ISSUE 4 NOV 2012
SUBMISSIONS 00208-00221
Don’t be precious about what you do We’ve tried something a bit different. Our first three issues were based around accepting submissions and printing the best stuff. While this has worked, we’ve decided to mix things up a bit. So as an experiment, you won’t see any submissions in this issue. Instead, you’ll find profiles, allowing room to print work bigger and explain the story behind each piece. We think this has worked well, but it doesn’t mean we’re not accepting any submissions for issue five! Please send your work to the email address on the back. The decision to do this was made on the mantra of not being precious about ideas, and not just sticking to one way of doing things, even if it’s going well. The first three issues of Glue received a lot of great feedback from all parts of the university, but we’re still pushing to be better. Please let us know what you think about the change. Email addresses are below. Also in this issue, we have an update on our Unpaid Internships feature from issue two, and a survey we conducted asking students why they came to university. We hope you enjoy the changes!
Canterbury Editor: Troy Mcnamara Epsom Editor: Dodi Kazma Farnham Editor: Gemma Noble Maidstone Editor: Vacant! Email asquire.su@ucreaitve if interested Rochester Editor: Samantha Wilkins Features Editor: Faye Gentile Chief Sub-Editor: Lisa Adams-May Art (Subs) Editor: Lizy Bending Online Editor: Jayne Horswill Deputy Online Editor: Laurie Stark Use the format firstname@gluehere.com to email a member of the team.
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Glue is a UCA Students’ Union publication. Although reasonable care has been taken to ensure details are correct, neither the Glue editorial team or UCASU can accept liability for inaccuracies, damages or loss. All images are copyright of the creator and should not be used, sold or exploited in any way without prior written permission. Students submitting to Glue accept that their content may be used in any aspect of Glue, UCASU or UCA presence and a credit will be given. If you feel your copyright has been infringed, please email Andy Squire, UCA Students’ Union Communications & Media Coordinator via asquire.su@ucreative. ac.uk or call 01252 892629. To write to UCA Students’ Union, use the address UCA Students’ Union, Falkner Road, Farnham, Surrey, GU9 7DS. Editor-in-Chief: Andy Squire
About How to use this the magazine cover: A YEAR I WON’T GET BACK Tom Mac Graphic Design: New Media Graduate Epsom “Self-directed project that involved analysing how I had divided my free time over the course of the year and representing that information in an illustrative way.” Info from Tom Mac’s website: tommacdraws.co.uk
If you picked up Glue last year, you’ll probably be familiar with how it works (you’re allowed to skip this bit). But if you missed it we explain it here.
Here’s the low-down: Our colour wheel isn’t just pretty, it’s also a navigation tool for the magazine. The wheel is split into 20 segments; each representing an area of creative interest. Pick a subject on the wheel that you are interested in. We predict you’re also interested in the three shades each side of it, too. As you flick through Glue, look for the colours on the page corners. This tells you if the work on the page matches your interests. Or just look at absolutely everything. To see more of someone’s work, just visit gluehere.com and search for the submission number shown above their name. Graphic Design Advertising
Fashion Marketing & Promotion
Illustration Journalism
Print Making
Photography ISSUE 4 NOV 2012
SUBMISSIONS 00208-00221 1+48.indd 3
Fine Art 28/11/2012 09:44
Film Fashion Design Animation Textiles CGI Crafts Mixed Media Interior 3D Architecture
Product
Interactive
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Unpaid Internships: An Update By Jayne Horswill Online Editor
n the second issue of Glue we ran a feature about unpaid internships and how difficult it can be for students to gain experience when they’re not earning any money. Many companies have been taking on students for work experience without paying any expenses or wage. This can lead to students declining offers, especially when expected to commute into the centre of London every day for a week or two; it comes with a budget most just can’t afford. Unpaid internships have been a problem for a while; they have been brought up in Parliament several times, featured in the media, and led to organisations like Intern Aware actively campaiging against unpaid internships and exploitation of students.
Unpaid Internships: An Update
UCA decided over the summer to stop promoting unpaid internships altogether. There are pages on the UCA website that include listings of positions for students, and it is now being monitored to stop any unpaid placements being featured.
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Unpaid Internships: An Update
Debbie Miles, Careers Press Officer at UCA, explained the change: “This was a decision many years in the making. It could be argued that short term unpaid placements are still of great value to students, but we felt it was the right time to make these changes to our vacancy posting policy in line with national minimum wage legislation among students. UCA Careers does not support the culture of unpaid internships in the creative industries. We’re in the early stages of dialogue with Intern Aware concerning the development of a campaign which encourages employers to give value to the talents and skills UCA students and graduates have to offer.” Glue asked about the feedback UCA had received from students and employers, which showed a variety of responses.
Unpaid Internships: An Update
“The decision has been well received by students. We’ve had good feedback from parents of prospective students at open days and on Facebook. However, we’ve had mixed feedback from employers; some still think that the experience they
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are offering is of more value than money. They are unwilling to take on students they are not convinced have the work ethic and basic workplace skills required. Other reactions have been very positive; some have called offering unpaid work and after having the legislation pointed out, have come back and offered a salary or fee for the placement. We are happy to be changing minds.” This has been a victory for the Students’ Union, which has been lobbying for this change for a while now, as well as for the students. The attitude towards unpaid internships has been changing all over the country, with big names in the industries offering full pay as standard for work experience. “We are a little concerned that students may miss out on valuable short-term placements opportunities, but point out that we encourage volunteering with registered charities, as an option that suits national minimum wage legislation for students.”
Speaking on behalf of UCA Students’ Union, Maidstone Campus Officer and Chair of the Executive Committee said: “Unpaid internships are an issue we have been campaigning against for a while, and we are pleased that UCA Careers have heard our calls to cease advertising them internally. “Hopefully other institutions around the country will follow UCA’s lead, resulting in the respect for creativity that students deserve. Students have bills to pay too, and they should be treated fairly.”
Unpaid Internships: An Update
We contacted Intern Aware for their insight on UCA’s progress into diminishing the exploitation of students, but they did comment.
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Turning your world upside down... What’s it like to defer? By Faye Gentile Glue Features Editor
Turning your world upside down
he creative industry is notorious for being fierce and massively competitive, and a firm grounding in your field is a must. University is a big opportunity for most students looking to get into the business and often it’s the first foot in the door to their dream job. Many of us hear of stories of those who caught a lucky break and got a fast track to their ideal career, but those stories are far and few. I was lucky enough to meet one of these fortunate few who just got a chance through the virtues of his efforts.
I met Patrick Casey, who was at the beginning of his third and final year at UCA Farnham studying Film Production when he got a call that rocketed his career forward; he was asked to come help out on the set of the new superhero movie Thor 2. Hey Pat! You’re working on a huge international film, tell us how your experience in the film industry began… “I knew I wanted to go into the film industry after studying media at college, and I wanted to specialise in sound.
“It was about three weeks later that I go
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You would be in your final year now but you’re deferring; why at such a crucial time? “I found out that they were filming up the road in Bourne Woods in September and on my day off working on another film I decided to turn up at seven in
the morning. I found my way round the set, found the right people and the right questions but I got turned away on the day. It was about three weeks later that I got a call asking for a spare pair of hands and was essentially placed on a trial on a daily basis. “ So you were working on set regularly, did that begin to clash with your course? “I was in a position where my course was beginning to kick in. We were choosing which groups to work in for our graduate films and pitch ideas to directors and Turning your world upside down
I wanted to be a boom operator, to capture sound and be on set. I felt UCA was the best place to come to; it’s one of the few universities in the UK that does a lot of on-set practical work and it’s the best location within reach of London.”
ot a call asking for a spare pair of hands”
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“Someone might give you a chance
producers, and my work on set was beginning to compete against it. I had to make a decision about what I wanted to do and I decided to defer because the position I was offered would take maybe four years to get into otherwise. I would have had to have gained lots of previous experience on smaller projects and then maybe someone would give me a chance.”
project with a massive budget, and it can be fast paced once everything gets going. We’ll be filming in one location one day and in another the next. I’m doing a full 12 hour day; it’s on a much bigger scale than what I’m used to.”
Turning your world upside down
Tell us about your role on set… “I’m a sound trainee so I maintain the equipment. In the mornings I get it all ready It sounds like you made the right to be used by the sound department. We decision; so far so good? sort out everything, including headphones “I’ve worked on set in various locations for the director, producers, and people throughout England. It’s a very busy who deal with continuity.”
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e; for me it was a really lucky break.”
What advice would you give to fellow filmmakers (and other creatives)? “Third year is where you apply everything you have learned in first and second year and you put it into practice; I’m doing just that with this film. You shouldn’t leave the degree if you have nothing lined up, you’ll end up spending months and months doing a lot of low pay, or no pay, or expenses only work. Someone might give you a chance on a much bigger project but for me it was a really lucky break.”
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Turning your world upside down
It’s quite late in your course to decide to defer. How did people respond to your decision? “A lot of people agree that it’s a fantastic opportunity and that I was right in taking it. My tutors were really on board with it because that’s why you go to university, to go into the industry and work on a film that’s had recognition. I’m learning on the job, which was one of the main reasons I decided to defer. I knew I’d get more on-set training here than if I hadn’t deferred. I’m learning the trade secrets and get to use equipment that isn’t available at university.”
“Don’t lose steam after yo
a spare pair of hands and gave me a go because I turned up first thing. A lot of it is about first impressions, you want to learn people’s names very quickly and you want to give them an excuse I can only assume that they looked at to need you. Don’t shy away from extra my CV or viewed my show reel on my curricular work and don’t lose steam after website, but I think they just needed you graduate – it will pay off. “
Turning your world upside down
Any advice to getting a fast track? “A lot of people on set remarked on how amazing it was that I got the job because I had no way in and knew no-one there.
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ou graduate – it will pay off.”
Turning your world upside down
All creative industries can be harsh and If you are passionate about your subject, difficult to get into, but being friendly use your time at university to network and useful seems to be a big part of it. with people who can help you achieve your dreams, whether that’s an exhibition, There’s nothing worse than dreading publication, or working on a film like Pat. getting up in the morning and going to a job that you hate, but as Pat has See Pat’s work online: explained, “It’s not a job, it’s a passion.” patrickcasey.com
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PROFILES 10 HIGHLIGHTS FROM LAST YEAR’S GLUE
Crafts
Alex Archbold
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00208 Alex Archbold MA Contemporary Crafts Farnham
What’s next? I have been given studio space which means I’ll be carrying on with my work.
How long did it take to create this piece? The process is quite lengthy. Including time in the kiln, each individual piece took two to three weeks.
I recently won a ‘Making it’ award for an artist residency, and will be exhibiting my work for ‘New Contemporary’ in Basingstoke this November, so that will be really exciting.
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Crafts
The collection is of books made of glass and the words are made of bubbles inside
of the glass - I liked the idea that in glass, the words can be quite indistinct and can only be read in some lights.
Photo: Charlie Cooley
What was your inspiration behind your piece? I took inspiration from old books where sometimes the words aren’t always legible and the meaning can’t be accessed.
Tom Mac + Chris Brown
Graphic Design
What is your inspiration? I take inspiration from pretty much anything, but I have an obsession with dark gritty science fiction films like Bladerunner and books by Ian. M. Banks so I am sure that must rub off in my work. Do you have a career in mind for the future? I have been working freelance since graduating. So far I have had the opportunity to work on some really interesting projects at studios around the country and also alone. I aim to eventually put my experience towards setting up a multi-disciplinary studio. 16
00209 Tom Mac & Chris Brown Graphic Design: New Media Epsom tommacdraws.com chrisbrown.io
Are you working on anything else at the moment? I have a few projects on at the moment, most notably a series of illustrations for a museum exhibition in Scotland. I also help tutor university students with Adobe software. 17
Graphic Design
How long did you take to create this piece? This was a collaboration piece with my friend and classmate, Chris Brown. It was for our end of year show and, all-in-all, after coming up with the concept, took about five to six hours fine tuning the details.
Fine Art
Rachael Murray
What is the inspiration for your work? The diversity and activity of my immediate environment and everyday events provide me with lots of ideas and visual information. My work transforms the ordinary into something special so that it 18
is viewed from a fresh and exciting perspective. Do you have a career in mind for the future? I would like to be a professional fine artist working on my own projects or taking commissions from clients and galleries.
What techniques do you like to use in your work? I love painting in acrylic with a palette knife as it allows you to get a variety of painterly effects and textures. I have also experimented with inks and bleach which has an interesting effect when they react.
cities change at night, inspired by a visit to Manchester earlier this year.
Are you working on anything else at the moment? After my Canterbury project, I created a series of work portraying the dynamism of how
These paintings capture the relentless buzz and vibrancy of the city with the busy traffic, ribbons of light, and colourful reflections in the rain.
Fine Art
My work is generally very colourful with intricate details and multiple layers of paint.
00210 Rachael Murray Fine Art Canterbury 19
Illustration
Adrian Everett
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What was your inspiration? This piece was for a project based on the Russian book The Master and Margarita, so I was looking at Henri Cartier-Bresson’s photos of the people of Moscow, to try and get the look of people from that era. I was looking at a period of time in American history called the Bone Wars, where there was a rush to discover as many fossil specimens as possible, against the backdrop of the American Frontier and expansion into the West. I’m inspired by the historical and political context of events, which is what gets my interest in a project intially. What techniques do you like to use? I like using inks and watercolours with a lot of water, which leaves much of the outcome to the materials themselves. When I’m happy with the look, I add details with pen and ink or fineliner. I try to keep to the minimum of detail to make it expressive without overdrawing. How long did it take you to create this piece? The actual process of these illustrations is relatively fast, but I tend to spend more time planning and drafting initially. Are you working on anything else at the moment? I’ve been designing a website for Mwera Farm, a sustainable farming project in Kenya supported by local schools in Yorkshire, which will be going live soon.
Illustration
00211 Adrian Everett Illustration Maidstone adrianeverett.co.uk/
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Jessica Davies
Animation
What is the inspiration for your work? Anything that looks visually beautiful. I’ve never been a fan of experimental bits and bobs. What inspires me are characters and narratives I can relate to and illustrations that are stories within themselves. I found mechanicalapple.com, a boutique studio featuring the 22
works of Jason Pamment and Ari Gibson - it’s difficult to find work of that standard outside the mainstream giants. What are your career plans? Eventually I aim to wiggle my way into Art Direction for a new studio, being part of a preproduction team for inspiring animated shorts and feature films. I’m an awful perfectionist and it’s hard work on my own.
How long did it take to create this piece? The Land of Nod took around seven hours. I’m definitely not a natural. I spent at least an hour adjusting the lion’s face to look less like a bear! I can’t draw but I know when something looks right and it takes a few hours to get there. Just don’t ask me to speed paint!
I try to keep my document sizes small, so I don’t get overwhelmed doing all the minor details. My process differs depending on what I’m doing.
Are you working on anything else at the moment? Aside from some freelance work I’m working on a new animated short as well as my own illustrated book for children. I’ll have a few copies for my younger family members in time for Christmas despite my certainty they will draw all over it!
I’m setting up a website where people can also purchase things, watch my blog giantjessica.tumblr.com for more updates!
Animation
What techniques do you like to use? I tend to start from my graphics tablet (it saves me vacuuming up bits of rubber later).
00212 Jessica Davies Animation Farnham giantjessica.tumblr.com 23
Photography
Amie McAllister
00213 Photo: Amie McAllister Jewellery: Rebecca Onyett Farnham 24
00214 Amie McAllister Photography Farnham amiemca.wix.com
“I draw inspiration from various other photographers and artists and want to pursue a career in fashion photography. I ideally want to work for a fashion publication.
Photography
I’m currently working on my third year project and building my portfolio. I’m experimenting with liquids and seeing if they can create the illusion of clothing.“
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00215, 00216 Markus Motum Illustration Maidstone http://www.markusillustration. blogspot.co.uk/
What is the inspiration for your work? My biggest inspiration for anything I do, comes from looking at illustrators whose work I love, and recognising that they are out there making a living from it. Before university, with whatever job I had, I would sketch in my spare time, but realising that with hard work and determination a lucky number of people are able to turn sketching, and the creation of images, into a career, became my reason for going to university. Do you have a career in mind for the future? I studied an illustration degree my ideal career is to become a professional illustrator, whatever one of those might be! I don’t think it’s something that can happen overnight, but hopefully over time, illustration can go from being the job on the side, to the main source of income! Everything before then, such as commissions, competitions or personal work, are stepping stones towards it.
Illustration
What techniques do you like to use? I’m a fan of pastels, acrylic and digital means of creating images. I like blurring the boundaries between mediums. If someone has no idea how I created something, or where the paint stops and the digital parts start, then I’m happy! I’m still practising and have a long way to go, I’m a long way off being able to describe myself as a ‘digital’ or ‘traditional’ artist. What are you working on now? I’m working on some festive themed products. Last Christmas, UCA Maidstone put on a Print Fair which was a lot of fun and I enjoyed it, so this year I’ve produced new designs and will be putting them online. 26
Illustration
Markus Motum
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Rebecca Onyett What is your inspiration? Life is my biggest inspiration jewellery is always on my mind. I love the natural world; the anatomy of life and the strange transition between life and death and how jewellery almost acts as a permanence, something to keep a meaning or a feeling living on forever. Do you have a career in mind for the future? I’m currently working at Harrods while making work on the side. Living in London helps when producing work but I have my own workshop where I make all my pieces by hand and bespoke for the customer. I have sold and created work specifically for a client’s needs. How long did this piece take to make? The metal mouth brooch original took about a week to make. What techniques do you like to use? I love casting, working with wax, creating strange textures and patterns by carving and sculpting into it.
Crafts
Are you working on anything else at the moment? I am working on a new collection which is inspired by the natural world’s defence mechanisms, and by wearing them they become like a shield on the human form. Hoop earrings made of thorns and necklaces with fangs and teeth.
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Crafts
00217 Rebecca Onyett Silver, Goldsmithing & Jewellery Rochester rebeccaellisonyett.co.uk
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00218, 00219 Paul Perez Fashion Epsom
What inspires you? I was raised by strongvalued, powerful women who knew how to dress for every occasion, so I normally refer to my experiences growing up around them. Do you have a career in mind for the future? Currently I dont have a single area I would like to focus on; I have done paid jobs for companies in PR for Towie and Styling for Harper’s Bazaar India, but my main focus is finishing university.
Fashion Design
How long did this piece take to create? The dress itself took no more than a few hours to make, but the process from design to shoot was hard with main tutorials and development. What techniques do you like to use? When designing I think I have stuck to two forms of design styles: drapery and tailoring. These areas are what first drew me into the fashion world. What are you working on now? I’m working on my precollection which is a really fun experience and refreshing to see what I can do. 30
Fashion Design
Paul Perez
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Charlotte Neuwels 00220, 00221 Charlotte Neuwels Fashion Promotion Rochester charlotteneuwels.tumblr.com
What is the inspiration for your work? I’m really inspired by music. It can be any track of any genre but when I hear a certain beat, it always creates images in my mind that leads to my creative process. Do you have a career in mind for the future? I am currently specialising in public relations, but I hope to do some freelance work styling and art directing. How long did it take you to create this piece? I was given the word ‘eccentric’ to represent in a styling image photographed in the style of Richard Avedon. I chose to investigate and visually portray the word in its darkest meaning and referenced figures such as McQueen, Isabela Blow and Marchesa Casati.
Fashion Promotion
Are you working on anything else at the moment? I am currently co-directing a fashion film for London-based designer Uma Kangai. Filming is a new field that I have never explored, but is really exciting!
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Fashion Promotion
TO GET A JOB (22%):
TO GET A DEGREE (18%):
Why are you here?
FOR THE EXPERIENCE (15%):
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TO FURTHER MY ABILITIES (7%):
Why are you here?
UNCATEGORISED OTHER ANSWERS (38%):
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Most students will owe well over £15,000 after graduation; that’s a lot of money to attend university. The most common reason for undertaking a three-year commitment to furthering your education, despite the debt, is a better quality of life. By continuing your studies and earning a degree you hope that it will lead to a successful and fulfilling career. Remarkably, 24% said they didn’t think having a degree would be worthwhile.
Why are you here?
Figures from the Office of National Statistics (ONS) earlier this year show that 36% of recent graduates are more likely to be employed in a lower skilled job than in 2001. However, 70% of our creative community at UCA agree that gaining a degree will lead to a well-paid job and a better lifestyle; 6% of you were undecided. Finally, was coming to university the right decision? Some 10% said you didn’t know, 5% no. But an incredible 85% are confident that it was the right choice. 38
Fig. 3
Do you think coming to university was the right decision?
Why are you here?
Yes: 85% No: 5% Don’t Know: 10%
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BaTH: Business & Talent Hub UCA BaTH students can experence ‘real-world’ industry and learn the art of pitching on a business platform, even ahead of graduation. Additionally, UCA BaTH will enable enterprising students to connect online in an interactive and collaborative resource. UCA BaTH not only nurtures creative business and talent but it sets up the opportunity for exciting enterprising projects to be presented to a ‘Dragon’s Den’ style panel of professionals. UCA BaTH aims to bridge business and art through cross-campus collaborations, networking events and talks, as well as competitions. Get in touch to register and find out more: Email: uca.bath@gmail.com Twitter: @UCA_BaTH Facebook: /pages/UCA_BaTH/114024552080128
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Mega Zine Fayre Epsom Graphic Design Takeover By Dodi Kazma Epsom Campus Editor
The Market Place of UCA Epsom was temporarily taken over by Year 2 Graphic Design students selling their individual fanzines. Birthed from the punk and music culture of the 70s, fanzines were created as a low budget method of self-publishing, which inspired around 60 students to create and sell their own. Zines were made with topics ranging from music, Star Wars, manga, slang, DIY and many more, were scattered over tables strategically placed to gain the greatest traffic.
Mega Zine Fayre
The rainy Friday afternoon was no deterrent to the many students, tutors, and alumni who stopped by to peruse the wares, including noted graphic designer Vaughan Oliver who could be seen leaving with several zines in hand. It was a fun event for all involved, and with such a wide variation of topics, nearly everyone left with something to take home. 43
Glue: the magazine. By Gemma Noble Farnham Campus Editor
Glue is all about the community of UCA. It’s not about agendas or breaking stories, it’s about everyone at UCA. Getting involved in the magazine couldn’t be easier. Receiving emails from people wanting to submit their work is an amazing thing, and the first issue should have helped people realise how bloody talented we all really are.
What Glue is about.
The first issue of the magazine was to get the word out about the power of student media. Packed full of submissions, it’s a fantastic way to get your work out so everyone can see. Creative submissions get sent through to the Campus Editor (anything except writing basically) who gathers them all and then picks what goes in. It’s not about personal preference, it’s about getting your work out there, and keeping everything as diverse and interesting as possible. Regardless of whether you get published or not, all submissions will get featured on the website, which is great to add to your portfolio.
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We’re open enough to give you the freedom to do what you want. If you want to write about something, write it. If you want something written but not sure how to go about it, come forward and talk to us! Honestly, it’s as easy as that. Get yourselves out there and get published one way or another! Email submissions to your campus @gluehere.com (eg farnham@gluehere.com) and submit your writing to features@gluehere.com.
Glue: the radio station. By Joe Traynor Radio Production / Programming
Glue radio is a “anyone can come and do anything they like” operation. As part of the whole Glue set up we run on system using just a laptop and some free student enthusiasm and participation and software. of course across every campus of UCA! It’s not all about the music either. Several Currently there about 14 defined shows, shows focus on news, sports and societies. each doing what they want, free of university control! Glue uses the radio It’s not only great fun being able to record equipment owned by Journalism on the what you like with some friends, you can Farnham campus where we use three also be heard online anywhere in the world. studios. Glue gives you the opportunity to showcase your work (or anything you want) to the creative community here at UCA.
What Glue is about.
Any UCA student can record a show, and we’ll help put your show together. Don’t worry if you’re not near Farnham, though. Several students on every campus are recording, editing and producing their own content to be uploaded to the Glue
If nothing else, it’s good fun!
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We have a print signed by renowned graphic artist James O’Barr, creator of The Crow, up for grabs! To enter, simply tell us James O’Barr’s date of birth from the options below:
Competition
a) 25 April 1953 b) 19 August 1973 c) 1 January 1960
Email your answer to competition@gluehere.com. Closing date 30 January 2013. Winner picked at random. Judge’s decision is final. We won’t spam or use your email address for any reason other than contacting you about this competition. 46
GET MORE GLUE.
ONLINE & RADIO: gluehere.com FACEBOOK: /gluehere TWITTER: @gluehere Be part of the team that makes Glue. Email Andy Squire, UCA Students’ Union Communications & Media Coordinator: asquire.su@ucreative.ac.uk or call 01252 892629.
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TO SUBMIT TO GLUE, EMAIL YOUR CAMPUS ADDRESS:
CANTERBURY@GLUEHERE.COM EPSOM@GLUEHERE.COM FARNHAM@GLUEHERE.COM MAIDSTONE@GLUEHERE.COM ROCHESTER@GLUEHERE.COM
GLUE IS RUN BY STUDENTS AT UNIVERSITY FOR THE CREATIVE ARTS AND SUPPORTED BY UCA STUDENTS’ UNION. UCASU.COM