UGUR IMAMOGLU PORTFOLIO
U G U R I M A M O G LU YE LDE G IRME NI, K ADIKOY, ISTANB UL + 90 53 7 84 6 8404 uuri m am ogl u@gm ai l .com i ssuu.com / uguri m am og lu
ABOUT Arc h it e c t wit h 3 y e a rs of p rof e s s i on a l ex peri e nce. Graduated f rom Yi l di z TU wi th honours degree. Earned M S c d e g r ee f r om Pr a t t I n s t i t ut e, g r a duated wi th the A cademi c Excel l ence Award. C urrentl y Phd s t u d e n t at Y ildi z T U A rc hi t e c t ura l D es i g n Program. S ki l l ed i n di gi tal model l i ng, di gi tal f abri cati on and g o o d k n o wle dg e of p a ra m e t ri c de s i g n t ool s . A bl e to mul ti - tas k and work under pres sure w ith h ig h p r e c is io n i n a f a s t pa c ed envi r onm e nt. A l ways open f or l earni ng, have a great sense of respon s ib ilit y a n d t i m e m a n a g em e nt .
EDUCATION Y ILD IZ T E CHNICA L U N I V ER S I TY / / P h d in A r c hi t e c t ur al D e s i g n // Istanbul , TR // 20 1 8- C urrent PRATT INST IT UT E / / M S A r c h ite c tur e // N ew York, U SA // 20 1 5- 20 1 6 // A cademi c Excel l ence Award Y ILD IZ T E CHNICA L U N I V ER S I TY / / BA r c h // I s tanbul , TR // 20 0 9 - 20 1 4 // Honours Degree
HONOURS AND AWARDS MENT ION P RIZE AWA R D WI N N ER / / I z m i r Trans portati on Integrati on O f f i ces // 20 1 6 ACAD E M IC E XCE L L EN C E AWA R D WI N N ER / / Pratt Insti tute // 20 1 6 WAC 21 ST CYCLE W I N N ER / / G ug g enhei m H e l s i nki // 20 1 5 WAC 21 ST CYCLE W I N N ER / / A n a m ur At a t e pe S oci al C enter // 20 1 5 WAC 21 ST CYCLE W I N N ER / / St a y I s t i nye H ot e l // 20 1 5 HONOURS DE GR EE / / Yi l di z Tec hni c a l U ni v ers i ty // 20 1 4 3 R D PR IZE W INNE R / / ME B Mez i t l i H i g h Sc hool C ampus C ompeti ti on // 20 1 3 2 N D PRIZE W INNE R / / TA K C or ners - B or ders C o mpeti ti on // 20 1 3 1 ST PR IZE W INNE R / / L A C l i p pers A l l - St a r 2 01 2 Graphi c Desi gn C ontes t // 20 1 2
SKILLS AU TO CAD / / A DVA N C E D
A D O B E PHOTO SHO P / / A DVA NC ED
RH IN OCE R OS / / A DVA N C E D
A D O B E IL LUST RATO R / / A DVA NC ED
GRAS SHOP P E R / / I N T E R ME DI AT E
A D O B E IND E SIG N / / A DVA NC ED
MAYA / / IN T E RM E DI AT E
A D O B E AFT E R E FFE C TS / / BEGINNER
MENTAL RAY / / INT E R M E D I AT E
3 D P RINT ING / / C U RA U LTIMA KER - Z PRINT // INTERMEDIATE
V RAY / / IN T E RM E DI AT E
C N C / / RHINO CA M // INTERMEDIATE
EXPERIENCE S EN I OR ARCHIT E C T / / ER AY CA R BA J O A R C H IT E C TS / / Is t anb ul , T R / / Jul y 2016 - Aug us t 2018 Desig n e d , m a n ag e d a nd pa rt i c i pa t ed proj e c t s i n di f f erent s cal es f rom mus eums to f urni ture des i gn. In c h ar g e o f d e s ig ni n g prel i m i na ry c onc ept s , di gi tal model l i ng, drawi ngs f or conceptual des i gn, c onst r u c t io n p e r m i t doc u m ent s a nd des i g n devel opment phas es , des i gni ng corporate i denti ti es , prepa r in g p r e s e n t a t i on s . Di r ec t ed i n t e rna t i on al des i gn groups up to 6 peopl e. Invol ved i n cl i ent prese n t at io n s an d eng i neeri n g c oordi n a t i on meeti ngs . Managed i nteri or and f urni ture desi gn proj ects w ith a h a n d s o n a p proa c h. I nvol v ed i n c on s t r ucti on process , worked wi th carpenters and bl acksmi ths. Partic ip a t e d n u m e r ous c om p et i t i ons .
ARCHIT E CT / / E RAY CA R BA J O A R C H I TEC TS / / Is t anb ul , T R / / M ar c h 2014 - M ay 2015 Partic ip a t e d p r o je c t s i n di f f erent s c a l e s f r om urban devel opments to f urni ture desi gn. In charge of desig n in g p r e lim in a ry c onc ept s , di g i t a l m odel l i ng, renderi ng, drawi ngs f or conceptual des i gn and desig n d e v e lo p m e n t p ha s es , de s i g ni n g c orporate i denti ti es , prepari ng pres entati ons. Invol ved i nto c lien t m e e t in g s .
PART-TIME ARCHITECT // PAB MIMARI TASARIM / / Istanbul, TR // November 2013 - December 2013 In c h ar g e o f d e s ig ni n g prel i m i na ry c onc ept s , di gi tal model l i ng and drawi ngs . Desi gned dormi tori es of the c a m p u s .
IN TER N ARCHIT E C T / / PA B M I M A R I TASA R I M / / Is t anb ul , T R / / Jul y 2013 - Aug us t 2013 In c h ar g e o f d ig it a l m ode l l i n g , r enderi n g , de s i gni ng di agrams , drawi ngs, s i te s urveys. C reated a mobi le s h o p c o n c e pt a nd des i g ned f u r ni t u r e f or Istanbul ’s wel l known concert venue Babyl on.
IN TER N ARCHIT E C T / / I G LO A R C H I TEC TS / / Is t anb ul , T R / / Jul y 2012 - Aug us t 2012 In c h ar g e o f d ig it a l m ode l l i n g , r enderi n g , dr a wi ngs, purchases and si te surveys of New A ge C l i ni c.
CONTENT RO BOTIC MIC RO HO U S ING
1
IZ MIR LOTU S GA RDEN
13
GU GGENHEIM HELS INKI
23
CASTAGNINO MU S EU M
33
EV KA - 3 TERMINA L
47
ATATEPE S O C IA L C ENTER
59
DIGITA L FA BRICATIO N
67
INTERIO R DES IGN
91
MICRO ROBOTIC HOUSING ANYWHERE Ye a r: 2 01 6 Ty p ol og y: Res i de nt i a l Tot a l A rea : 6 0 s qm I nstr u c t o r s : Jas o n V i g neri - B ea ne a nd T hom a s Lees er
One o f t h e m ajo r c onc erns i n t h e c i t i e s i s i nadequate numbe r o f h o u s in g s t oc k a nd nom a di c l i f e s t yl e of the 21st C e n t u r y p e o p l e i s n ot h e l p i n g w i t h t hi s probl em. Every y e a r, m o r e peopl e m ove i nt o c i t i e s a n d pref er to liv e s in g le. M i c r o- H ous i n g i s on e of t h e l atest solut io n fo r t h e p robl e m . T he i n i t i a l i de a i s bas ed on fit t in g a ll n e e ds of a p ers on i n t o a s i ng le s pace. H ow e v e r, t h e d e s i g n of c u r rent h ou s e s s t i l l l i mi ted w ith fu r n it u r e d e s i g n s t r a t eg i es . T h e Mi c r o Roboti c H ousin g p r o je c t q ues t i on s t hi s a pproa c h. T he i dea of the pr o je c t d e v e lo p ed w i t h t he p a s s i on of c reati ng the most e ffic ie n t , m obi l e a n d s pa c i ou s a pa rt ment uni t. This p r o je c t is a s y s t em p ropos a l r a t her t ha n a desi gn propo s al. A s t r a t eg y t o c rea t e m ore r es pons i ve, fle xib le, e f f i c i ent a nd l i va bl e s pa c es .
1
3
HOW TO DESIGN T H E M O ST E F F I C I E N T A PA RT M E N T ? BY USING EVERY INTERIOR SURFACE
LIVING
SHOWER
DINING
SLEEPING
FITNESS 4
KITC HE N ROTAT ING S PACE S
M O BI L I TY
C O N V EN TI O N A L S PAC ES
BAT HRO O M
EN G I N ES
MAIN D R I V ETR A I N F OR F R O N TA L ROTATI O N M AIN D RIVE T RAIN FO R UNIT ROTAT IO N
ROTAT ING SPAC E S
D INING RO O M
BE D RO O M
L IVING RO O M
6
AGGREGATE
RESPONSIVENESS
+
11
+ +
+
-
U N I T I N T E G R AT I O N AXIS
U N I T I N T E G R AT I O N AXIS
UNITS WILL FORM T H E H A L LWAY S
UNITS WILL FORM T H E H A L LWAY S
+ +
+ + +
+ + +
+ +
MAGNETIC WALLS OF CORE WILL BE USED FOR I N T E G R AT I O N A N D R OTAT I O N O F U N I T S
12
LOTUS GARDEN I Z M I R ,T R Year: 20 1 8 Typol ogy: Mi xed- U s e Total A rea: 80,0 0 0 sqm Eray/C arbaj o A rchi tects
Izmi r Bayrakl i area i s devel opi ng rapi dl y and the proj e ct si te si ts i n the mi ddl e of thi s devel opment area. Site i s wel l connected wi th mul ti pl e mass trans portation systems, however i t i s not real l y connected wi th people. It i s al mos t i mposs i bl e to reach the s i te by wal ki n g. The proj ect ai ms to take the advantage of thi s i sol at e d si te and turns the si te i nto a peacef ul , serene garde n. Mas s desi gned to i ntegrate wi th the hos pi tal and par k around the s i te. The publ i c courtyard connects with the hos pi tal and gi ve peopl e s ome breathi ng room in between two bui l di ngs . The pri vate courtyard f orm e d on an upper l evel to serve the resi dents. Des i gn of the bas e creates pl enty of terraces wi th uni que i denti t e s whi l e towers rai ses above des i gned to max i mi ze t he sea vi ew f or every apartment uni t.
14 Cou r t e s y o f E r ay /C a r ba j o A r c hi t e c t s
EXISTING CONDITIONS
GURULTU KAYNAKLARI MEDICANA ALAN: 11419m2
10m YOL PARK 10m YOL
S I TE
NO ISE PO L LUT IO N
MANZARAYI ENGELLEYEN FAKTÖRLER
MEDICANA
EMSAL ALANI: 51956m2
V I EW A N A LYS I S
15
BUIL DABL E ARE A
SIT E PL AN 16
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
FORMING THE MASS GURULTU BARIYERI
AVLU OLUSUMU
TICARI CEPHE UZUNLUGU: 284m
SIMP L E BAS E
C R EATI NG C O URT YARD S
PARKLA ENTEGRE - MEDICANA ILE MESAFELI
PROT E C T E D C O URT YARD S
MANZARA YONELIMI
TICARI CEPHE UZUNLUGU: 464m
COURT YARD I N TEG R ATI O N KAMUSAL VE OZEL AVLU AYRIMI
MANZARA ANALIZI
C O M ME RC IAL FACAD E
MANZARALI ALAN
VIE W O RIE NT E D TOWE RS
MANZARAYA DOGRU YONELIM
KONUT AVLUSU
KAMUSAL AVLU +4.48
MANZARA ENGELI
MANZARA ENGELI
0.00
D IFE R E NT IAT ED C O U RTYA R D S
P OTEN TIAL ARE A W/ VIE W
M O RE APART M E NTS W/ VIE W 18
DETAILING THE MASS
TERAS OLUSUMU
KABUK OLUSUMU
GRC KAPLAMA
TER R AC ES YAZ RUZGARI
G RC FACAD E KIS RUZGARI
KIS RUZGARLARINI ENGELLER, KORUNAKLI AVLULAR OLUSTURUR AVLUYU SERINLETEN YAZ RUZGARINI ICERI ALIR
C O O L I N G F O R C O U RTYA RD
19
PROT E C T E D C O URT YARD
C ourtesy of Eray/C arbaj o Ar chite cts
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
STRUCTURAL CONCEPT BINA HAREKETI PERDE DUVAR AGIRLIK MERKEZI
CEKIRDEK
RIJIDITE MERKEZI
KULE YÃœKSEKLIGI 130m
RIJIDITE MERKEZI
DOSEME ALANI
DOSEME ALANI
CEKIRDEK
AGIRLIK MERKEZI
PERDE DUVAR
16m
H O M E- O F F I C E TOWE R ST RUC T URAL D IAG RAM KUTLENIN AGIRLIK SEMATIK TASIYICI DEFORME EDILMESI MERKEZI DENGELENIR SISTEM 16m DOSEME ALANI
DENGE PROBLEMI
PERDE DUVAR AGIRLIK MERKEZI
TOPRAK DOLGU
CEKIRDEK
RIJIDITE MERKEZI
PERDE DUVAR
R ES I D EN TI A L TOWE R ST RUC T URAL D IAG RAM AGIRLIK TOPLAM AGIRLIK AGIRLIK MERKEZININ ARD GERME DOSEME MERKEZLERI MERKEZI DENGELENMESI
GRC KABUK
7.04m
ARD GERME DOSEME
7.04m
KONUT KULESI
TOPRAK DOLGU
ARD GERME DOSEME
4m 8m
4m
8m
CA N TI L EV E R SYST E M D IAG RAM 22
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
GUGGENHEIM HELSINKI HELSINKI,FI Year: 20 1 4 Typol ogy: Museum Total A rea: 1 2,6 0 0 s qm Eray/C arbaj o A rchi tects
The des i gn embodi es conceptual and f ormal i deas of F i nni sh i denti ty, bri ngi ng out a parti cul ar ex pres sion and abs tracti on of i ts bal anced nature. The el ongate d twi sti ng body merges two di f f erent types of us es , one, publ i c at the north and two, gal l eri es and ex hi bi ti o ns center at the south, better sui ti ng the more hori zon ta l l ayout. Pos i ti oni ng the mus eum paral l el and adj ace nt to S keppsbrogatan Lai vasi l l ankatu Street al l ows the bui l di ng to open up towards the s ea on the s ou th harbor. It creates an el evated open publ i c pl aza al ong the water promenade whi ch mi rrors the urban tex tu r e near Hel si nki C athedral . In addi ti on to bei ng the en tr y portal f or the North Market S quare, the outdoor are a serves as an ex tens i on of the gal l ery f or outdo or scul ptures and acti vi ti es .
24
EMPRESS’ STONE MARKET SQUARE
KANAVA TERMINAL
MARKET HALL
THE PALACE Public Square
Water Taxi Drop Off
Tram Station Bike Parking
Elevated Plaza
Bike Parking
Service Yard Parking
SIT E PL AN 25
N
3D 3DVIEW VIEW 3D VIEW
FOR
TAT E M OD E R N
DIAGRAMATIC DIAGRAMATIC DIAGRAMATIC M SHAPE I SHAPE N SHAPE G THE
SECTION SECTION M A S S SECTION
VERTICAL VERTICAL VERTICAL V E RTICA L MU S EU M
S EC TIO N
HORIZONTAL HORIZONTAL HHORIZONTAL O R I ZO NTA L MU S EU M
S EC TIO N
VVERTICAL E RT I CA NTA L VERTICAL VERTICAL +L+HO +HORIZONTAL HORIZONTAL +RIZO HORIZONTAL MUSEUM MUSEUM MUSEUM of ofFUTURE FUTURE ofMFUTURE MU S EU
S EC TIO N
ERY N AT ION A L GA L L E RY
NKI ELSINKI NKI GU G G E N H E IM H E L S I N K I
LIMITED ACCESS PUBLIC ACCESS
ELEVATED PLAZA
NEW ICON
PUBLIC SQUARE
HELSINKI CITY SCAPE
PUBLIC SQUARE
ELEVATED PLAZA
OLD ICON
26
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
B AS EM EN T PL AN
G RO UND FLO O R PL A N 28
1 ST F LO O R P L A N 29
2 ND FLO O R PL AN
3 RD FLO O R PL AN
C ourtesy of Eray/C arbaj o Ar chite cts
SE C T IO N A
31
SE C T IO N B
SE C T IO N D 32
CASTAGNINO MUSEUM ROSARIO,ARG Ye a r: 2 01 6 Typol og y: Mus eum To t a l A rea : 4 ,00 0 s qm E r a y /C a r ba j o A r c hi t e c t s
The fir s t u n d e r s t a n ds t he e x i s t i ng m u s e um Juan B . Ca s t a g n in o as a n “ U r ba n I c on” or “ Monument”. B y this , it was v ery i m port a nt t o us not t o i nterrupt in an y wa y it s “ r e a di n g ” a s a n i s ol a t ed c ons tructi on from t h e s u r r o u n d i ng p l a z a a nd t he m a i n vehi cul ar arter ie s . It was a l s o v ery i m port a nt t o hi g hl i ght the green c o r r id o r t h a t c on n e c t s t h e Pa r a na R i v er and the MACRO M u s e u m w i t h t he pa rk t ha t t he m u s e um i s part of. Th e s e c o n d , c o ns ol i da t es t he nort h a nd wes t s i des of th e s it e c r e at in g a s ec ond e nt ra nc e t o t he Mus eum on th e c o r n e r c o n d i t i on . T hi s e nt ra nc e i s a l i gned wi th the r o t a t e d o r ig in a l a x i s of t h e m u s e um w i t h res pect to th e t y p ic a l g r id of t h e c i t y. T h e ot her 2 s i des (S outh and E as t ) o f t h e p ropert y a r e r el e a s ed t o rei nf orce the id e a o f CON T I N U I T Y of g r een s p a c e t ow ards the green p a r k s . A s a m orphol og i c a l opera t i on the new exten s io n o f t h e mus eum p ropos es a c ont i n u ity of the parks o v e r t h e p r og ra m . I t “ p eel s” t h e ex i s t i ng ground of th e p laza t o loc a t e t h e f unc t i on s underneath the new t op og r a phy.
33
C ourtesy of Eray/C arbaj o Ar chite cts
SIT E PL AN 35
FORMING THE MASS
C URR E NT E NTR A N C ES
T HE PE E L
G RE E N C O NNE C T IO N
C ONNE CT ION W I TH TH E C I TY
S U R R O U ND ING T HE E XIST ING
FO RM ING T HE C O URT YARD
FORM ING T HE P U BL I C S PAC ES
LOW E R C O URT YARD
FO RM ING T HE T HE AT RE 36
C ourtesy of Eray/C arbaj o Ar chite cts
SITE
Garden EXISTING MUSEUM
Orono Ave. Square
Pellegrini Ave. Creating Inner Garden protected from the street
Entrance
EXISTING MUSEUM
Supporting Program to Existing Museum PLAN
EXISTING MUSEUM SECTION Not Interupting VIiews to Existing Land Mark"Museum"
39
C ourtesy of Eray/C arbaj o Ar chite cts
TALL
ARCH
TALL
RESERVAS 1 600
2 600
3 600
4 600
5 600
6 600
7 600
8 600
9 600
10 600
11 600
SALAS DE MAQUINAS
A A 600
B 600
C 600
D
RESERVAS
600
E 600
F 600
G 600
H 600
I
ex is tin g
DEPOSITOS
600
m eu m
J
us ou tlin e
600
K 600
A L 600
M 600
N 600
O 600
P 600
R
setout point
property line
curbline
BASE M E NT PL A N 41
1 ST FLO O R PL AN 42
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
E XPLO D E D D IAG RA M 44
+13.40
LI
LI
+14.40 +13.40 +13.00
+5.93 +4.93
MONTEVIDEO
AV PELLEGRINI ±0.00
C
B
600
D
600
E
600
F
600
G
600
H
600
I
600
J
600
K
600
L
600
M
600
N
600
O
600
P
600
R
+14.40 +13.40 +4.93
+4.93
AUDITORIO 6.2
BAR - RESTAURANT
BV ORONO ±0.00
15.1
10.1
LINEA MUNICIPAL
LINEA MUNICIPAL +13.40
+14.40 +13.40 +13.60
+13.00
+13.60
+13.00
+5.93 +2.90
+4.93
ALVEAR ±0.00
BV ORONO
+4.93
+4.93
±0.00
6.2
BAR - RESTAURANT
BV ORONO ±0.00
12.1
-4.93
15.1
10.1
11.3
10.1
11.1 4.1
2.1
11.2 AUDITORIO
+2.90
1.1
±0.00
ALVEAR ±0.00
±0.00
LINEA MUNICIPAL
12.1
12.2
10.1
11.3
11.2
11.1
-4.93
SE C T IO N A-A +14.40
+13.40
LINEA MUNICIPAL
B1
SALA
ESPACIO TECNICO
HALL
360
B2
1130
B3
B1
PASO
+5.93 +4.93
LINEA MUNICIPAL
±0.00
B4
1540
F
710
E
600
D
600
CALLE ALVEAR
C
600
600
B
600
+14.40
A
+13.00
B2
360
B3
1130
B5
B4
1540
B5
710
600
F
600
E
600
D
600
C
600
LINEA MUNICIPAL
+13.00
B
600
A
+13.40
600
LINEA MUNICIPAL
+13.40
+13.40
1.1
±0.00
12.2
+13.00
4.1
2.1
A
LINEA MUNICIPAL
CALLE ALVEAR
A
LINEA MUNICIPAL
B
600
C
600
D
600
E
600
F
600
G
600
H
600
I
600
J
600
K
600
L
600
M
600
N
600
600
O
600
600
P
+13.40
600
LINEA MUNICIPAL
R
+14.40
600
+13.40
LINEA MUNICIPAL
+13.00
LINEA MUNICIPAL
±0.00
+14.40
+13.40
BV ORONO ±0.00
AUDITORIO
+13.40
SALA
600
9
10
HALL
AV PELLEGRINI ±0.00
PASO
INGRESO
11
AV PELLEGRINI ±0.00
600
SALA
8
PATIO DE ESCULTURA
ESPACIO TECNICO
CONEXION CON MUSEO EXISTENTE SALA CENTRAL
600
7
6
SALA DE EXHIBICION
MURO VERDE
10.4
600
600
600
5
11.2
PATIO DE ESCULTURA
INGRESO
LINEA MUNICIPAL
+13.00
SALA DE EXHIBICION 2.1
4
INFO 3
600
2
±0.00
600
1
LINEA MUNICIPAL 600
ALVEAR
10.4
600
11.2 AUDITORIO
MURO VERDE
INFO
±0.00
600
ALVEAR
SALA CENTRAL
SALA
2.1
CONEXION CON MUSEO EXISTENTE
+9.80
+14.40 +13.40
SE C T IO N B -B AV PELLEGRINI
MONTEVIDEO
±0.00
±0.00
+13.40
11 600
600
10
9
600
600
600
8
600
7
6
600
600
600
5
600
4
3
LINEA MUNICIPAL
+13.00
2
LINEA MUNICIPAL 600
1
+14.40 +13.40
+9.80
AV PELLEGRINI
MONTEVIDEO
±0.00
±0.00
+14.40 +13.40
LINEA MUNICIPAL
LINEA MUNICIPAL
WE ST E L E VAT ION
+13.40
+13.00
+13.60
+5.93 +4.93
BV ORONO
ALVEAR
+13.40
R
O
N
M
L
K
J
I
H
G
F
E
D
C
600
600
600
600
600
600
600
600
600
600
600
600
600
600
600 P
B
LINEA MUNICIPAL
+14.40
600
±0.00
LINEA MUNICIPAL
±0.00
A
NO RT H E L E VAT ION +13.40
+13.00
45 +5.93 +4.93
BV ORONO
ALVEAR
+13.60
C ourtesy of Eray/C arbaj o Ar chite cts
EVKA3 TERMINAL I Z M I R ,T R Ye a r: 2 01 6 Ty p o lo g y : Te rm i na l & C ul t u r e C e nt er To t a l A rea : 4 0,00 0 s qm E r a y /C a r ba j o A r c hi t e c t s
EVKA 3 Te r m in al is n ot j u s t a t r a ns port a t i on hub but it c on n e c t s s o c ie ty. T h e m a s s i ve a t ri u m a l l ows every c omm u t e r t o s e e e a c h ot her a nd i n c r ea s es t he chance of c o in c id e n c e s . I t i s not j u s t a s p a c e t o pas s but i t also g iv e s y o u a c ha nc e t o pa us e a nd c a l m down i n the m id d le o f t h e c ha os . F u n c t i ona l di s t r i b uti on of the p r o je c t fo c u s es on m a x i m i z i ng t he p ubl i c s paces and m in im izin g t h e t r a ns port a t i on a rea s . E x i sti ng bus termi n al ke p t at t h e s a m e a r ea w hi l e c a r pa rk i n g pl aced unde r g r o u n d . C o mm e rc i a l a rea s a nd a t ri u m opens up to main s q u a r e s o t ha t i t c ou l d bl e nd w i t h t he bui l di ng. Cultu r al ac t iv it ie s pl a c e d on t he oppos i t e s i d e of bus termi n al t o a v o id c on f l i c t i n be t w e en s ervi ce and t r an s p o r t ati on f unc t i on s of t he bui l di n g.
47
C ourtesy of Eray/C arbaj o Ar chite cts
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OTOBÜS TİCARİ OFİS WC
TİYATRO / KONSER SALONU ÇOK AMAÇLI SALON DANS STÜDYO SAHNE/SAHNE ARKASI
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49
FORMING THE MASS
MEVCUT PERONLAR
MEVCUT OTOPARK
OTOPARK YER ALTINA ALINDI
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PERONLAR DÖNDÜRÜLDÜ
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MEVCUT YAYA AKSI MEVCUT YAPI
YAYA AKSI YENİDEN YAPILANDIRILDI TRAFO YENİDEN KONUMLANDIRILDI
TİCARET MEYDAN CEPHESİNDE
MEVCUT YAPI
E X IST I N G
C I R C U L AT IO N ADJUST M E NTS
FO RM ING T HE PL AT FO RM
YENİ PERON BAĞLANTISI
YAPIYI SARAN KABUK
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FORMING T H E S H EL L
P ED ESTR IAN C O NNE C T IO NS
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50
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
MEVCUT
MEVCU MEVCU
E XIST ING SITE
AKTARMA AKTARMA AKTARMA ARALIĞI ARALIĞI ARALIĞI OTOBÜS
OTOBÜS OTOBÜS
ARALIK OLUŞTURMAK
ARALI ARALIK
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RESTAURANT RESTAURANT CAFE CAFE
PRO PO SE D VE RT ICAL C O NNE C T ION
DANS PARK
ÇOK AMAÇLI /SERGİ
DANS DANS
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ÇOKAMAÇLI AMAÇLI/SERGİ /SERGİ ÇOK
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ANAFUAYE FUAYE//SERGİ SERGİ ANA
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TİCARİ TİCARİ OTOPARK OTOPARK
53
OTOPARK OTOPARK
PRO PO SE D SE C T ION
ÖNERİ ÖNERİ
SQ UARE L E VE L FLO O R PL AN 54
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
T E RM INAL L E VE L FLO O R PL A N
A-A SE C T ION 57
+ 5 5 .9 6 FLO O R PL AN
B- B SE C T ION 58
ATATEPE SOCIAL CENTER M E R S I N ,T R Ye a r: 2 01 5 Ty p ol og y : Publ i c S p a c e Tot a l A rea : 1 ,7 0 0 s qm E r a y /C a r ba j o A r c hi t e c t s
Atate p e is t h e m o s t i m p ort a nt s pot f or t he peopl e of Anamu r a n d a la n d m a rk a s i t i s . Soc i a l c e nt er proj ect going t o b e t h e h om e of r eg i ons c ul t u r a l a c t i vi ti es and w ill be v is ib le fr o m a l l a round t h e A n a m ur. The ai m of th e d e s ig n was c rea t i n g a s ubt l e l a ndm a r k wi th a simple b u t s o p h is t i c a t ed c a n op y de s i g n. F or m of the c anop y d e v e lo p e d w i t h t op ol og i c a l a n d ci ty vi ew axis. T h e u n in t e r r upt ed f l ow be t w e en open and cl os e space s le t s e v e r y us er t o enj oy t h e v i e w a nd e vents at t h e s a m e t i m e i n a h a r m on i ous w a y.
59
C ourtesy of Eray/C arbaj o Ar chite cts
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
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C ourtesy of Eray/C arbaj o Ar chite cts
C ourtesy of Eray/C arbaj o Ar chite cts
DIGITAL FABRICATION B R O O K LY N , U S A Ye a r: 2 01 5 - 1 6 Pra t t I n s t i t ut e Indus t r ia l r e v e lo u ti on c ha ng e d t h e w orl d a t i ts ti me. Arc h it e c t u r e wa s a l s o p a rt of t h i s c ha ng e. Moderni sm took a d v a n t ag e o f t h e t e c hnol og y a n d devel op ers al so loved t h e id e a o f bui l di n g c hea per bui l di n g s wi thi n a short e r t im e s . To d a y w e a r e t h e w i t h n e s s es of the new indus t r ial r e v o lu t io n . Au t om a t i on s t a rt ed t o become a top ic o f ar c h it e c t ure a nd a rc hi t e c t s c a n bui l d l ot more t h an “ Le s s is m ore.� Ma s s c u s t om i z a t i o n al l ows arc hi t e c t s t o b u ild m uc h m or e det a i l ed w or k i n a very short t im e. D ig it a l f a br i c a t i on be c a m e a pa s s i o n f or me durin g m y s t u d ie s a t Pra t t I n s t i t ut e a nd t hi s chapter w ill sh o w m y wo r k s w h i c h f a bri c a t e d w i t h 3 D Pri nters , CN C or A B B Robot i c A r m .
67
3D PRINTING T he El ementary s chool proj ect i n Downtown Manhattan devel oped wi th the hel p of these 3d pri nted cel l prototypes. It hel ps to di s cover potenti al s of the much compl i cated f orms of cel l s.
70
COMPOSITE MATERIAL MILLING Ini ti al Study to Desi gn and Bui l d a Structural El ement wi th C NC Mi l l i ng Rubber, Pl ywood and Pl ex i gl as s.
72
FORM DEVELOPMENT
B ASE
A P ERTU R E O F F S ET
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73
C NC ARE A
M AT E RIAL BO UNDARY F OLD
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74
75
CURVE FOLDING How to Make Double Curved Surfaces Out of a Sheet? C ol l a bora t i on w i t h A d am C herni ck and Kes ra Mans uri In th e b e g in in g o f t he t a s k , t e a m a s s i g ned to bui l d a structure wi th a f ol ded or bended sheet of mater ial. T h e fir s t i n s t r uc t i on a bou t t h e des i gn was not to des i gn a doubl e curved s urf ace becau se it w as “ im p o s s ib le� t o bui l d one w i t h a s heet of materi al . That was the s tarti ng poi nt of the proj e ct, c ha l l enge thi s i dea.
76
INITIAL STUDY Eve r y t h in g s t ar t s w i t h t he s m a l l s c a l ed phy s ic a l m o d e l a nd m a t e ri a l res ea rc h. D iffe r e n t m a t eri a l s w i t h di f f e rent thic k n e s s e s m i l l e d t o f i nd t he bes t .
78
PROTOTYPING Af t e r a m a t e ri a l res earch team deci ded on 1 /1 6 � PVC s heet. It was sof t enough to f ol d bu t s t r ong enough to hol d i ts shape. F i rs t prot ot ype s tabi l i ze i nto concrete bas e.
79
PROTOTYPING Af ter the success of s mal l s cal e prototype team moves f orward wi th the f i nal versi on. Due to s tandard s heet si ze surf ace of the pavi l i on panel i zed. Joi nt des i gn f i nal i zed af ter mul ti pl e prototypes.
82
T H E PAV I L I O N Tea m de vel op ed tons of i deas and made prot ot ypes a l m ost every one of i t. In the e nd of t h i s i n tense proces s al l of thi s w ork ex hi b i ted at Pratt Insti tute.
83
P ho tography : Ja s o n Vay a n os
L I G H T PAV I L I O N Li ght pavi l l i on i s created by us i ng an A BB Robo tic A rm. The s urf ace whi ch des i gned wi th Gras shoppe r transl ated i nto roboti c arm moves. A rm f ol l ows the surf ace and attached LED bar creates the pavi l i on. Long ex posure photo of the proces s reveal s the pavi l i on.
86
AUTOMATED PA N E L FABRICATION C ol l aborati on wi th A dam C herni ck, Atef eh Z and, Garrett Lord, Eunmee Hong Mai n task of the proj ect was bui l di ng a pavi l i on by usi ng cus tom styrene panel s. To gi ve s tructural s trength styrene heated and pres sed to a s peci f i c mol d wi th s peci fic di recti on and depth. Af ter the press each panel bol ted each other to f orm the pavi l i on.
87
THE PRESS Progr a m m in g t h e robot i c a r m w a s t he m os t c ritic a l p a r t o f t he p roc es s . Af t er t h e l ong hours o f wo r k b e s t hea t i n g t i m e, hei g ht a nd movem e n t o f t h e a rm . W h ol e proc es s w a s also c o n n e c t e d fr om t h e s i m p l e s u r f a c e t o the fin a l c o d e wh i c h i s t h e bea ut y of di g i t a l fa br i c a t i on.
90
SHOCK THERAPY MANHATTAN,USA Yea r: 2 01 7 Ty p ol og y: S p ort s F a c i l i t y E r a y /C a r ba j o A r c hi t e c t s The m ain id e a was c rea t i n g a s pa c e f or t h e f uture of fitnes s . T h e t im e s t a rt s be ndi n g i ns i de t h e w el comi ng area, t h r o u g h it s curved f urni t u r e a n d f i ni s h e s . When c limbin g u p t h e s ta i r s f or t he s t udi o, t h e vi s i tors wal k into a fu lly e n c ap s u l a t ed s pa c e t ha t l e a k s di f f erent shad e s o f lig h t t h roug h t he g ra di e nt p a t t erns on the shell . W h ile t h e p erm e a t i n g l i g ht f eel s l i ke a gl i mpse into t h e fu t u r e, t he p res erved h i s t ori c f e a t ures and d e c o r a t iv e pi e c es rem i nd t he c ore.
91
C ourtesy of Eray/C arbaj o Ar chite cts
Co urtesy of E r ay / C a r b a jo A rc hi t e c t s
THE RECEPTION Rec e p t io n d e s k d es i g ned t o m a x i m i z e t he usag e ar e a o f t h e g round f l oor. I t c rea t es breat h in g r o o m in t he ent ra nc e z on e t hen i t tw ist s a n d fo r m s a rec ept i on de s k . M or e t ha n 200 p ly wo o d p ie c es us ed t o bui l d t he des k w hich p lac e d o n t o p of a m et a l c u s t om m a de ba s e.
C ourtesy of Eray/C arbaj o A rchi tects
94
Co urtesy of Ig lo A r c h it e c t s
NEW AGE CLINIC I S TA N B U L ,T R Year: 20 1 2 Typol ogy: Heal th F aci l i ty Igl o A rchi tects The cl i ni c whi ch woul d serve cl i entel e who value aes theti cs s houl d not be des i gned wi th an ordi nar y approach. The cl i ni c shoul d have an ori gi nal , mode r n and s mart desi gn to ref l ect the tas te of i ts cl i ents a nd make them f eel s af e, s ecure and conf i dent. O ur f ir st task was to start a war agai nst l i ght bl ue and whi te which are standard surgery col ors. S ayi ng ’’Why not bl ack ?’’, we chose dark gray to be us ed as the mai n col or f ro m cei l i ng to f l oor. O n the cei l i ng and wal l cros si ngs we us ed a f l ui d f orm whi ch i mpl i es the heart beat. This graphi cal ef f ect def i ned the s tyl e of the f urni ture a s wel l . A s no structural el ements such as s uspende d cei l i ngs were des i red, cei l i ng and i l l umi nati on details were both sol ved by usi ng speci al l y des i gned stretch cei l i ng l i ghti ng el ements . The 5 m l ong des k i n the l obby was des i gned by Igl o A rchi tects f or New Age C l i ni c.
96
ADAM GROOMING ATELIER LONDON,UK Yea r: 2 01 6 - 1 8 Ty pol og y: C om m e rc i a l E r a y /C a r ba j o A r c hi t e c t s The s p a c e c r e at e s a n u n p a ra l l el e d a t m os phere i n groom in g . W it h i t s h e x a g on a l l a yout , t he desi gn provid e s e xc lu s iv i t y a nd uni n t e rrupt ed a t t enti on to the g u e s t s wh ile t hey a re bei n g s erved. Inspi red by Tu r k is h B at h s , i t s t i m el e s s m a t eri a l “Marmara Marble� an d n a t ur a l c hes nut c r ea t e a n el e gant yet relax in g e n v ir o n m e n t . A DA M c u r rent l y h a s 5 branches in Lo n d o n a n d all a r c hi t e c t ura l w or k don e by Eray/ Carba jo A r c h it e c t s. A l l c u s t om m a de A DA M f urni ture manu fac t u r e d in Is t a n bu l under t he g u i da nc e of Eray/ C a r ba j o A r c hi t e c t s .
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C ourtesy of Eray/C arbaj o Ar chite cts
U GU R I M A M O G LU Y E LDE G IR M E NI, K ADIKOY, ISTANBUL +9 0 53 7 84 6 84 0 4 u u r i m am ogl u@gm ai l .com i s s u u .com / uguri m am ogl u
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