MARCH 20 – APRIL 21, 2017
OPENING RECEPTION FRIDAY, MARCH 24, 2017 • 5:00-8:00 P.M. This exhibit showcases the work of active artists and scholars making significant contributions to the arts, enhancing dissemination research through visual representation in their respective disciplines, and promoting student education in academic programs at UC Blue Ash College. The various academic departments and offices represented include: Art & Visual Communication; Biology; Disability Services Office; Electronic Media Communications; English & Communications; Foreign Language; and History, Philosophy and Political Science.
explores how humans shape the natural world, and how the natural storks in Holland, pigs are in Cincinnati, with this triflin world shapes human societies. Because it focuses on physical changes difference – their sacredness of character lasts but as lon to cities, the landscape and animals themselves, environmental their mortal coil; and this is abbreviated without ceremo history allows us to get into the muck of early America, and think and from the most worldly motives. ” about how pigs looked and smelled, how pork products Serieswere 1- made – From The Plough, Loom and the Anvil, Vol. 3, 1851 and tasted, and how they shaped the bodies and lives of Americans. 1. California Sky, color photograph, 12x18 (2015) It will also allow us to explore the real, physical connections between 2. Portrait of a Cabbage, color photograph, 11x14 (2013) the rest of the United States, especially the cotton Adjunct Instructor,Cincinnati UCBA and Electronic 3. Fog, black and white photograph, 12x18 (2017) plantations of the Deep South, which were the center of the American Media Communications Series 2economy in the 19th century.
HELEN ADAMS-BORDERS
4. Fourth of July, black and white photograph, 11x14 (2016) 5. Medusa Waving Flag, color photograph, 12x18 (2016) 6. Unicorn and woman Dancing, black and white photograph, 12x18 (2016)
ROB GIOIELLI Assistant Professor, UCBA Art & Visual Communication (designer)
Assistant Professor, UCBA History, Philosophy and Political Science (project director and historian)
1.“The Farm” (Panels 1-5) from the 16 panel exhibit Rethinking Porkopolis; Cincinnati’s Environment History Through Pigs, digital color print on Gatorboard, 36” x 72” each (2016)
JODI BALLAH Associate Professor, UCBA Foreign Language 1. Winter Birch, watercolor, 11” x 14” (2010) 2. Mirror Lake, watercolor, 14” x 11” (2002) 3. Bordeaux, watercolor, 10” x 8” (2016) 4. Tournesol, watercolor, 8” x 10” (2004) 5. Printemps, watercolor, 5” x 7” (2006)
Associate Professor, UCBA Electronic Media Communications
WILLIAM BOYLE Studio Lab Manager and Adjunct Associate Professor, UCBA Electronic Media Communications 1. 2. 3. 4.
Spring Motion, digital photograph, 8” x 10” (2016) Golden Light, digital photograph, 8” x 10” (2016) Love Spirals, digital photograph, 8” x 10” (2016) Creeping, digital photograph, 8” x 10” (2016)
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Assistant Professor, UCBA Electronic Media Communications 1. Character Texture Study (The Europans), 3D digital graphic (Maya/Mudbox/Pixar Renderman/ Photoshop), 12” x 15” (2017) 2. Character Color Study (The Europans), 3D digital graphic (Maya/Mudbox/Pixar Renderman/ Photoshop), 17” x 21” (2017) 3. Character Study: Europans in Environment, 3D digital graphic (Maya/Mudbox/Solid Angle Arnold/ Photoshop), 19” x 21” (2017)
MARK HANAVAN Adjunct Assistant Professor, UCBA Art & Visual Communication 1. Vanishing Point, mixed media, 24” x 32” (2016)
Associate Professor, UCBA Electronic Media Communications 1. Pareidloia: Rockface Series, No. 3, colored pencil on paper, 11” x 14” (2016) 2. Pareidloia: Rockface Series, No. 7, colored pencil on paper, 14” x 11” (2016) 3. Pareidloia: Rockface Series, No. 14, colored pencil on paper, 11” x 14” (2016)
Adjunct Assistant Professor, UCBA Art & Visual Communication 1. Magic Sticks No. 1, mixed media, 5” x 7” (2016) 2. Magic Sticks No. 2, mixed media, 5” x 7” (2016) 3. Magic Sticks No. 3, mixed media, 5” x 7” (2016)
Associate Professor, UCBA Biology 1. Futwangler Glacier, photograph, 12” x 8” (2016) 2. Kilimanjaro Rain Forest, photograph, 8” x 12” (2016) 3. Satellite Cone – Kilimanjaro, photograph, 12” x 8” (2016) 4. Mawenzi Tarn, photograph, 8” x 12” (2016)
Ferdinand Student Work-
ANDREW BLOCK AND HUNTER HALEY 1. Haox, 3D Graphic (Maya/Mudbox/Photoshop), 14” x 11” (2017)
ALESHA SCHOEN 2. Spiderbot, 3D Graphic (Maya/Mudbox), 14” x 11” (2017)
JOHN KRAIMER Director, UCBA Disability Services Office
1. Leaves Have Fallen, mixed media, 20” x 36” (2008) 2. Shooting Star, acrylic and foam core board, 36” x 24” (2017) 3. Fly Bird Fly, weaving with mixed media and text, 36” x 72” (2006) 4. Nothing Lasts Forever, acrylic paint on globe, 14” x 12” (2007) 5. Rat Race, mixed media on floor tile, variable dimensions (2006)
WILLIAM MALCZAN Adjunct Instructor, UCBA Art & Visual Communication 1. The Toy Clown Opera (I’ve Got No Strings), oil on panel, 24” x 30” (2014)
GUENNADI MASLOV Adjunct Assistant Professor, UCBA Electronic Media Communications 1. Untitled 1, from Ukrainian Time Series, photograph, 13” x 13” (2005) 2. Untitled 2, from Ukrainian Time Series, photograph, 13” x 13” (2010) 3. Untitled 3, from Ukrainian Time Series, photograph, 13” x 13” (2010) 4. Untitled 4, from Ukrainian Time Series, photograph, 13” x 13” (2010)
AMANDA PARKER-WOOLERY Adjunct Instructor, UCBA Art & Visual Communication
Maslov Student Work-
EZRA GARFINKLE-PLYMESSER 1. Self-Portrait, photograph, 11” x 8.5” (2016)
1. Art Academy of Cincinnati: 10 Panel, offset print, 28.5” x 21” (2016) - Designer 2. Art Academy of Cincinnati: Viewbook, offset print, 10” x 10” (2016) – Creative Direction
1. Sound and Music, eBook (ePub edition), 1283 pages (2016)
Adjunct Professor, UCBA Electronic Media Communications
Professor, UCBA English & Communications 1. From Here to Where, electrostatic print from collage, 11” x 17” (2014) 2. School Gaze, electrostatic print from collage, 17” x 11” (2014)
H. MICHAEL SANDERS Professor, UCBA Electronic Media Communications 1. Newspaper Collage Poems, Nos. 1, 4, 9, 13, 14, 18, 22, 40, from a limited edition portfolio suite of forty prints (with audio recording), Ocular Rosacea and Aural Cacophony: Avoiding Intoxication by Words, electrostatic prints from collage on paper, each 11” x 8.5” (2016)
Sanders Student Work-
RACHEL KAUFFMAN 1. Waves Roll Forward, digital photograph (triptych) ,12” x 16” (2016) 2. A Dip, digital photograph (diptych), 12” x 16” (2016)
1. Untitled (Five Etchings), etching (5 panels), 39.5” x 12.5” (1995)
Associate Professor, UCBA Art & Visual Communication
Assistant Professor, UCBA Art & Visual Communication
Adjunct Professor, UCBA Art & Visual Communication 1. Owl in the Forest, color photographic triptych (1-“Disturbance”; 2-“Why”; 3- “Coming”, 8” x 10” each (2017))
JOHN WOLFER Professor, UCBA Art & Visual Communication 1. The Czar's Challenge, acrylic paint and mixed media in a Formica and presswood box, 14” x 28” x 8” (2015) 2. Canal Days, acrylic paint and mixed media in a Formica and presswood box, approx. 40”x 20” x 20” (2015) 3. Delilah, aluminum, bone, doll hair, Formica, and wood - installation view (2016) 4. George’s Trophy, acrylic on paper with epoxy coating and wood. 9” x 18” x 3” (2016)
1. The Cost, color photograph, 12”x 18” (2017) 2. Stately, color photograph, 12”x 18” (2017) 3. Spirited, color photograph, 11”x 14” (2017) 4. Champion, color photograph, 11”x 14” (2017)
Acknowledgments The UC Blue Ash Art Gallery is supported by the Office of the Dean and the departments of Art & Visual Communication and Electronic Media Communications. This exhibition is curated by H. Michael Sanders and John Wolfer. Gallery publications are edited by H. Michael Sanders and designed by Michael Ziepfel. John Wolfer is gallery director. A full online catalogue, including a PDF of this brochure, is available for this exhibition at the UC Blue Ash Art Gallery webpage at: ucblueash.edu/about/community/art-gallery.