴ꄌ껊 晤ⱶ┎䈴꺝꧆䏆ꄌ⥾晤✞䶕䏆䐂╚氳兜⺎겨䳸♴䶕䏆ⱶ┕㴨ⱱ孭庌⿦牦㑶⼂ 鼃♓⹗◅꣬㔆㳫紈굟庌铛┉芙氳鴁䇥㵽㝷筷典◺䏆㷤球頉撵╯䏴暢鹹┪槡 ⺨㛻㜦䇥䏆㷤 The story is set in modern-day Tokyo. Famous novelist Yosuke MIKURA encounters a young girl in the subway station and brings her home to his condominium. The girl's name is Barbara. For all her bad manners and constant state of drunkenness, she has a certain charm that is hard to put your finger on. Much like a stray cat claiming her territory, Barbara settles herself into MIKURA's apartment. This propels the creatively congested MIKURA to write again. His life takes a drastic turn for the better. Is Barbara a muse? An artist's savior? Or is she a spell-casting sorcerer?

䣆㖜洡 Macoto TEZKA

Music 噛儗┉㯹 Ichiko HASHIMOTO

Cast 牦㑶⼂鼃 Goro INAGAKI ◅꣬㔆㳫紈 Fumi NIKAIDO

ꝥ䆡撵

Closing Film

10/23 ( ◑ ) 19:00 ㎜韇 8 䋙

鴤⭴环嫏ꢚ Get the Hell Out

Taiwan Awards Nominated Films

⺐想晤⪌㎠⛼⿁

舅 2017 䇗ꝧ㡐艈鰾氳ր⺐想晤ց球頉☬䇗塜䌋鹼⪌瑮㍌㷋儗㷋⪦䷅⮽ 156 ♭㕕⺲ ⛼⿁┘鑝ꝏ湿撵氷⺨舅鵂鷪䏆⥾鳯鐁㰇㏇亥⺐想鵞撵㎻㏑┕氳䷚◄▉㷤杯⭴⺐想 ꧆䏆☕雧婽氳Ⱚ⛼耈ꄈ ꥙磶㵷庌邯撵稶ⱉ庌⿦瓁㷤☕䏆鍑☕璢㵬哆꧆䏆☕㚖磞䡗氳鍑㴱㎯䐍浑㛡 䤸♭⛼⿁╈㌅鹡⭴ 12 鼨⨤熕⪌㎠䏆撵갭免㛡⩕尝衏䚂䗰鈒䗰䡗ꝏㄩ㷖䷓媪 랫䇆璢㵫亥☬䇗劾㎧꧆䏆疒◑⠕⺭⛼䷒佖㕙㏑鵿迆┕庌鹹鑃鈶浑┉䚋⹨㛻ꉐ䆡┕ 氳釲鈫깉㲿┉鈮⺐想樧♏꧆䏆䄄⛼縖氳Ⱚ⛼겨靏 ꯓ晤⪯煱㵫亥 10 僖 22 仼亥㎜韇䏆㒮 @ ⪛䐼䊸雧于㛿㏑ꄆ艈车龢乄揸䄬ꝏ⹗婋㴱鍑 㴱㎯⪦⺱䭗偤└㛻晤ꯁր⺐想晤ց꺙晤䏆撵▉㵫亥⪯煱磶兠䏴ⱶ佖

⺐想晤晤ꯁ Awards ✞䏆撵 ꯓ◀晤ꄌ于⺐䆸 30 蛓⩕ 艃晤䈴 1 䌋

1⺲

✞庌⿦晤 ꯓ◀晤ꄌ于⺐䆸 20 蛓⩕ 艃晤䈴 1 䌋

2⺲

儔✿╯佔

1⺲

榺ꪃ㵽䇗鍑㴱㎯ꯓ◀ 晤ꄌ于⺐䆸 10 蛓⩕艃晤䈴 1 䌋

⺬挗梫 5BJXBO "XBSET ⮵ꈹ雅㷦 ⺐想晤⪌㎠⛼⿁

䒠囸⻊

➒㳍播

ꎎ瑺岸

꯴⟜蝡

鍸☕ⱉ㕙⹗꧆䏆稶㵷㓵 㵷⛼⿁վ3 噶╯䡁տ暢⶟攒 䏆㷤✞㵷庌晤♓⹗莖ⱶ ⿬䏆㷤㎜꤂䏆鍑☕晤⺭蜸 ⱉ儗վ攁䂵轵㵽䇗夋☕◄♭տ 暢ꄌ껊晤✞⸊蜸ⱉ儗晤 杯亥㎜环⺐⴯諠轱㛻㱄꧆䏆 硎⪵♴

꧆䏆⹗䊸⼔㵷庌䳟ꝏ亥榟 孨 ╈ ⹦ 免 ♓ 暐 攒 ☕ 乄 釲 鉈碸腰㷤杯鉈荈䗰䚋艃 咈ⱱ䃹⪦⺱㓵㵷վ㜦騛氳㛊㛿տ 暢ꄌ껊晤✞硕ꍖꝏ撵꺙 鼨ⱉ䗰ꝏ撵վ鴭⩞괋綝տ唽 暢ꄌ껊晤✞于㵷庌榰♓ վ┖ⶐ㕙տ唽暢 2020 䇗⺐ ⴯꧆䏆晤✞㵷庌晤

꧆䏆稶㵷⛼㳄䷶◄겨劲 鍸䙬䚋䓪㛡埡⪌鹡分冷 ꄟ㸔典◺뛊攒╘璢ꄆ釒 䏆㷤⛼⿁僘վ僘┉㛿տ վ⶟亡㵸紀擸㕙տվ㍌ⶇ䇗տ վ傴䈙遵氳䏆⥾鍸տ璢

냖꥓☕㴵䏆鍑瓁ⱁ䏆㷤 ㏇典宿⹗紶㱥㛻㱄铻䪧꧆ 䏆蜸僘վ⺐想꧆䏆䚂艃墆տ վ⺐想꧆䏆闭䇥侈䤓⺐想놻տ ┾䳸♴譍伺䎲⛼⿁վ⚒孳տ 泃邯

⺐想諠轱㛻㱄꧆䏆硎邯撵磞 樆哆傾♴꧆䏆稶㵷䏆㷤 㵬勇㓵车ⱉ䗰撵⹗硕ꍖ撵 邯撵♏辑⛼⿁僘վ塾 ٬ 鵏տ վ鳷⩞㜱둜傪տվ⩬㯹縐㯹տ ♓⹗վ榟榟տ

椟盅

⼦諊㫗

묚岉

꧆ 䏆 㵷 庌 ♏ 辑 ⛼ ⿁ 僘 վ⡾㞞䡘佭洡氳տվ牦蔉☕տ վ洇宿氳仼㯹տ վ꺝襻㛿㔆տ վ 扝 銨 氳 㸔 ┭ տ 璢2007 䇗 暢 ㎜ 㳄 乄 諠 晤2019 䇗 暢瑮 56 㷋ꄌ껊晤磚骰䡗㶩 晤

乄ⴭ㛻㱄䢊ⱉ硎䏆ⱉ磞樆 哆僘㛡䇗꧆釲꧆䏆邯⛼ Ⱌ㵷庌璢注꟯祺꿨╈䇗鮺 哆稶ⱉ♓վ攙碋떰氳䣆տ վ⭴㗟◄ⳉ䢦տվ䡘⠟艃䘡氳ꦗտ └䈲暢䐂ꄌꖉ晤䢊ⱉ疒泘稶 ⱉ晤罦㲋

꧆ 釲 ꧆ 䏆 庌 ⿦2007 䇗 ♓վ⷇ꤠ䑐ꩯտ暢瑮㍌ⶇ◅ 㷋ꄌꖉ晤䢊ⱉ걊✞槀╚鉈 晤2016 䇗♓վ硟辊㵸㝷㰨տ 暢⺐⴯꧆䏆晤✞槀╚鉈 晤

尵㷦雅㷦

Taiwan Awards Nominated Films

론론

귲㸵䌑雅㷦㏬ 榺劾㎧䄬㏇㏑ꪃ㵽䇗磞䡗╯鍑㴱㎯鵂鷪㓸鋍揩鐑㱄綗䏆⥾紈㱄䷶◄䣆嫏庌⿦辑庌璢鶡縡䳸♴鍑㴱鉈荈♓于榟♏氳暐⮽鈶럅鹡 ⭴弋ⱱ于☕晤˓儔✿╯佔

┞柩 $BOJOJUZ 䊛㼷⤂ Eagle LIAO ⺐想 Taiwan  2019  DCP  Colour  25min 2020 ⺐⴯꧆䏆疒 2020 䄹臞꥖⪯ Psarokokalo ㎜꤂湿撵䏆㷤 2019 藌事熭㎜꤂湿撵䏆㷤

Cinematographer 癩䍛 Chiang CHIEN Editor 兜䓠ꝛ Yi-men DU

Producer 冷䎲䋡 Yen-ting LIN Screenplay 䊛㼷⤂ Eagle LIAO

Cast ꎏ环鋮 Li-hsin CHIEN 錊栧紈 Ying-mei HSU 嶏┉纳 Ethan WANG

斔紮斡럖氳槀☕⠟䧍蜸⯺⮽䣆氳┉璜ꎏ⯦䏢捙閂氳㵸⺧鼨抇縡鵞㛥侪ⷙ䏐䏠⺆㸋亥┉斡⮤ ✿╱⮽氳☾僘⠕嘘嘚榟彈氳 33 谝㝷㰨ꢥ⛂┉㲝遀遀䮙傫氳绮荈敤껊ⶇ⮈뇩䇥宫庶䗰䠪 ▉鲝ꪫ縡✿塞⯎氳┉斡䑐遵ⷙ☱䓙䒟蜸鸞亡氳㵸枴Eagle わ Eagle狔珔佭ꩉ姇氳縐똝 麅佭蛾뇁氳舅䡘

⺐想晤⪌㎠⛼⿁

When a young Taiwanese man visits a remote Escort Karaoke for the first time, he begins to understand the complexity of desire and exploitation.

Taiwan Awards Nominated Films

釡럭 )VNNJOH .FNPSZ 崅緤䉁 Han-ting YU ⺐想 Taiwan  2019  DCP  Colour  28min 2020 ꄌ犙晤┉芙磞꺙晤✞槀庌⿦晤✞㵷庌晤 2020 ⺐⴯꧆䏆晤✞湿撵✞䶕䏆✞绮ꮠ錄銷晤䬠⺲

Producer 儝菜䋡 Yun-ting JHU

Screenplay 崅緤䉁 Han-ting YU

Cinematographer 蜘伺䊸 Ming-guang YEH Editor ⱍ☕둛 Ren-fong LIU

Music 冷䍛 LIM Giong

Cast 咈⤂㱣 Jie-yu YANG 㛊꾛㱴 Teng-hung HSIA 䊛堏◿ Chin-liang LIAO

齟┖ꪃ䇗ւꡦ罦փ䇖䅻㏇ⱶ媧珇┕㛻㛥杙庶庶ꝏ㛥侈䅻䘶䇧侈扝丨㛻☕⠟⯦䏢䄄䊰┕杙 兎蛾麅榟姇ⲨⲨ氳嘚㯹鵞┉㛥ꡦ罦鲝✿錊╦┘釤氳珢䇗曻⛂ւꝏ胶փ儗䟕佭ꄆ鵼氳ㄎ䕾⛙ ⷙ䙬㛛䭗ꝧꡦ罦鋘䞭╈┘갾ꪫ㵴氳洡注 Ken is a young man who has lived in his small hometown for all his life. He spends his time working night shifts at the local gas station. One night, he reminisces about his childhood in this once-thriving town. Times were different back then: thriving factories provided most of the residents with jobs and the town with a booming economy. Ken especially thinks back on all the great friends he had, and how he sadly doesn't get to see them anymore. Then Long Foot, one of those close childhood friends, walks through the door and proves the past should sometimes stay that way. What should have been a happy reunion turns into a melancholic self-examination as Ken is reminded of an unpleasant memory, he'd never have to face again. Producer

╭硆⫙锶

䄍㜦⨤ Chi-yu WU

Screenplay 冷◟⛫ Ya-yu LIN

Cinematographer ⹿傁虓 Yao-hua KU Music 錊㳄禵 Chia-wei HSU

Editors 냖둜侰 Ming-cheng KAO 曓恰䄇 Ching-chiao WANG

4FF :PV 4JS 冷◟⛫ Ya-yu LIN ⺐想 Taiwan  2019  DCP  Colour  25min 2020 ⺐⴯꧆䏆晤✞于庌⿦晤 2020 ꄌ犙晤┉芙磞✞ⱉ䗰湿撵⨤璢晤✞丞냉庌⭴晤

Cast 兊偞踅 Li-rong LI ꢷ䕒 En CHEN ❾〒⺎ Co-co HO 糶耈虓 Ronan LO

餭䢼⹒ꄆ紶姇氳㵸ꩉ曓 YAMAHA └鶡└⭴㵽鈶䢦䇗䇧氳饇㷃躺䌪䌪☻㍕憡鹁⹨㳄倽⹚縡㏇㵽 鈶䢦䐂⮽塾㸋婢랹⹒烖熺氳蘧둊璪☻骰┕羝靷蜸ꄆ糆└⺲㵽䇗㏇⫸㰛氳饖䇗㛥遵䡗憡㵽䇗鈶 闀䢦⪐氳㲝⹘ 䘶⢢縐㛻氳 YAMAHA 鍲㎬拨걚骰麕䢦僘☕└☕㏇䢦遵꟯➡飉✿飉釒㞒飉✿ 飉鸸䟕☾ⷙ▉氪杯㛻㳄飉✿飉ꦗ┘ꝧ泃䢦氳魹鳷 Yamaha is a cocky and yet caring juvenile offender. He takes Sonny, a young inmate, under his wing. Chuan is a quiet and mysterious new arrival. The trio become roommates on the New Year's Eve. As they get closer and closer to each other and more and more used to the life in the detention house, they come to realize that they can never be truly free from the place.

㵷庌 Director ⱉ䗰湿撵⹗䊸⼔㵷庌1991 ⭴榟亥⺐⶟于揩ꉿ⥉㛻㱄 䊸꧆㱄硎樆哆2014 䇗颬莖ⱶ⿬䅒ⶥ㛻㱄䷍闖꧆䏆㵷庌澑 㚖㏇紈僿ꝴ傾⹉艃┘㵽暐环邯撵艃䏆⥾䄄⛼杯㷉⺐想 傾㓵㵷⛼⿁վ444տ⽰վㄲ䡁տ2017 䇗♓硕ꍖ湿撵վMy Adoptionտ暢⡑下暐环꧆䏆晤✞㱄榟硕ꍖ湿撵

䊛㼷⤂ Eagle LIAO

㵷庌⹗稶ⱉ1986 䇗榟亥⺐⴯䐍◄䏆釲䄄⛼硝藌 10 䇗 僿錊耈孨⮽縐䦁⮽縐2012 䇗♓⪞釲㱄榟ⱉ㷤վ㵸ꄌ杷տ ⪌㎠⺐⴯꧆䏆疒ꄌ犙晤2014 䇗湿撵վꪞ꟯槀㰨տ⪌㎠ ꄌ犙晤냖꥓꧆䏆疒㎜꤂湿撵球頉⹗⶟亡䏆㷤儗撵վ軎둜տ 2020 䇗⫋䈲暢䐂ꄌ犙晤氳罦㲋唽暢ꄌ犙晤┉芙磞꺙晤⹗ ✞㵷庌晤

崅緤䉁 Han-ting YU

Han-ting YU was born in 1986 in Taipei. He's been working in film and television for ten years. His short film The Gold Ore was nominated for Taipei Film Awards and Golden Harvest Awards in 2012. His short film, Something about the Boy , was nominated for Golden Harvest Awards, Kaohsiung International Short Film Competition, and the South Awards in 2014. His latest work, Humming Memory , was nominated for Golden Harvest Awards, and won the Grand Prize as well as the Best Director Award.

Taiwan Awards Nominated Films

㵷庌 Director

⺐想晤⪌㎠⛼⿁

Eagle LIAO, Taiwanese short film and commercial director. Born in 1991 in Tainan. Graduated from the Department of Radio and Television of Ming Chuan University, Taiwan, he obtained his master degree in Film Directing in DePaul University, Chicago in 2019. During his studies in USA, he has participated in many independent films and visual projects. He currently lives in Taiwan. His works include 444 (2017), Unrequited Love (2014), and My Adoption (2017), which won the Best Student Documentary Short Film at London Independent Film Awards.

㵷庌 Director 㶩闖⺐⴯諠轱㛻㱄꧆䏆Ⱚ⛼㱄硎㵷庌磞澑㚖杙2016 䇗㱮 䡗湿撵վ┉波꽞⼇┉波꽞տ2018 䇗⪌鹡ꄌ껊꧆䏆㱄ꢚ 2019 䇗䦁䶕樆哆邯⛼վ╚畚⫋釤տꢝ▽㵷庌绹ⳉ╯㛛 ▉傾䳸♴㵷庌磞氳⺨⠕绹⛤

冷◟⛫ Ya-yu LIN

10/09 ( ◑ ) 17:20 佔噛 7 䋙

Ya-yu LIN studied in the Department of Filmmaking at Taipei National University of the Arts. In 2018, he participated in the Golden Horse Film Academy. See You, Sir is his graduation film.

10/14 ( └ ) 19:00 ⩞䏆乄ⴭ귈

10/18 ( 仼 ) 17:40 in89 9 䋙Ԃ

┩婢

Producer

Cinematographer

沸㯹夡 Zi-yi SHENG

ꢷ恤䕒 Hon-yan CHAN

Music ⻱埤犋 SiNg WU ꢷ➯㱣 Adam CHAN

Cast 翋保䍛 Chi-ciang HU ꢷꦤ楣 Vera CHEN ꢷ分乄 Nat CHEN

Screenplay

Editor

5IJT *T /PU UIF &OE

ꢷ屸捈 Kam-hei CHAN

儝㣜 We CHU

ꢷ屸捈 Kam-hei CHAN ⺐想꺝 Taiwan, Hong Kong  2020  DCP  Colour  26min

16 塵獜㵸㯹姧涓㏇㙪䤱氳㳄䉁╈䡗ꝏ䇟㞒☾䤓⮽舅䄕䗰稈㲛孋氳⭴

2020 꺝뉲宫弪㎜꤂湿撵疒✞稶ⱉ晤

⹾˓饖垩ⷊ➘㪛㪛曓熕朊奨┘㏇╲樧☾飉ⲅⱱㇴ鍲狱滭⩝㛿半♭泘 嘆ⷙ飉鸌┘⺎⹗˟˟냖╈樆哆╯⯦姧涓⮽䈕耈┘耈竐骰┉驳饖⭴䡗端 ▉饖飉☕榟氳ꦙ꟯

⺐想晤⪌㎠⛼⿁

Allen, a 16-years old student, grows up poor in a broken home. Fortunately, he finds a hobby to vent out his emotions-hurdling. Yet, his mother, Mina does not care about Allen at all. Allen practiced hard to overcome his short height obstacle, but his hard work does not pay off. Can Allen defy his destiny?

Taiwan Awards Nominated Films

✘Ⱁ䩜靿溸儱真霁㆘ 'JTI 5BOL 㱬䤖犋 Cheng-ying SONG ⺐想 Taiwan  2020  DCP  Colour  32min

┪槡꺙佖 World Premiere

Producer 咈尝⻄ Han-jyun YANG Cinematographer 黖䋧彏 Owen CHIU

Screenplay 㱬䤖犋 Cheng-ying SONG 冷徉⭦ Tse-kai LIN

Editor 冷徉⭦ Tse-kai LIN

Cast ꢷ分霕 Hugo CHEN 冷徉⭦ Tse-kan LIN 냖⻄ Francesca KAO

ꡦ䃷⺆僘䄄⛼⺧괺⽰狞觊觊氳㳔艑⪭☾氳☾┘⸼䘶僘㛿☾樆哆 䏴㶩婯⫋绤礙鷪氳㎜╈⺱㱄⛫烤狱抇⭴杯▽☾⼔錐ꡦ䃷釒䅸☾⸼䤓♓ ⯦䑐⧘氳㵴霆㵏ꦫ◄䗰氳狱㞞⪭✿阁☾┘䷒䑐⛙☾催䘶釤㵏ꦫ Chuan never have more thought aside from working, eating, and his empty dorm room. One day, his junior high school classmate who had never contact after graduate, Yu-hsiang, appeared. He told Chuan he could take him to see Bau-wen, the girl he once had a crash on. Even all those came in sudden, making he confused, he still wanted to see Bau-Wen again.

㵶傊摿⪴餠 5IF $POTFOTVT 譍㝀柦 I-hsuan SU ⺐想 Taiwan  2019  DCP  Colour  34min

Producer 蜘波曭 Jason YEH Screenplay 譍㝀柦 I-hsuan SU

Cinematographer 褝禵 Wei-lung TSAI Editor 譍㝀柦 I-hsuan SU

Cast 兊朊蝟 Ling-wei LI 冷㇚➹ Gail LIN 誻蝟虓 Wei-hua LAN 崅㱨ꯂ An-shun YOU 랊㦝虝 Jie-fei HUANG

埤嘽㍑縐㳄憡ꡦ㪛䑚仼⢢㵴䇗曓㳄㯹㰬ꦙ䐂뢶纻┉㔆┉㳄☕辑ꪫ洇✿ ⽰嗞踅踅㴨꤂┕⺨僘䑐䓙䐍䅨⪞䴵蓌⮽껊ꇃ詶掻缜齉⺎♓佭撏鑝鎈 갭塞侈 318 㱄鷠搸氪扦驚氳埤嘽┉䑐䫇䙬蜸⹘☕㱨⷇⽰㎜㳄⽝鷠⛙ 㞈▉㴖鈫⮽㳄从䡗⿦⺨䠪놭群氳鎀镧姇妺䡗ꝏ羝俍┪♏鈶䒟氳䄐樟 佭⻖㵫䱿進鵞⠕㳄 Hsin-hua goes back to her parent's house for the grandma's death anniversary. Her family will gather in a few days. But the day is also the first day of the Sunflower Movement, her friends protest the trade agreement for China in the Legislative Yuan. Hsin-hua wants to be there, but she has to stay with her family. She is worried about the protest and the country's future. At the same time, the family is not peaceful at all. Hsin-hua has a big generational gap with her parents and relatives in the political issue. And everyone has a different idea of grandma's heritage. When they receive a bad sign of grandma from the religious master priest, they are suspicious of each other. Along with the protest going on, a storm will arrive in this family˟

㵷庌 Director ⭴榟亥꺝杯㶩闖⺐⴯諠轱㛻㱄꧆䏆溿狔䢦㵷庌硎㏇ ⺐䄄⛼䳸♴㛡鼨湿撵稶㵷⛼⿁վ└塠տ暢 2020 䇗뉲宫 弪㎜꤂湿撵疒✞稶ⱉ晤 Kam-hei CHAN is a Hong Kong director and screenwriter. His short film, This Is Not the End , won Best Screenplay in the Local Competition Section at the 2020 Fresh Wave.

ꢷ屸捈 Kam-hei CHAN ⺐想晤⪌㎠⛼⿁

Taiwan Awards Nominated Films

㵷庌 Director 㱬䤖犋1997 䇗⭴榟亥냖꥓㶩闖⺐⴯諠轱㛻㱄꧆䏆Ⱚ⛼㱄 硎╚⟣䶕䏆艃Ⱅ鮃 Cheng-ying SONG, bor n in Kaohsiung in1997, studies in Department of Filmmaking in Taipei National University of Art, majoring in cinematography and editing.

㱬䤖犋 Cheng-ying SONG

㵷庌 Director 榟亥⺐⴯䄘랤嫏㎜舅榺꧆䏆㱄ꢚ樆哆2011 䇗湿撵վ㜊 擻䦙ꯝտ暢䐂于组㷀湿撵魋㵷ꄌ2018 䇗⪞釲☕榟ⱉ㷤վꪃ 萐տ⪌㎠ꄌꖉ⪠ꯁ㛻晤┾㝦䐂✞꧆釲꧆䏆꧆釲꧆䏆 ✞槀╚鉈✞于☕└ꯁ晤ꯁꝏ撵վꪃ佡┾┘嶾刏տ⚀ⱁ ⪌鹡 2018 䇗⺐⴯꧆䏆疒艃嫏㎜⶟攒└孚䏆㷤⺭鰾氳⶟攒㎜ ꤂䬠勇䄄⛼㏵⹗典◺于ꊯ揩杯塜氪㷤╈

譍㝀柦 I-hsuan SU

10/09 ( ◑ ) 15:00 佔噛 7 䋙

Born in Taipei, she graduated from CLCF in Paris. In 2018, her telefilm, Where The Sun Don't Shine , was awarded for the Best Telefilm, Best Actor and New Actor of the Golden Bell Award in Taiwan. Her new project, Who'll Stop The Rain, was selected at PAS in Taipei and Tokyo Talent.

10/13 ( ◅ ) 16:00 于⩞ 11 䋙

10/17 ( ⪠ ) 16:10 ⩞䏆乄ⴭ귈Ԃ

㵷庌 Director

䊛⩡氪 Kek-huat LAU

⺐想晤⪌㎠⛼⿁

Taiwan Awards Nominated Films

⭴榟亥껊✿重◟泘⯦㲋㷉 ⺐想傾⹉艃分冷䏆㷤于ꊯ 揩 艃 ꄌ 껊 ꧆ 䏆 㱄 ꢚ 湿 撵 վ㠄꥖氳ꝛտ暢ꄟ㸔䏆㷤ր飃 䊸鉈ցㄲ⩕✞◟孚湿撵晤 꺙鼨ⱉ䗰ꝏ撵վ蘱诙赂տ⪌ ㎠ꄟ㸔䏆㷤ր于弪孳ց球頉 ㄲ⩕┾暢ꄌ껊晤艃⺐⴯꧆ 䏆晤㛡ꯁ䬠⺲Ⱚ⛼䧐箛⹚ 佖洡㴨┪槡⪭⪔鼨䦁䶕㳄 齟氳硕ꍖ撵վ┘ⷊ┘ꦗտ艃 վ麅僘┉◚嘻տ❤抇⹨⮽껊 ✿重◟䷓䈢氳㴱刨焕塛 Kek-huat LAU, Malaysian filmmaker based in Taiwan. He is an alumnus of Golden Horse Academy and Berlinale & Tokyo Talents. His shor t film, Nia's Door , won the Sonje Award at Busan International Film Festival. His debut feature film, Boluomi , was in the New Currents competition section of Busan International Film Festival, and it was nominated for Best New Director at Golden Horse Awards. Both h i s d o c u m e n t a r y, A b s e n t without Leave and The Tree Remembers , still face censorship challenge today in Malaysia.

襅軄逼 #PMVPNJ ⺐想 Taiwan  2019  DCP  Colour  108min 2020 ⺐⴯꧆䏆晤✞ⱉ䗰撵㝷╚鉈槀╚鉈Ⱅ鮃紈轱錄銷晤䬠⺲ 2019 ꄌ껊晤✞于㵷庌晤䬠⺲

儗撵䷊稶舅㵷庌䊛⩡氪氳鈒骰祺塽⹗㳄从䷚◄☾㵫蘱诙赂⽰ꪵ⽝髭꣣껊⪦氳塽 ⺒㴵㏇▽┉♓껊✿重◟⪦榣럖撏⹦暐环⛼憡羝俍槀╚鉈⻱䒟髲굟庌✿⺐想ね傴 氳껊✿重◟㱄榟☾氳烆撝头傾⹉艃崅䳦䢇侈♏氳⿀䙐✳☾艃撝鈒氳꟯➡▉ꣀ⪌⫼ ꢷꦤ楣 Vera CHEN ⺐想꧆䏆庌⿦ⱉ㕙㵷庌⹗ 辑庌䷹䅨杯♴뇩印䎬냉ⱉ 㕙諠轱竭泃♓⹗典⶟熭㛻 辑庌諠轱硈Ⲃ杼䷹䪧⹉艃 庌⭴꧆䏆僘վ㠄꥖氳ꝛտ վ姇տվ⺐想ⶇ䇗տ璢

Vera CHEN, Taiwanese film actress, theatre director and performance coach. She currently works as the Artist Director at Multi-X Theatre Company, and the assistance p r o f e s s o r i n Tu n g n a n University. Her acting credits include BIFF 2015 Sonje Award winner, Nia's Door, Chi: The Method of Breathing, Ten Years Taiwan, etc.

럅㏇鴓舅䡘鏂⺱氳⺱侈⻱䒟髲鷖┕✿⺐䣒䄄氳虝䏱韇㝷榟蚓䥽⪔☕鴅氪氳䚂 䙬ⷙ阁☾催ⱶ萷䘴錊㛡껊✿重◟☕齉僘鵞嘚氳祺꿨┉㳄☕┉㎠蜸⺧蘱诙赂姢冽 䤧┉䍗┉䍗艋㕕碋ꌤ㞒橄䷒㏇㏑冎┕撝鈒䡝头鈒䬠蜸⭾㯹ボ市ボ市⮊ꝧ蘱诙赂 氳㛛夏縡幥䠪僿䏩氳㰨㯹⠟驀㏿㏇㏑冎┕浍浿泙蜸蘱诙赂㵫꨾⭴랊荈冽缜⽰꺝 ⽏氳黁┉⯎ ր蘱诙赂佭齟䙐氳掄䅸姢冽▉佭逈侈♏鹨厑氳┉⠕㵸㰨ցж䊛⩡氪 Over the decades, the Malayan Communist Party fought a guerrilla war in the jungle for independence. When a baby was born during the war, they sent it out of the jungle to ensure its survival. Boluomi is one of those babies.

10/13 ( ◅ ) 18:30 于⩞ 11 䋙

10/17 ( ⪠ ) 10:30 ⩞䏆乄ⴭ귈Ԃ

Producer 冷☼罦 Shih-ken LIN Screenplay 䊛⩡氪 Kek-huat LAU 榹ꝧ荂 Kai-leong TIAN Cinematographer 蜘伺䊸 Ming-kuang YEH Editor 冷㦅曑 Jessica Wan-yu LIN Cast ⻱䒟髲 Nien-hsuan WU 蚓䥽 Laila Putli Pagtitahan ULAO ꢷꦤ楣 Vera CHEN

⺐想晤⪌㎠⛼⿁

劾㎧于䏆 Made in Taoyuan

8JME 4QBSSPX

Taiwan Awards Nominated Films

㵷庌 Director

ꓩ겂▇雯 ⺐想 Taiwan  2019  DCP  Colour  95min 2019 ⺐⴯꧆䏆晤✞㝷╚鉈晤 2019 莖ⱶ⿬䏆㷤ր于㵷庌球頉ㄲ⩕ց

亩环 Li SHIH

㵸緤艃⻢琸㢘烆㰬⠊注❤憡⽝㷉亥㸔㒮㵸꒰㏇榟ꩯ蛓擻氳拨洇┖榟孨☾䧋㍑┉ꥃ 㑊墆띴ꥋ┾㵫擯┖蝮氳黁㛿╦⮯氳头鈒ꡦ뜏䅸✿釒䫚㵸緤⺱⛩氳寖䕜艃头鈒✿⮽ 㒮䄬㵸緤馐⪌鳓樟亥舅抇㸔冷郀ꦉ縡岞心氳┪槡ꡦ뜏鹁䗰☕┘⼔縡⮯䏴ꄆ䳪 艋哆㍑鿰䈙┕杙鿰䈙㵽撣鵿☻䡗憡鬼鴞ꡦ뜏䫚㲙氳槀⹘⪵껊⚙┾㏇┉埡撏⻴╈倽 ⱱ注⺸㵸緤㍕縡逈鴞㍑㸔┕縐㳄㏇䐧䐜扝Ⲃ╈䡗ꝏ氳㵸緤㏇䗰䚋❤韻╈䫄䣊氳 ꡦ뜏⽰徴抇湳⽝鲝⺸⬬ꦼ氳⻢琸㢘┉㳄└♏夷⠕☕㶩⥾佭䏘塞氳鷪⸼䡝儔✿ 縡꟯㏇相╈氳ꄇ둊⹒耈榫㛡㵽ⱱ姇䥡䤻⽝鷠 Han lives with his great-grandmother in a small mountain town. One day, Han comes across a dying sparrow, he brings it home and buries it when it has died. On the same day, Li, Han's mother who has been away, calls, asking Han to come live with her in the city. Soon after their reunion, Li's lover abandons her, and therefore Li goes back to work in the nightclub, where she begins another troublesome relationship. As a result, Han returns to his great-grandmother. In a dreamy state, they visit the sparrow's grave but find it destroyed and the body gone˟

10/17 ( ⪠ ) 19:00 ⩞䏆乄ⴭ귈Ԃ

Producer 韻本柊 Jewel, C.L. LAI 亩环 Li SHIH Screenplay ⻱㝀㏱ Yi-chun WU 亩环 Li SHIH Cinematographer ꢷ뜁乄 Chi-wen CHEN Music 曓哵ꆞ Yu-jun WANG Cast 냖亥㛊 Yu-sia KAO 兊◰䪇 Yi-chieh LEE ꢷ屍菒 Shu-fang CHEN 崅㱨ꯂ An-shun YOU 㛊꾛㱴 Teng-hung HSIA

嚛 饖 孳 车 ꮠ 嗞 ⱉ 㕙 ⹗ ꧆ 䏆 璢 ꯝ 㓊 氳 Ⱚ ⛼ ☕ 傾 ⹉ 艃㛡⛤堮䣆㵬鮃邯⛼⹗堮 鍢 Ⱚ ⛼ 鲥 䇗 饖 餉 䏆 ⥾ Ⱚ ⛼♓湿撵վꦗ㳄氳㝷☕տ 2012⹗꧆釲꧆䏆վ㍑㳄 氳 㝷 ☕ տ2014 ⪌ 鹡 ꄌ 껊䏆㷤⺐⴯꧆䏆疒⹗ꄌ犙 晤璢㎜⪐㛛㛡⠕䏆㷤վꄇ ꥋ╯鍸տ亥 2019 ⺐⴯꧆䏆 晤唽暢✞㝷╚鉈晤 Li SHIH is a director, writer and a lyricist in popular music, theater, and cinema. His short No Way Home and his debut feature Almost Heaven were screened in many film festivals including Taipei Golden Horse Film Festival and Taipei Film Festival.

10/18 ( 仼 ) 10:00 in89 9 䋙

⺐想晤⪌㎠⛼⿁

㵷庌 Director Taiwan Awards Nominated Films

㵷庌 Director

冷䑪⧻ Chih-ju LIN 1984 䇗㍕⹉ⱶ刷┉塜㵷庌 ⛼⿁վ䡘⠟氳㛿狞տ邯⛼㎯ ꣣䐍塞馐⪌꧆䏆┉车傾 䳸 ♴ 刷 ┉ 塜 蛓 ☝ 䊛 䜴 再┊ュ棃璢☕氳Ⱌ㵷庌⹗ Ⱅ 鮃2002 䇗 ♓ 䦁 䶕 湿 撵 վꦁ䏆տꝧ㡐䏆⥾Ⱚ⛼氳 亹撨䏴㱮䡗㛡鼨꧆䏆 ꧆釲鵿箛ⱉㄲ⩕ⱉ⛼ ⿁㷷暢ꄌꖉ晤⹗⪭㱚晤ꯁ罦 㲋2009 䇗 ▉ ♓ 庌 ⭴ ꧆ 䏆 վ┘耈婯僘✃տꝧ㡐辑庌 氳䄄⛼┾暢⺐⴯꧆䏆晤 ✞槀鿦鉈晤 Chih-ju LIN stepped into the film industry in 1984 by joining the crew of Last Train to Tan Shui directed by I-chen KO. He was the co-director and e d i t o r o f I - c h e n K O , WA N Jen, Ching-song LIAO, Shanhsi TING. He embarked on a journey of filmmaking in 2002 with his short film Shuang Ying , he directed many films and TV series. He earned himself several Golden Bell Awards. In 2009, LIN started his acting career in the film Cannot Live without You , and he won the Best Supporting Actor at the Taipei Film Awards.

㝕咕㝕⯈ ꬜㵶䌐㴙 %FBS 0SBOHF ⺐想 Taiwan  2020  DCP  Colour  112min

匤㡜┉波鴓姳氳㶩佭⠕癩ㄲ氳䇟焱䚂䗰縡䄖⛙佭⽝鷠㞒⥾竭佭㏇ꝧ㞈曻琸┉埡 㜊䷴氳㦩㣌┉⠕꿯㛿Ⳃ㏑氳㦩㛛䗰┉埡埡氳䨑䤽⫋䓃띷嗞㛿ꝧ僮氳㞈麅佭䷒厑 ▽ⶇ䇭䇗✿䅸蜸骰䑐㜊鐩氳⩬㯹䌪攁縐☕毳⼏檯氳头鈒▉佭┉塠┉塠氳颦▽ 鷪✿⯦㜂䑪鸞氳⭴杯䷊闭▽匤㡜䇖ꪙ氳榟孨▉㍕憡䑪鸞氳䄭近䢊䨭䷬▽匤㡜 氳疒泘匤㡜䚋鈫⮽舅䄕鴓姳氳䇟焱㞒⥾䄖祺⮽✿匤㡜氳疒泘䡗Ⱶ▽ⷙ䌖✿갓鷻 哆縖氳⹚䍺疒泘逈鶺䐂┖凡䑪鸞⹒氪榟䙬㛛骰◧匤㡜䑐䗰餯⮽隵䈕婋㲋磶兠 舅䄕䗉䛵氳┉榟㏇宿麕匤㡜磚亥䚋⹨⮽㞈┉榟鴓姳䇟焱氳Ⱶ鐑⪭㴨企䄖㴨馒 ┾䐂⮽▽匤㡜飜㍑㳄䨭㍑⺎耈氪榟氳䗉ⱉ What Mei wants is a simple relationship with someone who loves her dearly. However, fate decides otherwise. After a failed marriage and an immoral affair with a married man, she gives up on life because of one setback after another. For the past decade, she has barely survived with her mentally disabled son, Diku, and her dementia mother. But when she bumps again into her ex-husband, Zhiyuan, her life is no longer quiet. His glove puppetry saves her show. She feels as if she is about to get the happiness that she wants. However, the success of her show has incurred her rival's displeasure. The show is forced to be canceled. In the meantime, an accident kills Zhi-yuan, which makes her so depressed that she intends to end her miserable life. While standing by the sea, Mei finally realizes that she has in fact got what she has been searching for. Therefore, she runs back home to try to prevent an imminent tragedy from happening.

10/12 ( ┉ ) 16:00 于⩞ 11 䋙

10/18 ( 仼 ) 14:50 in89 9 䋙Ԃ

Producer 载㎜嬀 Guo-tai WEI Cinematographers 䊛专㕐 Jing-yao LIAO ⡏䎾 Bin NI Editor 冷䑪⧻ Chih-ju LIN Cast ⻱㝀衈 Yi-jung WU 䎿宨燐 Hao-qin PENG 娡䤖沠 Cheng-yi JIAN 㲇韡㠡 Xian-mei GUAN 葷㡹嬀㓹 Tai-ji FANJANG

⺐想晤⪌㎠⛼⿁

Taiwan Awards Nominated Films

㛻勛㛻⮵ ꟤㳄䇖㱨 Dear Orange

⺐想晤⪌㎠⛼⿁

Taiwan Awards Nominated Films

㵷庌 Director

销婽㞞 Pei-ju HSIEH 销婽㞞⺐想諠轱㛻㱄꧆䏆 Ⱚ⛼㱄㚖紈㎜⿬⡑奄◟㛻 㱄꧆䏆Ⱚ⛼澑㚖♓վⶇ䇗 ⺐想տ䬠⺲⺐⴯꧆䏆晤✞ ⱉ䗰ꝏ撵晤⪭꺙鼨ⱉ䗰ꝏ 撵 ⛼ ⿁վ 㛻 궐 տ ⪌ 鹡 瑮 24 㷋 ꄟ 㸔 䏆 㷤ր ◟ 孚 ꧆ 䏆 ╯ 猬ցㄲ⩕暢䐂瑮 56 㷋ꄌ 껊晤㎜꤂䏆鍑☕鞞奄重晤 ┾暢䐂瑮 21 㷋⺐⴯꧆䏆疒 ✞于庌⿦晤♓⹗㎜꤂于㵷 庌球頉鈶浑烩鹡晤 Based in Taipei, Taiwan, Peij u H S I E H e a r n e d h e r M FA at Columbia University. Her feature debut, Heavy Craving was selected for Busan Inter national Film Festival, and it won Best New Talent at Taipei Film Awards, and the Audience Choice Award at International New Talent Competition of Taipei Film Festival, and FIPRESCI Prize at Taipei Golden Horse Film Festival in 2019.

㝕넞 )FBWZ $SBWJOH ⺐想 Taiwan  2019  DCP  Colour  90min 2019 ⺐⴯꧆䏆晤✞于庌⿦晤 2019 ꄌ껊晤㎜꤂䏆鍑☕鞞奄重晤

ր㛻䔦륕縐䅨ցꡦ㤡雧胺㎨弞氳骰䎬䈕┖ꥹ僘蜸┉갤掄䗰氳ր⺧䑐ց♓⹗矀嵂氳戌 괮ր拵諠ցⷙ縐佭㍕憡骰免縡굜⹨塣釲憡▽逈䚂ꡦ㤡婋䑐峎罏抇縡歺骰氳뇩 놭鋍穓✳㞈┘㕊靷蕕⸊✿䷊闭舅䄕氳鷪㞞塞ꦙ㕊ր⢢舅䄕ց㞒ꦙꡦ㤡┘焕ꝧ㡐 䠪橏舅䄕峎罏氳䙬紶⛰㏇ꦙ鷻ꪞ䐂孨㏇炙働氳㴱紈勂凡╈䣉僘逈䚂氳鞴劲 30 years old. 105 kilograms. Ying-juan was dealt a bad hand. She works at her mother's childcare center and has a harder time fitting in than a T-Rex in a petting zoo, until she meets Wu, a deliveryman who bears a checkered past underneath his radiant smile. Encouraged by Wu, Yingjuan finally decides to lose weight. Just when things are getting on the right track, devastatingly, Yingjuan's passion for cooking seems to be fading away due to her over-aggressive diet...

10/14 ( └ ) 16:30 佔噛 7 䋙

10/18 ( 仼 ) 12:30 in89 9 䋙Ԃ

Producer 曓ꝶ环 Min-li WANG Screenplay 销婽㞞 Pei-ju HSIEH Cinematographer 䍗汋抇 Hao-jan CHANG Editor 嵡㲐虝 Yi-fei TANG Music 冷䌛ꭻ Hung-tao LIN Cast 褝㇚蓜 Jia-yin TSAI 刷屍 Samantha KO 䍗縎☝ Yao CHANG 䍗䕒柰 En-wei CHANG

㜁⟋┘䘶樧⚒뇩㤎㤎氳▕骰鴤⭴▽⚒뇩外㜁⟋┘䘶樧♂☻氳僁墆놭 鴤⭴▽㏑囸糓⛙㜁⟋鴤䐂⫋䒎▉䒎┘鷪ꡦ魌氳ⱕ⺱憡뇩⻄鮺┪氳 ꡦ魌㵫㜁⟋䅸㍑⚒뇩外筷箛頸糆ⷙ磚亥氪杯⚒뇩㤎㤎⺆佭㏇⮵榫㞈⠟ жж⚒뇩外氳⛼榫㶩佭㵫┪☕氳糆齉鮺㪧⮽㞈⠟骰┕ꡦ魌䇆Ⲃ㜁⟋夋 ⭴⚒뇩外ⷙ婯䘶⮽㜁⟋㏇䏴꟯꯽羝⹯㞈㵫䢦僘氳糆齉槴礢ꡦ魌 暐舅鴤◧縡㜁⟋㡐磚┘伺氫舅䄕幤幤蛾┖氳浍屣䢦憡⛰✿

⚨땴嫰 5FNQMF PG %FWJMCVTUFS

Editor 曓鶳䄰 I-fan WANG

Action Choreography 랊嬀禵 Tai-wei HUANG 兊磇僚 Shao-peng LEE

Music ⺮眧冷 Jimmy LIN 䍗、禾 CK Cast 冷鷻熆 Dao-yu LIN 冷䇥㛲꨾ Anicca

2020 ⺐⴯꧆䏆晤✞⤂⭴䤗轱晤жⳂ⛼錄銷✞鵳㑔錄銷晤䬠⺲ 2020 㛻ꡉ◟孚꧆䏆疒

嘆嶗눚賁曓僘憡佭环嫏ꢚ遵氳僁♏䏕ⷙ㏇环㡨挬犋犋艃⹚孭环㡨氳轿 狱╈䙬㛛㲻挬犋犋✳榫倽ⱱ┘䐂┘䌖⽳鱉绹㞈➘䍛漲㏑釒姳曓僘 憡僁㞈䤧环㡨鹡㍑✿鵿杙ꝏ齉婯樧鷪氳曓僘憡㶩鵞嘚適鹡┕▽环㡨 曓僘憡┕♴氳刈㛿环嫏ꢚ搸氪ⴭ䄄䊰孳⭴氳孨㷖檫夾环㡨냖㲇榘 舘佭竭礶┉⠕⠕㏇环嫏ꢚ╈ꝧ㡐◎䱿◎⾣闭䡗孨㷖䷓䈢냖㷻┖♒釒 丨壹巷♓䫞⯆橻䗰㏇⺨牊孨㷖环㡨氳㜚䳦┖┉紮䗰䚋艃⮵沠◎注硒

Taiwan Awards Nominated Films

⺐想 Taiwan  2020  DCP  Colour  24min

劾㎧于䏆 Made in Taoyuan

Producer ⣭㽌ꝶ Kun-min FU Screenplay 曓鶳䄰 I-fan WANG Cinematographer 曓鶳䄰 I-fan WANG

⺐想晤⪌㎠⛼⿁

Tai-bao and A-Queen are both the reincarnations of the Devil Star, but Tai-bao flees. A-Queen takes Tai-bao back to the Temple of Devilbuster, to atone his sin. However, they both find out later the Holy Mother is just using them. The main reason they are locked at the temple is to take the blames for other people's sin, which they have never done.

蝂氳⠩㰇縖鎊㞞⛰㝮ⱱ鴤⭴环嫏ꢚ

ꄃ⮃皒岻ꯗ (FU UIF )FMM 0VU ⺐想 Taiwan  2020  DCP  Colour  86min 2020 㛡⡑㛡䏆㷤 2020 ⺐⴯꧆䏆疒

WANG Yo-wei works as a security guard at the parliament and is regarded as a loser by others. One day, he gets involved in an incident which costs Ying-ying XIONG, a Member of Parliament, her job. XIONG then asks Wang to stand for the by-election, and she will help him win the seat. Therefore, a loser becomes a new MP. One day in the new session, as a fatal virus is spreading inside the parliament, the MPs are infected and become zombies! Strangely, WANG proves to be the only one immune to the virus. Together with XIONG, they not only fight their way out but save many lives! Producer 刷➱叝 Yi-sen KO Screenplay 癩㚖縱 Shih-keng CHIEN 曓鶳䄰 I-fan WANG 咈㲎⧻ Wan-ju YANG Cinematographer 褝众緤 Seven TSAI

Editors 亩ⶥ恤 Po-han SHIH 曓鶳䄰 I-fan WANG

Music ⺮眧冷 Jimmy LIN 䍗、禾 CK

Cast 熐宨鱐 Bruce HO 韻꥖㞵 Megan LAI 䉜㲅虓 Chung-hua TOU 曓╈永 Chung-huan WANG 냖⻄ Francesca KAO 冷떍髲 He-xuan LIN

㵷庌 Director 曓鶳䄰 I-fan WANG ꢝ▽㵷庌㛛▉䅻䳸♴䶕䏆䅨塚鲝氪勇 I-fan Wang, in addition to being a director, he is often a DP. Please feel free to contact him for new projects.

10/13 ( ◅ ) 15:40 佔噛 7 䋙

10/17 ( ⪠ ) 13:20 ⩞䏆乄ⴭ귈Ԃ

10/18 ( 仼 ) 20:00 in89 9 䋙

榻㯹㎧㛲䘶球䤗㕙 Koshien: Japan's Field of Dreams

Baseball Fever

掄轑ꄇ杷

厬杷嶏舅紈㎜⺐想厬杷鷠Ⳃ嶏亥仼媪侈僿縡仼儗厬杷⯞⹒⹨ 紈㎜䏆ꮷ榘岒萵卹杼厬杷㏇⺨㎜氪㷤氳塽⺒⺎♓氪杯鵞ꯁ鷠Ⳃ ⹚佖▽炙働闭鹞▉㏇乄ⴭ⥉䤖⹗骰⮈鏂⺱┕僘┘⺎䡝籭氳㏑⛤ 劾㎧⛼憡┉⠕厬杷㒮䄬▉佭㓸罭䇗魌鹡䣆氳䮙皴☬䇗攒⮯鹡㲋 ր厬杷ց╚갭⛼憡扦럅䄹僸鈶浑┉鵂鷪꧆䏆䚋⹨掄轑ꪃ佡阁 矀ꃾ頉◄╏䡘⠟氳☕榟

Producer Eric NYARI Cinematographer Michael CROMMETT Editor Ema Ryan YAMAZAKI Music Jason CUMMINGS

掄轑ꄇ�

氯㲳ă?ŁîŠ ă??䞰益䪍㖪 ,PTIJFO +BQBOďŒŹT 'JFME PG %SFBNT

âş?ćƒłęş™ä˝– Taiwan Premiere

äťźĺ„—ďšŠç´ˆăŽœ Japan, USA  2019  DCP  Colour  94min 2019 祡çĄ?祕ę?–ć’ľä?†㡤

2018 䇗鸸龟㛊㰛挝㯚㎧ 100 éś?䇗傏佭ր䇖䥗ä?´â”‰â •ă›Šă›żÖ ďšŞäťźĺ„—ďŠ”ăŽœ鲼 4,000 âš‰é ‰꣣⚎⡊㾍éľ‚顪ㄲ䡴ĺą?娚⯆隥⭴ 56 ĺŠ†é‰ˆéľ…ëƒ–â•ˆĺŽŹć?ˇďŽŻëƒ–ĺ”˝é—ŒďšŞĺ§˘éšľă€ â–‰ďšŹĺš› ć€–ęĽ…â˜•ëƒ–â•ˆĺŽŹć?ˇçŤ­äˇšçŠ“ďšŹćł˜ĺ˜†âŻ†ęŠ‰ďŠ”ăŽœďšŹăĄ?磚㾍ć?ˇęŁŁäľ…ă?‡ăł„ä‰ â•Żâ”•ďšŞâ˜žä??儔釤顪 15 奾氳⊏㯚䣒ć?ˇďšŹâ–‰â”˜ę°žé‹?çŠ“â˜žďšŞĺ§˘éšľăľŤâŠŹăŻšé´ž⎽鸞亥氳č?Œâˇ‘ĺ…¸ëƒ–â•ˆďšŹă?‡â˜žć°łäŒŞăŻšâ›Şâ›Ş ĺ„’古꣣â•ˆç€„çŠ“ďšŞâ›Şâ›Şĺ„’âşŽé’žęŞƒ⭴亼誝㛝睤沞ć?ˇä˝”㛝难çś?ä‡–ďšŠč˜‚娣ęĽ“ä˝”é˝‰ä˝­â˜žé‹?犓⭴ ć°łëƒ–ä?ťďšŞă›ťé ‰ă?‡âˇŠďšŹâşąć†ĄćŚťăŻšăŽ§ä…ťă˛™ć°łâŞ”ĺŠ†꣣⚎㾍ĺƒ?挺⿾꣣Ⱚ龳ăœŚé¨›î›…

Intimately following coaches and players in the historic 100th National High School Baseball Tournament, an unexpectedly shocking window into Japanese society and its struggle to balance Tradition vs. Progress, Enforcement vs. Autonomy.

äşšç´ˆäťźĺ„—㾡ĺşŒă¸”ă˝„č?œć ¨č‰ƒ NHK ⺭⛟鲼䊔䨿厏ć?ˇęރ䇗氳媌ꞛ掄轑ä??ă?‘ć™”â¤•é ‰⎽ ďŽŻçŁšĺŠ‹é ‰ďšŹäš‹âł‚ď‹?ć?ŻćŚťăŻšăŽ§ć°łĺ¨•č‰ƒ幣ր98% ć°łëƒ–â•ˆć?ˇâżŚă?‡éľžé ľé€ˆäŁ’䡴抇ä?´é—­ä?‚ĺ‚Ź ä?›ďšŞÖ ëƒ–ä ­äşĽęĄ‰çƒ–ę§†鍪挝㯚㎧ç?‡ć°łĺ˜†é?ĽďšŹĺ˛´ĺ’ 䭗炑┉⎊挝㯚㎧⛟憥䚄ⴭ獋ä?†ďšŹâ”˜âş† ä˝­ćŽ?ć†śęŞƒ佥氳䟺é•œďšŹĺ‚Źä˝­ă–‡éľłäťźĺ„—ĺ„”âœżďŽŻă”Œ㴨氳ă›˛ä˜śçşłă?‘

Baseball Fever

㾡ĺşŒ Director

㸔㽄č?œć ¨ Ema Ryan YAMAZAKI äťź č‘? 岞 轑 㾡 ĺşŒ 㸔 㽄 č?œ ć ¨ďšŹ čˆ… 㾸 娝 ⚌ ĺ…¸ é‡? 亥 äš„ ⴭ 亼 祡 çĄ? 㛝 㹄NYU ăą„ çś— ꧆ ä?† é‚Ż ⛟ ćł˜ ⯌ ă?‡ 祡 çĄ? â˝° ĺ…¸ â—ş ⪔ ă?‘ ć°Ş 㡤2017 䇗 č?œ ć ¨ ęş™ 韨 祕 ę?– ę?? ć’ľŐžMonkey Business: The Adventures of Curious George's CreatorsŐż ă?‡ Kickstarter ćľ‘ 盇 꼙 éž´ éŁƒ 顪 186,000 ç´ˆ ⊕ 挺 The Orchard  ć?ˇ 氪轌龞韨ć’ľă?‡司ĺ… ç€’ä?†㡤 꺙佖┞ă?‡âś&#x;ă–Ž⊥ć”’ăź—ä?†㡤 暢ä?‚éˆśćľ‘ć™¤ďšŞ Ema Ryan YAMAZAKI grew up navigating between Japanese and Wester n cultures. She studied filmmaking at NYU, and currently splits her base b e t w e e n N e w Yo r k a n d Tokyo. In 2017, Ema's first feature documentary, Monkey Business: The Adventures of Curious George's Creators was released worldwide by The Orchard, after raising over $186,000 on Kickstarter. It premiered at the LA Film Festival and won the Audience Award at the Nantucket Film Festival.

10/09 ( ◑ ) 17:00 于⊞ 2 䋙

Producers čžŠăœ¨ă›Ąă„Žć§€ Takio ENA 藜ꄇę??⺎ Chokichi KANNO Screenplay â—’äŁ†ęĽ–â˜• Masato IDE ć°Ťă?§â?¤ä‘Şăœ‚ Yoshio SHIRASAKA ⚊荲岴 Kiyosi ITO éšľäƒˇâžŻăœ éźƒ Shuntaro TANIKAWA

Cinematographer ĺ?¤ĺ†?姧⺎ Eikichi UEMATSU

Sound 㛝噛ꇥ暭 Tetsuya OHASHI

掄轑ꄇ�

Music 㸔儗波祿 Naozumi YAMAMOTO

Baseball Fever

㾡ĺşŒ Director

ä„Źäƒˇă˝Œ Kon ICHIKAWA äťźĺ„—čœ¸âş˛ăľˇĺşŒîšŽ1915-2008 č‰ƒëžŤĺž‰äźşďšŠĺ„’â”–ä˜&#x;â˜ŽďšŠăľ¸ĺ†ˇ ĺĄœĺ˜ťâ”žç‰’äťźĺ„—ä?†ă™‘ă?Œę˝žăš– â™“äŤ ć?źăľ¸é? ăł„ĺš›圼ĺĄœâş’ć°ł Őžę„Œ挚┉縹Ⲃտ祎⎛憥⹉儗 äŚ äĄ—ć°łę§†ä?†â™“礛摊樔ꪍ秾 ĺ´˘ ⹉ ä—° 㛝 ⚨ 奚 é˛?1964 䇗 ä„Źäƒˇă˝Œć†Ąĺ…¸â—şă?ĄăĄ¨ĺƒ?äŚ äś•ă˛‡ 亥祕ę?–撾亼 1965 ä‡—äŤ â­´ďšŹ â”˜č›žâ&#x;‚ă?„氳䣆ĺŤ?┘⼪é˜ â˜žäŹ´ ⺲â”Şć§ĄďšŹâ–‰ć†Ąâ˜žé ­ä?‚ă?˝ă’Žä?† 㡤ăŽœę¤‚ä?†é?‘â˜•âśœĺƒ?晤⪭⛟ âż ă›ťéź¨âŽˆâœżčˆ…äťźĺ„—äš„ăą„â›źâż äˇŠ稜㞞՞慊┕տ՞ę?ˇŐżďšŠ ŐžäĄ˜ä˝­é??տ՞碸ꌤտ璢 Kon ICHIKAWA (20 November 1915 – 13 February 2008) was a Japanese film director. His work displays a vast range in genre and style, from the antiwar films The Burmese Harp (1956) and Fires on the Plain (1959), to the documentary Tokyo Olympiad (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama An Actor's Revenge (1963). His film Odd Obsession (1959) won the Jury Prize at the 1960 Cannes Film Festival.

ꡲĺ„¤îŠ ç?™ 㺊傽勔î˝?ă?”ë‘›â•šĺ•Ść§Šęœ‡ĺ&#x;Š鎭 :PVUI 5IF UI /BUJPOBM )JHI 4DIPPM #BTFCBMM 5PVSOBNFOU

âş?ćƒłęş™ä˝– Taiwan Premiere

äťźĺ„— Japan  1968  DCP  Colour  96min

1968 䇗沸㛊瑎 50 ăˇ‹äťźĺ„—ďŠ”ăŽœëƒ–â•ˆĺŽŹć?ˇęŽ˜ĺ˜†é ‰Ö€ă›Šă°›挝㯚ăŽ§Ö ĺĄœäŒ‹ę?§ä˘‡îš§âŞ č›“⺲éˆś ćľ‘ä´Žć?¸ć´‡âş?éˆśä˘‡ďšŹĺĄšâ˝›睎ꎡä‘ ꌴ꧗ä?? 2,485 䢌ăą„ĺŠ†č ŁçŠ‹縥⭴ 48 劆藭č‘?꣣⚎圗⤕ ć’?ă?Śćš?┉ć‰?â—…ć°łčˆ˜ëƒ–ĺ”˝ç¸ŽďšŞâą‰çŁžçŤ?ĺš›缺犇颌題⎛㟗ä??㳸⍸⎽ꀿ倄鴓騼ꄇć?ˇăľ˝ä‡—ć°ł 龅㛲骰ä?†ďšŞć’ľâ•ˆĺ‚Źç‹ŤäŹĽćœŹéž•好⺒樔ꪍďšŹç˘¸ä¸¨ćŚťăŻšăŽ§é—­éšžâş’ďšŞé˘ŚéˇŞâ—…ä˘‡ďšŹäƒ™äƒ™ă•™ęˇˆę˘?â–˝ ĺ‚žă?•鍭ę§?伸挍ďšŹćŚ˜čˆ˜ĺƒ˜äźşä˝”ć?ˇâżŚé¸ž颏劝ă•™â”˜âŤ‹奞âœżďšŞĺ¨•幣뢜곍氳挝㯚ăŽ§ďšŹâ”˜⼪佭ęŞƒ佥 ç?ƒä¤—ă•™ďšŹĺ‚Źé‡¤é•œ姧â”˜éŠ¨ĺŽ‘ć°łă›ťâ˝°ç&#x;€çƒ– 儗撾憥䟺媪氏䇗祕ä’&#x;꧆ä?†ďšŹćŚşĺƒźäťźäşŽçť„ç‚™â˝°äťźĺ„—ëƒ–â•ˆĺŽŹć?ˇçť¤ć˛žďŠ”ꪍâśœâąąäŚ äś•ďšŹâ”‰â™?⺲ 㾡ä„Źäƒˇă˝ŒďŽŻč†žć…¤â˜•âšžć°łâĽ‰ăœŚâ¤‚â›źďšŹăŠźç´ˆ㾡ĺşŒ 1965 䇗鯼Ⳃꇤ⛟՞典◺ă?Ąéˇ 1964տ憥 â–˝č›žă´¨ăľˇĺşŒć°łę„‡ĺƒ¸ďšŹďŠ”ć’ľâ­´âł‚ 20 㛥âş?äś•ä?†ĺš‚Ⳃ⿌ 120 ⺲ä„„â›źâ˜•⿌ďšŹé˜ ę”–꯽âš’ă?‘┕㛿 ç‹Ťĺ?Źâş¨â •é‰ˆč›žďšŹç&#x;€äŽˇäŠ”䨿é ‰â—„ç&#x;€č™“č‰ƒç§”äˇ’氳⺨č?ˆęރ佥

10/10 ( ⪠) 20:50 于⊞ 11 ä‹™

10/19 ( ┉ ) 15:00 ⊞ä?†äš„â´­ęˇˆ

Among the hardest-to-see films in Kon ICHIKAWA's oeuvre, this 1968 documentary finds the legendary director approach the subject of Japanese high school baseball with the same lyricism and visual splendor as he did with the 1964 Summer Games in Tokyo Olympiad (1965). On the 50th anniversary of the Koshien games, ICHIKAWA captures the uniquely rigorous training˓ in snow, dirt and schoolyard lots ˓ of the young athletes preparing for the all-important tournament, interspersed with historical footage that contextualizes Japan's long love affair with student baseball. A thrilling portrait of youth in the economic boom of the postwar period, ICHIKAWA's rare film encapsulates an entire generation through sports.

Executive Producer Brian E. FRANKISH Producers Charles GORDON Lawrence GORDON Lloyd LEVIN Screenplay Phil Alden ROBINSON (based on the book of W.P. Kinsella) Cinematographer John LINDLEY

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Editor Ian CRAFFORD Music James HORNER

Baseball Fever

Cast Kevin COSTNER Amy MADIGAN Gaby HOFFMANN Ray LIOTTA Timothy BUSFIELD James Earl JONES

㵷庌 Director FIELD OF DREAMSImages courtesy of Park Circus / Universal

㝍䌝䧯澶 'JFME PG %SFBNT 紈㎜ USA  1989  DCP  Colour  107min

虝撨 ٬ 荜氨 ٬ 糶韇鸔 Phil Alden ROBINSON

1990 㝡事⶯ꄌ⥾晤✞䏆撵✞䷊稶ⱉ儗✞⸊Ⱚ鿦嗞䬠⺲

ꦾ艃㠧㯹㝷⩬└☕榟孨㏇䚂蕕虓䃹䳕僘┉㛻撵曑眧榹┉㛿┉⠕烖烄氳绮ꮠ ⥉✿ր㞞冽✃衏㞒▽☾㶩働✿ց浍⯦氳俍霆⼔錐☾㞞冽㏇曑眧榹╈㜇衏┉ 䈴厬杷㕙⯦氫醚꣣杷⿦ր颌胶ㄮց㶩働✿䚂蕕虓䣒杷亥佭☾䤧衏厬杷㕙鵞⠕㛻膛 氳䘶嫏⼔錐㠧㯹䘶┘⮽㠧㯹珔䶺䧐☾氳㛲䘶㵫榟靸䄄曑眧榹Ⱞ䇖⨅畚䢦僘㷉 妩齉琸蜸鵞㵴欼敾㜂㠧☾⠟☱抇注⟔䄖䷚氳厬杷鹡䣆竭僘┉㛿働䐍曑眧榹╈⭴ 杯抇縡仼㯹┉㛿㛿鷪⸼岒ꣀ靸ⳉ⷇嚂氳㜂㠧⠊䣒畁䷒厑厬杷㕙侈ր颌胶ㄮց 珔艃☾氳꣣⿦⠟碑碑⮽✿┉㕙䫔碠厬杷鷠Ⳃ氳㜦㟔╯亹塜䌋㷤ꝧ 瑮┉埡┪槡㛻䢇磶兠厬杷䡗憡紈㎜╚釒氳鷠Ⳃ╯┉䢦♓㛻绤沾婋㲋㵫 1919 䇗 ┪槡㛻頉㵫䷊憡▆䢇◑Ⳑ⯆榺♏辑紈㎜绤沾氳莖ⱶ⿬氫醚꣣艃♏辑㎜㳄绤沾氳鰨鰨

When Iowa farmer Ray hears a mysterious voice one night in his cornfield saying "If you build it, he will come," he feels the need to act. Despite taunts of lunacy, Ray builds a baseball diamond on his land, supported by his wife, Annie. Afterward, the ghosts of great players start emerging from the crops to play ball, led by "Shoeless" Joe Jackson. But, as Ray learns, this field of dreams is about much more than bringing former baseball greats out to play.

1950 䇗⭴榟亥紈㎜硷硝ꝏ 㼗佭┉⺲㵷庌艃稶ⱉ⪭ 倠 ꊸ ꧆ 䏆 ⛼ ⿁ ⴎ 䦮վ 㛲 䇥 䡗洡տվ烖놭㶅⪬տ վ 䔦 䠵 氳 竭 ⽰ տ2002 䇗 ♓վ钱傻㏑㛻狞꡺տ暢䐂랊 ꄌ侈夀荜紈晤鴁✃䏆꥙꧆ 釲꧆䏆ⱉ䗰걊疒泘✞㵷 庌 Phil Alden ROBINSON was b o r n o n M a rc h 1 , 1 9 5 0 i n Long Beach, Long Island, New York, USA. He is a writer and director, known for Field of Dreams (1989), Sneakers (1992) and The Sum of All Fears (2002).

黁䬠硟☕꣣鶡车硎⮛䢇┘鷪ⷙ㍕憡⪛⺲氫醚꣣杷⿦逈䷅⹨鞭鞩䷚䙬鮘礢▽硟☕꣣ ⺒牒ր랫醚◄♭ց儗撵⯞♓塞◄♭憡럅䷶鳯紈㎜厬杷鷠Ⳃ㞞⛰䡗憡㎜妩鷠Ⳃ 䄇㟔氳稶ⱉ▉阁厬杷╏☕艃☕╯ꝴ氳䗰䚋艃乄ⴭ⥉䤖

10/10 ( ⪠ ) 10:40 于⩞ 11 䋙

10/17 ( ⪠ ) 10:10 in89 9 䋙

Producers Mark JOHNSON Philip M. BREEN Robert F. COLESBERRY Roger TOWNE Screenplay Roger TOWNE Bernard MALAMUD Phil DUSENBERRY Cinematographer Caleb DESCHANEL

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Music Randy NEWMAN Editor Stu LINDER

Baseball Fever

Cast Robert REDFORD Glenn CLOSE Kim BASINGER Robert DUVALL Kevin LESTER

㵷庌 Director

THE NATURALմ © 1984 Columbia Pictures Industries, Inc. All Rights Reserved.

䄘栐 ٬ 兊乄叝 Barry LEVINSON 1942 䇗⭴榟亥紈㎜䄘撨氳 䰷佭⺲㵷庌稶ⱉ泃邯 艃庌⿦憡☕捙湳氳⛼⿁ 佭 1987 䇗氳վ企㱨飉⶟տ 1988 䇗暢䐂㝡事⶯✞㵷 庌♓⹗⪭☾└⠕㛻晤氳վꦟ ☕ տ1997 䇗վ 劾 荈 겨 ꦴ 䮙䵅斡տվ㛿榟㞒䣆տ⯞ 佭☾氳瑮◅鼨⛼⿁⭴榟亥 ➣ 糶 事 昷 㜁 遘 紈 ㎜ 㳄 䉁 1960 䇗냖╈樆哆䏴⯦䏢 虓沸ꯕ紈㎜㛻㱄㶩闖╯䏴 ⯞⯦䏢嬸允瀒䐍◄庌⿦⹗稶 ⱉ 䄄 ⛼ ꝧ グ ☾ 氳 ꧆ 䏆 ╯ 饟2010 䇗 兊 乄 叝 暢 ꯓ 紈 ㎜ 稶 ⱉ 䄄 働WGA 磚 骰 䡗㶩晤

Barry LEVINSON was born in Baltimore. He is of Russian Jewish descent. LEVINSON graduated from high school in 1960, attended college at American University in Wa s h i n g t o n , D C . H e t h e n moved to Los Angeles, where he began acting as well as writing and per for ming comedy routines. In 2010, LEVINSON was the recipient of the WGA's Laurel Award for Screen, honoring a lifetime achievement in outstanding writing for motion pictures.

㝙气㟳䩘 < , 俪⛻⟵䕰曭 > 5IF /BUVSBM 紈㎜ USA и 1984 и DCP и Colour и 138min 1984 㝡事⶯ꄌ⥾晤✞㝷鿦鉈✞䶕䏆✞㕙俍錄銷✞鿦嗞晤䬠⺲

糶⚊ꧭ䄭事䐍㵸环䑪䡗憡⺒┕瑮┉厬杷⿦14 塵侈榫┉叭逈ꦾ䳦╈縡⠡㕼氳嚇嘻邯鵳 㸋亥舅䄕氳杷厬19 塵黁䇗☾倭⮯㝷⹘䚂뜏礸婋㲋⯦䏢莖ⱶ⿬㷤ꝧ厬杷榟尐抇 縡ⷙ㏇ꦗ㳄㎨㛲氳愃髪┕氪榟▽䙬㛛16 䇗䏴糶⚊䄖┘⫋佭骰냉ⱱ䍛氳㵸⚠㯹 ☾ⱶ⪌▽┉䶺㛻㳄齉┘洇㞒氳└碎杷꣣抇縡掄䚂厬杷氳☾☱抇䤓⮽嚂働㷤꨾☾氳 㴨ⱱ┉䈲稥鵳ր糶⚊ꧭ䄭事겨弪ցⷙ鹁☕鈕鈊⚀㎬♓ꄌꎏ䷅鞙⹗紈☕銷磚塛 ☾氳厬杷榟尐樧⮤䡁㝷⹘䚂뜏礸䅸蜸꿯ㄎ寖䕜⭴杯㏇厬杷㕙侈䑝蜸艋Ⱚ氳糶⚊矀 烖憡╯┉䨗☾佭⻖耈䳦⭴Ⳑ⮵氳┉杷樔┖⪭厬杷榟尐氳㱮紈磶㷀 儗撵䷊稶舅⚼硱䐼껊䥽랹䐼 1952 䇗䢦㴵氳⺱⺲㵸鐁撵╈錊㛡杷頉⹦俍亥姢擧㒮 硷硝䢇撏硕䒟귈⹗냖냉罭㕙⪭☾ⴎ䦮姢擧㒮╈㜇髪珇荜ꄅ⩡攒䊸㕙㛻䉶氷亥 ꧆䏆╈槴┖ 80 䇗♏䋧疤氳嘘嘚浑㛡㕙俍亥 1984 䇗┕佖䏴舘☬䡗憡┘㵽䏆鴁僼纳╯ ㏑

10/10 ( ⪠ ) 13:10 于⩞ 11 䋙

10/17 ( ⪠ ) 19:40 in89 9 䋙

A once promising young baseball player returns to the mainstage sixteen years later in an attempt to restart his career after battling the demons of his past. But, it is the choices he makes with the women in his life that could lead to his downfall again.

Executive Producer Jack SELBY Producer Thomas TULL Screenplay Jonathan HOCK Cinematographer Alastair CHRISTOPHER Music Tony MORALES

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Editors Peter PANAGOULIAS Steven PILGRIM

㵷庌 Director Baseball Fever

䍛硱叝 ٬ ⿊⩡ Jonathan HOCK

ꅍ槊㸫尵

⺐想꺙佖 Taiwan Premiere

'BTUCBMM 紈㎜ USA и 2016 и DCP и Colour и 87min

樧䤸䣆珇┕䤸䣆┭✳況ⱱ䤸杷䣒䳦䣆㝮ⱱ┉䳦⪔☕塜ꪫ◬ꋲ䡗憡厬杷頉浑 䢦湞泘氳扦럅䤸䣆冎ꦗ儗㙲冎氳ꦗ憡 60 葐⼚ 6 ⺰ (18.4 ⪞㶹 )┉芙縡銨䤸 䣆杷鵯萵飃鷪 100 MPH ( 硝 160 KMH)㛻绤沾璢碎氳䣒䳦䣆䳕僘⨤樟氳Ⳃ䛞釲鈫耈 ⱱ䑒ꯄ㏇㵸亥 1 熯⪐洇嶗杷饟┾⢢⭴䭙厬⮮亝縓꿨蜸⪔亡飃╲䅻☕氳냉耈⹗⹚䟕 ⱱ 儗撵⯞䐍䤸䣆艃䣒䳦䣆氳㵴婋铻㍑巅鷪⸼⩞唽塽⺒䐍厬杷⺲☕㔆⮽杯♴伺佔杷 ⿦碸丨丨ⶇ⛤⨤熕杷⿦ⴎ䦮虓攒䍛叝Walter JOHNSON뉌⚼鞞ⲾBob

FELLER钱训蚓䕒Nolan RYAN♓⹗ꄌ妤┪槡硕ꍖ⟋䧐縖ꡦ糶눚鳟事 ٬ 刨俋傻Aroldis CHAPMAN⺁㛛䳸♴亰氫氳⯞佭굟庌վ㛲䇥䡗洡տ氳槀佔⭦乄 ٬ 熭事硱ㄎ䚂紈㎜厬杷頉◄氳杷鴁磿㵴┘⺎ꎭ鷪塞霕虓ꢛ㳋

10/10 ( ⪠ ) 16:20 于⩞ 11 䋙

The heartbeat of the game of baseball is the battle between the pitcher and the batter–one man with a ball, one with a stick. As the pitcher winds up and the batter zeroes in, both of their bodies tense up and suddenly spring into action against each other. All actions of the game arise from that confrontation, sixty feet and six inches and barely a second in the making. Hank AARON, Nolan RYAN, Bob GIBSON, and Derek JETER lead a cast of Baseball Legends, writers and scientists who explore how the magic of baseball can boil down to the 396 milliseconds it takes a 100 mph fastball to reach home plate, and they make a case for who threw the fastest pitch ever.

1964 䇗 ⭴ 榟 亥 硷 硝 傾 祺 䧍 鷪 ⶇ ┉ 䈴 荜 紈 晤 佭 邯 撵 㵷 庌 稶 ⱉ ⹗ Ⱅ 䫚2005 䇗 꺙 鼨 鋘 ꍖ 撵 վThrough the Fireտ 硕 ꍖ 䄭눚⩡冷⭴榟氳냖╈榟 ꟧ NBA 氳䷚◄亥樧䇗綶 靳⶯꧆䏆疒꺙佖▉傾祺憡 ESPN 갓鷻邯⛼鷪냉罭䏆꥙ 唽暢┘㵽晤ꯁ㛻鼨⮈氳⛼ ⿁氷憡鷠Ⳃ注꟯硕ꍖ撵 Jonathan HOCK is an eleventime Emmy Award winning producer, director, writer and editor. His first documentary feature Through the Fire had its world premiere at the Tribeca Film Festival in 2005, and his later films The Lost Son of Havana (2009) and Off the Rez (2011) also premiered there. HOCK has directed four documentaries for ESPN's Emmy and Peabody Award winning 30 For 30 series, including Unguarded , which was named Best Documentary of the year by Sports Illustrated; T h e B e s t T h a t N e v e r Wa s (2010); Survive and Advance (2013) and Of Miracles and Men (2015). Hock's series of documentary shorts, The Finish Line: Steve Nash , was a finalist for a National Magazine Award.

10/22 ( ㍌ ) 15:00 in89 9 䋙

Producer Jeong-ju ON Cinematographer Seung-yoon HWANG Production Design Jin-ah PARK Editor Yun-tae CHOI

掄轑ꄇ杷

Cast Joo-young LEE Joon-hyuk LEE Hye-ran YEOM Young-gyu SONG Dong-yeon KWAK Hae-eun JOO Jae-myeong YU

Baseball Fever

㵷庌 Director

㽑⩒㜁 Yun-tae CHOI 1982 䇗⭴榟亥⶟ꭩ䜴㶉⴯ 鷻2016 䇗 樆 哆 亥 ⶟ ꭩ ꧆ 䏆 㱄 ꢚ KAFA ⪭ 樆 哆 ⛼ վ丛丛✃氳䑐ꝛտ⪌㎠樧䇗 䃹㎜꤂䏆㷤湿撵球頉儗 撵佭☾氳ꝏ撵谊㝷⛼亥ꄟ 㸔䏆㷤꺙佖䏴ⷊ暢䐂꺙撨 暐环꧆䏆疒暐环于佔晤 Yun-tae CHOI was bor n in Yeongdeok County in 1982. He was graduated from KAFA (Koerean Academy of Film Arts). His first short film Knocking on the Door of Your Heart was selected in Jeonju International Film Festival Korean Competition For Shorts. Baseball Girl i s h i s d e b u t feature, selected in Busan Film Festival Korean Cinema Today – Panorama, and awarded at Seoul Independent Film Festival with Independent Star Award.

귲儤㛏䩤 #BTFCBMM (JSM ⶟ꭩ South Korea и 2019 и DCP и Colour и 105min 2019 ꄟ㸔䏆㷤ր⶟ꭩ樧♏꧆䏆ցㄲ⩕ 2019 꺙撨暐环꧆䏆疒暐环于佔晤

ր䡘佭㝷榟䡘䘶䣒厬杷ց熕☝佭┪┕せ┉耈䤸⭴ 130 KPH 䒎鵯杷氳㝷厬杷鹡䣆 傾䏩鷪槀㯹냖╈厬杷꣣氳㞈塜ꪫ舃⺁┉⠕䧪䢇㞈䘶ⱶ⪌绹哆厬杷꣣㽑䷹穓⼔ 錐熕☝黁佭┉⠕┘⺎耈鷾䡗氳㛲䘶┘⺆佭㍕憡䓪⮯┕氳ꡢ灒麅僘냉ⱱ┕氳꡿⯆ 抇縡㽑䷹穓䬠⭴┉⠕䋧閲件抇㏇ⱱ姇┕扝嫏䣒䷴槀榟黁㶩㱄綗槀榟䤸┘⭴氳跕 跚杷⻗ 㞞冽✃洇鷪嵡㡂庤⩡╚庌氳վ硟睗绤沾տ铻鳯◅埡㛻䢇䏴㖵適狞四氳紈㝷㯹绹哆 厬杷㛻绤沾氳⳶䑪䷚◄㶩┘耈ꎭ鷪鵞鼨♓◟孚꺙⛤㝷㯹厬杷鹡䣆憡갭氳㝷ⱱ꧆䏆 于ꊯ㵷庌㽑⩒㜁꺙鼨ꝏ撵舅稶舅㵷䤓✿վ卣嬀ꢚ Classտ氳兊⼾佖굟庌㛿䣉厬杷㞒 䣆♓⹗վ艃烖⺱车տ氳兊宐颛굟庌냖╈䷹穓樧硟槀㝷庌⿦䳸禾庌⭴忂泒⭴㛻 ꉐ䆡䢊ⱉ愃菌

10/10 ( ⪠ ) 18:30 于⩞ 11 䋙

⺐想꺙佖 Taiwan Premiere

10/15 ( ㍌ ) 16:00 佔噛 7 䋙

Soo-in is the world's one and only female baseball player who can throw a 130 kph pitch. Surviving from a boys-only high school baseball team, now she faces another challenge to be in a pro team. Watching her not giving up her dream, a new coach CHOI tells Soo-in that it's an impossible dream, not because of her gender obstacle but because of her physical limit. Instead CHOI suggests a new strategy;  if you can't beat boys by strength, throw something that boys can't hit: a knuckleball.

Cinematographers 랊㛿☝ Tian-ren HUANG 燐렲伷 Ting-chang CHIN Sound 兜痟╯ Du-chih TU

Music ꢷ伺珖 Ming-chang CHEN

Editor ꢷⶥ乄 Po-wen CHEN

掄轑ꄇ杷

笷訬⥝㞂 5IF 3FE -FBG -FHFOE

攒⮯䷒佖 Special Screenings

⺐想 Taiwan и 1999 и BD и Colour, B&W и 70min 1999 ꄌ껊晤✞硕ꍖ撵 1999 ⺐⴯꧆䏆疒暐环Ⱚ⛼✞硕ꍖ撵 1999 㸔䎬硕ꍖ撵䏆㷤◟孚球頉ㄲ⩕ 1999 ꄟ㸔䏆㷤

1968 䇗硟蜘㵽厬꣣㏇⺐⴯♓┎奄ꦼ㛻Ⳑ仼儗⽰堮㸔꣣鵞┉䢇阁⺐想☕ꄆ䧋妩从舅 ⟔䑐縡ր硟蜘㵸㵫ց▉䡗憡⺐想㳄ㅈ䢒偤氳⥉㜦└ⶇ䇗鷪⸼鵞䤊硟蜘㵸㵫⠟ⷙ 僘┉ⶐ氳杷⿦䄖⸼┪˟˟撵⥾┉夀鴓╯亹䤓蜸硟蜘㵽厬♓⹗꟯亥鵞撵㎻㏑氳 紈㞒㍑䞭 儗撵硕ꍖ▽硟蜘㵽厬꣣└ⶇ䇗氳⥉㜦☬佅㵷庌▉鍲㎬㏇鋽鐸ꝴ杼鉮⥉鷾樧侈䇗魌 ☕㞞⛰洇䏩⺐想氳塽⺒⽰㎻㏑氳㍑䞭䡘⠟ꤚ蜸㵷庌䫔鋽鵞◚逈鹨䑭㏇榟孨╈氳佅仼 葐꥓鷪╈ꣃ箛䧴䫂⮽牊牊壂ꀿ氳璽勇縡㵷庌舅䄕氳䦁䶕祺鞞▉┉塠塠寖縶增況

In 1968, the Hongye Young Baseball Team defeated the Japanese Wakayama Team by 7-0 at Taipei Stadium. This battle made the Taiwanese regain national pride. Three decades later, half of the team players have passed away. As the film unfolds, it takes us on a journey searching for the Hongye (Red Leaf) team members and wonderful memories of the land.

Baseball Fever

㵷庌 Director

觓蘂靴 Chu-chen HSIAO ⺐想湳⺲硕ꍖ撵艃乄㰅䄄⛼ 縖 姳 㱄 僿 ꝴ ⷊ ꝧ 㡐 硕 ꍖ 撵 Ⱚ ⛼1999 䇗 氳վ 硟 蜘 ⥉㜦տ艃 2000 䇗氳վꉐ百 㯹 տ ㏇ ㎜ 㛛 䏆 㷤 ⹨ ⮽ 湞 泘▉㝦䐂ꄌ껊晤✞硕ꍖ 撵 晤1999 䇗 艃 듂 듂 뇝 䐼纳龢乄㔆璢㵷庌┉⺱Ⱚ 鰾ր硿 16 䏆㷤ց꺙䈲㵫 ㎜⪐Ⱚ⛼湿撵硕ꍖ撵䅸鶡 ꧆䏆ꢚ㏇䏆⥾Ⱚ⛼╯㛛 㞈▉榫暐攒䚋䓪氳乄㰅鋘ꍖ 舅䄕氳Ⱚ⛼榟尐泘⯦㏇岴 虓㛻㱄䷹䪧注꟯鐑 Chu-chen HSIAO is a documentar y director and a jour nalist. The Red Leaf Legend (1999) and Grandma's Hairpin (2001) won her Taipei Golden Horse Awards for Best Documentary. In 1999, she curated the Purely 16 with other famous Taiwanese directors.

⸊⹦⺲վ硟蜘⬬ꦼտ氳撵⺲㏇䢊ⱉ䓪㏑氪杯䏴箛Ⳃ☕䷚◄遵僘▽鴭鮺

10/19 ( ┉ ) 10:30 ⩞䏆乄ⴭ귈

Producers 랊䑪伺 Jimmy HUANG 뇝䐼纳 Te-sheng WEI Screenplay ꢷ㇚褈 Ruby CHEN 뇝䐼纳 Te-sheng WEI

Cinematographer 燐렲伷 Ting-chang CHIN

Music ⛪諲波硕 Naoki SATO

Editor

掄轑ꄇ杷

譍杚⧘ Milk SU

Sound 兜痟╯ Du-chih TU ⻱傴栜 Shu-yao WU 嵡崻琉 Siang-chu TANGH

Baseball Fever

Cast 姧悅塜䷨ Masatoshi NAGASE 㛻徉㜂 Takao OSAWA ㏧◒洡硕 Maki SAKAI ⚊䃷典⼂ Togo IGAWA 傶⛫㴪 Yu-ning TSAO 䍗䌛麪 Hung-yi CHANG

㵷庌 Director

,"/0 ,"/0 껊䑪綝 Umin BOYA ⸊⛩妩⺲憡 Umin BOYA ♓庌⿦骰♸⭴鷻⺱侈䳕僘 稶ⱉ㵷庌璢㛡ꄆ骰♸♓ 曓㵸及㵷庌䢦㓵㵷氳⪞釲ⱉ ꥙վ 㛻 ꂳ ꢚ 㵸 ꂳ 䅨 տ 䀽 ꨾ ꯽ 鉈 䢦 稶 㵷 氳 ꧆ 釲 ꧆ 䏆 ⛼⿁վⶇ塵瑉㤚氳갾僸տ վ榟⽝꟯䠪硎⮛鐁㞒┘⬢ ⿸տվ洇釤㛿㔆տվ⸊ 釲榟⽝ⱉ㷤곦䮙氳琉冷տ 璢◰齉暢䐂ꄌꖉ晤氳⺨ꯁ罦 㲋 Umin BOYA is a Taiwanese a c t o r- t u r n e d - d i r e c t o r. H e started his acting career in director Shaudi WANG's TV series. He has written and directed many award-winning TV films and has been seen in various Taiwanese feature films, including Seediq Bale. KANO is his first feature film as director.

⺐想 Taiwan и 2014 и DCP и Colour и 185min 2014 ꄌ껊晤鈶浑烩鹡✞䏆撵㎜꤂䏆鍑☕鞞奄重晤 2014 ⺐⴯꧆䏆疒鈶浑烩鹡✞䏆撵✞槀鿦鉈晤

1928 䇗氳⺐想鏒榟▽┉䶺榺仼儗☕⺐想☕⽰⸊⛩妩磞䡗氳㇚鱖厬杷꣣⮯☕琸☾⠟ 佭ꦉ擀髭䷹穓⯞♓ր鶡髭榻㯹㎧ց憡泘嘆榫事䄘鷾氳㌅⸫䛞䈲鋍穓☾⠟忂氪杷 ⿦氳姳Ⳑ䙬䑪艃┘䓏鮘氳矀烖1931 䇗鵞䶺儔傾䣒鷪Ⳑ☿氳杷꣣┉饟鷪꟯亅㵫♏ 辑⺐想䏣䢇榻㯹㎧ꪫ㵴䍛丠㇚鱖杷⿦⠟㝮䢇┘䟒氳矀烖䚋Ⳃ杯㕙䢦僘鈶浑鸞鸞 鈶浑䅫┕⥉✿┉ꢛ㝮ⱱ⽛ヮր葐꥓˟䢇㕙˟㛿┖˟㇚鱖ց ䷊稶舅㇚鱖厬杷꣣鶡髭仼儗榻㯹㎧氳洡㴨䷚◄铻鳯鵞紮ꄇ杷㵽䇗僼蜸㛲䘶⯦鶡氳 饟鵏╈䢦⩡僜氳牊牊㍮㗟⽰▽䣒蛾擢룎⽰轑⻉氳䧈䮋⟔䒟㱮紈鎃ꄄ▽鷠Ⳃ矀烖氳洡 紶▉䅸⭴▽⺐想矀烖㏇樧╈䡘⠟┘⛙洇⮽鷠Ⳃ⿦氳㔌꭛▉ꢥ蜸☾⠟颦鷪⹘鐣⽰ 䚂䗰㵫牊牊鹨䞿ⴭ䡗⯦鶡氳Ⳃⱱ

10/15 ( ㍌ ) 15:00 于⩞ 11 䋙

Based on a true story. In 1928, it was the period when Taiwan under Japanese rule. The KANO baseball team started out simply as a local sports club to improve the students' physique. However, the team overcame extreme odds and represent the island in the 1931 Japanese High School Baseball Championship at Koshien Stadium. The underdog team advanced to the championship final.

Executive Producer 孌琉䎲 Chu-yen HUNG Producer 冷䎲廼 Yan-jie LIN

Cinematographers 䍗保岙 Chih-yuan CHANG 婠㯹縱 Tzu-keng SHEN ꢷグ㱴 Chi-hung CHEN 冷❤갓 I-pin LIN 孌琉䎲 Chu-yen HUNG 兊ꭘ⚼ Wei-po LI 冷钕 Dillon LIN

掄轑ꄇ杷

Editor 䄍佫 Zhao-hui WU 䍗保岙 Chih-yuan CHANG

Colorist 冷钕 Dillon LIN

Baseball Fever

Sound ꢷグ㱴 Chi-hung CHEN Eye Media 䯠浍丨⛤䏆ꮠ

㵷庌 Director

ꊙ┞䌑 1SBDUJDF .BLFT $IBNQJPOT

冷钕 Dillon LIN

⺐想 Taiwan  2019  DCP  Colour  75min

ր奄晤沔晤擀催㛡氳佭穓綗杷㕙┕氳娕姢ց䣒杷䫚杷㱄榟⠟ⲅⱱ┘䟒㏇杷㕙┕⢢蜸ꄆ郀穓綗䡗髭 16 䇗 㛡氳䇖꒰냖╈厬杷꣣䧍鷪 4 䈴랫霭仝㎜냖╈厬杷㛻頉⫦髭㕊牒⺐想ꪃ厬ꩉ╚㏇⺐想 200 㛡⠕냖╈杷꣣╈ 聣犋縡⭴鷪⸼劾㎧逈䢊牒憡厬杷婻庡波⮽䇖꒰냖╈厬杷꣣䡗环㱮䡗└碎厬杷ꊇ䫚槴┖⨤熕厬杷☕䣉▉私糶 ㎜⪐ꪃ厬㞒䣆┉饟穓杷穓⪬ꣃ箛䧍┖㎜⪐㛛⺨ꯁ沔頉⫦髭䇖꒰냖╈厬杷꣣佭绹厬鹡熕氳ꄆ釒✿嶏泘⯦䄖僘鲥

40 ⛤劆⹘㏇绹哆厬杷饟┕氪⩞氪掄 㵷庌塽侈⪔䇗硕ꍖ厬杷꣣䡗ꝏ䷚◄杯㛡嘚ⴭ厬杷矀烖萷穓唽闌䨑䤽䧪䢇舅䡘⽰㎯꣣矀烖

艋ꄌ㸔諠轱㛻㱄䊸䲮꧆釲㱄 澑㚖傾䳸♴鷪㵷庌䶕䏆 Ⱅ鮃璢䏆撵邯⛼绹ⳉ⛼⿁ 㛻㛡憡㎜⪐㛛䎬霆䊸⼔硕 㴨䏆撵儗撵佭꺙鼨暐环䳸 ♴㵷庌⛼⿁榺劾㎧䄬䷹罭 㷀⹗乄ⴭ㷀⪦⺱盇䦁邯⛼㱮 䡗 Dillon LIN was graduated from the Academy of Art University in San Francisco. He is a director, cinematographer, a n d v i d e o e d i t o r. H e h a s participated in many shorts, video ads and documentaries for several official departments.

Playing and catching balls tirelessly on the field have been daily routine practice for the Pingjen Senior High School baseball team. The baseball team has been in the game for more than 16 years and has won four Black Panther National Senior High School Baseball Championships. The team is regarded as the overlord of Taiwan's youth baseball league and has stood out among over 200 high school teams in Taiwan. In the past, Taoyuan was once called the baseball desert until the establishment of the Pingjen High School baseball team, which completed the three-level baseball connection, producing outstanding baseball talents, and also recruiting domestic young baseball players, training all the way, and successively winning various championships at home and abroad. The Pingjen High School has produced professional baseball talents and there are nearly 40 alumni playing in the professional baseball league. The director spent two years recording the story about the growth of the baseball team, presenting diverse baseball spirits: hard work, honor, setback, challenge, and team spirit.

մ10/13 ( ◅ ) 14:00 մ⩞䏆乄ⴭ귈 ⩦鞞䷒佖

欼敾峛⡾兎 No One is Crazy in This Town

氳烖熺姇䕜꧆䏆╈氳Ⳃ䛞立䏆㷤杯┘⺱㒮䄬氳뉲伺⠕䓪

㒮䄬弋僸ꔖ

䑐◄┘鑝佭于燯妩艃䄬◒㵸妩氳⟂䅻榟孨麅佭塽⺒鹨槴万┘⸼

City Panorama

꧆䏆⛼憡㒮䄬鈶㴖氳㨧☮鵂鷪⩞䏆氳䤽㵥獾䫔夷⠕㒮䄬氳熺㳢

Producers 랊伅㼊 Xufeng HUANG 曓濉 Lei WANG Screenplay 냖둜 Ming GAO ⱍ⫼ Bing LIU Director of Cinematography 㛻㖜륕媪 Ryuji OTSUKA

Production Design 냖둜 Ming GAO

㒮䄬弋僸ꔖ

Music 糶⺎㷉 Keju LUO Editor 䊛䜴再 Ching-song LIAO

Sound 㥬㔈 Kun LOU

City Panorama

Cast 랊㱣继 Yucong HUANG ꢷ㲛㱣 Xuanyu CHEN 匜륕 Long LIANG 冷㯹捈 Phoebe LIN

㵷庌 Director

㎈ⷂ㝙

⺐想꺙佖 Taiwan Premiere

%BNQ 4FBTPO 냖둜 Ming GAO 岒㏔湳⺲錄銷䅨▉佭䏆⥾ 瓁㷤☕諠轱⛼⿁傾逈┘㵽 樔䉺⹗㛻㱄㎬傴귈䷅調⪭ 硕ꍖ撵վ䪶끎տ傾⪌㎠鷪錊 㛡㎜꤂䏆㷤儗撵憡⪭瑮┉ 鼨ⱉ䗰ꝏ撵 Ming GAO is a screenwriter, director and designer living and working in Shenzhen. Damp Season is his first feature film. His films and artworks have been showcased in o v e r a h u n d re d e v e n t s o f film, art, and design. Many of his artworks are collected by various art galleries and university libraries.

╈㎜ China  2020  DCP  Colour  107min 2020 䃹㎜꤂䏆㷤鍑㴱㎯㛻晤 2020 뛊攒╘䏆㷤

佡㛊╯◬氳⶟亡㛿姇弪忣랧爴狞姇⭎纻蜸㛻ꄈ姢姇놑䗒氳榟孨阁☕ㄇ┘鷪姇 榟孨㏇岒㏔氳兜듧艃㵸典佭┉㵴䗰➉兜듧㏇菌䈙䣒䄄㛲䘶ꝧ┉㳄菌䈙㵸典⢢蜸 㱥崸⟋㱨僿䏩僘┉㛿耈㛭ꄆ䋧鷝嗞㒮㵸艸⺐氨⺐庌⭴紈昲曓氳䷚◄兜듧㏇⸼㲙 䢒륕縐䅨㳄䬥菌氳鷪╈鵅廍逈烖熺姇䕜氳륕縐䅨䌖㵸典㏇㱥崸氳侈⠰⣓鷖✿ ䷒榟氳㝷㰨㎧㎧㍌⠕☕氳꟯➡廍廍ꎭ⛤偶佣氳羝䏴齉僘┘憡☕湳氳┉ꪫ㏇☾ ⠟氳䏘塞佖拨╈㍑⶟㛿䕻抇縡舘 㵷庌냖둜榟亥娡重䏆撵䦁䶕⹦俍亥╈㎜⶟亡岒㏔佭⪭㛡䇗䄄⛼⽰榟孨氳㒮䄬㍕ 냖鵯㒮䄬ⴭ氪㷤㛛㏑䄄⛼鷝㯹㏇塞㏑榟孨氳扝㜨艃拭䗒阁㵷庌ꪞ䅻僘䚋銕▉阁 鵞鼨꧆䏆氳Ⱚ⛼鷪䡗憡㵷庌㍑巅舅䄕☕榟氳亡䌋儗撵榺蛓껊䣉份纋髭泃邯 ┾鹹鑃⮽䊛䜴再䳸♴Ⱅ䫚㵷庌瑮┉鼨ⱉ䗰ꝏ撵ⷊ⪌㎠뛊攒╘䏆㷤ㄲ⩕球頉

10/11 ( 仼 ) 20:50 佔噛 7 䋙

10/19 ( ┉ ) 12:20 ⩞䏆乄ⴭ귈

A Young couple Dong and Juan who bicker and fuss throughout their relationship strive to make a living in Shenzhen. Dong works as a guard at a deserted waterpark in hopes that the old stage be reopened, so he can resume his acting career to play the Monkey King. He meets ex-dancer Yuan there and gets to know her life. Juan wishes to open her own flower shop while currently arranging flowers at Mr. Long's establishment; she is attracted to Long's mysterious demeanor. The relations between these four people become gradually displaced while the dankness of the muggy, wet weather creeps up on them.

Executive Producers Sonthar GYAL Jiamei FENG Producers Hei LIU Junjie CHEN Daktze Screenplay Sonthar GYAL Director of Cinematography Meng WANG

㒮䄬弋僸ꔖ

Sound Designers Tao LI Dragan Tzondrus GYATSO Editors Matthieu LACLAU Sangdak JYAB

Cast Sonam NYIMA Lhamo DEKYID Tashi Sechok GYAL

City Panorama

Art Directors Daktze DONDRUB Tsering DONDRUB

㵷庌 Director

䬕㢰蕞㈐鬔

⺐想꺙佖 Taiwan Premiere

-IBNP BOE 4LBMCF ╈㎜ China  2019  DCP  Colour  110min

再㜁ⱶ Sonthar GYAL

2019 纳頉䄘事䬠㱨㎜꤂䏆㷤✞䏆撵ꄌ靳夏晤䬠⺲ 2019 䇖鸌㎜꤂꧆䏆㷤

䥽㡂艃㇣靳⸼氨鋘磶㦩䣉氪杯㇣靳佅仼儔䡗氳㦩◄㏇嫏䏱┕☱抇僘䷞㇣靳馐┕ 䤓ր⯦㠧ց䫣꥖氳亹꿯鋣䐂湳㞈㍌䇗⯦㜊硝䖖㦩侈➘䄖鷇⪌狞ꝛ樧䫣꥖氳㲅 ䷹骰♸憡ꦗ㦩䅸✿▽ꄆꄆꡢ灒䥽㡂㵴㇣靳◰萵ⷊ萵ꦗ㞈塜⹉艃⹗盇⤕佡疒ⷊ㵫┕ 庌氳⻌そ⺒鍸調䢊䥽㡂㵫㏇վ劲詫撨曓⥉տ氳鹡夀╈굟庌╚鉈ꡦ鷾䥽㡂┉⠕㍕ 糆哆岒ꄆ㘪⪌㏑晔氳㝷☕㞈㵴鉈荈䑐榟䥡銕㵴㦩㣌䔦䠵塜㞞⺱㇣靳┉嘚㞈▉ 僘蜸┉夀熺㳢䏢◄ 㵷庌再㜁ⱶ佭筷蛓栨䣉份╯䏴舅稶舅㵷鹡榫重調邯⛼㎯꣣庌⿦㵫重調乄ⴭ䅸 ⮽㎜꤂艸⺐氳調☕㵷庌儗撵佭㏇⯦⛼վꡦ䥽㡹荈տ邯⛼⯦㴵㱮ⱉ儗䷚◄嶏舅亥骰 麕⹘☕纟㛿氳⪐㳋┉⠕庌⭴վ劲詫撨曓⥉տ氳㝷㰨㍕憡┖▽⫼꧂㵷舛庌⭴倭⢦ 婯僘㱮䡗飃峛⧘䌋再㜁ⱶ鏂憡鵞佭┉⠕䏭㞒氳䢊ⱉ碜免亥佭磶⺭▽槀㝷䗰䚂㱮䡗

Lhamo and Skalbe fail to register their marriage because Skalbe is already engaged in a legal conjugal relationship. Skalbe embarks on a journey to search for his socalled exwife Tsoyag, only to find with surprise that the girl had renunciate her secular life already when she broke the promise four years ago. Tsoyag's identity causes great difficulty to Skalbe. Meanwhile, Lhamo acts estranged and confusing. She is busy with the rehearsal of Tibetan opera, Epic of King Gesar, representing the heroine protagonist Atak Lhamo who fell into hell sinfully. A buried secret brings her fear to the character and anxiety of marriage.

塞撵Ⱚ⛼

10/10 ( ⪠ ) 17:40 佔噛 7 䋙

10/21 ( └ ) 11:00 ⩞䏆乄ⴭ귈

1974 䇗⭴榟亥重調ꪃ宿 ⩝䏴樆哆亥ꪃ宿䅨疘㛻㱄紈 轱 硎 ⴯ ◺ ꧆ 䏆 㱄 ꢚ 䶕 䏆 硎䳸♴鷪錊㛡ⱉ䗰撵紈轱 䧘 㵷 艃 䶕 䏆 䅨2011 䇗 꺙 鼨꧆䏆վ㜁꣊竭㏇䄅麕տ亥 㛡⠕㎜꤂꧆䏆疒暢晤2015 䇗վ媞տ䬠⺲分冷䏆㷤于榟 ♏ ㄲ ⩕ 姢 俘 挬 晤2018 䇗 վꡦ䥽㡹荈տ暢䐂┕宿㎜꤂ ꧆䏆疒鍑㡨働㛻晤 Born in the Tibetan region of Amdo, Sonthar GYAL grew u p a m o n g s t s h e p h e rd s i n Qinghai Province in China. Following studies at Beijing Film Academy, he became a prominent member of the first generation of Tibetan filmmakers with films including The Sun Beaten Path (2011, Locarno, Hong Kong - Special Mention), River (2015, Berlin) and Ala Changso (2018, Shanghai - Grand Jury Prize and Best Screenplay).

Producers Valerie CASTILLO MARTINEZ Kriz G. GAZMEN Marizel SAMSON-MARTINEZ Marjorie B. LACHICA Screenplay Valerie CASTILLO MARTINEZ Cinematographer Ante CHENG Sound Design Andy SISUL

㒮䄬弋僸ꔖ

Sound Drew MILLALOS Music Zeke KHASELI Yudhi ARFANI

City Panorama

Editor Cyril ARIS Cast Kim Chloe OQUENDO Noel COMIA Jr. John Vincent SERVILLA Jigger SEMENTILLA

㵷庌 Director

%FBUI PG /JOUFOEP 䥽◟껊┊ Raya MARTIN 傾祺逈鹡憡◑ⶇ塵♓┖ꄆ 釒氳ꪃ䇗㵷庌╯┉⪭⛼⿁ 傾㷤佖亥㏽㒮䏆㷤㛡⡑㛡 䏆㷤分冷䏆㷤泎⶯钱璢 ꄆ 釒 䏆 㷤2009 䇗 꿯 憡 㛿 ☕╯⛼վIndepenciaտ⪌鹡 ㏽㒮䏆㷤┉牊嫱泘ㄲ⩕⺱ 䇗⺁┉鼨⛼⿁ վ껊㶼䥽տ ▉亥㏽㒮攒⮯䷒佖䡗憡⺒ ┕瑮┉⛤虝䏱韇盉㵷庌䳕僘 ⪔鼨⛼⿁㏇㏽㒮䷒佖氳硕 ꍖ Named one of the 50 most important filmmakers under 50 by Cinema Scope, Raya MARTIN's films have screened in Cannes, Toronto, L o c a r n o , a n d N e w Yo r k . His breakthrough feature Indepencia , hailed as a singular mix of Filipino history a n d H o l l y w o o d f a n t a s y, screened in Un Certain Regard at the Cannes Film Festival in 2009. Manila also screened at Cannes the same year as a Special Screening, marking the first time a Filipino director had two films in the festival.

⺐想꺙佖 Taiwan Premiere

虝䏱韇紈㎜ Philippines, USA  2020  DCP  Colour  99min 2020 分冷䏆㷤 Generation Kplus ㄲ⩕

㏑夏ꧡⳂ✿舅㏑䈕氳ⱱꄈ┉銕ⷊ氪90 䇗♏氳慊慊㛊仼㵴亥 13 塵ꪃ㵽䇗⟋糶艃 ☾氳斔紮斡럖僚⹘✿鐁婯☜띷奄䧍⮽♴㛿㔆硟氫嚂麅♒☕僿䏩▽抇縡侈┘侈氪 榟氳ⶆ㓊䓪㛻⢦꧆阁㞒Ⳃ氳槀㰨⠟逈鳢倭⢦䣒꧆Ⳃ滭꟯▉㍕塞馐┕▽☕榟╈♒ ☾⠟ꦙ䑭氳亹䫔碠⮤䡁氳市⽏냉꿨氨㛻☕氳Ⱒ煱꟧㘱㗽氳䤵놭㛻⫕ꤠ♓⹗ 杼鉮⹘䗰氳本鞕 ⩙幥忈⸂ 90 䇗♏䐞⹿겨磶⺭㛻ꄈ樧侈塜㜈氳重亡孳车ꮠ嗞鵯광乄ⴭ♓⹗⫋杯 ꧆曻鴁㵟憡祺⪯氳♴㛿㔆硟氫嚂⹗⪭鷝䢊儗撵䅸僘忈⸂舅⥉荈䎷⪭䷚◄氪䘶✿舅 邯撵▉佭儗撵稶ⱉ椘嗞뜏껊┊㶼蓕 (Valerie MARTINEZ)80 䇗♏⭴榟氳㞈艃㵷庌 佭䐍㵸ꝏ㛻氳龪㷉┉波⮽ 2000 䇗䣉舅虝䏱韇⯦䏢紈㎜姳㱄氪㷤ⱉ儗Ⱚ⛼┉波佭 㞈氳艅飰㍕稫䄇⺭艃㵷庌䥽◟껊┊ꄆ䧋绤答⪔☕➘㷤ꝧ꧆䏆⺭⛼

10/19 ( ┉ ) 19:00 in89 9 䋙

10/22 ( ㍌ ) 14:00 ⩞䏆乄ⴭ귈

The earth is trembling and emotions are running hot. Just yesterday the newest game from Nintendo was all Paolo and his friends could think about-while the occasional blackouts caused by the nearby volcano were their biggest concern. Alas, all that has been shaken up forever for Paolo's sleepy suburban Manila clique, in a dawning world of elaborate feminine hair-dos, crude rituals of masculinity and a mysterious ghost hunt. Mimaw appears to be the only one able to keep a clear head among aftershocks from multiple emo-epicentres.

Producers Benny DRECHSEL Mariusz WLODARSKI Screenplay Mariko BOBRIK Cinematographer Andrzej WOJCIECHOWSKI Sound Michael KACZMAREK Music Aki TAKASE

㒮䄬弋僸ꔖ

Editor Benjamin MIRGUET

City Panorama

Cast Thang Long DO Lena NGUYEN Aleksandra DOMAÌSKA Boguslawa PAWELEC Gia Khai TON

㵷庌 Director

岉稼溸怂⽱

⺐想꺙佖 Taiwan Premiere

5IF 5BTUF PG 1IP

띴卣㯹뉌Ⲩꄅ⩡ Mariko BOBRIK

嫧训䐼㎜ Poland, Germany  2019  DCP  Colour  84min

⠕䓪嶾⽰氳飉⶟盉䊣䅨ꡦ륕艃☾氳ⶇ塵㝷⩬栨꥖㏇虓婻注❤憡⽝┘䳟♓銨鏥辑鷾 䚂氳☾夷㛿僁㝷⩬嶗⤕➘樧揝嬲辊擻抇縡骰谊⹯鴭僿㝷⩬氳浍╈洇䏩鵞┉ ⮊┘⛙┘ꯝ䗰鷪亥ր飉⶟ց䌋氳榟孨亡䌋阁㞈┘㜁舅㏇ꡦ륕氳䧍䣆蘧佭飉⶟媞睗 佭궇䋙氳☕姇궇럅⛙궇䋙揩鷠┘✞䑒ꯄ佄╚䬷☕䫚䣆䏴嫧训盉縐ꟈ⯞䄹僸催䬷 蘧ㄲ釒姳ꡦ륕ꝧ㡐邯⛼榟뇹撵⺁┉亡ꪫ㝷⩬栨꥖㵴亥⥉礶飉⶟乄ⴭ┉波䤻 䒟䒟┘䑭䄖鷪┪氳嫧训盉头鈒榘舘䳸䑐撝鈒艃龪㷉㷤ꝧ于䡁䗰浍釤撝㝷꟯➡廍车 廍鸞ꡦ륕佭⻖耈課蜸紈⽏氳䧍䣆蘧䨭㍑㝷⩬氳䑐 嫧训氳◟孚궇귈㛻鼨⮈佭♓飉⶟乣杼岞⺭嬀䌋╈䌋⩕碜㛡憡飉⶟☕䢦祺揩艃⪭ ☾堷孚㎜㳄注奄飉⶟☕ⶭ嫧训于燯妩从紮氳磿㛻㛡丨仼儗㝷㵷庌띴卣㯹뉌Ⲩꄅ ⩡㏇嬸蓕㶩闖꧆䏆㱄ꢚ侈攒⮯鈶㴖⮽塞杯霆鹡䳢飉⶟媞睗憡갭㍕绤䘶⮽仼儗䥽 띤氳段毖瑮┉鼨ꝏ撵㍕塞鏒榟

10/10 ( ⪠ ) 10:20 佔噛 7 䋙

Long is a gentle Vietnamese chef who lives in Warsaw with his precocious ten-year-old daughter named Maja. He works in a restaurant where his signature Pho dish is popular but when his boss sells the place to an ambitious developer who wants to serve different types of Asian food, Long has to adapt. Meanwhile, Maja clings to the memory of her Polish mother who passed away. She is afraid her father is forgetting her mother and looking at a replacement in a pretty neighbor who lives in the building across from theirs. As Long struggles to acclimate to new demands, he misses signs of his daughter's worries but Maja's rebelliousness and their closeness soon pushes him to change.

1983 䇗⭴榟亥仼儗2009 䇗樆哆亥嫧训꧆䏆㱄ꢚ泘 ⯦ 榟 孨 亥 虓 婻2012 䇗 ⹉ ⱶ㏽㒮 Cinéfondation 껻兎 銷 樔2013 䇗 暢 鹡 分 冷 䏆 㷤 于 ꊯ 揩 稶 ⱉ ╯ ┉2015 䇗暢䐂嫧训㵬哆ⱉ儗Ⱚ⛼瑮 ◅⺲墤唽 Mariko BOBRIK was born in Japan in 1983. In 2009, she graduated the directing course of the Polish National Film School in Lodz. Currently she lives in Warsaw and just finished her first feature The Ta s t e o f P h o . T h e p ro j e c t participated in Cinéfondation: Résidence du Festival de Cannes (2012) as well as in Script Station program of the Talents, Berlinale (2013). The script won a 2nd prize of Script Pro 2015 – a Polish feature film script competition. Mariko currently receives a grant from Nipkow Programm for her new script Bright, Bright.

10/20 ( ◅ ) 21:10 in89 9 䋙

Producer 黖煱忼 Herman YAU Screenplay ꢷ、妩 Chit-man CHAN

Henricus PRIA

Cinematographers 曓憕꥓ (HKSC) Ping-hung

WONG(HKSC)

Production Design 弄揟叝 Albert POON

Music

㒮䄬弋僸ꔖ

泎㲐㏱ Anna LO

Editor 䍗祺穇 King-wai CHEUNG

Cast

City Panorama

⻱⭦佇 Sophie NG 刷抺冷 Will OR 껍宿ꌩ Yoyo FUNG 褝ꯉ䓙 Jocelyn CHOI ꢷ憶乄 Lit-man CHAN

㵷庌 Director

俇䕁

⺐想꺙佖 Taiwan Premiere

"QBSU ꢷ、妩 Chit-man CHAN 硷硝䄬环㛻㱄䢊ⱉ辑庌諠轱 澑㚖꺝㛻㱄꧆嚂꧆㯹䄄  ⶥ 㚖 ▆ Ӱ 䇗 ♏ ꝧ 㡐 ㏇ 紈ⱶ╈⺐璢㏑䐍 ◄稶㵷庌⹗㓸鋍璢䄄⛼ ▉傾㏇㛡鼨꺝꧆䏆꧆釲 ⱉ⹗艸⺐ⱉ╈庌⭴傾庌⭴ ꧆䏆վ굃광槀㝷տ1994 ⹗ ♴ 辑 庌 㓸 鋍 㵷 䅨2016 䇗♓⸊Ⱚ꧆䏆ⱉ儗վ万䏴տ 暢Ⱚ䙬꺝瑮◅㷋꺙鼨ⱉ䗰 ꧆䏆銷ⱁ㵬哆磞⫦髭 Chit-man CHAN, M.F.A. in Theatre (Acting major), City University of New York. He has been an actor in film, television and theatre, and a theatre director for over two decades. His latest film Apart (2019) won the champion at the 2nd First Feature Film Initiative Professional Group in Hong Kong.

꺝 Hong Kong и 2019 и DCP и Colour и 97min 2020 㛻ꡉ◟孚꧆䏆疒球頉撵纻扦꺝ㄲ⩕ 2020 꺝暐环꧆䏆疒

◑⺲䇗魌㱄榟㏇姳妩╚⹗䩆载舅䄕氳鷻饟┕㝮녺氪杯▽炙働䷓媪㵴☾⠟氳榟孨⽰ ☕꤂꟯➡僘蜸㌅ꀿ縓꿨樧杼䘶╚紶艃杯㴨注鷖⠕☕艃䷓媪注鷖侈☾⠟鎊㞞⛰鹡 䳢樧㛥䆡꡺舃☕紮万⸼㏿┖✿⹚䓙侈鴁㜊氳ꪃ佡⥪⥪佭ꝏ㛻䏴䖖麅佭┉牊 䑒抇 儗撵磶⺭▽硕ꍖ荈䎷艃谓啶樔ꪫ鋘ꍖ▽꺝塽⺒氳ꄆ釒侈⯎䐍㱄榟鷠Ⳃ⮽䌖峛嫏 勇䌖氪氳Ⳃ泒庌闭䡗⺒扝⯦❆氳⹚䌖峛鷠Ⳃ㵷庌♓⨤紈氳ꔖ꯽宫庶㏑䬟筑▽꺝 塽⺒┕哗憡㌅㼡氳侈僿㏇塞侈氳⺐想鈶洇鵞鼨䏆撵岒䙬紶

10/10 ( ⪠ ) 15:20 佔噛 7 䋙

10/22 ( ㍌ ) 17:10 in89 9 䋙

Set against Hong Kong's explosive politics from the student-led Umbrella Movement to the unprecedented AntiExtradition Movement. Five young students discover the harsh reality of sociopolitical impact on their life and relationship, as they fight their way through to defend democracy and freedom from fear.

Producers Davy CHOU Sungho PARK Screenplay Sreylin MEAS Cinematography Douglas SEOK Sound Vincent VILLA Editor Kavich NEANG

㒮䄬弋僸ꔖ

Cast Sarita RETH Monysak SOU

City Panorama

㵷庌 Director

匯ⷂ◸焝曪窣ꈹ 4PVUIFBTU "TJB 4IPSUT

Ⲏ䈤㝍ꆺ

⺐想꺙佖 Taiwan Premiere

$BMJGPSOJB %SFBNJOH 刲㒹㴭 Cambodia и 2019 и DCP и Colour и 16min 2019 于ⱶ㐕㎜꤂꧆䏆疒球頉攒⮯䬠⹗ 2019 㛻ꡉ◟孚꧆䏆疒

薈蕼㖎憡▽倭侈鴤ꦗꄌ麕㒮䄬遵氳ㄡ㌠拭驚ꥃ骰餶⮽宿麕氳䈲⡾Ⳑ㏑万䑐㶩㏇嶗 ⤕ꦗꝧ╯꤂鷖⮽▽薈⩡䯍鎈䇭⺀䏴⪔☕ⷊ婋㲋憡▽蚛姢注鵼氳䏘塞⫋槴┉侪䈲 ⡾㸔蕾氳㛥遵聣┖ꝏ仼氳⡾ꪫ⪔☕⺷꨾⺨舅氳䏢◄艃䑐◄杼鉮⮽䏘塞榟⽝祺꿨 ╈氳注⛍╯谊ꦗ▉飉ꪤ飉鲥

Two women from different backgrounds encounter one another at an oceanfront resort and discover a hidden bond that ties them together, allowing them to escape from their realities.

事ꦾ冷眧事 Sreylin MEAS 1989 䇗榟亥刲㒹㴭ꄌ麕 㞈㏇刲㒹㴭꧆䏆㎖縱縹䄄⛼ 㛡 䇗 ⢢ 鷪 㕙 鋘 鹡 鉈 Ⲃ 杼 㵷 庌 璢 ⺨ 牊 绹 ⛤ 2016 䇗ⱶ⪌刲㒹㴭暐环邯 撵 ㎯ ꣣ր ⹚ 四 勇 ցAntiArchive 塞 邯 撵 ⪞ ⺚ 2014 䇗榺䇭⛤刲㒹㴭于ꊯ 㵷庌⪦⺱磞䡗ⴎ䦮⼾䢎禵 Davy CHOU 㴪 ⶯ 禵 Kavich NEANGꢷ⺒ 乄Steve CHEN 璢 ☕ 儗撵憡事冷ꦾ꺙埡䳸♴㵷庌 氳湿撵⛼⿁▉佭ր✿舅儔 ✿氳㍑绮ց紮浑Ⳕ鞴䡗Ⱶ銷 樔氳⪭╈┉鼨

㵷庌鵂꨾舅䄕佭㏇洇▽վꄆ䜴叝冷տ䏴岒岒⹨⮽曓虝氳鉈荈䌖㞈鏂憡վꄆ䜴叝 冷տ╈氳ⱶ䃹佭┉⠕杼䘶䏘珸䅸蜸㵴鎊撵氳ⷆ霆艃曓虝鉈荈䎬霆ꝧ㡐蜸䣆䲵㴵儗撵 氳ⱉ儗㍕塞㵫䏆撵㲋⺲憡վⱶ䃹㛲鷝տ儗撵䶕䏆䡗Ⱶ䩔䨿Ⳃ☕氳宿麕겨⩞艃⪔⛤ 㝷╚鉈氳鴁☕烖ꃾ⩞縎伺㨼氳䏆⥾♒☕烖䏢儗撵憡㵷庌事ꦾ冷٬眧事氳꺙鼨⛼⿁ ⷊ겨⩞暢鹡㛻ꡉ◟孚꧆䏆疒莾训㐛✐ꦾ㎜꤂꧆䏆疒艃于ⱶ㐕璢㎜꤂䏆㷤䡗端乔抇

10/11 ( 仼 ) 13:40 佔噛 7 䋙Ԃ

10/13 ( ◅ ) 16:30 ⩞䏆乄ⴭ귈

10/16 ( ◑ ) 16:30 in89 9 䋙

Born in Phnom Penh, Cambodia in 1989, Sreylin MEAS began her career as a film crew member in 2009. Since then, MEAS has played various roles in local film and television and international productions in Cambodia. She has worked with Anti-Archive as first assistant director for Dream Land (2015) and for Turn Left Turn Right (2016), and as second assistant director and acting coach for Diamond Island (2016). California Dreaming (2019) is her first short film.

Producer Lamin OO Screenplay Zaw Bo Bo HEIN Cinematographer Nyi PU Editors Myo Min KHIN Kyaw Myo LWIN Sound Sai Khong KHAM

㒮䄬弋僸ꔖ

Music Slyne MON

City Panorama

Cast Maung BHONE Lwin Oo Maung Kyaw ZEYA Thu Shein MIN Moe KAUNG Nyi PU

匯ⷂ◸焝曪窣ꈹ

㵷庌 Director

4PVUIFBTU "TJB 4IPSUT

洡⪜葒艎 䣊嫧嫧宿㍕ Zaw Bo Bo HEIN ✿舅稿槁⸊✿╚⟣ꂳ㱄ⷙ 婯僘䡗憡ꂳ榟⹚縡ꝧ㡐䲵 㴵ⱉ儗艃䦁䶕꧆䏆⛼⿁☾ ㏇ 2016 䇗⹉ⱶ稿槁椘㸔䏆 㷤艃䪇⩡䄭䥽劲䏆釲㱄ꢚ FAMU⺭⛼氳䄄⛼㏵䏴 ꝧ㡐Ⱚ⛼湿撵☾氳錊㛡䷚ ◄ꩯ䚋✿舅亥舅骰舃䈃艃껻 ꢚ祺塽 Zaw Bo Bo HEIN is a 37 years old writer and director from Myanmar. He is also a trained medical doctor. Although he was trained in medicine, his real passion was in the arts. A lot of his stories come to him from his time in medicine where he reflects on his experiences and interaction that he had during that time. He attended the Wathann-FAMU Workshop in 2016 and started making short films. He received two awards for the short film Sick at SGIFF and 2019 Wathann Film Festival. Currently he is working on the script of his first feature full-length film Garuda Dragon.

⺐想꺙佖 Taiwan Premiere

4JDL 稿槁 Myanmar и 2019 и DCP и Colour и 30min 2019 于ⱶ㐕㎜꤂꧆䏆疒✞㵷庌晤

ꡦ䄭氳僚⹘㱨⶟檫▽飜秵鴞䏢龪鲥氳ꂳ闀╈䑐囸刨ꢚ亡ⷙ⺆⼔錐ꡦ䄭䟕鎊䤧㱨 ⶟鮺䏢催㛻錄⤕催㞒氳ꂳꢚ囸刨抇縡杯꣬夀⺆耈㵫☾倭侈⛩ꢚ鈶㴖鎊㏑ⶆ⯺⹨ ⮽계겨扝䗰氳䰳壂㓹灅錄亩☱㏇䕅䐞╈㍕塞催♒ꡦ䄭䚋⮽┘㱨憡▽鉮䷬僚⹘ ꡦ䄭鶡㒮⺸僚⹘⠟⠺ꎏ盇鞴縡逈槴㏇ꂳꢚ鷪㛥氳㱨⶟暐舅ꪫ㵴檫䢤遵㛻氳ꟊ㛥 䇥䏆ꝏ㛥庶庶艃舅䄕氳䑐뇩◬䢇┘焕䠪橏舅䄕佭逈僚⹘┶┖┘畚⪔☕⹘鐣氳꟯ ➡㏇塞ꪫ舃㌅㼡氳䧪䢇 䇪뇄䠻☕氳⩞䏆壂䷴滭儱氳檫䢤鵂鷪碸疒氳ꄆꄆ㔎橄ꌤꢷ⭴鲥╲꿯䖞撵氳䢊ⱉ 䍗ⱱꂳꢚ㏇儗撵䏐䏠䡗憡⹨鍜┘鎌氳㕙㓊⭴杯㛡埡氳⹾糅檫䈃♓⹗㵴亥儔湳 檝檫氳䔦䠵悓庶亥扝䎬╯╈㏇橻䗰☱㏇杷䋟揎氳塞⯎洇✿齉♒☕銕泘䑐꿯 㵷庌ꢝ▽杯⠕☕ꪫ㵴檝檫氳䐧䐜扝ⱱ▉㵴稿槁氳ꂳ段鞴嶏⮈鿦┘㏱䬠⭴岒⯎䤊 ⮮

10/11 ( 仼 ) 13:40 佔噛 7 䋙Ԃ

10/13 ( ◅ ) 16:30 ⩞䏆乄ⴭ귈

10/16 ( ◑ ) 16:30 in89 9 䋙

Fearing for his friend's health, Maung Bhone takes Aung Naing to their local health center. They are both from a remote village area that suffered from cyclone Nargis and the area is still under the effects of the storm. Aung Naing is in poor health, suffering from serious respiratory symptoms. The nurses and doctors insist that Aung Naing has to be sent to a well facilitated hospital to cure his health problems. This chain of events set off a journey for Maung Bhone to find money to help his friend while Aung Naing spends harrowing night, haunted by the thoughts of being left alone by himself.

Producer Ticha APHAIWONGS Screenplay Hesome CHEMAMAH Cinematographer Passakorn CHATHAISONG Editors Hesome CHEMAMAH Kantapon DUANGDEE Music Kantapon DUANGDEE

㒮䄬弋僸ꔖ

Sound Warin TEPPASIT

㵷庌 Director

City Panorama

Cast Phakrada MATSHASOY Philaiwan LAOPHANICH Patanan CHOKPRASERT

匯ⷂ◸焝曪窣ꈹ 4PVUIFBTU "TJB 4IPSUT

⹜♒ 9 溸⯤卆ⷨ骯

⺐想꺙佖 Taiwan Premiere

*N /PU :PVS ' JOH 4UFSFPUZQF 嬀㎜ Thailand и 2019 и DCP и Colour и 29min 2019 于ⱶ㐕㎜꤂꧆䏆疒✞典⶟◟湿撵晤

牻事冷㝷㰨✿舅嬀㎜⶟麕氳㒮꒰㲅䷹⟔♣艃溂☕┉䡽氳齟┖⭴骰齉阁㞈㏇㱄劆굜 ⹨⺱⨀塣釲氳樟嘚浍⩞▉㵴㞈䬠⭴钦㛡橏ゖ牻事冷㝷㰨㏇㱄劆憡☜띷釒煷⼔牻 事冷㝷㰨⺎♓䧍⛻烆氳樔⥾ㅩ牻事冷㝷㰨┘⺧霛缜⛙佭⺎♓⸼饟麕䶥鞙霛缜ㅩⶇ 䇭䇗✿㏇㳄䉁㌅㳢⟋闀┖䋧啶氳鏂⺱⽰⟔䒟㶩㏇㱄劆榟孨遵㾆㕼▽㞈ꝧ㡐⻖㲋舅

As a Muslim girl from Southern Thailand, Maryam falls prey to racism in school. She begins spiraling into an identity crisis, and starts resenting her name, religion and birthdate.

⚊朦٬뢶껊傻 Hesome CHEMAMAH 樆哆亥嬀㎜傻隵㛻㱄氳丨⛤ 㨧냉艃꧆䏆諠轱㱄ꢚ儗撵 佭☾氳꺙鼨湿撵⛼⿁▉佭 ☾⠕☕ꪫ㵴䡗ꝏ祺塽╈氳⚊ 事训塣釲䢦鶡车舅䡘段毖 氳Ⱚ⛼ Hesome CHEMAMAH graduated from the School of Digital Media & Cinematic Arts - Bangkok University. I'm Not Your F***ing Stereotype is his first film. This film is his self-healing work based on his personal experiences with Islamophobia.

䄕鎊墆氳⺲㰅鎊墆氳㳄齟鎊墆氳㲅䷹麅僘舅䄕鎊墆氳榟仼▆僖ⶇ┉仼 撵╚釒♓㎨䎬俍勂䷶鳯䏐䏠鵂鷪䅸蜸꯽䄧氳牻事冷㝷㰨氳瑮┉☕牒釲鉈攒墤樔 ꪫ阁鈶浑催纻扦洇釤☕擻氳辑䗰闭ⴭ艃⹚䟕▉♓䎬䌋⽛䟕㝷╚鉈逈꡿⯆焕ꎫ氳⪐䑐 轿狱谊㗟㵷庌䷅䷒舅㞞㏇䣆嚂拨撵炙紮㨧냉 SMSIG ꡿侈Ⳃ䛞于组四勇䏆⥾ ⽰㴨䦁撵夀㎨䎬俍勂ꝴ饥驳舅㞞⟔䣆䥻✿氷佭于侈♏氳䏆⥾鏥銨侈縡䇪랹舅 㴨⯞佭嶏舅舅骰䡗ꝏ萷彈祺꿨氳鮺ⴭ䤲氪

10/11 ( 仼 ) 13:40 佔噛 7 䋙Ԃ

10/13 ( ◅ ) 16:30 ⩞䏆乄ⴭ귈

10/16 ( ◑ ) 16:30 in89 9 䋙

Producers Adi EKATAMA GANESYA Screenplay Wregas BHANUTEJA Henricus PRIA Original Story Eka KURNIAWAN (Based on a short story Tak Ada yang Gila di Kota Ini ) Art Director Deki YUDHANTO

㒮䄬弋僸ꔖ

Sound Aim ADINEGARA Firman SATYANEGARA Music Gregorius RAGIL

City Panorama

Editor Akhmad Fesdi ANGGORO

㵷庌 Director

匯ⷂ◸焝曪窣ꈹ 4PVUIFBTU "TJB 4IPSUT

ꦾ劲事䄘ⲅ攒✞ Wregas BHANUTEJA 1992 䇗⭴骰亥ⷆ㶼꥖ⱶ鷾 ꦾ劲事樆哆亥꥖ⱶ鷾諠轱㱄 ꢚ╚⟣㵷庌☾氳꺙鼨湿 撵վLembusuraտ⪌鹡分冷 䏆㷤湿撵球頉ㄲ⩕瑮◅鼨 湿 撵վPrenjakտ ⯞ ㏇ ㏽ 㒮 䏆㷤䏆鍑☕ꦁ鶝ㄲ⩕╈┉艈 㝦┖✞氪杯湿撵晤Leica Cine Discovery Prize

涶柄䍳⢏匆

⺐想꺙佖 Taiwan Premiere

/P 0OF JT $SB[Z JO 5IJT 5PXO ⷆ㶼 Indonesia и 2019 и DCP и Colour и 20min 2020 仼艸䏆㷤湿撵ㄲ⩕球頉撵 2019 ꄟ㸔䏆㷤球頉撵

괺䈙縐ꟈ⧁鑃껊蛓⽰䇭⛤⿦䄄ꢝ㛻轵┕僘矀烖檝檫氳⛧珸☕⹾䤧☾⠟꥙╈鬼⮽叝 冷╈䷒鵅♓ꡕ☾⠟⪌괺䈙䣒䵑⮽괺䈙遵氳⛩㲙◄䗰洇⛍鶡㷤ꯂ⮵껊蛓ⷙ個

Wregas BHANUTEJA was born in Jakarta, 20 October 1992. He grew up in Yogyakarta, a city in the center of Java Island t h a t h a s s t ro n g J a v a n e s e traditional culture and contemporary modern arts. He graduated from Jakarta Institute of Arts in 2014. His first debut in international film competition began in 2015 with his short film Lembusura , competed in Berlin International Film Festival. His other short film Prenjak / In The Year of Monkey won the best short film at Cannes Critics Weeks 2016. He was the first Indonesian who won an award in Cannes. His latest short film No One is Crazy in This Town competes at Sundance Film Festival 2020. Now he is developing his first feature film with producer Adi EKATAMA and Rekata Studio.

╈氪⺁┉⠕熺㳢銷樔 儗撵鑃⮽鲥䇗鶡髭㞒蚓㖨䡗端僘泘⪦涰氳䓪劲槀佔堷⶯٬㱨㖎䥽Oka ANTARA╚ 庌♓䠭橏烖熺妺㎠䌖☕⪌Ⳑ䏴ⶐ夀䗰疒ⷙ僘▽⭴╲䙬乣氳㛻⹚鮺欼敾艃杼保⸊ ✿⥪僘┉稘╯ꣵ鷻䐼艃㘪蛾⪭㴨▉偶佣┘伺矀嶗ꊯ⮵㏑䬠⭴鷻䐼䤊⮮▉㏇䭗꨾ ◄䗰氳靏䏴䵅▽骰憡鈶浑氳✃䡘┉鷻儗撵겨⩞⪌鹡ꭩ㎜ꄟ㸔䏆㷤催⪌鹡紈㎜ 仼艸䏆㷤湿撵球頉ㄲ⩕㵷庌骰憡ⷆ㶼撉⿈从䏴遘䄹僸儗撵鵂鷪㏇㎜꤂䏆㷤ꝴ佖庌 阁㛛㎜鈶浑⸼䓙縓㞞⛰ꪫ㵴㵽丨樟䄕乄ⴭ

10/11 ( 仼 ) 13:40 佔噛 7 䋙Ԃ

10/13 ( ◅ ) 16:30 ⩞䏆乄ⴭ귈

10/16 ( ◑ ) 16:30 in89 9 䋙

With the holiday season coming, the big boss of the hotel gives an order to employee Marwan and the staff to remove the street people with mental illness from the streets, and cast them away to the forest so they won't disturb the tourists. Instead of leaving them dying in the forest, Marwan has another plan.

㒮䄬弋僸ꔖ

City Panorama

匯ⷂ◸焝曪窣ꈹ 4PVUIFBTU "TJB 4IPSUT 10/11 ( 仼 ) 13:40 佔噛 7 䋙Ԃ

10/13 ( ◅ ) 16:30 ⩞䏆乄ⴭ귈

10/16 ( ◑ ) 16:30 in89 9 䋙 ⱶ䃹㛲鷝 California Dreaming

Producers Mohamed HEFZY Mamdouh SABA Gianluca CHAKRA Zeina DURRA Screenplay Zeina DURRA Cinematographer Zelmira GAINZA Music Nascuy LINARES

㒮䄬弋僸ꔖ

Editor Andrea CHIGNOLI

City Panorama

Cast Andrea RISEBOROUGH Karim SALEH Shereen REDA Michael LANDESl

㵷庌 Director

树㤚兜䥽 Zeina DURRA 1976 䇗 榟 亥 葐 ㎜ ⡑ 下 㞈 氳 头 鈒 ✿ 舅 嫧 㚖 㶼 ◟ 䄘 Ⲿ 事 㐛 㞈 氳 撝 鈒 ⯞ 佭 硝 份 랤 䄘 㬋 岞 轑 䳕 僘 㛡 ꄆ 乄 ⴭ ◬ 踅 氳 羝 俍 㛻 㱄亥擧孅㛻㱄䷍闖╈典溿 狔䏴✿舘硷硝㛻㱄溿綗꧆ 䏆 邯 ⛼ 㓵 㵷 氳 꺙 鼨 ⛼ ⿁ վThe Imperialists Are Still Alive!տ2010 䇗⪌鹡仼艸䏆 㷤球頉撵縡䏴㍕憡㳄䉁㍕ 碜 縡 倭 ⮯ ꧆ 䏆 邯 ⛼2020 䇗 ⫋ 䈲 䅸 蜸 于 ⛼վ 䚂 䗰 鹨 饊տ亥仼艸䏆㷤◿注 Zeina DURRA received her BA in Oriental Studies from Oxford U n i v e r s i t y a n d M FA f r o m NYU's Tisch School of the Arts Graduate Film Programme. Her directorial debut, The Imperialists Are Still Alive! premiered in US Dramatic Competition at Sundance 2010. British born of Middle Eastern and Bosnian descent, Zeina spent over a decade living in New York, and after making her first film, she took some time off to have a family. Her recent feature Luxor staring Andrea RISEBOROUGH has been premiered in World Dramatic Competition at Sundance 2020.

䠂䝡ꈿ鴏

⺐想꺙佖 Taiwan Premiere

-VYPS 㒟⹗葐㎜ Egypt, UK и 2020 и DCP и Colour и 85min 2020 仼艸䏆㷤球頉撵

庤㤚佭⺲葐㎜盉髭꣣ꂳ闀☕⿦樧㞈㱮䡗♴ⳉ䏴婋㲋䥿ꝧ┉⮊✿㕙┉⠕☕氳㵸亹车 ⫋䈲✿鋽泎⩡碠鵞䖭╦塽⺒氳㒮䄬僿ꝴ㞈鹿鴪⯦槀⹘譍╘⪔☕㏇㒮䄬╈鷝觊 艋㏑ꄆ鷝錊㛡㍑䞭嵖┕䑐꯽㞈佭⻖釒槴┖麅佭䥿┖鵞┉⮊㍑⮽杯㴨ꪫ㵴儔✿ 氳┘澭㲋䓪㞈昷霘┘婋 儗撵䦁䶕稫✿舅㵷庌氳┉㕙㛲㏇㛲遵㞈洇釤┉⠕㝷☕㏇㒟⹗⹿㒮╈鷝觊撵╈ 㛻ꄈ狞俍艃雧㳫梫㗟ꮠ揩鵳烖纳氳妺㎠ꤚ蜸⨤紈荈鐩┉舛氳ꔖ꯽鈶浑䏐䏠祺塽 ┉㕙暐舅亹车糌骰㶼糶媞槭泎⩡碠烖䊮⫸㲰鿰䈙⹗僘ⶉ䇗♓┕氳⹿乄伺鹨饊 ր㏇泎⩡碠鵞⠕㒮䄬╈✃䏐䏠⺎♓缅⮽㒮撳氳⼲モ黁佭ⶉ䇗♓✿☕⠟氳煷⼔绮 鵞▉塜佭鵞鼨撵䢦釒鋁鑝氳╚갭榟⽝ꄆ榟♓⹗瑮◅埡嚂働ց˓树㤚兜䥽

10/12 ( ┉ ) 20:50 于⩞ 11 䋙

10/19 ( ┉ ) 21:20 in89 9 䋙

When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.

Producer Elli TOIVONIEMI Screenplay Kirsikka SAARI Elli TOIVONIEMI Anna PAAVILAINEN Alli HAAPASALO Reetta AALTO Jenni TOIVONIEMI Miia TERVO

㟗䙎傽䊬

⺐想꺙佖 Taiwan Premiere

'PSDF PG )BCJU 莾训栐⪯ Finland, Sweden и 2020 и DCP и Colour и 79min

塞䦁䶕銷樔⸊僘 11 ⠕湿疠䷚◄儗撵⯞榺⪭╈ 6 半䷚◄稘䢦磞䡗鵂鷪㝷䓪㵷庌氳鈶럅鷻⭴杯♏㝷䓪氳䑐绮䅫䥽 ⽰⩡ꄅ事堏氳宫庶侪궇㍕뚾霛䣆◄♭縡逈滭㚁荜⾟磶兠敾塚孭㵴䏴涊㛲╈䢤遵✿▽┘鵯╯㲙荜ⱱ⩡重佭⺲蘧 둊囸㴖㲇谊杼㠄㤚璢䏩䄖╦氳䓪勇♭㵽㝷眧䥽┕㱄鵏╈㏇⪞髪┕鷖⮽⪔⺲峟槀浑泘涶涶┖氳銨鏥倽ⱱ珔䡗 憡㞈氳䘡㛲僘ꄇ䑐氳ⱉ㕙庌⿦㱨俋䪶穓蜸逈䍛倽氳䢊澰⭦攒⯞㏇⪞⺚氳孭㵴侪㲿╈㤃㤃鷻⭴傾逈⪞⺚槀⺱◄

City Panorama

㵷庌 Director

㒮䄬弋僸ꔖ

Cast Pinja SANAKSENAHO Julia LAPPALAINEN Krista KOSONEN Eero RITALA Suvi BLICK Joonas SNELLMAN Seidi HAARLA Pirjo LONKA Johannes HOLOPAINEN Lotta KAIHUA

廼重⶯婻ꄅ Kirsikka SAARI 荜蕼䣛ꄅ眧 Elli TOIVONIEMI 㱨㤚䅅ꪞ✿㴪 Anna PAAVILAINEN 䚂蕼䅅詫糶 Alli HAAPASALO 涻㖎荜㎬ Reetta AALTO 本㠄䣛ꄅ眧 Jenni TOIVONIEMI 眧◟䢎焱 Miia TERVO

䓪氳鷪⸼ 塞銷樔泘氳杯䏴 #MeToo 侈♏㝷䓪氳谊㗟撵╈氳夷⠕䷚◄齉⺎耈氪榟㏇夷⠕⺨车⺨哆㝷䓪氳骰┕䢦僘㝷䓪鈶 浑齉耈岒⮊냉働꟯亥黁◚⪐ⴭ氳䓪⮯䙬閂䎬䛞艃⯎冎ⷆ霆♓⹗撝垷炙働┖逈㙪鳢氳㝷䓪㗟鷖䑒ꯄ鵂鷪䏆⥾䌖 㛻浑鋁鑝㍕憡樧䓪⮯䇖璢氳閲갭逈䊸嫚鋁鑝┦鏂⺎䏴䣉僘嚂働䷊闭杯敻 Hilla's and Kristian's romantic dinner is ruined when a stranger gropes Hilla. After a house party, Emmi gets an uninvited guest to her bedroom. An inexperienced prosecutor Aleksi has a day to prepare for the rape trial Nina has waited for years. Milja's journey to school turns into a nightmare after strangers accompany her in a bus. An ambitious actress Emppu is preparing for a rape scene. Katja ruins the festive spirit in a company party when she reveals that her co-worker groped her after the last party.

Force of Habit is an anthology series and a feature film, all directed by women, that question individually, and as a collection, gender stereotypes and the way women's lives are conditioned by a patriarchal society.

10/11 ( 仼 ) 16:10 佔噛 7 䋙

10/14 ( └ ) 15:40 ⩞䏆乄ⴭ귈

Producers Tilde CORSI Gianni ROMOLI Screenplay Gianni ROMOLI Silvia RANFAGNI Ferzan OZPETEK Cinematographer Gian Filippo CORTICELLI Music Pasquale CATALANO

㒮䄬弋僸ꔖ

Editor Pietro MORANA

City Panorama

Cast Stefano ACCORSI Edoardo LEO Jasmine TRINCA Sara CIOCCA Edoardo BRANDI

㵷庌 Director

⛻叝 ٬ 堷蓕孭攒 Ferzan ÖZPETEK 1959 䇗⭴榟亥㎻繱⪭⚊事 㐛㔷佭樧♏暢晤浑㛡氳⺱ 䑪 㵷 庌 ╯ ┉1976 䇗 燯 㷉 舘糶껊㶩闖糶껊㛻㱄꧆䏆 ⺒꺙鼨꧆䏆վ槀䝈㛿㔆տ ⪌鹡㏽㒮䏆㷤㵷庌ꦁ⼾ㄲ ⩕ ꝧ 㡐 ⹨ ⮽ ㎜ ꤂ 䏆 㙑 氳 掄憶䫠㼷䐍䏆 23 䇗㓵㵷 13 鼨 ꧆ 䏆 ꢝ 夷 Ⱚ 烩 䢤 ✞ 端 㛛44 ꯁ 暢 晤 硕 ꍖ 催 佭 扝 ☕ 耈 ⹗2008 䇗 硷 硝 樧 ♏紈轱귈┾傾憡⪭艈鰾㍑걚 㷤堷蓕孭攒⛼⿁䅻꟯嫱⺱ 䑪艃㝷䓪䳟ꝏ䩔䨿䐮㟔䗰 䚋鶡縡䚋Ⳃ鈶浑♏辑⛼ 僘վ㛛䝈տվ䗰鷖黁┘Ⲿ 事տ璢

Ferzan ÖZPETEK, born in Istanbul in 1959, moved to Rome in 1976 to study film history at the university La Sapienza. His first film Il Bagno Turco - Hamam (1997) was an immediate critical and public success, so much so that he was selected for Quinzaine des Réalizateurs at Cannes. Following Hamam, his movies Harem Suare , Facing Windows , N a p l e s i n Ve i l s h a s m a d e tremendous impact and has been awarded many times. He was considered one of the most important directors of Italian cinema. New York Modern Art Museum (MoMa) has exhibited a retrospective of his work in 2008.

䌘ꆽ㟗玘 5IF 'PSUVOF (PEEFTT

⺐想꺙佖 Taiwan Premiere

紶㛻⮵ Italy и 2019 и DCP и Colour и 114min 2020 紶㛻⮵㛻载晤✞㝷╚鉈✞꧆䏆堮傪 2020 紶㛻⮵ꉐ礸䅸晤✞㝷╚鉈✞꧆䏆堮傪✞꧆䏆鿦嗞

䬟鳯䄖⺱㷉 15 䇗氳┉㵴槀⺱䑪㍕憡㞒䑐䷅㳋ꞗ赂氳┉㵴㯹㝷䙬㛛罗靷ր憡☕撝ց 氳ꄆ鞊㛻♴┾憡☾⠟仼廍▯尠氳䚂䗰䅸✿▽鮺嚂撵╈䫔鋁䗰➉鎊㞞⛰ꄆ䧋䚂䗰氳 ⮤忂䗰艃䗘Ⳃ♓⹗⮤憡☕撝瑤䦖ⷙ況䑐氳䚋☕鈒䗰┘⥪槀⺱䑪⛂➉䑐㗟䬟鳯 洡䗰孳꨾ⱉ䗰催佭琸╈䅸屣暢վ㞒蚓㖨㕕㵷տ阐闌佭ր嶾倉艃䷬頸氳◬笞ց 儗撵劯䴆洡㴨䷚◄䷊稶儗撵佭紶㛻⮵⺲㵷⛻叝 ٬ 堷蓕孭攒ꄆ鲯糶껊䦁撵┾꺙䈲暢 ⬢鶡⪌⹿糶껊乄擻⟋闀ⶆր䇟鷠㝷烖烖外ց䦁䶕氳꧆䏆塞㏑㵴㵷庌✿鐁䙬紶岒鸞 ㍕縡鹡䳢塞㏑鳯鐁┉⠕꟯亥ր䚂ց氳䷚◄ր䷚◄洡塜䌖䡘氳鼨⮈佭飃飉䓪艃忂 䗰╯䏴⪔☕꟯➡㞞⛰氳鮺闭㞞⛰耈㛭筷箛䊪㱥┘鑝䓪⺸㵴亥錊㛡⛂➉✿鐁 鵞齉佭┉⠕⡬䐂䫔鋁氳閲갭ց

10/14 ( └ ) 18:50 于⩞ 11 䋙

10/21 ( └ ) 16:30 in89 9 䋙

Arturo and Alessandro have been a couple for over fifteen years. Even though their passion and love have formed a close and important affection, their relationship has been in crisis for a long time. The sudden arrival of two children, left in their care for a few days by Annamaria, Alessandro's best friend, could give an unexpected turn to their tired routine. The solution will be a crazy departure for them both. But on the other hand, love is a state of pleasant madness.

Executive Producer Jo LÉGARÉ Producers Sandra-Dalhie GOYER Les Films JAD Screenplay Jean-Nicolas ORHON Cinematographer Jean-Nicolas ORHON

㒮䄬弋僸ꔖ

Editors Jean-Nicolas ORHON Hubert HAYAUD Sound Simon BELLEFLEUR With the participation of Yannick NÉZET-SÉGUIN and L'Orchestre Métropolitain de Montréal

䭱䳼儘◸㹺⩴ &OTFNCMF

㶉 ٬ 㶼⺎䥽 ٬ 堷㱴 Jean-Nicolas ORHON ⺐想꺙佖 Taiwan Premiere

ⱶ䧍㛻紈㎜嫏㎜䐼㎜蕕训 Canada, USA, France, Germany, Netherlands и 2018 и DCP и Colour и 92min

儗撵鋘ꍖ傾└䈲✿⺐杷慤䣆⺎掄氳䧘䭙㳄◟㶼⩡绶徉 - 頉ꄌ艃☾氪饊氳ր蟒 攒㥬㛻齉働畚䌹嗞㎯ցꝏ鷾 20 䇗氳忈黰䚋䗰┾鋘ꍖ鎊㎯䡗环 35 鶝䇗侈㷤ꝧ䏣 䢇䐼㎜㛡攒蟒䐼熭庤㔷蕕训ꡦ㡂事攒╘뛊攒╘♓⹗䄘랤䚂嗞䋙璢鵿箛┎ 㕙氳堷孚䃿庌25 塵䫚䪭蟒攒㥬㛻齉働畚䌹嗞㎯35 塵樧┕鞞㒮畚䌹嗞㎯䧘䭙氳◟ 㶼⩡┉珇┕䧘䭙⺐竭耈搸氪㛻耈ꄈ逈紈㎜վꄌ踅侈㕕տ阐紈佭ր䧘䭙⺐┕䍛 耈ꄈ邯鵳嚂ց 儗撵ꢝ㷤杯◟㶼⩡艃嗞㎯䡗⿦㞞㳄☕芙氳鈒㳢䗰䚋催┉䭗䧘䭙㳄╯亥嗞㎯氳ꄆ釒䓪 䌖ꯝ鈶浑♓䀽于┦㵬哆氳釲鉈鲥ꦗ䚋⹨鵞◚㵫㵴ꮠ嗞氳掄䚂伭虓䡗舅䄕榟⽝氳 諠轱㳄紮⥾撵╈庌㜱䄭䥽㡂事վ㎨艸傪虓撨市տ觓㚖㖎냖禵㜦վ瑮㍌谝◬ꮷ傪տ 靳㛡莾վ榹㎧◬ꮷ傪տ藌儘攒վ瑮 39 谝◬ꮷ傪տ♓⹗껊Ⲿվ瑮◑谝◬ꮷ傪տ璢 㛡꺙䦙擀⺲傪耈阁⻢蠹氳⹿⪯嗞鴁闭䐂欍敾

City Panorama

㵷庌 Director

In the autumn of 2017, the Orchestre Métropolitain de Montréal begins its first international tour of Europe's most prestigious concert halls. This series of concerts is the crowning and paroxysm of the rich relationship between the musicians and their leader Yannick NÉZET-SÉGUIN. Over four seasons, Jean-Nicolas ORHON's camera follows the preparation of this international adventure and gently penetrates the daily life of the orchestra. Ensemble reveals the precious role of the maestro, exposes the excitement behind the scenes, displays the intimacy of the musicians and poses a new and delicate look on those whose life sublimes the love of music.

10/18 ( 仼 ) 12:00 ⩞䏆乄ⴭ귈

ⱶ 䧍 㛻 蟒 攒 㥬 㵷 庌 ⛼ ⿁ ⻢ 䦮 ⱉ 䗰 撵 艃 硕 ꍖ 撵 2003 䇗磶兠꧆䏆艃☕걊㱄 鐑䏴䦁䶕瑮┉鼨硕ꍖ撵 վAsteurտ鋘ꍖ꟯亥紈㎜ 饟佄事㱨黁䃹嫏鏥ⶆ氳稫 艃氪㷤㵷庌堷㱴鈒舅䣟嚂 䦁䶕◟㶼⩡曎ꯝր㛻齉働畚 䌹嗞㎯ց䏣䢇堷孚┎㕙庌⭴ 氳럅럅幎幎催鞞侈└䇗㵫 鵞◚ꮠ嗞㳄氳䃿庌嶗⤕庌 ⭴䑐绮┉┉䷅ꍖ課榺鵞㕙 堷孚╯亹鵅┉ꝧ㷤◟㶼⩡ 艃夷⛤ꮠ嗞㳄氳鈒㳢䗰䚋 阁鈶浑釤閂⮽┉⠕ꮼ㶅䧘䭙 㳄铷鸔艃㵬哆氳于냖䈲 Jean-Nicolas ORHON is a writer director in both documentary and fiction film. After completing his studies in cinema and anthropology, he directed Asteur (2003), a documentary about the survival of the French language and culture in Louisiana. In 2008, he directed the short fiction film Tu t'souviens tu? . The same year he completed Tant qu'il reste une voix , a documentary about collecting and recording of oral traditions. In 2011, he directed the short fiction Roule moi un patin , along with some fifteen vignettes exploring the world of wine for the TV program Des kiwis et des hommes .

Robert BRESSON

糶⚼䄭⮛再

Restored Master Classics

㛻䅨祺⪯⫋杯

糶⚼䄭⮛再榟亥 1901 䇗⸊佭樔㳄䫚銕꧆䏆䦁䶕┘╦䏴➘䷒ 厑筑樔佭嫏㎜ꄆ釒氳㵷庌╯┉⛼⿁岒⯎㏑䏆ꮷ┪槡⺨㏑氳ꪃ 䇗㵷庌☾氳⛼⿁ꄈ㵽韭矀40 䇗氳Ⱚ⛼塽╈⺆㱮䡗▽ 13 鼨 ꝏ撵⛙夷┉鼨䏆撵齉鵳䡗┪槡䏆㙑氳┉ꢛ꾦Ⳃ鏂憡㵷庌鎊姳 氳佭┉牊ր于氳꧆䏆敻䛞ց◰ⷊ㵴艋僘꧆䏆鏥嫏氳鉮啶

Robert BRESSON was a French film director. He left us in 1999. In his book "Notes on Cinematography" (Les notes sur le Cinématographe) published in 1975, Robert BRESSON champions cinematography, an art based on writing using sounds and movements. Filming scenes from everyday life with the most precise framing and taking as much care with the sound as the images thanks to a rigorous editing process, BRESSON is still seen as absolute master of the art by filmmakers worldwide.

Producer Agnès DELAHAIE Screenplay Robert BRESSON Cinematographer Léonce-Henri BUREL Sound Antoine ARCHIMBAUD Editor Raymond LAMY

䩣䩘 < 俪⛻⟵䕰曭 > 1JDLQPDLFU 嫏㎜ France и 1959 и DCP и B&W и 75min 1959 分冷䏆㷤球頉撵

䷊稶舅兜事㟱▉㜂事㓹氳վ糆艃糐տ眧唺憡▽榟銷䡗憡䣑䣆瑮┉埡车玭㜊䣆㍕ ䷚逈䷒鷪╯䏴⣖玭䡗憡☾榟孨氳ꄆ䑐┾┦䤧ր䣑ց氳䤗諠氪䭙⮽哗舛刈㛿龪 㷉本㠄⼔湳☾氳头鈒榟⽝ⷊ㵫⮽鷾況꯽☾鑃僚⹘䅸ꎏ⸼礢㞈舅䄕ⷙ髀㏇䢤㯹 遵┘䘶阁头鈒湳鷻☾氳钷榟䣆夀撵昷㞞┉疠鏩㴨氳ꪃ䇗舅氫傴榺槀╚鉈氳 瑮┉☕牒暐氫╏鵿縡䡗⥾佭┉⠕ꪃ䇗姳舅䡘氳⫕ꤠ䷚◄ 儗撵逈䏆鍑槡⪞鏂佭┉鼨ր樧♏氳䏆撵ց⩙幥烖熺╚紶氳妺㎠┘䅸䢊ⱉ鎷䍗

Robert BRESSON's incomparable tale of crime and redemption follows Michel, a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. As his compulsion grows, however, so too does his fear that his luck is about to run out. Tautly choreographed and crafted in BRESSON's inimitable style, Pickpocket reveals a master director at the height of his powers.

氳烖䗰艃辑庌矀嶗氳䶕䏆ꔖ⛤饇㕙俍鐩䈲⯎樔䡗硿瞲氳䄭⮛再䌋ꔖ꯽鏥銨꧆ 䏆磶兠⯦槀╚鉈鍸䙬氳樔㛛ꮠ艃哗㳫榟⽝ⱱ氳ꔖ꯽㕊牒䏆⺒阁☕ⷆ霆岒⯎氳祺 ⪯樔ꪫ╯┉럅⮽憡塛ⷙ働㏇鈶縖䑐╈嫚㛻氳座庴儗撵⺱侈波䫚䏆ꮷ▽鞵 嘔刷氳վ㵸塡տ(1998)⟋糶錊栐䐼氳վ紈㎜艸槀տ(1983)

10/11 ( 仼 ) 13:00 于⩞ 11 䋙

10/20( ◅ ) 19:20 ⩞䏆乄ⴭ귈

Producer Agnès DELAHAIE Screenplay Robert BRESSON Pierre CHAMPION Cinematographer Léonce-Henri BUREL Art Direction Pierre CHARBONNIER Costume Design Lucilla MUSSINI Editor Germaine ARTUS Cast Florence DELAY Jean-Claude FOURNEAU

臋㟗鬕䖎溸㷦⯀ < , 俪⛻⟵䕰曭 > 5SJBM PG +PBO PG "SD 嫏㎜ France и 1962 и DCP и B&W и 64min 1962 ㏽㒮䏆㷤鍑㴱㎯攒⮯晤OCIC 㛿╚䷹☕鷻╚紶矀烖晤

䄭⮛再 1962 䇗䦁䶕氳撸儗㵫鵞⠕蜸⺲氳塽⺒◄♭䐍꯽⮽㶾㱮䷒㏇纳㝷靴䐼䫚⹨ 㴱⮮氳鷪攒樟㏑䣒滭꧆䏆氳⥉礶䄭⮛再㏇儗撵╈㵴纳㝷靴䐼䏴氳榟艃墆㷤 杯┉牊㴵㴨艃暐攒氳꟯拨ⱉ儗劯䴆㴱⮮纳㝷靴䐼氳僿ꝴ䢦槴┖氳洡㴨璜鋘㵷庌㵬 嫱㏇纳㝷靴䐼䢦⹨⮽榟杼艃䑐杼氳抱捸┾걦炑⭴鵞◚䧁ゖ氳亡䌋㞞⛰榫✿䰳夘㞈氳 婋䑐┾┦鵳䡗㞈廍廍㏑䷒厑⟔䒟 纳㝷靴䐼氳䷚◄佭┉⠕鱖妩㝷㰨㏇ꯝ㵷⹚䤻䷓䈢氳鷠Ⳃ㜊䷴╯䏴逈䅸⸼䫚⹨㴱銻 㲛⼔憡樟䷹䏻┾┦逈樧䡗┉⠕㝷䄍谊♓愃⮔䄭⮛再✳榫洡㴨氳塽⺒镜擻⫋Ⱚ鵳鵞 ⠕䡘⠟繱捙耈鎌氳䷚◄饇♓䏢䄖逈鎃ꄄ鷪硿洡氳纳㝷靴䐼注奄䄭⮛再氳纳㝷靴䐼 㷤杯┉牊催䡗捙艃郀ꦉ氳䓪劲催洡㴨縡┘⫋⺆僘葐꥓䌋氳䗉㚛

10/09 ( ◑ ) 21:50 于⩞ 11 䋙

10/20 ( ◅ ) 15:00 ⩞䏆乄ⴭ귈

Based on the actual transcript notes taken during Joan's trial, BRESSON focuses on the psychological and physical torture that Joan had to endure, showing how these techniques were used to break her resolve and cause her to eventually recant her faith.

Producer Mag BODARD Screenplay Robert BRESSON Cinematographer Ghislain CLOQUET Sound Antoine ARCHIMBAUD Jacques CARRÉRE Music Jean WIENER Editor Raymond LAMY

뎋㲳䉄ꇘ赚 < 俪⛻⟵䕰曭 > "V IBTBSE #BMUIB[BS 嫏㎜ France и 1966 и DCP и B&W и 95min 1967 嫏㎜䏆鍑☕⶜働✞䏆撵 1966 㣜㶼事䏆㷤 OCIC 㛿╚䷹☕鷻矀烖攒⮯晤

㵽㝷栨뜏僘┉ꥃ䑐䚂氳꿼㯹㏇⺱⛂䘡⛼ⱉ僁擯ր⹨嬲ց╯䏴擯㶩⺈⢢䄘鷾詫儗 撵䷶◄䐢蜸㵽㝷栨뜏⽰䄘鷾詫⮈⮯⯦鶡⣓撨☾⠟氳⽝鷠◬働⛙㛻鼨⮈氳侈⠰☾⠟ 暐舅ꪫ㵴榟⽝牊牊扝䗰氳䣒䳦䄘鷾詫䫠鷪瀄攡鷪榹껑鷪ꄆ擻䥽鷪髪榘舘㏇ 껊䢊㎯辑庌鷪▀嫏銷畁䏴逈☕⮵榫颦熗縡鹁⮽䳦丼栨뜏ꥹ抇僘⛤扝半♭䚂㞈氳 ⺱⛂鞵⩡⺎佭㞈䚂┕裴釲┉⮊氳㵸岞岞⤂⿊䏴㍕憡鞀獜縡韢岃⫋逈┘▽鉮㞈 氳撝头ր䦲䷬ց⮽┉⠕꡷榟╯㏑

This film follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, suffering the sins of man. But despite his powerlessness, he accepts his fate nobly.

哗⪭郀ꦉ氳ⱉ䗰ⱶ┕䄭⮛再䑁䈕磿錄㲋♴⛰鉈荈䑐杼Ⳃ嚂阁塽✿氳䏆鍑☕㵴㱚 ⹒䚂⹒䕐佭䏆⺒┕㵽丨♓Ⳃ擻憡╚鉈氳㜦樟⤂⛼䬴厑☕擻䑐杼Ⳃ嚂艃⪭鐁㱚佭 ┉鼨Ⳃ擻氳ր䴨☕꧆䏆ց┘㞞鐁㱚佭☕氳ր䴨Ⳃ擻ց撵鏥銨┘佭榫✿辑杯鉈荈氳 䗰䚋┉⮊☕憡氳䙬紶艃䗰䚋塾ꦼ

10/09 ( ◑ ) 14:30 于⩞ 11 䋙

10/15 ( ㍌ ) 16:30 ⩞䏆乄ⴭ귈

Screenplay Robert BRESSON Cinematographer Pasqualino de SANTIS Sound Jacques CARRÉRE Music Philippe SARDE Editor Germaine LAMY

婣㛶躗锟顁 < 俪⛻⟵䕰曭 > -BODFMPU PG UIF -BLF 嫏㎜ France и 1974 и DCP и Colour и 85min 1974 ㏽㒮䏆㷤㎜꤂䏆鍑☕鞞奄重⶜働晤

训重钱佭◟树曓⟔♴氳㎨勐塡㚖祺鷪㛡䇗䏻Ⳓ㏑鴓纳兵╯䏴塡㚖⠟⹒⫋䈲纻 ꥙㍑◟树曓骰麕☾◄㴨┕佭◟树曓曓㞡栴㤚訐氳ր꽞㚖ցր꽞㚖╯䚂ց佭☾⠟꟯ ➡氳냖嶗⯞┉牊┘寘⹗骰냉䗰䝈氳矀烖䚂䡁抇縡꟯㏇骰냉遵氳䝈僸竭釒䤓 ⭴⹾栴㤚訐䚂┕▽训事嬸┘鑝佭䗰䚋氳骰냉氳麅佭ꩯ놻氳䚂鵞夘巷䓪氳䚂ⳛ 䑒㵷舛┉㕙催憡夘巷氳磶冽 鵞鼨撵⺎♓鐁佭䄭⮛再䏆⥾憡壂ꀿ氳┉鼨䏆撵⯺ꝧ㡐䡘⠟㶩洇⮽䢇㕙┕氳塡㚖逈 溯꯽逈⯌墆逈鮡墆扝╚氳껊⵰㍌谊㜽껕轑⥾ 70 䇗♏㞒蚓㖨⛧䡗儗䔦䓐撵芙 ▶㊑䏆撵氳壂ꀿ┾ꪞ扝珸氳倽ⱱ䏆⥾䄭⮛再㏇鵞鼨撵╈䬠⭴氳⺁┉⠕⽝갭佭╈⹿ ┪硕氳磶兠侈♏矀烖氳寖◧䄖⭴杯㏇վ꿼㯹䄘鷾詫տ遵㏇վ塡㚖训重钱տ鵞⠕⽝ 갭逈催伺걦㏑䬠⭴

10/11 ( 仼 ) 20:30 于⩞ 11 䋙

10/15 ( ㍌ ) 14:00 ⩞䏆乄ⴭ귈

Arthur's knights, far from being heroic, are conniving and greedy men who, just before the film starts, have failed miserably to find the Holy Grail. Aimlessly resentful at first, the developing relationship between Lancelot and Queen Guinevere focuses their rage, leading to inevitable tragedy...

Producers Jean-Marc HENCHOZ Daniel Toscan du PLANTIER Screenplay Robert BRESSON Cinematographers Pasqualino de SANTIS Emmanuel MACHUEL Sound Jacques MAUMONT Editor Jean-François NAUDON

꜁ < 俪⛻⟵䕰曭 > .POFZ 嫏㎜ France и 1983 и DCP и Colour и 85min 1983 ㏽㒮䏆㷤✞㵷庌晤 1986 紈㎜㎜㳄䏆鍑☕⶜働✞㵷庌晤

䷊稶舅➣㎜乄霕䣛撨事嬀氳╈疠㵸鐁վ⣞ꆉտ(The Forged Coupon)䷚◄䬟鳯┉⠕ 槀㰨饇撝鈒釒ꎏ┘䡗饇僚⹘榫┉䍗◑氬⩕⣞ꆉ⮽䈙⪐寖鞞䏴✿鵞䍗⣞ꆉⷙꢱꎭ꣊ 䄐氳㵷舛⺁┉⛤ꪃ䇗⚊⭔逈鏯ꣀ㜊⸼▽㏇榟孨╈䳕僘氳┉⮊┾敨┖帗㛿㛻糆 䏆撵䗉鈶⹒杯㴨氳鐩䓪┘ꄡ㵴╈榣꣬碎⢢鍑鑝縡㶩暐攒縡郀ꦉ氳☕䓪⢢⭴⯳冫 㵷庌⺱䗰鵞⛤艃䡘⠟扝樟氳☕걊⬊ꪙ洇蜸☾✳榫倽ⱱ抇䏴㱨ꪙ㏑㏇逈鈶洇┖磶兠

A boy's parents refuse to lend him money, so a friend gives him a counterfeit 500-franc bill. This one act sets into motion a chain of events that will lead to murder. Inspired by a Tolstoy story, one of cinema's great masters creates a powerful tale of innocence corrupted.

䏆撵㞞⺱倽겨ꦟ⯦氳㴪ꪙ┉芙⩙幥蜸錊㛡紈뜏ꪙ铢氳侈⯎縡㏇黁╯䏴氳壂倽㕙俍 ▉⛍╲注㵴Ⳃ☕氳䗉⿀✿鵡䅻㛻䅨氳侪䇗꧆䏆⛼⿁㳋佄逈鍑鑝憡䷚䤗ꄆ亩 Ⱚ⛼ⱱ┘䐞樧䇗⛙鵞鼨㙪畵⛼⿁ⷙ㱮注⹚逈錊㛡䏆鍑☕⹗䏆鴁釲憡䄭⮛再꧆䏆 氳♏辑⛼╯┉

10/11 ( 仼 ) 15:00 于⩞ 11 䋙

10/20 ( ◅ ) 13:00 ⩞䏆乄ⴭ귈

✐䐼糶

⭴榟鞀㳸䐍㵸鶡⪌䷹働㱄劆闖傴17 塵➘环䑪釒䦁꧆䏆 亥佭ꦗꝧ㳄齟暐舅⯦䏢껊䐼ꄅ⛙榺亥鹁鵼⛻僮⿬暐逯礶媪 侈僿䢦僘꧆䏆㱄ꢚ逈鳢꟯ꝥ☾▉㍕塞儔傾㶩闖鷪꧆䏆㱄 劆䢦僘꧆䏆䤗轱齉ꪤ舅㱄⪭⛼⿁갭免撏閲䓪祺䅻䫔鋁 䝈僸倽ⱱ㲅䷹璢閲갭┾♓榫荈㛻膛氳礛뜏䏆⥾釤ꝏ䐍 䏆└ⶇ䇗꧆䏆⛼⿁飃鷪◅ⶇ鼨鵞⛤㛡榣㵷庌佭㏽㒮䏆㷤

Pedro ALMODÓVAR

ꡦ藌㛡椘 ٬

Restored Master Classics

㛻䅨祺⪯⫋杯

✐䐼糶 ٬ ꡦ藌㛡椘 1949 䇗⭴榟亥重杙擢㵸꒰ La Mancha

氳䅻㲙麅ⴎ鰾分冷㣜㶼事⹗㝡事⶯ꄌ⥾晤璢㎜꤂䏆㷤飃鷪 ┉氬⠕晤ꯁ逈闌憡重杙擢筷䄭硷撨╯䏴䏆ꮷⱱ氳樧♏ 重杙擢꧆䏆㛻䅨

Pedro ALMODÓVAR is a Spanish filmmaker, director, screenwriter, producer, and former actor. His films are marked by his employment of certain actors and creative personnel, complex narratives, melodrama, pop culture, popular songs, irreverent humour, strong colours, and glossy décor. Desire, passion, family, and identity are among ALMODÓVAR's most prevalent themes.

Executive producer Agustín ALMODÓVAR Screenplay Pedro ALMODÓVAR Costume Designer José María COSSIO Sound Jean-Paul MUGEL Editor José SALCEDO Cinematographer Alfredo MAYO Music Ryuichi SAKAMOTO Cast Victoria ABRIL Marisa PAREDES Miguel BOSÉ Anna LIZARAN Mayrata O'WISIEDO Cristina MARCOS Féodor ATKINE

둛鴋깐 < 俪⛻⟵䕰曭 > )JHI )FFMT 重杙擢 Spain  1991  DCP  Colour  112min 1993 嫏㎜⭦詫晤✞㛛鏥撵 1992 ꄌ杷晤✞㛛鏥撵䬠⺲

觸靳⶯氳头鈒佭樧硟氳孳车堮䣆憡▽鴓姳庌諠◄哆䥿┖䇗䇧氳觸 靳⶯鸞颬重⿬夷樧觸靳⶯䘶䒟头鈒侈㶩働✿⮽ⱉ㕙洇樟遫 毝諠☕䢎┕ꄌ넃狫┕鴁✃遤嘘♻头鈒氳辑庌觸靳⶯㵴亥头鈒 僘蜸樟䅻氳鴁䡁㞈況⪭┉榟⸼嘘♻鴓飜䘶釒䡗憡头鈒黁嘚氳 ☕⺱侈㵴头鈒⹒⩙幥▽㟂艃䕐亥佭㞈ⲅⱱ樧┕▽于组╚䲮麅 㪧礢▽头鈒氳艋䗰☕㛡䇗䏴头鈒㍑⮽껊䐼ꄅⷊ㵫艈车⪞庌ⷙ 艃艋䗰☕ꄆ掫䚂愃䐂湳寖䕜氳觸靳⶯┉姇╯┖夋▽┓㜂┾㏇于 组䲮㕕侈⪞ꝧ▽舅䄕氳糆车觸靳⶯ꋑꗅ⪌晔╯䏴头鈒▉㏇꺙庌 樧侪氳艸⺐⠡┖▽㞈㵫┘銷┉⮊♏⧎阁觸靳⶯㍑䇟焱

Becky de Paramo has had almost as many husbands as gold discs. She abandoned her daughter from her first marriage at thirteen to focus on her career as a pop singer. Rebeca was raised by her father but remains obsessed by her absent mother. She even marries one of Becky's former lovers, Manuel. Now she's the calm, unflappable anchorwoman on the evening news. But when Becky flies in to do a concert in Madrid, their meeting at the airport – the first for fifteen years – is tense and uncomfortable. Becky realized, as Manuel rekindles old flames within her, that her daughter's marriage is on the rocks. But then he is suddenly murdered. With amazing sangfroid, Rebeca announces his death on the TV news and then, astoundingly confesses to the killing. There comes another twist – Becky collapses on stage, finally revealing the illness she has hidden for years. It's the catalyst for all the characters to face their own demons, to discover the truth not just about Manuel's killing, but about themselves.

10/09( ◑ ) 19:20 佔噛 7 䋙

10/16( ◑ ) 13:30 ⩞䏆乄ⴭ귈

Executive Producer Agustín ALMODÓVAR Screenplay Pedro ALMODÓVAR Director of Production Esther GARCÍA Cinematographer Javier AGUIRRESAROBE A.E.C Editor José SALCEDO Music Alberto IGLESIAS Choreography Pina BAUSCH Cast Javier CÁMARA Darío GRANDINETTI Leonor WATLING Rosario FLORES Mariola FUENTES

䛩䛩⼴陽㟨 < 俪⛻⟵䕰曭 >

⺐想꺙佖 Taiwan Premiere

5BML UP )FS 重杙擢 Spain  2002  DCP  Colour  113min 2003 㝡事⶯✞⸊Ⱚⱉ儗晤 2003 ꄌ杷晤✞㛛鏥撵

2003 堷孚꧆䏆晤✞䏆撵✞㵷庌✞ⱉ儗

⠕䓪ꪯ肒氳杙㶼钱㏇熗☕錛䢦䳸♴洇闀☾䑐䙬拨걚蜸㍕髪焭 ꣀ⪌似鴁ꝏ鷾㍌䇗氳菁觸艸㱄榟ꡦ뜏㛊껊⺎佭┉⺲亹鷝鋘縖☾ 氳㝷⹘蕼螥◟㏇┉埡녺擧鷪╈骰⹨ꄆ⥏似鴁┘ꁼ⪔⠕㱮┘注 閂氳槀☕㏇┉㕙艸駬㳄澎㤚뉌錊氳杯♏艸⛼ր牻Ⲿ⽾귈ց奄 龪縡㏿䇭⠕僖䏴⪔☕㏇熗☕錛䢦塜䌋注鷖塜樧⪔⠕槀☕氳⹘ 䗰䙜✿䙜岒⸂蕼螥◟氳⯦槀⹘ⷙ㏇塞侈✿䫔檫┾⼔錐껊⺎舅䄕 艃蕼螥◟㏇⭴◄⯦㶩䄖艋䗰䐞掫阁껊⺎岒⹨䣒䳦縡ꦗꝧ┘╦➘ ㏇㕕碋┕洇⮽蕼螥◟氳墆銻⺱侈䡗憡吤擻☕錊╦氳ꡦ뜏㛊珔 逈氪杯䠪僘⪔⠕僖氳骰㰁┉⮊湟꯽齉䧘⺸杙㶼钱˟˟

10/11( 仼 ) 18:10 佔噛 7 䋙

10/13( ◅ ) 11:00 ⩞䏆乄ⴭ귈

The curtain of salmon colored roses and heavy gold fringing which covers the stage is pulled back to reveal a Pina Bausch spectacle, Café Müller. Among the spectators, two men are sitting together by chance. Months later, the two men meet again atThe Forest, a private clinic where Benigno works. Lydia, Marco's girlfriend, and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. When Marco walks by the door of Alicia's room, Benigno doesn't think twice before speaking to him. It's the start of an intense friendship... as lineal as a roller coaster. During this period of suspended time between the walls of the clinic, the lives of the four characters will flow in all directions, past, present, and future, dragging all of them towards an unsuspected destiny.

Executive Producer Esther GARCÍA Producer Agustín ALMODÓVAR Screenplay Pedro ALMODÓVAR Cinematographer José Luis ALCAINE A.E.C Editor José SALCEDO Art Director Antxon GÓMEZ Sound Miguel REJAS Music Alberto IGLESIAS Cast Gael GARCÍA BERNAL Fele MARTÍNEZ Javier CÁMARA Daniel GIMÉNEZ-CACHO Lluis HOMAR Francisco BOIRA Francisco MAESTRE Juan FERNÁNDEZ Ignacio PÉREZ Raúl GARCÍA FORNEIRO

㛞侷䣑 < 俪⛻⟵䕰曭 > #BE &EVDBUJPO 重杙擢 Spain  2004  DCP  Colour  105min 2004 ㏽㒮䏆㷤ꝧ䆡撵 2004 堷孚꧆䏆晤✞䏆撵✞㵷庌晤璢 5 ꯁ䬠⺲

⚊硱⟣艃㱨⮵㜯佭껊䐼ꄅ┉䢦䷹働㱄劆⺱㱄䠦䟇氳⪔☕僘蜸ꪞ┉芙ր⺱猬╯䚂ց 䡁珢毝氳껊钱糶烖撝鴁䡁┕䳕僘㛿盵紈绮氳⚊硱⟣憡▽䳕僘☾껊钱糶烖撝Ⲿ♒㱨 ⮵㜯鴛㱄催鶡縡䓪▽⚊硱⟣20 䇗䏴䡗憡㵷庌氳㱨⮵㜯䷅⮽┉♸✿舅⚊硱⟣ 氳ⱉ儗ⱉ儗䏆㵥⪔☕䇧侈氳䷹働榟孨䗰䝈氳⮤ꝏ烖撝㵴槀珢氳䓪䇥霆璢璢㱨 ⮵㜯婋㲋ꝧ䦁䡗꧆䏆䯊┕㛻ꉐ䆡㱨⮵㜯㵴⚊硱⟣䑐僘㰇橏婋㲋熗┖㷤ꝧ鐩刨꧆䏆 ꝧ䦁䏴撵㕙⭴杯▽┉⺲┘鵯╯㲙 – 껊钱糶烖撝烖撝⼔錐▽㱨⮵㜯⺁┉⠕撸儗氳䷚ ◄˟˟珢䇗焕䑚氳⮤䡁烖撝氳䡁珢毝♓⹗⺱䓪ꝴ氳䗰䝈硒箣◬笞⭴┉㕙䝈僸氳敾 겨꿷ꦟ

10/10( ⪠ ) 15:00 于⩞ 7 䋙

Two kids, Ignacio and Enrique, discover love, cinema and fear in a religious school at the start of the 60s. Father Manolo, the school principal and their literature teacher, is witness to and part of these discoveries. The three characters meet twice again, at the end of the 70s and in the 80s. The reencounter will mark the life and death of some of them.

10/19( ┉ ) 16:30 in89 9 䋙

Executive producer Agustín ALMODÓVAR Producer Esther GARCÍA Screenplay Pedro ALMODÓVAR Cinematographer José Luis ALCAINE A.E.C Art director Salvador PARRA Editor José SALCEDO Music Alberto IGLESIAS Cast Penélope CRUZ Carmen MAURA Lola DUEÑAS Blanca PORTILLO Yohana COBO Chus LAMPREAVE Antonio de la TORRE Carlos BLANCO

楉耙㟗☭ < 俪⛻⟵䕰曭 > 7PMWFS

⺐想꺙佖 Taiwan Premiere

重杙擢 Spain  2006  DCP  Colour  121min 2007 㝡事⶯✞㝷╚鉈晤䬠⺲ 2006 ㏽㒮䏆㷤✞㝷╚鉈✞ⱉ儗晤

刈侪㵏䥽㏇⪞髪珇璢䏩头鈒觸儒㠐┖杙⪔☕㍑⮽㳄╈觸儒㠐꿯鈫┓㜂珔⠡㏇轑 媽╯╈㵏䥽걠䤹㏑㐛䤖撝鈒㏇ㄑꁨ䏴┘亝绮牒舅䄕┘佭㞈氳撝鈒┾䘶鶡┉塠㏑ 敨㞈⪔☕㏇䥽䣻╈㵷舛䙬㛛觸儒㠐◅鎈┘鐁㏑䳸夋☕氳糆鞊┾㵫㷖냉倭侈䷒ ㏇궇䋙氳⫼畵觸儒㠐氳头鈒⚊⮛寒墆亥┉㕙㛻愃╯╈沸⥉⚊⮛寒氳놭놻侈䅻⭴婯 龪㷉㝡⹿事姰㤚㵴塞岒⟔┘橏㞈㔌⟔舅䄕㜊騥氳头鈒䑒㲋▉艃黁㕙㛻愃僘꟯亥佭 䦛鋖觸儒㠐⺸⚊⮛寒氳놭놻姳镜ⷙ鹁觸儒㠐乺憡锡鑝⛙婯䘶⮽觸儒㠐氳㠡㠡碠觸 珔洡氳洇釤▽⚊⮛寒

10/14( └ ) 16:00 于⩞ 11 䋙

10/16( ◑ ) 18:40 ⩞䏆乄ⴭ귈

Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality. They are Raimunda, who is married to an unemployed laborer and has a teenage daughter; Sole, her sister, who makes a living as a hairdresser; and the mother of both, who died in a fire along with her husband. She appears first to her sister and then to Sole, although the people with whom she has some unresolved matters are Raimunda and her neighbor in the village, Agustina.

Executive producer Agustín ALMODÓVAR Producer Esther GARCÍA Screenplay Pedro ALMODÓVAR Editor José SALCEDO Cinematographers Rodrigo PRIETO ASC AMC Art Director Antxon GÓMEZ Sound Miguel REJAS Music Alberto IGLESIAS Cast Penélope CRUZ Lluís HOMAR Blanca PORTILLO José Luis GÓMEZ Rubén OCHANDIANO Tamar NOVAS Ángela MOLINA

熏爖溸亍 < 俪⛻⟵䕰曭 > #SPLFO &NCSBDFT 重杙擢 Spain  2009  DCP  Colour  128 min 2010 ꄌ杷晤✞㛛鏥撵䬠⺲ 2009 ㏽㒮䏆㷤球頉撵

儗⺲껊嬀堷氳⿊⮵㏇樧䇗佭⺑⺺겨ꦴ氳于ꊯ㵷庌亥┉㕙髪焭╈㜊伺䏴⫋▉扝嫏筷 箛䦁撵亥佭ⴭ⺲憡⿊⮵罦䕒䳸♴稶ⱉ┉绹刈仼┉⯞狱㞞⪭✿氳墆銻䭗ꝧ㗄㵟䄖 ╦氳䏢◄㍑䞭滭潨氳洡注▉┉撵撵㏑䧈崢▽✿14 䇗⯦⿊⮵㓵㵷谊㝷⛼վ㝷㰨 艃䣆䬠畵տ僿ꝴ鹿鴪▽紈雭Ⳃ☕氳㝷庌⿦蕼㤚⪔☕䚂䐂忈憶抇縡蕼㤚ⷙ佭㳫り 荜㶼事氳䗰㧇榺䚂鮺䕐氳荜㶼事┘䳢䣆夀㏑☮⪌꧆䏆䦁䶕樧⿊⮵艃蕼㤚婋㲋熗㜽 荜㶼事珔婋䑐䰳夘꧆䏆阁꧆䏆䦙✿䘡鍑㞞弪⿊⮵姇䷴㚁㍑⮽껊䐼ꄅ蛓蛓婯䘶 ⮽鵞┉埡氳ꦗ⮯珔阁⪔☕颦┕⽝鷠氳⮈塣

10/15( ㍌ ) 18:50 于⩞ 11 䋙

The death of Ernesto Martel sets off a chain of events that forces one man to come to terms with his past. Before he went blind, Harry Caine was Mateo Blanco, a film director who often worked with Ernesto. Ten years ago, Ernesto and Mateo's friendship became a battle for Lena, Ernesto's mistress and Mateo's secret object of affection. When the former recruits his son to spy on the latter, things quickly spiral out of control.

10/22( ㍌ ) 18:40 ⩞䏆乄ⴭ귈

䄬䃷㽌1915-2008仼儗蜸⺲㵷庌艃랫徉伺儒┖䘟☮㵸冷塜嘻┾牒仼儗䏆㙑㍌꽞㚖 ♓䫠杼㵸鐁㳄嚛嶥塜⺒氳վꄌ榹┉縱Ⲃտ硎⮛憡ⱉ儗䦁䡗氳꧆䏆♓礛摩樔ꪫ秵崢ⱉ䗰㛻⹨塚 鲝1964 䇗䄬䃷㽌憡典◺㝡㡨働䦁䶕㲇亡硕ꍖ撵亥 1965 䇗䫠⭴┘蛾⟂㝄氳䣆嫏┘⥪阁 ☾䬴⺲┪槡▉憡☾頭䐂㏽㒮䏆㷤㎜꤂䏆鍑☕⶜働晤⪭⛼⿁㛻鼨⮈✿舅仼儗乄㱄⛼⿁䷊稶 㞞վ慊┕տվꐷտվ䡘佭靝տվ碸ꦤտ璢

joined the Kyoto J.O. Studio (the predecessor of Toho) as an animator. There he learned planning, screenwriting, animation, shooting, and editing. He then transferred to the assistant directors' department and moved to Tokyo. In 1948, he made his feature film directorial debut. He married Natto WADA that same year. In 1951, he transferred to Toho and directed such films as Wedding March , The Woman Who Touched the Legs , and Mr. Pu . He received recognition for exhibiting a daringly experimental spirit and creating sophisticated comedies of social satire. In 1956, he transferred to Nikkatsu and directed The Burmese Harp , which won the San Giorgio Prize at the Venice Film Festival. At Daiei, he directed several films of quality, variety and poignant visual style in succession, which include Conflagration , Odd Obsession (won the Jury Prize at the

Kon ICHIKAWA

䄬䃷㽌

Restored Master Classics

㛻䅨祺⪯⫋杯

Kon ICHIKAWA was born on November 20, 1915 in Mie Prefecture, Japan. In 1933 he

Cannes Film Festival), Her Brother (won the Technical Grand Prize - Special Mention at the Cannes Film Festival), Ten Black Women , An Actor's Revenge . In 1965 his name became known all over the world for his documentary Tokyo Olympiad , which won the FIPRESCI Award at the Cannes Film Festival. In 1969, he established the "Yonki no kai" (group of four horsemen) together with Akira KUROSAWA, Keisuke KINOSHITA, and Masaki KOBAYASHI to create a stir in the stagnant Japanese film industry. He died on February 13, 2008 at the age of 92. His filmmaking career spanned 75 years and he never retired.

Producers Hiroaki FUJII Masaichi NAGATA Original Novel Aya KODA Screenplay Yoko MIZUKI Cinematography Kazuo MIYAGAWA Cast Keiko KISHI Hiroshi KAWAGUCHI Kinuyo TANAKA Masayuki MORI

© KADOKAWA CORPRODUCTION 1958

䑲䑲 < , 俪⛻⟵䕰曭 > )FS #SPUIFS 仼儗 Japan и 1960 и DCP и Colour и 98min 1961 ㏽㒮䏆㷤䤗轱靹暶攒⮯晤 1961 仼儗誻礸䅸晤✞䏆撵✞㵷庌✞㝷╚鉈✞䶕䏆

17 塵氳ꡦ磜艃㵸㞈 3 塵氳䌪䌪澎鼃榟ꝏ㏇┉⠕⟔㜪㛿╚䷹氳㳄 䉁☾⠟氳撝鈒佭⺲┘祺⥉氳⛼㳄㵴亥㳄ⳉ┘组┘ゖ▉祺䅻婢 랹┘鏥筷头䖲僘䣆胶겨忣櫖ꝏ䇗臾檫㏇䈃㵴亥澎鼃✿鐁㡍 㡍扝䐮┘舘氳拨걚艃䚂闀☾奨┘本䘘⹯鴭氳车憡艈塛♒㡍㡍 䳸䝐┘䄖㏇┉埡꽞껊䙬㛛㍕縡⹨⥏⪌ꢚ侈ꂳ榟䣉氪杯澎鼃氳罿 檫䄖祺䏭㌅ꄆ▽☾䣉ꝧ㡐洡塜䟇䐂本䘘骰麕氳鈒☕˟˟ ䷊稶舅䇟榹乄⸊蜸㵷庌䄬䃷㽌┘䛣┘愃杯仼儗㝷䓪㔌䑝┘䦍氳 攒韭䄬䃷㽌傾鐁րւ㳄փ佭撝䚂头䚂⩖䌪䚂⹗㡜䌪䚂䋧啶 縡䡗氳⛙┘畚㞞⛰注鈒注䚂☕☱佭㰞暐氳♓㰞暐憡⯦䬠 注◎䤅䧐氳榟孨╈䢦孳꨾⭴氳䗰䚋佭紈뜏氳ց

Gen is 17 and only 3 years older than her brother, but she seems much more mature than Heriko who is headstrong yet timid at the same time. Their father is a writer, not spectacularly successful but rather well-known in the country. He is shut up in his study all day long and most of the night. Their stepmother, a devout Christian, is a semi-invalid suffering from rheumatism. The four members of the family are equally stubborn in their respective ways, and the friction between their father and step-mother adds to the oppressive gloominess at home. It seems to draw Gen and Hekiro even closer together than ordinary sister and brother in normal homes, and she tries to be a little mother to him. In spite of Gen's anxiety over Heriko's unpredictable behaviors at times, the worst happens. One day when she returns from school, her stepmother tells her that he has been expelled from the Christian school she had chosen for him because of stealing. She bitterly blames her father for Heriko's delinquency, saying that he spoils him.

10/15( ㍌ ) 19:00 ⩞䏆乄ⴭ귈

10/17( ⪠ ) 12:40 in89 9 䋙

Producer 姧榹꥖┉ Masaichi NAGATA Original Novel └㼗榺硕㜂 Yukio MISHIMA

Screenplay ⽰榹㛊ⶇ Natto WADA ꝏ隵鼨䜴媪 Keiji HASEBE Cinematography 㲰䃷┉㜂 Kazuo MIYAGAWA Music ䷨鼃 Toshiro MAYUZUMI

Cast 䄬䃷ꦾ調 Raizo ICHIKAWA ♧♏鷾湭 Tatsuya NAKADAI ╈兎둸媪鼃 Ganjiro NAKAMURA

捪┪

< , 俪⛻⟵䕰曭 >

$PO BHSBUJPO

⺐想꺙佖 Taiwan Premiere

仼儗 Japan и 1958 и DCP и B&W и 99min 1959 㣜㶼事䏆㷤✞槀庌⿦晤 1959 誻礸䅸晤✞槀╚鉈✞槀鿦鉈✞䶕䏆晤

䷊稶舅└㼗榺硕㜂氳վꄌꞎ㵕տ䬟鳯┉⺲䖲僘⹾⺧氳냖╈榟鴁 䡁ր꿷ꞎ㵕ց╯紈䡗欍磚ꃫ䡗焭ⷙ▉憡⠕☕┘䇟⽝鷠䅸✿ 鉮聣儗撵憡䄬䃷㽌꺙鼨㴸ꉐ䆡⛼⿁榺䶕䏆㛻䅨㲰䃷┉㜂䪭ꔖ ⪔☕绤䣆㵫仼儗 20 ┪硕ꄆ釒氳㵸鐁㛻ꉐ䆡ⴭ䫠┕仼儗䏆⺒祺 ⪯㵏䈴2020 䇗憡└㼗榺硕㜂鵩┪ 50 ⼾䇗塞侈⫋ꄆ嶾⪔⛤㛻 䅨氳⛼⿁磶俘⮯僘䙬紶

10/15( ㍌ ) 11:00 ⩞䏆乄ⴭ귈

10/20( ◅ ) 16:40 ⩞䏆乄ⴭ귈

Conflagration , known as Kon ICHIKAWA's favorite film, is based on Yukio MISHIMA's book The Temple of the Golden Pavilion , which was inspired by the burning of a national shrine in 1950. The film was released only two years after the novel was published. The story tells that a tormented young acolyte burned Kyoto's ancient Zen temple of the Golden Pavilion to the ground in an ecstatic act of vengeful jealousy. The film is considered one of the most beautiful Japanese films giving credit to Japan's Greatest Cinematographer, Kazuo MIYAGAWA.

Producer Suketaru TAGUCHI Screenplay Kon ICHIKAWA Yoshio SHIRASAKA Shuntarô TANIKAWA Natto WADA Cinematographers Kazuo MIYAGAWA Shigeo MURATA Shigeichi NAGANO Kenji NAKAMURA Tadashi TANAKA Editor Tatsuji NAKASHIZU Art Director Yusaku KAMEKURA Music Toshirô MAYUZUMI

匯☓㞿ꆽ

⺐想꺙佖 Taiwan Premiere

< , 俪⛻⟵䕰曭 >

5PLZP 0MZNQJBE 仼儗 Japan  1965  DCP  Colour  170min 1965 ㏽㒮䏆㷤㎜꤂䏆鍑☕㛻晤

1940 䇗典◺逈鹡憡㛊㰛㝡鷠氳╚鰾㒮䄬⛙榺亥◅埡┪槡㛻䢇䏆ꮷ⹗⪭☾撏 閲典◺╚鰾垷㍕塞磚塛縡塞㷋㝡鷠頉◄▉㍕䢇◄ꝧ㷤縡䋟僿波⮽ 1964 䇗 仼儗⫋埡䧪䢇㝡鷠╯㛲䡗憡㝡鷠꺙䈴◟孚╚鰾㒮䄬⫋䈲⺸┪槡镜伺仼儗 䐍◅埡䢇䷴䏴┘㷎┘긻ꄆ于珇环氳耈縨仼儗㛻䅨䄬䃷㽌⹨鹹䦁䶕㵴亥㝡 鷠鹡䣆┘堮Ⱶꯉ䐼▉┘孳憡㲇亡頉◄鋘ꍖ氳㲛⥉撵鷠ꔖ艃㕙ꪫ鐩䈲㷤杯㛻 䅨겨疘丞냉䷶◄䍛鐩☕鷻矀烖艃㛡⩕乄ⴭ䡗憡仼儗㎜妩꥙냉鋘䞭氳ꄆ釒硕 ◄ 塞 埡 䏆 㷤 ䷒ 佖 撸 儗 憡 2013 䇗 ㎜ ꤂ 㝡 冷 ⵰ ⩡ 㡨 ⿦ 働 (International Olympic

Committee) ⟣䐞╯⛼儗疒泘榺㎜꤂㝡㡨働 IOC ⶜ⱱ䷒佖

Tokyo had been selected to host the Summer Games in 1940, but with war on the horizon, the host city had to withdraw. ICHIKAWA treated the 1964 event with an intensely humanist vision, dwelling not just on the effort and commitment of individual athletes but also on the experience of spectators and competitors alike. Using the scope format, his team of cameramen brought their telephoto lenses to bear on some of the greatest medalists of the modern era, from Bob HAYES and Dawn FRASER to Abebe BIKILA and Joe FRAZIER. With its superb editing and sound recording, this documentary remains an unrivalled treat for both eye and ear.

10/11( 仼 ) 17:00 于⩞ 11 䋙

10/14( └ ) 19:00 佔噛 7 䋙

Producers čžŠăœ¨ă›Ąă„Žć§€ Takio ENA 藜ꄇę??⺎ Chokichi KANNO Screenplay â—’äŁ†ęĽ–â˜• Masato IDE ć°Ťă?§â?¤ä‘Şăœ‚ Yoshio SHIRASAKA ⚊荲岴 Kiyosi ITO éšľäƒˇâžŻăœ éźƒ Shuntaro TANIKAWA

Cinematographer ĺ?¤ĺ†?姧⺎ Eikichi UEMATSU

Sound 㛝噛ꇥ暭 Tetsuya OHASHI

Music 㸔儗波祿 Naozumi YAMAMOTO

㾡ĺşŒ Director

ä„Źäƒˇă˝Œ Kon ICHIKAWA äťźĺ„—čœ¸âş˛ăľˇĺşŒîšŽ1915-2008 č‰ƒëžŤĺž‰äźşďšŠĺ„’â”–ä˜&#x;â˜ŽďšŠăľ¸ĺ†ˇ ĺĄœĺ˜ťâ”žç‰’äťźĺ„—ä?†ă™‘ă?Œę˝žăš– â™“äŤ ć?źăľ¸é? ăł„ĺš›圼ĺĄœâş’ć°ł Őžę„Œ挚┉縹Ⲃտ祎⎛憥⹉儗 äŚ äĄ—ć°łę§†ä?†â™“礛摊樔ꪍ秾 ĺ´˘ ⹉ ä—° 㛝 ⚨ 奚 é˛?1964 䇗 ä„Źäƒˇă˝Œć†Ąĺ…¸â—şă?ĄăĄ¨ĺƒ?äŚ äś•ă˛‡ 亥祕ę?–撾亼 1965 ä‡—äŤ â­´ďšŹ â”˜č›žâ&#x;‚ă?„氳䣆ĺŤ?┘⼪é˜ â˜žäŹ´ ⺲â”Şć§ĄďšŹâ–‰ć†Ąâ˜žé ­ä?‚ă?˝ă’Žä?† 㡤ăŽœę¤‚ä?†é?‘â˜•âśœĺƒ?晤⪭⛟ âż ă›ťéź¨âŽˆâœżčˆ…äťźĺ„—äš„ăą„â›źâż äˇŠ稜㞞՞慊┕տ՞ę?ˇŐżďšŠ ŐžäĄ˜ä˝­é??տ՞碸ꌤտ璢 Kon ICHIKAWA (20 November 1915 – 13 February 2008) was a Japanese film director. His work displays a vast range in genre and style, from the antiwar films The Burmese Harp (1956) and Fires on the Plain (1959), to the documentary Tokyo Olympiad (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama An Actor's Revenge (1963). His film Odd Obsession (1959) won the Jury Prize at the 1960 Cannes Film Festival.

ꡲĺ„¤îŠ ç?™ 㺊傽勔î˝?ă?”ë‘›â•šĺ•Ść§Šęœ‡ĺ&#x;Š鎭 :PVUI 5IF UI /BUJPOBM )JHI 4DIPPM #BTFCBMM 5PVSOBNFOU

âş?ćƒłęş™ä˝– Taiwan Premiere

äťźĺ„— Japan  1968  DCP  Colour  96min

1968 䇗沸㛊瑎 50 ăˇ‹äťźĺ„—ďŠ”ăŽœëƒ–â•ˆĺŽŹć?ˇęŽ˜ĺ˜†é ‰Ö€ă›Šă°›挝㯚ăŽ§Ö ĺĄœäŒ‹ę?§ä˘‡îš§âŞ č›“⺲éˆś ćľ‘ä´Žć?¸ć´‡âş?éˆśä˘‡ďšŹĺĄšâ˝›睎ꎡä‘ ꌴ꧗ä?? 2,485 䢌ăą„ĺŠ†č ŁçŠ‹縥⭴ 48 劆藭č‘?꣣⚎圗⤕ ć’?ă?Śćš?┉ć‰?â—…ć°łčˆ˜ëƒ–ĺ”˝ç¸ŽďšŞâą‰çŁžçŤ?ĺš›缺犇颌題⎛㟗ä??㳸⍸⎽ꀿ倄鴓騼ꄇć?ˇăľ˝ä‡—ć°ł 龅㛲骰ä?†ďšŞć’ľâ•ˆĺ‚Źç‹ŤäŹĽćœŹéž•好⺒樔ꪍďšŹç˘¸ä¸¨ćŚťăŻšăŽ§é—­éšžâş’ďšŞé˘ŚéˇŞâ—…ä˘‡ďšŹäƒ™äƒ™ă•™ęˇˆę˘?â–˝ ĺ‚žă?•鍭ę§?伸挍ďšŹćŚ˜čˆ˜ĺƒ˜äźşä˝”ć?ˇâżŚé¸ž颏劝ă•™â”˜âŤ‹奞âœżďšŞĺ¨•幣뢜곍氳挝㯚ăŽ§ďšŹâ”˜⼪佭ęŞƒ佥 ç?ƒä¤—ă•™ďšŹĺ‚Źé‡¤é•œ姧â”˜éŠ¨ĺŽ‘ć°łă›ťâ˝°ç&#x;€çƒ– 儗撾憥䟺媪氏䇗祕ä’&#x;꧆ä?†ďšŹćŚşĺƒźäťźäşŽçť„ç‚™â˝°äťźĺ„—ëƒ–â•ˆĺŽŹć?ˇçť¤ć˛žďŠ”ꪍâśœâąąäŚ äś•ďšŹâ”‰â™?⺲ 㾡ä„Źäƒˇă˝ŒďŽŻč†žć…¤â˜•âšžć°łâĽ‰ăœŚâ¤‚â›źďšŹăŠźç´ˆ㾡ĺşŒ 1965 䇗鯼Ⳃꇤ⛟՞典◺ă?Ąéˇ 1964տ憥 â–˝č›žă´¨ăľˇĺşŒć°łę„‡ĺƒ¸ďšŹďŠ”ć’ľâ­´âł‚ 20 㛥âş?äś•ä?†ĺš‚Ⳃ⿌ 120 ⺲ä„„â›źâ˜•⿌ďšŹé˜ ę”–꯽âš’ă?‘┕㛿 ç‹Ťĺ?Źâş¨â •é‰ˆč›žďšŹç&#x;€äŽˇäŠ”䨿é ‰â—„ç&#x;€č™“č‰ƒç§”äˇ’氳⺨č?ˆęރ佥

10/10 ( ⪠) 20:50 于⊞ 11 ä‹™

10/19 ( ┉ ) 15:00 ⊞ä?†äš„â´­ęˇˆ

Among the hardest-to-see films in Kon ICHIKAWA's oeuvre, this 1968 documentary finds the legendary director approach the subject of Japanese high school baseball with the same lyricism and visual splendor as he did with the 1964 Summer Games in Tokyo Olympiad (1965). On the 50th anniversary of the Koshien games, ICHIKAWA captures the uniquely rigorous training˓ in snow, dirt and schoolyard lots ˓ of the young athletes preparing for the all-important tournament, interspersed with historical footage that contextualizes Japan's long love affair with student baseball. A thrilling portrait of youth in the economic boom of the postwar period, ICHIKAWA's rare film encapsulates an entire generation through sports.

ꪃ佡瑮 50 㷋仼儗㎜냖╈厬杷ꎘ嘆頉 Youth: The 50th National High School Baseball Tournament

Cinematographer ⱍ⻵뗛 Na-ou LIU Editor ⱍ⻵뗛 Na-ou LIU

Music 冷䍛 LIM Giong

㵷庌 Director

ⱍ⻵뗛 Na-ou LIU 儗 ⺲ ⱍ 揸 嫧1905 䇗 榟 舧⶟于揩☕鵡偤葐嫏 仼鏥┕宿鎈䊸典鎈艃⴯ ◺鎈璢孨驳亥┕宿乄㙑艃 䏆㙑逈塾걊憡ր于䚋鈫孭ց ⛼㳄㏇☾⥉㜦氳┉榟╈ ⩝䏴氪车乄諠ꦉ鎿Ⱚ鰾傴 䈙⹗⭴撸炙┾盇鰾꧆䏆⪞ ⺚1940 䇗 ㍕ ䷓ 媪 环 㕙 鹁☕亥┕宿⯌夋骰◧䐂䇗 ⥪ 35 塵鷪┪䏴㍕䷓媪㍕ 碜䡗㶩┉波儔暢罦㲋波 ⮽鲥䇭䇗磚暢㱄縖ꄆ于囸 釲逈釲憡佭䌖ꯝ樧侈乄㱄 艃꧆䏆胶塠氳⩝꿄縖鞴岒 䏆鍑☕랊☝阐⪭憡ր乄㙑䏆 㙑㜦䣉ց Na'ou LIU (1905-1940) was a Ta i w a n e s e w r i t e r a n d f i l m m a k e r, b o r n i n Ta i n a n during the time when Taiwan was a colony of the Japanese Empire. LIU spent several years studying in Japan, before relocating to Shanghai in 1926. LIU was influenced b y c u l t u r e t r e m e n d o u s l y, establishing his worldview and sense of aesthetics. Due to his political leanings, he was assassinated at the age of 35. LIU is considered a pioneer of the literature and cinema in the 40s.

䭧何䔕塎溸水☭卲䒤偈ꏖ垠曭 5IF .BO 8IP )BT " $BNFSB /FXMZ 4DPSFE CZ -*. (JPOH

⺐想 Taiwan  1933  DCP  B&W  30min

1933 䇗꧆䏆◄哆塜塠氳ⱍ⻵뗛䧍蜸于㜦氳氬♏ 9.5 奨眧䶕 䏆嚂㴨꿨䓪㏑䦁┖☾⺐⶟縐㳄鈒⹘氳骰䏆♓⹗☾㏇┘⺱㒮䄬亹 车氳俍霆겨⩞վ䧐䶕䏆嚂氳槀☕տ佭☾⠕☕榫䏆⥾傴㴵氳仼鋘 ▉憡樧侈氳侈♏겨虓槴┖㵏鞕硕ꍖ 儗撵⪦⮈憡ռ☕ꝴⷑսռ鷝车ⷑսռ겨俍ⷑսռ䊸典ⷑսռ典◺ⷑս ◑ⷑ㛻ꄈ氳☕膽攒㴵⺨牊鉈䈲氳⹦ꔖ䒎鵯氳Ⱅ䫚✳䏆⥾⩙ 幥䏱Ⳃ䚋㞞嗞㞞鍸2019 䇗ꮠ嗞☕冷䍛憡⸊憡扝绮氳䏆撵 于鿦嗞㏇꧆姇䊮㱣ꮠ嗞⹗☕绮⻌そ䢦揩鵳氳鯥둜╯╈䌖ꯝ鈶 縖颦⪌侈⩞ꤗ鷻㍑巅鋘䞭氳⺮⩞撵絣

10/17( ⪠ ) 17:30 in89 9 䋙 Ԃ

10/21( └ ) 14:00 ⩞䏆乄ⴭ귈

⺐想꺙佖 Taiwan Premiere

This film is comprised of five episodes, shot in four cities across national boundaries: Tainan, Canton, Shenyang, and Tokyo. It displays impressionistic street spectacle and images of quotidian life, as well as excursions by train and ship, unfolding as a private visual journal and a sort of souvenir, but with refined framing, camera movement, and rhythmic editing. With his own perspective and artistic sensitivity embedded in this film, struggling between being a Japanese colonial subject and a Taiwanese/Chinese litterateur, LIU attempts to transcend geological, national, racial/ ethnic, linguistic and medial boundaries, to establish a depoliticized, internationalist, cosmopolitan cinematic utopia, a pure cinema, and a fluid and contested identity.

Cinematographer 韻䡗葐 Cheng-ying LAI Editor 氫俍栐 Ching-jui PAI

Music 冷䍛 Giong LIM

㵷庌 Director

氫俍栐 Ching-jui PAI

⺬ⵍ▇冃卲䒤偈ꏖ垠曭 " .PSOJOH JO 5BJQFJ /FXMZ 4DPSFE CZ -*. (JPOH

⺐想 Taiwan  1964  DCP  B&W  20min 2020 ⺐⴯꧆䏆疒

랫㛥╈ꧼ豌⩞廍廍逈係⩞럅럅⻉┖⺷⭴㒮䄬랤伺仼⩞䣒ꝧꔖ꯽釲ꄇ车饊狫鷪

1960 䇗♏⺐⴯氳⪞㎧䷹㔆䄬꥙碞笞䊰꧆⟔㷀璢㏑ꯂ蜸ꖺ껊鴞㕕榟䥿䴵⭴氳 仼㕕鶡⪌氫ꯝ㵸㳄䉁氳企係侈⩞ 儗撵♓硕㴨氳ր♻硕ꍖ撵ց䣆嫏㏇稶䪶┖䦁䶕⺐⴯㒮䄬氳企係⮤Ⱅ䏴⸊銷樔鿦┕ 杯㕙梫㗟ꮠ⛙樧侈ր⢹䉕㴵㴨ց樧鷻氫俍栐氳奓撵婯僘暢䐂鏂⺱✳䐂䦁䶕銷樔 ╈塛儗撵⸊㡐䧁靳▉㍕塞嵠婯⥪㰇⪔ⷑ祺☾Ⱅ䫚䏴氳䄄⛼䅸⪔䈲㏇ꊸ夘氳麕稫 丨ⶇ䇗䏴վ⺐⴯╯係տꄆ于⭴㎻氫俍栐㷤杯氳紈㱄㴨꿨矀烖阁☕꿯樟⺎釲憡☾颬 紶㛻⮵⟣綗氳䡗冽㷤炑塞埡䷒佖氳撸儗榺ꮠ嗞☕冷䍛亥 2019 䇗于鿦嗞

10/17( ⪠ ) 17:30 in89 9 䋙 Ԃ

At dawn, the camera leads the viewers through a park, a church, a market, a textile factory, and the telecommunications bureau. As a paper is thrown towards the door, we walk into the life of a middle-class family in Taipei. After studying in Italy, Director PAI captured the morning images of Taipei city in the 1960s shooting as a pseudo-documentary. Composer LIM Giong was invited to produce a different version of the imagined soundtrack for this historical film.

1931 䇗⭴榟亥鹭㴪揩⹾ 1948 䇗ꤚ宿髭✿⺐1957 䇗⹨紶㛻⮵于㴵㴨╚紶꧆䏆 䏆ꮷ婋䑐颬紶㱄綗꧆䏆 1968 䇗1969 䇗♓վ㳚㴓 氳ⶇ┎塵տ⽰վ于㤎艃䡘տ 鵿箛⪔䇗暢ꄌ껊晤✞㵷庌 晤㏇⢹䉕㴵㴨氳饟稘┖㳋 硱 ▽ 炙 働 䤊 ⮮ 䙬 閂1970 䇗♏ꝧ㡐䷊稶乄㱄⛼⿁ ♓վ⫋釤ꡦ鼃տ⽰վꄌ㛻杙 氳  䏴 ┉ 㛥 տ 憡 ☕ 牒 鷻 1997 䇗 ㏇ ꄌ 껊 晤 ⯦ 㛘 亥⭦䕾괺䈙㍕䑐缡卂㖢鱉 ┪◸㚪 66 塵 Ching-jui PAI was born in 1931 in Liaoning province in China. In 1948, he came to Taiwan with the navy. Influenced by Italian Neorealism, he decided study in cinema in Italy in 1957. He won Best Director at the Golden Horse Awards for Lonely Seventeen in 1968 and The Bride and I in 1969. In 1970s, he was known for his literary adaptations, such as Goodbye Darling and The Last Night of Madam Chin .

10/21( └ ) 14:00 ⩞䏆乄ⴭ귈

㵷庌 Director

ꢷ縎㏞ Richard Yao-chi CHEN 1938 䇗⭴榟亥㍌䃷䡗齉 1945 䇗ꤚ撝头✿⺐燯妩 舘紈㎜╯⯦傾㶩闖䡗Ⱶ㛻 㱄 䋧 疤 硎1961 䇗 樆 哆 亥 ⱶ䃹㛻㱄嬸允瀒⮈劆꧆䏆溿 狔䢦վⱍ䑒牨տ憡⪭樆哆 ⛼⿁舅 1970 䇗㓵㵷㛡 鼨 ⱉ 䗰 撵 ⪭ ╈վ 鴓 杷 鴓 姳տվ螥螥仼鋘տ⮈⮯ 暢 䐂 1977 䇗 艃 1978 䇗 ꄌ 껊晤⨤璢ⱉ䗰撵晤

┪㻘 < 俪⛻⟵䕰曭 > 5IF .PVOUBJO ⺐想 Taiwan  1966  DCP  B&W  19min 2018 ⺐想㎜꤂硕ꍖ撵䏆㷤 2018 紈㎜纳㏑擢⿬◟孚꧆䏆疒

ꢷ縎㏞㍑⺐䦁䶕վⱍ䑒牨տ僿ꝴ磶閂▽㶩闖亥諠㵬氳랊姧再擭下菪랊鞕衈└☕ ㏇諠轱艃꧆䏆╯㛛撍㸔◰憡└☕䇖仼寖鸨䳸♴վⱍ䑒牨տ䦁䶕Ⲃ杼氳랊姧再┉ ⺀ր◑䧘㸔䏭㞒曻夷⠕僖齉働⸼ց➢䡗▽╦㷉紈㎜氳ꢷ縎㏞艃└⛤䇗魌☕磶⛂氨 㸔氳嚂働┾♓䶕䏆嚂┉䫔⺐想乄ꪃ氳榟孨嘚靏▉鋘ꍖ┖└⛤㞒⹘氳꧆䏆㛲䘶

Richard Yao-chi CHEN was born in Chengdu, Sichuan in 1938. CHEN and his family moved to Taiwan in 1945. He studied architecture at National Cheng Kung University before relocating to the US. Upon graduation from Chicago Art Institute in 1961, he attended the UCLA graduate school majoring in film. He completed his studies in 1967 with Liu Pichia . Since 1970, he has made a number of narrative features and won several Golden Horse Awards.

ꢷ縎㏞♓䣆䧐䶕䏆氳䮙侉䚋舅榺氳饥䫚Ⱚ鵳⭴潨䦁芙氳疒㜱ⱶ┕ꔖ꯽⯦└⛤䇗 魌☕ⷊ艅㜽䷒氳辑杯✳䐂撵嬤嶯ꪃ佡孨ⱱ撵╈狫䬥䇭夀鋽鐸└☕㵴亥飉䢇 扝䚋⬊屮氳㍑䟕┘⥪鵂꨾⭴⺐想䇗魌┪♏艃┪槡氳橌ꦗ◰艃⪠ꦼ䇗♏杷ꪃ䇗氳 ⹚䤻겨弪聣疒鞉狫撵氳ռCalifornia Dreamin'ս◰個炑▽䏘侈♓紈㎜憡꺙氳重亡 乄ⴭ氳扝䢦┘㏇艃于琉◑䧘㸔鈶ꮠ煨㵕氳典亡䙬霆⪦⺱ꌤ㷤⭴ꪃ䇗☕鸞ꦗ杯㴨 氳鴤鶳饟䏺

10/16( ◑ ) 19:00 in89 9 䋙

In his spare time when filming Liu Pi-chia (1967), the director follows three art school students Yongsong HUANG, Tun-fei MOU and Gui-rong HUANG as they enjoy an excursion into the mountains in Hsinchu. The three interviewees talk about their artistic ideals and dreams, how only KMT party members were eligible for scholarships, and their views on the Vietnam War; the song California Dreamin plays throughout the film, highlighting the dejection in the zeitgeist. The original film of this short film lay in a UCLA professor's garage for decades and underwent digital restoration by Taiwan Film Institute a half century later.

Cinematographer ꢷ䑾⟔ Chung-hsin CHEN Editors 랊熥鞕 Chiu-kuei HUANG 擭✞ Chia MOU

Script 譍⩞Ⳳ Guang-shien SU 擭✞ Chia MOU

㵷庌 Director

擭下菪 Tun-fei MOU

鳷ꇕ箾뭒 < 俪⛻⟵䕰曭 > 5IF &OE PG UIF 5SBDL ⺐想 Taiwan  1970  DCP  B&W  91min 2018 ⺐想㎜꤂硕ꍖ撵䏆㷤

㵸䎰艃姧Ⳑ⪔☕꒰仼曻녽㏇┉䎬䏆┘ꦗ縡姧Ⳑ㏇穓餶侈䙬㛛 昉墆阁㏇㕙氳㵸䎰䗉櫖舅鞊ꦁ亡㳄☕氳┘鑔鉮⹗㜊⸼䱁⹘氳㰞 㳚鳢✳☾颦⪌랫個樧䇗㍕⺱䑪䗰鐣䙬閂䎬䛞鹁⥉憡焕撵鼨 ⮈䗰疒♒☕绤䘶⮽ꢷ佖洡氳㵸鐁վ띤䶥տ㵷庌㏇䦁㱮塞撵䏴⯞鮺 䏢꺝氪㷤 ( 乄㰅䬠❠TIDF ⺐想㎜꤂硕ꍖ撵䏆㷤 )

Tong and Yong-sheng are inseparable playmates, but when Yong-sheng dies in a track and field training accident with Tong present, Tong feels heartbroken and guilt-ridden. Since both families fail to understand him, and burdened by the solitude after losing his best friend, Tong falls into a dark spiral. At the time, this film was banned due to its homosexual overtones and ideology, while some felt that certain segments drew comparison with Ying-zhen CHEN's short story The Noodle Stall . After finishing this work, MOU relocated to Hong Kong.

1941 䇗 ⭴ 榟1949 䇗 ✿ ⺐ 樆 哆 亥 ㎜ 环 諠 㵬 䏆 ⱉ 熭傾⹉艃վ乄㱄㰛⮍տ 樆 哆 䏴 䦁 䶕 氳վ ┘ 丄 饇 ✃ 铻տ艃վ餶鷻磚럅տ㕊牒 ⺐想瑮┉䤊暐环邯撵1973 䇗 ☾ 孳 宫 舘 堷 孚 艃 ⶟ 紈 1977 䇗 䏴 颬 꺝  氪 㷤 , ⱶ ⪌黝妤⪞⺚ , 䦁䶕▽錊㛡랫 個氳轑胔Ⰰ⯢꧆䏆 Tun-fei MOU was born in 1941. He relocated to Taiwan in 1949 and graduated from Taiwan Art College. After graduation he made two films, I Didn't Dare to Tell You and The End of the Track , which were among the first independent films made in Taiwan. After his travels to Europe and South America in 1973, he began working in Hong Kong for Shaw Brothers Pictures in 1977 and made a number of bloody exploitation films.

10/16( ◑ ) 19:00 in89 9 䋙

1973 䇗保⮵䷓闭㍕㵴髭䷓䈢䤊⮮鹁鵡稠縡亥 1974 䇗孳◧嫏㎜泎⚊蓕氳⛼⿁⩙幥㵴烖㱄

䥽懃

、㱄矀烖⮈冫乄㱄⹗釲鈫辑鷾氳蜸鴁逈鍑鑝㳄闌憡佭筷냖鷾╯䏴ꪵ于䙬閂艃Ⱚ鵳ⱱ氳 ꧆䏆㛻䅨

Born in Puerto Montt, Chili, in 1941, Raoul RUIZ would write poems and shoot films of his family on 8mm since childhood. Rising to international prominence in the early 1980s, Raoul RUIZ proved to be one of the most exciting and innovative filmmakers of recent

Raoul RUIZ

泎⚊蓕 ٬

Restored Master Classics

㛻䅨祺⪯⫋杯

1941 䇗榟亥保⮵蟒攒2011 䇗鵩┪亥嫏㎜䄘랤企僿䤸⪌保⮵⯦载ⱉ㕙鷠Ⳃ19 塵ꝧ㡐 䦁䶕꧆䏆湿撵⽰硕ꍖ撵1968 䇗➘♓꺙鼨ⱉ䗰ꝏ撵վ└ꥃ⥏䑐縐诺տ㝦泎⶯钱䏆㷤ꄌ霭晤

years, providing more intellectual fun and artistic experimentation, shot for shot, than any filmmaker since Jean-Luc GODARD. He explored diverse film genres, from aviation detective stories, Christmas horror, to rock-science-fiction. He didn't believe in a bad film. Or, rather, he was convinced that a bad film always had at least five minutes of pure poetry, just like there are five minutes of pure poetry in the best films in the world. In the 60s, he was one of the leading figures on the Chilean cinema scene and supported Salvador ALLENDE. Following the fascist coup in 1973, RUIZ was forced to flee his country. Since that time, he had been living in Belleville, Paris, where he dedicated his time to writing posthumous novels and film projects.

Producer Paolo BRANCO Screenplay Raoul RUIZ Gilles TAURAND (adapted from the novel of Marcel PROUST) Cinematographer Ricardo ARONOVICH Editor Denise de CASABIANCA Music Jorge ARRIAGADA Sound Philippe MOREL Cast Catherine DENEUVE John MALKOVITCH Emmanuelle BÉART

ꃱ䤿⛣寊䌑襬 < 俪⛻⟵䕰曭 >

⺐想꺙佖 Taiwan Premiere

5JNF 3FHBJOFE 嫏㎜紶㛻⮵蝑蚇擢 France, Italy, Portugal  1999  DCP  Colour  158 min 1999 ㏽㒮䏆㷤球頉撵

饥Ⳃ氳鋘䞭婯僘ꯂ䈌縡佭ꤚ蜸侈ꝴ✿㍑燯Ⳃ1922 䇗舃磚⯦氳俋눚事攒塜緿ꞥ 蜸┉䍗䍗佅仼拨撵⛂ꤚ縡✿氳佭☾氳珢䇗☾氳ꪃ佡☾祺塽鷪氳䚂䡁艃㜊⸼ 㛲䘶艃䇥巷鵞◚虓紈郀ꦉ㘪蛾谓⣞氳鞕从榟孨㏇瑮┉埡┪槡㛻䢇╯䏴▉ 鵅廍進鉮艃䷊闭塞⯎榟⽝侈ꖉ塜㏇⠡丨♓憡鵩⸼氳⩞ꢱ❤抇桎梛嫚랊氳注撵 걦䏆⭴儔傾鄓荈氳紈㞒鋘䞭亥佭☾䬠璜㵫榟孨╈氳洡㴨踅⪌谓啶氳乄㱄╈ր㍑ 䞭╈氳榟孨奄樧┖氳杯㴨榟孨催憡杯㴨ց ䷊稶舅嫏㎜⛼㳄껊㖢撨俋눚事攒┎ⷑꇤ⛼վ鴓䞭⛍姢䇗虓տ╈╯䏴┉ⷑվꄆ杯 氳侈⩞տ佭㵷庌䥽懃泎⚊蓕꥓䑐ⲨⲨ氳乄㱄䷊稶☾鍲㎬㵫瑮┎ⷑվꄆ杯氳侈⩞տ ⛼憡䷶◄勂凡縡㵫丞鼨㵸鐁氳矀烖忈立䷒糌⪭╈鵞鼨洇⛍⩙幥䚂䗰艃纄巜氳⛼⿁ ⷙ佭㵷庌㵴꧆䏆岒婠氳䓙縓╯┉㞞⛰♓䏆⥾氳ⱱꄈ⸼䴾⹦┾⟋㰇侈ꝴ儗撵⺱侈

In 1922, on his deathbed, Marcel Proust is looking through photos, remembering his life. But the real characters mingle with the fictional ones. And gradually, fiction wins out over reality. His life's only sense lies in the reality of his work, and his work streams before his eyes. His literary characters from his memories, like a stereoscope projection on the wall of his room, coming to life in the self-contained world of his small apartment on the Rue Hamelin. The happy days and lost paradises of his childhood alternate with the more recent memories of his social and literary life. The drama of the war, closely examined from the viewpoint of the small circles of Paris society, is transformed into a vast social comedy. In the spreading twilight, the shape of postwar society looms on the horizon.

꥙⺭浑㛡佔ⴎ䦮荜傻硷某꥖⭦詫柊╘㠄莍硝緤껊⺎禵㜦⹉艃庌⭴

10/11( 仼 ) 10:20 佔噛 7 䋙

10/21( └ ) 19:20 in89 9 䋙

Producer Paulo BRANCO Screenplay Pascal BONITZER Raoul RUIZ Cinematographer Stefan IVANOV Editor Valerina SARMIENTO Music Jorge ARRIAGADA Sound Henri MAIKOFF Cast Catherine DENEUVE Michel PICCOLI Melvil POUPAUD

枩翘㵶館 < 俪⛻⟵䕰曭 > (FOFBMPHJFT PG B $SJNF

⺐想꺙佖 Taiwan Premiere

嫏㎜蝑蚇擢 France, Portugal  1996  DCP  Colour  113min 1996 分冷䏆㷤ꉐ挬晤

䏱䅨碠训⺮䳟ꝏ㵫䑒鮘氳勇♭ր墆㍑榟ց㏇⩬㯹氳蝮煱┕㞈䐂湳┉⛤䇗魌氳逈 ⼔ꦾ⪐逈䫞钷夋☾㳫僘氳㡟㪛⭴亥㵴勇♭氳㞒㜦艃䌖碠训⺮⺱䙬⢢ꦾ⪐氳鱍闀 䏱䅨抇縡樧㞈ꝧ㡐鶡车鐩刨┉⠕䙬䘶┘⮽氳㍕碜䷊闭▽◄♭氪榟氳亡⺸ꦾ⪐ꝧ 㡐㵫碠训⺮樧䡗☾䄖䷚氳㡟㪛本㠄縡碠训⺮▉㏇ꦾ⪐骰┕洇釤舅䄕⯺鷪┪⩬㯹氳骰 䏆樧⪔☕氳骰♸艃槡꡿ꝧ㡐嘘矗┘岴亥塞⺱侈┉紮艃勇♭注꟯氳䑐杼㱄㳄塜 ㏇☾⠟㍌⼾诺釲洄洄 ⭦詫柊╘㠄莍꺙埡庌⭴䥽懃泎⚊蓕氳꧆䏆⬊ꀿ鴁☕氳ꦁꄆ鉈荈憡鵞鼨揎胖䑐杼 ⮈冫꿯䖞撵㘍♒☕┘㱨氳鏙䘄姇䕜鵞佭┉㕙꟯亥骰♸◬䬷艃敨糆䑐杼㱄氳欼敾 䇥䘶䠭橏氳辑霆䋧啶⭴㛡禵狞ꝴ氳䑐杼鴁㲰䥽懃泎⚊蓕傾鐁ր㞞冽⺎♓✳⪭ 郀ꦉ憡☜띷釒癩ㄲ㶩㞒ց㏇䥡鷾洡注╯⯦齉䑒ꯄ㏇㷻㷻鳷饟╈䲡ꝧ䇥霆艃洡 㴨

10/12( ┉ ) 18:30 佔噛 7 䋙

10/14( └ ) 11:00 ⩞䏆乄ⴭ귈

René, a criminal, is defended by Solange, a lawyer. But as the lawyer investigates the case, an unexpected element changes the direction of events: René starts to identify her with his deceased aunt. And the lawyer starts to see in him the image of her own son who died not long before. Solange's defense is successful, René is acquitted. She falls in love with him. René moves in with her. Almost immediately, the young man returns to his criminal habits. Their life becomes impossible.

Producer Paulo BRANCO Screenplay Pascal BONITZER Raoul RUIZ Cinematographer Laurent MACHUEL Editor Rudolfo WEDELES Music Jorge ARRIAGADA Sound Laurent POIRIER Cast Marcello MASTROIANNI Anna GALIEN Arielle DOMBASLE Marisa PAREDES

┩气┞媅 < 俪⛻⟵䕰曭 > 5ISFF -JWFT BOE 0OMZ 0OF %FBUI

⺐想꺙佖 Taiwan Premiere

嫏㎜蝑蚇擢 France, Portugal  1995  DCP  Colour  123min 1996 ㏽㒮䏆㷤球頉撵

䊸䲮疒泘䷒鴞蜸㍌⯞꟯亥䚂䗰䝈僸敨糆艃侈ꝴ氳㒮䄬㜦閆槀☕狱抇ꦗꝧ㠧㯹 ⛩⮽舅㳄㵴ꪫ⪞㳻┉侉浍㶩佭 20 䇗僘㛿☾婋㲋㍑㳄鷪㱮궠榟┉⠕僘ꎏ氳☕걊 㱄䷹䪧狱抇舅䡘䷒鵅䡗憡孳宫庤┾䚂┕┉⺲㟆㝷鞀獜氳䇗魌㜂㠧䫚⹨烖熺긂頝 筷䤖▽┉ꝴ霕㱟┾艃┉⛤㜦䓯氳縐畚㳄⺱⛩磚鵞⛤縐畚㳄䡗憡洡塜氳䢦僘縖 り☕⡾遫舅䄕㏇㎜㛛僘㠧㵸⽰㡍㠡僘┉㛿☾氪杯鵞◚谓啶氳ր㳄☕ց塜銷ⱁր㍑㎜ց ┾⛩┖✿˟˟ 榺紶㛻⮵㎜㵏碎庌⿦껊⮊嬸껊事咠㱨㶼庌⭴䳕僘㍌⠕┘⺱⺲㰅骰♸艃䓪劲氳铛嘚 槀㯹㲎㞞┉⯞䇪랹氳㉼㛲魊堮㷻㷻橄橄◬笞⭴☕榟┘⺱ꪫ⺸榺㍌⯞ր㛡丨☕齉

The stories in this movie are stories everyone knows and no one believes. The first story is about a man who leaves home for a few days, and ends up living across the road from his wife, without her knowing, for more than twenty years. The second story is about a wealthy man who becomes a tramp, without foregoing his wealth. The third story is about an impoverished young couple who suddenly inherit a mansion on one condition that they retain an old butler who has always been with the house...The fourth story is about a businessman who pretends he has a wife and a daughter and sister abroad in order to justify certain financial operations, except that one day he learns that this entirely fictitious family is planning to come and stay...

缅鷪⛙婯ス☕注⟔ց氳齉働ꯏ銨⮊⪌㛡ꄆ☕劲꤄灒檯䢦鹁鷖艃羝靷氳㛡ꄆ⽝鷠䥽 懃泎⚊蓕鏂憡㛡ꄆ☕劲꤄灒佭 21 ┪硕氳矀烖檝檫ր催澭⮊㏑鐁佭┉牊鷻䐼檝檫 佭ꄡ㵴鷖⮽┘⺱氳☕縡䋧环⭴┘⺱氳⠕䓪夷⠕☕齉㵫䡗憡刈牊ւ⠕䓪嘻փ䡘ㄎ塚 鵞牊檝檫䌖氳䢦僘┘⺱磞⺭ց

10/10( ⪠ ) 12:30 佔噛 7 䋙

10/22( ㍌ ) 11:00 ⩞䏆乄ⴭ귈

曓㵸䅟┾⮛╈㎜瑮⪠♏㵷庌♏辑☕擻ꝏ撵꺙⛼վ㵸塡տ┉둜꿯☕1998 䇗亥分冷䏆㷤㝦┖ꪃ 䇗鑝㙑꺙晤2006 䇗♓└㼧㛻㚔䄄憡䷚◄羝俍氳վ└㼧㞒☕տ唽暢㣜㶼事냖唽闌ꄌ晕晤

2013 䇗♓վ㛿嫱㲋տ䳴┖㏽㒮䏆㷤✞ⱉ儗晤㱮䡗┪槡└㛻䏆㷤晤ꯁ㛻幥鞉催◅䈲暢嫏㎜ ䷓䈢ꯓ䪧嫏训重諠轱艃乄㱄Ⳳ珖┾亥 2010 䇗暢ꯓ栐㚖泎⶯钱䏆㷤磚骰䡗㶩晤Ⱚ┖暢晤䇗硕 魌硕ꍖ逈䏆㷤竭泃闌憡ր⤂⭴氳꧆䏆㛿䣉ց2015 䇗▉暢䐂㏽㒮䏆㷤ꄌ껊髪晤磚骰䡗㶩晤 佭꺙⛤虓☕㵷庌暢䐂塞ꯁ墤唽

Zhang-ke JIA

鞵嘔刷

Restored Master Classics

㛻䅨祺⪯⫋杯

╈㎜㵷庌邯撵☕⛼㳄榟亥 1970 䇗㸔重泹婑꣊☕樆哆亥⴯◺꧆䏆㱄ꢚ乄㱄硎艃㥬掦

╚釒⛼⿁ⴎ䦮վ㵸塡տ1998վ珇⺐տ2000վ♴鴼鸌տ2002վ┪槡տ2004վ└ 㼧㞒☕տ2006վ◅ⶇ㍌㒮鋘տ2008վ宿┕⥉㜦տ2010վ㸔媞䷚☕տ2015 վ娡崸⩬㝷տ2018Ⱚ⛼┘魤

Director, producer and writer. Born in 1970 in Fenyang, Shanxi, Zhang-Ke JIA graduated from Beijing Film Academy. His directorial works include Xiao Wu (1998), Platform (2000), Unknown Pleasures (2002), The World (2004), Still Life (2006), 24 City (2008), I Wish I Knew (2010), Mountains May Depart (2015), Ash Is Purest White (2018) and others.

Producers 兊具伺 Kit-ming LI 鞵嘔刷 Zhang-ke JIA Screenplay 鞵嘔刷 Zhang-ke JIA

Cinematographer ⛸ⱱ憡 Lik-wai YU

Editor 冷㵸⬰ Xiao-ling LIN

Sound Mix 䍗꣊ Yang ZHANG

Cast 曓㱴⢅ Hong-wei WANG 䄅分ꭻ Bai-tao ZUO 鼘듂䋧 Hong-jian HAO

㸰婣 < , 俪⛻⟵䕰曭 >

◟孚꺙佖 Asia Premiere

9JBP 8V ╈㎜꺝 China, Hong Kong  1998  DCP  Colour  112min 1998 分冷䏆㷤ꪃ䇗鑝㙑꺙晤婘撨㜂㹮事鷻晤 1998 ꄟ㸔㎜꤂䏆㷤于弪孳晤

1998 嫏㎜⶟攒└孚䏆㷤 ✞䏆撵ꄌ掄姇杷晤✞㝷╚鉈晤

1997 䇗㸔重婑꣊㵸塡佭⠕䣑䣆舅牒佭䇡䣆諠孨氳☾䢎蜸睲랫勂浍ꔖ㴜銨 ┘䓃띷琸꯽侈⯎塦乨蜸꯽竭佭ꮼ蜸胨䇆☾䅻䅻䲪䱑蜸溍꯽撳㙇㏇径㔆遵穓 綗⶯䥽 OKꢥ堮㝷凔援㏑㙪껊饟艃䐍⯦氳ր⺱◄ց杯㏇氳㛻堒鐁䇭⺀ꝱ銨屮鏥 ☾狫蜸㛻⪔谝氳重遫㏇㛻艅㎻儒氳㵸꒰┕侉✿侉⸼ ր鵞佭┉鼨꟯亥杯㴨氳扦愣氳꧆䏆┉◚紈㞒氳典重塜㏇䐍䡘⠟氳榟孨鲇鵯寖㜊䡘 ⠟ꪫ㵴㏻㕼骰谊㍮㗟榟⽝⫋埡闭䐂㰞暐䐍縡걦䐂냖鞕ց˓鞵嘔刷 儗撵 4K ⟣䐞撸㏇鞵嘔刷㵷庌泃涎┖榺꧆䏆㓹ꄌ働ր┪槡꧆䏆銷樔ց⽰紶㛻⮵꧆䏆

In 1997 at Fengyang, Shanxi, Xiao Wu is a small-town pickpocket. Having never managed to get away from the streets like his friends, he finds himself alone with his troubles. While a local cop is out to get him, his love affair with Mei Mei, the local karaoke hostess, is going nowhere. He realizes it is time to think about his future; but can he find the force to break with his criminal past? A rare look at modern China.

㓹ꄌ働嫧硱꧆䏆鞴乣귈绤⺭⟣䐞꺙䈲㏇⺐䷒佖鞵嘔刷♓饇䦁䶕䏆嚂䩔䨿 90 䇗 ♏╈㎜氳䷓媪祺忳⹗炙働乄ⴭ鮺㑔氳岞▶妺㎠㏇㛻ꉐ䆡┕稸稸㏑艛㷤ꝧ✿

10/11( 仼 ) 16:50 佔噛 2 䋙

10/13( ◅ ) 18:50 ⩞䏆乄ⴭ귈

攒⮯䷒佖 Special Screening

┞潳廷⯒嶯寊首趰

⺐想꺙佖 Taiwan Premiere

4XJNNJOH 0VU 5JMM UIF 4FB 5VSOT #MVF ╈㎜ China  2019  Colour  DCP  111min 2020 分冷䏆㷤攒⮯㷤佖ㄲ⩕分冷硕ꍖ撵晤䬠⺲

2019 䇗 5 僖䇭ⶇ⛤⛼㳄✿⮽╈㎜⪐ꣃ泹♸㸔重氳┉⠕㵸兎蕾☾⠟㏇鵞遵鐸鑝 齟兎艃㒮䄬乄㱄艃杯㴨鵞遵▉佭儗撵㵷庌氳䷚齟䏆撵♓塞憡䈌傪◬ꮷ嗞芙 ㏑榫 18 ⠕珖疒铻鳯⭴ 1949 䇗♓✿氳╈㎜䏢◄⭴榟亥┕┪硕 50 䇗♏60 䇗♏ ⽰ 70 䇗♏氳└⛤⛼㳄鞵䇖⭲⛸虓匜듂䡗憡䏆撵ꄆ釒氳䷶鳯縖☾⠟艃䄖䷚ ⛼㳄껊戕氳㝷⩬┉ꄆ于嫱釲▽炙働闭鹞╈氳⠕☕艃㳄䉁阁䏆撵䡗憡┉鼨饖䈲 ꝏ鷾 70 䇗氳╈㎜䑐ꩯ⺒

Producer 飢忼 Tao ZHAO Writers 鞵嘔刷 Zhang-ke JIA 蛓✞塚 Jiahuan WAN Cinematographer ⛸ⱱ憡 Lik-wai YU

Editor 㯿Ⲥ觸 Jing-lei KONG

筷 2006 䇗䦁䶕樔㳄ⱍ偤典氳վ典տ⽰ 2007 䇗䦁䶕僜遫錄銷䅨껊⺎氳վ扝榫տ ╯䏴鞵嘔刷⫋埡㵫ꔖ꯽㵴嶗諠轱㳄䋟箛ր矀烖缳⥾ց氳䬟筑㱮䡗ր諠轱㳄└ 鼨傪ց磚珖鐸⹗杼䒟⮤辮鞵嘔刷辑炑ր䡘䘶阁樔ꪫꥶ㖇芙蕾ꄆ縡 18 ⠕ 珖疒氳磶啶㞞孳ꦴ芙万庶鵞⠕㎜䈲╈⯦车氳☕⠟㞞媞孳鵡䏢㛻宿˟˟夷┉⠕胶ⷆ 齉哗⪭注⛍夷┉⠕胶ⷆ齉┘鎊逈鹨䑭ց

Prominent Chinese writers and scholars gather in a village in Shanxi, a province of China and the hometown of Jia Zhang-ke. This starts an 18-chapter symphony about Chinese society since 1949. Narrated by three important novelists born in the 1950s, 1960s and 1970s respectively, telling their own stories with literature and reality, the film weaves a 70-year spiritual history of the Chinese people.

Sound 䍗꣊ Yang ZHANG

攒⮯䷒佖

Special Screening

10/11( 仼 ) 13:30 佔噛 2 䋙Ԃ

碋菌 Paper Flower

New Voices

舅榺╯绮

儗ㄲ⩕鹡佖✿舅⺨㎜于ꊯ㵷庌氳꧆䏆⛼⿁㛡⩕閲갭ⴎ䦮榟⽝艃墆 ◧氳鋁鑝⪞⪦鞴嶏⹗ꂳ段⡑杼氳䫔䓪⮯鏂⺱艃㝷䓪䙬閂氳䍛 ⴭ麅僘件䇪랹⹒♒☕䚋⥏䠪艋氳꧆䏆㵸⿁㛡嘚겨劲艃于犋氳䷶ ◄䣆嫏㷤杯劾㎧䇗魌㒮䄬氳舅榺䘶⥾艃儔✿䞌䞘

Producers 랊꾛宨 Tender HUANG 刷ⶥ☝ Po-jen KO 曓球 Bakun Ruiy 㰬ꘑ☝ Shuo-jen SUN 蜘磇㣜 Jeff YEH Screenplay 孌㯹딐 Tzu-peng HUNG

Cinematographer 飢⫦辆 Eric CHAO

Editor 冷䷓㱴 Cheng-hung LIN

Music 冷⥉保 Chuan-jhih LIN

Cast 冷ꦟ螋 Yu-ting LIN ⱍ◿⛪ Renzo LIU 宿遚莾 Heaven HAI 랊ꖋ魟 Frankie HUANG 랊꾛宨 Tende HUANG 冷떍髲 Da-her LIN

㵷庌 Director

갅⩱괐⺬┯䩤揗

┪槡꺙佖 World Premiere

3BEJP 3FBEZ 0I ⺐想 Taiwan  2020  DCP  Colour  95min

孌㯹딐 Tzu-peng HUNG

㛥侪┉⠕颦ꎭ⪞⺚氳蘧둊珔䙬㛛䩿⪌▽꣊⩞꧆⺐氳⠡⺐⷇嚂せ┉耈䦲䷬꧆⺐氳 ⺐ꝏⷙꢱꎭ꣊䄐逈⹚ꑸ㏇⨶調㲝遵滭榣氳꧆⺐✿䐞☥氳黍䷹㎯냉⺨䠪䑐◄氳 欼敾 DJ ⠟┉秵䍗㶩働ㇰ⺷氳蘧둊㏇⺨牊蔟鏒╯╈䦲䷬꧆⺐㛻⛼䢇㶩塞㷤ꝧ ⹚塜佭☬䇗䏴┉㛿▽麅耈氪榟☜띷催䣻氳◄婯䘶⮽┉嫧儔䇖┉嫧⹒ 䳟ꝏ䠭橏겨劲氳孌㯹딐꺙埡䧪䢇䦁䶕ㄎⱉ䤓✿ⱍ◿⛪宿遚莾랊ꖋ魟冷떍髲 冷ꦟ螋璢㴨ⱱ孭庌⿦⺱⺐곫䢊儗撵佭㎜撵╈ꦙ䐂┉釤♓䊸䲮憡갭免氳꧆䏆ⱉ╈☕ 擻䬟㴵榟Ⳃ㵷庌♓湳⺲꧆⺐䊸䲮╚䧐☕껊⩡艃栨뜏憡⸊㑔䷊稶佭暶礢䢦僘䊸䲮☕ 氳┉㵟嶾倉䗰傴▉䅸ꯝ鈶浑┉⺱稿䠪僘䊸䲮注⛂氳紈㞒侈⩞

10/10( ⪠ ) 17:30 于⩞ 7 䋙 Ԃ

On a serendipitous New Year's Eve, a young interviewee lands a position at a company by mistake and encounters a series of quirky events. The only person who can save this miserable situation is locked in the storage room. While a radio station is facing bankruptcy, an evil cult is out for revenge, and a gathering of crazy DJs, a new battle is about to begin. It is believed that all problems would be resolved before the clock strikes 12, but with this New Year, here come new problems.

傾㶩闖┪于㛻㱄䊸䲮꧆釲꧆ 䏆㱄硎䐍Ⲃ杼㵷庌瀄 穓⮽䏴僿㵷庌䋧环▽䣊㴨 氳邯⛼祺꿨⠕☕㓵㵷⛼⿁ 㛡 艃 ꩯ 樟 갭 免 僘 ꟯ ⴎ 䦮 վ冷䤸鋘տվꩯ⛯տվꩯ 樟轵 11 谝տ♓⹗վ76 ⺙ 䔦䓐傴䈙տվ꣊⩞꧆⺐┘ 䣒憻տ佭☾꺙埡ㇴ鍲䦁䶕氳 ㄎⱉ꧆䏆 Tzu-peng HUNG graduated from Department of Radio, Television & Film, Shin-Hsin University. HUNG specializes in horror genre; his works include Circle of Noose (2017), Prossession (2018), The Fearless (2019), and 76 Horror B o o k s t o re ( 2 0 1 9 ) . R a d i o ! Ready Oh! (2020) is his first feature focusing on comedy, semi-based on his past personal experiences.

10/20( ◅ ) 14:30 in89 9 䋙

Producers Jin-gyeong SEONG Hyun-min CHO Screenplay Hoon KOH Cinematography Seokjun LEE Art Director Injun HWANG Editors Gokji PARK Yunhee LEE Music Eunsil PARK Heewon PARK Cast Sung-ki AHN Eugene Hye-seong KIM Jae-hee JANG

㵷庌 Director

筥蛟 냖Ⳳ Hoon KOH 1977 䇗⭴榟亥ꭩ㎜忳䃹㼗 姳 㱄 僿 ꝴ 溿 綗 㛛 ◬ ䷓ 媪 2016 䇗亥庤꣊㛻㱄䷍闖䢊 ⱉ꧆䏆硎ⶥ㚖䳸♴鷪忳䃹 ꧆ 䏆 疒 鍑 㴱 䄄 ⛼2018 䇗 꺙 鼨 ꝏ 撵վ 䡘 氳 头 鈒 տ 2019 䇗䫠⭴վ碋菌տ㷤杯 ☾䡗捙氳稶㵷耈ⱱ Born in Jeju Island in 1977. After studying Political Science and Diplomacy, Hook KOH enrolled the PHD in Theater and Film at Hanyang University Graduate School in 2016. Since 2016, he has been as a Jeju filmmaker, working as a judge for various Jeju film festivals. Following his feature film My Mother (2018), he started a big step as a full-fledged filmmaker with Paper Flower .

1BQFS 'MPXFS ⶟ꭩ South Korea  2019  DCP  Colour  103min 2020 ⚔㚖ꯕ䏆㷤✞槀╚鉈✞㛛鏥撵 2019 ꄟ㸔䏆㷤

䇗縐氳煱⧘䅨㶉⺮ꝏ僿拨걚蜸氘歌氳⩬㯹保颛륜㛻氳祺忳㙪ⱱ鳢✳☾ⱶ⪌㛻㑔氳煱⧘ ⪞⺚㛻⪞⺚⮵㰅樧꯽阁┉䑐䘶㞒㞒鴞◧縖䏴┉氳㶉⺮祺䅻艃⪞⺚㫄ꣾㄲ鈒 㪛㪛䕒屍㍕憡膽┕氳⥏橰姳绹扝ꝛ㍕稫꤂働╯┖樧▽保颛氳洇闀嗞鈶ꝧ僮氳头 㝷⠊憡鵞㵴撝㯹䅸✿┉稘偺⩞抇縡嶾껂氳仼㯹ⷙ㏇┘鵯╯㲙氳⮽✿䏴滭巷䕒屍調 ㏇琸膽羝䏴氳䗉⥏鷪䏢▉宰⭴圎ꪫ⺱侈竭佭嶾倉䷅㳋䍐ⳛ氳띤䈙縐ꟈ┘䇟檫鵩婯 僘㳄☕氳☾❤拨䷓䈢釨㲋⺆耈波䫚愃ⴭ抇縡┉紮⹨鷪䕒䘟氳鷝妩ⷙ㍕扝嫏䇆 䕒☕鰾┉㕙냉ꪫ氳⼔⮯䌋縡䗉䞈┘䄖☾⠟珔䐍壳調谊⣖颦鹨냉┾䤓┕㶉⺮䣒畁ꪞ 嫏㏇䊸㕙憡䕒☕艈车⪞ꝧ氳蝮煱ꪫ㵴⫼⬊氳⯆䈲☾⠟佭⻖耈㱮䡗䏴氳䑐갾 于ꊯ㵷庌냖Ⳳ舅稶舅㵷磶啶㱮丞ⱉ儗阁鉈荈耈僘䢦氪䭙▉㍕塞鐁僜⶟ꭩ㎜妩䏆䅒 㱨纳㓹䫚┖꧆䏆ꩯ놻☕擻艃俹鸂ⶇ◅䇗儔⭴杯㏇㛻ꉐ䆡氳⯦ S.E.S. 㝷㯹㎯냉刿洡⪦⺱ 庌⭴⪔☕䢊╈舅抇氳◎Ⳃ䳕僘䡽抇┘⺱榟墆鈶氳⠕䓪䭅䰷䡗憡儗撵㛻洇럅

10/10( ⪠ ) 20:20 佔噛 7 䋙

10/20( ◅ ) 18:40 in89 9 䋙

Sung-gil, an old funeral director, lives with his unwell son. Sung-gil is strong but poor. He is too poor to be forced to work as an employee of a large funeral company. A woman who has many stories moves to the next door with her little daughter. Gradually she becomes a caretaker for Sung-gil's ill son. Sung-gil's son, who wants nothing but death, begins to learn about hope and happiness. Around that time, a benefactor of the town who cared for the homeless just passes away and the homeless wish the funeral to be held in the public town square illegally. The old undertaker thinks it is his job to do. Can Sung-gil get this job done?

Producer Joon-min YOO Screenplay Sun-joo PARK Cinematography Myoung-hwan MOON Editor Sun-joo PARK Music Myung-jong KIM Cast Woo-yun HAN Suk-ho JUN Da-eun JUNG Min-ae OH Hye-ran YEOM Jae-myung YOO

儣ュ权 Sunjoo PARK

㎈䤿溸玅㶕蛟㏣

樆哆亥꺙撨䋧㎜㛻㱄꧆䏆 硎 ┾ ⹦ 䐂 庤 ꣊ 㛻 㱄 ⱉ 㕙 ⶥ 㚖 㓵 㵷 鷪 㛡 䶺 湿 撵 傾暢䐂꺙撨㝷䓪䏆㷤✞ 㵷庌儗撵憡⪭湿撵վMild Feverտ氳䋟⛈ꝏ撸▉佭 㞈氳瑮┉鼨ⱉ䗰ꝏ撵

8BZ #BDL )PNF ⶟ꭩ South Korea  2019  DCP  Colour  114min 2020 㛻ꡉ◟孚꧆䏆疒弋ⱱⰪ⛼縖晤 2019 ꄟ㸔䏆㷤

扝嫏毖⺭氳⥏⹾㍕侈ꝴ縡倭侈逈鹨䑭▉僘⺎耈䕻䕻氳弭摩縡┘逈氪杯䋡㨿㏇崅 嬅鋍穓╈䑐䳸♴⩬珢崅嬅䷹穓艃┓㜂鷪蜸䇖犹扝䝐氳榟孨ⷊ㵫䯊⪌于㳄╯侈ⷙ ㍕┉鵡꧆鎈縡䵑▶▽☾⠟䇖ꪙ氳榟孨閝㴖鵡湳䋡㨿ⶇ䇗⯦䓪㞈氳敨☕磚亥䨿䧍塾 勇䄹僸㞈耈㛭⮽閝㴖㷀⛼璜ꍖ┾⭴䉁䧘镜┉波꤬淴鵞夀┘㕊鷪⸼氳䋡㨿鎊㞞⛰ ꪫ㵴┓㜂㞈艃头鈒㠡㠡氳湟泴䗰磶⹒鎊㞞⛰鉮㝄 㵷庌儣ュ权♓㝷䓪釲鉈䬟筑䓪逈㲻縖氳䑐饟塽⺱侈▉杯逈㲻縖㳄㸋⹗⪭⼾鹁 ⹘☕㍕ꄆ㛻◄♭縡⹨⮽䏆ꮷ氳☕榟鮺闭僘⮯亥┉芙䓪갭免꧆䏆㵷庌⯎䙬┘蜸 敨糆◄♭鷪◰槴氫敨糆縖氳骰⮈羝俍Ⳃ嚂鹶ꝧ惓斡轑璢䗉䗰噛夀⥪蜸ꄆ䬟 筑⹨㲻縖ꪫ㵴歬橰⫋埡逈ⱁꝧ氳萷咠♓⹗ⷓ┖䑐ꡕ䏴艃㳄☕꟯➡䐞⸊氳鷪┘䛣

Jeong-won and her husband Sang-u are a happily married couple who are about to move into a new home and welcome a child into the world. Their happiness begins to crack when Jeong-won receives a call from the police informing her that the man who sexually assaulted her ten years ago has been caught. Jeong-won had kept this incident a secret from Sang-u but now her peaceful life begins to buckle as her past comes back to disrupt the relationships with those around her.

Graduated from Konkuk University with a degree in film and completed her Ph.D. in Hanyang University's theater and science department, Sun-joo PARK has directed many short films, including 1 m , B e t w e e n Yo u a n d M e (2012) and Graduation Trip (2012), Mild Fever (2017). She has been invited and won several film festivals, including the Best Award at the Seoul International Women's Film Festival. Way Back Hom e is her feature debut based on the short story Mild Fever .

┘愃杯☕䓪氳㔌䍛艃⩞魟

10/13( ◅ ) 18:20 佔噛 7 䋙

10/21( └ ) 13:50 in89 9 䋙

Producers Pablo CHERNOV Martín KRAUT Screenplay Martín KRAUT Cinematographer Gustavo BIAZZI Editor Eliane D. KATZ Sound Manuel de ANDRÉS Art director Juan GIRIBALDI Music Juan TOBAL Cast Carlos PORTALUPPI Ignacio ROGERS Lorena VEGA

㵷庌 Director

跪⾀洡䨽 5IF %PTF 껊┊ ٬ ⩡Ⳓ攒 Martín KRAUT 1982 䇗⭴榟樆哆亥ꡦ劯 䋡䄭㲐钱事荜⮵事㛻㱄䫚 蜸㶩闖ꡦ劯䋡䶕䏆㵬ꝛ㱄 劆 (EAF)樆哆亥熗环꧆䏆 㛻 㱄 ꧆ 䏆 㵷 庌 硎 (FUC) 樆哆䏴傾㓵㵷鷪┉◚湿撵⹗ 䊸⼔┦傾䳸♴鷪䇭鼨ⱉ䗰 撵 氳 Ⱌ 㵷2012 䇗 ⮤ 㓵 㵷 庌璹㱮䡗┉鼨湿撵վQue Mirenտ儗撵憡⪭瑮┉鼨 ꝏ撵亥☬䇗뛊攒╘䏆㷤┪ 槡꺙佖

Martín KRAUT (1982, Argentina) received a bachelor's degree from the National College of Buenos Aires. He studied Photography at the Escuela Argentina de Fotografía and graduated i n F i l m D i re c t i n g f ro m t h e Universidad del Cine (FUC). After finishing film school, he directed video clips and commercials and worked as an assistant director for several fiction films. He made his directorial debut with Que Miren (2012, short). His first feature, La Dosis , has its world premiere at IFFR 2020.

ꡦ劯䋡 Argentina  2020  DCP  Colour  93min 2020 뛊攒╘䏆㷤

껊⺎事佭⺲鞴岒闀杼䅨㏇┉ꝴ錛䢦䳸♴㛥ꝴ⡬杙☕⿦☾䄄⛼ꪞ䅻㝮▉꟯䑐檫 ☕僘㵬哆闀杼䤗耈⛙僘┉⠕烄㳢ⷙ┉波㒪調㏇☾氳䑐遵樧☾鷖⮽ꄆ檯檫☕侈 ☾働╚Ⳃ礢◀檫☕㱨嗞墆諵ⱛ抇縡鵞┉⮊㏇⩙幥ꄇ䑐氳䇗魌闀杼䅨ⱶ氬⮛ⱶ⪌㎯ ꣣䏴⫋▉碋ⴎ┘⛩愃⪔☕秵竸氳⪦敨꟯➡働䅸✿☜띷嘚┘⺎ꯏ峮氳䏴冽 䦁䶕嶏憡 2012 䇗㏇懃䥽㏍䢦氪榟氳洡㴨勇♭㛡䇗✿㵷庌┘亝⟣䷊ⱉ儗꧆䏆䢦 䬟筑氳䗰疒企䄖⽰⸊勇♭僘䢦┘⺱縡⸊寘勇氳⪔⺲闀杼䅨▉┉波儔逈錐⮮⮔

2015 䇗磚亥㲛⼔扝糆ꄄ䷒儗撵䫑榫꿯䖞撵氳㓹鐩㵷庌㛻ꄈ✳榫誻禙荈硎⩞䏆 狱걦ⱉ╈⪔⺲槀闀杼䅨꿯☕꼥⟂氳车憡

10/10( ⪠ ) 20:30 于⩞ 7 䋙

10/22( ㍌ ) 19:30 in89 9 䋙

Marcos is a night shift nurse at a provincial hospital who cares for patients in severe stages of illness. Sometimes when a patient certainly won't recover, Marcos helps them reach their last moment quickly. But the settled routine of the ward is shattered when Gabriel joins the staff as new nurse. When Marcos realises that Gabriel is also killing patients, but indiscriminately and carelessly, he decides to act. But doing so places his own identity in jeopardy.

Producers Aleksi BARDY Helen VINOGRADOV Screenplay J-P VALKEAPÄÄ Juhana LUMME Cinematographer Pietari PELTOLA Editor Mervi JUNKKONEN Music Michal NEJTEK Cast Pekka STRANG Krista KOSONEN

瘀䠂隊渶㵎

J-P 椘撨熭䅅 J-P VALKEAPÄÄ

%PHT %POU 8FBS 1BOUT 莾训䥽聣禵◟ Finland, Latvia  2019  DCP  Colour  105min 2019 ㏽㒮䏆㷤㵷庌ꦁ鶝ㄲ⩕ 2019 紈㎜㝡事姰㜦䇥䏆㷤✞䏆撵

捙槀㛛熭ꂳ䅨㶗颛塜䌋刍┕▽┘憡☕湳氳䓪氒☾㏇璢䏩㝷⩬狫梫氳鷪鏲꟧

BDSM 㝷曓藌㤚氳鐩䷹㏑猨藌㤚氫㛿佭擻杼媪段䅨㛥侪ⴭ骰╚☕幥餉浑攄䝈僸 ⮤埡냉꿨㶗颛㶩逈藌㤚♓汷諲狱醯斬斬㙪갎⛊⠰㏇车㵫猛䕜╯꤂☾氳ꩯ閂珔 嬚崅⮽憡▽䦲䷬巜丼㠧㯹黁⯎氳恗墆냉꿨舅塞㶗颛榔갾⢢┉꯽缅鎈氳斡撍蜸釒 姳藌㤚㵴☾ր氪氪䛗䗉ց紤鱓祗兠䱻㶿幎輔˟˟璢㏇㶗颛⯦꯽氳佭闭䛞舘 哗氳曻嫏麅佭姧ꦙ䲪䇖氳⥏ 儗撵♓轿䳦䓪鈶䏆냉꿨䡗Ⱶ䅫䩿㛡䈴㜦䇥䏆㷤㛻晤㵷庌 J-P 椘撨熭䅅♓䓪课鵿磶 槀╚鉈㵴◧㠧氳䓙䒟ꢝ▽䫔鋁ⱉ╈☕ꪫ㵴Ⱚ⥏氳燯䗰儗韭䢊遵䢊㛛▉縓꿨☕꤂⟔ ♴㵷庌䐍վ莾训嵡㡂տ注╈槀╚鉈汷⶯⺒攒僮催菌▽⪠⠕㛡僖侈ꝴ䣉鐁僜ր莾

The story follows Juha who develops an unexpected but powerful connection with a dominatrix named Mona, following a tragic event in his life that has left him emotionally paralyzed. His dangerous addiction to suffocation is reciprocated by Mona leading them both down a wild and crazy path towards emotional enlightenment. Dogs Don't Wear Pants is a darkly humorous story of loss, love and the sweet pain of being.

训㝡事⶯ց䏆⺵⩡栐礸㖎熭榼㤚璽䟕 BDSM 庌⭴䕞⮽㞒谊氳랫荈䇪랹刈牊䈲 寖䍇▽䷚◄氳欼敾艃壂䑝

10/10( ⪠ ) 19:30 于⩞ 12 䋙

10/16( ◑ ) 11:00 ⩞䏆乄ⴭ귈

1977 䇗 榟 莾 训 ꧆ 䏆 㵷 庌 ⛼ ⿁ 㷷 ⹨ 阐 闌 艃 晤 ꯁ 罦㲋꺙鼨ⱉ䗰ꝏ撵վThe Visitorտ2008 ⪌ 鹡 뛊 攒 ╘ 䏆 㷤 CineMart 亥 ㏽ 㒮䏆㷤꧆䏆㓹ꄌ働氪㷤┾ ㏇ 㣜 㶼 事 䏆 㷤 꺙 佖 瑮 ◅ 鼨 ꝏ 撵 ⛼ ⿁վThey Have Escapedտ2014 亥 㣜 㶼事艃㛡⡑㛡꺙佖┾暢䐂 莾训㎜㳄꧆䏆晤┎ꯁ㛻晤䬠 ⺲겨⩞㝦┖✞䏆撵 ✞㵷庌璢㍌ꯁ墤唽 J-P VALKEAPÄÄ, born in 1977, is a critically acclaimed and awarded Finnish film director. Debut feature The Visitor (2008) was selected to CineMart (Rotterdam), developed at Cannes' Cinéfondation a n d p re m i e re d i n Ve n i c e . VA L K E A P Ä Ä ' s s e c o n d feature They Have Escaped (2014) premiered at Venice and Toronto. The film was nominated for seven Finnish National Finnish Awards 'Jussi', of which it won four, including Best Film and Best Direction.

Producers Benoît ROLAND Sébastien HAGUENAUER Screenplay Laurent MICHELI Cinematography Olivier BOOBJING Editor Julie NAAS Music Raf KEUNEN Cast Mya BOLLAERS Benoît MAGIMEL Els DECEUKELIER Sami OUTALBALI Jérémy ZAGBA

© Kim-LELEUX

糶㱴 ٬ 眧唺⮵ Laurent MICHELI 1982 䇗⭴榟亥䄭눚㖢撨 ㏇ INSAS 諠 轱 㱄 劆 䫚 ⹨ 䢊 ⱉ鎃ꄄ鋍穓┾䳸♴庌⿦飃 鷪ⶇ䇗侈ꝴ㱮䡗舅䄕氳⛼ ⿁氳䝈僸➢✳☾䧍㵷庌 璹 꺙 鼨 ⱉ 䗰 ꝏ 撵վEven Lovers Get the Blues տ (2017)⪌鹡㛡⠕㎜꤂䏆㷤 ┾暢丨晤儗撵佭☾瑮◅鼨 ⱉ䗰ꝏ撵 Born in Brussels in 1982 and first trained at the INSAS in dramatic interpretation, Laurent MICHELI worked as an actor for 10 years. The desire to carry his own projects quickly p u s h e d h i m t o d i re c t . H e directed his first feature film, Even Lovers Get the Blues , released in 2017. Even Lovers Get the Blues was selected in many international festivals and received many awards. Lola is Laurent MICHELI's second feature film.

軄䬕溸㸵㟗䖦◜ -PMB 奄⮵侈嫏㎜ Belgium, France  2019  DCP  Colour  90min 2020 嫏㎜⭦詫晤✞㛛鏥撵䬠⺲ 2020 奄⮵侈栨劲뜏攒꧆䏆晤弋ⱱ㝷庌⿦✞邯⛼錄銷晤

18 塵氳诙䥽ꮼ蜸┉꯽睗硟荈ꝏ넃帒冎佭㞈氳♏塠䄄㛛辑佭⠕ꀿ㠡氳㞈⪭㴨儗 佭槀⩬骰头鈒佭せ┉䶺䧐㞈闭䓪氳☕撝鈒⯞♓㞈憡䕊麅䤧㞈飜⭴㳄ꝛ抇縡 㶩㏇诙䥽磚亥璢⮽䣆轱鵡湳╯꤂头鈒ⷙ鷪┪▽憡▽㱮䡗头鈒䄹僸끎愍耈䱻㏇䷚齟 宿麕氳鹨갾诙䥽⽰⪔䇗儔釤氳撝鈒┉⺱馐┕塾齟氳亹⺆佭┉饟┕⪔☕轿狱┘ 亝愃搸㕙ꪫ┘⢦┕庌☾⠟╯ꝴ氳ꣵ꞉狔珔佭⻖僘ⴭ鉮氳⺎耈 儗撵䷶◄磶啶憡⪞饟꧆䏆ꝏ僿꟯嫱 LGBT 閲갭氳㵷庌ⱱ姳㴵㴨㏇鉈荈⯎樔♓ ⹗撝㝷ꝴ꟯➡闭ⴭ氳䬟筑㶗憡碸腰岒⯎ꯚ僘㛡誻⛼⿁վ鈒䚂㪛⾟տ氳烖ꃾ㏽㒮䏆 䅒杙钱٬껊⺮匤굟庌撝鈒碜☕庌⿦眧꥖٬嫧藽礸굟庌诙䥽舅抇⹒榟Ⳃ氳辑庌阁㞈 ⮤埡庌䢊㶩颦奄⮵侈栨劲뜏攒꧆䏆晤ր弋ⱱ㝷庌⿦晤ց

10/09( ◑ ) 19:30 于⩞ 11 䋙

10/17( ⪠ ) 15:00 in89 9 䋙

Just when Lola, 18 years old and transgender, learns that she can finally have surgery, her mother, who is her only financial support, passes away. Abiding by her mother's last wishes, Lola and her father, who are permanently in conflict and have not seen each other for two years, undertake a journey all the way to the Belgian coast. They realize the outcome of the journey may not be the one they were both expecting...

Producer Josephine MACKERRAS Screenplay Josephine MACKERRAS Cinematographer Mickael DELAHAIE Editor Marsha BRAMWELL Music Alexander LEVY Cast Emilie PIPONNIER Martin SWABEY Chloe BOREHAM

ㄮ树莾 ٬ 껊⩡䥽事 Josephine MACKERRAS

䉄묰䥧⺥傽阿 "MJDF 徧孚嫏㎜ Australia, France  2019  DCP  Colour  103min 2019 紈㎜ SXSW 䏆㷤 鍑㴱㎯㛻晤 ր垛劾矀鹡ց㝷䓪꺙鼨ⱉ䗰ꝏ撵晤 2019 葐㎜ꦟ艸䏆㷤 Spirit Award ✞䏆撵

䇟焱☕㠧䚂뜏礸┓㜂檘䚂㰨㯹⺎䚂䣉㏇侪궇纻働⺸浑㞒⹘䷒ ꝟꣵ仼頇擻⯇⶯㜊䷴䣉꿯鈫┉榟犉蠹䄖逈况麕☕䷴⩞䥿┖㞈 艃爦⩬舅榟舅巷鵿せ┉鹅겨鹶ꦟ氳⪞㳻▉㵫㜊⸼䚂뜏礸緿畵⠡ 圴氪杯┓㜂㵫ꎏ菌㏇냖碎䟕⺉㝷鼃䐢蜸稘碠㞈✿⮽䦙䏩䢦 䘶ゖ⠕狔珔儔䘶䡗▽孨⽝榟嚂䙬㛛ꝧグ绹㕙瑮◅佡抇縡䓪䗰 ㄲ硿氳㞈㞞⛰ꪫ㵴槀☕⠟氳⺨䌋ꧏ碠媲┦㰨㯹麅䐂侈侈洇걚 䚂뜏礸䏴耈⻖ր鷪꟯亅㵫ցꄆ于䧍㍑☕榟氳╚㵷垷 亹㷉䄘랤氳徧孚㝷䓪㵷庌ㄮ树莾٬껊⩡䥽事꺙鼨稶㵷ꝏ撵⛼⿁⺱ 侈骰憡邯撵氳㞈舅䄕氳⪞㳻艃⩬㯹齉䡗憡撵╈釒鉈菌▽⪔䇗ⶐ 䣉㱮䡗䏆撵鷪婯☕䧍⮽ꀦⳒ㍕憡婯僘鞴ꄌ榫伺佔阁꺙䈲 䳸禾㝷╚鉈氳荜赂蕼汷嫧㶼撨僘嚂働㛻㷤꿯☕庌䤗撵⨤꥖㏑䇖

Alice is the perfect wife and mother, living happily with her husband Francois and their son in an apartment in Paris. When her credit cards are declined one day while shopping, Alice discovers that Francois has been living a secret life, spending all their money at a high-end escort service and leaving them completely bankrupt. Even worse is that Francois has suddenly abandoned them, leaving Alice and their son to fend for themselves. When she learns that the bank will foreclose on their home in just a few weeks, she becomes desperate and visits the same escort service that Francois was addicted to in the hopes of finding a way to quickly make some cash and save the apartment. At first reluctant in her new profession, Alice soon begins to thrive with the help of another escort who befriends her, giving Alice both financial independence and a sense of empowerment that she has never felt before. But when Francois shows up again at their doorstep, Alice is forced to reconcile between the life she had shared with him and the new one she has built for herself.

㷷暢墤唽氳꧆䏆邯撵☕ㄮ树 莾 ٬ 껊⩡䥽事䡗ꝏ亥徧㛻 ⮵◟⽰╈㎜䐍㵸䫚銕ⱉ㕙 辑庌傾亹㷉繷饟䱻⬊ꡦ 㡂事攒╘⽰硷硝┾㏇硷硝 㛻 㱄NYU 㱄 綗 ꧆ 䏆 邯 ⛼㞈氳㍌鼨湿撵⛼⿁վA Sign տվ Modlitba տ վ L'enfant Perdu տ ⽰ վDivaտ䊸⹨杷 90 㛡⠕ 䏆㷤ꪃ涃儗撵佭㞈骰⪵稶 㵷邯撵氳瑮┉鼨ⱉ䗰ꝏ撵 Josephine MACKERRAS is an award-winning filmmaker. Growing up in Australia and China, MACKERRAS started in theatre before her career in film. Her short films - A Sign , Modlitba , L'Enfant Perdu , and Diva - have been selected by over 90 high-profile festivals. Alice (2019) is her first feature film.

辆☕䓪╈氳⩞艃䏆䗉縡┘⥏侈侈ꝟ杯雋鷾䇪랹氳保⩞莀

10/13 ( ◅ ) 21:00 佔噛 7 䋙

10/16 ( ◑ ) 21:20 in89 9 䋙

Producer Kristina RAMANAUSKAITE Screenplay Ignas JONYNAS Kristupas SABOLIUS Cinematographer Denys LUSHCHYK Editor Paulius ZAVADSKIS Music Toms AUNINS Cast Dainius KAZLAUSKAS Darius BAGDZIUNAS Paulina TAUJANSKAITÉ

处硱 ٬ ㄮ硱事 Ignas JONYNAS 舅 1993 䇗♓✿┉波䐍◄꧆ 䏆⽰䢊ⱉ䄄⛼꺙䈲䳸禾稶 㵷氳瑮┉鼨ⱉ䗰ꝏ撵⛼⿁ վThe Gamblerտ2013 ㏇杷 40 㛡⠕䏆㷤⽰㎜㳄 ┕佖┾唽暢虓婻㎜꤂䏆㷤 鍑㴱㎯攒⮯晤环ꢾ㲎꧆䏆 晤 6 䈴ꉐ떍晤✞䏆撵 ✞㵷庌✞槀╚鉈 ✞鿦嗞✞⠕☕䡗㶩 儗撵佭☾氳瑮◅鼨ⱉ䗰ꝏ 撵 Ignas JONYNAS has been working in film and theatre since 1993. The first feature full-length film of Ignas as a w r i t e r a n d d i re c t o r T h e Gambler (2013) was screened at more than 40 festivals and countries around the world. Invisible (2019) is his second feature film.

潮薍嫥塎 *OWJTJCMF 环ꢾ㲎䥽聣禵◟懃⩡训重杙擢 Lithuania, Latvia, Ukraine, Spain  2019  DCP  Colour  102min 2019 重杙擢纳頉䄘事䬠㱨㎜꤂䏆㷤于㵷庌晤䬠⺲Glocal in Progress ꧆䏆榣哆晤

╈䇗槀㯹㶗硱事鹡熕㜊⮵Ⳃ塦胖璧㛻膛⫕⩙泞☕艸縖㏇环ꢾ㲎鷾☕熕搸硟 疒泘邯⛼☕㱨䪶骰免傻㟔氳艸縖㝷⹘薈Ⲿ⽰☾䯍四冽┘⪭抇㞞ꯏ僿黁芙⯇于䷅釲曎 艸饥䐂飉✿飉鞟㶗硱事⽰薈Ⲿ╯ꝴ磚狔▽ⴭ㱄⹚䟕㍕夋㠧╯糆榰⭴晔氳禵㖎事 ㏇꧆釲┕洇⮽㶗硱事⽰薈Ⲿ氳偶佣泞艸䏢◄㞞舃㏇泘樧䇗㶗硱事㶩佭㞞塞秵鞟舅 䄕氳䚂㠧䕖┘湳䕊禵㖎事랹랹⯦䏢䶕䏆去婋㲋馮搸㶗硱事氳庶㛿㛻铎釒☾㐛 䤖舅䄕鷪⸼䢦敨┖氳糆车 儗撵䫔鋁泞泘艃䳪䫞╯ꝴ氳꟯➡波ꪫ⺨牊釲縡┘釤榟孨㏇釲鈫曓鷻侈♏寖鞞㛻 浑䎬㖇▽┪槡鈶㴱紈鈶䄅⺓䷓媪艃鷻䐼鹡䳢湟泴氳佭洇䐂飉㛡闭䐂飉淛 樧谓啶䡗憡杯㴨氳┉鼨⮈佭⻖麅耈ր洇釤洡注ց撵╈䭗炑氳硿瞲㰞暐艃鈒㳢侈⯎ ♻㞞┉갤갤万蛾氳本权丛ꮷ壂ꀿ杯㴨

10/10( ⪠ ) 15:00 于⩞ 12 䋙

10/12( ┉ ) 18:30 于⩞ 11 䋙

A former dancer Jonas pretends to be blind to enter a TV dance competition. At the same time Vytas, someone from Jonas' past, is released from prison after serving a sentence for murdering his wife. Vytas is convinced that his wife's ex-lover Jonas is equally responsible for her death.

Producers Annamaria MORELLI Domenico PROCACCI Screenplay Phaim BHUIYAN Vanessa PICCIARELLI Cinematographer Simone D'ONOFRIO Editor Roberto di TANNA Music Dario LANZELLOTTI Cast Phaim BHUIYAN Carlotta ANTONELLI Simone LIBERATI

葷㍕ ٬ 䄭䬴 Phaim BHUIYAN

䠂┪ⷒ䉘㞂顁水㳘 #BOHMB 紶㛻⮵ Italy  2019  DCP  Colour  87min 2020 紶㛻⮵꧆䏆㛻载晤✞于㵷庌晤 2019 紶㛻⮵㎜㳄䏆鍑☕䄄働ꉐ稢䅸晤✞ㄎⱉ꧆䏆晤

葷㍕杯䇗 22 塵ꥹ䄖䡗䇗ⷙ麅婯ր䡗憡槀☕ց骰憡㰔ⱶ䥽遘燯妩瑮◅♏氳☾ 艃㳄☕┉⺱⛩㏇糶껊牊从岞ꦉ氳㏑ⶆ䇖䅻☾㏇ⶥ擻귈䄄⛼⳽ꡢ鷝㲙鑃ⴅ飉稘 ꝲ俲侈⽰僚⹘穓㎯婢㏇䖭䬴㦅鮺氳㰔ⱶ䥽ꮠ嗞骰憡牻事冷葷㍕㍮䵑氳㶩佭 蕕撨蟒⛼烘㏇糶껊⺎鐁佭半半鷻饟鵡䓪䚂⮽谊齉佭塜㏇鈒掄䡝ⷊ㵫鈒掄氳紈㞒 㰇㏇抇縡┉⮊䏐䏠艃☾扝稫㏇┉埡辑庌㕙⺭葷㍕鹿鴪▽波曎㛻亡氳紈뜏㝷㰨荜 薈䏘塞岒⹨䌖ꥹ抇䑐䙬澭Ꙓ葷㍕ⷙ㵴荜薈氳╚Ⳃ䫣䣆┘⹗┘䥩虬ㄑ鿰┘ ⺧霛缜鵞◚䡙䏱齉ꦙ┘⠡葷㍕⛙┘耈僘㦩⯦䓪车憡鵞⺎㶩阁☾꯽㛻▽ 紶㛻⮵于ꊯ䣉㯹葷㍕٬䄭䬴骰⪵稶ⱉ㵷庌⹗╚庌㏇ 24 塵㱮䡗鵞鼨⽰舅骰羝俍㛡 䢦⽛䟕氳ꝏ撵꺙⛼撵⹾⻽겨飰鴁☕♓ㄎⱉ䎬䌋筹碑杯⥉礶⟔♣⽰杯♏乄伺╯

Phaim, a young Moslem of Bangladeshi, originally born in Italy 22 years ago, lives with his family in Rome's multi-ethnic Torpignattara neighbourhood, works as a museum steward, and plays in a band. At a concert, he meets Asia, his exact opposite: pure instinct, and no rules. The attraction between them is immediate, and Phaim will have to figure out how to reconcile his love for the young woman with the most inviolable of Islam's rules: no sex before marriage.

1995 䇗榟亥糶껊佭瑮◅ ♏㰔ⱶ䥽遘燯妩㏇ IED 堷 孚錄銷㱄ꢚ䷍闖䏆⥾錄銷艃 ꧆䏆☾傾䳸♴㛡鼨꧆䏆氳 Ⲃ杼㵷庌㓵㵷鷪㛡鼨ꮠ嗞 ꍖ䏆䅸⽰紶㛻⮵꧆釲䏆꥙ վYoroiտ2017 ⪭ ╈ ┉ ꥙ 儗 撵 憡 ⪭ 꺙 鼨 ⱉ 䗰 ꝏ 撵2019 䇗 亥 뛊 攒 ╘ 䏆 㷤 杷꺙佖 Phaim BHUIYAN, born in 1995, is from a Bangladeshi family in Italy and studies Video Design and Film at the Istituto Europeo di Design. He worked as an assistant director on several films and has directed music videos and an episode of the Italian TV series Yoroi (2017). His first feature film, Bangla , had its world premiere at IFFR 2019.

ꝴ氳轿狱縡☾亥ⱉ╈䢦鎃ꄄ氳葷㍕㵴䚂氳峼僸艃驫驧催䏄걦⭴骰谊重亡┪槡氳 㵽丨从遘㏇姳㛡⩕骰♸氳⺱侈亥紶ⳉ艃䝈僸ꝴ┘亝䏰氳鴁蓇骰䏆

10/10( ⪠ ) 17:20 于⩞ 12 䋙

10/12( ┉ ) 21:10 佔噛 7 䋙

Producers Ferdinand LAPUZ Sarah PAGCALIWAGAN Valerie del ROSARIO Screenplay John Paul BEDIA Thop NAZARENO Denis O'HARA Cinematographer Kara MORENO Production Design Alvin FRANCISCO Editors Thop NAZARENO BB. Joyce BERNAL Jr. CABRERA Music Pepe MANIKAN Sound Immanuel VERONA Cast Louise ABUEL Ella CRUZ Dido de la PAZ Elijah CANLAS Manuel CHUA

㵷庌 Director

儘俋٬硱詫ꦾ钱 Thop NAZARENO 樆哆亥虝䏱韇껊㶼䥽氳䐼䥽 詫撨纳氬㶼䐼㱄ꢚ╚⟣㛡㨧 냉儘俋▉佭꧆䏆Ⱅ鮃䅨 䳪⭾鷪氳⛼⿁⤕⹨⺨㛻晤ꯁ 䬠⺲罦㲋☾氳꺙鼨ꝏ撵⛼ ⿁վKiko Boksingeroտ 唽 暢宿⪐㛛㛡⠕䏆㷤⹗晤ꯁ罦 㲋ⴎ䦮겨⩞䳴┖虝䏱韇ꪃ 䇗鍑鑝㛻晤氳✞䏆撵▉ ㏇璢⺱亥虝䏱韇䏆諠㱄ꢚ㝡 事⶯氳 FAMAS 㛻晤╈唽暢 䬠⺲✞㵷庌

Thop NAZARENO earned his degree in Multimedia Arts at the College of St. Benilde – School of Design and Arts. His first full length film is the award winning Kiko Boksingero where he won Best First Feature at the Young Critics Circle Awards 2018, Audience Choice Award at Pistang Pelikulang Pilipino 2018 and was nominated for Best Director at the FAMAS Awards 2018. He is also a film editor. His work 123 won Best Editing at the Northern Virginia International Film and Music Festival 2018. NAZARENO has also received nominations from Asean International Film F e s t i v a l , FA M A S A w a r d s , Gawad Urian and PMPC Star Awards for Directing, Editing and Producing.

虲䖎襬溫㝕☭ &EXBSE 虝䏱韇 Philippines  2019  DCP  Colour  83min 2019 虝䏱韇 Cinemalaya 䏆㷤鍑㴱㎯攒⮯晤✞㝷鿦鉈✞㕙俍錄銷

㵽槀荜䐼虓逈⿬⿬┶┖暐舅㏇ꂳꢚ遵拨걚蜸檫䗰仼沠䘡ⴭ氳撝鈒㛿榟嗞鈶鞈曻氳 荜䐼虓┾婯僘逈撝鈒氳檫䗰䏆ꮷ䑐䗰⹚縡ꝧ㡐㏇ꂳꢚ遵磶◬僚⹘㞒㜦㏑㍌谊䫔ꤠ ╏ꝛ㯹ꂳꢚ䡗▽☾氳鷝嗞㕙刈㛿☾㏇錛㲝遵鷖釤㝷㰨ꡦ寒礸⭴亥㞒㜦ꝧ㡐 夷㛿䤓ꡦ寒礸纟㛿⪔☕飉颦飉鲥◎⺷䑐◄▉倠纟儔✿㛲䘶㵸㵸氳䚂萕㶩㏇檫ꢚ ╈蚘菨抇縡ꤚ蜸撝鈒氳檫䗰ⱶ鹱㳄从氳熺㳢⽰䑐磶⹒逈䭗꨾荜䐼虓逈鳢ꪫ㵴榟 ⽝╈钦㛡┘耈䤖⹨╯ꄆ萷彈╯╈㵸㷃㰨鵅廍贊闭䡗▽㵸槀☕˟˟ 儗撵憡㵷庌儘俋氳撝㯹꟯➡└鼨傪氳瑮◅鼨儗埡ꢝ▽催碸穢氳☕擻鼨糓▉岒⪌䫔 狔鈒䗰氳糼磢艃郀ꦉ꟯➡ꄆ釒氳㕙俍ꂳꢚ▉䏐䏠䡗憡╚鉈╯┉儗撵⫋埡䡗Ⱶ暢 䐂罦㲋┉艈䳴┖虝䏱韇䧘嘆䓪暐环䏆㷤 Cinemalaya └ꯁ㛻晤ⴎ䦮鍑㴱㎯攒⮯晤 ✞㝷鿦鉈艃✞㕙俍錄銷

10/13( ◅ ) 21:00 于⩞ 11 䋙

10/20( ◅ ) 16:40 in89 9 䋙

A public hospital serves as a witness to a young boy's rite of passage when he is stuck to take care of his ailing father. Caught in a place where life itself is in limbo, the boy treats the hospital grounds as his playground, not knowing that it will be his source of liberation in the end.

䏘䐂艃旔 Peter & the Wolf

┉⺱洇꧆䏆┘⫋鸌┘⺎⹗

㛻䣆攙㵸䣆

☬䇗氳劾㎧꧆䏆疒攒⮯釨ⱁ┉硎⮛꟤㳄鈶韛氳⨤韭꧆䏆阁鈒㯹

Big Hands Holding Small Hands

㍕橻䗰䏆ꮷ☬䇗䤓⮽鸸⺭氳꧆䏆䅸㰨㯹鶡䢊ꢚ䡗憡┉ꯁꦙ갭

Screenplay Arash T. RIAHI Cinematographer Enzo BRANDNER Editors Julia DRACK Stefan BECHINGER Sound Atanas TCHOLAKOV Production Designers Katrin HUBER Gerhard DOHR Costumes Monika BUTTINGER Music Karwan MAROUF Cast Leopold PALLUA Rosa ZANT Christine OSTERMAYER

㾡ĺşŒ Director

Š WEGA_Film_Vincent_Entekhabi

ꥌ伽â˜œďš­ę„…皡 Arash T. RIAHI ćŚ&#x;亼 1972 ä‡—âšŠĺƒŽďšŹâś‡奾č‰ƒ ăł„ ☕ é´¤ ꌗ ⚊ ĺƒŽďšŹ 燯 㡉 ă?Ą ă?‘ ⎾傞㜊闖猾â–‰祹㛝㹄꧆ä?† čŤ č˝ąăą„çĄŽďšŹä‡—é­Œäžˆ㜊â™“čˆ…挺 䍚 勇 骰 âŽˆďšŹ 憥 ă?Ą ă?‘ ⎾ ꧆ 釲 âş? čŤ č˝ą 韨 ę?› ä„„ â›źî› 1997 䇗 䥗环꧆ä?†âš—㨧ëƒ‰é‚Żâ›źâŞžâşš Golden Girls傞暢ä?‚ăŽœę¤‚ âŞ›âś‡ęś ć™¤ďšŞćł˜⯌♴䡚亼猾▉ 祹꧆ä?†ăą„ꢚ Born 1972 in Iran, moved to Austria as a child in 1982, Arash T. RIAHI studied Film and Arts at the University of Vienna. He then worked as a freelancer in the youth and art department of the Austrian TV and founded the film and media production company Golden Girls Filmproduktion in 1997. His works have won more than 80 inter national awards. Since 2010 he has been working as a dramatic advisor for SOURCES 2, DOCIncubator and Berlinale Talents. Since 2013 he teaches at the Vienna filmacademy.

㸰㸰溸ăŽˆăľśężˆĺŠľ 0TLBS -JMMJ 8IFSF /P 0OF ,OPXT 6T ă?Ąă?‘⎾ Austria  2020  DCP  Colour  102min

⪛奾氳ă?Ąäş‹✯⽰✇└奾氳ăĄ?ăĄ?č•źč•źč‰ƒ头鈒注â?¤ć†Ąâ˝?ďšŹâ˜žâ &#x;佭鍪臺ꌙ匊ă?‡劯ĺƒ˜ĺĄœäŒ‹ăˇ‰槴骰âŽˆć°łä—°ĺŞ˛â”–ďšŹä„–ă?‡猾â–‰祹ćŚ&#x; 孨⪠ä‡—ďšŞâ”‰ă›żďšŹăŞ›ăŞ›čˆ…ĺ¤‹ĺ„”éˇŠé€ˆé´ž霥ę‚łę˘šďšŹâ””â˜•氳骰⎈ă?•ĺĄžĺ‚ƒâŠžî› ⪔⠕㰨㯚꼚┘挍鸨鲯⛙䑒ꯄ龂顪äˇ“äˆ˘ĺ€­äžˆ㹨çłŒďšŹ 㹨䪜⎽â”˜âşąć°łăłžęľźăł„ä‰ ćŚ&#x;孨㛿津氳㰨㯚â &#x;┉ä‘?ä˜śé‡’ă?‘⎽㪛㪛氳骰éş•ďšŹćŚŤćł ⺨牊亥äŒ‹äŁ’çź…ăŞ›ăŞ›ć°łâ”–č›žďšŹä„šĺƒ¸ćŚŤâ˜žâ &#x;ć°ł äš‚â™“âš—ĺśžĺ€‰ć°łéŽˆé?ĽďšŹâŠĄĺƒœâ”‰âŽŠę¤„ç ’ďšŹé˜ â”‰ăł„â˜•ăŽŻăŽ¨ďšŞ 儗撾䡊稜čˆ… Monika HELFER 氳⺹⺲㾸é? ďšŞăľˇĺşŒä??čˆ…骰缺꿨⭴氪ę??ĺƒżę&#x;ŻĺŤąęŚ™匊é–˛ę°­ďšŹâ˜žć°łâ›źâż ŐžFor a Moment,

FreedomŐżä˝­âś?čˆ…âĽ‰ę§†ä?†ďšŹé“ťéłŻâšŠĺƒŽęŚ™匊鴤ęŚ—ăł„ăŽ§ďšŹâˇ™éš éˇ–č”&#x;é”Ąć°łč˝Śäˇ“âŞžâł‰ĺ­łď‘ŹďšŞâ”˜⺹亼顪⸟ăŒ…çź“é‘?鳯儗撾⯞♓㰨 㯚氳é‰ˆäˆ˛äŹ&#x;ç­‘ć?Żă´¨ćŚ&#x;ĺ­¨ďšŹäžˆ縥ä‡ŞëžšďšŠäžˆ縥圞Ꝃ⪔⛤ç?˘ä˝”ć°łç&#x;€äŽˇĺşŒâ­´â™’☕꿯č??ďšŹé˜ ĺ„—ć’ľčˆ…ćŠ‡â–€鏟☕顝ę&#x;Żä Şç&#x;€çƒ– The Chechen refugee kids Oskar, age 8, and Lilli, age 13, who have been living in Austria for six years, are about to be deported along with their mother. When their mother attempts suicide, it results in the short-term suspension of the deportation – but also in the forced separation of the family. The children hope that they will be reunited with their mother and with their love for each other they challenge all bureaucratic obstacles. The story is a bitter-sweet odyssey about how to survive through many ways of perceiving the world around you.

10/09 ( ◑ ) 17:00 于⊞ 11 䋙

10/11( 䝟 ) 10:30 于⊞ 11 䋙

Screenplay Fabio BONIFACCI (based on the novel of Giacomo MAZZARIOL) Cinematographer Sergi BARTROLÍ Editor Massimo QUAGLIA Music Lucas VIDAL Cast Alessandro GASSMANN Isabella RAGONESE Rossy de PALMA Francesco GHEGHI Lorenzo SISTO

䑲䑲ꃱ詈䚒볨鳷 .Z #SPUIFS $IBTFT %JOPTBVST 事攒⭔钱⺮䅅㶼 Stefano CIPANI

紶㛻⮵ Italy  2019  Colour  102min 2020 紶㛻⮵ꉐ稢䅸晤✞于☕㵷庌䬠⺲ 2020 紶㛻⮵꧆䏆ꄌ⥾晤㛻载ꪃ䇗晤

2020 堷孚꧆䏆晤ꪃ䇗鈶浑烩鹡晤

⤂⩡氳䌪䌪⤂堷䖲僘〲妤檯㵸侈⠰氳⤂⩡注⟔撝头㵴☾鐁氳铎鈫䐂⤂堷佭⠕䳕僘飃耈ⱱ氳㰨㯹㶩⥾庶樔遵┉嘚 抇縡杯㏇氳⤂⩡㶩釒┕냖╈▽☾䄖祺┘⫋注⟔☾氳䌪䌪佭飃☕◄㴨┕☾鈫䐂☾䏭┶膽㶗⪭佭㏇☾鷖⮽荜袜 㤚╯䏴磿┘⩒錊舅䄕㏇䑐⧘氳㝷㰨ꪫ⯦⭴矹亥佭拨걚䌪䌪鵞♭◄䏭䒎㶩䡗▽☾氳靷䳸⤂⩡榘舘⡾遫舅䄕婯僘䌪 䌪┾⺸于⺱㱄㶗⪭佭荜袜㤚꤬調▽鵞♭◄⛙㞞冽✃扝嫏䚂┉⠕☕氳鼨ⴎ⻢☾氳籭럅⮯☕▉┘働䚂✃氳 鼨⤂堷㵫榫☾波䫚氳亡䌋暐攒氳鈶럅癩ㄲⷙ僘保氳鎈鏥✿䷹働⿬⿬⤂⩡鵞⠕☕榟鷻杼 儗撵䷊稶舅䇗魌⛼縖鞵刷藌 ٬ 껊儘ꄅ堷 (Giacomo MAZZARIOL) 氳倠ꊸ⺱⺲舅⥉㵸鐁䷚◄洡㴨䬟鳯奄☾㛡▽┉㵴 刍荈냉氳ր攒⮯ց䌪䌪꡺舃⮽☾氳┪槡☾傾鐁ր䡘菌▽ 12 䇗䣉㱄働榫䡘䌪䌪氳浍浿洇┪槡䡘洡䑐鈫䐂黁 ⠕┪槡麅┘韻ց㵷庌瑮┉鼨ꝏ撵㵫塞䷚◄䯊┕㛻ꉐ䆡䇪랹┦嶾껂Ⳃ☕鸸⺭꟤㳄鈶韛

䇗⥪ 34 塵榟亥紶㛻⮵ 傾㶩闖硷硝꧆䏆㱄ꢚ꧆䏆邯 ⛼儗撵佭☾瑮┉鼨ꝏ撵 ⷊ暢䐂紶㛻⮵㛻载ꪃ䇗晤 Stefano CIPANI is a director and writer from Italy, best known for his films My Brother Chases Dinosaurs , Shine Bright , and A Pill for David Friktenstein . CIPANI's latest film My Brother Chases Dinosaurs screened at the Venice Film Festival, featuring a strong Italian and Spanish cast. Previously, CIPANI մ studied filmmaking at the New York Film Academy in the MFA.

Jack has a brother, Gio, who has Down syndrome. As a child, Jack believed the tender lie his parents had told him, that Gio was a special being with superpowers, as in a comic book. Now that Jack is about to go to high school. However, he no longer believes that his brother is a superhero. In fact, he is almost ashamed of him, especially after he met Arianna, the first love of his life. Jack cannot allow himself to make any gaffes of bad impressions with the girl of his dreams, to the point that Jack pretends not to have any brother and hides the existence of Gio from the eyes of his new classmates and, above all, of Arianna. But you cannot be loved by someone as you are, if you cannot love someone despite his faults and this is a life-lesson that Jack will have to learn.

10/16 ( ◑ ) 16:10 ⩞䏆乄ⴭ귈

10/22 ( ㍌ ) 16:10 ⩞䏆乄ⴭ귈

Producer Alexis LAVILLAT Screenplay Anne-Lise KOEHLER Philippe TRAVERSAT Cinematographers Fabrice RICHARD Philippe ROUSSILHE Art Director Anne-Lise KOEHLER Editors CĂŠline KELEPIKIS David SAUVE Sound Damien PROST Music Den GOTTI

㹨 ŮŹ ëœ?礸 ŮŹ 熭Ⲟ Anne-Lise KOEHLER č?œ⹹⊥ ŮŹ ć ‘ć’¨ Éric SERRE 㹨ďš­ëœ?礸熭Ⲟ樆哆亼䄘랤 냖 ç’˘ čŤ č˝ą ăą„ ꢚ âš— Gobelins Ⳃ樔㹄劆佭Ⳃ樔㾡ĺşŒďšŠç¨ś âą‰â–‰ä˝­čŤ č˝ąăł„ďšŹäł&#x;ę??碋깊꼜 ă–‡â˝°ç­‘ć¨”ďšŞăžˆč‰ƒâş ă››â”‰â›¤ăľˇ ĺşŒč?œ⹹⊥ ŮŹ ć ‘ć’¨ä˝­âł‚ć¨”ăą„ ĺŠ†ć°łâşąăą„ďšŞâŞ”â˜•ĺ‚žçĽşć°ˇć†ĄĺŤ? ăŽœâł‚ć¨”㾡ĺşŒçœ§ĺ Łć’¨ ŮŹ ĺ ˇäş‹ 司Michel OCELOT ć°ł 邯⛟ć?™äˆ•ďšŹĺ‚žâš‰č‰ƒ顪Ⳃ樔꧆ ä?†Őžăˆ™âżłâ˝˝č‰ƒă?ˇä„?տ՞┉✉ ꌟ◅㛼տ Anne-Lise KOEHLER is an author-director of animated films. She is also a screenwriter, painter, and sculptor. She studied at the National School of Fine Arts in Paris and at the School of images GOBELINS where she met Éric SERRE. During her studies, she developed a naturalistic work of sculptures in papers that she has exhibited in many museums. After graduation, she took charge of the graphic d i re c t i o n o f s e t s a n d b i rd characters for Kirikou and the Sorceress by Michel OCELOT and for Azur and Asmar .

⿍ă?Śâ”żćą”ď?‘䧰â?”â——

â—&#x;孚꺙佖 Asia Premiere

)FMMP 8PSME 5IF .PWJF ĺŤ?ăŽœ France  2019  DCP  Colour  61min

梍珸čœ¸ă¸”䟺姢熕氳äż?č?ˆďšŹâś‡ç‰Šâł‚ć“ťă?‡ĺĄžćŚ&#x;ę??ďšŠč‘łăš›ďšŹéˆśă´–ďšŠé?‚é–‚ä?˜ĺĄžďšŹă?‡ă›ťčˆ…抇ćŚ&#x;ä›žâ•ˆďšŹâ˜žâ &#x;ä˝­ćŚ&#x;â˝?⪌⺹ëƒ‰ďšŹç¸Ąĺ¤ˇâ”‰ ç‰Šâł‚ć“ťâ–‰â˛…âąąé´“éľ…čœ¸ć“Żâ &#x;čˆ…ä„•ć°łă›˛ä˜śî›€ć°Ťäš–ć–Ąë‡šä„šĺƒ¸äĄ—ć†Ąĺ§˘äˆ•â•Żć›“î› ä‡§ăľ¸ć°łčľłč´ľăą„çś—ăžžâ›°â&#x;‹é—€čˆ…ä„•î› ć„ƒ蝜衸âŻžä˜śęŚ—ę?§ 姢ꪍ龂龂姇㛿č?ˆĺť?ĺ€‹ďšŹĺ‚Źă›Ąâł‚ć“ťâ­´âœżäŤ”ç˘ â”Şć§Ąî›€ĺŞžć—‹ä„šĺƒ¸äŁ’éľłă¸‹亼čˆ…ä„•ć°łâ”Şć§Ąî› ă›ťë?´ë˜žéŠˇć¨”čœ¸äľ•â”•ĺƒ–â—żî› ĺ˜ťâ”•氳㾸 é??꯽ë˜?ăą„ĺƒ?ę´‹çś?ă?‡ă›żç‹žâ•ˆä„‡éˇ–ă„ŽĺĄšęŽ ĺ—ž氳蜌蜹ďšŞăœ ęŁŠâś?ď•ŤďšŹć°Ťă›żâš’âŤ‹äˆ˛âŽ˝âœżďšŹâŞ”ęĽƒ⍌똸뗀ă?‡姢ꪍ鼼ď•Ťćš?ć”’ć°łęŚ â˜•č‰¸î› çśśë‘ŠâŻžä‘°čœ¸ä¤“⎽ďŽŻâş­é¸¸ć°łâ›¤çłŒĺ‚ ăœ ęŁŠî› ć‡ƒ뼜âŻžęŞ™ęŞ™â—¸âš¨ďšŹéˆśé&#x;›éľžâ”‰âŽŠďšŹâ›Šĺš‚縥Ⳃ儗撾磜⺭碋꼜䜕ä?†âš— 2D 筑㎏縥 äĄ—ć°łéľ…ĺŠ˛âł‚ć¨”ďšŹé‚Żâ›źéŁƒ顪 110 ęĽƒâł‚ć“ťĺ˜˜ă‘”ďšŹâŞŚĺƒ˜ 76 牊Ⳃ擝43 牊ĺ?¤ć“ťďšŠ4 ç‰Šč—ťęąŠďšŹä˘Śĺƒ˜ĺ˜˜ă‘”ć°ˇâ™“âšżč?•ĺ‚´ć°łç˘‹ä?—䢌⢢䥗 ր龂顪ĺĄžâł‚ć¨”ďšŹäĄ˜â &#x;é?˛čœ¸ć?źé‰Žĺ¤ˇâ •âł‚ć“ťć°łâ”Şć§ĄéˆśďšŹâ”žę?§ăĄ?ăą„çś—ă›ĄâŠ•éˆśë&#x;…ďšŞęŞ™ęŞ™éˆśé&#x;›čœ¸ă›ťčˆ…抇伿ę?§äĄ—é‡¤č‰ƒâŻŽĺ†Žâˇ†éœ†ďšŹ éŁƒéŁ‰䢌ĺƒ˜ćŚ&#x;擝꣏㡝䙏閂谓ä‘?䍚祹䥗憥┪槥氳┉♸㯚掄䚂ćŚ&#x;â˝?ďšŞÖ Ë“㾡ĺşŒ 㹨ďš­ëœ?礸熭Ⲟ In a landscape of water and forests, ten animal species are born, grow, pursue and observe each other ... Each of them is chasing a dream. Underwater, the tiny pike wants to become "colossal" and the young dragonfly learns to fight, as for the salamander, she would like to get out of the water to discover the world! On the shores with the magic of the evening, a beaver dreams of making the world his own way, while a bittern seeks to catch the moon. In the heights of the trees, an owl flies away crossing a bat that loves music! When day finally breaks, two great crested grebes dance; a kingfisher seeks his place in the sun. The turtle has fun in this busy world. She knows how to keep calm. Our ten life adventurers marvel at the beauty of the world. All of them, growing up, facing the surrounding nature, exclaim: "Hello world! ".

10/14 ( â”” ) 14:00 ⊞ä?†äš„â´­ęˇˆ

10/18( äťź ) 10:20 ⊞ä?†äš„â´­ęˇˆ

ËĽ 儗撾憥ĺŤ?é?Ľć°ŞęŽ ďšŹâ•ˆäš„ă°…ä†ĄďšŞ

Editor Vanessa BOZZA Visual Effects Stéphane JARREAU Music Sergueï PROKOFIEV with the Orchestre National de France

㵷庌 Director

© Camera Lucida productions – Radio France - 2013

䔦䕒蕞栛 1FUFS UIF 8PMG

䅒㒟ꄅ٬⹿硱 Thierry GUERNET (Gordon)

嫏㎜ France и 2013 и DCP и Colour и 30min

汷繷٬荜傻硷٬⮵㒟攒 Pierre-Emmanuel LYET

2014 ꄌ替栴晤✞紈轱

刷◴┊٬Ⲿ㯿攒

Corentin LECONTE

վ䏘䐂艃旔տ佭➣㎜ꮠ嗞㳄俋糶냖虝㜂Sergei PROKOFIEV蜸⺲氳⹿⪯ꮠ嗞⤂⛼䬟鳯䏘䐂㞞⛰㏇⪭☾Ⳃ擻僚⹘ 氳䇆䑰┖保⹦㛻愍旔氳䷚◄縡鵞鼨䷊稶氳洡☕Ⳃ樔䏆撵⯞阁䡘⠟㵴㱚榣榟于氳䚋⹨䄇㟔踅⺭杯㕙ꮠ嗞⽰Ⳃ樔⹒ ⩙幥乄㰅錄銷⽰稶䪶氳諠轱飰⽏㵴㰨㯹✿鐁佭㱄綗埤韛⹗杼鉮ꮠ嗞啶䡗氳✞㗭胶溍 儗撵榺紶㛻⮵盉䧘䭙㳄╘㶼撨ⱶ螥 (Daniele GATTI) 䅸ꯝ嫏㎜㎜㳄◬ꮷ嗞㎯㴨俍庌⭴╘㶼撨ⱶ螥杯♴껊Ⲿ㲝⪐嗞 ㎯諠轱걚ゖ Rediscover the most famous masterpiece of classical music: Peter and the Wolf in a wonderful new and innovative adaptation, especially for children. This film cleverly mixes live music and animation, with the complicity of the Orchestre National de France, conducted by Maestro Daniele GATTI.

10/18 ( 仼 ) 14:10 ⩞䏆乄ⴭ귈 Ӗ

10/21( └ ) 16:20 ⩞䏆乄ⴭ귈

Cinematographer Christophe GRAILLOT Editor Corentin LECONTE Music Camille SAINT- SAËNS with the Orchestre Philharmonique de Radio France. Cast Myung-whun CHUNG Smaïn Rayane FAIROUZE

㵷庌 Director

© Camera Lucida Productions – Orchestre Philarmonique de Radio France -2010

䅒㒟ꄅ٬⹿硱 Thierry GUERNET (Gordon)

㱨鳟碠藌 Andy SOMMER

ⳛ朮柄婜硾 $BSOJWBM PG UIF "OJNBMT 嫏㎜ France и 2010 и DCP и Colour и 30min

夷㛿侪┕撝鈒齉働铻涊⯦䷚◄礢⩬㯹缅䇆Ⲃ☾⪌涊㰨㯹竭佭鹡䳢黁儗僘럅㌅缓氳傴┕ꪫ僘ꮠ瑟畚䌹嗞꣣拨 撵⽰Ⳃ擻㎬樔˓㶩佭纳勘Camille SAINT-SAENSⰪ⛼氳վⳂ擻敾塚疒տ洇⛍癩ㄲ氳䷚◄祺鷪撝㯹⪔☕䘶⥾ ⱱ闭䐂榟Ⳃ✿䯍鿦嗞㎯氳杯㕙庌㜱┉⠕⠕Ⳃ擻僘▽舅䄕氳⭴㕙╚갭傪ꮠ嗞냉ⴭⳂ擻氳䎬霆阁丞鼨䏆撵뉲 孨Ⳃ☕㵴嗞傪▉僘▽催냉氳䘶⥾ Every night, a father tells his son a bedtime story to help him fall asleep. Like a challenge, the child always choses the same book, a serious book with score sheets, photos of the orchestra and drawings of animals - the book is The Carnival of the Animals by Camille SAINT-SAENS.

10/18 ( 仼 ) 15:40 ⩞䏆乄ⴭ귈Ӗ

10/21( └ ) 16:20 ⩞䏆乄ⴭ귈

䔕曪筻䑜 *OEFY

˥ ♓撵⺲璜ⱁꯂ䈌䪶⮛

KANO _________________________________ 29

⸼☾ X 氳⯎冎ⷆ霆 I'm Not Your F***ing Stereotype ___________ 40

䥽㡂艃㇣靳 Lhamo and Skalbe ______________________ 34

┉斡 Caninity _______________________________

11.12

⺐⴯╯係 A Morning in Taipei _____________________ 66

典◺㝡鷠 1964 Tokyo Olympiad ________________________ 62

┉波崅⮽宿姢闭誻 Swimming Out Till the Sea Turns Blue______

75-76

䣑䣆 Pickpocket ____________________________ 48

塡㚖训重钱 Lancelot of the Lake ____________________ 51

ⶇ◅㛥 2㍑⮽瑮ꦼ㛿 Twelve Nights 2: Back to Day Zero ________

1-2

敨糆㳄閊 Genealogies of a Crime __________________ 71

媞睗氳市⽏ The Taste of Pho ________________________ 36

└榟┉墆 Three Lives and Only One Death _________

72

榻㯹㎧㛲䘶球䤗㕙 Koshien: Japan's Field of Dreams_________

慊┕ Conflagration __________________________ 61

3.22

13.14

⚒뇩外 Temple of Devilbuster _________________ 20

┕㸔 The Mountain __________________________

67

♴㛿㔆墆մ▽ Death of Nintendo ______________________ 35

泞艸夋嚂 Invisible _______________________________ 85

㛻勛㛻⮵ ꟤㳄䇖㱨 Dear Orange ___________________________

17

㍑⶟㛿 Damp Season __________________________ 33

㛻궐 Heavy Craving _________________________

ꪃ佡瑮 50 㷋仼儗㎜냖╈厬杷ꎘ嘆頉 Youth: The 50th National High School Baseball Tournament ___________________ 23.63

19

㍑䞭氳烄㳢菌㎧ Way Back Home ________________________ 80

㝷䓪仼䅻 Force of Habit _________________________ 㵸㵸氳㍑㳄갾僸 Oskar & Lilli : Where No One Knows Us ___ 㵸塡 Xiao Wu _______________________________ 㛿榟㞒䣆 The Natural ____________________________ 䄘랤䟕⺉仼鋘 Alice __________________________________ 䣆㖜媪谺鴁䇥㵽㝷 Tezuka's Barbara _______________________ ╚畚⫋釤 See You, Sir ___________________________ ⱶ䃹㛲鷝 California Dreaming _____________________

44

89

74

25

84

7-8

11-12

38

‫＾ټ‬

└塠 This Is Not the End ______________________

荜䐼虓氨㛻☕ Edward _______________________________ 87 ✃⯺䣉鐁氳佭琸鎈ㅩ Fish Tank ______________________________ 13-14 䌪䌪 Her Brother ____________________________ 60 䌪䌪鴓蜸䔦륕餶 My Brother Chases Dinosaurs ___________ 90 黁┉䇗 Practice Makes Champions ______________ 30 㰞⽏ Little Big Women _______________________ 5-6 䇟鷠㝷烖 The Fortune Goddess ___________________ 45

曻紈㝷☕ Volver _________________________________ 57

ꪃ佡㙲䣒 Baseball Girl ___________________________ 27 ⿊㌯┪槡䡘✿▽ Hello World! - The Movie ________________ 91 䧐䶕䏆嚂氳槀☕ The Man Who Has A Camera _____________ 65 䧘䭙佔◟㶼⩡ Ensemble _____________________________ 46 硟蜘⥉㜦 The Red Leaf Legend ___________________ 28 㳄从扝⪦閂 The 2014 Consensus ___________________ 13-14 䕻䕻⼔錐㞈 Talk to Her _____________________________ 55 檫⪌脺缮 Sick ___________________________________ 39

䏘䐂艃旔 Peter & the Wolf ______________________ 92

䔕曪筻䑜 *OEFY 滭潨氳䳕 Broken Embraces _____________________ 58

㛲䇥䡗洡 Field of Dreams ______________________ 24

碋菌 Paper Flower __________________________ 79

欼敾䈲⡾兎 No One is Crazy in This Town ___________ 41

鴓䞭⛍姢䇗虓 Time Regained ________________________ 70

ꎏ Money _______________________________ 52

鴤⭴环嫏ꢚ Get the Hell Out _______________________ 20

㚁䷹䝈 Bad Education ________________________ 56

냖饇ꫤ High Heels ___________________________ 54

諵⽝檫䢤 The Dose _____________________________ 81

Ⳃ擻敾塚疒 Carnival of the Animals _____________ 93

軎둜 Humming Memory _____________________ 11-12

猛䚂錛段㲝 Dogs Don't Wear Pants _________________ 82

诙䥽氳㵽㝷䑐◄ Lola _________________________________ 83

鵯杷㵴婋 Fastball ______________________________ 26

꿼㯹䄘鷾詫 Au hasard Balthazar ___________________ 50

ꄇꥋ╯鍸 Wild Sparrow _________________________ 16 万䏴 Apart ________________________________ 37 蘱诙赂 Boluomi ______________________________ 15 餶鷻磚럅 The End of the Track ___________________ 68 ꣊⩞꧆⺐┘䣒憻 Radio! Ready Oh! _____________________ 78 䚂┕⶯䄭㜦钱槀㰨 Bangla _______________________________ 86 䚂䗰鹨饊 Luxor ________________________________

43

纳㝷靴䐼氳㴱⮮ Trial of Joan of Arc _____________________ 49

䠌颏⻐ㅠ "DLOPXMFEHFNFOUT

˥ ♓㡥⺲璜ⱁꯂ䈌䪶⮛

Aurélien DIRLER

冷䋧䑪

ꢷ鶳髲

曓껂杚

冷紈㟮

ꢷ㤡

曓⩒駂

冷乄尼

ꢷ惁

曓菇

黖佰綝

ꢷ☕㺖

曓◿ꆞ

ꄌ㯹⤂

䎿㵸莾

曓䅨

孌来

랊╯㞵

曓㧩㠄

㡴纳嬤

랊➯ꝶ

曓瓐㨿

刷保霕

랊㕐ꮠ

曓鎿沾

孌ꮥ璶

랊鞕衈

╈㜇㛻㱄諠乄╈䑐

翋乄룺

嶾䘟本

仼儗⺐想◬孳⶜働

〲綄ꦫ

䊛㯹尼

娡䓠畻

䏹鶡唽

䊛㳄껿

⻍䯍䥽

냖⢅侚 (RT)

ⱍ☕둛 ( ꡦ习 )

⛰佖嗞

䍗⩡刏

ⱍ沜娟

⻱䨗㱣

䍗⻄尝

ⱍ㳄ꉿ

⼊✐䞭

䍗朋㴪

䲮瀄䞥媪

⼊䛗㳋

䍗⡍蒥

褝┪㲅

兊埤、

䍗㳸匤

韻䛰㴪

兊菙桜 ( 兊㯹 )

匜ꧡ擸

詅꥖

兊分㕐

鼲厝鶳

糶伺熥

兊硿䓠

ꢷ佰蠱

⩖䌪筑丨⛤錄銷䄄⛼㲝

兊栎◼

ꢷ分⛫

⿊分鵳㑔䄄⛼㲝

兊瓱ꦫ

ꢷ憃ⲉ ( ♂蔉 )

劾㎧䄬䷓䈢䷹罭㷀

⼾⿁꯬

ꢷ㳄⡍

劾㎧䄬䷓䈢諠乄錄亩畚杼╈䑐

冷儒免

ꢷ㳄⢹

麕㗟佖霆諠乄僘꡿⪞⺚

冷鱐䑈

ꢷ㦅⛆

冷㰔犋

ꢷュ◌

䈰✑☭〉 4UB ╚鰾ㄲ⛤ Executive Committee 蝕◄ꝏ Chairman of the Board 㓵车ꝏ Chef Executive Officer 车䷓㓵车 Administrative & Marketing Coordinator 㴨綗榟 Intern

靸㎯嫏☕劾㎧䄬乄ⴭ㓹ꄌ働 Taoyuan Culture Foundation 龢乄揸 Wen-tsan CHENG ⱍ㯹枭 Dsih-chi LIU 傾沜Ⳳ Ying-hsun TSENG䊛⫦綝 Kaos LIAOⱍ䘟絣 Hui-yu LIU譍奁㧩 Yu-ting Su冷䎲⻄ Yen-chun LIN 䍗樬㦅 Wan-wan CHANG

瓁㷤ㄲ⛤ Organizer 竭瓁㷤☕ Program Director 竭泃 Director ⶜⺱瓁㷤☕ Deputy Director 疒泘礶盇 Program Manager ㎜꤂绤礙 International Coordinator ⺐想晤⮤鹡礶盇 Taiwan Awards Coordinator ⺐想晤婋鹡礶盇 Taiwan Awards Coordinator 㰅䆡緿閰礶盇 Subtitling Coordinator 车䷓烩ⳉ礶盇 Administrative & Ticketing Coordinator 䢊ꢚ礶盇 Cinema Coordinator 杯㕙㓵车 On-Site Coordinator 车ꊸ㲛⥉礶盇 Marketing & Press Manager 炙紮车ꊸ㵬⿦ Social Media Coordinator 孨Ⳃ礶盇 Event Manager 孨Ⳃ㓵车 Event Coordinator ⯦僿孨Ⳃ㵬⿦ Event Coordinator 孨ⳂⲂ杼 Event Assistant ䷒佖䫞畚 Screening Manager 䧁靳礶盇 Print Coordinator ⯦僿孨Ⳃ⚀ⱁ Pre-project Coordinator

䘶佖꧆䏆僘꡿⪞⺚ Joint Pictures Inc. 듂듂 Hung Hung ⱍ㇚伺 James LIU 䍗遚㱴 Kenneth CHANG 冷朮琉 Erica C. C. LIN 冷ꦟꪙ Kate Yu-ching LIN 冷ꦟꪙ Kate Yu-ching LIN 랊鍸朦 Susan HUANG 冷㣕⻌ Frances LIN 珢✞ Ruby TUNG 蕾⭦俕 Natalie CHUANG 冷⫦䤖 Leo LIN 冷轧㰎 Sujora ANTAR睴崻㦅 Claire NIEN 錊ꝶ岗 Marcia HSU 褝䘟㧩 Ting TSAI 랊虓㦝 Hua-chieh HUANG 蕾꥖⬰ Yalin CHUANG崅✞䓠 Jenny YU 兊䉁㱣 Square LEE 鎙꒴ꉿ I-ming CHAN 弄菜㬹 Debbie PAN 癩✐蛟 Syuan CHIEN

乄㰅稶鮃 Editor 葐乄稶鮃⹗緿閰 English Editor 䣆⫈䲵牮 Contributor

冷朮琉 Erica C. C. LIN 錊䅻螃 Pearl HSU 弄⟔㱴 George PAN冷朮琉 Erica C. C. LIN錊縎乄 Wen HSU 冷ꦟꪙ Kate Yu-ching LIN冷㣕⻌ Frances LIN孌柰⛆ April HUNG

紈轱稶鮃 Art Design ╚釲鈫錄銷 Visual Art Design

硕靴絣 Jamie CHI䊛⫦綝 Kaos LIAO 硕靴絣 Jamie CHI

㰅䆡䏴僿邯⛼ Subtitling

鸞典閰⥾ Far East Transvideo

䏆㷤ꯏ⼔艃撵菌邯⛼ Teaser & Trailer ⺐想晤㲛⥉䏆撵 Taiwan Awards Promotional Video

ꢷ⩯☕ Yann CHEN 냖⬰ꦴ Leonard KO

⺐想晤⮤鹡鍑㴱

듂듂 Hung Hung䍗唽⺮ Jung-chi CHANG 龢熢嫌 Ryan CHENG❾㰛抇 Chi-jan HOUꢷ⟋葐 Pao-ying CHEN

Taiwan Awards Competiton Jury of Preliminary Stage ⺐想晤婋鹡鍑㴱 Taiwan Awards Competiton Jury of Final Stage

曓珢 Toon WANG⼊蟆㨿 Shih-yuan LU랊媞 River HUANG

ꪃ㵽䇗鍑㴱㎯㓸鋍揩㓵车 Youth Jury Workshop ꪃ㵽䇗鍑㴱㎯ Youth Jury

㳫黆乄䷹㓹ꄌ働 Fubon Cultural&Educational Foundation٬ ꪃ㵽䇗氪绮私 YoungVoice.tw ꢾ꯱犋 I-ying TAO寏荥㱨 Peng-an TU錊껂亡 Hsin-fang HSUꢷ分絣 Po-yu CHEN䍗、种 Zhe-lun CHANG ⺸䎲⧻ Yen-ju HSIANG⺸葠㇚ Ping-jia HSIANG兊菜螋 Yun-ting LI랊縎⫸ Yao-tung HUANG曓分㾙 Po-wei WANG 蕾ꦫ㨿 Wen-yuan ZHUANGⱍ┴Ⳍ Cheng-shiun LIU䍗♓䛗 Yi-tzu CHANG

䏆㷤㛻✳ Ambassador of 2020 TYFF 䎬霆䊸⼔㵷庌 TYFF Promo Video Director 䎬霆䊸⼔邯撵 TYFF Promo Video Production Manager 䎬霆䊸⼔礶盇 TYFF Promo Video Manager

栐薈 Larisa BAKUROVA 蕾綝㱨 Shiang An CHUANG 堷꣊⟔ Sing OUYANG 冷轧㰎 Sujora ANTAR

䧘㵷ㄲ⛤ Adviser 㷀ꝏ Director-General Ⱌ㷀ꝏ Deputy Director-Genera ╚♴熺傴 Chief Secretary 熭ꝏ Chief 㵬勇☕⿦ Officer

劾㎧䄬䷓䈢乄ⴭ㷀 Department of Cultural Affairs, Taoyuan 蕾熕紈 Hsiu-mei CHUANG 曓뜏㤡 Li-chuan WANG 䍗舘䷨ Chih-ming CHANG ꢷ柰듂 Wei-hong CHEN 䎿⭦ꇃ Kai-ling PENG

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